History as biography

The following thoughts were prompted by a reading of Shakespeare’s plays, Julius Caesar and Antony and Cleopatra. The point is that, apart from all other considerations of literature and so on, both plays demonstrate the enduring human tendency to attribute all social change, all meaning in the flow of historical events, to Great and Eminent Personages. To humanise the flow of events and to attribute praise and blame for everything to a handful of Top Dogs.

The confusing world

It’s difficult for any of us to understand what is happening, what is going on in our own lives, let alone in the wider world. There is a natural tendency to humanise everything, to reduce everything to the behaviour of named individuals in order to make our lives manageable, graspable, bearable. If we can attribute everything to individuals then we can relapse into the standard human response of naming and shaming and blaming them. We can blame America’s ills on Donald Trump and Britain’s ills on Boris Johnson.

But on numerous levels, I think this is wrong, not morally wrong, just factually inaccurate. Even in my little family I can see how individuals are swayed by social trends and pressures. I can see how the economic outlook for my children’s generation shapes their attitudes. Multiply this by millions and you, fairly obviously, have a host of broad social, economic, technological and cultural trends which affect everything we hear, and so repeat, discuss, believe, argue about.

At the ‘highest’ level (if you want to visualise it as a hierarchy) are the cultural and ideological trends – the changing things people believe in, think about, argue about.

Beneath them you have economic trends – in our day and age drastic rises in oil and gas prices which affect the cost of fertiliser and transport which threaten severe food shortages this autumn and winter. In my country and time another huge factor is the failure of successive governments to build enough accommodation for the spiralling population, leading to the never-ending rises in house prices, and the dispirited resignation of both my kids that they will never own a home like their parents did.

Economic trends are strongly influenced by technological developments – the most obvious one in my lifetime being the enormous increase in the computerisation of all aspects of life, from high finance to finding a partner, almost everything seems to done via the internet, smart phones and social media, with all kinds of consequences, the most obvious being that people spend a huge amount of time on their phones and are immensely influenced by what they read coming through their social media feeds.

And at a deeper level there are the basic facts of geography and biology – the most important single one being the rapid heating up of the planet which is making severe drought more common, accompanied by the manmade destruction of all manner of ecosystems which we rely on for food and water, which will  greatly exacerbate the situation.

At a more individual level we are subject to our genetic inheritances which program whether we are tall or short, fat or thin, male or female, predisposed to heart disease, cancer, dementia and a host of bodily infirmities.

And then, of course, there is the constant threat of infections from outside, something most people are much more aware of since COVID-19 brought the world to a halt.

All this is hard enough to take in, and it’s only a superficial sketch of the multi-layered ‘reality’ we inhabit, or more accurately, the overlapping realities. Our minds inhabit a complex matrix of biochemistry, ever-changing sensory perceptions, the permanent wash of emotions and an endless tide of discourse and words which have no boundaries because all of these issues are, in effect, endless: discourses about the importance of oil prices on civilisation, assessing the impact of global warming, considering the effect of infectious disease on societies, explaining the importance of genetics in human behaviour, these are just a handful out of thousands of serious topics and no-one fully understands them. Vast subjects, impenetrably complex – and, when you start to begin to combine them, impossible for any individual to fully grasp.

The Great Man theory

And so it is much, much easier to think of society and what is happening in terms of a handful of powerful individuals. And this explains why most cultures, for most of human history, have done just that – attributed everything that happens to the eternal gods or, on the human plane, to Eminent Men and Women, to kings and queens and emperors and empresses and the like.

As far back as we have written records, they record the wars and acts of Great Men, emperors of China or India or Assyria or Egypt and the earliest histories which emerge from simple annals or chronologies likewise focused entirely on the doings of great men (and occasional empresses or queens).

The earliest histories had just two explanations for everything: 1. the wise or foolish behaviour of great leaders, and sitting above them, 2. the capricious interventions of the gods. 3. any unexpected turn of events could be attributed to the vague catch-all category, ‘Fortune’.

And 4. hovering behind all accounts was the primitive assumption that the present age is uniquely corrupt and degraded, a sad falling-away from some unspecified previous times when men were all upright, pure and noble.

Boris Johnson and the wheel of fortune

Armed with these four concepts you can, at a pinch, explain everything, right up to the present day. Using this template, Boris Johnson is a Great Man who Got Brexit Done, oversaw the fastest vaccine rollout of any western nation, and was leading this great country of ours onwards to greater things, when his treacherous colleagues, jealous of his achievements, conspired to stab him in the back and bring him down. To quote a Latin tag attributed to Cicero, ‘O tempora, O mores!’ meaning: ‘Oh the times! Oh the customs!’ But then again – a medieval commentator would say – no-one, even of Boris’s majesty and stature, can defy the turn of Fortune’s wheel, which is destined to bring even the highest and mightiest low.

One of the thousands and thousands of medieval depictions of the wheel of fortune bring the mighty low (Illustration by Jean Miélot to Christine de Pizan’s Epitre d’Othéa: Les Sept Sacrements de l’Eglise, about 1455)

See? Anything can be explained using these primitive concepts. Maybe more accurate to say, these concepts can be attributed to almost any events and the impression given that they’ve been explained, a completely spurious impression.

The Great Men theory in ancient authors

So it comes as no surprise when we get to the histories of the ancient (western) world, to discover that Plutarch or Sallust or Suetonius take a moralising approach to history, focusing on the character of the great men of the times they describe, and interpreting their behaviour in terms of the strengths and weaknesses. If this doesn’t completely explain the events they are chronicling, they could always add a knowing reference to Fortune which inscrutably intervenes to wreck the affairs of men.

I sometimes find it odd that the editors and translators of the editions of these ancient authors feel the need to explain the Great Men ideology of their authors, since it has been the default setting of most of mankind for most of history.

As John Wilders writes in his introduction to the Arden edition of Antony and Cleopatra, Plutarch was a very congenial source for Shakespeare’s dramas about the ancient world because, although living 1,500 years apart:

both men wrote on the assumption that the course of history was shaped by the actions of men in power and, for that reason, both were curious to penetrate into the subtleties of human character… (Antony and Cleopatra, Arden edition, 1995, page 57)

QED. It is only very recently that more objective, non-Great Men theories – broadly speaking, concepts to do with economics and sociology – have been developed. We can date this new development in human thought to the period vaguely referred to as the Enlightenment of the 18th century. Maybe we can pick an arbitrary date of 1776, the year Adam Smith published ‘An Inquiry into the Nature and Causes of the Wealth of Nations’, which introduced readers to the notion that we are all members of a globalised system of trade and production, and that our lives – whether we have jobs, what we can afford to buy, eat or wear – subject to events in faraway countries and forces beyond our control. Just as everyone in this country is going to suffer because of Russia’s invasion of Ukraine. A revolutionary new way of thinking about societies and human existence.

This new, economics-based and sociological way of looking at society definitely accompanied the development of the industrial revolution as all manner of authors tried to understand the sweeping changes transforming society without anybody explicitly planning or wanting them.

We find Dickens objecting to the dominance of the new breed of ‘economists’ who want to reduce all human life to economic statistics (Hard Times, 1854), and Karl Marx, obviously, was writing works which engaged with the earlier sociological theories of Hegel, in Germany, and the post-French Revolution school of theorists in France. The revolution crystallised, accelerated and disseminated all manner of new political and social theories, kick-starting the feverish debates of the nineteenth century, Hegel, Marx, Bakunin, Comte and so on.

In the more pragmatic mercantile Anglosphere the industrial revolution prompted an explosion of social and economic theorists following Smith’s lead, Malthus, Bentham, John-Stuart Mill and so on. We still, to a large extent, live in this world, a world awash with ideologies and theories, none of which completely work or explain everything and so are subject to the endless updating, revising, revisiting and rethinking etc which fill so many books and political journals.

I’m not trying to recapitulate the history of modern political and economic theory, I’m interested in the way that, despite the jungle of modern social theorisation, the Great Man / Fortune’s Wheel theory of history persists and flourishes.

Julius Caesar and Antony and Cleopatra

And so to what prompted these thoughts, Shakespeare’s plays Julius Caesar and Antony and Cleopatra  which I read after reading about 30 texts from ancient Rome about history (Plutarch, Suetonius, Sallust, Cicero). When characters in these plays describe the lead figures, or the lead figures describe themselves, as world-bestriding colossi, they are doing two things.

First of all, they are reinforcing the Great Man theory of history, stymying any attempt to think beyond it and countenance less simplistic explanations. Again and again, reading ancient literature, you come up across this brick wall, this closed door. Nobody could think beyond it. it makes you realise how immensely intellectually free and liberated we are, in our age. Even if we don’t have all the answers, the answers we do have are infinitely more sophisticated, responsive than anything the ancients had.

But secondly, these old tropes continue to thrill us. The rhetoric surrounding great men in Shakespeare’s plays is wonderfully vivid and exciting:

CASSIUS: Why, man, he doth bestride the narrow world
Like a Colossus, and we petty men
Walk under his huge legs and peep about
To find ourselves dishonourable graves…
(Julius Caesar, Act 1, scene 2)

This is my final point: that the vicarious thrill to be experienced in the vivid rhetoric of power deployed throughout Shakespeare’s political plays is not necessarily a good thing. Food manufacturers add salt and sugar to processed food because the human palate is designed to respond favourably to their taste. The touch of salt or sugar on the palate fires basic, primitive nerves which release endorphins in the brain. because, during the course of human evolution, edible sources of salt or sugar were so extremely rare that our palates had to be sensitive enough to detect them. In our hyper-industrialised societies, manufacturers now exploit this basic human functionality and stuff so much salt and sugar in their products that the taste pleasure can become addictive. Hence the epidemic of obesity in the western world, due to the addiction of large number of consumers to products packed with unhealthy levels of salt and sugar.

Same with the Great Man Theory. It is the default setting of the human mind, it is the crudest possible way of thinking about politics and history and social change. Listen to vox pops of supporters of either Donald Trump or Boris Johnson and you realise that most people still cleave to a theory of society which predates the ancient Egyptians. “Don-ald! Don-ald! Don-ald!” Chimpanzees picking each others’ fleas are more sophisticated.

I’m exaggerating for effect, but the conclusion I’m leading up to is that a good deal of the pleasure derived from watching plays like Julius Caesar and Antony and Cleopatra is comparable to the guilty pleasure of pigging out on junk food.

The author invites us to thrill to the rhetoric of power embodied in the many descriptions of ‘the triple pillar of the world’ (Philo on Antony 1.1) and ‘the greatest soldier of the world’ (Cleopatra describing Antony 1.3) or great men each owning ‘a third of the world’ (Antony of Caesar 2.2), becoming ‘lord of all the world’ (Menas to Pompey 2.7), to great men playing with half of the world as they pleased (Antony 3.11) or quartering the whole world with his sword (Antony 4.14) or deserving ‘the worship of the whole world’ (Eros of Antony 4.14), being ‘the greatest prince o’ the world’ (Antony on himself 4.15), and ‘his legs bestrid the ocean: his rear’d arm crested the world’ (Cleopatra on Antony 5.2).

My point is that to thrill to this kind of rhetoric, to enjoy it, to be excited by it, is, intellectually speaking, the equivalent of wolfing down a Big Mac with large fries and a king-sized Coke. It is the basic, primitive , lowest-level human response to the society around us and abrogates the difficult but complex knowledge of the world we know we possess and know we ought to be employing if we’re ever to escape the mess we’ve got ourselves into.


Related reviews

Imperium by Robert Harris (2006)

‘Politics is history on the wing! What other sphere of human activity calls forth all that is most noble in men’s souls, and all that is most base? Or has such excitement? Or more vividly exposes our strengths and weaknesses?’
(Cicero defending his fascination with politics to his secretary, Tiro, in Imperium, page 263)

What you notice first about this book are a) its length (480 pages) and b) the blank flatness of its style. Here’s how it opens:

My name is Tiro. For thirty-six years I was the confidential secretary of the Roman statesman Cicero. At first this was exciting, then astonishing, then arduous, and finally extremely dangerous. During those years I believe he spent more hours with me than with any other person, including his own family. I witnessed his private meetings and carried his secret messages. I took down his speeches, his letters and his literary works, even his poetry – such an outpouring of words that I had to invent what is commonly called shorthand to cope with the flow, a system still used to record the deliberations of the senate, and for which I was recently awarded a modest pension. (p.3)

Very clear, plain and factual, with a complete absence of literary effects or colour. Opening my review of Harris’s 2016 thriller Conclave to extract the list of my reviews of Harris’s other novels, I see this is exactly what I thought about that work, too, so I might as well quote myself:

A cliché can be defined as a thought or description which you’ve read or heard so many times before that it slips past the eye or ear with the minimum amount of disturbance, barely registering, like soothing background music in a hotel lift or lobby. It is designed not to detain you but speed you on your way to your business appointment.

This is true of a great deal if not most of Harris’s writing – it is smooth and effective without stirring any ripples. If you pause for thought, it is at what he is reporting – documentary explanations of the personalities and politics of 1st century BC Rome – but never the way he reports it. As befits a man who worked for decades in high level journalism, Harris’s English is unfailingly clear and lucid, a servant of the subject matter, never drawing attention to itself.

Harris isn’t an awful writer, he is a very good writer, but of a kind of clear and rational prose which is almost devoid of colour. This is very effective when conveying factual information (and his novels tend to be packed with factual information which needs to be written out as clearly as possible in order for the reader to understand what is at stake). But it leaves something be desired when it comes to character, setting or atmosphere.

Having read four histories of ancient Rome which all feature passages about Cicero, Sallust’s Catiline War in which he plays a starring role, Plutarch’s Life of Cicero and a selection of Cicero’s letters, I feel pretty familiar, if not slightly bored, by the actual content of the book i.e. the setting, characters and main events of Republican Rome from 79 to 64 BC (the exact dates are indicated on the title pages of the novels two parts).

For me, already over-familiar with the course of events, the interest was not in the narrative as such, but in the way Harris ‘brings the history alive’ by vividly imagining particular moments. These are hardly great literature but they have an uncanny knack of ringing true and, slowly, subtly, without you realising it, placing you right there, in the houses of the great, in the forum and senate house and numerous other locations of ancient Rome, watching the characters interact, the voters queue up on the dusty Field of Mars, the scrum of senators waiting outside the senate house, the night time stink coming from the public dumps just beyond the city walls, Cicero’s habit of tossing a leather ball from hand to hand as he thinks, or working a crowd of clients, pressing the flesh and greeting everyone by name.

The prose is as interesting as tap water, style-wise, but quite quickly the sheer intelligence Harris brings to his descriptions of ancient Roman power politics and the deftness with which he describes scenes and settings, really draw the reader into the narrative.

Ticking the boxes

Having just read Plutarch’s Life of Cicero and Cicero’s letters, I recognise well-known anecdotes or remarks popping up throughout the novel. It feels slightly, to someone familiar with the source texts, as if Harris made a list of key anecdotes about and descriptions of Cicero and then found places to insert them into his text. It has a slightly mechanical feel. Thus we get mention of:

  • Cicero’s habit of making witty jokes about people which mortally offended them, thus making unnecessary enemies (pages 62, 296, 325, 326, 347, 403)
  • how Marcus Licinius Crassus got rich by sending his people to wherever a fire had broken out in Rome and offering to buy their houses from the owners at rock bottom prices then, when they’d sold them, sending in his fire brigade to put out the fires and make a massive profit on the properties (pages 79 and 306)
  • Cicero’s touchiness about his lowly provincial origins (p.97)
  • the fact that the leading lawyer in Rome, Quintus Hortensius Hortalus, owned a statuette of the sphinx, the subject of one of Cicero’s wisecracks as reported in Plutarch’s life (pages 237 and 444; Plutarch’s Life of Cicero chapter 7)
  • the anecdote in Plutarch of pushy young Gnaeus Pompeius telling the dictator Lucius Cornelius Sulla that more people worship the rising than the setting sun (p.218)
  • the much-told story of how Caesar was captured by pirates and, after he was eventually ransomed and released, returned with Roman soldiers, tracked down all his captors and supervised their crucifixions (p.287)
  • the anecdote in Plutarch of the raven flying over the forum when Pompey was acclaimed to the special command to eliminate the pirate threat, and which was killed by the roar of approval from the crowd, dropping stone dead out of the sky (p.324 and Plutarch’s Life of Pompey chapter 25)

There’s a steady stream of these little flash bulbs going off in the narrative, as one by one anecdotes from the sources are deftly inserted into the text and ticked off the list.

Politics

But the real subject of the novel is not Cicero’s life but politics.

Harris was famously close to the Blair family during Tony Blair’s years as leader of New Labour. Although not directly involved in politics he saw how power and personality played out at the highest levels, experience which underpins The Ghost, his 2007 novel about a fictional Labour Prime Minister and his wife, which is blatantly based on Tony and Cherie Blair. That novel was published just a year after this one and you can’t help thinking they were worked on simultaneously, insights into the nature of power allotted to one or other of the closely related texts as appropriate.

All this is relevant because political power is also the subject of Imperium. It’s a novel about power and Harris takes every opportunity to really imagine what the exercise of power would have looked and felt like in ancient Rome. Harris’s descriptions can perhaps be categorised into implicit and explicit descriptions.

1. By explicit all I mean is explicit comments on and about the nature of power. Tiro’s narrative is littered with apothegms and reflections on the exercise of power, which are phrased in such a way that they could apply to Westminster today or to any place where power is exercised:

  • Power brings a man many luxuries, but a clean pair of hands is seldom among them. (p.2)
  • ‘The first rule in politics, Tiro, never forget a face.’ (p.29)
  • ‘Sometimes if you find yourself stuck, in politics, the thing to do is start a fight – start a fight, even if you do not know how you are going to win it, because it is only when a fight is on, and everything is in motion, that you can hope to see your way through.’ (p.58)
  • As every fool knows, the quickest way to get to the top on politics is to get yourself close to the man at the top. (p.76)
  • Politics is a country idiot, capable of concentrating on only one thing at a time. (p.77)
  • There are certain politicians who can’t stand to be in the same room as one another, even if mutual self-interest dictates that they should try to get along…This is what the Stoics fail to grasp when they assert that reason rather than emotion should play the dominant part in human affairs. I am afraid the reverse is true, and always will be, even – perhaps especially – in the supposedly calculating world of politics. (p.84)
  • I have frequently observed this curious aspect of power: that it is often when one is physically closest to its source that one is least well informed as to what is actually going on. (p.90)
  • No one can really claim to know politics properly until he has stayed up all night, writing a speech for delivery the following day. (p.132)
  • There are few forces in politics harder to resist than a feeling that something is inevitable, for humans move as a flock and will always rush like sheep towards the safety of a winner. (p.188)
  • ‘The trouble with Lucius is he thinks politics is a fight for justice. Politics is a profession.’ (p.234)
  • The work gave Cicero his first real taste of what it is to have power – which is usually, when it comes down to it, a matter of choosing between equally unpalatable options – and fairly bitter he found it. (p.235)
  • Cicero knew that the way to a great man‘s confidence, curiously enough, is often to speak harshly back to him, thus conveying an appearance of disinterested candour. (p.271)
  • Is this not the dream of every proud and ambitious man? That rather than having to get down in the dust and fight for power, the people should come crawling to him, begging him to accept it as a gift? (p.292)
  • How important appearance is in politics. (p.296)
  • The journey to the top in politics often confines a man with some uncongenial fellow passengers and shows him strange scenery. (p.301)
  • You can scheme all you like in politics, the gesture seemed to say, but in the end it all comes down to luck. (p.333)
  • It is dangerous in politics to find oneself a great man’s whipping boy. (as Cicero began to find himself ‘owned’ by Pompey, p.340)
  • What a heap of ash most political careers amount to, when one really stops to consider them! (p.394)
  • ‘Cicero, you disappoint me. Since when has idiocy been a bar to advancement in politics?’ (p.398)
  • ‘The ability to listen to bores requires stamina, and such stamina is the essence of politics. It is from the bores that you really find things out.’ (p.405)
  • It is always said of elections, in my experience, that whichever one is in progress at the time is the most significant there has ever been. (p.469)

As mention of Tony Blair suggests, quite a few of these sayings about politics could be applied to the contemporary British political world which Harris had seen at first hand. The kind of generalised rules Tiro articulates are designed to be widely applied. Thus when he has Cicero say:

‘The most fatal error for any statesman is to allow his fellow countrymen, even for an instant, to suspect that he puts the interests of foreigners above those of his own people.’ (p.251)

it made me think of how Jeremy Corbyn was monstered in the Tory press for his associations with the IRA and Hamas i.e. was accused of being unpatriotic. When Tiro describes the hysterical fear triggered in Rome when pirates attacked and burned the port city of Ostia, and how Pompey and Caesar describe this as a new kind of threat, international, with no centralised power structure, which must be crushed – it was impossible not to hear echoes of the kind of rhetoric which filled thousands of articles and op-eds about al-Qaeda in the aftermath of 9/11 (p.268).

Tiro’s thoughts are designed to make the reader hover, equivocally, between the ostensible setting of Rome 70 BC and London 1990s or 2020s. If there’s any consistent ‘literary’ effect in the book, maybe it’s this.

2. What I mean by implicit is the way Harris brilliantly captures the dynamics of power as it plays out in personal confrontations, in dramatic scenes and situations cleverly constructed to demonstrate how power politics really works in practice; how cunning political operators handle themselves and manipulate others. Thus:

  • The meeting with Lollius Palicanus who represents Pompey’s interest and tries to persuade Cicero to join up to Pompey’s cause. (p.61)
  • The meeting with Crassus outside Rome after the latter had crushed the Spartacus rebellion and crucified 6,000 of the rebel gladiators along 350 miles of the Appian Way. That’s all very Hollywood, but the point of the scene is the way the two men, intellectually and psychologically, sound each other out, assess each other, sparring and disagreeing while on the surface remaining immaculately polite, all while Tiro looks on. (p.81)
  • The way Cicero is invited to Pompey’s first big levée in the city after returning from his successful campaigns in Spain, and then only cursorily greeted by Pompey in a lineup like the cast meeting a royal at a movie premiere. It is a memorable image of the relationship between true, exceptional power (Pompey) and a rather desperate aspirer (Cicero). (p.97)
  • The entire extended description of the trial of Gaius Verres amounts to Cicero creating power from his oratory and the wealth of evidence he has amassed, and then wielding it against Verres along with the lawyer he has bought (Hortensius) and the corrupt senators he has bribed until they are all swept away in mob anger at the governor (Verres’s) scandalous, criminal behaviour. (chapter 9, pages 203 to 238)
  • ‘There is as much skill in knowing how to handle a meeting of ten as in manipulating a gathering of hundreds.’ (p.290)
  • ‘He leaned in close and moistened his lips; there was something almost lecherous about the way Crassus talked of power.’ (p.309)

And then the climax of the plot, the sequence of events leading up to Cicero’s big meeting with the grandest of Rome’s aristocrats and the Faustian pact he enters into with them in order to get elected consul, is an elaborate, multi-levelled and quite thrilling dramatisation of power in action, dirty deals, betrayals, compromises and all.

Imperium

Hence the title of the book. The plot centres on Cicero as described by his loyal freedman and secretary Tiro, but its real subject is power, how to win it, use it and keep it, as the narrator Tiro himself explains on page 2 with its hokey reference to the opening of Virgil’s epic poem, the Aeneid. ‘Arms and the man I sing’, wrote Virgil. Harris writes:

It is of power and the man that I shall sing. By power I mean official, political power – what we know in Latin as imperium – the power of life and death, as vested by the state in an individual.

I looked up the Wikipedia definition:

In ancient Rome, imperium was a form of authority held by a citizen to control a military or governmental entity. It is distinct from auctoritas and potestas, different and generally inferior types of power in the Roman Republic and Empire. One’s imperium could be over a specific military unit, or it could be over a province or territory…In a general sense, imperium was the scope of someone’s power, and could include anything, such as public office, commerce, political influence, or wealth.

Tiro writes that:

Whenever I picture the word imperium it is always Pompey who comes to mind. (p.326)

But the same is true of half a dozen of the other characters who each exemplify really dizzying, intimidating top-level power in action – the terrifying Crassus, slippery Caesar, suave Publius Clodius Pulcher or half-mad Catiline. The whole novel is heady with the aroma of power and the endless threat and risk from the machinations of super-powerful men. Harris doesn’t need much literary styling because the subject matter itself is so psychologically powerful.

The plot

The text is divided into two parts:

Part one – Senator (79 to 70 BC)

This introduces the narrator, Marcus Tullius Tiro, freed slave and secretary to up-and-coming lawyer and aspiring politician Marcus Tullius Cicero. Tiro tells us he is writing his memoirs as he approaches the ripe old age of 100, long after Cicero and everyone else he will describe is dead. (Since Tiro tells us he was aged 34 in the year Cicero won the Verres case (p.230), which was in 70 BC, then 65 years later, the date must be 5 BC, well after the Roman Republic disintegrated and was replaced by the sole rule of Augustus, who established the template for the emperors who followed.)

Part one quickly jumps over Cicero’s early career, describing his sojourn in Athens where he learned oratory from the best teachers available, his election to the senate, and then the one-year governorship he served in Sicily, followed by his return to Rome and election as aedile.

But the majority of part one is devoted to Cicero’s involvement in the prosecution of the Roman governor of Sicily, Gaius Verres, for outrageous corruption and extortion, showing how it all began when a Sicilian whose business had been ruined by Verres arrives on Cicero’s doorstep, and following the subsequent twists and turns as Cicero and Tiro get drawn into his ‘case’, eventually travelling to Sicily to assemble evidence, and how the case itself gets tangled up in the bitter rivalry between Rome’s two strong men, the great general Gnaeus Pompeius Magnus and the menacing plutocrat Marcus Licinius Crassus.

Part one ends with Cicero overcoming all the vested interests facing him and triumphantly winning the Verres case. Along the way we have been introduced to key politicians and leading figures in Cicero’s personal life, his fearsome wife, Terentia, and beloved daughter, Tullia, his support network of brother Quintus Tullius Cicero and cousin Lucius. And enjoyed Harris’s well-researched descriptions of various aspects of life in ancient Rome, from the squalid apartment blocks known as insulae to the richest mansions, the festivals and triumphs, with special emphasis on the forms and rituals surrounding elections to public posts and ill-tempered debates in the senate.

Part two – Praetorian (68 to 64 BC)

The first part had a really strong central subject in the Verres case. Part two is a bit more diffuse. It starts by giving an insider’s view of the machinations surrounding the senate’s decision to appoint Pompey to a special command to deal with the threat from pirates, against the opposition of the aristocratic party, most of the senate and, most menacing of all, Crassus.

Then the narrative settles onto Cicero’s attempts to be elected one of Rome’s 8 praetors and, once he achieves that position, his manouevring for the ultimate prize, election as consul. Many obstacles present themselves but none as big as the enmity of the half-mad Lucius Sergius Catilina.

The novel develops into a genuinely nerve-wracking thriller as Tiro is smuggled into a secret meeting of Caesar, Crassus, Catiline and others who have developed a master plan to take over the running of the state and then make huge sums by selling off state land and taking over Egypt. Cicero then attends a late-night private meeting of Rome’s senior aristocrats, informs them about this plot and persuades them, reluctantly, that the only way to foil it is to give Cicero their vote in the consular elections, and it is this election which forms the climax of the second part.

Harris has this great knack of generating genuine excitement in a narrative – not anything to do with his style, but with the intelligent laying on of facts and his vivid depiction of the psychology of power politics. The result is that the novel builds to a real climax in the form of a thriller-style conspiracy which Cicero cleverly turns against the conspirators by revealing it to the aristocrats in exchange for their support.

And then…Cicero has won! Achieved his lifetime’s ambition. He is a consul, one of the two most powerful men in Rome for a year. And the book ends with a little family celebration on the roof of his house underneath the stars, where his entourage learn the details of the deal he made with the aristocrats and the compromises he will have to make during his time in power. Politics is nothing if not the art of compromise, dirty deals in smoke-filled rooms.

Imperium is the first in a trilogy of novels about Cicero’s career so the reader can be confident that the consequences of this deal will be described in the second book of the trilogy, Lustrum. Anyone who knows about Cicero, knows that it was during his year as consul that the Cataline conspiracy erupted, one of the most dangerous and florid events in late Republican Rome. Wow, what a feast of political intrigue for Harris the political novelist get his teeth into!

The multi-layered connectivity of Roman politics

From a factual point of view, one thing comes over very strongly in this novel which is often missing from the history books and this is the tremendous importance of family, clan, tribe and social connections among Rome’s elite in creating the very complex political ‘system’ or just situation, seething with competition and rivalry.

Elections in ancient Rome were a complicated business:

  • The Centuriate Assembly elected the highest offices of consul, praetor, and censor. This assembly divided all adult male citizens into 193 centuries organised into tiers by rank and property, with the equites or knights at the top and the unarmed and unpropertied at the bottom. Which century voted first was decided by lot and the winning century was called the centuria praerogativa (p.471)
  • Quaestors and curule aediles were elected by the Tribal Assembly, while tribunes and plebeian aediles were elected by the Plebeian Council. The electorates for both these assemblies were divided into 35 tribes or geographical units of voters. Harris names and gives pen portraits of the important tribes in his description of the election of Cicero as aedile (pages 198 to 200).

A really important point to grasp is that all votes were not equal. The votes of the wealthy and upper classes counted for a lot more than the votes of the average citizen. In the Centuriate Assembly the oldest established tribes voted first and their votes counted for more.

As well as tribes, the city was divided into wards. Each of these had community meeting halls and community (or gang) leaders, who could turn their members out if you needed a crowd, to jeer at a trial or cheer a triumph or jostle senators on their way into the senate house.

The novel gives a vivid description of the ‘voting syndicates’ based on local wards, which had organisers and which could be bought at a price (the precise, elaborate and well established method of bribing these syndicates is described in detail on pages 406 to 408).

The reader is made aware of the way these tribes and wards fed into political situations and calculations.

But sitting above this complicated electoral system was the intricate web of family connections which dictated or rather, made up Roman politics. It had arguably two aspects.

1. Like any aristocracy, the Romans had very ancient, super-well-established families which could trace their origins right back to the legendary times when the monarchy was overthrown (about 500 BC). Their authority was bolstered by their family’s track records in holding office and this was made visible because the atriums of the worthiest families contained wax busts of the ancestors who had held public office, in particular the consulship. These busts could be removed from the home and paraded by the proud descendant at festivals or political events.

The Togatus Barberini, a marble sculpture from first-century Rome depicting an unknown Roman of noble birth holding effigies of his ancestors in either hand

Let’s take a detour into structural linguistics for a moment:

Synchrony and diachrony are two complementary viewpoints in linguistic analysis. A synchronic approach considers a language at a moment in time without taking its history into account. A diachronic approach considers the development and evolution of a language through history.

The Roman upper classes can be considered in both a synchronic and diachronic perspective. I’ve just outlined the diachronic perspective, namely the history of each family and its eminent members. But the ruling class must also be seen synchronically in terms of its alliances in the present.

2. Thus someone like Cicero, trying to play the political game, had to be aware not only of the histories of all the most eminent families, but also of the super-complicated mesh of marriage alliances, of uncles, aunts, first and second cousins which connected families and factions at the highest level.

In addition to the complex interlinking of powerful families by marriage went the uniquely Roman custom of adopting someone from a different family into yours, but not in our modern sense of adopting a baby or toddler. It meant adopting a full-grown adult from one family into another. To take two famous cases, Publius Clodius Pulcher came from a very distinguished and ancient family but in a demonstration of aristocratic eccentricity, in the 50s had himself adopted by an obscure plebeian family so that he could be elected tribune of the plebs. More famously, Octavian was adopted by Julius Caesar as his heir, a legal position he used to maximum advantage when he arrived in Rome after Caesar’s assassination in 44 BC.

Laid on top of this was political alliances which came in at least two flavours: First, as a rule, the aristocracy stuck together and thought of themselves as the optimates or best people (hero figure Sulla, contemporary leader Quintus Lutatius Catulus). Anyone who opposed them was liable to be tarred as populares i.e. upstart representatives of the ever-unruly ordinary people of Rome, unpredictable, cowardly, ignoble (hero figure Marius, contemporary star Caesar).

But of course, the unrelenting competition for power of the ambitious often cut across class divides. Thus the psychopathic Cataline (‘A jagged streak of violent madness ran through Catalina like lightning across his brain’, p.351) who ended up trying to lead an abortive rebellion came from one of the oldest patrician families in Rome, gens Sergia. In his frustrated furious ambition to seize power he ended up allying himself with the working classes and political outcasts of all kinds.

His younger contemporary, Clodius, also came from one of Rome’s oldest and noblest patrician families, the Claudia gens. But, again, lust for power and a certain aristocratic perversity, led him to get adopted by an obscure plebeian so that he could be elected tribune of the plebs, which is why he changed his middle name from the aristocratic ‘Claudius’ to the more plebeian ‘Clodius’.

In addition to all this was the complicated system of clients and patrons. Rich and influential Romans acquired clients who they had done or would do favours for in return for their political or financial support, and so whose patron they would be. Powerful individuals such as Crassus, Caesar or Pompey were continually working behind the scenes to acquire and cultivate networks of hundreds of clients. Nothing came for nothing. All the deals which businessmen, lawyers, politicians and military commanders were doing all the time created new alliances, new networks of clientilism and patronage.

So as you read about figures in Republican Rome, you have to be aware that they operated in a society where people were individuals but also came enmeshed in a tribe, a clan, a family, with both a particular family history and the complexity of recent familial alliances (through marriage or adoption), as well as their position in the simmering conflict between optimates and populares, as well as their calculated commitments to this or that powerful patron.

Taken together these elements or strands created the fantastically complex matrix of history, family, class, financial, legal and political obligations which Tiro at one point (in a rare departure from Harris’s use of the plainest of plain English) describes as the ‘webwork’ of Roman society.

It’s into this webwork of 1st century BC Rome that the book swiftly plunges the reader, and a great deal of the pleasure of reading it derives from getting used to this multi-levelled game of allegiance and obligation which Cicero (and everyone else) finds themselves playing all their adult lives. With the whole thing acutely observed by the clever but non-participating eye-witness, Tiro.

Family connections

Publius Clodius Pulcher’s biography demonstrates the complex interlinking at the top of Roman society. His elder brothers were Appius Claudius Pulcher, consul in 54 BC, and Gaius Claudius Pulcher, praetor in 56 BC and subsequently governor of Asia. His sisters included Claudia, the wife of Quintus Marcius Rex, Claudia Quadrantaria, the wife of Celer, and Claudia Quinta, the wife of the fantastically successful general Lucius Licinius Lucullus.

Through his family, Clodius was closely connected with a number of prominent Roman politicians. His brother-in-law, Lucullus, was consul in 74 BC, while brother-in-law Celer was consul in 60, and the latter’s brother, Quintus Caecilius Metellus Nepos, in 57. Mucia Tertia, a half-sister to the Caecilii, was the wife of Gnaeus Pompeius Magnus, and later Marcus Aemilius Scaurus, praetor in 56 BC. A half-brother, Publius Mucius Scaevola, was a pontifex, while his brother Quintus was an augur, and tribune of the plebs in 54.

So anyone who tangled with Clodius had to be aware that he was also going to provoke some or all of his extended network of family members and spouses, who each had their own positions of power, ambitions and networks of clients to consider. Matrices and intricate webworks of alliance, patronage and position, in every direction…

Aspects of ancient Rome

  • The hubbub as senators gathered in the senaculum before entering the chamber for a debate.
  • Sumptuous description of Pompey’s grand triumph. (p.115)
  • The look, feel and smell of rundown apartment blocks.
  • The stench of decay coming from the public dump outside the Esquiline Gate. (p.193)
  • Detailed description of the melée on the Field of Mars on election day. (pages 196 to 200)

Harris has Tiro describe Catullus as ‘that cruellest of poets’ (p.307).

Cicero describes Tiro as his second brother (p.428).

Lowering

Right at the end of the book I realised what it is I find so depressing about Harris’s books. Not a word in any of his political books hints for a moment that politics is about making a fairer, juster, safer world, could be about plans for building a better society, helping the vulnerable, righting historic wrongs, supporting hard-working families, planning carefully for the future etc. In Harris’s discourse none of this exists.

‘The trouble with Lucius is he thinks politics is a fight for justice. Politics is a profession.’ (p.234)

Like the outstanding political journalist he was, Harris sees politics is just another career, like medicine or the law. Tiro (like the narrator of Harris’s novel of contemporary politics, Ghost) never mentions policy or political programmes, what is best for Rome and its people, but thinks only in terms of individual politicians, their scams and strategems, and the special buzz you get from being in the room with the big beasts as they are making seismic decisions.

It’s depressing because in this world of professional politicians and their journalistic hangers-on nothing ever changes and nothing ever will. A succession of charismatic crooks, desperate wannabes, blustering liars, and bullying blowhards will create coalitions of supporters enough to scrabble their way to the leadership of their parties, then do anything, say anything, make any promise and cook up any impractical policy, in order to ensure good headlines in tomorrow’s papers and cling onto power for another day.

I found that Cicero was fond of repeating certain phrases and these I learned to reduce to a line or even a few dots – thus proving what most people already know, that politicians essentially say the same thing over and over again. (p.14)

Harris’s journalistic cynicism may be intelligent and witty, and the speed of the narrative as it builds up to the big conspiracy at the end is certainly thrilling. But to any thinking reader it is also pretty dispiriting.

If you’re right in the thick of the political vortex it is no doubt tremendously exciting, and this novel powerfully projects Harris’s first-hand knowledge of the nail-biting psychology of power 2,000 years back onto the dramatic political career of Cicero. Countless memoirs testify to how thrilling it can be to be right in the thick of the political world, talking to the leaders of nations as they wage the daily struggle to stay in power, please the people and shaft their rivals. But you only have to walk out of the room, down the corridor and out into the fresh air to suddenly find the hype and hysteria surrounding most politics pathetic and squalid.

And if you’re a citizen of the country unlucky enough to be ruled by these bloviating blunderers, then there is no excitement at all, but depressed resignation at the spectacle of the unending bickering and mismanagement of idiots.

The visceral thrill of the political manoeuvrings which Harris describes so well make it easy to lose sight of the basic fact that the personal rivalries described in Imperium destabilised the late Roman Republic for decades, eventually leading to nearly 20 years of civil war and social upheaval, deaths, destruction, starvation, ruin.

Politics in our own time has given us Brexit, the mismanagement of the Covid crisis, widespread corruption, now a pointless war in Ukraine and a global food crisis. The stupidity of human mismanagement, which some people dignify with the term ‘politics’, never ends.


The Cicero trilogy

Robert Harris reviews

Cicero reviews

Roman reviews

Blood and Belonging: Journeys into the New Nationalism by Michael Ignatieff (1993) – 2

As I’ve discovered in Croatia and Serbia, the four-wheel drive is the vehicle of preference for the war zones of the post-Cold War world. It has become the chariot of choice for the warlords who rule the checkpoints and the command posts of the factions, gangs, guerrilla armies, tribes that are fighting over the bones of the nation in the 1990s. (p.139)

In 1993 Michael Ignatieff was commissioned by the BBC to make a TV series in which he investigated what was already being heralded as the rise of a new kind of virulent nationalism following the end of Cold War and the fall of the Soviet Union. With this aim he and his TV crew travelled to Croatia and Serbia, to recently reunified Germany, to Ukraine, Quebec, Kurdistan, and Northern Ireland. Each location produced an episode of the TV series and a chapter of this book.

Ignatieff introduces autobiographical elements into his text. We learn that he has personal links with Ukraine (where his Russian great-grandfather bought a farm), Quebec (his grandparents emigrated to Canada where he spent his boyhood), Yugoslavia (where his father was posted as a diplomat and Ignatieff appears to have spent 2 years as a teenager), Germany (where he has also lived) and Northern Ireland, because he had lived and worked in London through the later 1980s and 1990s, and Ulster was (and is) the UK’s biggest nationalist problem.

But the autobiographical elements are always dignified and restrained (for example, the moving and evocative descriptions of his great-grandfather’s long-ruined house in the Ukraine). More importantly, they always serve a purpose. They are chosen to bring out the broader political, sociological or historical points which he wants to make.

1. Croatia and Serbia

The key point about the wars in the former Yugoslavia is that, despite lingering memories of the brutal civil war between Croats and Serbs 1941 to 1945 within the larger Second World War, the wars which broke out across the former Yugoslavia were not inevitable. They were the result of the calculated efforts of communist leaders to cling onto power as the Soviet Union collapsed, especially Slobodan Milošević of Serbia; and of the over-hasty and thoughtless steps to independence of Croatia under its leader Franjo Tuđman which alienated the large (600,000) Serb minority within Croatia’s borders.

Another way of looking at it is that neither Serbia nor Croatia, nor Slovenia nor Bosnia, had time to develop anything like western levels of civic society before the slide to war began, at which point the crudest ethnic nationalism became the quickest way to maintain power, for someone like Milošević, and opened the way for opportunistic warlords such as Arkan (real name Željko Ražnatović, ‘the most powerful organized crime figure in the Balkans’ to take over entire regions).

Ignatieff reiterates the themes summarised in the introduction:

  • a slide towards anarchy inculcates fear; ethnic nationalism addresses that fear by providing safety and security among ‘your’ people
  • into the vacuum left by the collapse of civil society step warlords, whose rule revives the political arrangements of the late Middle Ages

He points out, in more than one chapter, the intense psychological and erotic pleasure of being a young men in a gang of young men wielding guns or machetes and lording it over everyone you meet, forcing everyone out of their houses, looting and raping at will, bullying people at checkpoints, making them lie on the ground while you swank around above them. Photos of Arkan and his tigers indicate what a band of brothers they were and how this kind of behaviour fulfils a deep male need. (Until you’re killed in a firefight or assassinated, that is; but who wants to live forever?)

Large parts of former Yugoslavia are now ruled by figures that have not been seen in Europe since late medieval times: the warlord. They appear wherever states disintegrate: in the Lebanon, Somalia, northern India, Armenia, Georgia, Ossetia, Cambodia, the former Yugoslavia. With their carphones, faxes and exquisite personal weaponry, they look post-modern, but the reality is pure early-medieval. (p.28)

(Which is why Beowulf is, in many ways, a much more reliable guide to life in many parts of the contemporary world than any number of modern novels.)

The warlord is not only the figure who naturally emerges when civic society collapses; the ethnic cleansing which was given its name in Yugoslavia is his natural strategy.

The logic of ethnic cleansing is not just motivated by nationalist hatred. Cleansing is the warlord’s coldly rational solution to the war of all against all. Rid yourself of your neighbours, the warlord says, and you no longer have to fear them. Live among your own, and you can live in peace. With me and the boys to protect you. (p.30)

Ignatieff gives a great deal of historical background, especially the long shadow cast by the Yugoslav civil war of 1941 to 1945. In this context he explains Tito’s great failing. Tito went out of his way to defuse ethnic tension in the region by carefully redistributing power between the national groups and seeding Serb communities in Croatia and Croatian communities in Serbia and so on. But he made two signal mistakes:

  1. He tried to bury and suppress the genocidal past, as symbolised by the way he had the notorious concentration camp at Jasenovach (where as many as 250,000 people, mostly Serbs, were taken to be murdered in the most brutal ways imaginable) bulldozed to the ground instead of acknowledging the atrocity and undertaking a truth and reconciliation process.
  2. Although Tito’s Yugoslavia gained the reputation of being more independent from Soviet control and therefore more liberal, Tito completely failed to develop any form of civic democracy. When the collapse came none of the constituent nations had any track record of real democratic debate, of addressing disputes through discussion. Instead the respective leaders (in Serbia and Croatia in particular) seized power for themselves with arrogant indifference to the large minorities within their borders (most notably the 600,000 Serbs who lived inside Croatia) which triggered a wave of paranoia, and then it only took a few sparks to ignite localised fighting, and then the leaders declared ‘It’s war!’

To summarise the road to war:

  • until recently the difference between Serbs and Croats were glossed over or ignored by people who lived together, intermarried, worked and played football together
  • they made up a community of interest where people concern themselves with jobs and pay and housing and schools
  • the collapse of Yugoslavia into its constituent states was a long time coming (Tito, who held the place together, died in 1980);
  • in the decade after Tito’s death the peoples off Yugoslavia underwent a sustained period of austerity imposed on them by the IMF and Western bankers as the price of repaying the massive debts Tito had run up in the 1970s
  • at the same time it became evermore obvious that the communist rulers were corrupt and creamed foreign money off to live a luxurious life; the combination of poverty and corrupt leadership led to widespread resentment
  • the trigger was the fall of the Berlin Wall in November 1989 and the realisation by the communist rulers that their rule was destined to end soon
  • therefore they turned to ‘national identity’ to create a new ideology to underpin their rule
  • civic nationalism treats every citizen as equal, regardless of race, creed, colour, gender and so on, and citizens are united by a shared commitment to the rule of law and established institutions
  • however, the traditions and institutions of democracy and the civic virtues of tolerance and inclusivity take time to create and inculcate via education
  • for demagogues in a hurry it is much much easier to whip your population up using ethnic nationalism i.e. to tell people a) they are part of a distinct ethnic group b) that this group has historically been victimised and exploited but now c) it’s time to rise up, to stop being helpless victims, to stand up to the exploiter, to seize what is rightfully ours etc
  • ethnic nationalism provides all kinds of advantages to both the ruler and the ruled: for the ruler it is a quick way to whip up fervent support for a National Idea and cover up your own corruption; for the ruled the excitable fervour of nationalist belief makes you feel authentic, like you finally belong; it creates a community of equals, your tribe, gives opportunities to rise in the ranks and lord it over friends and neighbours who thought you were a loser: all the while this ideology explains that everything bad that’s ever happened in your life and to your country by blaming it on them, the others, the outsiders, who must be purged, expelled or plain liquidated from the territory you now consider your Holy Soil

Update

Ignatieff visited in 1993 and travelled through zones where different militias held neighbouring villages and had dynamited all the homes belonging to their ethnic adversaries. Reading his account you get the sense that some kind of uneasy peace had settled. But this was way wrong. The wars in Yugoslavia were to continue right up till 2001, centred on the cruelty and then Serb massacres of the Bosnian war, and then, when the Serbs refused to cease killing Kosovans, the 1999 NATO bombing campaign against Belgrade.

  1. The Ten-Day War (1991)
  2. Croatian War of Independence (1991 to 1995)
  3. Bosnian War (1992 to 1995)
  4. Kosovo War (1998 to 1999)
  5. Insurgency in the Preševo Valley (1999 to 2001)
  6. Insurgency in the Republic of Macedonia (2001)

2. Germany

Ignatieff’s prose is a little more purple and metaphorical in the chapter on Germany. This is because the fall of the Berlin Wall in 1989 was the epicentre of the crisis which swept the Soviet regime and its east European colonies. So he uses descriptive prose to try and capture what East Germany felt like during the long years of drab, repressed communist rule, and then what it felt like in the ecstatic months of protest leading up to the demolition of the wall.

Now, four years later, all the euphoria has gone. The East Germans he speaks to are a shabby, disillusioned bunch, very conscious of the way the West Germans quickly took to looking down on them, accusing them of being workshy malingerers.

What happened was a massive experiment in political theory. Divide a nation in half. Keep them utterly separate, physically and psychologically isolated, for 45 years. Then suddenly remove all barriers and let them reunite. Then ask: to what extent does the people (an unchanging social and cultural group) make the state? Or how much does the state shape and mould the people? I.e. in those 45 years, how much had the wildly divergent West and East German governments managed to mould their populations?

Short answer: states mould the people. During the Cold War West Germans were quietly proud that East Germany was the most economically successful of Russia’s colonies. But when the wall came down and Western industrialists visit the East’s fabled factories they discovered they were a shambles, incompetent managers overseeing workshy workers. They would have to start again from scratch, inculcating Germany virtues: timekeeping, conscientiousness, hard work.

In reality, it was less a reunification than the West colonising the East. Ignatieff meets Helmut Börner, the tired manager of a museum in Leipzig, so conceived and run to flatter the East German authorities and their Russian sponsors and they both reflect on how quickly the new Germany will erase memories of the shameful East. Ignatieff visits a sweaty underground club full of pounding music which has the exotic twist that it used to be the torture rooms of the East German security police. He looks around. It’s only a few years after reunification but the kids don’t care. They’re dancing and getting off with each other. Life is for living.

Ignatieff interviews a neo-Nazi called Leo who cheerfully denies the Holocaust and yearns to reconquer Silesia, now part of Poland, where his family came from. Ignatieff thinks the resurgence of neo-Nazism is dangerous but not really worrying, when it amounts to gangs of skinheads fighting immigrants.

More worrying is the growth of right-wing anti-immigrant parties, exemplified by the retired prison officer and local politician, Herr K, standing for election for the Republikaner Party. He wants rights for immigrants restricted more than they already were in 1990s Germany (where a Turk could be born, educated, work, pay taxes, and yet never achieve formal German citizenship).

Because there’s no actual war in reunified Germany, this long chapter is the most varied and subtle. It is a beautifully observed essay on the contradictions and quirks of the German nation and its ideas of itself, something we Brits rarely hear about.

Update

That was a long time ago. Inequality between East and West Germany has proved an intractable problem, admittedly partly because the East is more rural than the dynamic, industrialised West. And the refugee crisis he discusses turned out to be just the harbinger of a central issue of the 21st century, which is what to do about the increasing numbers of refugees and migrants wanting to escape Africa and the Middle East and start new lives in affluent Europe. Which came to a head in the refugee crisis of 2015.

And the right-wing Republikan Party candidate Ignatieff interviews has been superseded by the right-wing Alternative für Deutschland, founded in 2013 and which now holds 83 seats in the Bundestag. Germany’s struggle with its past, with its national identity, and its multicultural present, is a microcosm of the problems which face all Western nations.

3. Ukraine

Ignatieff’s great-grandfather was Russian and bought an estate in the Ukraine in the 1860s when he was ambassador to Constantinople (over 1,000 miles away). Ignatieff flies in to Kiev and takes a bus then taxi out to the old estate, stays the night, interviews the priest in the village church and the manager of the collective farm.

What keeps coming over is his sense of the Soviet Empire, as he calls it, the largest empire of the twentieth century, as a magnificent and catastrophic failure. In the Ukraine Soviet failure and tyranny had disastrous effects.

Something like 3 million Ukrainians died of hunger between 1931 and 1932. A further million were killed during the collectivisation of agriculture and the purges of intellectuals and party officials later in the decade. An additional 2 to 3 million Ukrainians were deported to Siberia. The peasant culture of small farmers and labourers that my grandfather grew up among was exterminated. This was when the great fear came. And it never left… (p.91)

Like the communist officials in charge in Yugoslavia, the leaders of communist Ukraine realised they could transition to independence and still remain in power, so they deftly adopted nationalist clothes, language and slogans, despite the fact that only a few years previously they had been locking up nationalists as subversives. Ignatieff meets the Ukrainian president, Leonid Kravchuk, a smooth operator

He speaks to a Ukrainian journalist working for the Financial Times and a former nationalist, locked up in prison. Their fear is what happened to Russia will happen to Ukraine i.e. a relentless slide into economic collapse and anarchy.

He attends a service of the Ukrainian Uniate Church in St George’s Cathedral, Lvov, and has an insight. The nationalists dream that their entire country will be like this congregation:

Standing among men and women who do not hide the intensity of their feelings, it becomes clear what nationalism really is: the dream that a whole nation could be like a congregation; singing the same hymns, listening to the same gospel, sharing the same emotions, linked not only to each other, but to the dead buried beneath their feet. (p.95)

In other words nationalism can be a beautiful dream, a vision of unity and belonging, typically, as here, through religion, language and song.

Also, this passage mentions the importance of the dead and where the dead are buried. The land where the dead are buried. For the first time Ignatieff feels a stirring of that feeling for the land where his great grandfather and mother are buried, which he is the first member of his family to revisit since the revolution of 1917.

When he meets the Tartars returning to Crimea from their long exile in central Asia, they are even more obsessed about the land, about the soil, about the sacred earth of their ancestors (pages 99 to 103). Ignatieff begins to understand how our individual lives are trite and superficial, but acquire depth and meaning in light of these ancestral attachments.

Land is sacred because it where your ancestors lie. Ancestors must be remembered because human life is a small and trivial thing without the anchoring of the past. Land is worth dying for, because strangers will profane the graves… (p.93)

Update

In 2013, when the government of President Viktor Yanukovych decided to suspend the Ukraine–European Union Association Agreement and seek closer economic ties with Russia, it triggered several months of demonstrations and protests known as the Euromaidan.

The following year this escalated into the 2014 Ukrainian revolution that led to the overthrow of Yanukovych and the establishment of a new, more Europe-facing government. However, the overthrow of Russia-friendly Yanukovych led to the annexation of Crimea by Russia in March 2014 and the War in Donbas in April 2014.

4. Quebec

Ignatieff is Canadian, he grew up in Ottowa where his Russian grandparents had emigrated. As a boy he knew about the Frenchies up the road but he never actually met any. Now, as an adult, he realises he has never actually visited the French part of his own nation, Quebec. He thought he knew Canada, but realises now it was only a Canada of his imagining. Which leads him to realise that all nations are, in a sense, imaginary.

You can never know the strangers who make up a nation with you. So you imagine what it is that you have in common and in this shared imagining, strangers become citizens, that is, people who share both the same rights and the same image of the place they live in. A nation, therefore, is an imagined community.

But now he realises that during his young manhood he completely failed to imagine what it felt like for the other community in Canada. He recaps his definitions of nationalism, in order to go on and define federalism, for this chapter will turn out to be an investigation of the strengths and weaknesses of federalism. First nationalism:

Nationalism is a doctrine which hold (1) that the world’s people are divided into nations (2) that these nations should have the right to self-determination, and (3) that full self-determination requires statehood. (p.110)

Federalism is the antithesis of this idea of nationalism, for it holds that different peoples do not need a state to enjoy self-determination. Under federalism two different groups agree to share power while retaining self government over matters relating to their identity. Federalism:

seeks to reconcile two competing principles: the ethnic principle according to which people wish to be ruled by their own; with the civic principle, according to which strangers wish to come together to form a community of equals, based not on ethnicity but on citizenship. (p.110)

But federalism is not doing so well. He lists the world’s most notable federal states – Canada, Czechoslovakia, Yugoslavia, Belgium, India, the former USSR – and then points out that all of them are in deep trouble. The Czechs and Slovaks couldn’t live together; Yugoslavia collapsed in a welter of wars; India struggles with regional separatism. The very concept of federalism is in trouble around the world and so his long chapter on Canada treats it as a kind of test bed or laboratory to assess federalism’s long-term prospects for survival.

He gives a lot of detail about Canadian history, and the dawn of modern Quebecois nationalism in 1960, none of which I knew about. But out of this arises yet another definition or aspect of nationalism:

Nationalism has often been a revolt against modernity, a defence of the backwardness of economically beleaguered regions and classes from the flames of individualism, capitalism, Judaism and so on. (p.116)

Yes, this makes sense of the aggressive over-compensation of so many nationalists, who all speak a variation on the comic stereotype of the English provincial: ‘You come down here with your fancy London ways, with your multicultural this and your cosmopolitan that. Well, people round these parts live a more simple life, see, a more honest and authentic life than you la-di-dah city types.’ They flaunt their backwardness.

But this leads Ignatieff into a paradoxical development which he spends some time analysing. In the Canada of his boyhood the Quebec French really were discriminated against, weren’t served in shops unless they spoke English, were perceived as small-town bumpkins with a lower standard of education, dominated by an authoritarian Catholicism and with extravagantly large families (ten children!).

So, Ignatieff says, surely as these very real obstacles have been overcome, as Quebecois have become more urban, progressive, women’s liberation has led to much smaller families, they’re all less in thrall to the church, surely they would abandon their nationalism and become modern urban cosmopolitans like him? But no. Contrary to everything Ignatieff would have expected, Quebec nationalism has grown. The paradox is exemplified by a French Canadian Ignatieff interviews who is president of a very successful bank.

I had assumed that global players cease to care about nationalism. I was wrong. (p.115)

Historical grievances are never forgotten. The British won the Battle of Quebec in 1759 and Quebec nationalists are still unhappy about it. He talks to modern journalists and a group of students. All of them are proudly nationalistic and want their own Quebec. There’s a division between those who want an actual independent state with its own flag and seat at the UN, and those who just want almost complete autonomy. But they all see Quebec as not a part of Canada or a province of Canada but a separate nation and a separate people.

But the problem with nationalism is it’s infectious. If Quebecuois want a state of their own so they can be a majority in their own state and not a despised minority in English-speaking Canada, what about two other constituencies?

1. Ignatieff goes to spend time with a native American, a Cree Indian. There are about 11,000 of them and they reject all the languages and traditions and legal concepts of the white people from down south, whatever language they speak. The Cree think of themselves as a people and they want their own protection.

2. Then Ignatieff goes to spend time with some of the English-speaking farmers who live in Quebec, have done for hundred and fifty years. No-one tells their story, the history books ignore them, Quebec nationalists have written them out of their narrative.

Nationalism spreads like the plague, making every group which can define itself in terms of language, tradition, religion and so on angry because it doesn’t have a nation of its own. You could call it the Yugoslav Logic. Smaller and smaller nations become shriller and shriller in their calls for ethnic purity.

And, of course, increasingly anxious about all the outsiders, non-members of the language group, or religion or whatever, who remain inside its borders. Read about the collapse of the Austro-Hungarian  and Ottoman empires to see what happens next. Insofar as the Sudeten Germans found themselves in the alien state of Czechoslovakia, the Second World War was caused by the collapse of the Austrian empire into impractical ethnic nation states.

Ignatieff doesn’t state this explicitly but I see this nationalism as a malevolent virus which, wherever it goes, creates antagonism at best, sporadic violence, if you’re not too unlucky or, given enough economic collapse or social stress, war.

Ignatieff visits Dennis Rousseau, a working class guy who works in a local paper mill and plays ice hockey in Trois Rivieres which is, apparently, the working class neighbourhood of Quebec. In a long conversation Rousseau won’t budge from his position that he wants Quebec to be independent because Ontario (capital of English-speaking Canada) isn’t doing enough for the struggling papermill industry, for his town and his peers. No amount of evidence to the contrary can shift his simple conviction and Ignatieff wonders whether nationalist sentiment like Rousseau’s is, among other things, a way of avoiding the truth about the changing economic situation.

All round the developed world businesses are being exported and once prosperous communities are getting poor. This is a function of the super-charged neo-liberal global capitalism which has triumphed since the collapse of communism, all those manufacturing jobs going to China and India.

Apart from all its other appeals (the very deep psychological appeal of belonging, of having a home, having people around you who understand your language, your religion, your music, your jokes) this kind of nationalism provides simple answers to intractably complicated economic realities. Twenty years after this book was published Donald Trump would reach out to the tens of millions who live in those kind of communities where life used to be great and now it isn’t with his brand of whooping Yankee nationalism.

Update

Kurdistan

There are perhaps 40 million Kurds. The territory Kurdish mostly inhabited by Kurds and which Kurdish nationalists would like to be an independent Kurdish state straddles four of the fiercest nations on earth: Turkey, Syria, Iraq and Iran.

Following the defeat of Iraqi dictator Saddam Hussein in the First Gulf War, the Kurds in Iraq rose up against his rule in the Kurdish intifada of March 1991. Hussein unleashed the full might of his army against them, driving hundreds of thousands of men, women and children up into the northern mountains until the Western allies intervened and set up a no-fly zone, preventing Saddam massacring any more of them.

It is this enclave which Ignatieff visits in 1993. With his typically intellectual perspective, he points out that it is something new: the first ever attempt by the UN to protect a people from the genocidal attacks of their national ruler. The enclave was far from being a state, but the Kurds had done as much as they could to make it like one, raising their own flag, holding elections. As in Ukraine among the Crimean Tartars, he realises how much the land, the actual soil, means in the mythology of nationalism:

At its most elemental, nationalism is perhaps the desire to have political dominion over a piece of land that one loves. Before anything, there must be a fierce attachment to the land itself and a sense that there is nothing else like this, nothing so beautiful, anywhere else in the world. (p.149)

Ignatieff travels and meets: representatives of the democratic party, the KDP, which has been run by the Barzani family for generations; then up into the mountains to see the PKK, the Kurdistan Workers Party, one of the last doctrinaire Marxist guerrilla groups in the world.

He is taken on a tour of Halabja, the town Saddam ordered his jets to fly over and bomb with a cocktail of chemical gasses, resulting in at least 5,000 dead. It is, of course, a horrific sight but, as always, with Ignatieff, he not only notes and records touching, moving, terrifying details: he also extracts interesting and useful points about nationalism and death. First is the way nationalist ideology gives a meaning to life and death, especially the latter:

Nationalism seeks to hallow death, to redeem individual loss and link it to destiny and fate. A lonely frightened boy with a gun who dies at a crossroads in a fire-fight ceases to be just a lonely frightened boy. In the redeeming language of nationalism, he joins the imagined community of all the martyrs. (p.148)

Thus the roads of Kurdistan are marked by portraits of killed peshmerga fighters staring down from the plinths which once carried portraits of Saddam. He goes on to make a point about genocide. He doesn’t phrase it like this, but you can think of genocide as the dark side of nationalism, the demonic brother. If a nation is defined entirely by ‘the people’, defined as one ethnic group, who occupy it, then anyone outside that ethnic group should not be there, has no right to the land, is a pollutant, a potential threat.

Before the experience of genocide, a people may not believe they belong to a nation. Before genocide, they may believe it is a matter of personal choice whether they belong or believe. After genocide it becomes their fate. Genocide and nationalism have an entwined history. It was genocide that convinced the Jews and even convinced the gentile world that they were a people who would never be safe until they had a nation state of their own. (p.151)

The Turks have been waging war against their Kurds since the foundation of modern Turkey in 1923. Its leader Kemal Ataturk envisioned Turkey as a modern, secular nation with a civic nationalism. Logically, therefore, there was no room for tribes and ethnic nationalism which destabilised his vision of a secular state. Hence the aggressive attempts to ban the Kurdish language in schools, erase their traditions and songs, even the word Kurd is banned; officials refer to the ‘mountain Turks’. To quote Wikipedia:

Both the PKK and the Turkish state have been accused of engaging in terror tactics and targeting civilians. The PKK has historically bombed city centres, while Turkey has depopulated and burned down thousands of Kurdish villages and massacred Kurds in an attempt to root out PKK militants.

For the only place in the book Ignatieff loses his cool when he is assigned a 24-year-old Turkish special forces agent who carefully chaperones him around the ‘pacified’ region of south-east Turkey, where the local Kurds obviously go in fear of their lives, and the agent carefully monitors everyone Ignatieff speaks to, while another spook photographs them all. The agent’s name happens to be Feret and this leads Ignatieff into the borderline insulting use of the word ‘ferret’ to refer to all such spooks and spies and security force agents and repressers and torturers (pages 158 to 161).

You can’t compromise when the very unity of the state is at stake. There is no price that is not worth paying. Pull the balaclava over your face; put some bullets in the chamber; go out and break some Kurdish doors down in the night. Pull them out of bed. Put a bullet through their brains. Dirty wars are a paradise for ferrets. (p.161)

Update

A lot has happened to the Kurds in the 28 years since Ignatieff visited them. The primary fact was the Allied invasion of Iraq in 2003 which led to the break-up of Iraq during which Iraqi Kurds were able to cement control over the territory in the north of the country which they claim. A Kurd, Jalal Talabani, was even elected president of post-Saddam Iraq (2005 to 2014). Kurdish fighters were also involved in the Syrian civil war (2011 to the present) and involved in the complex fighting around the rise of Islamic State. And low-level conflict between the Turkish-facing PKK and Turkish security forces continues to this day.

Northern Ireland

Like most English people I couldn’t give a monkey’s about Northern Ireland. I was a boy when the Troubles kicked off around 1970 and Irish people shooting each other and blowing each other up was the wallpaper of my teenage years and young manhood, along with glam rock and the oil crisis.

Decades ago I was hit by flying glass from a car showroom when the IRA blew up an army barracks on the City Road in London. Like the Islamist terrorists who drove a van into tourists on London Bridge then went on the rampage through Borough Market ( 3 June 2017) it was just one of those mad features of modern life which you cross your fingers and hope to avoid.

For the first time I get a bit bored of Ignatieff when he says he went to Ulster to discover more about ‘Britishness’. I’ve read hundreds of commentators who’ve done the same thing over the last 50 years and their clever analyses are all as boring and irrelevant as each other. Most English people wish Northern Ireland would just join the Republic and be done with it. The situation in Ulster doesn’t tell you anything about ‘Britain’, it just tells you about the situation in Ulster.

Ignatieff still makes many good points, though. He adds yet another category of nationalist conflict to his list: which is one caused – as in Ukraine, as in Croatia (as in Rwanda) – where there is a history of oppression of one community by another. The proximate cause of the Rwandan genocide was the conscious, deliberate, well worked-out plan for extermination devised by the ideologues of Hutu Power. But the deeper cause was the long period of time when the majority Hutus had been treated like peasants by the aristocratic Tutsis. Visitors to the country couldn’t tell the two groups apart, they lived in the same communities, spoke the same language, used the same currency. But deep in many Hutu breasts burned anger at generations of injustice and oppression. Breeding ground for virulent vengeful ethnic nationalism.

Same in Ulster where Roman Catholics were treated as second class citizens since partition in 1922, and were actively barred from various civil positions and comparable to the WASP prejudice against the Catholic French in Quebec, or to the much more vicious colour bar in the Deep South of America.

It is the memory of domination in time past, or fear of domination in time future, not difference itself, which has turned conflict into an unbreakable downward spiral of political violence. (p.164)

But much of Ignatieff’s discussion deals in clichés and stereotypes about Britain and its imperial decline which have been discussed to death during the extended nightmare of the Brexit debates.

He spends most of the chapter in the company of working class youths in a Protestant slum street in the build-up to the big bonfire night which inaugurates the July marching season. He notes how fanatical they are about the symbols of Britishness, pictures of the Queen, the Union Jack plastered over everything.

Which is when he springs another of his Big Ideas: Ulster Protestantism is like the cargo cults anthropologists have identified in the South Seas. The great white god arrives by ship, fights a battle, saves the local tribe and their religion from neighbours and rivals, then departs never to return. But generations of tribespeople wear out their lives waiting, waiting for that return, and turning the bric-a-brac the white man left at random into relics and cult objects to be worshipped at home-made shrines on special holy days (pages 182 to 184).

Same, Ignatieff claims, with Ulster Protestantism. It has become a weirdly deformed caricature of the culture of the homeland. While mainland England has become evermore secularised and multicultural, Ulster Protestantism has become evermore obsessed and hag-ridden by its forbidding religion, evermore furiously insistent on its ethnic purity, evermore angry at what it perceives as its ‘betrayal’ by the great white god across the water.

Apart from the historical accident of a handful of symbols (Queen, flag, crucifix) it has grown utterly separate from English culture and is an almost unrecognisable caricature of it.

Loyalism is an ethnic nationalism which, paradoxically, uses the civic symbols of Britishness – Crown and Union Jack – to mark out an ethnic identity. In the process the civic content is emptied out: Loyalist Paramilitarism, for example, makes only too clear what a portion of the Loyalist community thinks of the rule of law, the very core of British civic identity. In the end, the Crown and the Union Jack are reduced to meaning what they signify when tattooed on the skin of poor, white teenagers. They are only badges of ethnic rage. (p.185)

Update

The situation Ignatieff was reporting on in 1993 was superseded by the signing of the Good Friday Agreement in April 1998 and the 23 years of peace which have followed. Nowadays, there is much feverish speculation that the peace may be jeopardised by the complicated economic and political fallout of Brexit. Maybe a new generation of men in balaclavas will return and think they can achieve something by blowing up cars and shooting farmers.

The bigger picture, though, is that Ulster is now part of a United Kingdom substantially changed since Ignatieff’s time, because of the devolution of Scotland and Wales. Somehow, Scotland and Wales are still part of something called the United Kingdom but articles every day in the press wonder how long this can last.

Personally, I feel like I’ve been hearing about Scottish nationalism and Plaid Cymru all my adult life. Although they now have their own expensive parliament buildings and control over their healthcare and education systems, the basic situation doesn’t seem to have changed much – both Scots and Welsh nationalists continue to make a good living criticising the English politicians who pay for their nations to remain solvent.

I have no skin in the game. If they want to be independent nations, let them. Fly free, my pretties. According to a 2020 YouGov poll, my indifference is fairly representative of my people, the fat lazy English:

Less than half of English people (46%) say they want Scotland to remain part of the UK. Few want to see the nation pull away, however, at just 13%. Most of the rest (34%) have no opinion, saying that they consider it a matter for the people of Scotland to decide.

It seems unlikely that Scotland or Wales will ever become independent nations or that Northern Ireland will join the Republic, and for the same simple reason. Money. All three receive substantial subsidies from London and would become poorer overnight if they left. Try and sell that to your electorate.

Brief summary

Reviewing the six nationalist issues reviewed in the book prompts a simple conclusion which is that: none of these conflicts have gone away. Nationalism is like a terrible disease: once it has gripped a people, a tribe, a region, and once it has been used to set populations at loggerheads with other neighbouring groups or with the very state they find themselves in, it is almost impossible to extirpate. Nationalism is a virus which has no cure. Like COVID-19 we just have to learn to live with it and try to mitigate its effects before they become too destructive, before there’s an outbreak of another, more virulent variety.

The Cold War as the last age of empire

The Cold War was a lot of things to a lot of people but I am still reeling from one of the biggest of Ignatieff’s Big Ideas, which is that the Cold War amounted to the last phase of imperialism.

There was the early phase of Portuguese and Spanish imperialism; there was the rivalry between the French and British around the world in the 18th century; the Europeans grabbed whatever bits of the world they could bite off during the 19th century; and then the French, British, Dutch, Belgians and a few others hung onto their colonies through the catastrophic twentieth century and into the 1960s.

Then they left in a great wind of change. But they did so at exactly the same time as the spreading Cold War meant that huge areas of the world came under the direct or indirect control of the Americans or the Soviets. Although it wasn’t their primary goal, the CIA supporting their authoritarian regimes and the Soviet advisers to countless communist groups, between them they sort of – up to a point – amounted to a kind of final reincarnation of imperial police. Up to a point, they policed and restrained their client states and their opponents around the world. They reined them in.

And then, in 1990, with little or no warning, the imperial police left. They walked away. And instead of blossoming into the wonderful, democratic, peaceful world which the naive and stupid expected – chaos broke out in a hundred places round the world. The gloves were off and ethnic nationalism and ethnic conflicts which had been bottled up for decades, exploded all over.

Because this ideology, this psychology of blood and belonging and ‘kill the outsider’ – it’s easier for hundreds of millions of people; it provides a psychological, cultural and linguistic home, a refuge in otherwise poverty-stricken, war-torn, economically doomed countries.

It offers reassurance and comfort to stricken populations, it flatters people that whatever is wrong with the country is not their fault – and it offers an easy route to power and strategies to stay in power for demagogic leaders, by whipping up ethnic or nationalist sentiment and justified violence against the Outsider. Demonising outsiders helps to explain away the injustices and economic failure which somehow, inexplicably, despite their heroic leadership, continues.

Blame it on the others, the outsiders, the neighbouring tribe, the people with funny shaped noses, different coloured skin, spooky religions, use any excuse. The poison of ethnic nationalism is always the easy option and even in the most advanced, Western, civic societies – it is always there, threatening to break out again.

Concluding thoughts on the obtuseness of liberalism

Ignatieff ends with a brief conclusion. It is that his liberal beliefs have profoundly misled him. Educated at a top private school, clever enough to hold positions at a series of the world’s best universities (Harvard, Cambridge) and to mingle with the most gifted of the cosmopolitan elite, he thought the whole world experienced life and thought like him. Idiotic. The journeys he made for this book have made him realise that the vast majority of the human population think nothing like him.

This was crystallised by one particular type of experience which kept cropping up wherever he went. On all his journeys he saw again and again that most of the warlords and fighters are young men aged 18 to 25 (p.187). Until he met them at roadblocks and checkpoints he had not understood what masculinity is. An etiolated, lily-pink liberal with the impeccable manners handed down by his family of Russian diplomats, Ignatieff had no idea what men, poor men, uneducated men, out there in the world, are really like.

Until I had encountered my quotient of young males intoxicated by the power of the guns on their hips I had not understood how deeply pleasurable it is to have the power of life and death in your hands. It is a characteristic liberal error to suppose that everyone fears and hates violence. I met lots of young men who loved the ruins, loved the destruction, loved the power that came from the barrels of their guns. (p.187)

Only someone so phenomenally clever and immaculately well educated could be so remote from the world as it actually is, from human nature in all its appalling greed and violence. Meeting gun-toting warlords made him realise more than ever that the aim of civic society is to quell, control and channel this kind of male aggression which he had never experienced before.

I began the journey as a liberal, and I end it as one, but I cannot help thinking that liberal civilisation – the rule of laws not men, of argument in place of force, of compromise in place of violence – runs deeply against the human grain and is only achieved and sustained by the most unremitting struggle against human nature. (p.189)

And the best all-round way to prevent the outburst of ethnic nationalism and the almost inevitable violence which accompanies it, is the creation and maintenance of a strong stable state with institutions which distribute and diversify power, which act as checks and balances on themselves, which are permanently capable of correction and reform, including the most important kind of reform which is the ability to get rid of your political leaders on a regular basis.

The only reliable antidote to ethnic nationalism turns out to be civic nationalism, because the only guarantee that ethnic groups will live side by side in peace is shared loyalty to a state, strong enough, fair enough, equitable enough, to command their obedience. (p.185)

The fundamental responsibility of a government is not to promote ‘equality’ and the raft of other fine, liberal values. They’re nice-to-haves. It is more profound than that. First and foremost it is the eternal struggle to build and maintain civic nationalism – because the alternative is horror.

Credit

Blood and Belonging: Journeys into the New Nationalism by Michael Ignatieff was published by BBC Books in 1993. All references are to the revised 1995 Vintage paperback edition.


New world disorder reviews

Squeeze Me by Carl Hiaasen (2020)

The purpling corpse of Uric Burns still hung from the bridge abutment. Photographers clambered around like coked-up marmosets.
(Squeeze Me, page 186)

I suspect that the outstanding feature of this novel was intended to be the extended mockery of President Donald Trump and the First Lady, Melania Trump, who both appear as speaking characters, not actually named, but unmistakable nonetheless – the former blustering at press conferences or failing to get an erection with his mistress, the latter relieving the boredom of her gilded cage by having an affair with her Secret Service bodyguard, on one memorable occasion emerging dripping naked from her bath and ordering him to **** her.

However, two things militate against the book being quite the excoriating sensation Hiaasen and his editors may have planned:

  1. Trump has finally gone, as of January 2021, and it’s surprising – but then again, maybe not – how quickly we’ve stopped giving a damn about him and, therefore, this book has lost its satirical charge.
  2. Trump has quickly been trumped by the small matter of a worldwide pandemic which has rocked every aspect of our societies, and shows no signs of going away.

Presumably Hiaasen was putting the finishing touches to this novel in spring 2020 when the pandemic first arrived. He’s been canny enough to slip references to it into the narrative but it doesn’t affect the plot at all; indeed, it would be difficult to see how you could have a comedy thriller set during a lockdown. But somehow even the fleeting references to COVID (pages 8, 29, 56, 105) are enough to drag the reader out of Hiaasen’s grotesque fantasy-land and into our all-too-real present. They undermine the satire.

Plot summary

As usual, as soon as she opens a Hiaasen novel the reader is bombarded with a host of characters, each with their own complex backstories and history, who are brought together by a premise, by one specific incident, the more garish and grotesque the better, whose ramifications rumble on and spread out and ensnare everyone in comic (and sometimes very violent) consequences for just shy of 400 pages.

Angie Armstrong

Angela ‘Angie’ Armstrong runs a wild animal control company ‘Discreet Captures’ i.e. if you’ve got a wild raccoon in your kitchen or a bear blunders into your garden, Angie’s the woman you call to sort it out. She’s five foot three tall and her Army father taught her to address all males as ‘sir’. She was married for a while to Dustin, 21 years older and a good-looking life coach (p.44). However, Dustin didn’t like critters at all, which put a strain on the marriage, then Angie caught him being unfaithful (as happens in most Hiaasen marriages), in this case with an equestrian named Alexandria, so Angie divorced him. She still keeps in touch with Dustin’s son, grown-up, reasonable Joel, who comes to stay every other weekend. Angie’s latest boyfriend is a Merrill Lynch banker named Jesse, who gets casually dumped fairly early on in the story (p.106).

Angie got a job as a wildlife officer with the state of Florida but blew this when out on patrol she saw a drunken slob deliberately run his airboat over a grazing deer. Angie motored straight over and arrested the man, who she refers to as ‘the fuckstick’ (p.37). The fuckstick made the mistake of continuing to insult and abuse her so intensely that she fed his left arm into the maw of a tame alligator named Lola. Yes. Extreme. Angie takes no shit from anyone.

The case went to court where she learned the fuckstick’s name was Pruitt. He was fined but Angie herself was sent to Gadsden prison for 14 months for use of excessive force, and discharged from state service ie lost her job. Now, every day at 6pm, Pruitt phones up from a different payphone and breathes revolting threats and abuse down the phone. Angie gives sardonic replies and drives him mad by never losing her temper and referring to him as ‘sir’ throughout.

Angie is, in other words, the latest in a line of tough Hiaasen heroines such as Merry Mansfield in Razor Girl, Honey Santana in Nature Girl, Jolayne Lucks in Lucky You or Erin in Strip Tease.

The Burmese python

Late one night Angie gets a call from Tripp Teabull, manager of the Lipid Estate in Palm Beach. This is a huge mansion complete with ballroom, manicured grounds and ornamental lake where very up-scale parties, receptions and fund raisers are held. Costs quarter of a million to hire for the night without catering.

Teabull is calling because the head gardener, Mauricio, and his crew have discovered an eighteen-foot-long Burmese python lazing in the branches of one of the trees in the grounds with a big lump half way down it. As so often, Hiaasen pauses the narrative for a few pages to give a background explanation of an aspect of his novel, in this case the genuine proliferation of Burmese pythons in South Florida: they were originally bought as pets but managed to escape into the wild, whose tropical climate suits them perfectly.

The novel opens on the night of a big right-wing political fundraiser being given at the Lipid Estate and attended by the usual set of South Florida millionaires, their wives and widows. It opens just at the moment when one of a circle of rich widows, 72-year-old Katherine ‘Kiki’ Pew Fitzsimmons has gone missing, leaving only a cocktail glass and one shoe down by the lake.

Little old lady missing? Huge python with a suggestive bulge in its gut? You don’t have to be Sherlock Holmes to instantly suspect the two are connected.

So Angie is called out to the Estate and charged with getting rid of the python without using a gun or anything which might scare the super-rich guests up in the main house. After some faffing she decapitates the python with a razor sharp machete and gets some of the estate’s bigger guys to roll it up into a coil, stuff it into a box along with ice, put the head in a separate (smaller) box, and carry them to her pickup truck.

Then she drives it to the storage units (Safe’n’Sound) where she stores dead animals on ice before she’s got enough to make a full load and it’s worth driving a hundred miles west into the wilderness where she’s developed a secret burial ground for them. More respectful, and causes less questions, than just dumping them in the garbage.

Uric and the Prince

Job done, right? However, shortly afterwards Angie’s apartment is burglarised, the crims taking her checkbook and laptop. This, we discover, is at the behest of none other than Teabull, the Lipid Estate manager. Terrified that the python really ate the old millionairess Kiki, he wants to totally get rid of the evidence and so commissioned a couple of lowlifes, Uric Burns, and his assistant, ‘a dull-eyed fuckwit’ (p.48) who insists on being called Prince Paladin (real name is Keever Bracco, p.83) to find out where Angie stores her dead animals and to steal back the python corpse and safely dispose of it where cops will never find it.

These two dumb gimps stole Angie’s laptop in order to find out what storage depot Angie uses, in order to break into that and steal the python, but they are so immensely dim that after driving round all night, they report right back to the Lipid estate to ask Teabull where to take it. The latter is understandably  furious since the whole purpose of the heist was to remove the snake as far as humanly possible from the Lipid Estate and here they are, having brought it right back and risking maximum incrimination!

Teabull hurriedly gives the crooks details of a new construction site going up out west, which is still having the foundations laid, with big holes being filled with cement. Teabull pulls a favour with the site foreman, Jackson, buying his crew lunch at a local restaurant so that the site is empty at just the right time for Uric and the Prince to rock up and excavate a hole in the soggy cement. But when they open the boot to bury the snake they find it has thoroughly defrosted and not only that, it has kind of unzipped to reveal a little old lady folded up inside its gut. After they’ve stopped throwing up, the pair bury the lady in the hole in the concrete but there isn’t time to find a new bit of fresh cement and dig a hole in it, before the crew start arriving back from lunch so the two dimwits drive off at speed with a decomposing python in their boot.

However, there’s a detail. Uric is quicker to stop leaning away and throwing up when they first open the boot than his accomplice Prince Paladin and so spots that the decaying lady is wearing big diamond earrings and a necklace of conch pearls. He grabs them while the Prince is still puking. But in trying to get the pearl necklace off, Uric snaps it and a number of pearls roll free into the boot.

Second unfortunate thing is that, when the crims drive off at speed they, hit one of those railway lines crossing the road and embedded in it, which gives the car enough of a big bump to spring the boot open with the result that the snake corpse goes flying out along with some of the incriminating pearls…

Fay Riptoad

Back to Kiki’s rich friends. It is a minor riff but quite funny the way Hiaasen characterises the really rich whose circle old Kiki inhabited by showing that everyone belongs to this or that eminent family the source of whose wealth is humorously signposted along with their surname. Thus Kiki was the grand-daughter of Dallas Austin Pew ‘of the aerosol Pews’; her first husband was Huff Cornbright, ‘of the anti-freeze and real estate Cornbrights’; after Huff drowned while fishing, she remarried Mott Fitzsimmons ‘of the asbestos and textile Fitzsimmonses’; and she is good friends with Fay Alex Riptoad ‘of the compost and iron ore Riptoads’. (The same gag is repeated again on page 122).

This latter lady, Fay Alex, is head of the POTUS Pussies, shrill ageing cheerleaders for ‘the new, crude-spoken commander-in-chief’ (p.8). Being tremendously bossy, on the night Kiki goes missing, Fay takes it on herself to phone and summon the local Palm Beach chief of police, Jerry Crosby (backstory p.53) and insisting that he drop everything to search for her missing friend. Luckily Jerry has developed ample skills at handling the very rich without losing his temper.

Enter the First Lady

Now, I hear you ask, where does the president’s wife come into all this? Well, she is travelling in the usual ten-car motorcade from the president’s residence, the ironically named Casa Bellicosa, when it draws to a halt because the car in front has come across a decapitated python lying across the road. Yep, the First Lady’s motorcade has come across the very same snake corpse which flew out the boot as Uric and the Prince fled the building site where they’d buried Kiki only a few minutes earlier.

In other words, Tripp Teabull wanted the python disposed of as discreetly as possible but instead, due to Uric’s incompetence, it has come to the attention of the President’s wife and the US Secret Service.

The president’s wife’s bodyguards and secret agents swarm everywhere talking into their lapel radios like they do in the movies, before establishing it’s just a weird coincidence rather than some kind of terrorist threat. But one thing leads to another and the security forces identify Angie Armstrong as a leading animal wrangler in the locality. With the result that the Secret Service calls her in to deal with the snake corpse and she is, understandably puzzled, that she is dealing with the very snake corpse she had safely stashed in the storage depot a day earlier. At this point she tells the authorities all about how her apartment was burgled and then her storage area broken into and the snake being stolen, and they all ask themselves: Why?

So this is how Angie finds herself being interviewed by Special Agent Paul Ryskamp, who’s tasked by the Feds with following up on the weird incident which delayed the First Lady’s motorcade. He’s a nice guy. She’s a nice girl. Can you see where this is heading?

Diego Beltrán

So far, so macabre and gruesome and satirical. Things take a notably more serious turn when we discover that on the very same night that a drunk, stoned Kiki was eaten by a giant python, a small people smuggling boat hit the beach not far away, carrying illegal immigrants from Central America including one Diego Beltrán who is to become a dominant figure in the narrative.

As it happens, Diego has already been resident in the States where he had a visa to stay while he completed a degree, so he’s well educated and fluent in English and duly returned to his native Honduras. But life didn’t work out back home, so now here he is, having paid to be smuggled back into the States, along with 20 other illegals.

After they’re dumped on the beach, the passengers all split up. Diego is tramping along a highway when he discovers, at the place a rail line crosses it, something gleaming down in the groove of the track and picks up a shiny conch pearl, obviously one of the pearls from Kiki’s necklace. It is a fateful moment.

Diego goes on to get a low-paid manual job but a few days later is picked up in a sweep by U.S. Immigration and Customs Enforcement. When he’s taken to the police station and turns out his pockets, everyone sees the conch pearl. It is listed and reported, and this triggers a match with missing person Kiki Fitzsimmons, who is reported as last seen wearing diamond earrings and a conch pearl necklace.

So before he knows it, Diego has been accused by the cops of murdering Kiki. Not only that but, because the python corpse held up the First Lady’s motorcade, the FBI get involved, too. Not only that, but the name of this suspect and the fact that he’s an illegal have been quickly gathered by the poisonous Fay Riptoad and passed on, via her close contacts, to the dim, racist, know-nothing, knee-jerk ‘commander in chief’ and, to the horror of all the good reasonable people in the book (namely Angie,  local police chief Jerry Crosby and Paul Ryskamp) the C-in-C delivers an ad lib speech from his golf course, where he singles out the murder of his ‘good friend’ Kiki Fitzsimmons by illegal immigrant Diego Beltrán as just the kind of dire threat from foreigners and criminals which America is facing. ‘That’s why we gotta build a wall, folks, to keep these murderers and rapists out of our beautiful country’ etc.

Within hours an angry mob of C-in-C supporters has assembled outside the Palm Beach County jailhouse where Diego is being held, egged on by right-wing talk-show radio hosts, demanding his immediate lynching or hanging. His name is quickly converted into a slogan chanted by the mob and repeated in the media: ‘No More Diegos!’

This barely needs any commentary. It is intended to be scalding satire on the stupidity and bigoted xenophobia of the moronic president and his base.

Uric and the Prince are identified

Angie, Jerry and Paul had each in their ways been quietly following up on identifying the crooks who burgled Angie and stole the python. They have got as far as identifying Uric and the Prince Paladin aka Keever Bracco from various photos and CCTV footage.

Now there is a further plot development because, when a reward is offered for any news about Kiki, not too bright Uric decides he’ll claim it, so he calls the anonymous crime hotline and reveals where the body of Kiki is buried in the recently laid concrete of a new housing development and also accuses the Prince of carrying out the crime.

When Kiki’s body is then found, it confirms Uric’s story, and closed circuit TV from the site confirms the make of car the crims used, and also shows it driving off at speed. A related camera at the railway crossing shows clear as day how this same car momentarily jumped into the air as it hit the rail bump, the boot flew open and a massive snake corpse flew out.

The good guys form a team

Angie is the link between Jerry the police chief and Paul the FBI agent and by about page 200 she invites them both to a bar for a meal where they meet and form a kind of team. By now they have pretty much all the evidence they need to piece together the sequence of events:

  • python swallows Kiki
  • Angie kills python and takes it to storage on ice
  • Teabull commissions Uric and the Prince to break into Angie’s apartment, find the name of the storage site, break into that and steal the python
  • they go to bury it at the building site but discover Kiki’s body inside the snake, bury that and run out of time to dig a separate body for the snake so drive off at speed
  • when they hit the rail line the boot flies open and the snake flies out but they carry on driving
  • minutes later the First Lady’s motorcade arrives and is halted while the Feds check out the weird dead snake, then eventually move on
  • Angie is called for a second time to dispose of the snake and is brought into contact with the authorities
  • that night Diego Beltrán is walking along the same road when he spots a conch pearl amid the rails
  • a few days later he’s picked up by the authorities as an illegal and the pearl is discovered, connecting him to Kiki
  • somehow the connection between dead Kiki, the pearls and an illegal immigrant is leaked to the President who immediately shapes it to his anti-immigrant narrative and he gives an extempore speech in which he blames Diego for Kiki’s murder
  • a crowd assembles outside the Palm Beach County Gaol where he’s being held, the story goes all over the national press and Diego becomes a symptom of everything evil and wicked which is threatening the US of A

Angie, Jerry and Paul are agonisingly aware that Diego is completely innocent, but the thing has now got so big and so inflamed that it’s going to be hard if not impossible to shift the narrative, and risky for the two lawmen to get involved. Difficult for individuals to go up against the full force of the Presidential propaganda machine and his attack media. The whole thing has spiralled into, as Angie puts it: ‘a five-star clusterfuck’ (p.153).

Donald and Melania Trump

I knew Trump was referenced in the book but I was curious to see how Hiaasen would handle it. Initially he is a peripheral figure, satirically referred to throughout as ‘the commander in chief’. Presumably it is for legal purposes that he is never referred to by name. His Miami home is jokily referred to as ‘Casa Bellicosa’. Some of his (fictional tweets) are quote verbatim, full of spelling and grammar mistakes.

It is a winning piece of satire that the rich old ladies have formed a club named the POTUS Pussies, referencing the commander-in-chief’s famous quote about grabbing pussy. He is referred to as crude and blustering, as ‘that dysfunctional hump in the White House’ (p.189) – all in all, par for the course, by the standards of American liberals who subjected Trump to four years of scathing criticism.

Then about half way through the novel things change when the Trump figure directly intervenes in the Diego case. Things change from being generalised satire about his crude blustering character to becoming a concrete demonstration of what his rabble-rousing xenophobia means for a real individual, a real person whose life is being wrecked. The commander-in-chief figure changes from being merely pathetic to becoming positively malevolent.

In the earlier parts of the book there are more scenes featuring Melania Trump, riding in the motorcade, prowling her private apartments at the Casa Bellicosa, bored and horny.

I wonder whether it was for legal reasons that neither of them are named. The president is referred to as  the president or commander-in-chief, never by name. Indeed, early on Hiaasen adopts the comic strategy of referring to both of them by the codewords assigned to them by the Secret Service.

Thus Melania is never named, but referred to throughout as Mockingbird, her codename, a curiously poignant name. The president’s codeword is Mastodon, which he loves because it sounds mighty. With typical ignorance he asks if he can visit a zoo to see some real-life mastodons but nobody is brave enough to tell him that mastodons, a generic term for woolly mammoths and suchlike, died out during the last ice age.

We see Mockingbird in her car, interacting with her dishy bodyguard, named ‘Keith Josephson’ (which is actually a pseudonym assigned him by the service; his birth name was Ahmet Youssef which, understandably, the Service want to keep concealed from the xenophobic commander in chief, p.86, another piece of satire on the president’s idiotic xenophobia. Youssef’s full backstory is given on pages 281 to 283).

Possibly the most scandalous thing in the book is that Mockingbird is described as having an affair with Youssef/Keith. We first realise this when she insists he hands her a towel as she emerges naked from a luxury bath, and she then orders him to **** her. Then we get used to her ordering him to service her at short notice in a variety of luxury locations. But as the story progresses we realise he, Keith/Youssef, is genuinely in love with her, genuinely thinks she is different with him, even after people start to talk and rumours about them to circulate.

Trump insults

The funny thing is that Donald Trump had already been referenced in a number of earlier Hiaasen novels, way before he showed any political ambitions, as an epitome of American over-wealthy  narcissism. It’s an epic irony that the man Hiaasen had been mocking for decades as an embodiment of American shallowness ended up becoming 45th President of the United States. The fact it happened is beyond satire and what it says about contemporary American society needs no comment.

The president, according to those who know him best:

  • has no memory
  • has feet like moist loaves
  • is a ‘fat toad’ (p.248)
  • is ‘paranoid, draft-dodging, whore hopping…’ (p.261)
  • is described as ‘Presidential Shitweasel’ (p.300) and ‘the climate-denier-in-chief’ (p.301) by Skink
  • is an ‘ignorant clown’ – Ryskval (p.369)
  • is a ‘lying puke-bucket’ – Angie (p.371)

He has a mistress, Suzy Spooner (p.293), a chunky pole dancer who calls herself a nutritionist. We meet the poor woman on several occasions, desperately helping the president to adopt a sex position which can work round his bloated gut and the fact he can no longer sustain an erection. It is typical Hiaasen/typical America, that Suzy is at the same time hawking round New York publishers a kiss-and-tell memoir in which she compares the President’s gonads to ‘dessicated chickpeas’ and describes how he snorts like a wildebeest when he climaxes (pages 293 and 294).

The president struggles mightily to have a bowel motion, emerging from the can puffing and panting, and then struggles to get a hold of his belt buckle ‘below the rolling sea of his gut’ (p.313). He’s portrayed as being fully aware of the ‘phoney Facebook ads’ paid for by his supporters (p.314). When he forgets that her dog died over a year ago, Mockingbird simply calls him ‘such a dick’ (p.315).

Tut tut. Not very respectful.

Plot developments

Uric proves what a scumbag he is by murdering his assistant, the dim-witted Prince Paladin aka Keever Bracco, weighingt down his body and dumping it in a canal near where he dumped the stolen car they drove the snake around in. This is a rookie crim error, meaning both are soon discovered by the cops.

Uric’s anxiety about the cops’ discovery is itself short-lived as he himself is swiftly bumped off by a hitman hired by the Lipid Estate manager Teabull, who is quickly emerging as the daemon ex machina of the plot.

Rather unprofessionally, Uric’s body is hanged from a suspension bridge along with a suicide note in which he claims complete responsibility for killing Kiki, stealing her jewels and then murdering his accomplice – this is Teabull’s pathetic attempt to get the whole damn story shut down. To little avail. When ‘our team’ of Angie, Jerry and Paul hear about it and read the note they realise how fake it is.

The paranoid rich i.e. Fay Alex Riptoad et al, and their attack dog media, soon embellish the Diego situation to have him being a member of the fearsome DBC-88, the ‘Diego Border Cartel’. Nobody knows what 88 means but it sounds scary (p.221). It is an example of the general fictionalisation of American life in which malicious rumours instantly become poisonous political fact.

To complete his tidy-up strategy, Teabull hires an arsonist to lure Angie in her truck to a fake call-out in a remote location as the sun is setting, and the guy lobs a firebomb in the back of her truck. Both she and Joel who she’d taken along, scramble out of the truck which melts down and is a write-off. But this doesn’t put Angie off, was never likely to.

In the event all Teabull’s efforts come to naught as he is sacked from his job at the Lipid Estate as the media furore around Diego snowballs. A TV station runs an entirely fictitious ‘reconstruction’ of the night Diego and his dastardly accomplices supposedly broke into the estate and abducted little old Kiki,  an entirely fictional recreation which leads to just about every rich charity cancelling its bookings at the Lipid mansion, hence Teabull’s sacking. It is also another example of the fictionalisation of American journalism, the triumph of fakery over news.

Mockingbird’s affair with her Secret Service man becomes increasingly intense. His superior, the same Paul Ryskamp who is beginning an affair with Angie, learns about Keith and the First Lady and warns him off, and steps are taken to reassign him, but Mockingbird intervenes to keep him around as her lover. She and the President never even touch each other, let alone sleep together. Anyway, he’s screwing Suzi Spooner so Mockingbird has no moral qualms.

The return of Skink

But the big revelation of the last third of the novel is the Return of Skink, yes everybody, Skink! Skink is back! And his trusty helper and minder, Jim Tile, an old man now, who walks with a cane and lives at the Rainbow of Life Senior Centre. It’s Jim who gets in touch with Angie Armstrong, tells her he sat in back during her court case for mutilating Pruitt on behalf of a friend who admired her style i.e. the old eco-vigilante and ex-governor, once known as Clinton Tyree, who has for a long time now (well, ever since Hiaasen’s second novel), gone under the pseudonym Skink.

Jim gives Angie a map to Skink’s secret base deep in the Everglades and she hires a flatboater to take her out there. Just to keep up his quota of outlandish concepts, Hiaasen tells us that in the empty  eye socket where Skink usually sports a glass eye, he is currently incubating an iguana egg. This doesn’t faze Angie, used to all kinds of weird critter situations, so she passes the Skink test.

He then offers her some roadkill coyote for dinner, which is standard. But we discover he has a new habit: he is continually micro-dosing himself with acid to stave off boredom and despair, and he has slipped a little into her rum.

Which explains why, when Skink takes her into his snake enclosure, Angie finds them glowing with fiery red eyes and changing colour. Snake enclosure? Yes. For it is Skink who has been collecting king-sized pythons and deploying them in Presidential hangouts. He was responsible for deploying mega pythons into: a vanload of the President’s favourite key lime pies; the First Lady’s favourite fashion boutique, plus 2 or 3 other random locations. Did he deploy the monster python which ate Kiki?

Anyway, his obsession with giant pythons explains why Skink’s camp is among trees from which hang hundreds of long dried snakeskins, which the pythons have shed. Half way through their meeting, Angie realises that Skink not only took interest in her trial but paid for her defence lawyer. So he has deep involvement with her going back some way. With that revelation, he shoos Angie back to the shore of the island where the airboat driver has returned to collect her, and she stumbles, dazed, back towards civilisation after this trippy encounter with Hiaasen’s great anti-hero.

The novel heads towards the traditional Big Climax, which is the so-called Commander’s Ball, hosted by Mastodon at the Casa Bellicosa. Seems pretty obvious Skink has got something big planned, like releasing all the pythons he’s been collecting.

Meanwhile, back in what you could call the dirty realist end of the plot, Diego, still in prison, foils one attack by a white supremacist, but is then badly stabbed and beaten up by some ‘Aryan Brothers’. (Look them up. American prisons are full of white supremacist groups. No wonder our media admire America so much: so much to copy, so much to learn from.)

Diego is hospitalised, his plight is dire, a friendly Hispanic tells him there’s a ten grand bounty on his head, eleven if they cut off his ‘nut sack’. His defence lawyers quit because they’ve been receiving death threats. The gaol guards are also threatened and/or tired of the extra hassle of protecting him. They include a new leather belt in his next laundry delivery. One of them gives him a full bottle of sleeping pills. These are not-too-subtle hints that he kill himself. Thus the fate of illegals in the US ‘justice’ system’ i.e. hounded to death.

The President’s Ball

Well, the President’s Ball does serve as the climax to the novel alright, though, to tell the truth, it is a little underwhelming. Highlights are:

1. Throughout the novel there’s been a running thread about the President’s tanning sunbed, and the guys who service and clean it. In the days leading up to the ball there are some unexplained malfunctions so it is no real surprise when it goes badly wrong just hours before the big event, turning the President’s face aubergine purple and burning his hair. With the result that he appears on the stage and delivers a big speech hiding his face behind the only thing they could rustle up at short notice – a Bakongo tribal fertility mask!!!! (p.350) More clearly than ever, you can see how Hiaasen goes way beyond ‘satire’ into a realm of lunatic farce.

2. Mastodon addresses his puzzled millionaire guests from behind his African mask but, when he turns to introduce his lovely wife, she isn’t there – and this is because she is in her private rooms having wild sex with Special Agent Keith/Youssef (in a tiny detail, she is riding him cowgirl style, the position which I’ve noticed, is favoured by all of Hiaasen’s strong, independent female protagonists)

3. As we might have predicted, a massive Burmese python does turn up in the grounds of the Casa Bellicosa, where it disturbs the most repellent of the POTUS Pussies, the cohort of super-rich widow supporters of the Commander-in-Chief, Fay Alex Riptoad. Unfortunately the python interruption occurs just as she is having the front of her expensive dress unbuttoned by an over-sexed guest, Stanleigh Cobo, who thinks he’s ingested a heroic amount of erection-inducing narwhal horn (a long story about erectile dysfunction and the lengths the rich will go to in order to secure cures).

Secret Agent Paul Ryskval had made sure to invite Angie Armstrong to the ball and so, when Fay’s screams attract all the guests, Angie takes centre stage, the only one with the balls and expertise to confront the huge swaying python and Angie suddenly realises that it is tripping. Skink is dosing his giant pythons with LSD.

Still, in the end, Angie manages to decapitate this one like the last one, although her pretty ball dress does get covered in spraying blood in the process. Once the body is taken away by ground staff, and the guests wander off gossiping, Angie goes to the ladies loo to have a good cry. When she comes out, gentlemanly special agent Ryskamp tells her how fabulous she looks and how brave she was. Which cheers her up, a bit.

Angie and the First Lady

The president addressing the crowd in an African mask and a tripping python menacing his chief cheerleader just as she is being undressed for sex, this ought to be funny, and it reads fairly funny in summary, but in practice, somehow, I found it a bit inevitable and, I’m afraid, underwhelming. Maybe I’ve read too many Hiaasens and know what to expect.

But if the doomed gala ball turns out to be a bit of a damp squib, maybe what follows at the end of the evening is the real climax of the plot. Angie stays at the ball after the python episode and slips a message to the First Lady asking to see her. Mockingbird is curious to meet the woman who dealt with the giant snake and so agrees, and the two women meet on the seawall of the Casa Bellicosa (accompanied at a distance by all Mockingbird’s security men).

Here Angie explains that a) she knows all about Mockingbird’s affair with Keith, and b) the fact that Keith is a Muslim would play terribly with the C-in-C’s supporter, and c) she knows all about the President’s affair with the pole dancer, d) who is writing a no-holds-barred memoir about her affair with the President.

She, Angie, will blow all this wide open, leak all these facts to the press, ruin everyone’s lives, unless Mockingbird uses her influence, and this threat, to get the President to give Diego Beltrán a full pardon and fast track his appeal for political asylum.

Which is what Mockingbird proceeds to do, encountering the President as he stumbles out of a state room where he just tried and miserably failed to take the pole dancer from behind. Mockingbird makes plain she will blow the whole gaff, expose their sham marriage and list his many affairs to the press unless he releases Diego. So Mastodon caves in.

I hadn’t mentioned that Jim Tile had used some old connections to get invited to the president’s ball, dressing snappily and toting a stylish cane. Right at the end of the evening, after she has had her seawall meeting, he accompanies Angie out onto the steps of the mansion as chauffeur-driven cars line up to collect the super-rich. Jim climbs into one which, she suddenly realises, is driven by Skink. She races after it, flags it down, and is amazed at Skink’s stylish appearance. He has washed and combed his hair and put on a suit specially.

I thought the funniest thing in the entire book was the fact that the iguana whose egg he had been carrying in his empty eye socket has now hatched.

Skink smiled down at the breast pocket of his suit jacket. A little bright green head was peeking out. ‘We’re working on our manners,’ Skink whispered. (p.378)

It’s almost the only moment of gentleness. There’s plenty of humour elsewhere in the book, but it’s of the savage, violent, macabre or super-cynical fuckstick variety. This was one tiny moment of humanity. Thank you, Skink.

It’s quickly over though because when Angie asks what that loud banging is, Skink explains it’s her stalker, Pruitt, stashed in the boot of the car. Skink is going to take him out to the wilderness to teach him ‘how to be at one with nature’. That’s comedy, too, but of the more tough-minded, cruel variety.

Epilogue

Diego Beltrán is freed on orders from the president, is smuggled out the back of the gaol, given a wig and fake moustache and transported north to New Jersey.

Turns out that Skink unleashed not one but a host of monster pythons at a number of other charity balls on the same night. Police chief Jerry Crosby drove round to all of the events, shooting them dead, but was filmed doing so, clips which made their way onto YouTube and killed the Florida hospitality sector stone dead. Why have a party in Florida if a python might eat your guests? The industry’s anger falls on the chief and he quits before he’s fired.

Mockingbird has Youssef acknowledged as her lover, but still kept on by the Secret Service because she blackmails the Secret Service bosses with her knowledge of a hushed-up drug orgy among the agents.

On the last pages Angie hires an airboat and skims out through the Everglades to visit Skink in his new base. No more snakes, he transported them all north to freedom. And Pruitt? Skink attached an electronic tracking collar round his neck and set him free in the wilderness. He’s still alive, somewhere.

And then the punchline to the whole story: the huge Burmese python which ate Kiki Fitzsimmons? Turns out it wasn’t Skink’s idea. He didn’t set it loose on the Lipid Estate. It made its own way there. It was a normal, free python doing its own thing. Nothing to do with Skink, the incident only gave him the inspiration for his later battle plan. Angie laughs with relief, Skink is off the hook and takes none of the blame.

THE END.

The environment

This is the first novel in his long career where Hiaasen seems to have given up on saving the environment which is, I think, the appropriate response. The fight to save the environment has been decisively lost. Eco-systems around the world, along with the countless species they contain, are being exterminated on a daily basis. Global warming is only one aspect of the man-made destruction of the environment, of all environments, going on all the time, everywhere, as Angie mournfully reflects:

It didn’t seem to matter who was in power – nothing got better in the besieged, breathtaking world she cared about most. The Everglades would never be the lush unbroken river it once was; the shallows of Florida Bay would never be as pure and sparkling with fish; the bleached dying reefs of the Keys would never bloom fully back to life. Being overrun and exploited was the historical fate of places so rare and beautiful…

The President of the United States was a soulless imbecile who hated the outdoors but, in Angie’s view, at this point Teddy Roosevelt himself couldn’t turn the tide if he came back from the dead. All the treasured wilderness that had been sacrificed at the altar of growth was gone for all time. More disappeared every day; nothing ever changed except the speed of destruction, and only because there were fewer pristine pieces to sell off, carve up and pave. (p.318)

Fruity and novel language

Hiaasen’s characters swear freely and so does the narrator. ‘Fuckstick’, ‘shitbird’, ‘cockhead’ and ‘Señor Fuckwhistle’ (p.258) being some of the nicer expressions characters use about each other. Here are some other samples of state-of-the-art Yankee slang:

  • Prince was flipping through channels like a gacked-up chimp. (p.74)
  • ‘The Feds cut your time ’cause you flipped. You rat-fucked your friends.’ (p.74) = betrayed.
  • ‘Hit the shower, bro’. You smell like a fucking grow house.’ (p.173) I think ‘grow house’ means the kind of indoors greenhouse space used to grow marijuana.
  • Uric ended up paying the Prince the full three hundred he wanted, which he ended up spending on chronic. (p.173) ‘Among cannabis consumers, chronic can be used as slang for marijuana itself, but many users reserve the term for particularly potent strains of the plant’ (Dictionary.com)
  • nutsack = scrotum
  • knuckle bump, aka fist bump
  • ‘I got a dope new truck’ (p.214) – where ‘dope’ presumably means cool, neat, great.
  • ‘I can’t take a chance that he hasn’t suddenly stripped his gears.’ (p.242) meaning lost it, gone mad, gone psycho.
  • Two white-clad Brits stood in wait while the driver, whose name was Guppo, backed up the gaily painted Betancourt Pastries chariot. (p.247) ‘Stood in wait’?
  • One day Nutter was approached in the chow line by an inmate who said a group of patriots on the outside was offering serious bank for the death of Diego Beltrán. (p.254) = big money
  • A buzz kill = something which destroys the mood, specially a romantic mood around sex (p.280)
  • Studly = like a stud, as in ‘a studly lover’ (p.326)
  • Reamed = getting reamed, being reamed = a strong telling-off (p.33)
  • Rails = lines of cocaine (p.366)
  • Toasted = stoned (p.380)

Fleabag

I was surprised when Hiaasen has his sympathetic protagonist, Angie, in a spare evening, catch an episode of Fleabag, the award-winning British TV series. He also has a character, the one-handed psycho Pruitt, reference Game of Thrones, specifically the one-handed character Jaime Lannister (p.257). Gotta keep up with the popular culture, I suppose.


Credit

Squeeze Me by Carl Hiaasen was published by Alfred A. Knopf in 2020. All references are to the 2021 Sphere paperback edition.

Related links

Carl Hiaasen reviews

  1. Tourist Season (1986)
  2. Double Whammy (1987)
  3. Skin Tight (1989)
  4. Native Tongue (1991)
  5. Strip Tease (1993)
  6. Stormy Weather (1995)
  7. Lucky You (1997)
  8. Sick Puppy (2000)
  9. Basket Case (2002)
  10. Skinny Dip (2004)
  11. Nature Girl (2006)
  12. Star Island (2010)
  13. Bad Monkey (2013)
  14. Razor Girl (2016)
  15. Squeeze Me (2020)

Endgame by Samuel Beckett (1957)

Conor McPherson’s production

I was lucky enough to stumble across this film version of Endgame, made in 2000, directed by Conor McPherson and starring Michael Gambon as Hamm and David Thewlis as Clov, with Charles Simon as Nagg and the wonderful Jean Anderson as Nell.

It’s not only brilliantly acted, but inventively directed. McPherson uses a range of camera angles and techniques to break up the action, to give different segments or passages of the play their own visual style or technique.

Take the passage where Nagg in his dustbin tells the story of the English lord and the Irish tailor and watch the way McPherson cuts between different angles of Nagg in his bin to create a particular dynamic, but also to differentiate this specific joke-telling passage from everything else in the film.

Or take the passage where Hamm insists on being pushed round the circumference of the room – note the way McPherson switches to using a handheld camera, the only time this happens in the film. This maybe emphasises the sudden and rather hysterical nature of the chair-pushing but, as with Nagg’s joke, it also makes the sequence stick out from the more static technique used in the rest of the play.

The acting is great – but the direction is also extremely inventive and responsive to the changing moods and passages of the text.

Dates and first production

Endgame is a one-act play with four characters. It was originally written in French, entitled Fin de partie, and Beckett himself translated it into English. The play was first performed in a French-language production at the Royal Court Theatre in London, opening on 3 April 1957. The follow-up to Waiting for Godot, it is generally agreed to be among Beckett’s best works.

Part of the reason for this is because, as you investigate Beckett’s oeuvre further, you discover that he only really wrote four proper-length plays (Godot, Endgame, Krapp’s Last Tape and Happy Days). All four are masterpieces, but it’s striking to learn that most of Beckett’s many other stage works are far shorter, none of them long enough, on their own, to make a full evening in the theatre.

Cast

Hamm – unable to stand and blind
Clov – Hamm’s servant; unable to sit. Taken in by Hamm as a child.
Nagg – Hamm’s father; has no legs and lives in a dustbin.
Nell – Hamm’s mother; has no legs and lives in a dustbin next to Nagg.

Setting

We are in a bunker in a post-apocalyptic world. Everything has ended. No more people, no more nature.

Hamm is a blind old man sitting in the middle of a dark room which has two small windows opposite each other, in a chair on castors.

Clov is his servant or lackey, who comes whenever his master whistles and does his bidding. Clov has a gammy leg which immediately reminds us of the characters in The Beckett Trilogy whose legs fail, who are forced to use crutches and, eventually, to crawl on their bellies, a theme emphasised by the story Hamm tells intermittently, about a poor man who came begging to him begging for a few scraps of bread for his son, crawling on his belly (as Molloy and Moran in the Trilogy end up crawling).

The references to the death of nature and the obliteration of humanity in some unspecified apocalypse titillate those of us who like science fiction stories and end-of-the-world dramas. I have recently read The Death of Grass by John Christopher (1956) and The Day of the Triffids by John Wyndham (1951). The 1950s were drenched in h-bomb paranoia and end-of-the-world terror (The Day The Earth Stood Still 1951, Invasion of the Body Snatchers 1956, On the Beach by Neville Shute 1957).

But these hints are not vital for the story. The story is about the test, it is about the strange dynamic between the four characters trapped in a small room.

The master-servant relationship between Hamm and Clov is not unlike the master-slave relationship of Pozzo and Lucky. This is not a forced comparison. We know that Beckett deliberately echoed themes and structures throughout his works, to create a kind of hall of mirrors where similar characters appear doing or even saying similar things: plays come in two acts (Godot and Happy Days), characters come in pairs who act out what you could call the bare minimum of human interaction. In fact in sociology the dyad – the relationship between just two humans – is the smallest possible social unit. Thus Nagg and Nell have their moments but the play is essentially about the dyad of Hamm and Clov.

Plot summary

Clov enters a dimly lit room, draws the curtains from the two windows and prepares his master Hamm for his day. He says ‘It’s nearly finished’, though it’s not clear what he is referring to. Clov wakes Hamm by pulling a bloodstained rag from off his head. They banter briefly, and Hamm says ‘It’s time it ended’. Presumably they mean the tragi-comedy of their wretched existence after everything else has died.

Hamm’s parents, Nell and Nagg, lift their heads from two trash cans at the back of the stage. Hamm is a sometimes angry and aggressive character and abuses his wretched parents, though his rough words are leavened with bitter humour.

Hamm tells his father he is writing a story, and recites it to him, the fragment I mentioned above, which describes a derelict man who comes crawling on his belly to Hamm, who is putting up Christmas decorations, begging him for food for his starving boy sheltering in the wilderness (very reminiscent of Moran and his son lost in the wilderness in Molloy).

Clov is continually disappearing offstage into a supposed kitchen to prepare things for Hamm and then returning. The pair engage in endless dialogue, quite harsh masculine exchanges, sometimes wryly funny, sometimes quick-witted, sparking off each other.

Clov is continually threatening to leave Hamm, but the exchanges make clear that he has nowhere to go as the world outside seems to have been destroyed. Much of the stage action is deliberately banal and monotonous, including sequences where Clov moves Hamm’s chair in various directions so that he feels to be in the right position, as well as moving him nearer to the window.

They are trapped in an abusive relationship, where both are unhappy, taunt each other, but cannot leave.

By the end of the play, though, Clov appears to finally pluck up the guts to leave his abusive master. Earlier Clov had had to prepare a dose of the painkiller which Hamm appears to rely on to get through the day. Now he tells Hamm there’s none left. Decay. Entropy. Things fall apart.

While Clov bustles into the other room, apparently to pack his bags, Hamm finishes his dark story about the man who crawls to his feet at Christmas. In the story he mocks the degraded man for the futility of trying to feed his son for a few more days when they are obviously doomed to die.

When he finishes this story, being blind, Hamm believes Clov has left. But Clov is still standing in the room silently with his coat on, going nowhere. Throughout the play Hamm has been fiddling with objects and belongings such as his stick. Now he chucks it away. His final remarks are that although Clov has left, the audience ‘will remain’.

It occurs to the thoughtful viewer/reader, that maybe we, the audience, are also trapped in an abusive relationship with the characters onstage and, behind them, with their taunting, bitterly comic creator.

Thoughts

I shy away from the big moral and philosophical interpretations. Typical of this sort of grand sweeping reaction to the play is this critic who said that Endgame is ‘a powerful expression of existential angst and despair, and depicts Beckett’s philosophical worldview, such as the extreme futility of human life and the inescapable dissatisfaction and decay intrinsic to it’.

Maybe I’m too old to have the energy to feel that really biting despair any more, but I seem to find a lot of things about the world – Donald Trump, COVID – grimly hilarious rather than despairing.

Thus, even if the world outside has been devastated by some global catastrophe, the reality of the play is we are stuck in a room with two peculiar characters driving each other round the end. And at two moments, a couple of wizened old crones appear up from two dustbins in the corner of the room, rather like the flowerpot men in Bill and Ben the Flowerpot Men. (The Flowerpot Men was first broadcast by the BBC in 1952. Was Beckett inspired by it 🙂 )

In other words, lurking behind the ‘grimly nihilistic’ is the broadly comic. As I commented on Acts Without Words, I think the play is less about ‘the human condition’ and all those 1950s existentialist clichés and something more to do with the ambivalence of discourse, of dialogue and literature and performance. In all these domains the bitterly tragic can be quite close to the unintentionally hilarious.

And if you compare Beckett’s plays with ‘the real world’, where civil wars are raging, rape is a weapon of war, cyber-attacks are increasing, global warming is wiping out entire ecosystems, and COVID-19 is killing hundreds of thousands – then I think you can see in a flash that Endgame is much closer to the comic end of the spectrum than its earnest, initial audiences thought.

There’s also something ‘Irish’ about a sense of humour which expresses bleak sentiments in such a deadpan way as to make them funny. When Hamm remarks: ‘You’re on Earth, there’s no cure for that!’ it can be taken as a bleak expression of hand-wringing despair… or as a sly one-liner delivered in a Dublin pub, to which the listeners are meant to burst into laughter.

So one of the things I enjoy about this play are not the bleak ‘existentialist’ comments – which have become clichés in the 60 odd years since it was premiered – and more the text’s delicious walking a tightrope, this fine dividing line between savage, angry despair, and suddenly whimsical humour.

Beckett’s novels delight in playing with registers and tones and vocabularies but in such a dense and clotted way that it’s sometimes difficult to really isolate and enjoy them. The switch to writing drama made this aspect of his work far more overt, defined, easy to register, and enjoyable.


Credit

Endgame by Samuel Beckett was premiered at the Royal Court Theatre, London, in April 1957 and published by Faber and Faber later the same year.

Samuel Beckett’s works

An asterisk indicates that a work was included in the Beckett on Film project, which set out to make films of all 19 of Beckett’s stage plays using leading actors and directors. The set of 19 films was released in 2002 and most of them can be watched on YouTube.

The Second World War 1939 to 1945

*Waiting For Godot 1953 Play

Awarded the Nobel Prize for Literature 1969

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