The astonishing world-wide expansion of capitalism in the third quarter of the [nineteenth] century…
(The Age of Capital, page 147)
Eric Hobsbawn (1917 to 2012) was one of Britain’s leading historians. A lifelong Marxist, his most famous books are the trilogy covering what he himself termed ‘the long 19th century’, i.e. from the outbreak of the French Revolution in 1789 to the Great War in 1914. These three books are:
- The Age of Revolution: Europe 1789–1848 (1962)
- The Age of Capital: 1848–1875 (1975)
- The Age of Empire: 1875–1914 (1987)
To which he later appended his account of the ‘short’ 20th century, The Age of Extremes: The Short Twentieth Century, 1914 to 1991 (1994).
The Age of Capital: 1848 to 1875
The Age of Capital: 1848 to 1875 does what it says on the tin and provides a dazzlingly panoramic overview of the full economic, political and social events right across Europe and indeed around the world, from the famous year of revolutions (1848) through to his cutoff point 27 years later.
In his preface Hobsbawm says that the end of the era can be taken as 1873, which marked the start of what contemporaries came to call the Great Depression, a decades-long slump in trade and industry which is usually taken to have lasted from 1873 to 1896. Maybe he and the publishers chose the slightly later date of 1875 so as to end it precisely 100 years before the book’s publication date. Certainly nothing specifically important happened in 1875, it’s just a convenient marker.
General response
When I was a student in the 1980s I much preferred Hobsbawm’s rip-roaring and colourful trilogy to his dry economic volume, Industry and Empire: From 1750 to the Present Day (1968). Now the situation is reversed. I like the earlier book because it is more factual, which makes the central proposition of its first part – that the vital spur to the industrial revolution was Britain’s position at the centre of a complex global network of colonies which allowed it to import raw materials from some and export finished products to others at great profit – all the more powerful and persuasive.
By contrast, The Age of Capital is much more overtly a) Marxist and b) rhetorical and, after a while, both these aspects began to seriously detract from my enjoyment.
1. Very dated Marxism
Hobsbawm loses no opportunity to bang on about the bourgeoisie and the proletariat. These are both foreign words, French and German, respectively, and, for me, they began to really stick out from the text. I began to circle them in pencil, along with his other buzzwords, ‘capitalism’ and ‘revolution’, and this helped to visually confirm my sense that some passages of the book are entirely constructed from this dusty Marxist rhetoric. ‘The demands of the bourgeoisie…’, ‘The bourgeois market…’, ‘The business and domestic needs of the bourgeoisie…’, literally hundreds of times.
Back in the 1980s it didn’t stick out so much because a) as a humanities student I moved in an atmosphere permanently coloured with excitable student rhetoric about ‘the revolution’ and the overthrow of ‘capitalism’ and so on, and b) this reflected the rhetoric’s widespread use in the public domain, where you heard a lot more of this sort of terminology coming out of the 1980s Labour Party in the era of the Miners Strike and the Militant Tendency and so on.
But when the Soviet Union collapsed in 1991, all the steam went out of international socialism. Up till then the rhetoric of revolution had a genuine sense of threat or menace – not that there was necessarily going to be a revolution tomorrow, but there had been, and there could be again, and so it felt like some kind of communist revolution was, at the very least, a real, conceptual possibility. And this sense of possibility and threat was reinforced by the number of genuinely communist governments around the world, all 15 Soviet states, all of China, half of Europe, much of south-east Asia, as well as the various Marxist guerrilla groups across Africa and Latin America. It was a rhetoric, a set of ideas and a mindset you couldn’t help engaging with every day if you watched the news or read newspapers.

Communist countries 1979 to 1983. Source: Wikipedia
These terms had real-world presence and possibilities because they were the official rhetoric of half the governments of the world. The Soviet Union, Chinese or Cuban governments routinely made pronouncements condemning the ‘capitalist countries’, attacking ‘bourgeois liberalism’, criticising ‘western imperialists’ and so on.
Now, decades later, all this has disappeared. Gross injustice there still is, and sporadic outbreaks of left-wing-sounding movements for fairness. But they lack the intellectual cohesion and above all the sense of confidence (and funding) and threat which ‘revolutionary’ movements were given in the 1960s, 70s and 80s by the vast presence and threat of the Soviet Union and the Eastern bloc. John Le Carré’s thrillers had such an impact because behind the small number of spies battling it out there was the real sense that a war might break out, that espionage might play a role in the actual undermining of the West.
What I’m driving at is that Hobsbawm’s relentless focus on the political movements of the workers of his era, of the proletariat and radicals and socialists and so on of the 1860s and 1870s, now looks quaint and dated. Of course 1848 to 1875 was the era of the triumph of capitalism and the response of workers and workers parties and liberals and intellectuals all across Europe was often couched in terms of socialism and even communism, and Karl Marx and Friedrich Engels were alive and organising and writing, yes, of course.
But this book’s relentless focus on the plight of ‘the workers’ and the formation of ‘the proletariat’ is not only obviously biased and parti pris but now, in our post-communist era, comes over as dated and contrived. He was writing in the mid-1970s to a widespread acceptance of very left-wing politics which was common not only among academics but in trade unions and major political parties all across Europe and which has now… vanished.
And comes over as boring. I got bored of the way Hobsbawm casually labels the working classes or the populations of non-western countries as ‘victims’, as if absolutely everyone in 1860s China or Persia or Egypt or Africa were helpless children.
I’m just reading a passage where he lambasts the Victorian bourgeoisie for its ‘prejudices’ but his own worldview is just as riddled with prejudice, clichés and stereotypes – the ‘bourgeoisie’ is always 100% powerful exploiters; everyone else is always 100% helpless ‘victims’; only Karl Marx understood what was going on; the holy quest for ‘revolution’ went into abeyance during these years but was to revive and flourish in the 1880s, hurrah!
He repeats certain phrases, such as ‘bourgeois liberalism’, so many times that they eventually become empty of meaning, little more than slogans and boo words.
‘Here is the hypocrite bourgeois in the bosom of his smug family while the workers slave away in his factory’, BOO!
‘Here are the socialist intellectuals and more educated workers seeking to organise labour and planning for the revolutionary overthrow of bourgeois society and the seizure of the means of production by the workers’, HOORAY!
‘Here are the Great Thinkers of the period, Auguste Comte and Herbert Spencer, whose writings supported raw capitalism, racism and eugenics’, BOO!
‘Here are Karl Mark and Friedrich Engels, noble humanitarians who were the only ones to grasp the scale of the socio-economic changes the industrialised world was undergoing’, HOORAY!
2. Hobsbawm’s superficial treatment prevents understanding
This brings me to the other major flaw in the book which is that it reads to me, now, as so superficial on almost all the specific events it covers, as to be actively misleading.
As a starry-eyed and fairly uneducated student it came as a dazzling revelation to learn just how many huge and momentous events took place during this packed 25-year period. It was my first introduction to the 1848 revolutions and the Paris Commune, to the Taiping Rebellion and the American Civil War and so on, all of which stretched my historical understanding and broadened my perspectives on world history.
However, rereading it now, 30 years later, I think Hobsbawm’s presentation of many of these subjects is so brief and is so skewed by the way he forces everything into his Marxist worldview – everything is shoehorned into the same framework of capitalism and proletariat and bourgeoisie – as to be actively misleading.
Because every event he covers is described in terms of the triumph of the liberal-capitalist bourgeoisie over either their own proletariat or entire foreign nations (for example, China or India) everything ends up sounding very samey. He doesn’t distinguish between the enormous cultural, economic, legal and historical differences between nations – between, for example the ‘bourgeoisie’ of America, Britain and Germany, all very different things – he doesn’t pay attention to the complexities and unexpected turns and ironies which defy Marxism’s neat patterns and limited repertoire of concepts.
This generalising tendency makes a lot of the events of the era sound the same and this actively prevents a proper understanding of history’s complexities and strangeness. It was only when I read specific books on some of the events he describes that I came to really understand the complexity and specificity of events which Hobsbawm, for all his verve and rhetoric, often leaves badly unexplained.
For example, I’ve just read Hobsbawm’s description of the Paris Commune (pages 200 to 202) and am profoundly unimpressed. He skimps on the historical detail or the actual events of the Commune, preferring to give a shallow, teenage account of how much it scared the European bourgeoisie and how they took fright at the sight of workers running their own government etc.
Its [the Commune’s] actual history is overlaid by the enormously powerful myth it generated, both in France itself and (through Karl Marx) in the international socialist movement; a myth which reverberates to this day, notably in the Chinese People’s Republic… If it did not threaten the bourgeois order seriously, it frightened the wits out of it by its mere existence. Its life and death were surrounded by panic and hysteria, especially in the international press, which accused it of instituting communism, expropriating the rich and sharing their wives, terror, wholesale massacre, chaos, anarchy and whatever else haunted the nightmares of the respectable classes – all, needless to say, deliberately plotted by the International. (p.201)
See what I mean by rhetoric? Heavy on rhetoric and references to Marx, the International, communist China, revolution, bourgeois order and so on. But where are the facts in that passage? There aren’t any.
Hobsbawm fails to explain the context of the Franco-Prussian War or the complex sequence of events which led to the declaration of the Commune. He glosses over the way the workers’ government came into being, the disagreements among various factions, the executions of hostages which introduced a note of terror and violence into the situation, which was then amply repaid by the French government forces when they retook Paris arrondissement by arrondissement and the mass executions of communards which followed. I only came to properly appreciate the Commune’s grim complexity when, many decades later, I read The Fall of Paris by Alistair Horne (1965)
Same with the Crimean War, which Hobsbawm dismisses as a notorious fiasco and more or less leaves at that (p.96). It wasn’t until I read The Crimean War by Orlando Figes (2010) a few years ago that I for the first time understood the long-term geopolitical forces at work (namely the Ottoman Empire’s decay and the fierce ambition of Russia to seize the Straits and extend their territory all the way to Constantinople), the complicated sequence of events which led up to the outbreak of war, and the multiple ways in which it was, indeed, a mismanaged disaster.
Same with the American Civil War (pages 170 to 173). Hobsbawn gives a breath-takingly superficial sketch (‘For four years the civil war raged’) and, surprisingly for such a left-wing writer, doesn’t really give slavery its due weight. He is more interested in the way victory for the North was victory for American capitalism, which was the view of Marx himself.
Anyway, it wasn’t until I read James McPherson’s epic history of the American Civil War, decades later, that I really understood the long-term causes of the war, the huge conceptual frameworks within which it took place (I’m still awed at the ambition of some of the southern slavers to create a new and completely separate nation which would include all the Caribbean and most of Central America), the terrible, appalling, mind-searing horrors of slavery, the strong case made by the southern states for secession, and the technological reasons (development of better guns) why it went on so long and caused such immense casualties (620,000 dead).
Here are books on specific events or figures from the period, which I would strongly in preference to Hobsbawm if you really want to fully understand key events from the period:
Same on the domestic front. By limiting his description of British society to concepts of capital, capitalists, bourgeoisie and proletariat, Hobsbawm, in his concern with identifying the structural and economic parallels between all the capitalist nations of the West, loses most of the details which make history, and life, interesting.
I came to this book immediately after reading Richard Shannon’s book, The Crisis of Imperialism, 1865 to 1915 which is a long, sometimes rather turgid, but nonetheless fascinating and detailed analysis of the high politics of Britain during the period, which views them almost entirely in terms of the complicated challenges faced by successive British leaders in trying to keep the various factions in their parties onside while they negotiated the minefields of domestic and international politics. Among other things, Shannon’s book brilliantly conveys the matrix of intellectual and political traditions which politicians like Gladstone and Disraeli sought to harness, and how they both were trying to preserve visions of a past equilibrium or social balance which probably never existed, while the world hurried them relentlessly onwards.
By contrast, Hobsbawm’s account gives you no idea at all of the characters and worldviews of the leading politicians of the day; they are all just representatives of the ‘bourgeoisie’, taken as, for all intents and purposes, identical, whether in America, Britain, France, Germany, Italy and so on. (The one possible exception is Bismarck, who emerges with a very clear political agenda, all of which he achieved, and so impresses Hobsbawm.)
The book’s strengths
Where the book does score, what made its reputation when it was published and has maintained it ever since, is the bravura confidence with which Hobsbawm leaps from one continent to another, mimicking in the structure of his text the phenomenal spread of the industrial revolution and the new capitalist ways of managing production, new social relations, a new economy, and new trading relations, new and unprecedented ways of doing things which spread like wildfire around the world. The first half of the book is crammed with raw facts and statistics about the West’s astonishing feats of industrialisation and engineering. Here are some highlights:
1848, the ‘springtime of peoples’
1848 saw political revolution across Europe. I have summarised these in a review of 1848: Year of Revolution by Mike Rapport (2008). The revolutions of 1848 generated a huge amount of rhetoric, primarily by middle class nationalists and liberals, but also from ideologists for the new ideas of socialism and communism.
But the key thing about the 1848 revolutions and the so-called ‘springtime of peoples’ is that they failed. Within a year, year and a half at most, they had all been crushed. Some political gains were made, serfdom was abolished in Hungary, but broadly speaking, within two years the kings and emperors were back in control.
All except in the most politically unstable country of Europe, France, which overthrew its king, endured three years of unstable democracy and then elected a buffoon, the nephew of Napoleon Bonaparte, to become their emperor, Napoleon III (Napoleon counted his father as Napoleon II, hence the way he named himself the third Napoleon). The French replaced an inept king with a populist buffoon. The left was decisively crushed for nearly 40 years, only reviving in the harsher environment of the 1880s.
The labour movement [across Europe] had not so much been destroyed as decapitated by the failure of the 1848 revolutions and the subsequent decades of economic expansion. (p.133)
Boom years of the 1850s
The 1848 revolutions were bitterly fought, there was a lot of bloodshed which amounted to civil war in some parts of Europe, but apart from the fact that they all failed in their aims of establishing liberal republics, the other key thing about them that Hobsbawm brings out is they were the end of a process, not the beginning.
The 1840s are often referred to as the Hungry Forties because of the malign impact of industrialisation on many populations, combined with a run of bad harvests. BUT 1850 saw all this change, with a sudden industrial boom which lasted most of the rest of the 1850s and a run of good harvests.
With the result that the ‘working class militancy’ so beloved of a Marxist like Hobsbawm fizzled out. Chartism, which had at one point threatened the state in Britain, disappeared and the same with the other movements across Europe. All except for the nationalist movements in Germany and Italy, which were by no means socialist or for the workers. The unification of Germany was brought about by Bismarck, the opposite of a socialist.
1848 gold rush
Much more important for the global economy was the discovery, in the same year, 1848, of gold in California. This is the kind of thing Hobsbawm is good at, because he has the figures at his fingertips to show how dramatically the gold rush drew the Pacific world closer together. An unprecedented number of Chinese crossed the sea to find their fortunes in California, part of the huge influx of migrants who boosted San Francisco’s population from 812 in 1848 to 35,000 just 4 years later (p.79).
Crews of ships docking in San Francisco regularly absconded in their entirety, leaving the wooden ships to rot, many of them eventually being torn up and used as building materials. Such was the pull of gold and the mushroom wealth it created, that fleets and food were attracted up the coast from faraway Chile.
The gold rush also acted as a financial incentive for the completion of the transcontinental railways being built at the time (the line right across America was completed in 1869). Previously California had been cut off by the huge Rocky mountains. Now there was the incentive of gold to complete a transport link to it, allowing the traffic of food from the mid-West.
Globalisation
The gold rush in California (shortly followed by one in Australia) is a good example of one of the overall themes of the book, which is that this era saw the advent of Globalisation.
The interdependence of the world economy could hardly be better demonstrated. (p.79)
Due to the railway, the steamer and the telegraph…the geographical size of the capitalist economy could suddenly multiply as the intensity of its business transactions increased. The entire globe became part of this economy. This creation of a single expanded world is probably the most significant development of our period…for practical purposes an entirely new economic world was added to the old and integrated into it. (p.48)
In this industrial capitalism became a genuine world economy and the globe was therefore transformed from a geographical expression into a constant operational reality. History from now on became world history. (p.63)
No wonder that observers saw the economic world not merely as a single interlocking complex, but as one where each part was sensitive to what happened elsewhere, and through which money, goods and men moved smoothly and with increasing rapidity, according to the irresistible stimuli of supply and demand, gain and loss and with the help of modern technology. (p.82)
…the ever-tightening network of global communications, whose most tangible result was a vast increase in the flow of international exchanges of goods and men… (p.85)
For the historian the great boom of the 1850s marks the foundation of a global industrial economy and a single world history. (p.88)
… the extraordinary widening and deepening of the world economy which forms the basic theme of world history at this period. (p.207)
Second industrial revolution
There are varying opinions about how many industrial revolutions there were. From Hobsbawm’s accounts here and in Industry and Empire it seems clear the first industrial revolution centred on cotton production, took place in Lancashire, and relied on British dominance of international trade, since 100% of the raw material was imported (from the American South) and a huge percentage was then exported (to Africa and India).
There was a slump in the textile economy in the 1830s and Hobsbawm briefly entertains the counter-factual possibility that the process of industrialisation, which had, after all, only touched a relatively tiny part of the world’s surface, might have sputtered out and died altogether.
But it was saved by a second wave of renewed industrial activity leading to phenomenal growth in production of coal and iron, with accompanying technical innovations, which were catalysed by the new technology connected with the railway (which Hobsbawm tells us Karl Marx thought of as capitalism’s ‘crowning achievement’, p.48).
Railway mania
Hobsbawm explains how the railway mania, at first in Britain, then in other industrialising nations, was driven by financial factors, namely the need for capitalists who had acquired large amounts of capital for something to invest in.
Hobsbawm has some lyrical passages, the kind of thing most readers of this book long remember, describing the astonishing feats of finance and engineering and labour which flung huge lengths of iron railroad across the continents of the world between the 1840s and the 1870s, connecting coasts with hinterlands, linking the world together as never before. Many readers remember Hobsbawm’s awed descriptions of the astonishing achievements of individual railway entrepreneurs such as Thomas Brassey, who at one point was employing 80,000 men on five continents (pages 70 to 73).
Such men thought in continents and oceans. For them the world was a single unit, bound together with rails of iron and steam engines, because the horizons of business were like their dreams, world-wide. (p.74)
He points out that Jules Verne’s famous novel of 1873, Around the World in Eighty Days, was fantastically topical to its time. In effect its protagonist, Phileas Fogg, was testing and showcasing the spread of the new railway technology which had girdled the earth (p.69).

Map of Philea Fogg’s route in Around the World in Eighty Days by Jules Verne (Map created by Roke. Source: Wikipedia)
The electric telegraph
Even more dramatic than railways was the development of the electric telegraph which Hobsbawm describes in detail on pages 75 to 78. It was the telegraph which created the first and definitive communications revolution. In 1848 you had to wait months for letters to arrive from another continent. By 1875 news could be telegraphed from England to America in minutes. It was a transformation in human relations, perception and psychology.
Hobsbawm goes on to make the interesting point that this globalisation was still very limited and focused on high profit areas and routes. Only a hundred miles from the railway and telegraph, billions of people still lived with more or less feudal technology, the fastest vehicle being the ox-cart.
Right from the beginning the process of globalisation created an even bigger zone of unglobalisation, what is now often called the ‘left behind’. So Phileas Fogg’s famous journey has this additional interpretation, that it was a journey along the frontier between the newly globalised and the still untouched. In the novel Phileas travels a kind of borderline between the deep past and the ever-accelerating future.
Production figures
Britain produced 2.5 million tons of iron in 1850, in 1870 6 million tons, or about half the world’s total. Over the same period world production of coal increased by two and a half times, world output of iron four times. Global steam power increased from an estimated 4 million horsepower in 1850 to 18.5 million HP by 1870. In 1859 2,000 million barrels of oil were produced in the USA, in 1874, 11 million barrels. The book ends with a dozen pages of tables conveying these and many other examples of the explosion in productivity and output, and maps showing the spread of trade routes and emigration movements around the world.
The industrialisation of the German Federation between 1850 and 1870 had major geopolitical implications, creating the industrial might which helped Bismarck win three wars in succession and create a united Germany, which has been a decisive force in Europe ever since (p.56).
World fairs
As their economic system, businesses and military might spread around the world, what Hobsbawm calls the ‘liberal bourgeoisie’ celebrated in a series of world’s fairs, starting with the famous Great Exhibition at the Crystal Palace in London at which no fewer than 14,000 firms exhibited (1851), followed by Paris 1855, London 1862, Paris 1867, Vienna 1873 and Philadelphia 1875 (p.47).
Mass migration
The third quarter of the nineteenth century saw the largest migrations in human history to that point. Between 1846 and 1875 more than 9 million people left Europe, mostly for America (p.228). Between 1851 and 1880 about 5.3 million people left the British Isles (3.5 million to the USA, 1 million to Australia, half a million to Canada).
More subtly, maybe, there was large scale inner migration from the countryside to the new mushroom towns and cities of the industrial revolution, creating vast acreages of appallingly squalid, over-crowded slums without any sanitation, water etc. These were to be the settings for the poverty literature and government reports of the 1880s and 1890s which brought about sweeping changes in town planning at the end of the century and into the 1900s.
The challenge to the developing world
The corollary of the notion that industrial ‘liberal capitalism’ spread its tentacles right around the world during this period, drawing all nations and peoples and places into its ravenous quest for profit, was the challenge this represented to all the non-Western nations and other cultures. Hobsbawn has sections describing the responses of the Ottoman Empire, the world of Islam, the Chinese Empire, the Persian Empire and the Japanese to the growing challenge from what he glibly calls ‘the West’.
His passages on these nations suffer from the same shortcomings I’ve listed above, namely that they are brief and superficial. To really understand what happened in China during this period, I would recommend The Penguin History of Modern China: The Fall and Rise of a Great Power, 1850 to the Present by Jonathan Fenby (2013). For an overview of why the non-Western empires and cultures proved incapable of matching the West’s dynamism, I recommend the outstanding After Tamerlane: The Rise and Fall of Global Empires 1400 to 2000 by John Darwin. For descriptions of the internal crises the transformation sparked, generally leading to the overthrow of the old regimes, in the Ottoman Empire, China, Japan in a controlled way, I would recommend you to find books specifically about those countries.
Wars
It was an era of wars. Which era hasn’t been?
- The Second Carlist War (1846 to 1849) was a minor Catalan uprising
- The Taiping Rebellion aka the Taiping Civil War or the Taiping Revolution, 1850 to 1864
- The Crimean War, October 1853 to February 1856
- American Civil War, 12 April 1861 to 9 April 1865
- The Unification of Germany involved:
- The Second Schleswig War aka Prusso-Danish War Feb to October 1864
- The Austro-Prussian War or Seven Weeks’ War, June to July 1866
- The Franco-Prussian War War, 19 July 1870 to 28 January 1871
- The Unification of Italy involved:
- The Second Italian War of Independence aka the Austro-Sardinian War, April to 12 July 1859
(2 months, 2 weeks and 2 days)
- The Third Italian War of Independence between the Kingdom of Italy and the Austrian Empire, June and August 1866
- The Paraguayan War aka the War of the Triple Alliance, 1864 to 1870
- The Third Carlist War, in Spain, 1872 to 1876
Famines
Less newsworthy than wars, less painted, less celebrated, producing fewer statues and medals, but many times more people died in famines than conflicts. As Hobsbawm points out, one of the fundamental differences between the ‘civilised world’ and the rest is that the industrial world can (by and large) feed its populations, whereas the undeveloped world is susceptible to failures of harvest and distribution.
- 1848: Java ravaged by famine
- 1849: maybe 14 million died in the Chinese famine
- 1854 to 1864 as many as 20 million died in prolonged famine in China
- 1856: one in ten of the population of Orissa died in the famine
- 1861 to 1872: a fifth the population of Algeria died of starvation
- 1868 to 1870: up to a third the population of Rajputana
- 3 and a half million perished in Madras
- 1871 to 1873: up to 2 million, a third the population of Persia, died of starvation
- 1876 to 1878: 1 million in Mysore
Hobsbawm tries to reclaim human dignity i.e. give these catastrophes some semblance of meaning, by blaming some of this on the colonial powers (especially the British in India; as a British Marxist he is duty bound to reserve most of his scorn and contempt for the British authorities). But the effect of this list is not to make me ‘blame’ anyone, it just overwhelms me with the misery and suffering most of humanity have experienced throughout most of human history.
American states
In the post-civil war era, America continued to grow, adding states to its roster, having now settled the central issue of the war, which was whether they would be slave states of free states. The North’s victory in 1865 meant they would all be ‘free’ states.
- Wisconsin became a state in 1848
- California 1850
- Minnesota 1858
- Oregon 1859
- Kansas 1861
- West Virginia 1863
- Nevada 1864
- Nebraska 1867
- Russia sold America Alaska 1867
- Colorado 1876
Colonies
The original European colonial powers were Portugal and Spain. Spain lost control of its colonies in Central and South America in the early 1800s. Portugal hung on longer to a handful of territories in Latin America, a few coastal strips in Africa and Goa in India (p.145). The Dutch created a sizeable foreign empire in the 17th and 18th centuries. The French had ambitions to control North America and India but lost out during the 18th century to the British. So that the nineteenth century belonged to Britain, which ruled the world’s oceans and developed an unprecedented web of international, ocean-carried trade and this, Hobsbawm argues, was the bedrock reason for Britain pioneering the industrial revolution.
In a nutshell, the idea is that a fully developed capitalist system must be continually looking for new markets in order to maintain its growth. Where markets don’t exist in its native country, the system creates needs and markets through advertising. Or it conquers new parts of the world and new populations which it can drag into its mesh of trade and sales, extracting its raw materials at the cheapest cost, and turning them into manufactured items which it sells back to colonial peoples at the maximum profit.
Although there continued to be expeditions and territorial claims during this period, it was really a prelude to the frenzy of imperial conquest which characterised the final quarter of the nineteenth century, and which is the subject of the third book in the trilogy, the sequel to this one, Age of Empire.
In a word
Hobsbawm’s book impressed when it was published, and still does now, with its sheer range and scope, with its blizzard of facts and data, with its rhetorical conjuring of a world for the first time embraced and joined together by new technologies (railway, steamship, telegraph).
But its strength is its weakness, for its breadth means it sacrifices subtlety and insight for dogma, and becomes increasingly bogged down in sweeping generalisations about the wicked bourgeoisie and hypocritical capitalists (‘In general capitalists of the first generation were philistines…’, p.334).
By the end of the book I was sick to death of the sight of the word ‘bourgeois’. Hobsbawm sounds like a fairground toy: put a penny in the slot and watch it jerk to life and start spouting endless slogans about the vicious, hypocritical, exploitative ‘bourgeoisie’, especially in the long and profoundly dim final sections of the book in which, God forgive us, an ageing Marxist historian shares with us his banal and predictable views about the intellectual and artistic achievements of the period. For example:
- The novel can be considered the one genre which found it possible to adapt itself to that bourgeois society….p.326
- When one considers the orgy of building into which a prosperous bourgeois society threw itself…326
- Few societies have cherished the works of creative genius… more than that of the nineteenth-century bourgeoisie. p.327
- The demands of the bourgeoisie were individually more modest, collectively far greater. (p.330)
- The business and domestic needs of the bourgeoisie made the fortunes of plenty of architects… (p.330)
- The bourgeois market was new only insofar as it was now unusually large and increasingly prosperous. (p.330)
- We can certainly discover those who, for various reasons, resisted or tried to shock a bourgeois public… (p.332)
- For bourgeois society [the artist] represented ‘genius’…
- Bourgeois tourists could now hardly avoid that endless and footsore pilgrimage to the shrines of the arts which is still in progress along the hard floors of the Louvre, Uffizi and San Marco. (p.335)
- [Artists] did not have to conform to the mores of the normal bourgeois… (p.335)
- Here again Richard Wagner showed a faultless appreciation of the bourgeois artist. (p.335)
- Did the bourgeois actually enjoy the arts? (p.335)
- Aestheticism did not become a bourgeois fashion until the late 1870s and 1880s. (p.336)
- The bourgeoisie of the mid-nineteenth century was torn by a dilemma which its triumph made even more acute. (p.340)
- At best the bourgeois version of ‘realism’ was a socially suitable selection… (p.340)
- [Naturalism] normally implied a conscious political critique of bourgeois society… (p.340)
- The insatiable demands of the bourgeoisie, and especially the petty-bourgeoisie, for cheap portraits provided the basis of [photography]’s success. (p.341)
- Torn between the idealism and the realism of the bourgeois world, the realists also rejected photography… (p.342)
- The Impressionists are important not for their popular subject matter – Sunday outings, popular dances, the townscapes and city scenes of cities, the theatres, race-courses and brothels of the bourgeois society’s half world – but for their innovation of method. (p.344)
- If science was one basic value of bourgeois society, individualism and competition were others. (p.345)
- [The birth of the avant-garde] represents the collapse of the attempt to produce an art intellectually consistent with (though often critical of) bourgeois society… (p.346)
- This breakdown affected the marginal strata of the bourgeois world more than its central core: students and young intellectuals, aspiring writers and artists, the general boheme of those who refused to accept (however temporarily) to adopt the ways of bourgeois respectability… (p.347)
- [French artists] were united, like the Romantics before 1848, only by a common dislike of the bourgeoisie… (p.348)
- Until 1848 these spiritual Latin Quarters of bourgeois society had hope of a republic and social revolution…. (p.348)
- Flaubert’s Sentimental Education (1869) is that story of the hope in the hearts of the world-storming young men of the 1840s and its double disappointment, by the 1848 revolution itself and by the subsequent era in which the bourgeoisie triumphed… (p.348)
- With the collapse of the dream of 1848 and the victory of the reality of Second Empire France, Bismarckian Germany, Palmerstonian and Gladstonian Britain and the Italy of Victor Emmanuel, the western bourgeois arts starting with painting and poetry therefore bifurcated into those appealing to the mass public and those appealing to a self-defined minority. They were not quite as outlawed by bourgeois society as the mythological history of the avant-garde arts has it… (p.349)
- [Music] could oppose the bourgeois world only from within, an easy task, since the bourgeois himself was unlikely to recognise when he was being criticised. (p.350)
- Richard Wagner succeeded…in convincing the most financially solvent cultural authorities and members of the bourgeois public that they themselves belonged to the spiritual elite… (p.350)
- Prose literature, and especially that characteristic art form of the bourgeois era, the novel, flourished for exactly the opposite reason. (p.350)
- It would be unfair to confine the discussion of the arts in the age of bourgeois triumph to masters and masterpieces… (p.351)
Eventually, by dint of endless relentless repetition, the word ‘bourgeois’ becomes almost entirely emptied of meaning, and the endless conflating of everything bad, vicious, exploitative, hypocritical and philistine under this one mindless label eventually obliterates all Hobsbawm’s attempts to analyse and shed light. It does the opposite.
He nowhere makes clear that, since it is a French word implies, this venomous hatred of the ‘bourgeoisie’ had special French origins and significances in a politically unstable country which had a revolution more or less every generation throughout the century, which just weren’t the same and couldn’t be applied in the same way in Germany, Britain let alone America. Tennyson didn’t hate the English ‘bourgeoisie’, Dickens didn’t despise the English ‘bourgeoisie’, as much as their French counterparts, Baudelaire and Flaubert hated the French ‘bourgeoisie’. The hatred, the concept and the cultural context are all French and have never made nearly as much sense in Britain, let alone in America, as Marx learned to his bitter disappointment.
The passages describing the astonishing achievements of entrepreneurs, inventors, engineers and industrial innovators during this period remain thrilling and eye-opening, but they make up a minority of the text. Struggling through the long, doctrinaire Marxist and tediously banal second half is like being trapped in a corner of a party by a slobbering bore who asks you to hang on while he just tells you 20 more reasons why the Victorian bourgeoisie were so despicable. ‘Yes, grandad. I get it.’
The Age of Capital is arguably, in its overall tendency and rigidly doctrinaire interpretations, more a relic of its own time, the right-on, Marxisant 1970s, than a reliable guide to the era it claims to describe.
Ad hominem
On one occasion only have I been in a traditional London gentleman’s club, when a TV producer invited me to lunch at his club, the Garrick. He pointed out a few famous members in the packed dining room, including the distinctive features of the agèd and lanky Hobsbawm over at one of the tables.
It struck me how very English it was that this fire-breathing, ‘radical’, ‘Marxist’ historian enjoyed all the benefits of the English Establishment, membership of top clubs, numerous honours (Companion of Honour, Fellow of the Royal Society of Literature, Fellow of the British Academy and so on), enjoying a tasty lunch at the Garrick before strolling back to the library to pen another excoriating attack on the hypocrisy, philistinism, greed, ruthlessness and cruelty of the ancestors of the jolly chaps he’d just been sitting among, confident that his ‘bourgeois’ publishers would do a good job producing and promoting his next book, that the ‘bourgeois’ bookshops would display and sell it, that the ‘bourgeois’ press would give it glowing reviews, and he would be awarded another chestful of honours by a grateful monarch.
It’s not really even hypocrisy, it’s something odder: that academic communities across the Western world happily employed, paid and promoted humanities academics and writers who systematically castigated their employers, their nations and their histories, and cheerfully proclaimed their allegiance to foreign powers (the USSR, China) who made no secret of their intention to overthrow the West in violent revolution.
Well, history has had its revenge on the Marxist historians. As I slotted Age of Capital back onto my shelf I thought I heard the sound of distant laughter.
Credit
The Age of Capital: 1848 to 1875 by Eric Hobsbawm was published in 1975 by Weidenfeld and Nicholson. All references are to the 1985 Abacus paperback.
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The Square Egg and Other Sketches by Saki (1924)
Eight amusing short pieces by Hector Hugh Munro (pen name Saki) who was shot dead by a sniper while serving on the Western Front during the First World War. These last few pieces were collected and published posthumously in 1924.
The Square Egg: a badger’s eye view of the mud war in the trenches
The first few pages are a humorous description of life in the First World War trenches, whose main points can be summarised as:
At which point the text morphs into an anecdote about a chap he met in such an estaminet, a shifty French bloke who talked to him about eggs, specifically the way he’s noticed one of the many hens kept by his aunt lays eggs with the hint of angles. Consider how, through a programme of selective breeding, one could eventually create hens which produce only square eggs! Well, this guy claims to have done just that!! (Saki’s narrator makes wry, sardonic references under his breath).
The shifty Frenchie then explains how he had set up a thriving square-egg business but then came the war, he has been sent to the Front and his aunt is now selling his square eggs without any special consideration about keeping the breeding line secure and keeping the money she owes him. Therefore he has decided to take her to court to stop her, but the law is so expensive, monsieur. So, could Saki please lend him a small sum towards his legal fees, 80 francs should do it! The whole thing is, in other words, a scam.
This was a mildly amusing story which confirmed my sense of how many Saki’ stories are set on farms or involve farmyard animals.
Birds of the Western Front
These texts written at the Front highlight, almost exaggerate, Saki’s characteristic upper class nonchalance; everything is cast into an ironical manner which, for example, amuses itself by making elaborate and ironic comparisons. Thus, since the war began:
Rats and mice have mobilized and swarmed into the fighting line, and there has been a partial mobilization of owls, particularly barn owls, following in the wake of the mice, and making laudable efforts to thin out their numbers. What success attends their hunting one cannot estimate; there are always sufficient mice left over to populate one’s dug-out and make a parade-ground and race-course of one’s face at night.
Crows and rooks have become habituated to shellfire and machine guns. Drolly, Saki describes observing a pair of crows fighting a pair of sparrowhawks while above them the same number of English and German airplanes were fighting. Nature red in tooth and claw. He observes that magpies have been bereft of the poplar trees they used to love to nest in, and so on with further observations about buzzards, kestrels, larks and a hen-chaffinch which he noticed unaccountably hanging around a wrecked woodland, even during the most intense bombardment.
He ends with the sardonic observation that English gamekeepers as a breed believe their precious gamebirds and pheasants and whatnot must be protected from the slightest disturbance. They should come to the Western Front and learn how hardy birds are in face of even the most ruinous disruption.
The Gala Programme: an unrecorded episode in Roman history
The scene shifts abruptly from the present war, jumping back in time 2,000 years to ancient Rome.
It is the birthday of the Roman Emperor Placidus Superbus who has arrived at the Circus Maximus to enjoy the games, but just as the first entertainment is about to begin – a thrilling chariot race – hundreds of shouting women are lowered by ropes into the track and completely prevent the race taking place.
‘Who are these furies?’ the emperor demands. ‘The dreaded Suffragetae,’ his miserable Master of Ceremonies explains. The emperor has a brainwave. ‘Skip the chariot race,’ he tells the MC, ‘let’s go straight to part two, the combat of wild animals.’ And so a horde of beasts are let loose among the protesting women, to really very entertaining effect :).
Takes its place with the other 3 or 4 Saki stories entirely dedicated to commenting on / ridiculing the suffragettes.
The Infernal Parliament
Bavton Bidderdale (a typically Sakian preposterous name) dies, but the medical authorities contest the exact cause of death etc and so, although his soul has gone down to hell, the officials there keep it in a kind of limbo until the paperwork is sorted out.
While he’s waiting, the officials offer to show him round and suggest taking a tour of the infernal Parliament, a relatively new innovation. As he arrives the infernal Parliament is having a debate to lodge a formal complaint with the human race for describing events or activities as ‘devilish’ or ‘fiendish’ when they are, in fact, nothing of the sort, but entirely human.
Other details obviously mock contemporary parliamentary debates (and, in the final passage, mock a living playwright, possibly George Bernard Shaw) but these references are lost without some kind of annotation. You can see the comic intention but it would have more bite if included in my dream idea of an ‘Annotated Saki’.
The Achievement of the Cat
A wonderfully suave and ironical tribute to the qualities of the domestic cat:
It is, indeed, no small triumph to have combined the untrammelled liberty of primeval savagery with the luxury which only a highly developed civilization can command; to be lapped in the soft stuffs that commerce has gathered from the far ends of the world; to bask in the warmth that labour and industry have dragged from the bowels of the earth; to banquet on the dainties that wealth has bespoken for its table, and withal to be a free son of nature, a mighty hunter, a spiller of life-blood. This is the victory of the cat.
The Old Town of Pskoff
Not a story at all, but a straightforward description of how this city in west Russia, now referred to as Pskov, represents a kinder, quainter, more colourful and older Russia than the unpleasantly nouveau riche style of Petersburg. Sounds like it’s based on a real visit and the real views of Hector Munro who had been a foreign correspondent in Russia and, indeed, wrote a history of it.
Clovis on the Alleged Romance of Business
The last appearance of Clovis Sangrail, the witty, ironic, ‘languidly malicious’ young man who embodies key aspects of Saki’s droll, langorous, ironic humour.
This one is a short squib, a return to the format of his early Reginald ‘stories’, and amounts simply to a 2-page speech by Clovis, declaiming, fairly predictably, against the so-called Romance of business. In his view, business is deadly dull, which is why all the best adventures have been written about the young men who ran away from it:
The romance has all been the other way, with the idle apprentice, the truant, the runaway, the individual who couldn’t be bothered with figures and book-keeping and left business to look after itself.
The Comments of Moung Ka
Moung Ka is a wise man who lives by the banks of the River Irrawaddy (whichm, upon looking it up, I discover is the longest river in modern Burma).
The opening description of the landscape and birds where Moung Ka lives is a final reminder that, although people routinely describe Saki as a deliciously malicious critic of Edwardian upper class society, he was also obsessed with animals, and wrote a lot of vivid descriptions of landscapes and the wild animals living in them. A collection of excerpts titled ‘Saki’s nature and animal writing’ would be surprisingly extensive.
In the tall reed growth by the riverside grazing buffaloes showed in patches of dark slaty blue, like plums fallen amid long grass, and in the tamarind trees that shaded Moung Ka’s house the crows, restless, raucous-throated, and much-too-many, kept up their incessant afternoon din, saying over and over again all the things that crows have said since there were crows to say them.
Anyway, the story, such as it is, is another political satire. Old Moung Ka reads the paper which is brought up the river and then interprets its contents for his village followers. He comments on two related pieces of news. The recently announced division of Bengal by the (British-run) government of India has been cancelled. In 1905 Lord Curzon divided Bengal along sectarian lines, into a Hindu and Muslim province. The policy was a disaster, leading to an outburst of terrorism and sectarian violence and so was reversed in 1911. This is the news Moung Ka reads out to his followers.
And contrasts with the fact that the newspaper tells him that the United Kingdom itself is about to be partitioned. It isn’t explained what he means so it took me a moment to realise he must have been referring to the granting to Ireland of home rule, which led to vehement protests from Protestant Ulster and a serious crisis which dominated Edwardian politics from 1911 up to the outbreak of the Great War.
The very last joke in this, Saki’s very last published story, is a satirical and political one. Earlier Moung Ka had explained to his followers that Britain is what is called a Democracy. One of the followers doesn’t understand how come, if Britain is a Democracy, it can enact such a big and impactful decision (the partitioning of Ireland) without consulting its people.
Moung Ka clarifies – and this, one imagines, is the point of the whole ‘story’ – that he didn’t say Britain was a democracy; he said Britain is what is called a democracy. The implication being that its alleged democracy is in fact a sham. The implication being that Saki is a Unionist and considers the prolonged political haggling about granting Ireland independence to be squalid and destructive.
There’s plenty of meat in this short text to chew over, it confirmed my sense of Saki as an unrepentant Unionist and conservative and anti-suffragette reactionary, and review in my mind the reactionary views which crop up periodically through the short stories and underpin the entire novel When William Came.
Then again, the world is more full than ever before of division, dispute and angry argument. For my part, I like to take leave of this long journey through Saki’s complete works by remembering the grazing water buffalo like plums fallen amid long grass, and the eternal crows in the tamarind trees.
Saki’s works
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Posted by Simon on July 7, 2021
https://astrofella.wordpress.com/2021/07/07/the-square-egg-and-other-sketches-saki/