Carthage Must Be Destroyed by Richard Miles (2010)

According to legend Carthage was founded in 814 BC. Its history came to an end in 146 BC, the year in which Rome defeated and utterly destroyed it. Richard Miles is a young historian whose book, Carthage Must Be Destroyed, sets out to record everything we know about Carthage, from the legends of its founding, through its umpteen wars, up to the final catastrophe.

Carthage Must Be Destroyed is long, 373 pages of text, 77 pages of notes, 34 page bibliography and a 66-page index = 521 pages.

It is not a social or political history. There is hardly anything about Carthage’s form of government, a reasonable amount about its economy (trade and some agriculture), a surprising amount about the evolving design and metallurgy of its coinage (in the absence of other evidence, coins are a good indicator of cultural changes and economic success), and quite a lot about its religion, in particular a recurring thread about the syncretistic melding of the Phoenician god of Melqat with the Hellenistic demigod Heracles, about which Miles has a real bee in his bonnet.

But what the text is really filled with is relentless details of Carthage’s endless wars, wars, wars. It is an overwhelmingly military history. Countless battles, an apparently endless stream of generals with the same four names (Hannibal, Hamilcar, Hasdrubal or Hanno) and gruesome references to torture. Failed generals, defeated enemies, rebellious mercenaries, overthrown tyrants, unlucky hostages or ambassadors, an endless stream of unfortunates are publicly tortured, beheaded or crucified (pages 131, 147, 152, 165, 173, 203, 208, 211, 212, 219, 273, 358). The ideal reader of this book will really love details of ancient wars and sadistic punishments.

The single most surprising thing about the history of Carthage is how much of it took place on the island of Sicily. The western half of Sicily was colonised by Carthage from about 900 BC, the eastern half by Greek colonists from different mother cities from about 750 BC, and the economic and territorial rivalry led to almost continuous warfare between the two sets of colonists between 580 and 265 BC, a period known as the Sicilian Wars.

If you know nothing whatever about Carthage, here are the key facts:

The Phoenicians

is the general name given to the people who, 3,000 years ago (1,000 BC) inhabited the trading cities situated along the coast of modern-day Lebanon, ports like Byblos, Sidon and Tyre. The Phoenicians invented new types of more efficient sailing ships with which they established trading routes all round the Mediterranean, trading in precious metals and manufactured goods such as jewellery, ceramics, and food. The high point of Phoenician culture and sea power is usually placed between about 1,200 to 800 BC. They founded trading settlements on all the Mediterranean islands (Cyprus, Sicily, Sardinia) and as far afield as Gades (modern Cadiz) beyond what the ancients called the Pillars of Hercules, i.e. beyond the Mediterranean, onto the Atlantic coast of modern-day Spain.

Carthage

The most successful of these settlements was Carthage. Carthage was founded in the 9th century BC on the coast of North Africa, in what is now Tunisia, by traders from Tyre in Phoenicia (Phoenicia being the coastal strip of the what is now Syria and Lebanon). It was a pivotal position, half way along the trade routes from east to west and also handy for the short routes north to and south from Italy and its two big islands, Sardinia and Sicily.

Map of the Mediterranean showing position, central to various trade routes (source: Politeia website)

In the following centuries Carthage became independent of its mother city (which was eventually subjugated by the Asian empire of Assyria) to become a trading empire in its own right, creating its own colonies around the Mediterranean and spreading inland from its coastal location to conquer territory originally occupied by Libyan tribes.

New city

Carthage’s status as a colony or settlement is indicated by its name: the Punic term qrt-ḥdšt directly translates as ‘new city’, implying it was a ‘new Tyre’ (p.62). The city states of Phoenicia – the leading ones being Sidon and Tyre – had thrived in the vacuum caused by the late Bronze Age collapse (about 1,200 to 1,100 BC). But from 900 to 800 onwards the big land empires returned, namely Egypt to the south and Assyria to the east, and repeatedly invaded and conquered the city states. Miles shows how they allowed some, Tyre in particular, a measure of independence because the Assyrian rulers relied on the luxury goods, and especially the rare metals, which were brought in from their trade around the Med (copper from Cyprus, silver from southern Spain).

Nonetheless, as the mother city, Tyre, lost power, its strongest child, Carthage, grew.

Punic wars

From the 300s BC onwards Carthage found its maritime empire threatened by the fast-growing new power of Rome, half-way up the west coast of the Italian peninsula. The Romans used the adjective poenus to refer to the Phoenicians and, by extension, the Carthaginians, and so the three wars Rome fought against Carthage are referred to as ‘the Punic Wars’:

  • First Punic War (264–241 BC)
  • Second Punic War (218–201 BC)
  • Third and final Punic War (149–146 BC)

Rome wins

Rome won the Third Punic War, stormed the city and utterly destroyed Carthage in 146 BC, leading away the survivors into brutal slavery and razing the buildings to the ground. During the final war a leading Roman politician, Cato the Censor, made a reputation by, whatever subject he was nominally addressing in the Senate, ending all his speeches with the same words, ‘Carthago delenda est’, meaning ‘Carthage must be destroyed’. It is this famous catchphrase that gives this book its title.

Not only did the Romans destroy all buildings, but all statues, inscriptions and records, emptying the libraries of Carthage and giving away the manuscripts and codices to local tribes. None have survived. This explains why, despite its long history and one-time predominance, the historiography of Carthage is so shadowy, and has to be reconstructed from references in the writings of its enemies or from the often obscure or ambiguous archaeological evidence.

Archaeology

The victorious Romans razed Carthage to the ground. Generations later, the first emperor, Augustus, ordered the erection of a new city on its ruins, Colonia Iulia Concordia Carthago (p.364). Both are now embedded in the huge modern city of Tunis, capital of Tunisia (current population 11 million), which makes archaeological investigation difficult to this day. However, the Carthaginians had established many of their own colonies both across northern Tunisia and on many Mediterranean islands, and from time to time new Punic sites are discovered, or new discoveries are made at existing sites, which provide information which keep our view of Carthage’s history slowly changing and updating.

Punic gods

All written records were destroyed, all the poems and hymns and inscriptions which we have for the Greek or Roman pantheons. From archaeological evidence and references in Greek or Roman works it appears the main gods of Carthage were a couple, the god Baal Hammon and the goddess Tanit (list of 3 triads of gods on page 289).

Baal was a Phoenician name for ‘Lord’, so there were a lot of gods whose first name was Baal. In fact the common Carthaginian men’s name Hannibal is a combination of the Carthaginian name Hanno with the word ‘Baal’.

Melqart was the tutelary god of Carthage’s mother-city, Tyre, sometimes titled the ‘Lord of Tyre’ (Ba‘al Ṣūr), King of the Underworld, and Protector of the Universe. Miles shows how worship of Melqart was encouraged at all Phoenician colonies across the Mediterranean as a way of binding them together culturally.

Miles also shows how Melqart became identified and merged with Greek worship of Heracles, the hugely popular Greek figure who could be taken as both a demigod or a mortal hero, depending on context, and who was the signature figure for Greeks colonising westwards through the Mediterranean in the sixth century and later (pages 105, 221). Heracles was even adopted as a patron and icon by Alexander the Great.

In fact the prevalence of Melqart-Heracles becomes a recurring theme of Miles’s book, popping up wherever Carthage creates colonies, for example becoming the god/face or brand of the new colony in south Spain in the third century (p.221), depicted on the coins of Hannibal (p.227), and then co-opted by the post-Punic emperor Augustus. Miles develops what almost amounts to an obsession with Heracles, turning his myths and legends into a kind of central narrative to the five or six centuries leading up to the Christian Era which are fought over by Greeks and Carthaginians and Romans in turn, who each seek to commandeer and appropriate him as ancestor and avatar for their own colonial ambitions.

By contrast with the hundreds of mentions and extended passages about Heracles, the goddess Astarte is only mentioned a handful of times. She was a goddess of the Levant, of not only Phoenicians but the Canaanites too, rather than distinctively of the Phoenician diaspora. Still, I could have done with more about Astarte.

Carthage as ‘the other’ for Rome

Miles’s central point is that, for the reasons explained above, almost everything we know about ancient Carthage comes down to us from Greek, and then Roman sources, and that both of them were bitter rivals of Carthage’s trading and military might. In other words, all the written evidence we have about Carthage comes from her enemies.

Miles uses ideas derived from Edward Said’s 1978 book Orientalism about how colonial conquerors project onto their victims their own vices, to suggest that in these accounts the ancient Greeks and Romans projected onto the Carthaginians all the moral and social sins and transgressions and weaknesses they could think of. These included cruelty, dishonesty, effeminacy, luxuriousness, barbarity, sexual immorality, and so on. The notion of the unreliability or deceitfulness of the Carthaginians gave rise to a Roman proverb, fides Punica, meaning Punic or Carthaginian ‘faith’ – ironically indicating the exact opposite. Towards the end of the book he spends three pages describing how the Roman comic playwright Plautus’s play, The Little Carthaginian, performed in the lull between the second and third Punic wars, attributed all these perfidious characteristics to the hapless protagonist (pages

So Miles’s mission is to use the latest up-to-the-minute archaeological and scholarly knowledge to penetrate back through centuries of Greek and Roman prejudice and anti-Carthage propaganda to try and establish who the Carthaginians really were.

There are two problems with this approach:

1. It assumes that you are already fairly familiar with all the Roman prejudices against Carthage which he is setting out to overthrow. If you’re not familiar with Roman slurs against Carthage, then the book has to explain the prejudiced view first, before going on to rebut it and, in doing so, it turns out that the accusations of the Greeks and Romans are often so florid and vivid that you remember them more than Miles’s myth-busting antidotes.

2. This is especially the case when Miles’s anti-prejudice myth-busting is not as exciting or as clear-cut as you might hope, substituting a clearly defined line with the uncertain speculations of modern scholars.

The most obvious example is when Miles sets out to undermine the Greek and Roman accusation that the Carthaginians practised the ritual sacrifice of babies. But to do so he has to present all the evidence supporting the baby-killing view and this turns out to be pretty persuasive. He explains that a ‘tophet’ was the general term the Carthaginians used for a site where infants were sacrificed. It was a Hebrew term derived from a location in Jerusalem in the Gehinnom where worshippers, influenced by the ancient Canaanite religion, practised the human sacrifice of children to the gods Moloch and Baal by burning them alive.

Miles then goes on to look very thoroughly at the archaeological evidence from the cemeteries which have been found in Carthage itself and in the surrounding towns, where urns have been found which contain the ashes of infants. Up-to-the minute scholarly research using DNA and other types of scientific technology seem to have established that many of the infants who were (undoubtedly) burned to ashes, were so young as to maybe have been still-born. Maybe it was only still-born infants or infants who died within months of birth (i.e. who were already dead) who were burned as offerings to the gods. But still… the accusation is not completely baseless… the Carthaginians did burn babies… So Miles’s attempt to overthrow a modern ‘prejudice’ against the Carthaginians ends up bringing the prejudice more prominently to my attention and not really decisively rebutting it.

The endlessness of scholarly debate

And that’s the trouble with any book which sets out to take us into the heart of scholarly debate – the trouble is that scholarly debate is endless. And it is particularly exacerbated with a subject like Carthage where the Romans went out of their way to destroy every building, statue, stele or inscription, and all the books and manuscripts which recorded Carthaginian religion, culture or history.

What we are left with is an admittedly copious amount of archaeological evidence from the city itself and its numerous colonies around the Mediterranean, but evidence which is always partial, fragmentary, complex and open to differing interpretation.

Therefore Miles’s book doesn’t tell ‘the’ story of Carthage, it tells one possible story and, as his narrative proceeds, it is very scrupulous in pointing out where scholars differ and mentioning different interpretations. In fact he does this so often you feel you are reading not one but multiple versions, multiple possible histories of Carthage.

Take something as simple as the start of the Punic period itself, the period of Phoenician economic hegemony in the Mediterranean, presumably, after two and a half thousand years, historians are fairly clear when this began, right? Wrong.

The advent of what we call the ‘Punic’ era is notoriously difficult to define. (p.88)

Presumably historians have a clear sense of what ‘Punic’ culture was, right? Wrong. Turns out that Punic culture was highly ‘syncretic’ i.e. incorporating elements from many other Mediterranean cultures:

What we refer to as ‘Punic’ culture is an umbrella term for a whole series of diffuse cultural experiences that took place all over the western and central Mediterranean. (p.89)

In other words, wherever you look in the subject of Punic or Carthaginian history, there are scholarly problems of interpretation which the steady trickle of modern archaeological discoveries only makes more complex, sometimes bewilderingly so. In fact rather than one coherent story, the text can more accurately be described as a succession of puzzles, historical teasers for which Miles presents the evidence for and against particular solutions or interpretations.

For example, does the existence of the Ara Maxima altar and temple in the Forum Boarium in Rome testify to the early Roman adaptation of a local legend about a hero-brigand with the Greek legends about the wandering hero Heracles? Or, on the contrary, might it point towards early Rome being a mish-mash of Etrurian, Greek, Phoenician, Punic and other peoples in a typically Phoenician cosmopolitan trading community?

Miles devotes pages 108 to 111 to presenting the evidence for either interpretation, which were intriguing to follow but, ultimately, quite hard to remember or care about – and my point is that a good deal of the book is like this, a sequence of puzzles and mysteries and obscurities which scholars are wrangling over right up to the present day, and which Miles shares with us in some detail.

  • There is no consensus on the meaning of the Nora stone… (p385)
  • There has been considerable debate over the provenance of the Cacus myth… (p.404)
  • The identification of the goddess figure has been controversial… (p.405)

Greece, the first rival

For centuries before Rome rose, Carthage’s rival was Greece or, more precisely, the numerous Greek colonies around the Mediterranean. Not a lot of people know that the Greeks colonised or, more accurately, set up trading centres which became towns and sometimes fortified citadels, at points all round the Mediterranean coast, the ones Carthage clashed with dotting the coasts of Sardinia and Sicily. I’m always surprised to reread that the southern coast of Italy was for centuries known as Magna Graecia, or Greater Greece, because of the dominance of Greek towns.

The ubiquity of Greek colonisation was reflected in the spread of the cult of the Greek hero and demi-god, Herakles, whose legendary travels, labours and womanising, as Miles shows, became a symbol of ‘the Greek colonial project’, the ‘Greek colonial endeavour’ (p.171). Temples were built for him all over the Mediterranean littoral and local towns and cities and even ethnic groups claimed descent from the far-travelling bully. A particularly striking example is the way that the Celtic race claimed to be descended from Heracles after he slept with the daughter of the king of Galicia and fathered a son named Kelta (p.399).

Sicily, the endless battlefield

Sicily is separated from Italy by a strait just 1.9 miles wide at its narrowest point and is only 87 miles from the African shore.

Around 500 the narrative emerges from speculation based on archaeology into more reliable history documented by Greek sources, in the form of military campaigns in Sicily. A glance at the map shows why Sicily was important to anyone trying to set up a trading empire in the Mediterranean and Miles devotes several chapters to accounts of the long-running conflict between towns founded by Carthage in the west of the island, and towns founded by Greeks in the east, specifically Syracuse, founded by Greek settlers from Corinth.

The Sicilian Wars, or Greco-Punic Wars, were a series of conflicts fought between ancient Carthage and the Greek city-states led by Syracuse over control of Sicily and the western Mediterranean between 580 and 265 BC. (Wikipedia)

The Carthaginians set up small trading settlements on Sicily as early as 900 BC but never penetrated far inland. They had traded with the local peoples, the Elymians, Sicani and Sicels. Greek colonists began arriving after 750 BC.

  • 580 BC – The Phoenicians in Sicily and the Elymians unite to defeat the Greeks of Selinus and Rhodes near Lilybaeum, the first such recorded incident in Sicily
  • 540 – Carthaginian Malchus is said to have ‘conquered all Sicily’ and sent captured booty to Tyre
  • 510 BC – Carthage helped the town of Segesta defeat the expedition of the Greek Dorieus
  • early 5th century; the higher 400s BC were the era of Sicilian ‘tyrants’ i.e. rulers who ruled a town and its surrounding area without consulting the landed elite; examples of these ‘tyrants’ crop up in the writings about contemporary political theory of the Greek philosophers Plato and Aristotle; for example, Gelon who captured the main Greek city, Syracuse, in 485 BC and then deployed a policy of ‘ethnic cleansing, deportation and enslavement’
  • 483 – Terrilus, tyrant of Himera, was deposed by the tyrant Theron of Acragas, and called on Carthage to help; Carthage was motivate to defend its Sicilian territory against Theron who threatened to take over; Carthage sent a large army, maybe as many as 50,000, many mercenaries, under general Hamilcar; the fleet suffered heavy losses en route to Sicily and was then slaughtered at the Battle of Himera; the defeat was a catastrophe and had political ramifications back in Carthage, leading to the replacement of government by an aristocratic elite with the institution of a special form of republic managed by a Council of 104 and an Assembly of Elders (pages 116, 130, 215); Carthage didn’t intervene in Sicily for 70 years, allowing the Greeks to undergo an era of expansion and building, although they themselves then collapsed into a dozen or so bickering commonwealths
  • 410 – Carthage got involved in the complicated internecine Sicilian wars when Hannibal Mago helped the town of Segesta defeat the town of Selinus and then destroyed Himera, thus avenging the disastrous defeat of 73 years earlier
  • 406 – second expedition led by Hannibal Mago was ravaged by plague which killed Hannibal but his successor Himilco, captured and sacked Akragas, then captured the city of Gela, sacked Camarina and repeatedly defeated the army of Dionysius I, the new tyrant of Syracuse, before plague brought the fighting to a halt

And so on for another 150 years. I’m not going to explain the details of this map from the Turning Points of Ancient History website, I’m including it to show how the island of Sicily was characteristically divided up into a surprising number of territories and towns all of which were, at some point, attacking each other, besieged, surrendered, burnt down and so on during the 300 years of the Sicilian Wars. Basically, for most of that period Carthage held the west of the island, various Greek rulers held Syracuse in the south-east, and then they got embroiled in scores of alliances to try and grab as much of the territory between them.

Map of Sicily 483 BC showing its division between different rulers.

What was surprising to me about this was:

  • realising just how much of a colonising, imperialist peoples the Greeks were: I had a very limited image of the ancient Greeks as philosophers in togas strolling round the agora in Athens or heroically defending themselves against the Persians at Thermopylae; it’s chastening to read about their ambitious imperial aims and their success at founding Greek towns on coastlines all around the Mediterranean; in this respect the long chapter Miles devotes to the cult and legends of Herakles and the way his cult was used to both explain and justify Greek imperialism, is genuinely eye-opening
  • and of course, where you have colonies you have people being colonised; Miles’s book and the Wikipedia article devote all their time to the names of Carthaginian and Greek leaders and their battles and only in passing mention the names of the local ‘peoples’ whose land and livings were stolen from them by one or other set of invaders – the natives being the Elymians, Sicani and Sicels – having read so much about the European colonisation of Africa recently, I was struck by the similarities, only on a much smaller scale, in the sense that we hear a lot about the colonists because they were literate and left records, and almost nothing about the illiterate subject tribes who have gone down in history without a voice

Rome’s civic nationalism

Most people think of Carthage in connection with its rivalry with Rome, which led to the three Punic wars (264 to 146 BC) and which climaxed in the conquest and utter destruction of the city. Miles describes the long prehistory to the conflict, describing the slow but steady rise of Rome from a Carthaginian point of view.

Putting to one side the blizzard of dates, events and individuals, what is fascinating is Miles’s analysis of Rome’s success. It had a number of causes. One was that Rome was ruled by a pair of consuls who were elected for one year’s service. This meant they were in a hurry to make their name in history and were encouraged to aggressive policies now. A contrast to most other polities led by kings or tyrants who could afford to take their time. Miles explains that this ‘war without respite’ was a new thing, and economically exhausted Carthage (p.192).

Another was that when the Romans were defeated they simply raised more troops and came back to avenge the defeat, unlike the Carthaginians who tended to withdraw.

Another big reason for Rome’s success was its astonishing ability to integrate newly conquered territory and peoples into the Roman state (pages 158-9 and 197). This was done via infrastructure – conquered territory soon benefited from the building of the famous roads and aqueducts and laying out towns rationally and efficiently. But also by law, whereby newly integrated populations became equal under Roman law. Rome espoused what Michael Ignatieff calls ‘civic nationalism’ – all Roman citizens were treated equally under the law regardless of race or religion – as opposed to the ‘ethnic nationalism’ which most other states (then and for most of history) employed to unite its populations.

The ancient Latin identity survived, but only as a set of duties, rights and privileges enshrined in Roman law. (p.159)

A huge consequence of this is that Rome was able to recruit its armies from citizens, albeit only recently incorporated into the Roman state, but still, freeborn Roman citizens, who were inculcated with a sincere belief in Roman laws and values. This was in striking contrast to most other Mediterranean powers, including Carthage, which relied heavily on mercenaries to fill their armies, mercenaries who were both unreliable (often mutinied or defected) but also very expensive (a fact pointed out by the contemporary historian Polybius, quoted page 241). One of the reasons for Carthage’s relative decline was it bankrupted itself paying mercenaries to fight the wars against Rome.

(The best example of this was the Mercenary War which began at the end of the first Punic War when a huge force of some 20,000 mercenaries mutinied and turned on Carthage because they hadn’t been paid. Under canny leaders, who allied with neighbouring African tribes who would benefit from the overthrow of Carthage, it turned into a full-blown war on its own account which lasted from 241 to 237 BC when the mercenaries were finally defeated and massacred. Miles describes it in vivid detail pages 200 to 211. The mutiny contributed to the further weakening of Carthage in her long-running feud with Rome and vividly demonstrated the weakness of relying on foreign mercenaries. It is also the vivid and barbaric background to Gustave Flaubert’s novel, Salammbô.)

To be honest, this was one of the seven main things I took away from this long detailed book:

  1. The Carthaginians sacrificed (or were widely accused of sacrificing) babies to their gods.
  2. The huge cultural importance of the figure of Heracles to Greek imperialism and how he was incorporated into the Carthaginian cult of Melqart.
  3. Rome’s success was in large part to its efficiency at incorporating conquered territory and peoples into the civic nationalism of its polity.
  4. Rome’s military success was attributable, in part, to the way they just would not stop or admit defeat, put pressed on relentlessly till they won. (A point seconded by Adrian Goldsworthy’s book about the Punic Wars.)
  5. The gigantic role played by Sicily in Carthage’s history.
  6. The Mercenary War.
  7. The origins and career of Hannibal Barca.

The Punic Wars

Obviously Miles gives a very thorough account of the Punic Wars although here, as in his account of the Sicilian Wars, the immense detail and the explanation of scholarly debate about various key points and cruxes, often threatened to obscure the outline of the bigger picture. For example, in Miles’s narrative, it wasn’t exactly clear when each of the Punic wars either started or ended, since they merged into peace negotiations and visits by ambassadors and skirmishes and violent rebellions or coups and so on.

The overall message seems to be that the three Punic wars accelerated the rise of Rome, in all sorts of ways, militarily, culturally, economically and culturally.

The first war (264 to 241 BC) was fought mainly on the island of Sicily. Rome’s involvement was the first time that a Roman army was sent outside Italy (p.357). However, even having just read about it, it pales into the background compared to the second one (218 to 201 BC) which is dominated by the ‘romantic’ figure of Hannibal. Part of the reason is that, apparently, we have far better sources for the second war, not least because a number of biographies of the famous Hannibal survive in whole or part.

Slavery

In case it’s not clear, all these societies the ancient Greeks, the Romans and the Carthaginians, relied on slaves. In all the wars, the populations of captured towns and cities were routinely sold into slavery by the victors (pages 127, 140, 281, 296, 315, 347, 352).

Iberia

A fascinating aspect of the final period of Carthage was the success of its sub-colony in the south of Spain, which was established and triumphed due to the region’s extensive silver deposits. The Carthaginian general Hamilcar Barca invaded and subdued the locals in 237 BC, putting them to work on the silver mines on an industrial scale. Eventually there were something like 40,000 slaves working in the silver mines to generate the precious metal to prop up Carthage and its military campaigns. (The town of Cartagena in south-east Spain was founded by Hamilcar as qrt-ḥdšt, which the Romans called ‘Cartago Nova,’ which was corrupted by the locals to Cartagena. So the city of Cartagena in Colombia owes its name to the same origin in the Phoenician language of the Middle East, page 224.)

The Barcids

Hamilcar’s success really brought to prominence the family of Barca whose era or influence is referred to by the adjective ‘Barcid’. Hence ‘Barcid Spain’. In fact the most famous Hannibal of all, the one who took his elephants over the Alps in 218 BC, was a Barcid, the son of the Hamilcar Barca who subjugated the Iberian tribes. When Hamilcar died in the early 220s, his son-in-law Hasdrupal took over, with Hannibal becoming a senior officer in the army aged just 18. When Hasdrupal was assassinated in 221 Hannibal was acclaimed leader by the army (and promptly issued new coinage depicting Heracles/Melqart, just one of the way in which Hannibal consciously associated himself with the oldest iconography of Carthaginian power, pages 227, 245, 247, 250-258).

Hannibal and the second Punic war (218 to 201 BC)

I remember Hannibal taking his elephants over the Alps from boyhood history books. I must have wondered why he did it. This book makes things clear.

1. Hannibal was seeking revenge or, more accurately, restitution from the peace settlement of the first Punic war (264 to 241 BC) which had given Sicily to Rome as a Roman province – the first ever Roman province – and cemented Rome as the leading military power in the western Mediterranean and, increasingly, the Mediterranean region as a whole. (Coming 20 years after the end of the first war, and seeking to correct the ‘injustices’ of the peace treaty which ended it, reminds me of the 20 year gap between the first and second world wars.)

2. Having been acclaimed general of the Carthaginian army in Spain Hannibal was ambitious to make his mark and confident, having been raised in an army family, gone on campaigns from an early age and been an officer at age 18, that he could do it.

3. But instead of trying to invade and conquer Sicily – graveyard of so many Carthaginian campaigns in the past – he would strike direct at the enemy and invade Italy.

4. But why over the Alps? Simples. The Romans controlled the seas. A sea-borne invasion was just too risky.

As it was, as soon as Hannibal’s left Carthage-occupied Spain they were attacked by Celtic Iberian tribes. Crossing the Pyrenees was dangerous. Then crossing the entire south of France, again, involved armed confrontations with a succession of local Gaulish tribes. Finally they were shown by guides how to ascend one side of the Alps, go through passes, and descend into Italy in late autumn 218, with 20,000 infantry, 6,000 cavalry, and an unknown number of elephants – the survivors of the 37 with which he left Iberia.

Here Hannibal spent several years marching and fighting and campaigning. He won one of the most famous victories of the ancient world, crushing a Roman army at Cannae in 216 BC, but the description of the war quickly gets bogged down and complicated. Overall the war makes the point that you can be the best general of your day and win stunning battles but still lose a war which is being fought on numerous fronts. While he was in Italy the Romans shrewdly sent an army to Iberia; although they suffered numerous setbacks, the Iberian tribes the Carthaginians had oppressed were happy to defect to them and so, eventually, the Romans defeated them, and, despite mutinies in their own army and local rebellions, eventually forced all Carthaginian forces, led by Hasdrubal Gisco, out of Iberia. The thirty-year Punic occupation of south Iberia was over, and it became a Roman province, as Sicily had at the end of the first war.

Hannibal was in Italy from 218 to 203. 15 years. Long time, isn’t it? Lots of battles. Early on the Roman authorities panicked and appointed Quintus Fabius Maximus as dictator. Fabius introduced the strategy of avoiding open battle with his opponent, instead skirmishing with small detachments of the enemy. This was unpopular with the army, public or Roman elite, as Hannibal marched through the richest and most fertile provinces of Italy wreaking devastation as he went. (This softly, slowly approach explains the name of the Fabian Society, founded in 1884 as a British socialist organisation which aims to advance the principles of democratic socialism via gradualist and reformist effort in democracies, rather than by revolutionary overthrow.)

At one point he seized key towns in the very south, Magna Graecia, notably Capua, not as Punic fiefs but giving them their independence. His aim was not to destroy Rome but to mortally weaken it by giving Rome’s Latin and Italian allies their independence. This explains why he only once marched on the actual city and then was rebuffed by its thorough defences. In the end, though, all the cities he’d liberated ended up being retaken by the Romans.

Nonetheless, in the book’s conclusion, Miles says that these fifteen years during which an alien invader roamed more at less at will across the sacred territory of Rome left a deep psychological scar on the Roman psyche which took generations to exorcise (p.361).

In 203 Hannibal was recalled to Africa because in his absence, Publius Cornelius Scipio who had led the Romans to victory in Iberia, had led a force to Africa. Scipio destroyed an army of 50,000 sent against him but failed to capture the town of Utica and realised that besieging Carthage itself would probably be a long drawn-out process, costly in men and resources.

Thus both sides had fought themselves to a standstill and were ready to sue for peace. The Romans imposed very harsh terms but when Hannibal finally arrived back in Carthaginian territory the stage was set for a massive battle between the two old enemies. At the Battle of Zama in October 202 BC Scipio won a decisive victory and brought the war to an end (p.316).

Wikipedia has a cool animated graphic which sums up the change in territorial holdings over the course of the wars:

Changes in Rome and Carthage’s territories during the three Punic Wars, 264 to 146 BC. (Image by Agata Brilli ‘DensityDesign Integrated Course Final Synthesis Studio’, Polytechnic University of Milan)

The third Punic war

Surprisingly, shorn of its empire, Carthage flourished after the second war, quickly paying off the reparations owed to Rome and actively supplying her with vast amounts of wheat and food to support Rome’s wars against Macedon and other kingdoms in the East. When the end came it was entirely of Roman prompting. Factions in the Senate warned endlessly of the threat Carthage could still pose. Cato visited Carthage and was appalled at its prosperity. Eventually argument in the Senate led to an embassy being sent to demand impossible conditions of the Carthaginians – to uproot their city and move inland and cease to be an ocean-going, trading nation at all.

The embassy withdrew into the city and a 3-year siege commenced. Scipio adopted grandson of the great Scipio Africanus. Eventually stormed the walls and broke into the city and destroyed it and massacred its population. There is no doubt in Miles’s mind the Carthaginians did everything they could to abide by the letter of the treaties and to avoid war, and that the Romans would accept nothing but utter destruction. Once again it was Roman inflexibility and relentlessness which triumphed. Miles notes how this was recorded around the Mediterranean where Rome’s determination was noted but many lamented its bad faith, its falling short of the values it claimed to promote, of fairness and good faith.

Appropriating Carthage

At the end of the book, Miles shows how Carthage served numerous ideological purposes for Rome. For a start, in later works it became THE enemy which Rome had to overcome to in order to become great. In a sense, if Carthage hadn’t existed, it would have been necessary to invent her (p.373).

Closely connected, as mentioned above re. Said, even as it was being besieged and for centuries afterwards, Carthage became the anti-type of all the virtues the Romans congratulated themselves on, perfidious compared to Roman fides, with a disgusting baby-killing religion compared to Rome’s dignified ceremonies. Rome’s self-image was built by contrasting itself with the imagined vices of Carthage.

Third, however, a series of poets and historians wondered whether, in defeating Carthage, Rome had somehow peaked. The existence of a potent rival in a sense kept Rome on her toes, not just militarily but morally. For some later moralists, the defeat of Carthage marked the start of the internal squabbles, factions and corruption which were to lead to the civil wars, starting in the 80s BC.

The many dead

Deep down, the book made me marvel and gape at just how many, many men, throughout history, have miserably lost their lives in war. As Adrian Goldsworthy writes in his book on the Punic Wars:

In just one battle, in 216, the Romans and their allies lost 50,000 dead. During the second Punic war a sizeable part of Rome’s adult make population perished, mostly in the first few years of the conflict.

Between one and a quarter and one and three quarter millions of men died in the 120-year war. God knows how many civilians perished or were sold into slavery.


Related links

Put Out More Flags by Evelyn Waugh (1942)

‘[A uniform] is the best possible disguise for a man of intelligence. No one ever suspects a soldier of taking a serious interest in the war.’
(Colonel Plum to Basil Seal in Put Out More Flags, page 150)

Background

In his preface to the 1966 edition, Waugh tells us Put Out More Flags was the only book he wrote for pleasure and it shows. It isn’t exactly a comic masterpiece like Decline and Fall or Scoop, it isn’t a scandalous portrait of a generation like Vile Bodies, it isn’t scarred by a devastatingly bleak conclusion like Black Mischief or A Handful of Dust. Instead it is suffused by a warm, deep sense of English patriotism, embodied in a surprisingly buoyant good humour, occasionally rising to real laugh-out-loud comedy.

Waugh wrote Put Out More Flags on a troopship back from Crete after the island fell to the Nazis in 1941. He had been serving in the army for two years (experiences which would be transmuted into the wonderful Sword of Honour trilogy). Now, as the ship sailed slowly around the entire coast of Africa, he had time on his hands, so he took advantage of the enforced idleness and wrote all day every day,  completing the first draft in just a month.

Subject

The narrative covers the period of the Phoney War or what some humourists called the Bore War, between Britain’s declaration of war on Nazi Germany on 3 September 1939 and the sudden German attack on France in June 1940, a long nine months during which we were technically at war but there was no direct attack on Britain. The narrative is divided into four simply named sections, Autumn, Winter, Spring, with a brief epilogue, Summer.

The return of Basil Seal

In part, Waugh wanted to find out what had happened to the characters he’d created in his previous novels. As Waugh himself puts it:

The characters about whom I had written in the previous decade came to life for me. I was anxious to know how they had been doing since I last heard of them, and I followed them with no preconceived plan, not knowing where I should find them from one page to the next.

The narrative opens with Basil Seal, the dashing scapegrace who was at the centre of Black Mischief, because Waugh obviously realised he could use Basil as an entry point to different aspects of English life.

1. Thus we hear for the first time about Basil’s extended family and in particular his sister, Barbara Sothill, who lives at a classic Waugh country house, Malfrey, beside a lovely village in a lovely part of the Midlands, somewhere. This allows Waugh to do lovely descriptions of the countryside and repeat the rather sentimentalised vision of the English country squire he had deployed in A Handful of Dust.

But the house now wears a mournful aspect: Barbara’s servants have mostly gone off to work in factories, and her husband, Freddy, has rejoined his reserve regiment. To her own surprise, Barbara has  become the billeting officer for her district, that’s to say she has responsibility for finding accommodation for evacuees from the nearest city (Birmingham) among the local villages. This is played for laughs as Barbara, previously a welcome sight to friends and neighbours, now becomes a scourge, the arrival of her car in the drive now the prelude to requests to the tremendous inconvenience of putting up ghastly working class families or children.

2. Basil’s mistress is Angela Lyne. In what develops into an interesting and moving storyline, we watch Angela hurry back from the South of France immediately after war is declared, back to a service flat in Mayfair and then… then something happens. She holes up in her bedroom and becomes addicted to listening to the news on the radio and… takes to drinking, takes to asking her maid for a drink early in the morning and then… takes to wearing dark glasses, at home, during the day, even with the curtains drawn. It’s a really interesting portrait of someone badly undermined by the declaration of war, someone thrown off their game, made ill by uncontrolled thoughts.

Insofar as Angela was once a luminary of London high society she is also a kind of entrée into that world, occasionally leaving her seclusion to attend a party given by the egregious Lady Metroland, no matter how peripherally, in every Waugh novel since Decline and Fall.

Also, Angela has a husband, Cedric Lyne. They’re in their later thirties now and it is very sympathetically handled, the way Cedric was initially upset when his wife began an affair with Basil, thinking it would all blow over, accepted it was going to last a bit longer, and only slowly realised Basil was in the fact the love of her life. They remain married because, well, the fuss my dear, of getting divorced. So disruptive. More importantly, being a ‘divorced woman’ would close society doors to her, and being in society is her life, and so she persuades Cedric not to divorce her but to continue living on at the family place in the country where he has poured the energy which should have gone into being the head of a happy family into, instead, collecting, importing and installing grottos from around southern Europe.

3. Thirdly there is Basil’s mother, the rather formidable Lady Seal, on first name terms with the Prime Minister, a type of the grand old lady of London society, who is endlessly fussing and fretting about her errant son.

Sir Joseph Mainwaring

Sir Joseph is a minor character who provides great amusement. He is an old friend of Basil’s mother. He enjoys her company but dreads the conversations they have to have about her scapegrace son’s future. As soon as war is declared Lady Seal conceives the ambition to get Basil into ‘a good regiment’. For people like her the war isn’t so much a thing to be fought and lost – or their assumption is simply that England, being in the right, will win – it is about having the right sort of war.

Thus she persuades a very reluctant Sir Joseph to invite Basil for lunch at his gentlemen’s club, the Travellers, with the aim of introducing him to the Lieutenant-Colonel of a (fictional) regiment, ‘the Bombardiers’ who, as Waugh goes on to say with typical bitchiness, is ‘-an officer whom Sir Joseph wrongly believed to have a liking for him’.

Basil’s luncheons at the Travellers’ with Sir Joseph Mainwaring had for years formed a series of monuments in his downward path. There had been the luncheons of his four major debt settlements, the luncheon of his political candidature, the luncheons of his two respectable professions, the luncheon of the threatened divorce of Angela Lyne, the Luncheon of the Stolen Emeralds, the Luncheon of the Knuckledusters, the Luncheon of Freddy’s Last Cheque – each would provide both theme and title for a work of popular fiction.

The lunch with the Lieutenant-Colonel is a predictable and amusing disaster, Basil turning up unshaven and unkempt, and making a disastrous impression. He follows this up with a visit to the L-C in his office which goes even worse, with the old boy almost choking with fury at Basil taking for granted that he will be quickly promoted and able to leave the boring old Bombardiers behind. He barely escapes the old boy’s office without a serious shouting-at.

So much for Sir Joseph. After this abortive attempt to help Basil, he settles down to become a bit character, pompous possessor of ‘a peppercorn lightness of soul, a deep unimpressionable frivolity’, occasionally wheeled on to give opinions and predictions about the war which are consistently and hilariously wide of the mark.

A theory of gossip

A word about gossip. Waugh loved gossip. If his novels weren’t enough of an indication, we have Waugh’s extensive letters and diaries which show what a tremendous party animal, socialiser, snob and social climber he was. From private school through Oxford and on into London’s society and literary circles, it was very important to Waugh to cultivate friends in the right places, be au courant with the young party set, and hobnob with the finest titles he could manage.

So far, so biographical. The point I want to make is the distinctive effect this has on his fiction. This is that no matter what happens to the main characters, Waugh always shows us its impact on ‘society’, on other people gossiping and commenting about them. There are always two levels: the level of the main events happening to the central protagonists; and then a fog of rumour and gossip about them.

In A Handful of Dust an entire extra layer is added to the narrative by the way Waugh describes not only the central tragedy of the accidental death of little John Andrew, but the way every step of Tony Last’s response is reported, repeated, commented on and analysed by outsiders, people not directly connected, people in London’s endless parties who get the facts wrong, twist the facts, and end up making Tony the bad guy in his divorce with Brenda in which, as we the readers see and know, he is utterly innocent.

Although the word ‘gossip’ sounds trivial, I think the way Waugh deploys it in most of his novels reflects a profound truth about human life. Gossip is, in fact, how most of us are perceived in society – not as the brave, clever, hard-working people we think ourselves to be, but as other people see us: the cranky one who’s always getting into arguments, the boring one who always sits in the corner, the scruffy one who always arrives late, who got drunk and did something embarrassing at the Christmas party, and so on.

Most of us live our lives very much for-ourselves and only occasionally overhear what other people really think about us. And when it happens, it is without exception profoundly disturbing to overhear friends or work colleagues everso casually dismissing you, reducing you to a few crude strokes of caricature, to the punchline to a few unrepresentative anecdotes. ‘But I’m more than that,’ you want to protest, ‘I am all these wonderful feelings and perceptions and thoughts and intuitions!’ Not to other people, you aren’t. To other people you’re the one who’s rubbish at telling jokes, gets drunk and argumentative at parties, and broke the office photocopier. A ridiculous caricature.

Lots of people rattle off John Donne’s quote about ‘No man is an island’, but it would be far more accurate to say no person can escape the comments, jokes, criticism, and behind-their-back sniggering of family, friends and work colleagues. No one.

Waugh’s fiction brilliantly conveys this sense that, despite our fondest illusions, we may like to think of ourselves as people-for-ourselves but can never escape mostly being people-for-others. The mistreatment of Tony Last in Handful of Dust, the way his behaviour is misrepresented and traduced by everyone else in the story, even his own servants, is probably the epitome of this vision of humans trapped in a web of other people’s commentary, but it is present in all Waugh’s novels – the notion that all human lives are lived on two levels: first, the actual events themselves and the feelings and motivations of the main actors; and then the limitless way all these fine feelings and high motivations are eclipsed by the superficial rush to judgement of hundreds of strangers who don’t the know the first thing about you but gleefully repeat the most malicious distortions of what you said or did.

Most of the time Waugh plays it for laughs but sometimes to bring out the intense bitterness his characters feel at society’s misunderstanding and judging them (as in Handful of Dust). That’s one it its strengths, as an approach to fiction, this deployment of ‘society’ as a kind of permanent chorus on the action, is that it can be either comic or tragic, as required. But it is always there. Not the fashionable ‘Other’ of sociology and literary theory, much worse: the others, the potentially endless ranks of people who don’t give a toss about you or, if they think about you at all, it’s as a monster, a bully, an oaf, or a fat figure of fun.

In the deftness with which he captures this often overlooked aspect of society, I think Waugh is more profoundly realistic than many more supposedly ‘serious’ novelists.

In this book this aspect of society is epitomised by the incident of Angela at the cinema. As mentioned above, the once supremely confident and renowned Mrs Angela Lyne undergoes a sort of breakdown, taking to her bed, obsessively listening to the radio news and drinking. Her only escape is now and then to totter down the road to the pictures.

One of the recurring characters, Peter Pastmaster, son of Lady Metroland, has a) joined the army b) decided he ought to get married so, in a comically frivolous way, is dating three of the most eligible young heiresses in London. One evening he’s taking one of them, Molly Meadowes, to the pictures and they come across Angela making a fuss because she can’t get the kind of ticket she wants, down at the front. As Peter and Molly push through the queue to get to her, Angela trips and sits down with a bump and the commissionaires are starting to make a fuss. So they pick her up, call a cab, and take her back to her flat, leaving her in the hands of her maid, Grainger.

And then – and this is the point in mentioning it – Waugh shows us how this fairly simple event gets quickly blown up by society gossip into a legend about a roaring drunk Angela getting into a fight with the commissionaire and cabby before being rescued by Peter. Nothing goes ungossiped about. Nobody can escape their life being pawed and prodded and simplified and ridiculed.

(There’s also something profoundly psychologically true in the way that the little escapade of helping drunk Mrs Lyne back to her flat brings Molly and Peter together. Molly thinks it’s sweet the way naive Peter doesn’t even realise Angela is drunk. And she is touched by his genuine chivalry and concern. And so she decides to marry him, a fact Peter proudly announces to his mother, Lady Metroland, later the same evening.)

Left wing intellectuals

So the book reintroduces us to a number of recurring characters from the previous novels, but there are also some new developments. One is a departure for Waugh, a comic description of left-wing bohemians. This is the social set revolving around the fiery painter Poppet Green. A bit like in Vile Bodies Waugh establishes the speech patterns or the recurring topics of conversation in Poppet’s circle so that he can drop snippets of their conversation into larger chapters; so he can cut away to brief dialogue between Poppet and comrades for a quick page before cutting away to something else, having established their tell-tale topics of conversation.

We generally know we’re in that milieu because Poppet and all her friends talk endlessly about communism, and the proletariat, and Russia, are very quick to throw the accusation of ‘fascist’ about (how nothing changes in the ‘progressive’ mind) but above all, how they obsess about the two noted communist poets and best friends, Parsnip and Pimpernell. This pair and their fierce and urgent poetry are seen as the ne plus ultra of the proletarian pose in the arts, literature, specifically poetry.

It helps if you know that Parsnip and Pimpernell are Waugh’s (very effective) comic nicknames for the poet W.H. Auden and his best friend, the playwright Christopher Isherwood. For the entire decade of the 1930s Auden’s thrillingly modern poetry had dominated the world of literature, capturing everything, describing everything, making all political issues more burning and urgent with his brilliantly modern tone of voice and imagery of factories and cars and planes and skyscrapers.

However, just as his reputation was at its height, and just as the political world they had described so well finally reached the crisis they had predicted for so long, with the outbreak of war against international fascism…that’s the moment when Auden and Isherwood, in real life, decided to leave England and emigrate to America (in January 1939). And so, in this fictionalised caricature of events, the great debate which rages among Poppet Green and her friends, is whether Parsnip and Pimpernell were right to abandon their country in its time of need… or did they do the right thing, by staying loyal to their muses and their ART?

The name of the poet Parsnip, casually mentioned, reopened the great Parsnip-Pimpernell controversy which was torturing Poppet Green and her friends. It was a problem which, not unlike the Schleswig-Holstein question of the preceding century, seemed to admit of no logical solution for, in simple terms, the postulates were self-contradictory. Parsnip and Pimpernell, as friends and collaborators, were inseparable; on that all agreed. But Parsnip’s art flourished best in England, even an embattled England, while Pimpernell’s needed the peaceful and fecund soil of the United States. The complementary qualities which, many believed, made them together equal to one poet, now threatened the dissolution of partnership.

In the five novels and four travel books up to this point, Waugh had shown himself a master of depicting the English upper classes partying in Mayfair or at home in their delightful country houses. Describing the rougher, avowedly left-wing and ‘radical’ world of bohemia and the arts is a notable departure of milieu but one he brings off very well. Poppet and her creatures’ endless internecine bickering over ideology and the ‘correct’ line to take is very funny in itself and shows the reader just how little changes in the harshly judgemental and accusatory progressive mindset.

Ambrose Silk

A doyen, a leading figure in this world, although older than many of the others and not as politically engaged as the young firebrands, is the gay, Jewish aesthete Ambrose Silk. The novel contains a number of new characters, but Silk is the one, standout, major new character. He is a great creation and joins Basil as the other major protagonist of the story.

For Ambrose has depths. He is unhappy. He feels like a man out of time. He is an aesthete. He should have been born in the age of Oscar (Wilde) and Aubrey (Beardsley). He goes along with the fashionable political chatter of Poppet Green and her salon of fashionable communists, but feels alienated from them.

But then, he feels alienated from everyone. When he finds himself in the kind of fashionable society party he feels just as ill at ease. He gets a comedy job at the Ministry of Information, in the religious department of all places, and, as an atheist Jew, feels out of place among his caricature Catholic, Anglican and nonconformist colleagues.

And Ambrose is clinically paranoid, a prey to fluttery ‘persecution mania’ (p.174). Just as Waugh shows us Sir Joseph Mainwaring on a number of social occasions making wildly inaccurate predictions about international affairs (for example, that Italy is biding its time before allying with Britain and France), so Waugh shows us a series of scenes in which Ambrose anxiously asks the people he’s with whether they think that, if the Nazis win and invade Britain, they’ll come for Jews like him? And ‘communists’ like him? And intellectuals like him? And homosexuals like him?

On all these occasions Waugh goes deep into Ambrose’s thoughts, giving us almost stream of consciousness depictions of his anxiety and alienation, something he rarely does. Most of his characters just act and talk and we see them only from outside. This dwelling on Ambrose’s inner world is most unusual. It sounds like this:

The party left the restaurant and stood in an untidy group on the pavement, unable to make up their minds who was going with whom, in what direction, for what purpose. Ambrose bade them good-bye and hurried away, with his absurd, light step and his heavy heart. Two soldiers outside a public-house made rude noises as he passed. ‘I’ll tell your sergeant-major of you,’ he said gaily, almost gallantly, and flounced down the street. I should like to be one of them, he thought. I should like to go with them and drink beer and make rude noises at passing aesthetes. What does world revolution hold in store for me? Will it make me any nearer them? Shall I walk differently, speak differently, be less bored with Poppet Green and her friends? Here is the war, offering a new deal for everyone; I alone bear the weight of my singularity.

Ambrose’s magazine

Out of this swirl of emotions and worries, Ambrose conceives the idea of publishing a literary magazine. But isn’t this the worst possible timing, people ask, just as a war is breaking out? No darling, Ambrose explains, it is exactly the right time for a magazine which will preserve all that is best in our civilisation. So he persuades the niche and not very successful publishers of his previous books to back him, being Rampole and Bentley. His magazine will breathe the same rarefied atmosphere as the famous Yellow Book and will be called the Ivory Tower.

There is comedy in the way, over the next few weeks, it becomes clear that almost all the articles in the magazine will be written by Basil himself. His publisher says this will spark criticism, he needs to think up some noms de plums to give the sense of a variety of contributors and so he comes up with some ludicrous names:

Ambrose rather let himself go on names. ‘Hucklebury Squib’, ‘Bartholomew Grass’, ‘Tom Barebones-Abraham’.

Above all, Basil realises the magazine will give him an outlet to express his great, romantic (homosexual) love for a good-looking German boy he met and had an affair with only last year, a youth named Hans. He quickly pens a 50-page hymn to the young man’s virility and good looks and vitality. Tragically, although Hans was a keen member of the Nazi Brownshirts, when it was discovered that he was (like Ambrose) Jewish he was swiftly arrest, disgraced and taken away to a concentration camp,  while Ambrose was forced to flee Germany in fear of his life (shades of Christopher Isherwood’s Berlin memoirs).

The memoir will, Ambrose breathlessly tells his friends, be titled ‘Monument to a Spartan’ and he shows his friend Basil a copy.

Basil’s scams

Back to Basil for a moment. In the winter section, having signally failed to join the army he goes to Malfrey to stay with his sister. She’s grateful for the company and they soon fall back into the nicknames and games rough and tumble they shared as small children.

The Connollys

Basil gets involved with his sister’s role as evacuating officer and soon discovers there is one particular set of orphaned kids from Birmingham who no-one will touch, the Connolly children:

There was Doris, ripely pubescent, aged by her own varied accounts anything from ten years to eighteen. An early and ingenious attempt to have her certified as an adult was frustrated by an inspecting doctor who put her at about fifteen. Doris had dark, black bobbed hair, a large mouth and dark pig’s eyes. There was something of the Esquimaux about her head, but her colouring was ruddy and her manner more vivacious than is common among that respectable race. Her figure was stocky, her bust prodigious, and her gait, derived from the cinematograph, was designed to be alluring.

Micky, her junior by the length of a rather stiff sentence for house-breaking, was of lighter build; a scrawny, scowling little boy; a child of few words and those, for the most part, foul.

Marlene was presumed to be a year younger. But for Micky’s violent denials she might have been taken for his twin. She was the offspring of unusually prolonged coincident periods of liberty in the lives of her parents which the sociologist must deplore, for Marlene was simple. An appeal to have her certified imbecile was disallowed by the same inspecting doctor, who expressed an opinion that country life might work wonders with the child.

There the three had stood, on the eve of the war, in Malfrey Parish Hall, one leering, one lowering, and one drooling, as unprepossessing a family as could be found in the kingdom.

It should be added that Marlene pees and poos everywhere, indiscriminately. Well, to cut a long story short, after some attempts at trying to park these delinquents with decent folk, Basil has a brainwave. Potential hosts take against them so quickly and totally that one of them offers him money to take them back. Bingo! He realises they are a money-making proposition. And so Basil gets hold of Barbara’s address book and embarks on a campaign of parking the revolting children with the sweetest, nicest, kindest people he can find – almost all of whom ring up within a few days, sometimes a few hours, begging to have them taken off their hands. How much? asks Basil, and start to turn a tidy profit.

What makes it that much more realistic and funny is that flirtatious Doris takes a massive shine to Basil and wants to follow him everywhere and be with him all the time. Basil is a rascal and they soon come to an understanding, namely he is nice to Doris provided she controls her horrible siblings and then obeys orders to play up the second he’s left them with an innocent family.

Meanwhile, as a kind of side order, Basil comes across a nubile recently married young woman whose husband has gone off to join his regiment, is all sad and lonely and so… being the charmer he is, starts an affair with her.

The Ministry of Information and the Ambrose scam

From time to time he travels up to London and hangs around the Ministry of Information, located in Senate House, Bloomsbury (where George Orwell worked, where John Wyndham worked, where half London’s unemployed writers hung around hoping to get a gig, and where Ambrose Silk incongruously gets a job in the Religious Department).

A fluent liar he bluffs his way past security telling them he works for (the non-existent) M.I.13. Utterly at random he is distracted by a very good-looking young woman and follows her down corridors and into the office of one Colonel Plum. He resolves to get a job here, purely and solely to see if he can seduce Susie the sexy secretary, but to do so he finds himself having an impromptu interview with the Colonel in charge of this little unit.

In this absurd interview, Colonel Plum makes it clear he needs to track down and, ideally arrest, enemies of the state. Basil reflects on Poppet Green and her circle of left-wing bohemians, and quickly ad libs:

‘I know some very dangerous communists,’ said Basil.
‘I wonder if they’re on our files. We’ll look in a minute. We aren’t doing much about communists at the moment. The politicians are shy of them for some reason. But we keep an eye on them, on the side, of course. I can’t pay you much for communists.’

What the colonel can pay for is fascists, does Basil know any fascists, he’ll make him a captain in the Marines if he can hand over some fascists? Basil thinks again and has a characteristic brainwave. Ambrose and his essay about beautiful German youth, Hans, a member of the Hitler Youth! Basil tells the colonel he may be onto something, he’ll report back in a few days.

Basil goes his ways, which involve dropping into the office of the Ivory Tower. There are some proofs of the first edition lying around and also a passport, from an Irish priest of all things, a Father Flanagan, S.J., Professor of Dublin University. He wants to visit the Maginot Line in his capacity of correspondent for some Catholic paper and, in the usual chaotic way of the ministry, his application along with his passport have found their way to the religious department of the Ministry of Information, where Ambrose pretends to work. On a whim, Basil nicks it, like he steals so many other random bits and bobs, never knowing when they’ll come in handy or he can flog them for a little cash in hand.

Anyway, he rifles through the proofs and rereads Ambroise’s stirring essay about Hans again. When Ambrose returns to the office, Basil tells him it’s a masterpiece, except for the ending, the bit where the hero is dragged off kicking and screaming to a Nazi concentration camp. Reads like pure propaganda, Basil says, the worst kind of yellow press melodrama, ruins the artistic integrity of the whole.

Ambrose, permanently nervous and paranoid, takes Basil at his word and cuts the final pages of his memoir thus, unintentionally, converting it into a hymn to Nazi youth. A few days later, once it’s printed, Basil triumphantly re-enters Colonel Plum’s office and throws on his desk a copy of Ivory Tower open at the Nazi essay.

The Colonel is delighted, all the more so since the magazine is so obviously a hotbed of Nazi sympathisers, this Hucklebury Squib, Bartholomew Grass and Tom Barebones-Abraham, yes he’s going to arrest the lot of them!

Only as he overhears the Colonel phoning up the police and Special Branch to plan a dawn raid on the magazine’s offices does it dawn on Basil, for the first time, that he might have overdone it a little. It is worth remembering that Basil is prepared to betray one of his closest ‘friends’ and a number of other utterly innocent people (the publishers Rampole and Bentley) purely so that he can get the promised job of captain in Marines and maybe sleep with Susie, ideally both. Basil is charming, funny, and utterly amoral which sounds funny but boils down to the fact that he is a scumbag.

Waugh milks the unfolding disaster for all the comedy he can. Officials interview Mr Bentley, the younger of the two publishers and, seeing the way the land lies, he agrees to co-operate fully and, in a funny scene, proceeds to give detailed descriptions of the magazine’s other contributors, Hucklebury Squib, Bartholomew Grass and Tom Barebones-Abraham, people we know to be utterly fictional but the cops don’t.

In a comic scene written in a deliberately arch knowing style, Waugh describes the arrest of the older partner in the publishing firm, Mr Rampole, his bewilderment at the accusations, his trial, conviction and sending to prison, Brixton Prison to be precise, up the road from me as I write, where, with typically Waughian whimsy, he turns out to be quite comfortable, discovers a taste for reading light literature and gains face, especially with the prison padre, from personally knowing several of the authors. ‘He was happier than he could remember ever having been.’ Waugh likes throwing his characters in prison; remember how half the cast of Decline and Fall end up in chokey and the way Paul Pennyfeather, also, rather enjoys its solitude, the lack of distractions, the luxury of reading all day long. Waugh’s vision of prison makes it sound like a cross between a monastery and a rarefied college library.

So what about Ambrose Silk, the man Basil has told Colonel Plum is at the centre of this dangerous Nazi conspiracy? Basil doesn’t let him be arrested like the publishers but has another brainwave / elaborate scam up his sleeve.

Remember the passport of the Irish priest he pinched in Ambrose’s office? Turns out to be a vital prop or peg for the plot because. For late the night of the arrests Basil bursts into Ambrose’s flat and tells the half-awake wretch that the authorities are coming to arrest him (Ambrose doesn’t need much persuading and doesn’t put up any resistance because, as has been amply emphasised throughout the book, he is a quivering jelly of paranoid fear that ‘they’ are out to get him). Basil persuades him his best course of action is to flee to Ireland in the guise of this Jesuit priest, Father Flanagan and he has brought along ‘a clerical collar, a black clerical vest ornamented with a double line of jet buttons, and an Irish passport’. He hustles Ambrose out of his flat, down the stairs and they are at Euston station waiting for the train to Holyhead in 15 minutes.

‘But what about my flat and my things?’ wails Ambrose at which point Basil has another, simple brainwave. ‘I’ll move in,’ he tells Ambrose,’ and look after everything for you.’ ‘Oh you are so kind,’ smiles Ambrose, in a moment which exemplifies Waugh’s technique of comic and malicious irony. So Ambrose keeps his hat pulled low over his head and tells the rosary beads Basil has provided and catches the train to Holyhead and the ferry to Ireland and then travels as far west as he can in order to escape the pursuing ‘authorities’ In the event he finds a room in a remote village on the west coast, settles in with his minimal belongings and finally finds himself with the peace and time on his hands to write the Great Book he’s been meditating for so long. He, also, rather like Rampole, has found an unexpected peace amid the beautiful Irish scenery.

And thus Basil takes over Ambrose’s luxurious flat which is a far more fitting scene for his seduction of Susie, which proceeds like a dream, especially after he wangles her a promotion at the Ministry, and soon she has moved in with him, the latest in a long line of conquests. In a typical detail which is both funny and heartless, Basil sets Susie to work with needle and silk and embroidery scissors, unpicking the As from the monograms on Ambrose’s crêpe-de-chine underclothes and substituting in their place a letter B for Basil.

Schoolboy japes

The book’s two highpoints are Basil’s scams, the Connolly scam in part one, and the Ambrose scam at the end of part three. From my descriptions you can see how both are really schoolboy japes, species of practical joke. they rank up there with the premise of Scoop, i.e the mistaken identity of William Boot, or the practical joke which launches his entire novel-writing career, the debagging and dunking in a college fountain of Paul Pennyfeather, for which it is Pennyfeather and not the hooligans who assaulted him who are punished. Waugh’s world is one where innocence is always abused and honour is traduced (as poor Tony Last is traduced in Handful of Dust). Clever people play practical jokes on dim people, and Fate plays practical jokes on everyone.

The war

Oh, the Second World War, that one? Well there is comedy or satire in the way that almost all the characters think about the Second World War as an opportunity and worry about whether they will have ‘a good war.’ (An example of a ‘good war’ is that of Rex Mottram, summarised in Brideshead Revisited: ‘His life, so far as he made it known, began in the war, where he had got a good M.C. serving with the Canadians and had ended as A.D.C. to a popular general’. That’s the way to do it: win a medal and get promoted.)

In a brisk, business-like way the older characters remembers friends or brothers or cousins who did damn well in the First War and worry about getting themselves or their sons into the new one as quickly as possible, but only in a ‘good’ regiment, of course, old boy.

Hence Basil’s half-hearted attempts to wangle a commission in the Bombardiers, and the more effective efforts of younger characters lie Peter Pastmaster and Alastair Trumpington to join ‘special forces’.

Sad Angela is visited in her London flat be her sad husband, Cedric, bringing their little boy Nigel.  He’s been allowed out of boarding school to come and see his Daddy. Daddy takes him shopping and buys him a model bomber which the other chaps at his school will think ‘absolutely ripping’. It is a sad interview between two utterly estranged people.

We then follow Cedric as he rejoins his regiment and is dispatched on the ill-equipped and ill-organised British expedition to Norway, which had been invaded by the Germans in April 1940. The narrative gives two extended passages describing Cedric’s experiences: first in the chaotic night-time loading of ships in British port, in which Cedric struggles against a welter of contradictory orders and timings (i.e. symbolic of the generally shambolic nature of the British campaign); and then a very long passage  right at the end of the book describing actual fighting in Norway, where Cedric is ordered to liaise between British units which have become split up by the German advance.

This scene is not remotely funny, but a kind of quintessence of Waugh’s bitter sense of futility. Two things are notable: in terms of content Cedric is dispatched to run across open ground to find A company and tell them to withdraw in the face of the German advance. Waugh is careful to tell us the A company have, in fact, already realised this and packed up and withdrawn; which is to say that Cedric’s brave run across country to their last know position is absolutely unnecessary. Second thing is that, in a very Waugh kind of way, his brave run through a hail of bullets is not described in itself, but through the dialogue of the Colonel and adjutant who watch him through binoculars i.e. the event is commentated on, viewed from a distance, detached, bleakly distant, alienated.

And then Cedric takes a bullet through the head and dies instantly.

Epilogue: tying up loose ends

At which point the narrative cuts away, as so many Waugh narratives cut, exit, leaving a scene briskly and brutally, the more devastating the event, the more brutal the cut.

The last short section is titled Epilogue: Summer. Waugh conveys the calamitous fall of France in June 1940 through the idiotic eyes of Sir Joseph Mainwaring, a useless fuddy-duddy from the old times. The Chamberlain government falls on a vote of confidence and is replaced by the government of national unity led by Churchill (10 May).

I haven’t mentioned at all two second string characters who recur throughout the novel, Alistair and Sonia Trumpington. You might remember Basil finding himself round this couple’s apartment at the start and end of Black Mischief. Here they are revived to form a comic commentary on the main action, with the comic conceit that, after Alistair has joined his regiment, Sonia ups sticks and follows him round the country as he is regularly posted, as soldiers are, to barracks all round the UK. Here, in the final paragraphs his regiment comes to rest on the south coast, tasked with coastal defence, mining the beaches, setting up rolls of barbed wire and machine gun emplacements. And in the evenings, when he has liberty, Alistair spends a few fleeting hours with his loving Sonia who is now pregnant. Ominous times to become pregnant.

But Alistair shares his boyish excitement that Peter Pastmaster and some of the other chaps are setting up new, small, mobile units to be called ‘commandos’. They carry knives and knuckledusters and rope-souled silent shoes and are parachuted behind enemy lines to assassinate VIPs and cause mayhem. He is everso excited!

Basil marries the newly widowed Angela. The jaded, sophistiqué tone of their conversation reprises all those dialogues from Vile Bodies a decade earlier.

‘I shall be a terrible husband.’
‘Yes, darling, don’t I know it.’

Brief mention of Ambrose, holed up in a tiny village on the far west coast of Ireland. It is not enough. He feels the urge to wander in his Jewish soul. Maybe Waugh is setting him up to reappear in a sequel.

We see Rampole in his prison cell, ‘happier than he could remember ever having been.’

Peter Pastmaster is at Bratt’s (Waugh’s ubiquitous fictional gentleman’s club) drawing up a list of officers to join his new unit. They include Basil, ‘a tough nut’.

Cut back to Basil telling Angela he’s going to join a new unit. It will be a lovely new ‘racket’ for the spring. Pulling the wool over old Colonel Plum’s eyes at the Ministry of Information was fun at the time, but:

‘Besides, you know, that racket was all very well in the winter, when there wasn’t any real war. It won’t do now. There’s only one serious occupation for a chap now, that’s killing Germans. I have an idea I shall rather enjoy it.’

The final word is given to Lady Seal, lunching with Sir Joseph. When she mentions Basil’s name his heart, as always sinks. Only this time it is not to beg yet another favour; it is to inform him that Basil has joined a new unit, all by himself, under his own steam. For once Sir Joseph smiles with genuine happiness. For once he says something unarguably true:

‘There’s a new spirit abroad,’ he said. ‘I see it on every side.’

So despite a hundred pages satirising, mocking and ridiculing the English social and military establishment, the novel ends on a resoundingly, if somewhat unexpectedly, patriotic note.

Summary

In Waugh’s oeuvre, it’s easy to overlook Putting Out More Flags because it doesn’t have the defined central protagonist and unified action of most of the other novels. But it does contain some of the best comic scenes in all the pre-war books and in the figure of Basil Seal his most monstrous trickster.  Alongside other more interesting themes, namely the semi-serious, paranoid self-pity of Ambrose Silk and the darker story of Angela Lyne’s strange descent into drunken loneliness, themes which give it a deeper, richer flavour.

If someone who’d never read him asked you to recommend a Waugh novel, I think I’d recommend this or Scoop, probably Scoop because it is more timeless in its satire on the press in general and foreign correspondents in particular, but Put Out More Flags runs it a close second for ripe comedy laced with evocative period observations, for the standout characters of Basil the Rascal and Ambrose the Sensitive Victim, but also for that thread of despair and futility which is always glinting at the edge of any Waugh story.


Credit

Put Out More Flags by Evelyn Waugh was published by Chapman and Hall in 1938. All references are to the 1983 Penguin paperback edition.

Related link

Evelyn Waugh reviews

‘We must return to the Present,’ Ambrose said prophetically.
‘Oh dear,’ said Mr Bentley. ‘Why?’

Vile Bodies by Evelyn Waugh (1930)

 At Archie Schwert’s party the fifteenth Marquess of Vanburgh, Earl Vanburgh de Brendon, Baron Brendon, Lord of the Five Isles and Hereditary Grand Falconer to the Kingdom of Connaught, said to the eighth Earl of Balcairn, Viscount Erdinge, Baron Cairn of Balcairn, Red Knight of Lancaster, Count of the Holy Roman Empire and Chenonceaux Herald to the Duchy of Aquitaine, ‘Hullo,’ he said. ‘Isn’t this a repulsive party? What are you going to say about it?’ for they were both of them, as it happened, gossip writers for the daily papers.

I tend to prefer older novels to contemporary novels and poetry because they are more unexpected, diverting, free from our narrow and oppressive modern morality and better written. Go any distance into the past and the characters will have better manners and the narrator write a more grammatically  correct English than you get nowadays. There will also be old phrases which I dimly remember from my youth which have now vanished, swamped by all-conquering Americanisms. And, sometimes, you just get scenes which are odder and more unexpected than earnest, issue-led modern fiction can allow itself. Thus, at the opening of Evelyn Waugh’s beautifully written, impeccably well mannered, but ultimately devastating 1932 novel, Vile Bodies, we read:

High above his head swung Mrs Melrose Ape’s travel-worn Packard car, bearing the dust of three continents, against the darkening sky, and up the companion-way at the head of her angels strode Mrs Melrose Ape, the woman evangelist.

Not the kind of sentence you read every day.

Crossing the Channel

Vile Bodies opens on a cross-channel ferry packed with an assortment of Waugh-esque eccentrics, including a seen-it-all-before Jesuit priest, Father Rothschild, a loud and brash American woman evangelist, Mrs Melrose Ape, and her flock of young followers; some members of the fashionable ‘Bright Young People’ aka ‘the Younger Set’ (Miles Malpractice, ‘brother of Lord Throbbing’, and the toothsome Agatha Runcible, ‘Viola Chasm’s daughter’); two tittering old ladies named Lady Throbbing and Mrs Blackwater; the recently ousted Prime Minister, The Right Honourable Walter Outrage, M.P.; and a hopeful young novelist Adam Fenwick-Symes, who has been writing a novel in Paris.

Although there are passages of narrative description what becomes quickly obvious is that Waugh is experimenting with the novel form in a number of ways. One is by presenting short snatches of conversation and dialogue between a lot of groups of characters briskly intercut. No narratorial voice gives a setting or description, there is only the barest indication who’s talking, sometimes no indication at all. You’re meant to recognise the speakers by the style and content of what they say. It’s like the portmanteau movies of the 1970s, like a Robert Altman movie, briskly cutting between short scenes of  busy dialogue.

The book as a whole is a concerted satire on the generation of ‘Bright Young Things’, the privileged young British aristocrats and upper-middle-class public schoolboys who were adolescents during the Great War and who graduated from Oxford or Cambridge in the early 1920s, throwing themselves into a lifestyle of wild abandon and endless partying in the rich man’s quarter of London, Mayfair.

As you might expect, we not only get accounts of their activities, but the point of view of their disapproving elders and betters. Here’s the former Prime Minister, who we often find in conclave with Lord Metroland and Father Rothschild:

‘They had a chance after the war that no generation has ever had. There was a whole civilization to be saved and remade — and all they seem to do is to play the fool. Mind you, I’m all in favour of them having a fling. I dare say that Victorian ideas were a bit strait-laced. Saving your cloth, Rothschild, it’s only human nature to run a bit loose when one’s young. But there’s something wanton about these young people to-day.’

The younger generation’s frivolity is exemplified in the way Adam’s engagement with his fiancée, Nina Blount, is on again, off again, on again, their breaking up and making up punctuating the novel right till the end, in a running gag.

To start it off, Adam telephones Nina to tell her that the customs officials at Dover confiscated his novel and burned it for obscenity. She is sad but has to dash off to a party. In London he checks into the eccentric Shepheards Hotel (note the posh spelling), Dover Street, run by the blithely forgetful owner, Lottie Crump, who can never remember anyone’s name (‘”‘You all know Lord Thingummy, don’t you?’ said Lottie”). Lottie was, apparently, based, as Waugh tells us in his preface, on ‘Mrs Rosa Lewis and her Cavendish Hotel’.

Here Adam discovers the posh and eccentric clientele, including the ex-king of Ruritania (my favourite), assembled in the bar (the parlour) and wins a thousand pounds on a silly bet with a fellow guest. So he rushes to phone up Nina to tell her their wedding is back on again. She is happy but has to rush off to a party, as she always does.

Adam goes back to the group of guests, all getting drunk, and an older chap who calls himself ‘the Major’ offers the advice that the best way to invest his money is bet on a horse. In fact, he knows a dead cert, Indian Runner, running in the forthcoming November Handicap at twenty to one. So Adam drunkenly hands over his newly-won thousand pounds to the Major to put on this horse. The reader little suspects that this, also, will become a running gag for the rest of the book.

Then Adam stumbles back to the phone in the hallway and rings up Nina to ask her about this horse.  It is a comic premise of the novel that the world it portrays is minuscule and everybody knows everybody else, so it comes as no surprise that Nina just happens to know the horse’s posh owner and tells him it’s an absolute dog and will never win anything. When Adam explains that he’s just handed over his £1,000 to a Major to bet on it, Nina says well, that was foolish but she must dash for dinner and rings off. As usual.

Phone dialogue

A propos Adam and Nina’s conversations, Waugh prided himself that this was the first novel to include extended passages of dialogue carried out on the phone. Something about the phone medium offers the opportunity to make the characters sound even more clipped, superficial and silly than face-to-face conversation would:

‘Oh, I say. Nina, there’s one thing – I don’t think I shall be able to marry you after all.’
‘Oh, Adam, you are a bore. Why not?’
‘They burnt my book.’
‘Beasts. Who did?’

Beasts and beastly. Dreadful bores. Ghastly fellows. I say, old chap. That would be divine, darling. Everyone speaks like that, and focusing on the dialogue brings this out.

Gossip columns and the press

Vile Bodies is wall to wall posh. That was its selling point. Waugh tells us that the ‘Bright Young People’ were a feature in the popular press of the time, as the characters in Made In Chelsea or Love Island might be in ours. Hmm maybe the comparison with a TV show is not quite right. After all, the characters appear in the gossip columns of the papers and some of the characters are themselves part of the set who make a career on the side writing about their friends.

When I was younger there were gossip columns by Taki in the Spectator and Nigel Dempster in the Express and Daily Mail. I imagine the same kind of thing persists today. Obviously people like to read about the goings-on of the rich and privileged with a mixture of mockery and jealousy. That’s very much the mix Waugh was catering to. He’s well aware of it. He overtly describes the ‘kind of vicarious inquisitiveness into the lives of others’ which gossip columns in all ages satisfy.

But over and above the permanent interest in the comings and goings of the very rich, the subject of the dissolute younger generation just happened to be in the news at the time and so Waugh’s novel happened to be addressing a hot topic at just the right moment. He was instantly proclaimed the ‘voice’ of that generation and Vile Bodies was picked up and reviewed, and articles and profiles and interviews were spun off it, and it sold like hot cakes. His reputation was made.

Interesting that right from the start of his writing career, it was deeply involved in the press, in the mediaVile Bodies is, on one level, about the rivalry between two gossip columnists for popular newspapers, and feature scenes in newsrooms and even with the editor of the main paper. Two of his books from the mid-30s describe how he was hired by a newspaper as a temporary foreign correspondent, the two factual books, Remote People and Waugh in Abyssinia. And he used the experiences and material from both books as material for his satirical masterpiece about the press, Scoop (1938). If we look back at Decline and Fall with this in mind, we notice that a number of key moments in that book are caused by newspaper reports, and that many of the events are picked up and reported by and mediated by the Press.

Waugh’s 1930s novels are famous for their bright and often heartlessly comic depiction of the very highest of London high society, but it’s worth pointing out how the topic of the Press runs through all of them, and the extent to which his characters perform their roles and are aware of themselves as performers (see below).

Bright Young People

Anyway, back to Vile Bodies, it is a masterpiece of deliberately brittle superficial satire, the text’s fragmentation into snippets of speech enacting the snippets of apparently random, inconsequent conversation overheard at a party, the world it comes from being one of endless parties, endless frivolity, which he captures quite brilliantly.

‘Who’s that awful-looking woman? I’m sure she’s famous in some way. It’s not Mrs Melrose Ape, is it? I heard she was coming.’
‘Who?’
‘That one. Making up to Nina.’
‘Good lord, no. She’s no one. Mrs Panrast she’s called now.’
‘She seems to know you.’
‘Yes, I’ve known her all my life. As a matter of fact, she’s my mother.’
‘My dear, how too shaming.’

It’s a set, a group, a clique. They all know each other and many are related, couples, parents, children, aunts, cousins. Waugh’s novels themselves partake of this cliqueyness by featuring quite a few recurring characters. Figures we first met in the previous novel, Decline and Fall, include Lord Circumference and Miles Malpractice, little David Lennox the fashionable society photographer. Lord Vanbrugh the gossip columnist is presumably the son of the Lady Vanbrugh who appeared in D&F and Margot Maltravers, formerly Mrs Beste-Chetwynde who was a central character in the same novel, also makes an appearance under her new name, Lady Metroland, hosting a fashionable party. (She confirms her identity by whispering to a couple of Mrs Ape’s angels that she can get them a job in South America if she wishes, the reader of the previous novel knowing this would be at one of Lady M’s string of brothels there). And quite a few of these characters go on to appear in Waugh’s later novels. The effect is to create a comically complete ‘alternative’ version of English high society, with its narrow interconnectedness.

Thus we know from Decline and Fall that Lord Metroland married Margot Beste-Chetwynde. She was heiress to the Pastmaster title. Therefore her son, Peter Beste-Chetwynde, in time becomes Lord Pastmaster. Margot caused a great stir in Decline and Fall by going out with a stylish young black man.  Here in Vile Bodies there is a sweet symmetry in discovering that her son is going out with a beautiful black woman. Hence Lord Metroland’s grumpy remark:

‘Anyhow,’ said Lord Metroland, ‘I don’t see how all that explains why my stepson should drink like a fish and go about everywhere with a negress.’
‘My dear, how rich you sound.’
‘I feel my full income when that young man is mentioned.’

Sociolect

The snobbery is enacted in the vocabulary of the text. Various social distinctions are, of course, directly indicated by possession of a title or one’s family. But also, of course, by how one speaks. Obviously there’s the question of accent, the way the upper class distinguish themselves from the middle and lower classes. But it’s also a specific vocabulary which marks one off as a member of the chosen, its sociolect – not only its slang but a very precise choice of key words which mark off a group, signal to other members one’s membership of the group and of course, signal to everyone else their very definite exclusion. Thus:

Divine Mrs Mouse thinks a party should be described as lovely. When her daughter describes the party she’s just been to as divine her mother tut tuts because that single word betokens the class above theirs, indicates that her daughter is getting above her station.

‘It was just too divine,’ said the youngest Miss Brown.
‘It was what, Jane?’

Because it is a word very much associated with the hardest core of the upper classiest of the Bright Young Things, represented in this book by the wild and heedless party animal, Miss Agatha Runcible.

Miss Runcible said that she had heard of a divine night club near Leicester Square somewhere where you could get a drink at any hour of the night.

Bogus This is another word much in vogue to mean simply ‘bad’ with the obvious overtone of fake:

  • ‘Oh, dear,’ she said, ‘this really is all too bogus.’
  • Miss Runcible said that kippers were not very drunk-making and that the whole club seemed bogus to her.

In fact their use of ‘bogus’ is cited by Father Rothschild as one of the things he notices about the younger generation. He takes a positive view of it, suggesting to his buddies Mr Outrage and Lord Metroland that the young actually have very strict morals and find the post-war culture they’ve inherited broken and shallow and deceitful. (In this way ‘bogus’ for the 1920s was similar to what  ‘phoney’ was to be for Americans in the 1950s as popularised by Catcher In The Rye, ‘square’ was for hippies, and ‘gay’ is for modern schoolchildren).

Too ‘Too’ is an adverb of degree, indicating excess. Most of us use it in front of adjectives as a statement of fact, for example ‘This tea is too hot’. But the upper classes use it as one among many forms of exaggeration, indicating the simply superlative nature of their experiences, their lives and their darling selves. Used like this, ‘too’ doesn’t convey factual information but is a class marker; in fact its very factual emptiness, its semantic redundancy, highlights its role as a marker of membership:

  • ‘I think it’s quite too sweet of you…’
  • ‘Isn’t this too amusing?’
  • ‘Isn’t that just too bad of Vanburgh?’

‘It was just too divine’ contains a double superlative, the adverb ‘too’ but also the adjective ‘divine’ itself, which is obviously being used with frivolous exaggeration. The party was divine. You are divine. I am divine. We are divine.

Such and so Grammatically ‘such’ is a determiner and ‘so’ is an adverb. So ‘so’ should be used in front of an adjective, ‘such’ in front of a noun phrase. In this narrow society, they are both used in much the same way as ‘too’, to emphasise that everything a speaker is talking about is the absolute tip top. After listening to someone telling us they had such a good time at such a wonderful party and spoke to such a lovely man, and so on, we quickly get the picture that the speaker lives a very superior life. To get the full effect it needs to be emphasised:

  • Such a nice stamp of man.’
  • ‘It seems such a waste.’
  • Such nice people.’
  • Such a nice bright girl.’

There’s an element of risk in talking like this. Only a certain kind of person can carry it off. Trying it on among people who don’t buy into the entire elite idea, or among the real elite who know that you are not a member, risks ridicule.

So talking like this is a kind of taunt – I can get away with this ridiculous way of speaking but you can’t. The epitome of this verbal bravado is Miss Runcible, whose every word is littered with mannered vocabulary and superlatives, flaunting her superlative specialness, daring anyone else to compete.

Simply Paradoxically, for a very self-conscious elite, the pose is one of almost idiotic simplicity. Consider Bertie Wooster. His idiocy underpins his membership of the toff class. He is too stupid to do anything practical like have a job and his upper class idiocy is a loud indicator that he doesn’t need a job, but lives a life of privilege. Well one indicator of this attitude is use of the word simply.

  • ‘I simply do not understand what has happened’
  • ‘Nina, do you ever feel that things simply can’t go on much longer?’
  • ‘Now they’re simply thrilled to the marrow about it .’
  • ‘She’d simply loathe it, darling.’
  • ‘Of course, they’re simply not gentlemen, either of them.’

Darling Preferably drawled, a usage only the very confident and suave can get away with.

‘Darling, am I going to be seduced?’
‘I’m afraid you are. Do you mind terribly?’
‘Not as much as all that,’ said Nina, and added in Cockney, ‘Charmed, I’m sure.’

Terribly Another denoter of frivolous giddy poshness, since the time of Oscar Wilde at least, via Saki and Noel Coward. Terribly and frightfully.

  • ‘No, really, I think that’s frightfully nice of you. Look, here’s the money. Have a drink, won’t you?’
  • ‘I say, you must be frightfully brainy.’

-making Many of these elements have survived the past 90 years, they continued into the equally frivolous Swinging Sixties and on into our own times, though often mocked, as in the TV series Absolutely Fabulous (1992 to 1996). A locution which is a bit more specific to this generation, or certainly to this book, is creating phrases by adding ‘-making’ to the end of an adjective. Thus:

  • ‘Too, too sick-making,’ said Miss Runcible.
  • ‘As soon as I get to London I shall ring up every Cabinet Minister and all the newspapers and give them all the most shy-making details.’
  • Miss Runcible said that kippers were not very drunk-making and that the whole club seemed bogus to her.
  • ‘Wouldn’t they be rather ill-making?’
  • ‘Very better-making,’ said Miss Runcible with approval as she ate her haddock.

The usage occurs precisely 13 times in the novel, mostly associated with the most daring character, fearless Miss Runcible, and Waugh pushes it to a ludicrous extreme when he has her say:

‘Goodness, how too stiff-scaring….’ (p.174)

This locution made enough of an impression that Waugh singled it out in his preface to the 1964 edition of the novel for being widely commented on, and even taken up by a drama critic who included it in various reviews: ‘”Too sick-making”, as Mr Waugh would say.’ Did people actually say it, or was it a very felicitous invention?

Cockney

In my review of Decline and Fall I noted how much Waugh liked describing Cockney or working class characters and revelled in writing their dialogue. Same here. Thus a taxi driver tells Adam:

‘Long way from here Doubting ‘All is. Cost you fifteen bob…If you’re a commercial, I can tell you straight it ain’t no use going to ‘im.’

This turns out not to be a personal foible of Waugh’s. In Vile Bodies we learn that mimicking Cockney accents was highly fashionable among the creme de la creme of the Bright Young Things.

  • ‘Go away, hog’s rump,’ said Adam, in Cockney,
  • ‘Pretty as a picture,’ said Archie, in Cockney, passing with a bottle of champagne in his hand.
  • ‘Look,’ said Adam, producing the cheque. ‘Whatcher think of that?’ he added in Cockney.
  • ‘Good morning, all,’ she said in Cockney.

At university I knew very posh public schoolboys who had a cult of suddenly dropping into very thick Jamaican patois which they copied from hard-core reggae music (the extreme Jamaican pronunciation of ‘nay-shun’ kept recurring). Same kind of thing here – upper class types signalling their mockery and frivolity by mimicking the accents of the people about as far away from them on the social spectrum as possible.

Alcohol

Everyone’s either drunk, getting drunk or hungover. Their catchphrase is ‘Let’s have a drink’.

‘How about a little drink?’ said Lottie.

The American critic Edmund Wilson made the same comment about the literary types he knew in 1920s New York, and in general about ‘the Roaring Twenties’, ‘the Jazz Era’. Everyone drank like fish.

They went down the hill feeling buoyant and detached (as one should if one drinks a great deal before luncheon). (p.173)

Everyone was nursing a hangover. Everyone needed one for the road or a pick-me-up the next morning, or a few drinks before lunch, and during lunch, and mid-afternoon, and something to whet the whistle before dinner, and then onto a club for drinks and so on into the early hours. At luncheon with Nina’s father:

First they drank sherry, then claret, then port.

It goes without saying that these chaps and chapesses are not drinking beer or lager. Champagne is the unimpeachable, uncritisable, eternal choice for toffs and all occasions.

  • (Unless specified in detail, all drinks are champagne in Lottie’s parlour.)
  • Archie Schwert, as he passed, champagne bottle in hand, paused to say, ‘How are you, Mary darling?’
  • Adam hurried out into the hall as another bottle of champagne popped festively in the parlour.

Drinking heavily and one more for the road and still partying at dawn are fine if you’re in your 20s (and well off and good looking). Give it 40 years and you end up looking and talking like the Major in Fawlty Towers as so many of these bright young things eventually did.

Ballard Berkeley as Major Gowen in Fawlty Towers

The extended scene at the motor races (Chapter Ten) contains a very funny description of four posh people becoming very drunk. Their progressive inebriation is conveyed entirely via their speech patterns, which become steadily more clipped and the subject matter steadily more absurd, so that when a race steward comes round to enquire where the  driver of the car they’re supporting has gone to (his arm was hurt in an accident so he’s pulled into the pits and his car is empty) they immediately reply that he’s been murdered. When the steward asks if there’s a replacement driver, they immediately reply, straight faced, that he’s been murdered too.

‘Driver’s just been murdered,’ said Archie. ‘Spanner under the railway bridge. Marino.’
‘Well, are you going to scratch? Who’s spare driver?’
‘I don’t know. Do you, Adam? I shouldn’t be a bit surprised if they hadn’t murdered the spare driver, too.’

Since they each drink a bottle of champagne before lunch, the three posh friends start to come down at teatime and Waugh is as good on incipient hangovers as on inebriation.

The effect of their drinks had now entered on that secondary stage, vividly described in temperance handbooks, when the momentary illusion of well-being and exhilaration gives place to melancholy, indigestion and moral decay. (p.177)

More on this scene below.

Politics

The satirical point of view extends up into political circles, one of the jokes being that several of the most extreme and disreputably hedonistic of the Bright Young People are, with a certain inevitability, the sons and daughter of the leaders of the main parties and, since one or other of them is in power at any given moment, children of the Prime Minister.

In fact the mockery extends to the novel’s cheerfully satirical notion that the British government falls roughly every week. In the opening chapter we meet the Prime Minister who’s just been ousted, Outrage, and in the same chapter the supremely modish Miss Runcible. Only slowly does it become clear that she is, with a certain inevitability, the daughter of the current Prime Minister (Sir James Brown).

Half way through the book this Prime Minister is ousted because of stories about the wild party held at Number 10 which climaxed with his half-naked daughter, dressed as a Hawaiian dancer, stumbling drunkenly out the front steps of Number 10 and straight into the aim of numerous press photographers and journalists. Disreputable parties held by Tory toffs at Number 10? Well, it seems that in this, as so many other aspects of British life, nothing has really changed since the 1930s.

Moments of darkness

The best comedy, literary comedy as opposed to gag fests, hints at darker undertones. Shakespeare’s comedies tread, briefly, close to genuine cruelty or torment as, for example, in the hounding of Malvolio in Twelfth Night. Comedy generally is an unstable genre. For a generation or more we’ve had the comedy of cruelty or humiliation or embarrassment. I find a lot of modern comedy, such as The Office too embarrassing and depressing to watch.

Waugh’s comedy goes to extremes. It often includes incidents of complete tragedy which are played for laughs, or flicker briefly in the frivolous narrative as peripheral details, which are glossed over with comic nonchalance but which, if you pause to focus on them, are very dark.

It’s there in Decline and Fall when little Lord Tangent has his foot grazed by a shot from the starting gun at school sports day, the wound gets infected and he has to have the foot amputated. A lot later we learn, in a throwaway remark, that he has died.

Flossie’s death

Something similar happens here when a young woman, Florence or Flossie Ducane, involved in a drunken party in the room of one of the posh guests at the posh Shepheard’s Hotel attempts to swing from a chandelier which snaps and she falls to the floor and breaks her neck. Adam sees a brief report about it in the newspaper:

Tragedy in West-End Hotel.
‘The death occurred early this morning at a private hotel in Dover Street of Miss Florence Ducane, described as being of independent means, following an accident in which Miss Ducane fell from a chandelier which she was attempting to mend.

1. All kinds of things are going on here. One is the way moments of real tragedy provide a foil for the gay abandon of most of the characters. Each of these momentary tragedies is a tiny, flickering memento of the vast disaster of the First World War which looms over the entire decade like a smothering nightmare – all those dead husbands and brothers and fathers who everyone rushes round brightly ignoring.

(There’s a famous moment in the story, when Adam is hurrying to Marylebone station to catch a train out to the country pile of Nina’s father [Doubting Hall, Aylesbury], when the clock strikes 11 and everyone all over London, all over the country is still and quiet for 2 minutes because it is Remembrance Sunday. Then the 2 minutes are up and everybody’s hurly burly of life resumes. When I was young I read the handful of sentences which describe it as an indictment of the shallowness of Adam and the world, barely managing their perfunctory 2 minutes’ tribute. Now I see it as a momentary insight into the darkness which underlies everything, which threatens all values.)

2. On another level, the way Adam reads about Flossie’s death in a newspaper epitomises the way all the characters read about their own lives in the press; their lives are mediated by the media, written up and dramatised like performances. They read out to each other the gossip column reports about their behaviour at the latest party like actors reading reviews of their performances, and then, in turn, give their opinions on the columnists/critics’s writing up, creating a closed circle of mutual admiration and/or criticism.

3. On another, more obviously comic, level, what you could call the PR level, Adam smiles quietly to himself at how well the owner of the Shepheard’s Hotel, Lottie Crump, handled the police and journalists who turned up to cover Flossie’s death, smooth-talking them, offering them all champagne, and so managing to steer them all away from the fact that the host of the party where the death occurred was a venerable American judge, Judge Skimp. His name has been very successfully kept out of the papers. Respect for Lottie.

Simon Balcairn’s suicide

Then there’s another death, much more elaborately explained and described. Simon, Earl of Balcairn, has his career as a leading gossip columnist (writing the ‘Chatterbox’ column in the Daily Excess) ruined after he is boycotted by Margot Metroland and blacklisted from the London society through whom he makes his living. He gets Adam to phone Margot and plead to be admitted to her latest party, one she is giving for the fashionable American evangelist, Mrs Ape, but she obstinately refuses. He even dresses up in disguise with a thick black beard and gatecrashes, but is detected and thrown out.

Convinced that his career, and so his life is over, Simon phones in one last great story to his newspaper, the Daily Excess, a completely fictitious account of Margot’s party in which he makes up uproarious scenes of half London’s high society falling to their knees amid paroxysms of religious guilt and renunciation (all completely fictitious) – then, for the first time completely happy with his work, lays down with his head in his gas oven, turns on the gas, inhales deeply, and dies. It is, and is meant to be, bleak.

This feel for the darkness which underlies the giddy social whirl, and the complicated psychological effect which is produced by cleverly counterpointing the two tones, becomes more evident in Waugh’s subsequent novels, Black Mischief (1932) and A Handful of Dust (1934). In this novel he describes it as

that black misanthropy…which waits alike on gossip writer and novelist…

And it appears more and more as the novel progresses, like water seeping through the cracks in a dam. Nina starts the novel as the model of a social butterfly, utterly empty-headed and optimistic. After she and Adam have a dirty night in Arundel i.e. sex i.e. she loses her virginity, she ceases being so much fun. She finds the parties less fun. She starts to squabble with Adam. About half way through the novel she is, uncoincidentally, the peg for an extended passage which sounds a note of disgust at the book’s own subject matter (which is where, incidentally, the title comes from):

‘Oh, Nina, what a lot of parties.’
(…Masked parties, Savage parties, Victorian parties, Greek parties, Wild West parties, Russian parties, Circus parties, parties where one had to dress as somebody else, almost naked parties in St John’s Wood, parties in flats and studios and houses and ships and hotels and night clubs, in windmills and swimming baths, tea parties at school where one ate muffins and meringues and tinned crab, parties at Oxford where one drank brown sherry and smoked Turkish cigarettes, dull dances in London and comic dances in Scotland and disgusting dances in Paris–all that succession and repetition of massed humanity…. Those vile bodies…)

Waugh cannily sprinkles among the witty dialogue and endless parties a slowly mounting note of disgust and revulsion.

Comedy is adults behaving like children

From the moment of her deflowering Nina grows steadily more serious, almost depressed. You realise it’s because, in having sex, she’s become an adult. Things aren’t quite so much bright innocent fun any more. At which point I realised that the appeal of the Bright Young Things is, in part, because they behave like children, drunk and dancing and singing (OK, so the drinking is not exactly like young children) but at its core their behaviour is childish, persistently innocent and naive.

The Bright Young People came popping all together, out of some one’s electric brougham like a litter of pigs, and ran squealing up the steps.

Much comedy is based on adults behaving like children. It’s a very reliable way of getting a comic effect in all kinds of works and movies and TV shows. It occurs throughout this book. There’s a funny example when, at Margot Metroland’s party, the ageing ex-Prime Minister, Mr Outrage, gets caught up in the exposure of Simon Balcairn infiltrating the party in disguise but, because of the obscure way the thing is revealed with a variety of pseudonyms and disguises, the PM becomes increasingly confused, like a child among adults and he is reduced to childishly begging someone to explain to him what is going on. The comic effect is then extended when he is made to confess he experiences the same bewildering sense of being out of his depth even in his own cabinet meetings.

‘I simply do not understand what has happened…. Where are those detectives?… Will no one explain?… You treat me like a child,’ he said. It was all like one of those Cabinet meetings, when they all talked about something he didn’t understand and paid no attention to him.

Mr Chatterbox

Balcairn’s suicide creates a vacancy for a new ‘Mr Chatterbox’ and Adam happens to be dining in the same restaurant (Espinosa’s, the second-best restaurant in London) as the features editor of the Daily Excess, they get into conversation and so, with the casualness so typical of every aspect of these people’s lives, he is offered the job on the spot. ‘Ten pounds a week and expenses.’

Adam’s (brief) time as a gossip columnist turns into a comic tour de force. Just about everyone Simon mentioned in his last great fictitious account of Margot’s party (mentioned above) sues the Daily Excess (’62 writs for libel’!) with the result that the proprietor, Lord Monomark, draws up a list of them all and commands that none of them must ever, ever be mentioned in the paper again. This presents Adam with a potentially ruinous problem because the list includes ‘everyone who is anyone’ and so, on the face of it, makes his job as gossip columnist to London’s high society impossible.

He comes up with two solutions, the first fairly funny, the second one hilarious. The first one is to report the doings of C-listers, remote cousins and distant relatives of the great and good, who are often ailing and hard done by. The column’s readers:

learned of the engagement of the younger sister of the Bishop of Chertsey and of a dinner party given in Elm Park Gardens by the widow of a High Commissioner to some of the friends she had made in their colony. There were details of the blameless home life of women novelists, photographed with their spaniels before rose-covered cottages; stories of undergraduate ‘rags’ and regimental reunion dinners; anecdotes from Harley Street and the Inns of Court; snaps and snippets about cocktail parties given in basement flats by spotty announcers at the B.B.C., of tea dances in Gloucester Terrace and jokes made at High Table by dons.

This has the unexpected benefit of creating new fans of the column who identify with the ailments or  afflictions of these ‘resolute non-entities’.

The second and more radical solution is simply to make it up. Like a novelist, Adam creates a new set of entirely fictional high society characters. He invents an avant-garde sculptor called Provna, giving him such a convincing back story that actual works by Provna start to appear on the market, and go for good prices at auction. He invents a popular young attaché at the Italian Embassy called Count Cincinnati, a dab hand at the cello. He invents Captain Angus Stuart-Kerr the famous big game hunter and sensational ballroom dancer.

Immediately his great rival gossip columnist, Vanbrugh, starts featuring the same (utterly fictional characters) in his column, and then other characters begin to mention them in conversation (‘Saw old Stuart-Kerr at Margot’s the other day. Lovely chap’) and so on. This is funny because it indicates how people are so desperate to be in the swim and au courant that they will lie to themselves about who they’ve seen or talked to. It indicates the utter superficiality of the world they inhabit which can be interpreted, moralistically, as a bad thing; but can also be seen as a fun and creative thing: why not make up the society you live in, if the real world is one of poverty and war?

But Adam’s masterpiece is the divinely slim and attractive Mrs Imogen Quest, the acme of social desirability, to whom he attributes the height of social standing. She becomes so wildly popular that eventually the owner of the Daily Excess, Lord Monomark, sends down a message saying he would love to meet this paragon. At which point, in a mild panic, Adam quickly writes a column announcing the unfortunate news that Mrs Quest had sailed to Jamaica, date of return unknown.

You get the idea. Not rocket science, but genuinely funny, inventive, amusing.

Father Rothschild as moral centre

Adam and Nina are invited to a bright young party held in a dirigible i.e. airship.

On the same night their more staid parents, politicians and grandees attend a much more traditional party for the older generation at Anchorage House. The main feature of this is the Jesuit Father Rothschild sharing with Mr Outrage and Lord Metroland a surprisingly mild, insightful and sympathetic view of the behaviour of the young generation. They have come into a world robbed of its meaning by the war, a world where the old values have been undermined and destroyed and yet nothing new has replaced them. A decade of financial and political crises ending up in a great crash. No wonder they make a point of not caring about anything. Genuinely caring about someone or something only risks being hurt. Hence the vehemence of the display of aloofness, nonchalance, insouciance, darling this and divine that and frightfully the other, and refusing point blank to ever be serious about anything.

In fact, Father Rothschild is given an almost apocalyptic speech:

‘Wars don’t start nowadays because people want them. We long for peace, and fill our newspapers with conferences about disarmament and arbitration, but there is a radical instability in our whole world-order, and soon we shall all be walking into the jaws of destruction again, protesting our pacific intentions.’

And this was written a few years before Hitler even came to power. Everyone knew it. Everyone sensed it. The coming collapse. The bright young things are laughing in the dark.

A touch of Auden

W.H. Auden often gets the credit for introducing industrial landscapes and landscapes blighted by the Great Depression into 1930s poetry, but it’s interesting to notice Waugh doing it here in prose. In a plane flying to the South of France, Nina looks down through the window:

Nina looked down and saw inclined at an odd angle a horizon of straggling red suburb; arterial roads dotted with little cars; factories, some of them working, others empty and decaying; a disused canal; some distant hills sown with bungalows; wireless masts and overhead power cables; men and women were indiscernible except as tiny spots; they were marrying and shopping and making money and having children.

One episode in the sad and dreary strand of English poetry and prose through the middle half of the twentieth century, E.M. Foster’s lament for the cancerous growth of London in the Edwardian era, D.H. Lawrence’s horrified descriptions of the mining country, John Betjeman’s comic disgust at light industrial towns like Slough, Philip Larkin’s sad descriptions of windswept shopping centres. But during the 1930s it had an extra, apocalyptic tone because of the sense of deep economic and social crisis.

Other scenes

The movie

Adam goes back to visit Nina’s father for a second time to try and borrow money, but is amazed to walk into the surreal scene of a historical drama being filmed at her father’s decaying country house (Doubting Hall, set in extensive grounds) by a dubious film company The Wonderfilm Company of Great Britain, run by an obvious shyster, a Mr Isaacs. (Worth noting, maybe, that Waugh has the leading lady of the movie, use what would nowadays be an unacceptable antisemitic epithet. Waugh himself has  some of his characters, on very rare occasions, disparage Jews, but then they disparage the middle classes, politicians, the authorities and lots of other groups. Their stock in trade is amused contempt for everyone not a member of their social circle. Waugh comes nowhere near the shocking antisemitism which blackens Saki’s short stories and novels.)

Isaac is such a shyster he offers to sell Adam the complete movie, all the rushes and part-edited work for a bargain £500. Adam recognises a crook when he sees one. But his prospective father-in-law doesn’t, and it’s a comic thread that, towards the end of the novel, old Colonel Blount has bought the stock off Isaacs and forces his reluctant neighbour, the Rector of his church, to stage an elaborate and disastrous showing of what is obviously a terrible film.

(It is maybe worth noting that Waugh had himself tried his hand at making a film, with some chums from Oxford soon after he left the university, in 1922. It was a version of The Scarlet Woman and shot partly in the gardens at Underhill, his parents’ house in Hampstead.)

The motor race and Agatha

Adam, Agatha Runcible, Miles Malpractice and Archie Schwert pile into Archie’s car for a long drive to some remote provincial town to watch a motorcar race which a friend of Miles’ is competing in. It’s mildly comic that all the good hotels are packed to overflowing so they end up staying in a very rough boarding house, sharing rooms with bed which are alive with fleas. Early next morning they do a bunk.

The car race is described at surprising length, with various comic details (in the pits Agatha keeps lighting up a cigarette, being told to put it out by a steward, and chucking it perilously close to the open cans of petrol; this is very cinematic in the style of Charlie Chaplin).

There is a supremely comic scene where Miles’s friend brings his car into the pits and goes off to see a medic – one of the competitors threw a spanner out his car which hit our driver in the arm. A race steward appears and asks if there’s a replacement driver for the car. Now, in order to smuggle his pals into the pits in the first place, Miles’ friend had handed them each a white armband with random job titles on, such as Mechanic. The one given to Agatha just happened to read SPARE DRIVER so now, drunk as a lord, she points to it and declares: ‘I’m spare driver. It’s on my arm.’ The race steward takes down her name and she drunkenly gets into the racing car (she’s never driven a car before) her friends ask if that’s quite wise, to drive plastered, but she replies: ‘I’m spare driver. It’s on my arm’ and roars off down the course.

There then follow a sequence of comic announcements over the race tannoy as it is announced that Miss Runcible’s car (‘No 13, the English Plunket-Bowse’) has a) finished one lap in record time b) been disqualified for the record as it is now known she veered off the road and took a short cut c) has left the race altogether, taking a left instead of a right turn at a hairpin corner and last seen shooting off across country.

Our three buddies repair to the drinks tent where they carry on getting drunk. When ‘the drunk major’ turns up, promising to pay Adam the £35,000 that he owes him thanks to the bet he promised to make on a racehorse, they each have a bottle of champagne to celebrate.

Eventually it is reported that the car has been spotted in a large village fifteen miles away, town where it has crashed into the big stone market cross (‘ (doing irreparable damage to a monument already scheduled for preservation by the Office of Works)’).

Our threesome hire a taxi to take them there and witness the car wreck, mangled against the stone post and still smoking. Villagers report that a woman was seen exiting the car and stumbling towards the railway station. They make their way to the railway station and the ticket seller tells them he sold a ticket to London to a confused young woman.

(It may be worth noting that this entire chapter, with its extended and detailed description of competitive car racing, was almost certainly based on a real visit to a car race Waugh made, to support his pal David Plunket Greene. The real life race, which took place in 1929, is described, with evocative contemporary photos, in this excellent blog.)

Agatha’s end

To cut a long story short, after interruptions from other strands, we learn that Agatha sustained serious enough injuries in her car smash to be sent to hospital. But that’s not the worst of it. She had concussion and has periodic delusions, so she is referred on to ‘the Wimpole Street nursing home’. Here, in Waugh’s telegraphic style, we are given impressionistic snippets into her nightmares in which she is driving always faster, faster! and the comforting voice of her nurse trying to calm her as she injects her with a tranquiliser.

There’s a final scene in this strand where several of her pals pop round to visit her, bringing flowers but also a little drinky-wink, then some other appear and before you know it there’s a full scale party going on in her room, someone brings a gramophone, they all dance to the latest jazz tune. They even bribe the staid nurse with a few drinks and things are getting rowdy when, inevitably, the stern matron arrives and kicks them all out. Carry on Bright Young Things.

But, long story short, the excitement exacerbates Agatha’s shredded nerves and, towards the end of the narrative, we learn in a typically throwaway comment from one the characters, that Agatha died. Adam:

‘Did I tell you I went to Agatha’s funeral? There was practically no one there except the Chasms and some aunts. I went with Van, rather tight, and got stared at. I think they felt I was partly responsible for the accident…’

The fizzy bubbles mood of the opening half of the novel feels well and truly burst by this stage. Characters carry on partying and behaving like children but it feels like the moral and psychological wreckage is mounting up like a cliff teetering over them all.

Nina’s infidelities

The on again, off again relationship between Nina and Adam comes to a head when she declares she’s in love with a newcomer in their social circle, a man who speaks in even more outrageous posh boy phrases than anyone else. In fact, she casually informs Adam, she and Ginger got married this morning. Oh.

But this is where it gets interesting because Nina is such an airhead that she can’t really decide, she can’t make up her mind between Adam and Ginger. She goes off on a jolly honeymoon to the Med with him, but doesn’t like it one bit, he’s off playing golf most of the day. If you recall, Adam and Nina had had sex, at the hotel in Arundel, so there’s a more than emotional bond between them. Anyway, long and the short of it is she agrees to see him, to come and stay with him and, in effect, to start an affair with him as soon as she gets back to London.

It is all done for laughs but Waugh doesn’t need to draw the moral, to go on about psychological consequences, to editorialise or point out the moral implications for Nina and her set. All of this is conspicuous by its absence. It is left entirely to the reader to draw their own conclusions. Waugh’s text has the chrome-covered sleekness of an Art Deco statuette, slender, stylish, quick, slickly up to date.

He is the English F. Scott Fitzgerald, giving a highly stylised depiction of a generation in headlong pursuit of fun, drinks, drinks and more drinks, endless parties, with the shadow of the coming psychological crash looming closer and closer over his narratives.

The completely unexpected ending

The cinema show

Comedy of a sort continues up to the end, with the scene I mentioned before, of gaga old Colonel Blount, accompanied by Nina and Adam who are staying with him for Christmas, insisting on taking his cinematographic equipment round to the much put-upon local Rector, spending an age setting it up, and then blowing his entire household fuses in showing the terrible rubbish film which the director Isaacs has flogged to him.

It is a great comic scene if, to my mind, no longer as laugh out loud funny as the early scenes, because my imagination has been tainted by a silly death (Flossie), a suicide (Simon Balcairn), the nervous breakdown and death of pretty much the leading figure int he narrative (Agatha).

Anyway, after the power cut, the Colonel, Adam and Nina motor back to Doubting Hall for Christmas dinner and are in the middle of boozy toasts when the Rector phones them with the terrible news. War has broken out. War?

The last world war

In an extraordinary leap in subject matter and style, a startling break with everything which went before it, the very last scene discovers Adam, dressed as a soldier, amid a vast landscape of complete destruction, a barbed wire and mud nightmare derived from the grimmest accounts of the Great War and stretching for as far as the eye can see in every direction. It is the new war, the final war, the war Father Rothschild warned against, the war they all knew was coming and which, in a way, justified their heartless frivolity. Nothing matters. Jobs don’t matter, relationships don’t matter, sobriety or drunkenness, wild gambling, fidelity or infidelity, nothing matters, because they know in their guts that everything, everything, will be swept away.

Waugh’s humour continues till the end, but it is now a grim, bleak humour. For floundering across the mud landscape towards Adam comes a gas-masked figure. For a moment it looks as if they will attack each other, the unknown figure wielding a flame thrower, Adam reaching for one of the new Huxdane-Halley bomb (for the dissemination of leprosy germs) he keeps in his belt. God. Germ warfare. The utter ruined bottom of the pit of a bankrupt civilisation.

Only at the last minute do they realise they’re both British and then, when they take their masks off, Adam recognises the notorious Major, the elusive figure who took his money off him at Shepheard’s all those months (or is it years) ago, to bet on a horse, who he briefly met at the motor racing meet, and now gets talking to him, in that upper class way, as if nothing had happened at all.

‘You’re English, are you?’ he said. ‘Can’t see a thing. Broken my damned monocle.’

Now the Major invites him into the sanctuary of his ruined Daimler car, sunk past its axles in mud.

‘My car’s broken down somewhere over there. My driver went out to try and find someone to help and got lost, and I went out to look for him, and now I’ve lost the car too. Damn difficult country to find one’s way about in. No landmarks…’

It is the landscape of Samuel Beckett’s post-war plays, an unending landscape of utter devastation, dotted with wrecks of abandoned machinery and only a handful of survivors.

Once they’ve clambered into the car’s, the Major opens a bottle of champagne (what else?) and reveals a dishevelled girl wrapped in a great coat, ‘woebegone fragment of womanhood’. On closer examination this turns out to be one of Mrs Apes’ young girls, the laughably named Chastity. When quizzed, Chastity ends the narrative with a page-long account of her trials. It turns out that Margot Metroland did manage to persuade her to leave Mrs Ape’s religious troupe and go and work in one of her South American bordellos –so this fills in the details of the 3 or 4 girls we met during Decline and Fall who were being dispatched to the same fate.

Only with the outbreak of war, she returned to Europe and now presents in a breathless paragraph the story of her employment at a variety of brothels, being forced into service with a variety of conquering or retreating troops of all nations. The Major opens another bottle of champagne and starts chatting her up. Adam watches the girl start flirtatiously playing with his medals as he drifts into an exhausted sleep.

So, Waugh is pretty obviously saying, all of Western civilisation comes down to this: a shallow adulterer, a philandering old swindler, and a well-worn prostitute, holed up in a ruined car in a vast landscape of waste and destruction.

Aftershocks

Vile Bodies is marketed as a great comic novel and it is, and is often very funny, but as my summary suggests, it left me reeling and taking a while to absorb its psychological shocks. The deaths of Flossie, Simon and Agatha, and Nina’s slow metamorphosis into a thoughtless adulterer, all steadily darken the mood, but nothing whatsoever prepares you for the last chapter, which is surely one of the most apocalyptic scenes in the literary canon.

I had various conflicting responses to it, and still do, but the one I’m going to write down takes a negative view.

Possibly, when I was young and impressionable and first read this book, I took this devastating finale to be an indictment of the hollowness of the entire lifestyle depicted in the previous 200 pages. Subject to teenage moodswings which included the blackest despair, I took this extreme vision of the complete annihilation of western civilisation at face value and thought it was a fitting conclusion to a novel which, from one point of view, is ‘about’ the collapse of traditional values (restraint, dignity, sexual morality).

But I’m older now, and now I think it represents an artistic copout. It is so extreme that it ruins the relative lightness of the previous narrative. All the light touches which preceded it are swamped by this huge sea of mud.

And it’s disappointing in not being very clever. Up to this point any reader must be impressed, even if they don’t sympathise with the posh characters, by the style and wit with which Waugh writes, at the fecundity of his imagination, and the countless little imaginative touches and verbal precision with which he conveys his beautifully brittle scenarios.

And then this. Subtle it is not. It feels like a letdown, it feels like a copout. It’s not a clever way to end a noel which had, hitherto, impressed with its style and cleverness. It feels like a suburban, teenage Goth ending. It’s not much above the junior school essay level of writing ‘and then I woke up and it was all a dream’.

A more mature novel might have ended with the funeral of Agatha Runcible and recorded, in his precise, malicious way, the scattered conversations among the usual characters, momentarily brought down to earth and forced to confront real feelings, before swiftly offering each other and drink and popping the champagne. In this scenario the Major might have turned up as a fleeting character Adam still can’t get to meet, Nina unfaithful thoughts could have been skewered, Margot Metroland’s society dominance reasserted despite heartbreak over her dead daughter, Lord Monomark appointing yet another bright young thing as Mr Chatterbox, the ousted Prime Minister Mr Outrage still utterly confused by what’s going on, and maybe a last word given to sage and restrained Father Rothschild. That’s what I’d have preferred.

Instead Waugh chose to go full Apocalypse Now on the narrative and I think it was a mistake – an artistic error which became more evident as the years passed and the world headed into a second war, which he was to record much more chastely, precisely, and therefore more movingly, in the brilliant Sword of Honour trilogy.


Credit

Vile Bodies by Evelyn Waugh was published in 1930 by Chapman and Hall. All references are to the 1983 Penguin paperback edition.

Related links

Evelyn Waugh reviews

No One Can Stop The Rain: A Chronicle of Two Foreign Aid Workers during the Angolan Civil War by Karin Moorhouse and Wei Cheng (2005)

As with all stories everything was one big confusão.
(Karin Moorhouse in No One Can Stop The Rain, page 201)

Karin and Wei

Karin Moorhouse was born in Australia. At university in April 1981 (p.262) she met and fell in love with Wei Cheng, who had fled Mao’s China (where he had been a very young Red Guard during the Cultural Revolution) and was training as a pediatric surgeon.

The couple married in 1988 and moved to Hong Kong, where she was a successful marketing executive and he was a successful pediatric surgeon. They led a hectic, happily married life for some years and then, in 2000, put into affect a long-cherished ambition, which was to volunteer for a charity in the developing world. They went to work for Médecins Sans Frontières (MSF) in Angola, which was still caught up in its ruinous 27-year-long civil war (1975 to 2002). Wei was to work as a surgeon and Karin as a financial administrator.

This book is the co-authored account of their experiences. It is a long, thorough narrative, overflowing with charity and compassion. It contains plenty of grim descriptions of horrific injuries and grinding poverty and yet somehow, amid it all, a fair amount of humour, and some moments of beauty and redemption. A portion of the profits go to Médecins Sans Frontières.

They were sent to Kuito, capital of Angola’s Bié province, which had a pre-war population of about 200,000, almost dead centre of Angola and the most heavily landmined city in the country (p.247).

Kuito is/was on the Benguela to Zambia railway line, built by a British company in 1902, which once brought trade and development to all the stops along the line. But for a generation before they arrived it had been fought over by the opposing sides, with UNITA in particular doing their damnedest to destroy it and had succeeded very nicely. Kuito railway station was mined and off limits during their stay. Nobody could remember the last time a train had run on the ruined line.

Map of Angola showing Kuito, capital of Bie province in the centre of the country

Wei went out first (August 2000) and sent Karin detailed emails of life in the new role and country which form the basis of the opening chapters. Eight weeks later (end of September 2000) Karin joined him. He worked as a surgeon with responsibility for the emergency ward (the Banco de Urgência) and orthopedic ward, she worked as an administrator both at the hospital and at the related nutrition and care centres.

They were both in the roles for about 8 months (Wei from August 2000 to April 2001). They wrote emails and letters to friends and family, as well as diaries and other fragments, which they glue together with present-day narrative and reflections to produce a kind of mosaic of impressions, thoughts, history and experiences.

Writing

The couple co-wrote the book so that alternating chapters or sections are clearly marked ‘Karin writes’ or ‘Wei writes’. This immediately prompts the question whether you can tell them apart as writers, whether they have different writing styles or approaches, and the quick answer is Yes, they do.

One of the main reasons writers are ‘writers’ is because they’ve put a lot of thought into the art of writing. This art or craft no doubt consists of many things but maybe two key ones are: working hard to develop a voice or style which stands out, and working hard to avoid clichés, banality, bromides, sentimentality, Hallmark Card triteness.

Obviously the point of this book is the terrible things they saw and how they coped, and their conscious intention is to show that, amid the horror, they also witnessed the positive side of human nature which real adversity and misery sometimes brings out. But before the narrative arrives in Angola we are assessing the pair as authors.

Karin’s style

Wei is a better writer than Karin and it was interesting, over the course of the book’s 300 pages, to analyse why. Karin is allotted early sections giving an overview of the war which display a shaky grasp of the facts (she says Angola’s war was thirty years old in 2000, whereas there’s general agreement that it officially started in the year of independence, 1975, and so was 25 years old) and she has an equally shaky way with the English language:

  • If we were not abstracted from the surroundings, the panorama could have been one of incomparable splendour. (p.82)
  • A particularly average bottle of Portuguese rosé tasted sweet between our lips. (p.82)

Right at the start of the narrative, when describing the flight from Brussels to Luanda, and the evening the reunited couple spent at a restaurant and sauntering along the beach there, Karin sounds like a bad tourist brochure. Maybe it’s that she’s writing Australian English, a version of the language continually going off at a mild but noticeable tangent from my English English, but I was continually pulled up short by her unexpected phrasing:

  • Her colleagues gaggled with laughter about something I couldn’t understand. (p.46 and p.208)
  • I quickly gleaned what to expect from the arrestingly basic conditions. (p.82)
  • By far the most confronting ward was orthopedics. (p.87, p.267)
  • I felt a heightened sense of anguish by the political statement Wei was making in those times of insecurity. (p.127)
  • It was exasperating to be so linguistically challenged because I yearned to understand how people were managing inside themselves. (p.128)
  • From the door I watched as the ambulance pulled away and sunk into the night. (p.140)
  • It was a cheap escape from certain volatility. (p.146)
  • The shower dispensed a burst of icy-cold water and even my wimpish aversion to this embracing start to the day paled in significance. (p.146)
  • When it rained, the morning’s swelter was extinguished. (p.156)
  • I set to with overt confidence. (p.157)
  • With Christmas only three days away we were taken with the near lack of suggestion that the festival was approaching. (p.161)
  • The vehicle chortled over yawning potholes. (p.167 and p.256)
  • His vociferous cries echoed through the corridors. (p.180)
  • We were all green with envy from her linguistic prowess. (p.206)
  • It was a clear night and the milky moon glowed to the size of a dinner plate. (p.212)
  • In the middle of obscurity the government of Angola decided to reopen the Department of Social Security. (p.242)
  • Rain pelted on the window in staccato fashion. (p.243)
  • I became conscious of where I was placing my next footprint. (p.246)

Karin seems to have been assigned writing up the broader political and geopolitical situation and towards the end of the text mentions the amount of factual research she did to write chapters about not only the war but Angolan society, about its poverty index, life expectancy and so on, that kind of factual content. But even here she comes up with imaginative new locutions:

  • The Angolan government had been trying hard to foster a process of normalisation within the international arena. (p.34)
  • Neglected and unable to influence events [Angolans] bore the full brunt of both sides’ pursuit for absolute power. (p.35)
  • The government, in pursuit of the last vestiges of Savimbi’s army, had forged into the interior. (p.35)

I began to look forward to the Karin sections because of their linguistic kookiness. I get bored of trying to write plain, grammatically clear and comprehensible sentences. Karin’s inventive way with the language was sometimes funny, but sometimes genuinely interesting.

  • Once the Cubans were out of the way, the US was free to switch sides and support the government, leaving their old ally Savimbi to re-establish arms suppliers among numerous nation-pieces of the former Soviet Union. (p.129)

Added to which, her enthusiasm often spills over into amusingly schoolgirl gush:

  • A kaleidoscope of emotions overwhelmed me (p.88)
  • The children made my heart melt…
  • And when I walked, I loved to observe life around me. (p.93)

She is regularly ‘charmed’ and ‘beguiled’ and ‘captivated’ by the loveliness of native women’s dresses, by the singing of the church choir, by the beauty of the children. She finds so many things ‘delightful’. Karin has a couple of favourite words which I grew to like, too. She ‘surmises’ lots of things. I’m not sure I’ve ever surmised anything in my life. I’m impressed by someone who does so much surmising.

And everything is over-described. No noun goes without a melodramatic adjective, no verb goes without a gaudy adverb. Wei doesn’t just ‘crash’ onto his pillow after a hard day, ‘he crashed heavily onto his pillow’. Karin never sits up when she could sit ‘bolt upright’. The shadows in the street have to be ‘gloomy shadows’. Nobody’s ever just nervous, they’re always ‘a bundle of nerves’. The driver doesn’t struggle to turn the ambulance round in a narrow street, he ‘struggles deftly’. Duarte doesn’t just sigh, he ‘let out a worrisome sigh’. On a short break in South Africa, they don’t just hire a car and take to the road, but ‘took to the roads with glee’. When they’re pulled over by police, they aren’t just anxious, their ‘anxieties reached a crescendo’ and then ‘my fears had reached their zenith’. Arlete doesn’t just have a frail body, she has ‘a cadaverously frail body’. The conifer trees in the garden don’t just provide shade but ‘needle-sweet shade’. Mud isn’t just mud but ‘slurping mud’. Everything has to be amped up, all the time.

We often say that someone has a physical age but also has a mental age, which can be different. Arguably, people also have a literary age i.e. the age revealed when they try to write something. Karin regularly displays the literary age of an excitable 13-year-old. The trip to South Africa ‘was a magical ride’, a dizzy contrast to Angola, ‘that cauldron of carnage’ (p.144).

Everything is overlit as in a soap opera full of exaggerated compassion, alarm, horror and tragedy. In the TV series Friends the character Joey gets an acting job on a popular soap set in a hospital, called Days of Our Lives. Often, reading Karin’s account is like watching a version of Days of Our Lives set in the Third World, with the heroine sitting ‘bolt upright’ in bed as her hero husband manfully declares ‘By God, I’m going to save that little girl if it’s the last thing I do!’

When my kids are at junior school, the English teachers told them to write essays which included as many ‘wow words’ as possible, a strategy designed to increase their vocabulary. Karin’s text overflows with wow words. When the power fails at the airport, the crowd ‘claw’ for their baggage on the stalled carousel; they ‘scuttle’ outside into the fresh air; taxi touts ‘buzz’ around them as they make their way through ‘a sea of prying hands’ (p.145). Reading Karin is a bit like being on drugs.

She likes the word ruminate and why not, it’s an interesting word. When a young mother dies shortly after giving birth: ‘A hollow feeling ruminated from within’ (p.126). After the senior nurse Manuel Vitangui is murdered: ‘We all ruminated for weeks’ (p.142). Ruminating and surmising. And snaking, too. Roads don’t lead or wind, they always snake; as, inevitably, do queues and UN motorcades (pp.46, 171, 227, 253, 254).

Karin has one particular theme or bugbear which she returns to three or four times, which is the way everyone in the West is in so much of a rush and a hurry that we never seem to have time for each other any more! Compared to the Africans she meets who don’t have two sticks to rub together, but often seem to have more time and compassion for each other. It’s almost as though we in the busy West could learn a thing or two about taking life more slowly and enjoying it more!

There in Kuito, in the middle of a civil war, the stress of modern city life peeled away like onion rings. (p.94)

She repeats the idea a lot, harping on about the intolerable 24/7 workload of their lifestyle in Hong Kong, about ‘the Hong Kong scramble’ and the blur of ‘time-devouring commitments’, the ‘pressures and stresses of the commercial world’ (p.208). From the opening chapter onwards, Karin is at pains to describe how their time in Kuito was time out of what she repeatedly describes as the stressful overwork of their lives as super-busy professionals in Hong Kong.

The overwritten dressing-up of pretty banal and obvious statements like these for some reason reminded me of James Herriott’s vet books. You don’t read them for the cutting edge philosophy or incisive social commentary; you read them for their down-home sentimentality and comfort and reassurance. Even when cows or sheep die in horrible circumstances, everything is ultimately contained by the warmly reassuring tone of the narrative. Same here. The comparison is reinforced by the way this book, like the vet books, is divided into chapters which often focus on specific individual cases, in this book’s case, into 66 very short chapters. 273 pages / 66 chapters = about 4 pages per chapter.

That said, there are frequent chapters on non-medical subjects, such as the one where they go for a picnic by the river, or attend a church service. There’s an entirely comic chapter about how she and Wei agonise about what to do with a rooster one of their staff has brought and tethered to a tree for them. The idea is it’ll be the centrepiece of the dinner party they’re planning for the evening, but neither of them has any experience of slaughtering, gutting and cooking a live bird or, as Karin refers to the chicken throughout, ‘our feathered friend’.

My wife likes the BBC TV series Call The Midwife and has read all of the original memoirs by Jennifer Worth. I imagine they have the same combination of sometimes intense tragedy with spirited comedy over ‘life’s little mishaps’, with ‘light-hearted moments’ of ‘comic relief’.

And this isn’t accidental. Karin is deliberately trying to inject humour into the text. Hence the chapter entirely about their comic inability to kill the chicken; an extended passage about how she gives Wei a disastrous haircut, clipping several bald patches into his black hair; the chapter about their comic struggles to contain an infestation of Angolan mice; or a chapter about the nuns associated with the hospital, which is punningly titled ‘Nuninhibited’. Sometimes the humour is surprisingly blunt, as when Karin titles a chapter devoted to their upsetting work in the malnutrition clinic, dealing with starving children, ‘Weight Watchers’.

To be clear, none of her or Wei’s shortcomings as writers detract for a second from the basic fact that they made the brave decision to park their high-flying careers and go and do real good in the world, bringing health and hope to thousands who would have lacked it without their efforts.

I am well aware that nitpicking about her prose style is trivial weighed in the balance against what she and her husband achieved. But books provide a complex matrix of intermingled pleasures, even the most horrific subject matter comes dressed in words, and words come draped in connotations and overtones which create complex psychological affects. And it’s these effects which interest me, often more than the ostensible subject matter.

The civil war in Kuito

Despite her wayward way with words, Karin conveys lots of important information, a lot of it sourced from official reports by the likes of the UN, UNICEF, the World Bank, Transparency International and so on. She gives references for these facts which are gathered in a lengthy References section at the end of the book. Obviously her specific references are dated now, but the organisations are still going strong, so it was interesting looking up the contemporary 2021 versions of many of the annual reports she cites. It is striking to see how, 21 years after their trip, Angola remains towards the very bottom of global league tables for infant mortality, life expectancy, poverty and corruption.

Chapter 51 is devoted to a brief but comprehensive overview of Angola’s history, from the establishment of small coastal settlements by the Portuguese in the 1480s, through the rise and rise of the slave trade during which an estimated 3 million blacks were abducted and carried over the ocean through to the end of slavery in the mid 1800s. She describes:

  • the very slow progress of Portugal in settling the interior, the precise borders of Angola only being settled in the early 20th century
  • the brutality of the forced labour under the Salazar regime
  • the complete failure to build schools or hospitals for the locals
  • the sporadic revolts which broke out in 1961 and snowballed into the brutal 14 year war for independence
  • the collapse of the regime back in Portugal and its replacement by a new liberal government which simply walked away from its African colonies, Guinea-Bissau, Mozambique and Portugal
  • how this left various freedom fighter/guerrilla movements to erupt into ruinous, decades-long civil wars in which repeated attempts by the international community to negotiate peace treaties repeatedly failed and the war resumed with ever-greater savagery

Not a happy history, it it?

Anyway, the key fact of the whole narrative is that the couple arrived in Angola just as the civil war was entering its final phase. There were two sides in the Angolan Civil War:

  • the de facto government run by the People’s Movement for the Liberation of Angola (in Portuguese the Movimento Popular de Libertação de Angola or MPLA) which held all the main cities, the coast, and benefited from international loans and ever-increasing oil revenue
  • and the National Union for the Total Independence of Angola (in Portuguese the União Nacional para a Independência Total de Angola or UNITA) based in ‘the bush’

The MPLA drew support from the Mbundu people of the coast while UNITA drew support from the Ovimbundu people of the central highlands.

After a series of failed peace treaties and the withdrawal of UNITA’s South African backers and the MPLA’s Cuban backers in the early 90s, the MPLA government, enriched by increasing oil revenues and benefiting from a generation raising, training and funding its army, began in 1999 to make a final push for victory. They set out to clear the entire country of UNITA guerrillas, province by province. This was described as limpeza, the strategy of systematically ‘cleansing’ an area of guerrillas.

This is what the official MPLA army was attempting to do to the area around Kuito throughout our heroes’ stay. Karin has a chapter clarifying that it amounted to a brutal scorched earth policy in which government soldiers destroyed all villages, torched all the buildings, burned all the crops and expelled the entire populations of regions to ‘safe areas’, accompanied by indiscriminate beatings, murder, rape,  torture, mutilation and pillaging. Hence the never-ending stream of Internally Displaced Persons (IDPs) into Kuito. Hence the entire country was systematically reduced to poverty and starvation by both sides (p.232).

Crucially for our heroes’ experience of their sojourn, MPLA forces had only recently driven UNITA forces out of Kuito. Both Wei and Karin comment on the appalling damage wreaked on the town. Not a building had remained undamaged and many were utterly ruined. Bullet and shrapnel holes pock every facade.

Typical building in war-damaged Kuito © DW Digital Archive

When they arrive the town was surrounded by a 7 kilometer ‘security zone’ but this was none too solid. At night Wei can hear gunshots and artillery fire, some from distant fighting, some from more nearby shooting, not least by the consistently drunken MPLA soldiery garrisoned in the city.

And during the day, in the hospital where he has been brought to work, Wei sees patients with gunshot wounds, shrapnel wounds and an endless flow of horrible landmine wounds. A much reduced UNITA had resorted to a strategy of making occasional raids on villages, shooting 7 or 8 peasants one night, burning down a few huts the next. Just making their presence felt as an ongoing ‘nuisance’ to the government.

Wei’s account

Wei is the doctor and his sections concentrate on a) his efforts to overhaul the surgical department of Kuito hospital which he has been deployed to and b) detailed descriptions of individual patients, their symptoms, diagnosis and treatment with c) some descriptions of his civilian life – of the MSF house he shared and the fairly regular parties given for new aid workers arriving or experienced aid workers leaving.

At the hospital he tries to instil punctuality into the staff, insists they don’t wear their everyday shoes into the operating theatre, sets about training the nurses who assist in surgery, makes a big request back to MSF headquarters for more equipment and resources. Halfway through the book his wife gives a proud list of his achievements (p.137). Wei:

  • devised a new way to plan operating lists
  • revised gown regulations
  • implemented new handwashing and swab-counting procedures
  • introduced a clean zone
  • improved interdepartmental meetings
  • improved morbidity and mortality records
  • improved ward round procedures and patient records
  • reorganised rosters to improve care and training for the anaesthetic nurses
  • increased ward round frequency
  • increased outpatient consultations 300%

If these sound like slides from a PowerPoint presentation or entries on a LinkedIn profile that’s because that’s is the kind of people Karin and Wei are – highly trained, highly capable, highly successful and highly ambitious Westerners. Vague wishes to do good aren’t enough. Practical skills, not only at doctoring, but in organising and administering, are what the couple brought to Kuito hospital, its malnutrition clinics, and to the numerous displaced border camps around the city.

Doctors from other agencies or passing through volunteer or are co-opted to help, such as the English doctor who assisted a seven-hour operation to remove hundreds of pieces of shrapnel from a little girl’s body, face and eyes.

Wei operating on a victim of a UNITA attack on the town of Andulo (p.157)

This all explains why Wei’s sections are ‘better’ than Karin’s. He is closer to the reality of Médecins Sans Frontières’ central work i.e. doctoring the poor. He is at the coalface, he is dealing with specifics of conditions, diagnoses and treatments. Also, being a doctor, he is used to writing up factual notes and/or scholarly papers (as a doctor he has had to sit no end of exams in very factual subjects). This has had the affect of disciplining his mind and his prose to be that bit more accurate and precise, both in his observations and in his phrasing. In fact at one point, when he’s discussing training up the local staff, Wei makes the point that writing forces you to think more clearly.

I kept reminding my staff that writing was training itself, as it helped crystallise thinking. (p.68)

Mind you, even Wei has an occasional brain freeze of a sentence, enough to make you pause and reread and then marvel a little at the English language’s endless capacity for malapropisms and lapses.

  • I felt bereft…imbibed in sorrow. (p.65)
  • Costly dental work was beyond the realms of our facilities. (p.89)

Landmine injuries

Alberto, a boy who picked up a grenade which blew both his arms off (p.164). The little girl covered in shrapnel from the grenade her brother picked up and which killed him outright. The endless stream of impoverished peasants missing a foot or a leg. The ward devoted to amputees. The factory run by the International Committee of the Red Cross which makes prosthetic feet and legs (p.51). Karin tells us the ICRC fitted about 300 prosthetic limbs a year (p.231).

It was in Kuito that, in January 1997, Princess Diana made her famous trip to publicise the work of the HALO Trust, the charity dedicated to removing landmines of which she was patron. (She was to die in the Paris underpass just seven months later.)

Late in the book, in chapter 61, Karin describes a visit she and Wei made to a minefield close to the city, under the careful supervision of HALO Trust experts. It’s an opportunity for showcase her research and inform us that Angola is meant to be the most landmined country in the world, with as many as 10 million mines buried across it, coming in about 75 different shapes and sizes, originating from 21 countries of manufacture. Imagine if you work in a landmine factory. Plenty of people must. How would you feel about your work? That’s the kind of character you never come across in fiction or movies. When I worked in TV I remember trying to develop the idea for a documentary which would being together amputee victims of landmines from a country like Angola with the no doubt working class people who make them.

Delay

So many of the victims arrived late, after days on the road or being carried from remote villages or because they are ashamed to seek out a doctor. Or, even more simply, they have to travel immense distances to get to the clinic in a land with no fuel so no cars or buses or taxis or horses or donkeys.

The only way is to trek scores of kilometers over hard stony desert on bare feet. So many of the patients he sees are filthy dirty, exhausted and malnourished before he even gets round to the condition which has brought them., that in most of the cases infection had set in. Again and again Wei has to clean wounds suppurating with pus, and all too often gangrene has set in and what might have been minor amputations turn into removal of the entire limb (p.65). And maggots. Wounds which are so gangrenous that maggots have hatched in the mass or purulent dead skin (p.240).

Gunshot wounds

Gruesomely, he comes to recognise a subset of gunshot wounds which aren’t directly related to the war, but which have, amazingly, been administered by the police. As patients shamefacedly admit to him, or as his staff of nurses explain, some of the patients they see were shot by the ‘police’ who tried to extort money or goods from them and when the patient was reluctant, shot them, as a direct punishment and a warning to others.

The little boy selling charcoal at a roadside stall. Two police stopped to extort money from him. He said he didn’t have any, holding out a few wretched cents in his fist, so the police took shot him through the hand, smashing it so that when he is brought to the hospital, Wei has no choice but to amputate it (p.232).

In the worst case, a young woman is admitted with a gunshot wound to her upper thigh and the story reluctantly emerges that a policeman tried to rape her and when she resisted tried to shoot her in the vagina, narrowly missing. Drunken police or soldiers attempting to rape civilians is a recurrent theme, as when drunk tropas burst into the Katala Internally Displaced Persons (IDP) camp, separate off the women then systematically rape them all (p.169).

One night some drunk soldiers (or tropas in the local slang) accost a pregnant woman in the street. When she flees to a nearby house, the soldiers burst in and shoot the house owner, his son and wife. The father carries his son to the hospital. When the ambulance goes to collect the badly wounded wife, the soldiers open fire on it, wounding the driver and killing Manuel Vitangui, the senior nurse sitting alongside him. These are government soldiers who are meant to be protecting the population (Chapter 34). The 5 year old boy shot through the face by government soldiers, his brother shot dead (p.228).

Soldiers who, for no discernible reason, shot Adelina, a pregnant woman walking to market with some corn husks, through the back. The wounded woman walked for miles to Kuito where Wei performed emergency surgery (p.258).

Wei, like many doctors, refrains from moralising and commentary:

I wrote in my diary that I was not there to judge. (p.238)

It is left to the reader to ponder what future there can possibly be for a society whose police extort money and sexual favours from a wretchedly impoverished population at gunpoint, and whose drunken soldiers shoot them at random. None. No kind of future except eternal misery.

You sympathise with Wei’s heartfelt excursus on the evil of guns, his careful description of what a high velocity bullet really does to a human body, the difficulty of cleaning a gunshot wound of its fragments of smashed bone and fragmented tissue, and the wickedness of Hollywood movies for glamorising guns (p.73).

Domestic violence

Mix the strain of wartime conditions, the availability of guns, and alcohol, and you have a toxic mixture. Karin devotes a chapter to the issue of drunk, psychotic men: the policeman who attacked his family in an angry rage, killing his wife and youngest child, shooting his eldest who was rushed to hospital which is where Wei performed the operation on her gunshot wounds and learned the story.

The fit young soldier who is rushed into intensive care with a gunshot wound to the heart but dies on the stretcher as they’re carrying him into theatre. At which point it emerges it was a suicide; he had first shot dead his wife, then his two young children, then himself.

During their stay the biggest threat came not from UNITA or outback guerrillas but from Kuito-based soldiers or policemen off their faces on the local own brew and behaving with drunken violence, stopping cars to extort bribes or just letting off their guns for no rational reason (p.211).

General conditions

Wei gives medical conditions their proper medical names and there’s an appendix which includes all the medical conditions mentioned in the text with definitions, including:

  • abscess
  • anastomosis
  • bowel resection
  • dermatitis
  • ectopic pregnancy
  • elephantiasis
  • haematocolpos
  • hernia
  • intussusception
  • laparotomy
  • menengitis
  • pellagra
  • peritonitis
  • post-partum hemorrhage
  • utero-vesical fistula

He makes a lot of deliveries by caesarian section, often to pregnant women in terrible conditions, almost all suffering from malnutrition, some who’ve been shot, either by UNITA bandits but sometimes by drunken MPLA soldiers.

Diseases of poverty

Wei had been fully briefed and expected the war wounds, but he’s surprised that the majority of cases he sees result not from war but from crushing poverty. Take the prevalence of pellagra, a disease that occurs when a person does not get enough niacin (one of the B complex vitamins) or tryptophan (an amino acid).

Or the fact that by far the highest numbers of patients were those suffering from abscesses caused by malnutrition and infection (p.41). About 50% of all the patients he saw had worms and there are some revolting descriptions of cutting open a malnourished human being to discover a writhing tangle of worms inside their guts (p.42).

A lot of this was caused by the huge number of internally displaced persons (IDPs or, in Portuguese, os deslocados). Karin gives some staggering stats: up to a third of Angola’s entire population was displaced by the war: a first wave of some 2 million when, after a temporary lull, the war resumed in 1993; and then when the war resumed with renewed vigour in late 1998, a further 2.6 million were displaced. Kuito’s population was around 190,000 but as many as 100,000 had been forced from their homes in the surrounding province and had come to live in shanty towns around Kuito’s perimeter. By and large, at least 80% of the deslocados are women and children (p.254).

Thus MSF runs two centres devoted purely to the problem of caring for some 3,000 malnourished children with 230 severely malnourished cared for via a therapeutic feeding centre, and hundreds of new children being registered each week (p.153).

Karin watches workers for the World Food Programme handing out rations to IDPs in Andulo camp: a litre of oil, a scoop of beans, a bag of maize and a small quantity of salt were the monthly ration for an entire family (p.172).

The thing to grasp is that it wasn’t so much a civil war, that makes it sound reasonably rational: it was a war against its own people. UNITA set out to systematically destroy the country and they succeeded. They destroyed the rail lines inherited from the Portuguese. They mined roads and blew up bridges. They murdered and raped defenceless villagers and burnt their villages to the ground. But worst of all they littered the landscape with millions of landmines and grenades thus making it almost impossible to work in the fields. They waged sustained war on the country’s ability to feed itself. In the 1970s Angola was self-sufficient in foodstuffs, with a thriving agricultural sector (p.259). By 2000 this had evaporated. Both sides worked very hard for decades to reduce the entire country to a state of malnourished starvation. And they succeeded beyond their wildest dreams. They reduced Angola to being one of the poorest countries on earth, with 30% infant mortality and life expectancy of 44. Leaving the rest of the world to pick up the mess, treat the hundreds of thousands they shot or maimed, and feed millions and millions of starving displaced people. What cunts.

Natural remedies

Wei encounters a variety of natural remedies and tries to keep an open mind but most are clearly disastrous. Tying a string round your toe to cure diarrhea is the most innocent. When a woman doesn’t conceive after 6 months of marriage, the local healer recommended a mix of herbs wrapped in animal gut and stuffed up her rectum. A few weeks later she presents at the hospital with what appears to be a yard of dead intestine hanging out her anus until Wei solves is told about the ‘traditional remedy’. Less amusing is the woman who developed mastitis and the local healer prescribed a poultice of herbs which was so acidic that it burned through the entire thickness of the skin denuding half of the breast tissue. Removing the dead flesh took a long operation and then the woman was in screaming agony every time the dressing had to be changed.

Another woman presented with hands so badly burned they were carbonised. She had fallen into a fire. But why hadn’t she immediately scrambled out? Because, it emerges, she was having an epileptic fit. And why did none of her family come to her rescue? Because the traditional belief is that an evil spirit possesses an epileptic and anyone who touches him or her is at risk of also becoming possessed. So they let her lie with her hands in the fire till they burned to a crisp. Wei has no alternative but to amputate them both (pages 239 to 241).

The rich and the poor

There’s no evidence of any rich people in Kuito. The Portuguese abandoned the city a generation earlier in the great flight of 1975, and anyone with money had long departed for the relative security of Luanda. The town and its environs are a kind of quintessence of African poverty and abjectness. Throughout this period the government was making more than enough money from oil revenue to halt malnourishment at a stroke. Yet over half the budget went on armaments and paying soldiers to devastate the country’s agriculture and shoot and rape its citizens. Wei and Karin take several breaks from Kuito, including one big holiday trip to South Africa. At Luanda airport they meet a couple of oil men flying in on business who don’t even realise there’s a civil war going on – so completely are the glossy, luxury hotel, chauffeur-driven car, all-expenses lives of Luanda’s business elite and their foreign partners divorced from the extreme poverty and suffering of the mass of the rural population (p.79).

Photos

Each of the short chapters ends with a couple of black and white photos of the subject or people described in the chapter. Early on he tells us his camera was the best thing he took to Angola – helped distance, record, document and make sense of things.

Some of the photos are very run of the mill shots of local colour, the market, the high street, get-togethers with other aid workers, at the airport unloading shipments from the little MSF plane, and so on.

But about half the photos are of specific patients whose conditions and treatments he describes in the text, and these are often very harrowing indeed. Especially the ones of small children or even babies who have been shot. Jesus. (p.73)

Repeatedly we are told that UNITA was no longer capable of making any real military resistance against the government but was instead reduced to making cowardly raids on unarmed villages to maintain its nuisance level is disgusting and the results are catastrophic. Take the attack on unarmed peasants of Andulo, in which UNITA ‘soldiers’ held down villagers and hacked at their faces with machetes as a warning to the entire town against supporting the MPLA. Or the attack on the village of Belo Horizonte from which Wei treats an 8-year-old boy shot in the back as he ran away. His younger brother was shot dead. Another woman was shot in the head and dies in the hospital (p.176). The people in UNITA who ordered this strategy were evil scum.

Wei the Red Guard

Wei’s account of Kuito is interwoven with his autobiography which is almost as interesting. We learn that his father was a doctor in China who was forced, during Mao’s Great Leap Forward (1958 to 1962) to go and work as a ‘barefoot doctor’ in the remote, peasant countryside (p.46). So: Like so many doctors I know, it runs in the family. Not only that, casual comments about Wei’s parents, in particular his father, reinforce the idea that Asian or Chinese parents are extremely competitive and ambitious for their children (p.223).

Title

The title is from a poem by MPLA leader and first president of independent Angola, Agostinho Neto (the same man Ryszard Kapuściński knows and drops in for a chat with in Another Day of Life). It’s quoted page 80:

Here in prison
Rage continued in my breast
I patiently wait
For the clouds to gather
Blown by the wind of History
No one can stop the rain.

I love poetry but poetry, like any other human communication, can lie and distort. Neto may have been a fine poet but he was founder and first leader of the MPLA, the party which was to run Angola into the ground and, after the long futile civil war, emerge as the corrupt petro-elite government described by Daniel Metcalfe in his 2014 travelogue, Blue Dahlia, Black Gold: A Journey Into Angola.

After 35 years of rule by Neto’s MPLA, Angola is still one of the poorest and most corrupt countries in the world. If by ‘rain’ he meant independence from colonial rule, then, yes, no one could stop the rain. But if he meant anything like equality and prosperity for all then, no, it turns out you can stop the rain. It turns out that, for some people, the rain will never come.

Karin’s character

By the end of the book you realise Karin has written the majority of the chapters and her exuberant, optimistic, if often anxious and tearful personality, is the one which dominates. She is as open and charmed by the dancers at the mardi gras festival, the singers in church and the toddlers playing in the dirt streets as she is terrified by the drunks who sometimes lurch out of the darkness at her on the streets at night, and appalled at the sights and suffering she sees at the hospital.

In other words, although I have ripped a little into her erratic prose style, there’s no denying she is a kind of everywoman figure and that viewing the entire, intense experience through her eyes is all the more powerful for her downhome style and ordinary responses.

Married love

It’s worth mentioning one last aspect of the narrative which is the tenderness and kindness and love at the core of her marriage. In this as in everything else she is much more open and candid than Wei. Whereas he downplays risks and worries in the classic male style, Karin is open as a book about the numerous moments of anxiety, worry and fear she feels, above all at the thought of losing the love of her life. Wei is her rock, her strength (p.223), her guide, with his head for facts and figures (p.249), his calmness, his endless capacity for work, his tact. And she in turn takes it upon herself to cook and care for him, worrying about his health and his diet when medication makes him lose weight.

In other words, running through the core of this book is not one person’s experience, but a real sense of the joint experiences of a rock solid, loving, married couple who share the anxieties and tragedies and occasional triumphs together. Obviously the surface of the book details the many gruesome, tragic and disgusting things they saw, garnished with a host of facts and figures supplied by Karin and medical analyses supplied by Wei.

But putting the entire subject matter to one side, this book is an extraordinary tribute to the power of married love.

And love of humanity. Karin describes the final weeks as they prepare to leave, when their replacements have been finalised by MSF, as they pack up and have a little string of parties to say goodbye to friends and fellow aid workers and the hospital staff. As Wei shakes hands, as he and his team give each other hugs, I couldn’t help tearing up. The couple’s naive, open and honest accounts of all their experiences includes the tremendous emotional turmoil they feel at leaving forever people they had worked so closely with in such terrible circumstances, and I was genuinely moved, but also awed at their bravery and commitment. For all its clunky style, this is a wonderfully moving, informative and life-enhancing book.


Credit

No One Can Stop The Rain: A Chronicle of Two Foreign Aid Workers during the Angolan Civil War by Karin Moorhouse and Wei Cheng was published in 2005 by Insomniac Press. All references are to this paperback edition.

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Dancing in the Glory of Monsters: The Collapse of the Congo and the Great War of Africa by Jason K. Stearns (2011)

There was not one Congo war, or even two, but forty or fifty different, interlocking wars. Local conflicts fed into regional and international conflicts and vice versa.
(Dancing in the Glory of Monsters, page 69)

Twin wives

The coolest thing about President Joseph-Désiré Mobutu (1930 to 1997), latterly known as Mobutu Sese Seko Kuku Ngbendu Wa Za Banga, dictator of Congo / Zaire from 1965 to 1997, was that, after his beloved first wife Marie-Antoinette Gbiatibwa Gogbe Yetene died in 1977, he married twins.

Well, technically, he married Bobi Ladawa in 1980 (Mobutu asked Pope John Paul II to officiate at the ceremony but the canny Pole politely declined). But Bobi had an identical twin, Kosia, and they shared the presidential marriage bed, sometimes singly, sometimes together, and they appeared at state occasions as a threesome.

Bobi bore the Great Leader four children, and Kosia bore him three daughters. Rumour had it that the deeply superstitious Mobutu was scared by the thought that the ghost of first wife Marie-Antoinette would return to haunt him so he a) had the vault of her mausoleum hermetically sealed to prevent her spirit getting out but b) kept the twins by him so they could ward off ghostly attacks from either side. Obviously that didn’t stop Mobutu having many other sexual adventures, like all the men in this story, but I can’t help admiring the twin wife strategy for warding off supernatural attack.

The two wives of Mobutu: Bobi Kadawa and Kosia, identical twins

The two wives of President Joseph Mobutu, Bobi and Kosia Kadawa, identical twins

Synopsis

The Great War of Africa is said to have lasted from 1998 to 2003. At its height it drew in armies from about 12 African countries and involved over 40 different militias to create a chaos of violence, massacre and destruction across large swathes of what was then called Zaire, now the Democratic Republic Congo, in central Africa. The war was meant to have been ended by the Sun City Agreement supervised by South African president Thabo Mbeki but in fact, nearly 20 years later, conflict continues to wrack various parts of the Congo, including the Kivu area in the far east of Congo, near the border with Rwanda.

Background

Traditionally the best way to understand roots of the great war is to start with the Rwandan genocide (1994), and the best way to understand that is as one of the snowballing consequences of the Rwandan civil war (1990 to 1993). Everything derives from this event. This idea immediately puts things in perspective and much easier to explain.

Tutsi and Hutu

To understand the Rwandan civil war you need to know that the Tutsi minority in Rwanda had been subjected to racial prejudice and periodic pogroms and massacres since before the country’s independence in 1962. For a century or more prior to this the Tutsi minority which made up about 10% of the population of Rwanda had lorded it over the Hutu majority. For centuries there had been a Tutsi king at the head of a Tutsi aristocracy and they all regarded the Hutu as peasants who worked the land.

In 1959 the Tutsi monarchy was overthrown when the last Tutsi king died in mysterious circumstances (after being injected by a Belgian doctor) and Hutu politicians led an uprising which drove many Tutsis into exile in the neighbouring countries of Uganda to the North, Zaire to the West and Tanzania to the East. This became known as the Hutu Revolution. At independence in 1962, Hutu politicians took leadership of Rwanda and there were periodic pogroms and massacres of the Tutsi minority in local regions or towns throughout the 1960s and 70s, forcing more to flee into exile.

In Zaire the exiles were mostly centred in two areas, north and south Kivu, so-named because they lie to the north and the south of Lake Kivu which forms most of the border between Rwanda and Zaire.

Yoweri Museveni

However, it’s in Uganda that the story begins. Because it was here that second-generation Tutsi exiles from Hutu-led Rwanda decided to join Yoweri Museveni’s rebellion against Ugandan dictator Milton Obote in the 1980s. Why? Because the Rwandan refugees in Uganda were persecuted by Obote, as they had been by his predecessor Idi Amin – discriminated against, lived in poverty, were jeered and spat on by Ugandans – so overthrowing Obote would directly improve their lives.

Museveni’s campaign became known as the Ugandan Bush War and ended with Museveni seizing power in 1986. (In fact, Museveni remains president of Uganda to this day, an indication of how difficult so many African nations find it to manage transitions between leaders.)

Having successfully overthrown one dictator, the senior Tutsis in Museveni’s army naturally got to thinking about overthrowing the dictator of their own homeland Rwanda, Juvénal Habyarimana, and thus being able to return from exile.

The RPF and the Rwandan civil war 1990 to 1993

In 1990 a small cohort of Tutsis who had risen to senior positions in Museveni’s army went absent without leave, taking guns and weapons with them, and launched an invasion of north Rwanda, calling themselves the Rwandan Patriotic Front (RPF).

The Rwandan army, supported by French soldiers flown in to support them, repelled the invasion and drove the RPF back into the northern mountains, but here they regrouped under the brilliant leadership of Paul Kagame and settled into an effective guerrilla campaign.

This dragged on for three years until international arbitrators forced the RPF to the negotiating table with Rwanda’s dictator Juvénal Habyarimana in August 1993. Habyarimana and elements in the Rwandan military and political world then did everything they could to delay implementation of the peace deal – the Arusha Accords – which they deeply resented because it required assimilation of the Tutsi exiles into the Rwandan cabinet and army.

Unlike the hardliners, however, Habyarimana came under pressure to fulfil the accords from the ‘international community’ and by spring the following year, 1994, looked like he was about to begin implementing them.

The racist ideology of Hutu Power

During the war a loose association of Hutu extremists had developed which enunciated an ideology of Hutu Power in racist propaganda outlets such as magazines and radio stations. They had representatives at the highest level of the army, political sphere and the media and slowly cranked up propaganda claiming the RPF didn’t just want to return from exile, but were planning a Tutsi revolution to restore the Tutsi monarchy and return the majority Hutu population to serfdom and slavery.

Habyarimana’s plane is shot down triggering the Rwandan genocide

It was against this extremely tense background that President Habyarimana’s plane was shot down by two ground-to-air missiles as it came in to land at Kigali airport on the evening of 6 April 1994, as he returned from attending a summit of East African leaders in Dar es Salaam. To this day there is acrimonious dispute about who shot it down: the French (Habyarimana’s strongest Western supporters) claiming it was agents of the Tutsi RPF; the RPF claiming it was hard line elements within the Hutu military.

The truth will probably never be known, but within the hour leading Hutu Power hardliners seized power, sending Presidential Guards to murder the country’s Prime Minister and all other cabinet members who weren’t part of their Hutu Power ideology, then ordering all army units to round up and kill as many Tutsi as they could get their hands on. This only makes sense if you realise it was the behaviour of men who genuinely thought a) the RPF was attempting a coup to restore Tutsi total domination of society, and therefore b) Hutus must be rallied to ‘fight back’ and eliminate all Tutsi, everywhere, because who knew how many of them might not be traitors and Fifth Columnists, enemies and – to use the dehumanising word which the propaganda relentlessly drummed home – ‘cockroaches’.

Rwanda has always stood out from its neighbours in being an unusually well organised and hierarchical society, and orders from the centre were quickly dispatched to regional leaders and passed down to ‘commune’ level. These local administrators had lists of all Tutsis living in their area, and the army and the fast-growing militia, the Interahamwe, were sent to work systematically through every city, town and village, to identify and murder every Tutsi they could find. By the time the message percolated down to militia level it had become very simplified: all Tutsi were in on the conspiracy to murder the beloved president and return all Hutu to slavery. “Quick, now, kill them all before they start to murder and enslave us!”

The RPF end the genocide

As soon as the killing started the RPF, which had established headquarters 50 miles north of Kigali, abandoned the peace accords and resumed its advance. Being far more disciplined and effective fighters than the poorly disciplined Rwandan army, let alone the drunk, crude, blood-thirsty Interahamwe gangs, the RPF advanced quickly.

The genocidal attempt to exterminate all the Tutsis in Rwanda was not halted by any external powers, not by the UN or Americans or French, but solely by the efforts of the RPF as it systematically conquered the country and, everywhere it came, ended the massacres. By July 1994 they had taken the country and the genocide effectively came to an end.

The Hutu refugee crisis

But such was the terror the Hutu Power propagandists had sown about Tutsi domination that as they swept through the country, the RPF created panic among the Hutu population and a huge number of Hutus fled. In the end as many as 2 million Hutus fled across Rwanda’s borders into exile, the great majority west across the border into Zaire.

Here a number of mega-sized refugee camps were established. At first the refugees lived in utter poverty, disease took hold, hundreds died every day of cholera until international aid agencies arrived by the hatful, with tents and water and food. It was a vast operation, which ended up costing millions of dollars a day.

However, there was a bitter irony at work because among the hundreds of thousands of impoverished refugees were many of the Hutu organisers of the original genocide and they rapidly set about re-establishing their authoritarian rule over the civilians, using the Interahamwe and other militias to terrorise the refugees. They established no-go zones where UN write didn’t extend, they inflated the numbers of refugees in order to maximise Western aid, which they then creamed off for themselves.

In the Rwanda capital, Kigali, Paul Kagame, officially vice-president but still head of the army and the acknowledged power in the land, complained that the international community had done nothing to stop the worst genocide since the Holocaust, and was now giving more money and support to the génocidaires than to the country they had half destroyed.

Hutu Power regroups and renews anti-Tutsi violence

Not only that but the Hutu Power ideologues began military operations. There were long-established Tutsi populations in north and south Kivu and revitalised Hutu armed groups began attacking them with the sole purpose of killing as many Tutsi as possible. Then they began crossing the border into Rwanda and attacking police stations or massacring small Tutsi communities. In other words, the same people who carried out the anti-Tutsi genocide in Rwanda, were trying to continue it in their new setting.

Kagami asked the UN to move the refugee camps further away from the border with Rwanda, and appealed to individual Western powers such as America and France. Individual Western analysts later admitted that the optimal solution would have been to use overpowering force to go into the camps and separate the militias and the Hutu Power authorities from the vast majority of Hutu refugees, to peacefully return the latter to their towns and villages in Rwanda, and to have imprisoned and charged the latter.

But this would have required a lot of UN soldiers, cost a fortune and, most decisively, risked all out conflict a) something the UN is not meant to get involved in b) something vetoed by America since its traumatic experience during the Battle of Mogadishu in October 1993, when highly trained, well-armed American forces had entered Mogadishu to neutralise a militia which had been terrorising the city, but which ended in the surrounding and killing of 19 US servicemen. Intervention in the huge, highly armed Hutu camps would have been a very similar scenario with the same risks. The Americans said no (p.335).

Rwanda creates the AFDL

The situation festered for 2 years but Kagame but the Rwandan leadership had made their minds up and begun planning soon after the genocide ended. They knew the international community would severely disapprove of an invasion but would be less censorious of an internal conflict. Therefore they created an entity named the Alliance of Democratic Forces for the Liberation of Congo (AFDL). Stearns goes into greater detail than anything else I’ve read on the way the leadership for the new group was chosen and gives an extensive profile of the disgruntled old Marxist rebel leader, Laurent-Désiré Kabila, who had been leading a feeble rebellion against President Mobutu’s rule since the 1960s, who was chosen for the job.

The First Congo War October 1996 to May 1997

But despite its Congolese name and Congolese ‘leader’ the AFDL largely consisted or Rwandan and Ugandan armed forces. In October 1996 they invaded eastern Congo and began fighting the Congolese army. Stearns gives plentiful eyewitness accounts of how utterly useless the Congo army was. Troops, including senior officers, simply turned and ran, looting what they could along the way.

The AFDL entered the refugee camps, fought Hutu Power elements who fled west into the jungle, and dramatically succeeded in their first aim, which was to dismantle the camps and force up to a million Hutu refugees to return to Rwanda where, to their surprise, they were treated well and helped to return to their towns and villages.

Zairian dictator Joseph Mobutu had been a close personal friend of Rwandan dictator Habyarimana and after the plane crash had his remains flown to his complex of luxury palaces in Gbadolite. He promised her and the other Hutu Power ideologues that he would help them return to power in Rwanda. Mobutu supported the reorganisation of the génocidaires in the refugee camps and his army helped revived Hutu militias carry out anti-Tutsi massacres in Kivu.

Therefore it was entirely logical and no surprise that the second aim of the AFDL was to overthrow Mobutu. Stearns interviews some AFDL officials and some of the many child soldiers or kadogo who made up the AFDL ranks and gathers the sense that most of them were incredulous at this aim. Attacking the refugee camps a few miles from Rwanda’s border was one thing, but ‘marching’ the thousand miles west to Zaire’s capital Kinshasa, through thick jungle with few if any usable roads and fording umpteen rivers, seemed like a fantasy.

Yet they did it. AFDL forces split into two broad wings, one marching west to Kinshasa, the other heading south to seize the vital mineral centres of Mbuji-Mayi and, in the far south of the country, Lubumbashi, the other heading west to the capital. Stearns is keen to clarify that:

The war that started in Zaire in September 1996 was not, above all, a civil war. It was a regional conflict, pitting a new generation of young, visionary African leaders against Mobutu Sese Soku, the continent’s dinosaur. (p.54)

Thus:

Not since the heyday of apartheid in South Africa had the continent seen this kind of mobilisation behind a cause. For the leaders of the movement, it was a proud moment in African history, when Africans were doing it for themselves in face of prevarication from the west and the United Nations. Zimbabwe provided tens of millions of dollars in military equipment and cash to the rebellion. Eritrea sent a battalion from its navy to conduct covert speedboat operations on Lake Kivu. Ethiopia and Tanzania sent military advisers. President Museveni recalled: “Progressive African opinion was galvanised.” (p.55)

RCD massacres and atrocities

It would be nice to report that the advancing AFDL and their Rwandan and Ugandan allies were greeted as liberators from the tired old dictatorship of Mobutu, and in many places they were, but, alas, Stearns gives eyewitness accounts of many places where Rwandan forces carried out massacres of locals, giving stomach-churning details of the massacres at Kasika and Kilungutwe, pages 251 to 261.

If only it was the story of an aggrieved nation overthrowing the wicked dictator of the neighbouring country who had supported the genocide, it would be a clean-cut fairy tale. But Stearns has clearly been very affected by the survivors of local massacres and pogroms he met and gives a much darker picture. He extrapolates out from the specific towns he visited to quote UN figures for the number of civilians massacred in the war and the extraordinary number of women raped and defiled (by defiled I mean things like pregnant women having their bellies ripped open by bayonets, their babies torn out, and then their dismembered bodies carefully arranged in obscenely pornographic poses – that kind of thing.) Thus it was that in a few short years, what many hoped was a kind of pan-African crusade, turned into a squalid affair of massacres and corruption.

Within several years, the Congo was to become the graveyard for this lofty rhetoric of new African leadership as preached by Mbeki, Albright, and many others. Freedom fighters were downgraded to mere marauding rebels; self-defence looked even more like an excuse for self-enrichment. Leaders who had denounced the big men of Africa who stayed in power for decades began appearing more and more like the very creatures they had fought against for so many years. (p.56)

And there is something eerie about the way the issue of Tutsis remained central to the entire story, as if the Tutsi-Hutu animosity is some really deep, ancestral Biblical curse. The atrocities Stearns investigates later on the book were all carried out by the RCD (the Congolese Rally for Democracy, the fig leaf name given to the Rwandan forces in the AFDL alliance) and these were of predominantly Tutsi ethnicity and this leads Stearns to discover that a bitter and abiding hatred of the Tutsi had been created in a trail of bloodshed right across Congo. Reading this book was sometimes like being in a nightmare where no-one can escape from the endless hyperviolence triggered by the endless obsession with ethnicity.

May 1997 Mobutu flees, Kabila becomes president

To cut a long story short, after failed negotiations mediated by everyone’s favourite African leader, Nelson Mandela, Mobutu and his ruling clique hastily fled Kinshasa into exile (where he died a few months later, an embittered sick old man) and Laurent Kabila was installed as president, promptly changing the country’s name back from Zaire to Congo.

Here as elsewhere in this book, Stearns goes into a lot more detail than any other account I’ve read, giving an in-depth account of Kabila’s 18 month rule, its few strengths and its many weaknesses. Chief among the weaknesses was the simple fact that he had no democratic mandate. He had won power by force and, what’s more, very obviously force backed by foreign countries, Rwanda and Uganda. He was a foreign imposition. Many in the political class had spent their entire lives campaigning against Mobutu, had been imprisoned sometimes tortured, multiple times, most notably the political survivor Étienne Tshisekedi. Polls suggested that if free elections were held, Tshisekedi would win by a landslide 70+% while Kabila would get around 10%. So he couldn’t hold free elections.

And his foreign backers very quickly made themselves unpopular. In the kind of detail this book excels at, Stearns tells us that youthful RCD cadres lorded it over the easy-going Kinshasans (or Kinois, in French). They took it upon themselves to upbraid Kinshasan women for wearing immoral western outfits (tight jeans) and  forced Kinshasan men to lie on the floor and be beaten with canes for minor traffic infractions.

Stearns’ account makes it easy to understand why Kabila lost popularity on all fronts. None of this would have mattered, at least in the short term, if he had kept the support of his chief external backers, Rwanda and Uganda. But, seeing how unpopular their presence was making him, Kabila made the fateful mistake of blaming everything on them and expelling all external forces and advisers.

Second Congo War August 1998 July 2003

The details are complicated but the overall story is simple: Rwanda reacted very badly to being expelled by the very man they had helped to put in power and so they and Uganda, once again, mounted an invasion of Congo in what was, in effect, the Second Congo War. This time, however, more foreign countries got involved and this is the start of what came to be called the war of Africa.

In the First Congo War, other nations beyond Rwanda and Uganda had got involved. Other regional powers such as Angola and Zimbabwe wanted to see Mobutu overthrown and so had sent nominal forces to help the AFDL. There was general unanimity among most of his neighbours to get rid of the old leopard.

However, the second Congo war saw the breaking up of this alliance: Rwanda, Uganda and Burundi were still allies and the main force behind the second invasion; but Angola, Namibia, Chad and Zimbabwe lined up behind the Kabila regime.

The first Congo war was fought on points of principle: closing the refugee camps, neutralising the Hutu militias and overthrowing Mobutu. The second Congo war was more about seizing resources, about money and influence. Thus Robert Mugabe, dictator of Zimbabwe, had loaned Kabila up to $200 million during the first campaign and wanted it paid back. As a reward, Kabila had awarded Zimbabwe a valuable ammunition contract, and other lucrative agricultural and mining contracts were in the offing.

For Angola, Mobutu had been a thorn in their side, offering sanctuary to the UNITA rebels (and channeling CIA funds to them) as they fought the left-wing Angolan government. Kabila had presented a clean break with that tradition and so won Angolan support.

Once again there is something eerie in the way the Tutsi issue raised its head again for Kabila responded to the Rwandan invasion by trying to rouse Congolese patriotism on his side chiefly by  resorting to fierce anti-Tutsi propaganda, just the kind of hate speech he had been hired by Kagame and co to stamp out in the Hutu Power refugee camps.

In the absence of strong civic institutions, ethnicity remains an enduring identifier

It’s an example of the point Stearns makes in the summary of his book that, in the absence of strong state institutions and traditions, ethnicity is one of the few enduring, solid, easily identifiable values citizens of many post-colonial countries have. It provides a mental, cultural, linguistic identity which everyone can understand, from the most over-educated professor to the illiterate peasant in his field. As soon as news of the new invasion from Rwanda became known, all Tutsi everywhere in Congo became fair game, and Stearns recounts numerous roundings up and mass executions of Tutsi. This is what I meant by the nightmare of ethnicity which I mentioned earlier. There is stomach-churning violence and bloodshed on almost every page of this book.

Just the buildup

Believe it nor not, all the preceding is just the the build-up to the great war of Africa. You need to understand all the above to make sense of what followed, which was five years of confusing conflict, eventually involving the armies of some 12 African nations and over 40 different militias.

The odd thing about this book is that it is brilliant about the build-up, shedding light on many of the incidents and events I’ve outlined above. Stearns has met a lot of key players and eyewitnesses and treats their testimony with great sophistication, starting chapters by introducing us to apparently random individuals and then, by letting them tell their stories, slowly revealing the role they played as army leaders, or political players or child soldiers or survivors of massacres, filling in part of the jigsaw and then often going on to make general points about, for example, the role of child soldiers in the conflict, or the recurrence of anti-Tutsis sentiment, or analysing in detail just why the Congo army was such rubbish and why the Congo state as a whole collapsed so easily to foreign invasion.

(This is because, in a nutshell, Joseph Mobutu had spent 32 years hollowing out, undermining and weakening the Congolese state. Mobutu thought that strong state institutions, such as an independent judiciary, police force, free press and strong well-trained army would all threaten his hold on power. So he created a system in which nobody received regular wages but everyone depended on him, the Great Chief, for handouts, bonuses and rewards. He recreated the traditional African social structure of the strong chief handing out rewards to family, clan, tribe and those who pleased him, and in doing so hollowed out and destroyed almost all the structures of a functioning society, including even the mining companies which were all that kept the Zaire economy from complete collapse, but which he sold off for quick profits, preferring to cream off money here and now so that none was left to invest, so that the infrastructure collapsed, power stations failed, mines flooded, entire mines were abandoned, output collapsed and the Zairian economy along with it. The more you read about his rule, the more astonishing it becomes that someone could be so criminally irresponsible in running a country.)

Weakness of the book

Often Stearns creates this effect by starting a new chapter by introducing us to a new personage, who we slowly get to know, describing the circumstances of his interview and so on, before slowly getting round to the point of how they fit into the history. In other words this is not a conventional chronological history, it is more like a series of magazine-style profiles of emblematic individuals which help us into the events and stories which form the history.

Anyway, although the book is nominally about the Great African War it’s more than a bit ironic that this method, which has served him so well during the preceding 200 pages, somehow breaks down when it comes to the main subject of the book. David van Reybrouck’s book about Congo breaks the Second Congo War / Great War of Africa down into 4 distinct phases with an explanation of each phase and maps showing how the vast territory of Congo was divided between various armies during each phase.

There is nothing as clear or graspable in this book. Instead Stearns continues his method of approaching the subject obliquely via biographies of individuals who he met and interviewed at length but, after a few chapters, I began to feel I was missing any understanding of the bigger picture. Thus there’s a long profile of Ernest Wamba dia Wamba, an ageing Marxist professor who was, unexpectedly made head of the Congolese Rally for Democracy (RCD) and why, not surprisingly, this didn’t work out. Stearns tracks him down to poverty-stricken shack in a remote suburb of Kinshasa and finds him still unbelieving of the mass violence which accompanied the RCD campaigns.

Jean-Pierre Bemba

Then there is a long chapter about Jean-Pierre Bemba, the bull-like rebel who set up his own group, the Movement for the Liberation of Congo (MLC) which in 1999 took control of the north of the country. Stearns is good on Bemba’s close relationship with Mobutu during the good times, and the roots of his rebellion, and then the (inevitable) descent into massacres and atrocities (real atrocities which are so disgusting I won’t repeat them, p.230). The kind of thing which wrecked the high-minded pan-African rhetoric which I quoted at the start.

Pastor Philippe

He meets Pastor Philippe, witness to a horrifying massacre in Kisingani, in which his own children were brutally murdered (p.243) and this broadens out into a series of descriptions of atrocities carried out throughout the region. Wherever you turn there’s a group of soldiers gagging to round up the village, lock them in the local church, chuck in some hand grenades and burn the building to the ground, or spray it with machine gun fire, or round up the village into a hall and call them out one by one to have their throats slit like goats, or get the men to watch while the women are gang-raped, and so on. On and on it goes, with stomach-churning atrocities on every page. Pastor Philippe thought the Tutsi soldiers were so savage because they were brain damaged after the genocide (p.243). (This is not as eccentric as it sounds; elsewhere Stearns quotes a study in a psychiatric journal estimating that around a quarter of Rwandans who lived through the genocide still suffer from post-traumatic stress disorder. p.46).

Occupants of a house in a village Rwandan troops had taken over got into an argument with the soldier standing guard outside so he stuck his kalashnikov through the window and emptied a clip, killing everyone inside (p.248).

All these accounts explain why Stearns has a markedly more anti-Rwanda attitude than most of the other accounts I’ve read. It also feeds into a chapter Stearns devotes to estimates by aid agencies and the UN about how many people died during the five years of the war. The best estimate is 4 to 5 million died either through direct violence or the result of being dislodged from their land, becoming refugees, disease and starvation, and a shocking 200,000 women have been raped (p.263).

(This critical attitude to Rwanda is partly explained by Stearns’ CV. Born in California in 1976, and privately educated, Stearns took a degree in political science and was lined up to attend Harvard Law School when he first travelled to the Congo in 2001 to work for a local human rights organization, Héritiers de la Justice. Between 2005 and 2007, Stearns was based in Nairobi as a senior analyst for the International Crisis Group, working on the Democratic Republic of the Congo, Rwanda and Burundi. In 2007, he left to spend a year and a half researching and writing this book, based on interviews with leading protagonists of the conflict. In 2008, Stearns was named as coordinator of the United Nations Group of Experts on the Congo, a panel responsible for researching support and financing of armed groups in the eastern Democratic Republic of the Congo. In their final report, the Group found both the Rwandan and Congolese governments guilty of violating United Nations sanctions. So Stearns is very highly qualified indeed to make these kinds of judgements.)

Back to the war, only a tiny fraction of the estimated 5 million death toll came from actual fighting because, as Stearns makes abundantly clear, the soldiers were mostly useless at set piece battles. The Congolese army, in particular, just dumped their weapons and ran away. What all the armies and militias of every side were extremely good at was massacring unarmed civilians, slitting their throats, tying their hands and chucking them in the nearest river, bayoneting them to death, gang raping women before cutting their vaginas open, dashing babies and toddlers brains out against walls or trees, and so on, and on, and on, for page after page. (The most disgusting disfigurements are from the massacre at Kasika on page 257.)

The assassination of Laurent Kabila 16 January 2001

Chapter 18, pages 267 to 284, is devoted to the assassination of Laurent Kabila, two and a bit years into the war, on 16 January 2001. He was shot dead in broad daylight in his office in Kinshasa by one of his personal bodyguards, a former child soldier who had accompanied him from the early days of the First Congo War. The assassination is the departure point for a review of Kabila’s administration which, basically, reverted to the same kind of personal rule as Mobutu, keeping all civic institutions weak and running everything by feudal patronage of the king-chieftain. Because of the collapse of the mining infrastructure Kabila became more and more reliant on cash from Angola and Zimbabwe to pay his troops and just about keep his rule afloat.

Stearns explains that in Congo this is known as envelopperie i.e. the system whereby nobody receives a fixed salary, but everything works by unmarked envelopes filled with cash. This isn’t corruption. It is the way the entire state is run, from the highest level of the cabinet, throughout the civil service, all local administration, the army and the police, right down to the lowliest business deals (p.321).

Anyway, Kabila’s assassination was also the focus for numerous conspiracy theories, just as the shooting down of Habyarimana’s plane had been seven years earlier. Was it a revolt of the small cadre of child soldiers who were disgruntled at not being paid and the general chaos of Kabila’s rule. Or was it organised by the Angolan government who had previously supported him, because Kabila had reverted to allowing UNITA to smuggle diamonds through Congo as long as he got a much-needed cut? Or was it the people who had most to gain, a conspiracy organised by Paul Kagame and the Rwandans?

After much debate among his courtiers, it was decided he would be succeeded by one of his many sons by his numerous mistresses, Joseph Kabila, and this leads onto an extended profile of Joseph’s shy, reclusive, character. Anyone who expected a dramatic change in the style of government in Congo was initially heartened when he slowly got rid of the advisers who had surrounded his father and replaced them with a young generation of technocrats, but then disillusioned as he proceeded to use many of the same tactics his father. Joseph went on to rule as president from January 2001 to January 2019. He was only with difficulty persuaded to have genuine democratic elections in December 2018, which led to the election of Félix Tshisekedi, himself the son of Étienne Tshisekedi who was for so long a thorn in the side of Mobutu. African dynasties of power and who is, at the time of writing, still president.

Congo’s crooked mining industries

The next chapter, chapter 19, titled Paying For The War, pages 285 to 304, does what it says on the tin and gives a detailed account of the heroic mismanagement of Congo’s vast mineral wealth by Mobutu inn his 32 years of misrule, which was accelerated by Kabila in his three and a half year rule.

Both these rulers proved incapable of understanding that you need to invest significant amounts in infrastructure (power plants and cabling, roads, proper maintenance of mines and machinery, decent accommodation, schools and hospitals for tens of thousands of workers) and let all those things decay and collapse into (literal) ruins. This explains why few respectable multinationals were prepared to step in to run mines to extract the rich stores of copper, tin, coltan and uranium which sit under Congo soil.

And it explains why the way was left open for smaller operators who were prepared to take more of a risk, who didn’t have the wherewithal to rebuild the ruined infrastructure, but had the nous to get in and extract the easiest veins or even trawl through heaps of slag to extract what they could. Mobutu and then Kabila encouraged this behaviour because they wanted some money now to pay for the endless war, rather than vague promises of a lot of money in the future, and this explains why, as per Stearns’ method throughout, he elucidates the subject via a profile of entrepreneurial mining engineer Jean-Raymond Boulle, a foreigner (p.286), and then of Pierre Goma, a native Congolese (p.296). Olivier is attributed a pithy quote which sums things up usefully:

“The first war had been about getting rid of the refugee camps and overthrowing Mobutu. The second was about business.” (p.297)

Joseph Kabila

The penultimate chapter, pages 307 to 325 of this 327-page book, is devoted to the character and achievement in office of young Joseph Kabila who succeeded his assassinated father. This is all very interesting as far as it goes, but as I got to the end of the book I realised something fairly simple.

Somehow, in the previous 100 pages, although he makes mention of some military engagements and the leader of one particular rebel group, Jean-Pierre Bemba, and the stuff about the mineral industry, and some stomach-churning accounts of atrocities… somehow Stearns has failed to give a good overview of the Great War of Africa itself. There’s no chronology or overview or sense of the different phases of the war as are given in just a handful of pages in David van Reybrouck’s account.

It’s strange that a book ostensibly devoted to the Great War of Africa contains a wealth of information about the build-up to it, extensive information about the key players and many peripheral aspects of it, such as the funding from Zimbabwe or the trade in illegal diamonds and so on… and yet almost nothing by way of conventional account of the war itself, which groups fought where, if and where there were any major battles. In the quote I give at the start of this review he mentions that the war in fact involved 40 or more conflicts but he nowhere explains what these are.

I think the good reviews of the book stem from the fact that he is brilliant on the long, long buildup to the war, gives more in-depth and information rich profiles of key players such as Paul Kagame or Laurent Kabila than I’ve read anywhere else, and also features extensive profiles of individuals whose stories shed light on all aspects of the conflict which kicked off with the RPF invasion of Rwanda in 1990… and yet details of the Great War itself… oddly patchy, unsystematic.

I like the persona of Stearns who emerges from the book, I admire the immense amount of research he’s done, I enjoy his clear, authoritative, reasonable style, I am gripped by the portraits of so many Congolese and Rwandans, every page contains fascinating insights into life in the region, complemented by facts and figures from western aid agencies or economic bodies (about the Congo economy, the mining industry and so on).

And yet, puzzlingly, almost bizarrely, there’s a hole in the middle of the book where an authoritative account of the war itself should be.

Conclusions

In his final short chapter  (pages 327 to 337) Stearns draws some conclusions from this sorry history.

The media

First he blames the media:

  1. the short attention span of 24/7 news in which only the most bloody/grotesque stories can make it amid the endless turnover of domestic stories means that…
  2. stories from beyond the West rarely feature and, if they do, without any background or context…
  3. thus fuelling the general sense that these atrocities are happening far away in a conflict which is endlessly plagued by genocide and civil war

1. This is all true but it’s hard to see what can change it. It’s the same complaint Michael Ignatieff makes in chapter one of The Warrior’s Honour: Ethnic War and the Modern Conscience (1998) where he calls for sweeping reform of TV news, which will replace superficial 3-minute items with in-depth documentaries, thus informing the citizens of the West about the deeper causes and contexts of the umpteen conflicts around the world, and so informing the decisions of Western governments about where and how to intervene and help.

2. Secondly, it’s not the media making it up or exaggerating – there has been a steady flow of atrocities, civil wars, massacres and genocides from Africa for most of my life, which overlaps almost exactly with the arrival of African independence in the early 1960s. The Congo Crisis, the Biafra Crisis, Idi Amin expelling Ugandan Asians, Emperor Bokassa and his fridge full of human heads, the daily reports of police atrocities in South Africa, the famine in Ethiopia, civil war in Sudan, civil war across the Mahgreb, the antics of Colonel Gaddafi, the Ethiopian famine and Band Aid, the collapse of Somalia and the activities of its pirates, the Rwandan genocide and so on. In the last week, while I’ve been reading this book, there’s been 1) a military coup in Sudan 2) the rapid advance of the rebel alliance which looks like it might overthrow the Ethiopian government, and 3) ongoing killings in the Kivu region of east Congo, which has suffered continual unrest since the events described above. In other words, Africa has been a source of endless disaster stories for most of my life. The media isn’t making them up.

It is unrealistic to expect the British viewing public to submit to hour-long documentaries about each of these situations. All the evidence is that the majority of the British public don’t give much of a damn about politics in their own country, so expecting them to put the effort into understanding the intricacies of conflicts thousands of miles away is utopian.

3. Thirdly, Stearns’ own text acts against his own argument. He scolds the media for presenting an image of Africa dominated by disaster, war and death at the end of a long, gruelling account of disaster, war and death in Africa. Far from countering the stereotype, Stearns’ book deepens and exacerbates my sense of Africa as the location of unending ethnic conflict, massacres, pogroms, atrocities and a terrifyingly high level of killing and rape.

The best way for Africans to stop their continent being portrayed as a zone of endless civil wars and atrocities is not to blame western media but to stop having endless wars and atrocities.

Ignatieff and Stearns in their different books seem to think that if only western audiences knew more about these faraway African conflicts, they would take a more sympathetic view of them. Well, looking up the Sun City Agreement on Wikipedia led me in two clicks to the ‘Effacer le tableau’ genocide. This isn’t even mentioned in Stearns’ book but was one of the many catastrophic side-effects of the Congo wars.

‘Between October 2002 and January 2003, two the rebel groups, the MLC and RCD-N in the East of the Congo, launched a premeditated, systematic genocide against the local tribes and Pygmies nicknamed operation ‘Effacer le Tableau’ (‘erase the board’). During their offensive against the civilian population of the Ituri region, the rebel groups left more than 60,000 dead and over 100,000 displaced. The rebels engaged in slavery and cannibalism. Human Rights Reports state that this was because rebel groups, often far away from their bases of supply and desperate for food, enslaved the Pygmies on captured farms to grow provisions for their militias or, when times get really tough, simply slaughtered them like animals and devoured their flesh, which some  rebels believed gave them ‘magical powers’.

Can you seriously argue that if the average westerner learned knew about these conflicts, they’d become more sympathetic? More disgusted and repelled, I suggest.

The fundamental cause of civil violence

Stearns agrees with Ignatieff that the fundamental cause of the unending violence is the pitiful weakness of state institutions. As explained above, Mobutu systematically undermined any modern state institution which might present a challenge to his power and replaced it with the law of the Strong Man, the African chieftain who dispenses largesse to his favourites and locks up anyone who criticises him. This has been the identical pattern across numerous other African states since independence.

Since independence, the story of political power from Joseph Mobutu to Joseph Kabila has been about staying in power, not about creating a strong, accountable state. (p.330)

The lack of any state institutions to rein in power and limit violence helps to explain why ethnicity and tribalism remain behind as two of the few means left to politicians to mobilise their supporters and entire nations in times of stress. So long as African states have weak, powerless state institutions, so long will ethnicity remain an organising and rallying cry for leaders trying to remain in power (p.331).

Foreign aid

This is a very vexed issue. I worked at the UK’s Department for International Development for 2 years where I heard, read and researched the countless arguments for and against western aid to developing countries. It’s a big subject, with vast numbers of books, papers, speeches, political policies and research devoted to it, but the outline of the basic arguments are relatively simple.

1. Endless aid retards the development of civil society…

Stearns makes the point that giving aid indiscriminately encourages poorly developed states like Congo to remain such. If the French or German or Swedish government are paying for roads and hospitals in the Congo, then the Congo government doesn’t have to. More subtly, it won’t learn the tricky, fiddly, frustrating way in which western democracies work (most of the time) with their complex interplay of independent institutions, judiciary, free press and huge range of civil society agencies, charities and watchdogs and whatnot.

2. …but we must continue to give aid

Stearns disappoints me a little by saying we must continue to give aid to Congo ‘obviously’ because of the centuries of slavery, colonialism and exploitation by the West (p.332). But must we, though? There are some equally powerful counter-arguments. The slave trade was abolished over 200 years ago. How much longer must we continue to atone for it? Another hundred years? Forever?

The colonial period lasted from about 1885 to 1962, some 77 years. 77 years after independence will we still be bailing out the Congo government? How long does it take a post-colonial country to become truly independent? The pro-aid argument suggests the answer to that question is never. Former colonies will never cease requiring Western aid. Throw in periodic calls for reparations for slavery and/or inflicting climate change on them, and paying out to Third World countries will never end.

Wasted aid to date…

But the most powerful argument against aid is ‘look what happened to all the aid we’ve given so far’. It was creamed off by Mobutu and redistributed to his clients and powerbrokers with no regard to their ruined country. It went into the mad extravagances of Mobutu’s palace and Concorde lifestyle. It went directly into the purchase of bijou properties all over Europe. A huge amount of it never impacted the lives of the ordinary Congolese in the street, which got steadily worse and worse as time went by i.e. as the sum total of aid poured into the country increased. More aid = greater poverty.

When I worked at DFID there was a hoary old saying that development aid involved poor people in the  First World giving money to rich people in the Third World. Certainly when you read about the lifestyle of Joseph Mobutu 1965 to 1997 it’s hard not to get very angry that all those palaces, luxury cars, expensive patisserie flown in from Paris, was paid for by aid money and countless loans from the World Bank or IMF or Western donors.

Not only that, but there’s a respectable anti-aid case which argues that Western aid keeps African nations infantilised, semi-developed, and dependent on their patrons. It encourages reliance. It is a form of neo-colonialism because it ensures the recipient countries will never be weaned and acquire real independence.

Pro aid people say we’ve learned from all those mistakes, and now we are much more savvy and targeted about how we give aid to named, defined projects which have specific measurable outcomes. Maybe. But if this book shows one thing it is the utter inability of Congolese politicians to run a country. They couldn’t run a medium-sized business. The clientilist system perfected by Mobutu was swiftly copied by his successor Laurent Kabila, and then by his successor, Joseph, creaming off short-term profits, fire-selling state assets, stealing whatever aid they could – all in order to pay off the army involved in endless stupid wars, and to pacify important stakeholders, army bosses and regional powerbrokers. To build civil society and proper infrastructure? As little as they could get away with.

On their own two feet

The vast, desolating irony is that everyone agrees the Congo is sitting on a literal goldmine, along with copper mines, diamond mines, uranium and coltan mines of incalculable value. It ought to be the richest country in Africa, but it has had a succession of leaders who were kleptocratic morons, who have run its mining industries into the ground.

Therefore, you’d have thought that if aid to the country is to continue, it should be focused on rebuilding the ruined infrastructure around the mines with a view to providing the country with a decent income of its own. Even if this involves inviting back in Western mining companies, this strategy would start to give well-paid employment to everyone living in those areas and, if production is taxed at an agreed and consistent level (i.e. not managed via corrupt backhanders and payoffs) then Congo’s budget would soon by buoyant and it could set about a plan for reviving the legal economy, building roads, investing in electricity and digital infrastructure, restoring a strong police force and civil service which receive regular decent pay so don’t have to resort to bribery and corruption, and generally try and make its way towards being a half-decent, viable state which provides a reasonable standard of living for its population. That’s the hope.

Demographics and climate

But lurking behind the political plight of all African and developing nations are two objective realities which no amount of books and articles and strategies can argue away: explosive population growth and environmental damage/climate change.

In 1962 when Congo became independent its population was an estimated 16 million (there’s never been a census). Now, as I write, it is estimated to be 90 million and every one of this huge country’s  ecosystems – its agricultural land, its rivers, its rich rainforests – are being permanently degraded. It’s hard to be optimistic.

Congo proverbs and sayings

I started reading Stearns immediately after reading Philip Gourevitch’s famous book about the Rwandan genocide which readers of my review will know I had an allergic reaction to because of its foregrounding of the author’s naively American, blank incomprehension at the monstrosity of the thing, rather than applying knowledge and analysis.

As I read the Stearns I noticed a tiny but symptomatic difference between the two authors which is that whereas Gourevitch, being the A-grade English graduate that he is, uses as epigraphs to his chapters entirely inappropriate quotations from George Eliot or John Milton, Stearns instead uses Congolese proverbs and folk sayings. These are teasing, suggestive, evocative, flavoursome ways of entering into an alien culture, and also indicative of how much deeper Stearns has got under the skin of this country and its people than Gourevitch did of Rwanda.

  • Power is eaten whole. (p.3)
  • A cat can enter a monastery but she still remains a cat. (p.163)
  • No matter how hard you throw a dead fish in the water, it still won’t swim. (p.181)
  • The gratitude of a donkey is a kick (p.239)
  • Death does not sound a trumpet. (p.249)

Credit

Dancing in the Glory of Monsters: The Collapse of the Congo and the Great War of Africa by Jason K. Stearns was published in 2011 in the United States by Public Affairs. All references are to the 2012 Public Affairs paperback edition.

Africa-related reviews

History

Fictions and memoirs set wholly or partly in Africa

Exhibitions about Africa

Conspiracy to Murder: The Rwandan Genocide by Linda Melvern (2004)

“You have missed some of the enemies. You must go back there and finish them off. The graves are not yet full!”
(Radio Milles Collines)

“Go everywhere, spare no one, not even babies.”
(Lieutenant Bizumuremyi)

“No amount of its cash or its aid will ever wash its hands clean of Rwandan blood.”
(Lieutenant-General Roméo Dallaire who led the United Nations Assistance Mission for Rwanda, talking about the UN’s guilt)

Linda Melvern

Melvern is a seasoned investigative journalist who worked on the Sunday Times in the 1980s. In her introduction, she tells us she was putting the finishing touches to The Ultimate Crime, a history of the United Nation’s first fifty years, at the UN headquarters in New York, when the first reports of the Rwanda genocide started to come in in April 1994.

She was able to interview people within the UN hierarchy and monitor the institution’s ham-fisted response as events unfolded, and this forms the basis of her first book on the subject, A People Betrayed: The Role of the West in Rwanda’s Genocide (1995).

So why write another book on the same subject ten years later? The central reason is that during that time the International Criminal Tribunal for Rwanda (ICTR) was set up and went to work, tracking down and bringing to justice the Rwandan army and government officials responsible for the genocide. The ICTR’s work resulted in a wealth of new evidence, the coming to light of countless documents, letters, faxes and so on, as well as extensive eye-witness accounts of key meetings and events.

In addition, documents and paperwork regarding the role of Western nations such as Belgium, France, the US and UK had emerged, as well as memoirs by central players, most notably Lieutenant-General Roméo Dallaire who led the United Nations Assistance Mission for Rwanda (UNAMIR) and whose book Shake Hands with the Devil: The Failure of Humanity in Rwanda was published in 2003.

Using her contacts at the UN Melvern has amassed extensive records of communications, faxes, memos which passed between its senior officials, such as the Secretary-General himself, Boutros Boutros-Ghali, and his appointment as head of the United Nations Assistance Mission for Rwanda (UNAMIR), Jacques-Roger Booh-Booh, who didn’t get on at all with Dallaire, and did everything to subvert his authority.

And then there are documents and quotes from the international charities involved such as the International Committee of the Red Cross, Médecins Sans Frontières, Amnesty International, Oxfam, Africa Watch and more.

In other words, this book is an update of her previous one which takes account of the huge number of new documents and testimonies which had become available, and this explains why the book is littered with references to witnesses, witness accounts, interrogations, statements under oath, quotations from papers, memoirs, faxes, interviews and much more.

Scholarly apparatus

This explains why there is such a scholarly apparatus to the book, which has 100 pages of notes and appendices. The notes themselves are very thorough and I enjoyed reading some of the random factoids as much as the main text (such as the fact that ‘There are no surnames in Rwanda. Women do not take the name of their husbands, and children do not bear the name of their parents.’ p.285; or that Rwandan president Juvénal Habyarimana had his predecessor, Grégoire Kayibanda, who he overthrew in a coup, locked up and starved to death because Habyarimana had a voodoo superstition that if he spilled Kayibanda’s blood in any way, he would be haunted by his spirit, p.287).

The notes are followed by a long section on sources, detailing books, reports, papers and journals relating to the genocide. I can imagine these would be very useful for a scholar setting out to study the genocide.

There’s a 13-page chronology of Rwanda which starts in the colonial period, but once it arrives at the commencement of the civil war with the invasion of the RPF in October 1990 becomes surprisingly gripping.

And, most striking of all, Melvern includes the full text of The Convention on the Prevention and Punishment of the Crime of Genocide. It’s only five pages long. And – according to my present understanding – completely failed to prevent the genocide in Rwanda, Saddam’s attempts to exterminate the Kurds, the mass murders in former Yugoslavia (Srebrenica, Kosovo), the Darfur genocide, mass murders in the Syrian civil war and what, nowadays, seems to be accepted as China’s repression and mass murders of Uyghur Muslims in Xinjiang. Apart from these blips, it’s been a roaring success.

It’s worth quoting the official UN definition of genocide in full:

Genocide means any of the following acts committed with intent to destroy, in whole or in part, a national, ethnical, racial or religious group, as such:

  • Killing members of the group
  • Causing serious bodily or mental harm to members of the group
  • Deliberately inflicting on the group conditions of life calculated to bring about its physical destruction in whole or in part
  • Imposing measures intended to prevent births within the group
  • Forcibly transferring children of the group to another group

I’m interested to see the words ‘in part’. I thought genocide meant the intent to completely wipe out a group; I’m interested to see it’s significantly broader than that. I bet there’s vast scholarly debate on the subject…

Conspiracy to murder – the downsides

Terrible style

So much for the provenance of the book, what’s it like to read? Well unfortunately, despite the huge amount of research which Melvern has obviously put into the book, it suffers from some severe deficiencies. Very quickly you realise she writes a clunky, repetitive form of English, with odd, uncomfortable phrasing of even simple facts. Quite a few sentences felt like they’d been translated from another language and I frequently wondered whether English is Melvern’s first language, she sometimes struggles so badly to express herself in it.

Poor narrative skills

Bigger than that, though, is Melvern’s struggle to fully work through the material she’s amassed. The clunky English is often the expression of tortuous thinking.

The opening chapters giving the earlier history of Rwanda through the colonial period, the Hutu Revolution of 1959, the Habyarimana coup of 1973 and the build-up to the invasion of Rwanda by the Tutsi-led Rwandan Patriotic Front (RPF) in 1990, all these are basic facts which are admirably described in the books by Philip Gourevitch, Fergal Keane, David van Reybrouck or the Wikipedia entries.

But in Melvern’s hands they are told in a contorted way which I sometimes found hard to follow. For example, it was only because I’d read the other, much more clearly expressed accounts, that I could follow her description of the RPF’s origins in Uganda. She doesn’t bring out the key role played by the RPF leaders in Yoweri Museveni’s National Resistance Movement which overthrew Uganda’s dictator Milton Obote, and how that experience inspired them to think about attempting to overthrow their dictator, Juvénal Habyarimana.

The facts are all here but Melvern often lacks the ability to bring to the fore the ones that matter while leaving others in the background, to shape the facts into a narrative. Reading a book like this which completely lacks that skill makes you realise how important it is, particularly in factual-historical narratives.

Lack of interpretation

The same goes in spades for the end of the book. One of the concluding chapters looks in detail at the numerous (conspiracy) theories which have arisen around the shooting down of the Rwandan president’s private jet, which was what triggered the crisis. Melvern lists all the theories which have been put forward over the previous ten years by an impressive roster of interested parties, but she never manages to come to a conclusion. The more I read, the more confused I became. She doesn’t state which one she, as an investigative journalist who’s given it more time than you or I will ever manage, believes in (pages 260 to 266).

Even more glaring is the crude and clumsy way the book ends. The final chapter describes the setting up of the International Criminal Tribunal for Rwanda (ICTR) but fails to stand back and give us an overview of its work. Instead it dives right into a detailed account of the proceedings against one of the central figures, Colonel Théoneste Bagosora, drilling down to such a detailed level that she quotes the cross-questioning Bagosora was subjected to in court by prosecuting council, Canadian lawyer Drew White (pages 281 to 283).

And then the book just stops, not quite in mid-sentence, but right in the middle of quoting the accusations White put to Bagosora and the latter’s indignant denials. It just stops, without any attempt at a conclusion or perspective.

I think all these flaws stem from Melvern’s apparent inability to think about the events she’s describing, to step back and place them in a wide-ranging intellectual or conceptual framework. Compare and contrast the terrific books on international affairs by Michael Ignatieff which I’ve just read. Ignatgieff is an intellectual to his fingertips, which means that he can’t describe any event in the real world without bringing to it fascinating and thought-provoking insights, placing it in a rich intellectual context, broadening individual moments out to make useful and interesting generalisations about civil war, humanitarian intervention and so on.

Melvern, by contrast, rarely if ever provides any insight into anything. She has amassed an awesome amount of documentation and arranged it in precise and accurate order, but this book doesn’t really reflect on any of it in any significant way.

Conspiracy to murder – the upsides

So far, so negative, and at moments in the first 50 or so pages I was tempted to put the book down for good and move on to something less clunky and more thoughtful. However, around page 60 the narrative is transformed with the UN decision to set up the United Nations Assistance Mission for Rwanda (UNAMIR). From this point onwards the book becomes first interesting and then absolutely riveting. I found myself gripped and thrilled by the narrative.

As explained, this isn’t because of any storytelling skills on Melvern’s part – selecting light and shade, carefully modulating the pace, dropping in selected insights and context – no, it’s because she has assembled a precise and specific and detailed account of the events of the genocide and these are, in themselves, gripping, horrifying and addictive. I went from feeling very meh about her so-so attempts to describe the historical background, to being utterly riveted. From page 60 to 260 I couldn’t put the book down.

The documents she has so carefully assembled allow Melvern to put together a meticulous day-by-day, and often hour-by-hour account of the key decisions made by the key players. Since she uses eyewitness testimony which emerged during ICTR trials, we are taken right into the rooms where the key decisions were made. You can see the sweat on the foreheads of the army chiefs as they agonise over what to do in the emergency meeting called as soon as news of the president’s plane crash (on 6 April 1994) arrives. You can smell the cigarette smoke and the paranoia.

Eyewitnesses testify to the specific words and phrases used by the senior army figures as they debate who should assume power, as they agree it must not look like a coup, as they allow Hutu Power exponents like Théoneste Bagosora to insist that the civilian Prime Minister Agathe Uwilingiyimana (a moderate Hutu) must not be allowed to take power. Witnesses testify to adjutants being sent into side rooms to phone through orders to the Presidential Guard. Within the hour Uwilingiyimana’s house was surrounded, then she was beaten and murdered (p.163).

Melvern includes transcriptions of phone calls made by ministers in the supposed interim government as the Presidential Guard knocked on their doors, made them and their families lie on the floor, then murdered them (p.151). It is terrifying.

On the government side, Melvern explains more clearly than anything else I’d read how the shot-down plane was carrying not only the president but the army chief of staff and key ministers so a real power vacuum appeared at the top of the Rwandan state (p.137). She shows how, although the exponents of Hutu Power had for a long time been developing a detailed plan for the complete extermination of the 10% or so of the population who were ethnic Tutsi, there was nonetheless initial confusion about who was to do what, and where power ultimately lay. It took some days before Jean Kambanda, a regional leader of the Hutu extremist party, the Republican Democratic Movement (MDR), was appointed Prime Minister of the caretaker government and was its nominal leader throughout the genocide.

In fact one of the many fascinating things that comes over from her super-detailed account is that power shifted throughout the three month period of the genocide. By the end even the senior army officers were scared of the lawless, murderous Interahamwe militia and the men who controlled it who are, at one point, named as Robert Kajuga, Bernard Maniragaba, and Ephren Nkezabera (p.232) with their political master being Mathieu Ngirumpatse, chairman of Habyariman’s party, the MRND (p.198).

One of the absolutely key things which comes over in her account is the centrality of the Rwandan Civil War. I hadn’t quite grasped that UNAMIR was solely set up to oversee the implementation of the Arusha Accords, signed in August 1993, which gave the RPF positions in a Broad-Based Transitional Government (BBTG) and in the national army.

Thus Dallaire arrived in the country 6 months before the genocide occurred and the early sections about his arrival are devoted to a very detailed consideration of what the accords demanded and how the Hutu Power die-hards within President Habyarimana’s cabinet and army absolutely refused to implement them. They would literally rather die than see RPF Tutsis in positions of power in the cabinet or the army.

Habyarimana’s government put as many obstacles as possible in the way of implementing the accords, and Melvern’s detailed explanation of how they did this, and which ministers in the government were responsible, and General Dallaire’s exasperated attempts to get the two side to co-operate, make for fascinating reading.

It also reinforces everything I’ve read in other accounts which is the idea that, as the Western sponsors of the peace deal, namely France, Belgium and America, brought pressure on Habyarimana, and as he showed signs of buckling, giving in and starting to implement the accords (i.e. integrating the Tutsi RPF into the Rwandan army and cabinet) that’s when the hardline Hutu faction decided to get rid of him. Hence the widely-held theory that it was soldiers, militia or even mercenaries following orders from Hutu Power extremists, who assassinated their own president and then blamed it on the Tutsi RPF.

And immediately put into force a long-gestated plan to exterminate the entire Tutsi population of Rwanda, some 1.5 million men, women, children and babies.

Radio Milles Collines

Her treatment of Radio Milles Collines is a good example of Melvern’s strong points. All the other accounts certainly mention the radio station and its role in spewing poisonous racist genocidal propaganda from its founding in July 1993 and then going into overdrive during the period of the actual genocide (7 April to 15 July 1994).

It is typical that Melvern gives it its full name – Radio Télévision Libre des Mille Collines – and thereafter refers to its proper initialism (RTLMC).

But, more importantly, Melvern explains who founded it, how it was funded, how it was run. She names the director-general Félicien Kabuga; the director Ferdinand Nahimana who was a respected historian; Jean Bosco Barayagwiza, chairman of the executive committee, who was also policy director in the Ministry of Foreign Affairs and so provided a direct conduit from the genocidal government; editor-in-chief Gaspard Gahigi, and the day-to-day manager, Phocas Habimana. She gives us pen portraits of the four main broadcasters:

  • Kantano Habimana, who called for “those who have guns [to] immediately go to these cockroaches [and] encircle them and kill them…”
  • Valérie Bemeriki, the only female presenter, who encouraged the use of machetes not guns to eradicate the Tuti, telling her listeners to “not kill those cockroaches with a bullet — cut them to pieces with a machete”
  • Noël Hitimana
  • and Georges Ruggiu, a white man from Belgium who urged listeners to kill Tutsis and told them that “graves were waiting to be filled”

So Melvern’s great strong point is that, in the words of the old cliché, she names the guilty men. And by naming them she makes the entire thing incredibly more real and present. Instead of being a faceless emitter of toxic propaganda, Radio Milles Collines becomes a much more real institution, populated by flesh and blood people with specific personalities. Via eyewitness accounts we sit in on some of the editorial meetings, we are told how the poison messages were sent by named officials in the army or Hutu Power leadership, she quotes from the broadcasts.

We get a feel for the smirkingly jokey style of Valérie Bemeriki and we get several pages of the account Ruggiu gave years later to the International Criminal Tribunal for Rwanda of, on several occasions, being shown round roadblocks in Kigali by the side of which were piles of bodies of people who had been hacked to pieces. He noticed that some of them were still breathing and suggested to the Interahamwe that they shoot dying to put them out of their misery, but the blood thirsty young men just laughed and said the ‘cockroaches’ weren’t worth a bullet (p.209).

So every element of the genocidal regime is treated in much more detail than in other accounts, and the repeated references to specific named individuals responsible for specific genocidal decisions and actions begins to build them up into real people. You can see why Melvin’s research was quoted in court proceedings against the génocidaires and why she is liberally quoted on the Wikipedia pages about many of them. It’s because she does such a good job of associating named individuals with specific meetings in specific locations which took specific murderous decisions.

She appears to have set out to document every single instance in which Tutsi were killed, even when it was ‘only’ a handful, documenting the time and place and numbers and the police or militia or army leaders in charge. In this sense the book is like a very long charge sheet.

The trials

And this brings us to another positive aspect of the book, which is the way she then follows these named individuals into their afterlives, on the run from the authorities, arrested, and then their court proceedings at the ICTR.

All the other books I’ve read roll straight on from the genocide to the refugee crisis in eastern Zaire, to the regrouping of the génocidaires in the camps, to the eventual invasion of eastern Zaire by the RPF, on to the overthrow of President Mobutu and so on, in a continuous sweep of unfolding history.

Melvern ignores all that, ends her main narrative with the victory of the RPF in July 1994, and then switches her focus to the efforts to bring the génocidaires to justice. And because she has named them so consistently throughout the text and, as far as the evidence allows, pinned them to specific meetings and decisions, by the end of the book these guys are more than just names, they have the same kind of monstrous reality as Goebbels or Himmler.

Image

Twelve of the leading Rwandan génocidaires and the sentences they received at the International Criminal Tribunal for Rwanda (ICTR)

The International Criminal Tribunal for Rwanda

This focus on trials prompted me to do a bit of searching on the internet and Immediately discovered  the International Criminal Tribunal for Rwanda’s website. As far as I can see this shut down in 2015, along with the court, some 20 years after it was set up. But it contains a simple but fascinating page listing all 92 genocidaires who were brought to with full details of the charges and their sentences.

Once I discovered this I began to look up the individuals Melvern mentions, for example the man who emerges as the closest thing to a mastermind of the genocide, Bagosora and then go on to surf through the documents relating to his trial.

Fascinating to see how so many of the people she mentions in the book were indeed brought to justice (including the popular singer Simon Bikindi, who wrote songs and made speeches inciting the Hutu majority to liquidate the Tutsi.)

We learn about the trial of Hassan Ngeze, director and editor of the Kangura magazine which published the ‘Hutu Ten Commandments’ in its December 1990 edition and played a key role in spreading Hutu supremacist ideology. During the genocide, Ngeze helped organise the Impuzamugambi militia and is  said to have personally supervised and taken part in torture, mass rape and killings of Tutsis.

About Matthieu Ngirumpatse and Edouard Karemera, key figures in organising the genocide who were both sentenced to life imprisonment. The RTLM directors Ferdinand Nahimana and Jean Bosco Barayagwiza, mentioned above, were both given life sentences.

Venturing beyond the ICTR website, I discovered that the smirking RTLM announcer Valérie Bemeriki was convicted by a gacaca or local community court and sentenced to life imprisonment which she is currently serving in Gikondo prison, Kigali.

Main findings and insights

The Rwandan genocide was preventable. Decisive intervention by a sizeable and properly armed force could have stopped it.

The West behaved shamefully. After ten of its peacekeepers were murdered, Belgium withdrew the rest and the Belgian foreign minister Willy Claes rang round other nations telling them to withdraw their troops as well, claiming they’d all be massacred (p.219).

It’s a complicated series of events, and Melvern documents how arguments and debates and discussions influence a body like the United Nations, but there was a catalogue of failings which she anatomises in great detail. One of these was that Dallaire’s alarmed messages were often intercepted and superceded by the far more calm and complacent assessments of the situation by Jacques-Roger Booh-Booh.

I knew the US not only downplayed the genocide but actively undermined the UNAMIR force. As the genocide got underway, the Americans argued for downscaling the UN presence against all Dallaire’s protests.

The US put every obstacle in the way. (p.234)

But it was news to me that the UK took America’s side and also made every effort to downplay the situation, to resist requests for help, only reluctantly sending a fleet of clapped out lorries towards the end of the murdering. David Hannay, Baron Hannay of Chiswick (Winchester and New College, Oxford) was our man at the UN, arguing that we shouldn’t intervene to save the genocide victims. John Major was British Prime Minister. Eternal shame.

To be fair to the Western powers, Melvern’s account brings out how a number of players, starting with the Rwandan government, managed to hoodwink people for some time by portraying the violence as a fresh outbreak of the civil war. In other words, some Western officials and most of the Western media thought it was just a resumption of the hostilities which had characterised the country since the October 1990 invasion.

These people, exemplified by U.S. Ambassador to the United Nations Madeleine Albright, later claimed they weren’t properly briefed by the UN bureaucracy, and she shows how there’s a flicker of truth in this, for example the way Booh-Booh doctored and toned down the accurate factual briefs an anguished Dallaire was sending daily from Kigali.

But it doesn’t hold up as much of a defence, because the foreign ministers of some other countries quickly grasped what was going on and spoke out against it early and strong, notably Colin Keating ambassador from New Zealand and the ambassadors from the Czech Republic, Spain, Argentina who lobbied hard for the massacres to be formally defined as a genocide. But the representatives of America and Britain vetoed this and they had the decisive say. Shame.

It goes without saying that the French government:

  • helped the genocidal regime at every opportunity
  • had military advisers at every level of the Rwandan army and Presidential Guard who did absolutely nothing to intervene or prevent the massacre
  • continued to break sanctions and fly in weapons to arm the murderers even after the genocidal massacres had begun
  • offered refuge to the wife and relatives of the assassinated president – some of the hardest core promulgators of racist, supremacist, genocidal Hutu Power ideology – in Paris
  • and then sent in a massive consignment of troops and equipment, not to stop the genocide, but to set up a safe haven in the western part of Rwanda into which over a million Hutu refugees, including the entire genocidal government, leaders of the murderous militias, could flee and be safe from the advancing RPF

“It was the French government which facilitated the cohesive migration of the interim government, in effect the political, military and administrative leadership of the genocide.” (p.250)

  • and then, when the International Criminal Tribunal for Rwanda was established, sent emissaries, journalists and historians to meet its new head, South African judge Richard Goldstone, to tell him that the stories about the genocide were simply untrue (p.275)

And then when the genocide was over… the French ambassador to the UN, Jean-Bernard Mérimée, blamed the UK and the USA for everything (p.260)

The French government stood shoulder to shoulder every step of the way with the administrators of the greatest genocide since the Holocaust. Even after the Rwandan Patriotic Front (RPF) had conquered the whole of the country and brought the genocide to a halt – the only power on earth which acted to do so – the French continued to undermine them in every way possible, blame them for shooting down the president’s plane, accusing the RPF of massacres while conveniently sheltering, supporting and overlooking the crimes of their own Hutu clients. Viva la France!

RPF official Tito Rutaremara documented fifty-six ways in which the militias killed people in the genocide the French claimed never happened, including using machetes, clubs studded with nails, screwdrivers, hammers, hoes, spades and so on (p.253). Pregnant women were commonly disembowelled. Men had their penises cut off. Young children were chopped in half.

Accounts tend to focus on the anti-Tutsi propaganda and massacres, but Melvern brings out in some detail that many of the victims were moderate Hutus, who the Hutu fanatics saw as traitors to their own race, starting with the Hutu Prime Minister and all the moderate members of Habyarimana’s cabinet who were murdered in their homes within hours of the plane crash.

She also brings out the north-south divide in the country. The Hutu Power heartland was in the north and sometimes Hutus from the south were murdered indiscriminately simply because they were southerners. Up to 800,000 Tutsis were slaughtered, but as many as 200,000 Hutus were, too.

Main conclusion

Arriving exhausted at the end of the book, after 284 pages of gruellingly detailed evidence, one big conclusion leapt out at me. Gourevitch and Keane’s accounts both betray their nice white guy bewilderment and incomprehension at the scale and ferocity of the killing. Both men say, in effect, I have no idea why this happened.

Reading Melvern’s book totally explains why it happened. She explains how Hutu-Tutsi tension was over a century old, but received its modern animus as long ago as 1959 when the Hutu Revolution swept away the Tutsi monarchy, amid the usual feverish revolutionary rhetoric about overthrowing the exploiters and taking back their country for themselves.

She shows how this rhetoric never subsequently went away but became entrenched and embedded at every level of Rwandan society. Hutu propagandists, of which there were many, tried to make it a central plank of state education that the Tutsi were not Rwandan at all, but invaders from the North who had oppressed and enslaved the virtuous Hutu.

There was continual low-level harassment of Tutsis from independence in 1962 right through to 1994, which occasionally rose to the higher level of localised massacres. Real massacres. Hundreds and sometimes thousands of innocent Tutsis were hacked to pieces or hammered to death at intervals and various locations throughout the 1960s and 70s.

“I would like to inform the chamber that this hatred existed for a very long time, since 1959 in particular, until the time when the genocide took place in 1994.” (Militia leader and ICTR prosecution witness Omar Serushago, quoted on page 169)

So this was emphatically not a harmonious society living in peace. It was a society riven with inter-ethnic tension, in which localised pogroms broke out again and again, in which media at all levels – papers, magazines and radios – pumped out a continuous stream of anti-Tutsi propaganda.

In other words, closer familiarity with the problems of Rwandan society turns your attitude around 180 degrees, from wondering how such a thing could ever have happened, to wondering why it didn’t happen sooner.

In a sense the interest in the story is that such ferocious hatred had to wait so long to burst out into the open. And it’s interesting that it only did so under the stress of three Big Events:

  1. In 1989 there was a worldwide glut of raw materials which led to a collapse in the price for Rwanda’s main exports, tea and coffee, which itself led to widespread poverty, misery and the traditional search for scapegoats. The government encouraged the 90% Hutu population to blame ‘Tutsi exploiters’ in much the same way the Nazi government encouraged the German population to blame all their tribulations on the Jews. So: Economic stress.
  2. In October 1990 the small Rwandan Patriotic Force, soon to be led by Paul Kagame, invaded the north of the country, starting what became known as the Rwandan civil war, which underwent fluctuating fortunes for the invader and the government but led, eventually, to a peace treaty, the Arusha Accords, signed in the autumn of 1993. So: Civil war.
  3. Assassination of the president. On the night of 6 April 1994 Juvénal Habyarimana’s plane was shot down as it came in to land at Kigali airport. It was the middle of the night so families across the country heard about it on the TV news, which spread the rumour that the country was once again, suddenly, under treacherous attack. All the people the journalists spoke to remember where they were when they heard the news. It was a JFK or 9/11 moment. Everyone knew something terrible was going to happen, a state of extreme crisis was created. So: mysterious assassination of the country’s leader.

And then there’s the fourth factor or element, which isn’t quite an event but rather the thing Melvern devotes her book to, which is:

  1. The plan. Rwanda was a highly regimented, hierarchical and organised society. Since the RPF invasion of October 1990, influential elements in the cabinet, the civil service and above all the military, including the sinister Zero Network, had been making detailed plans to carry out a systematic, well-organised extermination of all the Tutsis which would end the Tutsi Problem forever.

So if you want a summary of why the Rwandan genocide took place, it goes something like this:

  1. Generations-long inter-ethnic hatred directed from the Hutu majority against the Tutsi minority.
  2. Deep rural depression, affecting the living standards of most of the population and exacerbating existing tensions and resentments.
  3. Invasion of the country by a largely Tutsi force leading to civil war which could easily be portrayed as an attempt to reverse the Hutu revolution and re-subject the Hutu population to slavery and serfdom.
  4. The sudden, terrifying and mysterious assassination of the president leading to widespread panic and hysteria.
  5. At which (perfect psychological) moment the Hutu Power strategists immediately began implementing a far-reaching and well-worked-out plan for mass extermination, rousing a hard core of about 100,000 fanatical Hutu nationalists, at all levels of local government, who used lists of Tutsi names and addresses to drive from one neighbourhood to another, from one village to another, systematically rounding up all the Tutsi ‘spies and traitors’ who they accused of planning to help the invaders complete the reconquest of their country, and methodically hacking them to pieces with machetes, in a bid to end the ‘Tutsi Problem’ forever.

Surely if you put it like that, the Rwandan genocide is far from incomprehensible but can be seen as the result of a series of stresses (poverty, civil war) applied to a society already boiling over with seething hatred, all of which were ruthlessly exploited by the genocidaires who Melvern goes to such lengths to identify and provide evidence directly relating them to the killing.

Surely a good grasp of the background and the sequence of events makes the genocide seem the reverse of incomprehensible – it comes to seem human, all too human.

Credit

Conspiracy to Murder: The Rwandan Genocide by Linda Melvern was published by Verso Books in 2004. All references are to the revised 2006 paperback edition.


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Empire Lite: Nation-Building in Bosnia, Kosovo and Afghanistan by Michael Ignatieff (2003)

Nobody likes empires but there are some problems for which there are only imperial solutions. (p.11)

Nations sometimes fail, and when they do only outside help – imperial help – can get them back on their feet. (p.106)

A bit of biography

In the 1990s Ignatieff managed to combine being a tenured academic, a journalist making extensive foreign trips, and a TV presenter. Without planning it, Ignatieff fell into a rhythm of publishing every 2 or 3 years short books chronicling the unfolding of the failed states he visited, and the chaos which engulfed some countries after the end of the Cold War.

These short but engaging studies build up into a series of snapshots of the new world disorder unfolding through the 1990s and into the post 9/11 era, mixed with profound meditations on the morality of international affairs and humanitarian intervention:

  • Blood and Belonging: Journeys Into the New Nationalism (1994)
  • Warrior’s Honour: Ethnic War and the Modern Conscience (1997)
  • Virtual War: Kosovo and Beyond (2000)
  • Empire Lite: Nation-Building in Bosnia, Kosovo and Afghanistan (2003)
  • The Lesser Evil: Political Ethics in an Age of Terror (2004)
  • The Ordinary Virtues: Moral Order in a Divided World (2017)

Ignatieff’s disappearance from British TV and radio around 2000 is explained by the fact that he moved  from London to America to take up a post at Harvard. The gap in the sequence of books listed above is explained by the fact that in 2005 he was persuaded to stand as an MP in the Canadian parliament, that in 2006 was made deputy leader of the Canadian Liberal Party and in 2009 became Liberal Party leader. Under his leadership the Liberals lost badly in the election of 2011 and Ignatieff quit as party leader. He went back to teaching at university, in betweentimes undertaking extended trips to eight non-Western nations which form the basis of his most recent book, The Ordinary Virtues published in 2017.

Empire Lite: Introduction

Three of the four chapters in this book started out as magazine articles published in 2002, so very soon after the seismic shock of 9/11. The premise of the book as a whole is that America is an empire which refuses to acknowledge the fact.

The Americans have had an empire since Teddy Roosevelt, yet persist in believing they do not. (p.1)

But America is not like any previous empire, it doesn’t have direct control of colonies, it is an ’empire lite’, which Ignatieff defines as:

hegemony without colonies, a global sphere of influence without the burden of direct administration and the risk of daily policing. (p.2)

Nonetheless, America is the only global superpower, spends a fortune on an awesome array of military weapons and resources, and uses these ‘to permanently order the world of states and markets according to its national interests’ (p.2). Imperial activities.

In this book Ignatieff sets out to look at the power and, in particular, the limits of America’s informal empire by looking at three locations he knows well and has covered in previous books, in former Yugoslavia and Afghanistan. Previously he has covered states collapsing into anarchy and attempts to bring peace, now he moves on. This book:

deals with the imperial struggle to impose order once intervention has taken place. (p.vii)

It focuses on the dilemma that many states in the modern world are failed or failing and some kind of intervention is emphatically required – and yet intervention is dogged with problems, notably:

  • the practical limitations of what can be achieved
  • the tension between what the intervening power (almost always America) wants to achieve, and the wishes of the local population

After 9/11

This book was written during the year following the 9/11 terrorist attacks on America, after George Bush had declared a ‘War on Terror’, and just as America was limbering up to invade Iraq and overthrow Saddam Hussein on the controversial pretext of confiscating his weapons of mass destruction. This book was completed and sent to the publishers in January 2003 and the invasion of Iraq began on 20 March 2003.

In other words it was conceived and written in a very different climate of opinion than his pre-9/11 works and 9/11 dominates its thinking. Ignatieff says ‘the barbarians’ have attacked the imperial capital and now they are being punished.

And yet he warns that the ‘War on Terror’ may turn into a campaign without end. He quotes Edward Gibbon who, in his history of the Decline and Fall of the Roman Empire, attributes the fall to what is nowadays called ‘overstretch’, trying to extend imperial control to regions beyond its natural borders. The Americans cannot control outcomes everywhere. This book sets out to examine the ragged edges where American hegemony reaches its limits.

Ignatieff says the terrorists who attacked on 9/11 co-opted grievances and the rhetoric of Islam into an unabashed act of violence. Violence first, cause later. What is worrying is the huge wave of support they garnered in parts of the Islamic world which feels it has been oppressed and humiliated for generations. It’s not just the obvious example of the Palestinians, oppressed by America’s client state Israel (Ignatieff mentions the pitiful inadequacy of the 1990 ‘peace treaty’ which set up the Palestinian Authority) but of dissident voices all across the Arab world.

9/11 highlighted the limitations of American control in Islamic states. America has poured billions of dollars into Saudi Arabia and Pakistan and yet Osama bin Laden was a Saudi and the Pakistanis founded, trained and supervised the Taliban which was giving Al Qaeda hospitality at the time of the attacks. And, as we have seen just a month ago, the Taliban were to prove impossible to extirpate and have just retaken Afghanistan after 20 years of supposed ‘nation building’.

America may have unrivalled power but it has not been able to build stability wherever it wants on its own terms. (p.10)

Problems of empire

Ignatieff bubbles over with ideas and insights. I was struck by his idea that the central problem of empires is deciding which of the many demands for the exercise of its power, it should respond to. This is a fascinating insight to apply to the history of the British Empire, which was a continual one of never having enough resources to properly deal with the endless flare-ups and problems in the numerous countries it claimed to manage. Eventually it became too expensive and too complicated for a country brought to its knees by two world wars, and we walked away. The mystery is how we hung on for so long.

Now the Americans face the same problem. Ignatieff interprets the crisis in Afghanistan as a result of the way the Americans spent ten years lavishly funding and supporting the anti-Soviet resistance (in reality a congeries of regional tribal groupings which we gave the blanket name the mujihadeen). Then, when the Soviets withdrew in 1989, so did the Americans; walking away and letting the highly-armed tribal groups collapse into prolonged civil war, out of which emerged the extremist Taliban who were to give shelter and succour to al-Qaeda ten years later.

Another way of putting this is that America hoped, with the end of the Cold War, to benefit from a ‘peace dividend’: to reduce its armed forces, withdraw from various strategic parts of the world, job done. On the contrary, as Ignatieff’s previous books have shown, imperial withdrawal from countries around the world did not lead to an outburst of peace, love and understanding but to the complete or partial collapse of many states and the emergence of new kinds of conflict, of ethnic wars, ‘ragged wars’, chaotic wars, and widespread destabilisation.

In these zones of chaos have flourished enemies of the West, and of America in particular and now, in 2002, as Ignatieff was writing these pieces, American rulers have to make some very difficult decisions about where to intervene and how much to intervene, and for how long.

Chapter 1. The Bridge Builder

The bridge in question is the bridge over the River Neretva in the centre of the town of Mostar in southern Bosnia. The town actually takes its name from the bridge, which is called the Stari Most (Old Bridge) in Serbo-Croat and the bridge-keepers, known as mostari, who guarded it.

The Stari Most was built by the Ottomans in the 16th century, is one of Bosnia and Herzegovina’s most visited landmarks, and is considered an exemplary piece of Islamic architecture. It was erected in 1566 on the orders of Sultan Suleiman the Magnificent and designed by the Ottoman architect Mimar Hayruddin.

During the Yugoslav civil wars Mostar suffered two distinct conflicts: after Bosnia-Herzogovina declared independence in April 1992 the (mostly Serb) Yugoslav Army went in to try and crush its independence. They were opposed by militias set up from both the Croat and Bosnian Muslim population (which both made up about a third of the city’s population). In June 1992 the Croat-Bosniak forces successfully attacked the besieging Yugoslav Army and forced them to withdraw. Lots of shelling and shooting resulted in the town’s historic buildings getting badly knocked about, but not the bridge.

The bridge was destroyed as part of the second conflict, for after jointly seeing off the Serbs, tension  then grew between the Croats and Bosniaks. In October Croats declared the independence of a small enclave which they called ‘the Croatian Republic of Herzeg-Bosnia’, supported by neighbouring Croatia and this triggered the Croat–Bosniak War which lasted from 18 October 1992 to 23 February 1994.

The Old Bridge was destroyed by Croatian forces on November 9, 1993 during a stand-off between opposing forces on each side of the river. It’s said that more than 60 shells hit the bridge before it collapsed. The collapse of the bridge consolidated the complete ethnic compartmentalisation of the city into Croat west bank and Muslim east bank.

What’s amazing is the enmity that lingered on after the ‘end’ of this small war. The town actually had six bridges and some of the others survived but adult men were forbidden from crossing over to ‘the other’s side. Ignatieff tells the story of a Muslim lad who drove over one of the surviving bridges to visit a Croatian girl he’d known before the division. On the way back he was shot in the back of the head by the Croat checkpoint guards and his car slowed to a halt half way across the bridge as he died (p.33). To understand the Yugoslav catastrophe you have to get inside the minds of the soldiers who did that.

While UN peacekeepers eventually moved in to supervise the fragile peace, the European Union considered how to repair the devastated infrastructure all across the former Yugoslav states. Ignatieff meets the man charged with rebuilding the famous Mostar bridge, a French architect named Gille Pequeux. Ignatieff spends time with him, learning how the Frenchman is doggedly studying whatever architects plans still survive, analysing the ancient techniques the Ottomans used to cut the stone and carve runnels along the inward-facing sides which were then filled with molten lead to tie them together, in every way trying to make the reconstruction as authentic as possible.

Ignatieff drolly points out that the president of Turkey offered to fund the rebuilding the bridge as a symbol of Turkey’s long-term presence/contribution/imperial occupation of this part of Europe. The EU politely turned down the offer and insisted it was done by one of their own. So it is drily ironic that the much-lauded rebirth of this ‘symbol of multiculturalism’ entailed a diplomatic rebuff of an actual gesture of multiculturalism (p.36).

But rebuilding bridges and houses and hospitals and mosques is easy. Reconciling the people who live and work in them is much harder. Ignatieff is blunt. The EU and America have spent over $6 billion ‘reconstructing’ Bosnia but it is still ruled by the crooks who rose to power during the wars and a big part of the aid money, like aid money anywhere, is routinely creamed off by corrupt leaders and administrators.

Leaders of the rival communities never meet and rarely talk. They only get together for the photo opportunities required to make a show of unity for the press and EU officials to ensure the all-important foreign aid cash keeps flowing.

For our part, the West is disillusioned. Real reconciliation has not taken place. Corruption is endemic. Some of the refugees have returned to their homes but for many ethnic cleansing achieved its goals. Many of the locals still hate each other.

And so Ignatieff points out that rebuilding the bridge is as important for the morale of the interventionist West as for the locals. We need it to prop up our delusions that opposite sides in a civil war can be reconciled. That our costly interventions are worthwhile.

This lovely essay rises to a poetic peroration:

The Western need for noble victims and happy endings suggests that we are more interested in ourselves than we are in the places, like Bosnia, that we take up as causes. This may be the imperial kernel at the heart of the humanitarian enterprise. For what is empire but the desire to imprint our values, civilisation and achievements on the souls, bodies and institutions of another people? Imperialism is a narcissistic enterprise, and narcissism is doomed to disillusion. Whatever other people want to be, they do not want to be forced to be us. It is an imperial mistake to suppose that we can change their hearts and minds. It is their memory, their trauma, not ours, and our intervention is not therapy. We can help them to rebuild the bridge. Whether they actually use it to heal their city is up to them. (p.43)

Beautiful rhythm to it, isn’t there? Lovely cadences. The flow of the prose beautifully embodies the flow of the thought which is both clear and logical but also emotive and compelling. Ignatieff writes like this everywhere: he is lucid, logical, but also stylish and evocative. He’s the complete package.

Chapter 2. The Humanitarian as Imperialist

Opens in 2000 with Ignatieff attending a press photo shoot given by UN representative in Kosovo, Bernard Kouchner, and a Spanish general, who have persuaded two local Kosovar politicians, one of them a former commander of the Kosovo Liberation Army nicknamed ‘the snake’, to accompany him to the site of an atrocity. In the night someone laid a landmine. This morning a van driving between two Serb villages ran over it, it detonated, killing two outright and blowing the legs off the one survivor. The two Kosovar politicians say the required words, about the need to change hearts and minds. Koucher delivers his patter. The photographers snap, the new crews record, then it is over and everyone jumps into their cars and speeds off.

Ignatieff accompanies them to a Serbian monastery. Father Sava, the head of the monastery has been chosen as a ‘moderate’ leader of the minority Serbian community left in Kosovo when the war ended in 1999. Attacks on Serbs are continuing on a daily basis. Kouchner and the Spaniard assure Father Sava they are doing everything they can. It doesn’t much matter since the simmering Serb community doesn’t believe either Sava or the UN. Not when members of their families are blown up or shot every day.

The international community is having to rebuild Kosovo from the ground up, rebuilding its entire infrastructure, economy, everything, making it ‘the most ambitious project the UN has ever undertaken’ (p.51).

Once again Ignatieff repeats that the West ‘want’s noble victims and doesn’t know how to cope when the victims turn on their former oppressors.

Bernard Kouchner

All this is by way of introduction to a long profile of Bernard Kouchner. Being Ignatieff, he sees Kouchner not so much as a person but as a walking embodiment of the way the entire doctrine of ‘humanitarian intervention’ has changed and evolved over thirty years.

Ignatieff says Kouchner came of age during the heady revolutionary days of Paris 1968. In a change-the-world spirit he volunteered to go serve as a doctor with the Red Cross in Biafra. However, he drastically disagreed with the Red Cross ideology of neutrality, non-intervention and non-reporting, removed his Red Cross armband and was among the founder members of the French organisation Médecins Sans Frontières or Doctors Without Borders. These guys are more prepared to call out aggressors and killers. Ignatieff considers the pros and cons of the two positions, Red Cross’s studied neutrality, Médecins’ engagement.

Ignatieff claims Kouchner also pioneered the involvement of the media in humanitarian aid, realising people need to be shocked out of their complacency by images of horror and starving children on their TVs. He has been involved in various publicity stunts which drew down a world of mockery from liberal commentators but do, generally, publicise his causes.

It is Kouchner, more than anyone else, who created the modern European relation between civic compassion, humanitarian action and the media. (p.61)

Kouchner parted from Médecins when the latter won the Nobel Prize in 1999. This is because Kouchner had moved on from thinking aid organisations should speak out about evil, murder, massacre, human-engineered famine and so on, but had progressed to a more assertive position – that humanitarian organisations needed to get involved in political attempts to combat evil.

Aid organisations talk about ‘civil society’ and the ‘humanitarian space’ but Ignatieff says Kouchner thought this was an illusion. Aid agencies are supported and enabled by nation states. More than that, some crises aren’t humanitarian crises at all, they are crimes. Thus Saddam Hussein attacking his Kurdish population, trying to exterminate it and driving it up into the mountains to starve to death wasn’t a ‘humanitarian crisis’, it was a crime against humanity. Situations like this don’t call for the discreet, neutral aid providing of the Red Cross; they must be opposed by force.

This led him to become deeply involved in French and then UN politics. In 1988 he became Secrétaire d’état for Humanitarian Action in 1988 in the Michel Rocard cabinet, then Minister of Health during Mitterrand’s presidency. He served in the European Parliament 1994 to 1997, chairing the Committee on Development and Cooperation. He became French Minister of Health 1997 to 1999 Lionel Jospin’s government, and then served as Minister of Health for a third time, 2001 to 2002.

Ignatieff says Kouchner’s positions, then, aren’t interesting conversation pieces, but have influenced French government action. Thus his position influenced the French decision to back the UN resolution to send a peace-keeping force into Bosnia, part of which was meant to protect Sarajevo and Srebrenica. This failed miserably, with the Serbs bombing Sarajevo for years, and rounding up and exterminating 8,000 Muslim boys and men in Srebrenica under the noses of the 300-strong UN force.

The logic of this sequence of events is that only force can work against evil aggressors, and it was this thinking which finally led the Americans to intervene when they ordered air strikes against Serbian positions in defence of a Croat advance; and then the sustained bombing of Belgrade from March to June 1999 to persuade the government of Slobodan Milošević to stop the massacring of Albanian Kosovars.

So the appointment of Kouchner as UN Representative to Kosovo in 1999 was full of historical ironies and meanings. This was the man who had led humanitarian intervention away from the studied neutrality of the 1960s, through active calling-out towards ever-growing aggressive intervention against the bad guys. So it is the evolution of Kouchner’s theoretical positions which interests Ignatieff.

In this chapter he reiterates what are, by now, becoming familiar points. One is that the intervention is ‘imperial’ in a number of ways. First and foremost, imperialism means powerful states compelling populations in weaker ones to behave how the powerful ones want them to. But all this talk about reconciliation is far from disinterested altruism: the European nations want to sort out the Balkan issue and impose peace and reconciliation so as to remove a source of political instability which could (in an admittedly remote scenario) draw in either Russia or Turkey. More immediately, to cut off the influx of the Balkans’ most successful exports, which he drily lists as organised crime, drugs and sex slaves (p.60).

Second, as in his essay about Bosnia and Afghanistan and in The Warrior’s Honour, is that Ignatieff is very, very sceptical about the chances of anything like genuine reconciliation. The same ethnic groups are now at daggers’ drawn and will do everything they can to harm or kill members of the opposing groups. He claims that Kouchner was taken aback by the ferocity of the tribal hatred he encountered when he first arrived (p.63), and depicts Kouchner, when he’s not performing for the cameras, as an exhausted and disillusioned man.

As in the essay on Mostar, he asks why the victims should be obliged to conform to the Western stereotype of the noble-minded victim? In reality, the second they had the chance, the ‘victims’ have turned the tables and are carrying out a campaign of revenge killings and terrorist atrocities against the Serbs still stuck in north Kosovo who haven’t been able to flee to the safety of Serbia.

Ignatieff sees Kouchner as an imperial viceroy who has been parachuted in to try and rebuild the country and prepare it for ‘autonomy’. He calls it a ‘protectorate’ with a pretence of local autonomy but where rule actually stops with the imperial viceroy, as in the Raj, as in the British and French mandates in the Middle East between the wars. If that was ‘imperialism’, surely this is, too.

Once again, Ignatieff makes the point that maybe what Kosovo needs is not a moderately independent-minded Kouchner, but an utterly independent-minded General MacArthur, who was given a free hand to rule Japan as he saw fit for six years. Maybe what the Balkans need is not less imperialism, but a more naked, out and out, assertive imperialism. Do this, or else.

(In the event Kosovo declared independence from Serbia on 17 February 2008. As of 4 September 2020, 112 UN states recognised its independence, with the notable exceptions of Russia and China.)

Chapter 3. Nation-building Lite

Max Weber said a state is an institution which exerts a monopoly of the legitimate use of violence over a given territory. Generally, this monopoly is channeled via the institutions of a professional police service and an army. In a Western nation the police are subject to an elected politician and their work feeds into an independent judiciary, while the army is trained and led by professionals.

In a failed state, weapons are everywhere and the use of violence is widely dispersed. Usually, after a period of anarchy, warlords emerge who control the application of violence, at least in their territories, but often only up to a point, and sometimes cannot control permanent low-level street violence.

The essence of nation-building is to get weapons out of circulation – out of the hands of warlords, paramilitaries, criminal gangs and punks on the street – and restore that monopoly of violence which is one definition of a functioning state; and in so doing to create a space in which non-violent politics, negotiation, discussion and compromise, can be encouraged. It may still be a violent and corrupt state but it is, at least, a starting point.

Ignatieff points out in The Warrior’s Honour that, in quite a few failed states round the world, this is now harder to do than ever before, because modern weapons are so cheap and easily available. Some societies have become soaked in guns and it’s hard to see a way back to unarmed civility.

Ignatieff gives specifics about the history of Afghanistan, the Soviet invasion, the West’s backing of the mujahideen who, once the Soviets left and the West walked away, degenerated into a civil war of regional warlords. But his interest, as always, is in the principles and theory behind it.

He repeats one of his central ideas which is that nation-building takes a long, long time, and gives a striking example. America’s own nation-building, starting with the Reconstruction after the civil war, arguably took an entire century, up until the civil rights legislation of 1964 finally abolished discrimination against Afro-Americans (p.85).

Reconstruction in Germany and Japan took about a decade, but in both the nation-builders were starting in states with well-defined borders, established (albeit corrupted) institutions, and ethnic homogeneity. The populations of both countries wanted to be reconstructed.

He makes the point that one of the secrets of success for an empire is the illusion of permanence, of longevity. As soon as you announce you’re leaving, all the vested interests rise up and jockey for power. This is vividly demonstrated by the absolute chaos into which Congo plunged at independence, as provinces seceded and new parties jockeyed for power using extra-political means i.e. guns and coups.

Ignatieff says the Americans have a poor track record on this issue, and a reputation for walking away from chaotic states when it suits them. This means local warlords realise they just have to mind their manners and bide their time. What Ignatieff didn’t know in 2002 is that the Americans would stay for an epic 20 years but, the same rule of permanence applies: as soon as Joe Biden announced they were leaving, people all across the country realised the Taliban would swarm back into power and began making arrangements accordingly, i.e. Afghan police, army and local governors defecting to them within days, so that the entire Afghan security apparatus melted away and the Taliban were in Kabul within a week.

Not so easy, running an empire, is it? Maybe the thousands of American academics who loftily criticise Britain’s chaotic withdrawal from Palestine or India will reflect on the cracking job their boys did in Afghanistan.

Ignatieff makes another snappy point: how can American Republican administrations, who are fanatically opposed to Big Government, find themselves spending tens of billions of dollars creating huge administrations in foreign countries? Easy. They get the Europeans to do it. The Americans are good at fighting (Ignatieff says that, in a sense, America is the last warlike nation in the West) so they handle the bombs and drones and special forces. The Europeans then move in with the peacekeeping police forces and the droves of humanitarian aid agencies, building schools, hospitals etc. Yin and yang.

Chapter 4. Conclusion: Empire and its Nemesis

He describes modern Western nation-building as ‘imperial’ because:

  • its essential purpose is to create stability in border zones essential to the security of the great powers
  • the entire project rests on the superior armed might of the West
  •  no matter how much ‘autonomy’ is given to local rulers, real power rests in Washington

In addition, he points out how all empires have to ration their interventions. It is a sage point, which sheds light on the British Empire. You have limited resources: which of the world’s endless trouble spots can you afford to address? Ignatieff points out the basic hypocrisy of ‘humanitarian intervention’ which is that it is only carried out in places which are convenient or important to the West. The West is never going to intervene in Chechnya or Crimea or Xinjiang because they are the preserves of other empires.

The new imperialism is not only lite it is impatient. The British gave themselves generations to prepare the populations of India for independence. The UN gives places like Kosovo or Afghanistan 3 years before they have to hold their first elections. Hurry up! This is costing us money!

No imperialists have ever been so impatient for quicker results. (p.115)

Why? The short attention span of the modern media, always hurrying on to the next story. (It took, by my calculation, about ten days from the American departure from Afghanistan being the biggest story in the whole world to being completely ignored and forgotten about.) And the election cycle in democracies. Whatever plans you put in place now, at the next election in a few years’ time the leader of the opposition party will be promising to bring our boys home and save everyone a shedload of money.

This conclusion takes its title from a reflection on the enduring force of nationalism. In the end the European empires were defeated by the indomitable force of the colonies’ nationalist movements. This was the lesson the Americans should have learned from Vietnam. It wasn’t their weapons which won the Viet Cong victory, it was their nationalist vehemence. Nationalism always trumps empire.

Nationalism will always prove to be the nemesis of any imperial nation-building project. (p.117)

Ignatieff didn’t know this when he wrote these lines, but they apply to the American invasion of Iraq. They overthrew a dictator and promised to bring peace and plenty, so were utterly unprepared for the violence of the forces that attacked them from all sides.

Thoughts

1. So Ignatieff’s message is that if liberal humanitarians really want to intervene to do good, they should really intervene: go in hard, defeat the bad guys, disarm them, force parties to the negotiating table, and run things themselves, setting up strong national institutions and teaching squabbling factions what democracy looks like in practice. And they have to do this for years, decades maybe, until the institutions and mindsets of civic society have been thoroughly inculcated. And only then leave. In other words, imperialism. Not the kind of imperialism which exploits the native populations and rips off their raw materials. An altruistic imperialism, a humanitarian imperialism. But imperialism all the same.

2. When Ignatieff devotes a chapter of The Warrior’s Honour to the growing sense of weariness and disillusion with humanitarian intervention, I suspected he was talking about himself. This book shows a further deterioration in his attitude; I mean, he has become markedly more cynical

Across the board hopes have been crushed, ideals have been compromised, ambitions have been stymied. Much of this may reflect the appalling history of the 1990s, but I also think some of it may be a projection of Ignatieff’s own growing disillusion.

You feel this downward trajectory when he says that Bernard Kouchner arrived in Kosovo in July ‘talking about European values, tolerance and multiculturalism’ but by Christmas this had been revised down to hopes for ‘coexistence’ (p.63). Kouchner simply hadn’t anticipated the hatred and the intransigence which he found in Kosovo. So many aid workers and proponents of humanitarian intervention don’t. In Blood and Belonging Ignatieff refers fairly respectfully to ‘the international community’. Eight years later he refers to it as:

what is laughingly referred to as the ‘international community’. (p.97)

He is particularly disillusioned with the international aid industry, which he sees as almost a scam, a locust swarm of very well-paid white Western graduates, who fly in, can’t speak the language, pay over the odds for everything thus pricing the locals out of accommodation and food, stay hunkered down in their armoured enclaves, drive everywhere in arrogant white 4 by 4s, and cook up huge projects without consulting any of the locals. All the Afghans he talks to complain to Ignatieff about the NGOs’ arrogance and condescension. It is the colonialist attitude with email and shades. In this book he has taken to referring to the aid organisation community dismissively as the ‘internationals’.

In this book Ignatieff is as clever and incisive and thought-provoking as ever. But sometimes he sounds really tired.


Credit

Empire Lite: Nation-Building in Bosnia, Kosovo and Afghanistan by Michael Ignatieff was published by Vintage in 2003. All references are to the 2003 Vintage paperback edition.

New world disorder reviews

The Warrior’s Honour: Ethnic War and the Modern Conscience by Michael Ignatieff (1998) – 2

‘What is more human than war?’
(Michel Ducraux, head of the Red Cross delegation in Kabul)

Chapter 3. The seductiveness of moral disgust

This rather pompous chapter title conceals something much more simple, which is: Don’t give up on trying to help the victims in disaster zones because you’ve become disgusted by the endless stories of brutality and barbarism. Or: avoid becoming disillusioned.

Ignatieff describes how, for the first four or so years after the collapse of communism, there was a lot of brave talk in Western diplomatic, academic and media circles about the ‘peace dividend’ and the ‘new world order’. Those years saw the international community energetically intervening in crisis situations around the world – overseeing elections in Cambodia, throwing Saddam Hussein out of Kuwait, creating a safe haven for the Kurds, attempts to end the civil war in Somalia, UN intervention in Bosnia.

There was hope that the huge budgets previously devoted to war would be redirected into foreign aid. But now, as he writes in 1998, the early 90s feel like a vanished era and he describes how that optimism lapsed under the impact of a series of failures and disasters, marked by the Yugoslav wars and Rwandan genocide (pages 89 to 91).

So this chapter considers how to keep the cause of international humanitarian intervention alive, and how to make it more practical and effective.

I. On the road with Boutros Boutros-Ghali

The first half of the chapter is an account of a fascinating week Ignatieff spent as a member of the small press pack accompanying United Nations General Secretary Boutros Boutros-Ghali (who held the position from January 1992 to December 1996). Boutros had had a big impact: when he took over the UN had 4,000 peacekeepers worldwide; three years later it had over 70,000.

Thursday 13 July 1995: on the plane heading south from Cairo. Srebrenica has fallen, the Dutch UN peacekeepers have been taken hostage, Muslim men have been separated from their women and driven off never to be seen again. Ignatieff cross questions Boutros who insists the UN has done as much as it could. If they had not been in Yugoslavia things would have been worse. They have set up refugee camps. But when it comes to intervening in actual conflict, the UN are negotiators and you have to wait till parties are ready to come to the negotiating table.

Friday 14 July 1995: Nayarubuye, Rwanda. The town where the inhabitants have decided to leave the dead from the genocide unburied as a memorial to the genocide. Fergal Keane is show round it in his book Season of Blood. Ignatieff says the UN force in Kigali could have done more. The genocidal militias were spurred on by Radio Milles Collines; the UN contingent could have shut it down. Machete-wielding gangs roamed the streets of Kigali; UN tanks could have stopped them. The reduced UN contingent did set up a safe haven at the soccer ground and protected the famous Hotel Rwanda, but then was forced to sit and watch three months of genocide. It was an epic fail by any standard. Now, one year later, key members of the genocidal regime are in the vast Hutu refugee camps in eastern Zaire, where they are being housed and fed by the same UN which failed to prevent the genocide.

Saturday 15 July 1995: Luanda, Angola. Boutros flies in to check on the ceasefire agreement between Jonas Savimbi’s UNITA rebels and the government of Eduardo dos Santos. In the twenty year civil war half a million people died and an oil-rich country full of potential was turned into a wasteland. Now the UN tries to keep the peace in this ruined land.

The United Nations has become the West’s mercy mission to the flotsam of failed states left behind by the ebb tide of empire. (p.79)

Ignatieff notes that the UN has had to step in and administer failed or stricken states. He names Mozambique, El Salvador, Haiti, Namibia and Cambodia, to which we, in 2021, could add Iraq, Syria, Libya, let’s see what happens next in Afghanistan. After meeting with President dos Santos, Boutros and his entourage fly to the jungle base of the guerrilla leader Savimbi. The two men embrace. Diplomacy means dealing with murderers, that’s what it is.

Sunday 16 July 1995: Gbadolite, Zaire. Boutros, his team and the little pack of journalists which includes Ignatieff flies to the vast luxury jungle complex of President Mobutu. He keeps them waiting then arrives in a limo with entourage and charms everyone. Then smoothly promises Boutros he will not harm the Hutu refugees in their huge camps in eastern Congo. Three weeks later he breaks his promise and his troops start emptying the camps using whips and guns. [I’m not sure this is correct. All the other sources I’ve read claim that Mobutu supported and maintained the Hutu refugees. But maybe Ignatieff is referring to one event in what was a very confused situation, in the refugee camps, which went on for years.]

Monday 17 July 1995: Bujumbura, Burundi. Burundi is a kind of mirror image of Rwanda. It, also, is split in this great ethnic divide between Hutus and Tutsis, but instead of the Hutu majority in power (as was in the case in Rwanda, leading up to the genocide) the Tutsi minority have remained in power.

Forced by the ‘international community’ to hold genuine elections (as most third world countries were, after the end of the Cold War), in 1993 Burundi finally elected a Hutu president, Melchior Ndadaye, its first ever Hutu. His reforms antagonised soldiers in the Tutsi-dominated army and he was assassinated in a failed military coup in October 1993. This led to the Burundian civil war, in reality a series of massacres around the country, which dragged on for years and in which an estimated 300,000 people were killed. Ignatieff pays tribute to a remarkable man, which is worth recording:

To stop Burundi from disintegrating, the secretary-general appointed a special representative, Ahmed Ould Abdallah, an indefatigable fifty-five-year-old Mauritanian diplomat, who bears himself with the imperiousness of a Saharan chieftain. In April 1994, on the night that the plane carrying the presidents of Rwanda and Burundi was shot down over Kigali airport, Abdallah went on radio and television to prevent false rumours from precipitating a bloodbath. He sat up all night with the army chief of staff, phoning the local commanders and ordering them to remain in barracks. Most observers credit Abdallah with saving Burundi from the genocidal frenzy that overtook Rwanda next door. (p.85)

Ignatieff describes Abdallah as being on the phone all the time to local politicians, instructing them to keep a lid on things. He, personally, goes out on the streets, meeting the leaders of militias in ethnically cleansed towns, telling them to curb the violence or they will all be swept away. It’s a portrait of remarkable bravery. As always Ignatieff is interested in the theory or principle behind events, and sees in Abdallah a form of ‘preventative diplomacy’.

Ignatieff sits in on the meeting Boutros chairs with the country’s political elite. Tutsis and Hutus sit on opposite side of the table and won’t look each other in the eye. One by one they retell their long stories of grievance and offence: the Tutsis did this to us; no, the Hutus did this first. It is the behaviour of five-year-olds in a playground. Boutros waits till the end, then harangues them, telling them they are grown-ups, they are politicians, and the art of politics is compromise. You talk, negotiate and compromise with people from the other side; you don’t try to exterminate them.

II. The limits of UN power

That evening in the hotel Ignatieff interviews Boutros. Doesn’t he ever get tired of all this? Doesn’t he yield to ‘The seductiveness of moral disgust’? (So that’s where the chapter title comes from.)

Boutros has an important message. He tells the leaders of all these screwed-up countries that the ‘international community is watching them’ and monitoring their behaviour, but he adds an important rider. The United Nations will not save them. He manages down their expectations. Lots of leaders think they can behave like petulant children and the UN will somehow fly in and rescue them from the consequences. But in reality the UN is much more powerless than it seems, tied to ‘mandates’ which are thrashed out by the Security Council. When even the most liberal power in the world, America, refused to let UN forces in Kigali intervene in the Rwandan genocide, then you realise how impotent it is.

In reality all the UN can do is try to steer opposing forces to the negotiating table. They are Relate for countries mired in civil conflict, but in order to change the forces in a country have to want to change. The UN can broker deals and then it can police what was agreed – but the conflicting parties have to agree to want to make a deal in the first place. Boutros gives the Israelis and Palestinians as an example. How long did it take to get them to the peace table?

III. Maybe we should be more imperialistic

Ignatieff describes how, by 1995, the euphoria and optimism which followed the collapse of communism has evaporated. He reflects that the problem of foreign intervention of the past 5 years had been too half-hearted. The West is hobbled by post-imperial guilt. We lob a few shells at the bad guys then withdraw, expecting things to get better, but by and large they only get worse. For such a card-carrying liberal, Ignatieff surprises the reader by asserting that maybe we need to be more imperial, more interventionist and more assertive.

What if General Schwartzkopf had been made the MacArthur of Iraq, toppling Saddam and given free rein to rebuild Iraq as MacArthur rebuilt Japan? What if America had responded to the Black Hawk Down incident in Mogadishu with full throttle aggression, had defeated the warlords or dragged them to the negotiating table, and were now policing the UN-supervised reconstruction of the country? What if NATO had responded immediately to the Serbian uprising in Bosnia in 1992 with air strikes and an aggressive ground campaign, which had prevented the creation of new concentration camps, ethnic cleansing, the long agony of Sarajevo and the massacre at Srebrenica? (p.94)

The West maintains the arrogant assumption that we know best, and reserves the right to intervene where and when we see fit, but then always does so a) too late and b) half-heartedly, withdrawing whenever as soon as anyone gets shot or public interest wanes and moves onto the next disaster somewhere else.

IV. Disillusion and disgust

So now we get closer to the core of his argument. Ignatieff thinks he detects a new mood of disillusion throughout the diplomatic community which has spread to some of the aid workers. What’s the point? What’s the point applying sticking plasters to countries whose leaders are hell-bent on mass murder and social destruction? So this chapter amounts to Ignatieff wondering aloud whether the entire project of Western intervention has reached the end of its tether or needs to be rethought.

V. Ideologues of disillusion

Ignatieff describes this wave of disgust and disillusion as if it’s a ride washing over the Western world and goes on to mention two of its leading thinkers or idealogues (definition: ‘Someone who espouses a particular ideology, particularly a political one.’), namely Samuel Huntingdon and Robert Kaplan

Samuel Huntingdon

Samuel Huntingdon (1927 to 2008) was an American political scientist, adviser, and academic who spent over half a century teaching at political science at Harvard University, as well as spells advising the governments of South Africa and Brazil. He became famous among the chattering classes for his 1996 book, The Clash of Civilizations and the Remaking of World Order. This predicted that, with the end of communism, global conflict would in future be caused by clashes between ‘cultural’ forces, by which he religious and ethnic blocs. He predicted that the Western world would find its most severe antagonist in the Islamic world. Most liberals pooh-poohed this idea as reactionary until 9/11 turned the world upside-down and gave his ideas renewed popularity.

Huntingdon took a relativistic view of human rights and democracy, seeing them as achievements of Western civilisation were not necessarily appropriate to other cultures. Therefore foisting our values on other countries and cultures was not only morally wrong but a practical mistake.

Western belief in the universality of Western culture suffers three problems: it is false; it is immoral; and it is dangerous.

Ignatieff was writing very soon after Huntingdon’s book was published and takes strong issue with it. Huntingdon appears to be saying this kind of civilisational clash is fated and predestined whereas Ignatieff very strongly disagreed. For Ignatieff, the whole point of Yugoslavia and Rwanda is not that they were fated, but that specific rulers chose to whip up ethnic nationalism in order to stay in power. Civic nationalism was a realistic alternative for these countries but specific leaders chose to neglect that path. At the opening of chapter 2 Ignatieff ridicules Huntingdon’s idea that the war in Croatia was a ‘clash of civilisations’ by reducing it to absurdity, saying that Huntingdon’s theory implies that there is some kind of invisible line between the farmhouse full of Serbs that he (Ignatieff) is holed up in and the farmhouse full of Croats 250 yards away, and that this represents the borderline ‘between civilisations’.

Robert Kaplan

In February 1994 i.e. only a year or so before Ignatieff began writing his book, American journalist Robert D. Kaplan published an article in the Atlantic Monthly titled ‘The Coming Anarchy’. He had been on a tour of West African states and had seen for himself the anarchy and chaos in many of them (Liberia, Sierra Leone) and the example of the failed state Somalia on the opposite coast.

Kaplan predicted that, with the end of the Cold War, conflict of ideology would be replaced by conflicts caused by multiple overlapping causes, a congeries of causes which would be difficult to disentangle and impossible to control (p.98).

  • environmental deterioration would bring ever-increasing conflict over resources
  • impoverished rural populations would migrate to cities, creating huge unstable urban areas liable to splinter along ethnic or cultural lines
  • cultural or ethnic groupings would supersede political borders, creating regions of conflict which cross traditional borders
  • the post-modern world would be a confusion of cross-cutting identities, systems and allegiances

Ignatieff summarises Kaplan’s view as predicting that future conflicts won’t even be dignified by the phrase ‘civil war’, they will ‘wars of disintegration’, fought over drugs, resources, control, power – a return to pre-modern warlordism. The West and its economically advanced partners in Asia (Korea, Singapore, the advanced parts of China) will go from strength to strength, leaving vast areas of the globe to become ‘a subrational zone of semipermanent violence’.

Ignatieff doesn’t explicitly counter Kaplan’s vision. On paper he ought to be against it because Kaplan, like Huntingdon, has such a fatalistic tinge. But Ignatieff summarises his view simply as the most famous representative of what can be called the modern chaos theory.

Three questions

Instead Ignatieff ends this essay by asking three questions in light of the Bosnian war:

  1. When is it necessary for outside powers to use military force in civil wars?
  2. When is it right to back a minority’s claim to secede from a state?
  3. How can civilian populations be protected from the consequences of civil wars?

Trying to define answers to these questions turns out to be very tricky in the context of the complexity of the Yugoslav wars, but one theme emerges. Half-assed intervention may do more harm than good. UN supplying food to refugees of both sides may have encouraged both sides in the war to fight on. Claiming to provide ‘safe havens’ which turned out to be anything but, was arguably very harmful. But then the West refused to counter Serb aggression and let the Serbs bomb Sarajevo into ruin for four long years! On the other hand, sending in limited numbers of UN troops to try and monitor ceasefire lines and so on, gave hostages to the enemies. Once they were in place, more aggressive intervention, such as air strikes, became impossible for the Serbs would have massacred or taken the UN troops hostage.

To summarise:

The chief threat to international security in the post-Cold War world is the collapse of states, and the resulting collapse of the capacity of civilian populations to feed and protect themselves, either against famine or interethnic warfare. In a world in which nations once capable of imperial burdens are no longer willing to shoulder them, it is inevitable that many of the states created by decolonisation should prove unequal to the task of maintaining civil order. Such nations have achieved self-determination on the cruellest possible terms. Either they are torn apart by ethnic conflict, or they are simply too weak to overcome the poverty of their people. (p.105)

What is needed is a more imperial approach, by which Ignatieff means a really long-term commitment to bring peace and then spend decades rebuilding a state with the kind of civic institutions we enjoy in the West. But this, also, is fraught with risk and probable failure. It may be that peoples in a failing state come to hate each other so much that only a third force can enter and hope to restore peace and order. But the experience of colonialism is that quite quickly both sides will unite against the peacekeeper. After all this is what happened in Northern Ireland where the British Army initially went in in 1969 to protect the Catholic community from attacks by Loyalists. But they hadn’t been there long before a sequence of incidents led the Catholic community to hate their presence and there followed nearly 30 years of violence on all sides.

And of course Ignatieff was not to know it, but the Americans were to try follow his admonition to be more not less imperialistic in Iraq and Afghanistan this century.

In Iraq overthrowing the dictator turned out to be the easy part and then trying to create a peaceful civil society proved impossible as the country collapsed into waves of insurgencies. In Afghanistan, we have just seen the end of twenty years and over a trillion dollars worth of investment which is that the ‘state’ everyone involved claimed to have created was overthrown in less than a week by the Taliban and their theocratic rule has been restored to what it was before 9/11. And after all that effort Afghanistan remains one of the poorest, least educated places on earth.

Ignatieff thought the West was ‘disgusted and disillusioned by its failed attempts to intervene in civil wars, keep the peace and try to build nations, back in 1998. I wonder what his position is now?

Chapter 4. The Warrior’s Honour

This is the longest chapter in the book and gives it its title. It opens with a long factual account of the origin of the International Red Cross, starting with Swiss businessman Henry Dunant witnessing the Battle of Solferino on 24 June 1859, and then volunteering to help treat the tens of thousands of casualties which clogged the town in the aftermath of the battle. He returned to Switzerland, dazed by what he had seen, began consulting with experts in the areas of medicine and law, war law, and in 1863 the founding charter of the Red Cross was published in Geneva.

Ignatieff follows the Red Cross’s history through the cataclysms of the twentieth century, showing how rules and processes were added, the most important being the organisation’s studied impartiality, bolstered by the way that the entire international committee remained Swiss until relatively recently, and  its commitment to secrecy i.e. it has historically refused to turn over details of participants in war crimes etc to various international courts, because doing so would jeopardise its ability to operate in future warzones.

It comes over several times that the International Red Cross does not pursue justice and it does not campaign for human rights. Its job is to police the laws of war. It polices the implementation of the Geneva Codes. As Wikipedia explains:

The Geneva Conventions are rules that apply only in times of armed conflict and seek to protect people who are not or are no longer taking part in hostilities; these include the sick and wounded of armed forces on the field, wounded, sick, and shipwrecked members of armed forces at sea, prisoners of war, and civilians.

In practice, as the Red Cross representative in Kabul explains, this means trying to calmly convey to warlords and militias the basic rules:

  • don’t shoot the wounded
  • don’t fire on ambulances
  • don’t target hospitals
  • don’t attack civilians
  • don’t torture prisoners

As Ignatieff summarises:

The Geneva Conventions are not about justice but about good treatment. (p.193)

And again:

Dunant’s original genius lay in his acceptance of war as an essential ritual of human society, which can be tamed but which will never be eradicated. (p.156)

Along the way Ignatieff points out that Dunant knew from the start that its principles of care for the victims of conflict no matter what their origin, ethnicity or involvement would not be enough to guarantee its future. Dunant also relied on the warrior’s code.

Ignatieff explains that almost all soldiers across all cultures, across all periods, have codes of honour, codes they operate by. Just being a mighty fighter isn’t enough. In general soldiers, whether Samurai or native Americans or Aztecs or medieval knights have operated by agreed codes of behaviour. He explains how the Red Cross has played along with these codes in various situations, matching its humanitarian aims to protect the weak and treat the sick with the nearest thing available in the warrior codes of the culture it found itself in.

However, things have changed. When his account continues into a detailed consideration of the role played by the Red Cross in the Yugoslav wars, he points out the organisation came under real stress. Both the Croat and Serb governments licensed the establishment of paramilitaries which were encouraged to carry out ethnic cleansing which their parent governments, and armies, could deny responsibility for (p.133). As part of this freedom from responsibility some of them attacked Red Cross convoys. The Red Cross were too late to help the inhabitants of Vukovar. The Red Cross were powerless to prevent the massacre at Srebrenica. Red Cross officials were traumatised to discover the Serbs had built the first concentration camps in Europe since the Second World War near Banja Luka.

These cumulative failures made Red Cross staff and managers wonder the organisation was relevant any more. Or whether war had changed so much that its role needed to be reconsidered (p.140).

Worse, was the advent of a new feature of the wars of chaos, namely child soldiers. Young teenagers have maybe fought in armies through history, but entire units of children armed with machine guns was a new phenomenon. It was most salient in Africa, especially the wars in Liberia and Sierra Leone. Here teenagers, often stoned out of their minds, lorded it over roadblocks and machine gunned people at random, including several Red Cross missions.

In both instances, the warrior code which Dunant knew his organisation relied on, was not just breached but had ceased to exist.

Ignatieff applies the same interpretation to the civil war in Afghanistan. He flew into Kabul 3 days after the former communist president, Mohammad Najibullah, had been caught by the Taliban who had just taken Kabul, tortured to death, castrated, beaten to a pulp and his body dragged round the street behind a lorry before being hung from a traffic pole.

Ignatieff laments that, for most of its history, Afghan warriors fought by a code, not least limited by its subsistence agriculture. They fought after the seeds had been sown and until harvest time. There were in-built modes of restraint. But after the Soviet invasion of Christmas 1979, the Americans poured weapons into the country and these, along with what the Soviets left behind when they abandoned the place in 1989, made it one of the most heavily armed countries on earth. Once the Soviets had gone the mujahideen militias of this deeply tribal country fell to attacking each other, with a technology which didn’t require a winter break. By the time Ignatieff arrives, year-round fighting with bazookas and rocket-propelled grenades and mortars had reduced most of the towns and cities to rubble. Ignatieff tells us that in all the warzones he visited he had never seen such devastation as 1996 Kabul.

The latter part of the essay analyses in detail the moral basis of the Red Cross’s work. Even some of its own staff think it should take a more proactive stance on human rights. But the veterans know its mission is narrower and darker than that. Its appeal to the warrior code may be a slender basis for action, a slender hope. But it also may be all that separates war from utter savagery.

But times have changed. For most of human history states have endeavoured to secure a monopoly of violence and vest it in a specialised warrior class, ruled, as mentioned, by a warrior code. But modern technology has removed much of the interaction of ‘soldiers’ in the West, who are increasingly technicians; while the rest of the world has seen an unprecedented flood of weapons, billions of small handguns, and endless amounts of the light, cheap and reliable Kalashnikov rifle.

The result is that poor, weak, post-colonial states often cannot enforce that monopoly of violence. What state collapse means is that violence passes into the hands of private armies, militias, paramilitaries, warlords, gangsters, drug cartels and so on. One commentator has described them as ‘ragged wars’. Many of them are hardly wars at all, but conflict between criminal gangs fighting for control of drugs or raw resources, such as the precious gems and minerals of eastern Congo.

a) It is very difficult for any society to claw its way back from such total collapse.

b) None of the purveyors of violence listed above conform to any warrior code. They have not been trained in the art of restraining and channeling violence. The result is unrestrained savagery. Barbarism.

Ignatieff delivers a surprising conclusion. What the world needs is states. Before humanitarian aid, or general aid programmes or economic development, these countries need states which control professional armies with trained leaders. These armies can then disarm the militias and paramilitaries and enforce a return to peace. This may mean not intervening in civil wars and letting a victor emerge naturally – then supporting them to restore the state’s monopoly on violence. Only under these conditions can there be any hope of a return to the basic stability which is required before any kind of social or economic development can be undertaken.

Chapter 5. The nightmare from which we are trying to awake

The past is an argument. (p.174)

The final chapter is a consideration of the purpose and effectiveness of truth and reconciliation commissions. The most famous one is the one set up by Archbishop Desmond Tutu in South Africa, but there were also attempts to air dirty secrets and establish the facts about the dictatorships in Argentina and Chile.

These commissions are based on shaky propositions:

  1. That a ‘truth’ agreed by everyone can ever be achieved.
  2. That a direct analogy between individual psyche and national psyche.

We know that some people can be cured of crippling neuroses or obsessions or depression or other mental symptoms if they can be made to face up to traumatic experiences from the past; if they can ‘work through’ their ‘issues’. Bit it’s wishful thinking to imagine the same can happen for nations. A nation is not a person, doesn’t have a ‘mind’ and an ‘unconscious’.

Still, on the plus side, may people were brought ‘closure’, particularly by concrete information about what happened to their loved ones who went missing decades ago. They were tortured to death by the Chilean police or dumped out of helicopters into the sea by the Argentine air force.

Ignatieff suggests a kind of hierarchy of outcome, or a series of waystations, for these kinds of commissions, in order of attainability:

  1. truth
  2. reconciliation
  3. justice

Truth He draws a distinction between truth and justice. It’s one thing to get all sides to agree on a narrative of events (the ‘truth’), it’s quite another to get them to agree on an interpretation of what those events mean. After all, they’re likely to be coming from very different perspectives.

He says some international supporters of truth and reconciliation processes were disillusioned when the military in both Argentina and Chile refused to take part and refused to accept any blame or responsibility.

A truth commission can winnow out the facts upon which society’s arguments with itself should be conducted. But it cannot bring these arguments to a conclusion. (p.173)

Reconciliation is difficult because of the identities people all-too-often create around their plights and experiences. Both victors and victims create narratives which entrench their status, how both sides refuse to acknowledge any guilt or responsibility, how time hardens these myths into stone. Compromise becomes impossible.

Ignatieff takes us on a whistlestop tour of such T&R commissions. These include the ones about the military dictatorships in Chile and Argentina, which the military of both nations took part in but ensured their scope was severely limited. The one carried out in Germany after reunification.

The glaring fact that one has never been a public admission of guilt or acknowledgment carried out in Russia. Russia was never de-Stalinised and therefore continues to bear the burden of unspoken guilt, creating two Russias, one of the hundreds of thousands of liberals and intellectuals who are well educated and ashamed of its murderous past, and the tens of millions of party members who feel no guilt about the past, who take their medals and awards to their graves, who resent the liberals as traitors and foreign agents, who play into the hands of Putin the patriotic Russian nationalist.

The title of this chapter is a famous quotation from James Joyce, to be precise Joyce’s character Stephen Dedelus in his novel, The Portrait of the Artist as a Young Man. ‘History is a nightmare from which I am trying to awake.’ The character, like Joyce, was conscious of Ireland’s stifling attachment to its grievances and oppression which almost guarantee that the same situation recurs over and over again, like the recurring nightmare of a trauma victim.

The only way to awake from the nightmare is to acknowledge the trauma and try to lay it to rest. Ignatieff praises President Alwyn of Chile who publicly apologised to the victims of Pinochet’s repression, and German Chancellor Willi Brand who got down on his knees in front of a monument to the Warsaw Ghetto. These gestures by leaders opened up a space in which millions of their citizens could also come out into the open and make gestures of apology. Saying sorry opens the door for mutual forgiveness and reconciliation. Ignatieff is full of scorn or anger that none of the leaders of the six post-Yugoslavia states have apologised for anything.

Vengeance

In the last pages Ignatieff offers a striking new interpretation of the idea of vengeance. He makes the brilliant point that vengeance is usually considered a low, dishonourable act, vulgar and crude. But it can also be interpreted as a strongly moral devotion to keeping faith with the dead, by continuing their work, by acting on their behalf. Thought-provoking idea…

But it doesn’t change the facts on the ground that vengeance tends to an eternal cycle of violence as sons take revenge for their fathers who took revenge for their grandfathers, and so on endlessly, just as the Serbs and Croats of 1992 were encouraged to avenge their grandfathers of 1942. Something must break this cycle, some act of penance or reconciliation. And the first step towards that is understanding of the other side and their hurt, no matter how difficult or repugnant that might be.

Reconciliation has no chance against vengeance unless it respects the emotions that sustain vengeance, unless it can replace the respect entailed in vengeance with rituals in which communities once at war learn to mourn their dead together. (p.190)


Credit

The Warrior’s Honour: Ethnic War and the Modern Conscience by Michael Ignatieff was published by Chatto and Windus in 1998. All references are to the 1999 Vintage paperback edition.

New world disorder reviews

The Warrior’s Honour: Ethnic War and the Modern Conscience by Michael Ignatieff (1998) – 1

The family of nations is run largely by men with blood on their hands. (p.82)

The main title and the picture on the cover are a bit misleading. They give the impression the entire book is going to be an investigation of the honour or value system of the many groups of soldiers, militias, paramilitaries and so on involved in the small wars which broke out across the world after the end of the Cold War.

Not so. This book is more varied and subtle than that. The investigation of ‘the warrior’s code’ is limited to part of the longest section, chapter 3. No, in the introduction Ignatieff explains that his overall aim in this collection of essays is not to investigate them, the people massacring each other in failing states, but to examine why we in the rich West feel so obliged to intervene in foreign countries to bring peace, feed the starving etc.

The narratives of imperialism are dead and buried but they have, according to Ignatieff, left us with ‘the narrative of compassion’. Why? Is this a novel development in world history, that the rich nations feel such a connection with the poor and such a moral obligation to help them? If so, what does this mean in practice? And why do our efforts seem doomed to fail or fall far short of what is needed? In which case, what is needed to bring peace, order and fairness to the trouble spots and failed nations of the world?

Introduction

Ignatieff sees the modern culture of international human rights and the conviction of so many in the West that we have to help the poor in the developing world – all those refugees and victims of famine or conflict – as a new development in human history, ‘a crucial new feature of the modern moral imagination’.

Our moral imagination has been transformed since 1945 by the growth of a language and practice of moral universalism, expressed above all in a shared human rights culture. (p.8)

I’m not totally convinced. It’s been a long time since 1945, the founding of the UN and the Universal Declaration of Human Rights. The situation he describes in 1998 as if it was a sudden new thing was actually the result of a long evolution of legal understanding and organisational practice. The UN, aid agencies and charities have been working since the end of the Second World War, changing and adapting.

And the sudden sense of ‘crisis’ he describes in his 1994 book Blood and Belonging and in this one, may have seemed suddenly more real and acute at the time but now, looking back, tends to seem part of a continuum of disasters, which includes Biafra and Congo in the 60s, the killing fields of Kampuchea 1975 to 79, the first Gulf War 1991 before he was writing, and 9/11, the Darfur genocide (2003 to the present), the collapse of Iraq, the Syrian civil war, the Libyan civil war, the Rohynga genocide and so on, after.

On the one hand, taking the long view, maybe he’s correct that it is a newish phenomenon that people in the West, spurred on by television news feel a moral obligation to help people in the Third World caught up in crises. But I can immediately think of two objections. One is that my recent reading of Victorian explorers and politics shows that the plight of people in the developing world was widely publicised back then, in the 1870s and 1880s, by explorers and missionaries writing books, newspaper articles and going on popular lecture tours. Which in turn inspired societies to be set up to help people in poor countries.

In particular I can think of the Bulgarian Uprising of 1876 which was suppressed by the Ottoman Empire, which sent militias into Bulgarian villages and murdered men, women and children. Maybe 30,000 Bulgarians died in all and the bloody repression was widely reported in Britain and became known as the Bulgarian Atrocities. The Liberal politician William Gladstone wrote a famous pamphlet about it which castigated the pro-Turkish policy of the British government of the day led by Benjamin Disraeli. Eye-witness accounts of western journalists who visited the burned-out Bulgarian villages and described the dead bodies lying everywhere were very widely reported in the European and British press.

All this is not really much different in spirit from the eye-witness accounts of Saddam’s gassing of Halabja or the Serb mass murder at Srebrenica, nor from the way these atrocities were widely reported in the West, and they anticipate journalistic denunciations of the inaction or impotence of the British government which have rung down the ages.

So the basic structure and content of reporting foreign atrocities has been around for at least a hundred and fifty years. On the other hand, maybe there is something to Ignatieff’s claim that television, in particular in the 1980s and 1990s, brought these disasters into everyone’s living rooms with a new urgency and prompted calls for action and triggered mass charitable movements.

He’s thinking of Live Aid from 1985, and that certainly felt like a truly epic event. But surely it was part of a continuum of public sympathy and charitable donation? There had been huge publicity about the Biafran civil war and famine 1967 to 1970, many pictures, news footage, public outcry, pressure on the government to intervene. I’ve seen Don McCullin’s photos of the prolonged Congo Crisis from that decade, ditto. In 1971 the Concert for Bangladesh raised money for UNICEF’s work in the new country born in famine and war, for the first time mixing consciousness raising about an international disaster with fund raising and popular culture.

Like most journalists and commentators, Ignatieff is making the case that the thing he’s writing about is dramatically new and requires his urgent analysis, which, on a bit of investigation, is sort of, maybe new-ish, has new aspects, has become more far-reaching, but is at heart not quite as dramatically novel as he claims.

Chapter 1. The ethics of television

This first chapter focuses on this issue. It reflects Ignatieff’s conviction that one of the things which is new in the 1990s is the way disasters in faraway countries are mediated by television.

He describes the way television news is selected, structured and edited, the way it is a genre in its own right. Fair enough, I used to work in TV news, I know very well what he’s talking about. But hand-wringing about the positive or negative effects of TV now seems very dated, very 1980s and 1990s. Things have, to put it mildly, moved on. He was writing before the internet and a full decade before smart phones and social media began. How people get their news, and how it is packaged for their slick consumption, has dramatically changed. But I find this whole media studies approach to newspapers, telly and social media profoundly boring.

Excitable commentators these days have transferred their moral panic from TV to social media and not a day goes by without hand-wringing articles about the devastating impact of Facebook and the rest. Who cares. It’s not interesting because:

  1. it is an over-analysed subject thousands of articles which all end up with the same conclusion – something must be done
  2. and yet little or no practical result – thousands of articles saying how terrible Facebook is and yet and Facebook is still there
  3. so ultimately it’s boring; in the 1990s people kept on watching TV news despite hundreds of articles and books saying how bad our addiction to TV was, and now, 25 years later, people carry on using Facebook, Instagram, Tik-Tok and all the rest of them, no matter how much the chattering classes tut and tsk

Ignatieff summarises the argument of his first chapter thus:

  • the moral empathy mediated by television has a deep philosophical history, namely the emergence of moral universalism in the Western conscience (which he traces back to Montaigne and Locke)
  • moral universalism (no man is an island; any man’s death diminishes me) is permanently at odds with moral particularism (we should worry most about family, friends and our own people)
  • in the second half of the 20th century moral universalism has increasingly taken an apolitical siding with the victim
  • there is a moral risk involved, which is that too many pictures of too many victims leads to indifference or, at worst, disgust with humans and misanthropy
  • this risk is increased by television’s superficiality as a medium, people watch, are shocked for 30 seconds, then immediately distracted by something else, then something else, then something else: picture of disasters, famines and so on become hollowed out, the viewer becomes more and more blasé

I dislike writing about morality because I think it has so little applicability to the real world. Give a moral philosopher a minute and she’ll start describing some improbably complex scenario designed to force you to make some kind of ‘moral’ decision you would never face in real life. (‘Imagine you have the power to save the world but only by killing an innocent child, would you sacrifice one life to save billion?’ – that kind of thing. Time-passing undergraduate games which have no application to real life.)

I also dislike writing about morality because morality is so endless. It is a bottomless pit. There is no end of moral hand-wringing… but at the same time most moralising writing has little or no impact on the world. It’s a paradox that moral philosophy ought to be the most practical and applicable form of philosophy, but is often the opposite.

I also dislike writing about morality because it is often sloppy and superficial. This first chapter is by far the worst in the book. To my surprise Ignatieff bombards us with cultural references which he himself (ironically, in light of his accusations that television is superficial) treats very superficially. He namechecks the history of Christianity, Roman slave society, early enlightenment philosophers like Montaigne and Bayle, then leaps to the French literary critic Roland Barthes, mentions the racism inherent in imperialism, explains some Marxist theory and practice, namechecks the French phenomenological philosopher Maurice Merleau-Ponty, the American politician Robert MacNamara, the theorist of colonialism Fritz Fanon, gives a list of post-war atrocities, civil wars and famines then a list of international charities, a snippet from Don McCullin’s autobiography, the Vietnam War, Bosnia, the Rwandan genocide, CBS’s nightly news, the New York Times, Goya’s Horrors of War, Picasso’s Guernica.

See what I mean? It’s magpie philosophy, feverishly jumping from reference to reference. ADHD thinking. Compare and contrast with Blood and Belonging. In that book each 30-page chapter was set in a specific location. Ignatieff met and interviewed a cross-section of people from the country at length, who we got to know and understand. Their lives and experiences then shed light on the place and the situation and allowed Ignatieff to slowly draw out more general ideas about the world we live in.

This first chapter on telly is the opposite. It addresses a tired theme with a machine-gun rat-a-tat-tat of highbrow references, thrown out at such a rate that there isn’t time for any of them to acquire depth or resonance. I started skipping paragraphs, then entire pages.

This introductory essay shows Ignatieff at his most modish and pretentious and wrong. Take, for example, his passage on the way the state funerals of President Kennedy, Winston Churchill or Lady Diana were covered on TV.

These are the sacred occasion of modern secular culture, and television has devised its own rhetoric and ritual to enfold viewers in a sense of the sacred importance of these moments: the hushed voices of the commentators; loving attention to uniforms and vestments of power; above all, the tacit inference that what is being represented is a rite of national significance. (p.31)

This is not only pompous pretentiousness using breathy metaphors to dress up the bleeding obvious, but it is also largely wrong. The funeral of a much loved president or prime minister kind of is a rite of national significance, there’s no ‘tacit inference’ about it. Television has not ‘devised its own rhetoric and ritual’ for covering these events: I think you will find that funerals had a fair bit of rhetoric and ritual about them centuries before TV came along, in fact a key aspect of Homo sapiens as a species appears to be the care we’ve taken to bury people, as evidenced by graves from up to 80,000 years ago. All telly has done is develop technical ways of covering what were already highly rhetorical and ritualised events. As to ‘the hushed voices of the commentators’, well, you do tend to keep your voice down at a funeral, don’t you. As to attention to ‘uniforms and vestments of power’, again I think you’ll find people at presidential and prime ministerial level have always paid a lot of attention, since time immemorial, to wearing precisely the correct outfits at a funeral, complete with the insignia of office or medals for military types.

In other words, this paragraph is dressing up the obvious in pretentious metaphor to make it sound like insight. But it isn’t thinking or valuable analysis, it’s just being a smart-ass. Having ‘proven’ that TV has a semi-religious, ritualistic aspect, Ignatieff goes on to use this as the basis for further argument. But the argument, as a whole, fails, because it is based on precisely the kind of assertion and rhetoric demonstrated in this passage, rather than on the facts and real insights which characterise Blood and Belonging.

This first chapter, about TV, ends up by concluding that watching a 90-second TV news item isn’t as informative as reading a good newspaper or magazine article about the subject, let alone a book. Well… that’s not a very original or useful thought, is it.

The final few pages call for television journalism to completely change itself in order to give more information about the world. That way, via detailed discussions of gathering crises, viewers might get to learn about famines and wars before they broke out. This transformed TV might help viewers to understand the world so much better that we could all prevent atrocities and catastrophes before they happen.

  1. This is so utopian as to be laughable.
  2. The entire chapter now feels utterly out of date. My kids don’t watch any TV news (and neither do I). All they know about the world comes to them via their feeds on Facebook, Instagram, Tik-Tok and a host of other social media apps I’ve never heard of.

Blood and Belonging is a brilliant book because it examines in detail the political situations of half a dozen part of the world and

  1. although they’re nearly 30 years old, his snapshots of moments in each country’s history remain relevant to this day because they continue to be excellent analyses of the basic ethnic and political situations in each of the countries
  2. so acute is his analysis of different types of nationalism that the general principles he educes can be applied to other nationalist crises elsewhere in the world and still today, in 2021

Whereas this essay about the special power of television news not only felt contrived and superficial at the time (when I first read it, back in 1998) but has dated very badly and now feels relevant to no one.

Chapter 2. The narcissism of minor differences

Chapter two is much better because it starts from a specific time and place. It invokes the time Ignatieff spent in a village in Croatia holed up with Serb paramilitaries in the basement of an abandoned farmhouse, an observation post from which the bored soldiers occasionally take potshots at the Croats, in a similar ruined building two hundred and fifty yards away. How did it come to this?

This chapter picks up themes from Blood and Belonging and digs deeper. The most obvious thing to an outsider like Ignatieff is not the way Serbs and Croats come from distinct ethnic and religious groups, or represent the so-called Clash of Civilisations (the concept promoted by Samuel Huntingdon which became fashionable in the 1990s). It’s the opposite. Serbs and Croats come from the same racial stock, look the same, they speak the same language. Sure, they belong to different religions (Croats Catholic, Serbs Orthodox) but Ignatieff’s point is that hardly any of the men he talks to go to church and none of them gave it a thought till a few years ago.

Ethnic conflict is not inevitable

Ignatieff’s central point is that ethnic nationalism is NOT the inevitable result of different ethnic groups sharing one territory. Serbs and Croats lived happily together in Croatia and Serbia when both were governed by an (admittedly authoritarian, communist version of) civic nationalism.

The ethnic nationalism which tore the former Yugoslavia apart was the conscious creation of irresponsible rulers. It didn’t have to happen. Ethnic conflict is not inevitable where rulers make a sustained effort to inculcate civic nationalism at every level of their society. But once you let ethnic nationalism in, let it gain a foothold, and it quickly spreads. Go out of your way to actively encourage it – as Franjo Tuđman did in Croatia and Slobodan Milošević did in Serbia – and you get disaster.

That 600,000 Serbs lived inside Croatia didn’t matter when Croatia was merely part of a larger federal country. But when Croatia declared its independence on 25 June 1991, those 600,000 Serbs became intensely anxious about their futures.

Instead of doing everything in his power to address those concerns, the ruler of Croatia, Franjo Tuđman, made a series of errors or provocations. He restored the Croatian flag. Street signs began to be changed to Croat. The government announced that Croat would become the official language of the country and taught in all the schools. All of this reminded older Serbs of the Yugoslav civil war of 1941 to 1945 when Croatia allied with Nazi Germany and carried out a genocide of Serbs, murdering as many as 100,000, most notably at the notorious concentration camp at Jasenovac.

In other words, Serbs began to have real concerns that they were being quickly manoeuvred into becoming second class citizens in a place where they’d lived all their lives. Tuđman failed to address these concerns and so left the door open for the leader of Serbia, Slobodan Milošević, to depict himself as the heroic saviour of the Serb minorities within Croatia and then the other Yugoslav states (notably Bosnia) and to send into those territories units of the Yugoslav Army (mostly staffed by Serbs) along with new Serb paramilitaries, to ‘save his people’.

A proper understanding of the sequence of events makes crystal clear that the situation came about because of the complete failure of all political leaders to maintain and promote civic society and their crude rush to whip up ethnic nationalism of the crudest kind.

Nationalism creates communities of fear, groups held together by the conviction that their security depends on sticking together. People become ‘nationalistic’ when they are afraid; when the only answer to the question ‘who will protect me now?’ becomes ‘my own people’. (p.45)

The psychodynamics of ethnic nationalism

So much for the macro scale, the large political picture. But Ignatieff is fascinated by the nitty gritty of what the individual Serbs in the basement of a ruined farmhouse think they’re actually fighting for. And here he makes some brilliant observations about how fake ethnic nationalism is and what a struggle it is, deep down, to really believe it.

He does this through a long consideration of Sigmund Freud’s idea of the narcissism of minor differences. Freud started from the observable fact that people who hate each other are often very close, for example members of the same family or husbands and wives. Nations often reserve their strongest antipathies for their neighbours, the English and the Scots.

To outsiders, these look like people who live in the same place, speak the same language, share the same values and experiences, and so on. And yet they are often divided by real antagonism. It’s as if, in the absence of all the large-scale reasons for difference, all their psychic energy is focused on the tiniest trivialest differences.

This isn’t totally persuasive, but Freud says something else. Which is that when individuals join a group,  the voluntarily suppress their own individualism in order to belong.

Ignatieff stitches together these insights to develop his own variation, which states: a nationalist takes minor differences with those around them and, in bigging up themselves and their cause, inflates them into shibboleths, into stumbling blocks, into the things which define himself and his group.

Nationalism is guilty of a kind of narcissistic attention to trivial details (how you were your hat, how you pronounce one particular letter or sound, this national song instead of that national song) and exaggeration – turning apparent trivia into a matter of life and death.

This systematic overvaluation of our story, our suffering, our language, our patriotic songs and so on always comes at the price of a systematic denigration of other people’s same attributes. An unrealistic over-valuation of the self seems to necessarily involve an equally unrealistic depreciation of others, and this depreciation is most intense at the point where the Other approaches nearest to being like you.

The nationalist thinks his tribe and nation are wonderful, special and unique; so that if someone calmly points out that they are actually pretty much the same as the other half dozen tribes of nations which surround it, the nationalist will furiously deny it, and the more alike they are, the more furious the denial.

Thus there is an anxiety at the heart of nationalism. When Ignatieff talks to the paramilitary in the farm basement he slowly realises the man has a bad conscience, a very bad conscience. When asked why he hates the Croats a couple of hundred yards away, he comes up with all kinds of reasons, many of which contradict each other. Ignatieff realises there is no reason. There is no rational reason why Serb should hate Croat or Croat hate Serb. Instead they have plunged into this mental condition of Group Narcissism in which they find psychological validation, reassurance and belonging by investing all their psychic energy in the Group Ideology, and investment which denies reality. Which denies that they were ever friends, went to the same pubs, shopped in the same shops, were married to people from the other group.

If you allow a rational consideration of the situation to enter, it undermines the unrealistic fantasy at the core of ethnic nationalism and this is why ethnic nationalists get so angry about it, furiously denying that they have anything in common with them, the others. They are all murderers and rapists; we are all heroes and martyrs. The possibility that they’re just flawed people like we are cannot be allowed otherwise it brings the entire artificial and overblown fiction of nationalist belief crashing down.

This explains for Ignatieff what he sees among so many nationalist communities which is a certain amount of fakery and insincerity. It often seems as if the politicians, ideologues, spokesmen and soldiers on the ground don’t entirely believe what they say. Inauthenticity, shallowness and fraudulence. It is if the extravagant violence with which ethnic nationalist beliefs are stated amounts to wilful overcompensation for notions the speaker knows, deep down, not to be true. He knows that his Croatian neighbour is not actually the murderer and rapist which his Serbian nationalism tells him he is, but… but to carry on being a member of the Group he has to conquer his own doubts. He has to march in line, wear a uniform and badge, get drunk with the boys and shout out patriotic songs.

All to conceal from himself his uneasy awareness that it’s all bullshit.

Ignatieff doesn’t say this but it struck me that this explains a common phenomenon, which is the documentaries you watch which interview people caught up in massacres, wars and genocides and… they themselves don’t really understand what happened. They look back and they can’t really explain why they and their friends grabbed their machetes and ran round to their neighbours’ house and hacked him, his wife and children into hunks of bloody meat, as hundreds of thousands did during the Rwandan genocide. Now, calm and quiet, sitting sedately in their garden sipping tea, they can’t quite believe it happened. I’ve noticed this in many TV documentaries about atrocities. Years later the participants can barely believe it happened.

Clearly, this is because it was a kind of mass intoxication. It was a delirium, like a prolonged party in which everyone was in a mad, feverish, drunken mood and did all kinds of wild things… and then they sobered up. Indeed Ignatieff records how everyone he spoke to in Yugoslavia expressed surprise that the boring, everyday society they knew collapsed so quickly and so completely into a Hobbesian nightmare of war and terror. They describe it as a kind of madness or intoxication.

He concludes with words of advice for liberal society which can be summarised in two strategies:

1. His analysis suggest there is a kind of basic mathematical formula at work, an inverse ratio: the more people overvalue their group, their tribe, their nation (and overvalue themselves as a part of this Heroic People), the more, as if by some fateful psychological law, they will denigrate outsiders who are not members of the Heroic People. The more intense the positive feelings for our side, the more intense our negative feelings for the other. The cure for this is, pretty obviously, to moderate our feelings for our side. To cultivate a nationalism which is proud of various aspect of our national life and culture, but not blind to its faults, not exaggerated.

We are likely to be more tolerant toward other identities only if we learn to like our own a little less. (p.62)

Because all historical precedent suggests the more you big up yourself, the more you find someone to denigrate and anathematise.

2. Nationalist intolerance works by converting real people into abstractions.

Nationalist intolerance requires a process of abstraction in which actual, real individuals in all their specificity are depersonalised and turned into carriers of hated group characteristics. (p.70)

The solution to this is to consider everyone as an individual, including yourself. Instead of thinking of yourself primarily as a member of this tribe or nation or people or group, you should consider yourself as an individual person. This then forms the basis for treating everyone else you meet as themselves individuals in their own right, and not as representatives of this or that group, with all the (probably) negative connotations you associate with that group.

The essential task in teaching ‘toleration’ is to help people see themselves as individuals, and the to see others as such. (p.70)


Credit

History judges no one. There will be no reckoning at all. (p.55)

The Warrior’s Honour: Ethnic War and the Modern Conscience by Michael Ignatieff was published by Chatto and Windus in 1998. All references are to the 1999 Vintage paperback edition.

New world disorder reviews

Blood and Belonging: Journeys into the New Nationalism by Michael Ignatieff (1993) – 2

As I’ve discovered in Croatia and Serbia, the four-wheel drive is the vehicle of preference for the war zones of the post-Cold War world. It has become the chariot of choice for the warlords who rule the checkpoints and the command posts of the factions, gangs, guerrilla armies, tribes that are fighting over the bones of the nation in the 1990s. (p.139)

In 1993 Michael Ignatieff was commissioned by the BBC to make a TV series in which he investigated what was already being heralded as the rise of a new kind of virulent nationalism following the end of Cold War and the fall of the Soviet Union. With this aim he and his TV crew travelled to Croatia and Serbia, to recently reunified Germany, to Ukraine, Quebec, Kurdistan, and Northern Ireland. Each location produced an episode of the TV series and a chapter of this book.

Ignatieff introduces autobiographical elements into his text. We learn that he has personal links with Ukraine (where his Russian great-grandfather bought a farm), Quebec (his grandparents emigrated to Canada where he spent his boyhood), Yugoslavia (where his father was posted as a diplomat and Ignatieff appears to have spent 2 years as a teenager), Germany (where he has also lived) and Northern Ireland, because he had lived and worked in London through the later 1980s and 1990s, and Ulster was (and is) the UK’s biggest nationalist problem.

But the autobiographical elements are always dignified and restrained (for example, the moving and evocative descriptions of his great-grandfather’s long-ruined house in the Ukraine). More importantly, they always serve a purpose. They are chosen to bring out the broader political, sociological or historical points which he wants to make.

1. Croatia and Serbia

The key point about the wars in the former Yugoslavia is that, despite lingering memories of the brutal civil war between Croats and Serbs 1941 to 1945 within the larger Second World War, the wars which broke out across the former Yugoslavia were not inevitable. They were the result of the calculated efforts of communist leaders to cling onto power as the Soviet Union collapsed, especially Slobodan Milošević of Serbia; and of the over-hasty and thoughtless steps to independence of Croatia under its leader Franjo Tuđman which alienated the large (600,000) Serb minority within Croatia’s borders.

Another way of looking at it is that neither Serbia nor Croatia, nor Slovenia nor Bosnia, had time to develop anything like western levels of civic society before the slide to war began, at which point the crudest ethnic nationalism became the quickest way to maintain power, for someone like Milošević, and opened the way for opportunistic warlords such as Arkan (real name Željko Ražnatović, ‘the most powerful organized crime figure in the Balkans’ to take over entire regions).

Ignatieff reiterates the themes summarised in the introduction:

  • a slide towards anarchy inculcates fear; ethnic nationalism addresses that fear by providing safety and security among ‘your’ people
  • into the vacuum left by the collapse of civil society step warlords, whose rule revives the political arrangements of the late Middle Ages

He points out, in more than one chapter, the intense psychological and erotic pleasure of being a young men in a gang of young men wielding guns or machetes and lording it over everyone you meet, forcing everyone out of their houses, looting and raping at will, bullying people at checkpoints, making them lie on the ground while you swank around above them. Photos of Arkan and his tigers indicate what a band of brothers they were and how this kind of behaviour fulfils a deep male need. (Until you’re killed in a firefight or assassinated, that is; but who wants to live forever?)

Large parts of former Yugoslavia are now ruled by figures that have not been seen in Europe since late medieval times: the warlord. They appear wherever states disintegrate: in the Lebanon, Somalia, northern India, Armenia, Georgia, Ossetia, Cambodia, the former Yugoslavia. With their carphones, faxes and exquisite personal weaponry, they look post-modern, but the reality is pure early-medieval. (p.28)

(Which is why Beowulf is, in many ways, a much more reliable guide to life in many parts of the contemporary world than any number of modern novels.)

The warlord is not only the figure who naturally emerges when civic society collapses; the ethnic cleansing which was given its name in Yugoslavia is his natural strategy.

The logic of ethnic cleansing is not just motivated by nationalist hatred. Cleansing is the warlord’s coldly rational solution to the war of all against all. Rid yourself of your neighbours, the warlord says, and you no longer have to fear them. Live among your own, and you can live in peace. With me and the boys to protect you. (p.30)

Ignatieff gives a great deal of historical background, especially the long shadow cast by the Yugoslav civil war of 1941 to 1945. In this context he explains Tito’s great failing. Tito went out of his way to defuse ethnic tension in the region by carefully redistributing power between the national groups and seeding Serb communities in Croatia and Croatian communities in Serbia and so on. But he made two signal mistakes:

  1. He tried to bury and suppress the genocidal past, as symbolised by the way he had the notorious concentration camp at Jasenovach (where as many as 250,000 people, mostly Serbs, were taken to be murdered in the most brutal ways imaginable) bulldozed to the ground instead of acknowledging the atrocity and undertaking a truth and reconciliation process.
  2. Although Tito’s Yugoslavia gained the reputation of being more independent from Soviet control and therefore more liberal, Tito completely failed to develop any form of civic democracy. When the collapse came none of the constituent nations had any track record of real democratic debate, of addressing disputes through discussion. Instead the respective leaders (in Serbia and Croatia in particular) seized power for themselves with arrogant indifference to the large minorities within their borders (most notably the 600,000 Serbs who lived inside Croatia) which triggered a wave of paranoia, and then it only took a few sparks to ignite localised fighting, and then the leaders declared ‘It’s war!’

To summarise the road to war:

  • until recently the difference between Serbs and Croats were glossed over or ignored by people who lived together, intermarried, worked and played football together
  • they made up a community of interest where people concern themselves with jobs and pay and housing and schools
  • the collapse of Yugoslavia into its constituent states was a long time coming (Tito, who held the place together, died in 1980);
  • in the decade after Tito’s death the peoples off Yugoslavia underwent a sustained period of austerity imposed on them by the IMF and Western bankers as the price of repaying the massive debts Tito had run up in the 1970s
  • at the same time it became evermore obvious that the communist rulers were corrupt and creamed foreign money off to live a luxurious life; the combination of poverty and corrupt leadership led to widespread resentment
  • the trigger was the fall of the Berlin Wall in November 1989 and the realisation by the communist rulers that their rule was destined to end soon
  • therefore they turned to ‘national identity’ to create a new ideology to underpin their rule
  • civic nationalism treats every citizen as equal, regardless of race, creed, colour, gender and so on, and citizens are united by a shared commitment to the rule of law and established institutions
  • however, the traditions and institutions of democracy and the civic virtues of tolerance and inclusivity take time to create and inculcate via education
  • for demagogues in a hurry it is much much easier to whip your population up using ethnic nationalism i.e. to tell people a) they are part of a distinct ethnic group b) that this group has historically been victimised and exploited but now c) it’s time to rise up, to stop being helpless victims, to stand up to the exploiter, to seize what is rightfully ours etc
  • ethnic nationalism provides all kinds of advantages to both the ruler and the ruled: for the ruler it is a quick way to whip up fervent support for a National Idea and cover up your own corruption; for the ruled the excitable fervour of nationalist belief makes you feel authentic, like you finally belong; it creates a community of equals, your tribe, gives opportunities to rise in the ranks and lord it over friends and neighbours who thought you were a loser: all the while this ideology explains that everything bad that’s ever happened in your life and to your country by blaming it on them, the others, the outsiders, who must be purged, expelled or plain liquidated from the territory you now consider your Holy Soil

Update

Ignatieff visited in 1993 and travelled through zones where different militias held neighbouring villages and had dynamited all the homes belonging to their ethnic adversaries. Reading his account you get the sense that some kind of uneasy peace had settled. But this was way wrong. The wars in Yugoslavia were to continue right up till 2001, centred on the cruelty and then Serb massacres of the Bosnian war, and then, when the Serbs refused to cease killing Kosovans, the 1999 NATO bombing campaign against Belgrade.

  1. The Ten-Day War (1991)
  2. Croatian War of Independence (1991 to 1995)
  3. Bosnian War (1992 to 1995)
  4. Kosovo War (1998 to 1999)
  5. Insurgency in the Preševo Valley (1999 to 2001)
  6. Insurgency in the Republic of Macedonia (2001)

2. Germany

Ignatieff’s prose is a little more purple and metaphorical in the chapter on Germany. This is because the fall of the Berlin Wall in 1989 was the epicentre of the crisis which swept the Soviet regime and its east European colonies. So he uses descriptive prose to try and capture what East Germany felt like during the long years of drab, repressed communist rule, and then what it felt like in the ecstatic months of protest leading up to the demolition of the wall.

Now, four years later, all the euphoria has gone. The East Germans he speaks to are a shabby, disillusioned bunch, very conscious of the way the West Germans quickly took to looking down on them, accusing them of being workshy malingerers.

What happened was a massive experiment in political theory. Divide a nation in half. Keep them utterly separate, physically and psychologically isolated, for 45 years. Then suddenly remove all barriers and let them reunite. Then ask: to what extent does the people (an unchanging social and cultural group) make the state? Or how much does the state shape and mould the people? I.e. in those 45 years, how much had the wildly divergent West and East German governments managed to mould their populations?

Short answer: states mould the people. During the Cold War West Germans were quietly proud that East Germany was the most economically successful of Russia’s colonies. But when the wall came down and Western industrialists visit the East’s fabled factories they discovered they were a shambles, incompetent managers overseeing workshy workers. They would have to start again from scratch, inculcating Germany virtues: timekeeping, conscientiousness, hard work.

In reality, it was less a reunification than the West colonising the East. Ignatieff meets Helmut Börner, the tired manager of a museum in Leipzig, so conceived and run to flatter the East German authorities and their Russian sponsors and they both reflect on how quickly the new Germany will erase memories of the shameful East. Ignatieff visits a sweaty underground club full of pounding music which has the exotic twist that it used to be the torture rooms of the East German security police. He looks around. It’s only a few years after reunification but the kids don’t care. They’re dancing and getting off with each other. Life is for living.

Ignatieff interviews a neo-Nazi called Leo who cheerfully denies the Holocaust and yearns to reconquer Silesia, now part of Poland, where his family came from. Ignatieff thinks the resurgence of neo-Nazism is dangerous but not really worrying, when it amounts to gangs of skinheads fighting immigrants.

More worrying is the growth of right-wing anti-immigrant parties, exemplified by the retired prison officer and local politician, Herr K, standing for election for the Republikaner Party. He wants rights for immigrants restricted more than they already were in 1990s Germany (where a Turk could be born, educated, work, pay taxes, and yet never achieve formal German citizenship).

Because there’s no actual war in reunified Germany, this long chapter is the most varied and subtle. It is a beautifully observed essay on the contradictions and quirks of the German nation and its ideas of itself, something we Brits rarely hear about.

Update

That was a long time ago. Inequality between East and West Germany has proved an intractable problem, admittedly partly because the East is more rural than the dynamic, industrialised West. And the refugee crisis he discusses turned out to be just the harbinger of a central issue of the 21st century, which is what to do about the increasing numbers of refugees and migrants wanting to escape Africa and the Middle East and start new lives in affluent Europe. Which came to a head in the refugee crisis of 2015.

And the right-wing Republikan Party candidate Ignatieff interviews has been superseded by the right-wing Alternative für Deutschland, founded in 2013 and which now holds 83 seats in the Bundestag. Germany’s struggle with its past, with its national identity, and its multicultural present, is a microcosm of the problems which face all Western nations.

3. Ukraine

Ignatieff’s great-grandfather was Russian and bought an estate in the Ukraine in the 1860s when he was ambassador to Constantinople (over 1,000 miles away). Ignatieff flies in to Kiev and takes a bus then taxi out to the old estate, stays the night, interviews the priest in the village church and the manager of the collective farm.

What keeps coming over is his sense of the Soviet Empire, as he calls it, the largest empire of the twentieth century, as a magnificent and catastrophic failure. In the Ukraine Soviet failure and tyranny had disastrous effects.

Something like 3 million Ukrainians died of hunger between 1931 and 1932. A further million were killed during the collectivisation of agriculture and the purges of intellectuals and party officials later in the decade. An additional 2 to 3 million Ukrainians were deported to Siberia. The peasant culture of small farmers and labourers that my grandfather grew up among was exterminated. This was when the great fear came. And it never left… (p.91)

Like the communist officials in charge in Yugoslavia, the leaders of communist Ukraine realised they could transition to independence and still remain in power, so they deftly adopted nationalist clothes, language and slogans, despite the fact that only a few years previously they had been locking up nationalists as subversives. Ignatieff meets the Ukrainian president, Leonid Kravchuk, a smooth operator

He speaks to a Ukrainian journalist working for the Financial Times and a former nationalist, locked up in prison. Their fear is what happened to Russia will happen to Ukraine i.e. a relentless slide into economic collapse and anarchy.

He attends a service of the Ukrainian Uniate Church in St George’s Cathedral, Lvov, and has an insight. The nationalists dream that their entire country will be like this congregation:

Standing among men and women who do not hide the intensity of their feelings, it becomes clear what nationalism really is: the dream that a whole nation could be like a congregation; singing the same hymns, listening to the same gospel, sharing the same emotions, linked not only to each other, but to the dead buried beneath their feet. (p.95)

In other words nationalism can be a beautiful dream, a vision of unity and belonging, typically, as here, through religion, language and song.

Also, this passage mentions the importance of the dead and where the dead are buried. The land where the dead are buried. For the first time Ignatieff feels a stirring of that feeling for the land where his great grandfather and mother are buried, which he is the first member of his family to revisit since the revolution of 1917.

When he meets the Tartars returning to Crimea from their long exile in central Asia, they are even more obsessed about the land, about the soil, about the sacred earth of their ancestors (pages 99 to 103). Ignatieff begins to understand how our individual lives are trite and superficial, but acquire depth and meaning in light of these ancestral attachments.

Land is sacred because it where your ancestors lie. Ancestors must be remembered because human life is a small and trivial thing without the anchoring of the past. Land is worth dying for, because strangers will profane the graves… (p.93)

Update

In 2013, when the government of President Viktor Yanukovych decided to suspend the Ukraine–European Union Association Agreement and seek closer economic ties with Russia, it triggered several months of demonstrations and protests known as the Euromaidan.

The following year this escalated into the 2014 Ukrainian revolution that led to the overthrow of Yanukovych and the establishment of a new, more Europe-facing government. However, the overthrow of Russia-friendly Yanukovych led to the annexation of Crimea by Russia in March 2014 and the War in Donbas in April 2014.

4. Quebec

Ignatieff is Canadian, he grew up in Ottowa where his Russian grandparents had emigrated. As a boy he knew about the Frenchies up the road but he never actually met any. Now, as an adult, he realises he has never actually visited the French part of his own nation, Quebec. He thought he knew Canada, but realises now it was only a Canada of his imagining. Which leads him to realise that all nations are, in a sense, imaginary.

You can never know the strangers who make up a nation with you. So you imagine what it is that you have in common and in this shared imagining, strangers become citizens, that is, people who share both the same rights and the same image of the place they live in. A nation, therefore, is an imagined community.

But now he realises that during his young manhood he completely failed to imagine what it felt like for the other community in Canada. He recaps his definitions of nationalism, in order to go on and define federalism, for this chapter will turn out to be an investigation of the strengths and weaknesses of federalism. First nationalism:

Nationalism is a doctrine which hold (1) that the world’s people are divided into nations (2) that these nations should have the right to self-determination, and (3) that full self-determination requires statehood. (p.110)

Federalism is the antithesis of this idea of nationalism, for it holds that different peoples do not need a state to enjoy self-determination. Under federalism two different groups agree to share power while retaining self government over matters relating to their identity. Federalism:

seeks to reconcile two competing principles: the ethnic principle according to which people wish to be ruled by their own; with the civic principle, according to which strangers wish to come together to form a community of equals, based not on ethnicity but on citizenship. (p.110)

But federalism is not doing so well. He lists the world’s most notable federal states – Canada, Czechoslovakia, Yugoslavia, Belgium, India, the former USSR – and then points out that all of them are in deep trouble. The Czechs and Slovaks couldn’t live together; Yugoslavia collapsed in a welter of wars; India struggles with regional separatism. The very concept of federalism is in trouble around the world and so his long chapter on Canada treats it as a kind of test bed or laboratory to assess federalism’s long-term prospects for survival.

He gives a lot of detail about Canadian history, and the dawn of modern Quebecois nationalism in 1960, none of which I knew about. But out of this arises yet another definition or aspect of nationalism:

Nationalism has often been a revolt against modernity, a defence of the backwardness of economically beleaguered regions and classes from the flames of individualism, capitalism, Judaism and so on. (p.116)

Yes, this makes sense of the aggressive over-compensation of so many nationalists, who all speak a variation on the comic stereotype of the English provincial: ‘You come down here with your fancy London ways, with your multicultural this and your cosmopolitan that. Well, people round these parts live a more simple life, see, a more honest and authentic life than you la-di-dah city types.’ They flaunt their backwardness.

But this leads Ignatieff into a paradoxical development which he spends some time analysing. In the Canada of his boyhood the Quebec French really were discriminated against, weren’t served in shops unless they spoke English, were perceived as small-town bumpkins with a lower standard of education, dominated by an authoritarian Catholicism and with extravagantly large families (ten children!).

So, Ignatieff says, surely as these very real obstacles have been overcome, as Quebecois have become more urban, progressive, women’s liberation has led to much smaller families, they’re all less in thrall to the church, surely they would abandon their nationalism and become modern urban cosmopolitans like him? But no. Contrary to everything Ignatieff would have expected, Quebec nationalism has grown. The paradox is exemplified by a French Canadian Ignatieff interviews who is president of a very successful bank.

I had assumed that global players cease to care about nationalism. I was wrong. (p.115)

Historical grievances are never forgotten. The British won the Battle of Quebec in 1759 and Quebec nationalists are still unhappy about it. He talks to modern journalists and a group of students. All of them are proudly nationalistic and want their own Quebec. There’s a division between those who want an actual independent state with its own flag and seat at the UN, and those who just want almost complete autonomy. But they all see Quebec as not a part of Canada or a province of Canada but a separate nation and a separate people.

But the problem with nationalism is it’s infectious. If Quebecuois want a state of their own so they can be a majority in their own state and not a despised minority in English-speaking Canada, what about two other constituencies?

1. Ignatieff goes to spend time with a native American, a Cree Indian. There are about 11,000 of them and they reject all the languages and traditions and legal concepts of the white people from down south, whatever language they speak. The Cree think of themselves as a people and they want their own protection.

2. Then Ignatieff goes to spend time with some of the English-speaking farmers who live in Quebec, have done for hundred and fifty years. No-one tells their story, the history books ignore them, Quebec nationalists have written them out of their narrative.

Nationalism spreads like the plague, making every group which can define itself in terms of language, tradition, religion and so on angry because it doesn’t have a nation of its own. You could call it the Yugoslav Logic. Smaller and smaller nations become shriller and shriller in their calls for ethnic purity.

And, of course, increasingly anxious about all the outsiders, non-members of the language group, or religion or whatever, who remain inside its borders. Read about the collapse of the Austro-Hungarian  and Ottoman empires to see what happens next. Insofar as the Sudeten Germans found themselves in the alien state of Czechoslovakia, the Second World War was caused by the collapse of the Austrian empire into impractical ethnic nation states.

Ignatieff doesn’t state this explicitly but I see this nationalism as a malevolent virus which, wherever it goes, creates antagonism at best, sporadic violence, if you’re not too unlucky or, given enough economic collapse or social stress, war.

Ignatieff visits Dennis Rousseau, a working class guy who works in a local paper mill and plays ice hockey in Trois Rivieres which is, apparently, the working class neighbourhood of Quebec. In a long conversation Rousseau won’t budge from his position that he wants Quebec to be independent because Ontario (capital of English-speaking Canada) isn’t doing enough for the struggling papermill industry, for his town and his peers. No amount of evidence to the contrary can shift his simple conviction and Ignatieff wonders whether nationalist sentiment like Rousseau’s is, among other things, a way of avoiding the truth about the changing economic situation.

All round the developed world businesses are being exported and once prosperous communities are getting poor. This is a function of the super-charged neo-liberal global capitalism which has triumphed since the collapse of communism, all those manufacturing jobs going to China and India.

Apart from all its other appeals (the very deep psychological appeal of belonging, of having a home, having people around you who understand your language, your religion, your music, your jokes) this kind of nationalism provides simple answers to intractably complicated economic realities. Twenty years after this book was published Donald Trump would reach out to the tens of millions who live in those kind of communities where life used to be great and now it isn’t with his brand of whooping Yankee nationalism.

Update

Kurdistan

There are perhaps 40 million Kurds. The territory Kurdish mostly inhabited by Kurds and which Kurdish nationalists would like to be an independent Kurdish state straddles four of the fiercest nations on earth: Turkey, Syria, Iraq and Iran.

Following the defeat of Iraqi dictator Saddam Hussein in the First Gulf War, the Kurds in Iraq rose up against his rule in the Kurdish intifada of March 1991. Hussein unleashed the full might of his army against them, driving hundreds of thousands of men, women and children up into the northern mountains until the Western allies intervened and set up a no-fly zone, preventing Saddam massacring any more of them.

It is this enclave which Ignatieff visits in 1993. With his typically intellectual perspective, he points out that it is something new: the first ever attempt by the UN to protect a people from the genocidal attacks of their national ruler. The enclave was far from being a state, but the Kurds had done as much as they could to make it like one, raising their own flag, holding elections. As in Ukraine among the Crimean Tartars, he realises how much the land, the actual soil, means in the mythology of nationalism:

At its most elemental, nationalism is perhaps the desire to have political dominion over a piece of land that one loves. Before anything, there must be a fierce attachment to the land itself and a sense that there is nothing else like this, nothing so beautiful, anywhere else in the world. (p.149)

Ignatieff travels and meets: representatives of the democratic party, the KDP, which has been run by the Barzani family for generations; then up into the mountains to see the PKK, the Kurdistan Workers Party, one of the last doctrinaire Marxist guerrilla groups in the world.

He is taken on a tour of Halabja, the town Saddam ordered his jets to fly over and bomb with a cocktail of chemical gasses, resulting in at least 5,000 dead. It is, of course, a horrific sight but, as always, with Ignatieff, he not only notes and records touching, moving, terrifying details: he also extracts interesting and useful points about nationalism and death. First is the way nationalist ideology gives a meaning to life and death, especially the latter:

Nationalism seeks to hallow death, to redeem individual loss and link it to destiny and fate. A lonely frightened boy with a gun who dies at a crossroads in a fire-fight ceases to be just a lonely frightened boy. In the redeeming language of nationalism, he joins the imagined community of all the martyrs. (p.148)

Thus the roads of Kurdistan are marked by portraits of killed peshmerga fighters staring down from the plinths which once carried portraits of Saddam. He goes on to make a point about genocide. He doesn’t phrase it like this, but you can think of genocide as the dark side of nationalism, the demonic brother. If a nation is defined entirely by ‘the people’, defined as one ethnic group, who occupy it, then anyone outside that ethnic group should not be there, has no right to the land, is a pollutant, a potential threat.

Before the experience of genocide, a people may not believe they belong to a nation. Before genocide, they may believe it is a matter of personal choice whether they belong or believe. After genocide it becomes their fate. Genocide and nationalism have an entwined history. It was genocide that convinced the Jews and even convinced the gentile world that they were a people who would never be safe until they had a nation state of their own. (p.151)

The Turks have been waging war against their Kurds since the foundation of modern Turkey in 1923. Its leader Kemal Ataturk envisioned Turkey as a modern, secular nation with a civic nationalism. Logically, therefore, there was no room for tribes and ethnic nationalism which destabilised his vision of a secular state. Hence the aggressive attempts to ban the Kurdish language in schools, erase their traditions and songs, even the word Kurd is banned; officials refer to the ‘mountain Turks’. To quote Wikipedia:

Both the PKK and the Turkish state have been accused of engaging in terror tactics and targeting civilians. The PKK has historically bombed city centres, while Turkey has depopulated and burned down thousands of Kurdish villages and massacred Kurds in an attempt to root out PKK militants.

For the only place in the book Ignatieff loses his cool when he is assigned a 24-year-old Turkish special forces agent who carefully chaperones him around the ‘pacified’ region of south-east Turkey, where the local Kurds obviously go in fear of their lives, and the agent carefully monitors everyone Ignatieff speaks to, while another spook photographs them all. The agent’s name happens to be Feret and this leads Ignatieff into the borderline insulting use of the word ‘ferret’ to refer to all such spooks and spies and security force agents and repressers and torturers (pages 158 to 161).

You can’t compromise when the very unity of the state is at stake. There is no price that is not worth paying. Pull the balaclava over your face; put some bullets in the chamber; go out and break some Kurdish doors down in the night. Pull them out of bed. Put a bullet through their brains. Dirty wars are a paradise for ferrets. (p.161)

Update

A lot has happened to the Kurds in the 28 years since Ignatieff visited them. The primary fact was the Allied invasion of Iraq in 2003 which led to the break-up of Iraq during which Iraqi Kurds were able to cement control over the territory in the north of the country which they claim. A Kurd, Jalal Talabani, was even elected president of post-Saddam Iraq (2005 to 2014). Kurdish fighters were also involved in the Syrian civil war (2011 to the present) and involved in the complex fighting around the rise of Islamic State. And low-level conflict between the Turkish-facing PKK and Turkish security forces continues to this day.

Northern Ireland

Like most English people I couldn’t give a monkey’s about Northern Ireland. I was a boy when the Troubles kicked off around 1970 and Irish people shooting each other and blowing each other up was the wallpaper of my teenage years and young manhood, along with glam rock and the oil crisis.

Decades ago I was hit by flying glass from a car showroom when the IRA blew up an army barracks on the City Road in London. Like the Islamist terrorists who drove a van into tourists on London Bridge then went on the rampage through Borough Market ( 3 June 2017) it was just one of those mad features of modern life which you cross your fingers and hope to avoid.

For the first time I get a bit bored of Ignatieff when he says he went to Ulster to discover more about ‘Britishness’. I’ve read hundreds of commentators who’ve done the same thing over the last 50 years and their clever analyses are all as boring and irrelevant as each other. Most English people wish Northern Ireland would just join the Republic and be done with it. The situation in Ulster doesn’t tell you anything about ‘Britain’, it just tells you about the situation in Ulster.

Ignatieff still makes many good points, though. He adds yet another category of nationalist conflict to his list: which is one caused – as in Ukraine, as in Croatia (as in Rwanda) – where there is a history of oppression of one community by another. The proximate cause of the Rwandan genocide was the conscious, deliberate, well worked-out plan for extermination devised by the ideologues of Hutu Power. But the deeper cause was the long period of time when the majority Hutus had been treated like peasants by the aristocratic Tutsis. Visitors to the country couldn’t tell the two groups apart, they lived in the same communities, spoke the same language, used the same currency. But deep in many Hutu breasts burned anger at generations of injustice and oppression. Breeding ground for virulent vengeful ethnic nationalism.

Same in Ulster where Roman Catholics were treated as second class citizens since partition in 1922, and were actively barred from various civil positions and comparable to the WASP prejudice against the Catholic French in Quebec, or to the much more vicious colour bar in the Deep South of America.

It is the memory of domination in time past, or fear of domination in time future, not difference itself, which has turned conflict into an unbreakable downward spiral of political violence. (p.164)

But much of Ignatieff’s discussion deals in clichés and stereotypes about Britain and its imperial decline which have been discussed to death during the extended nightmare of the Brexit debates.

He spends most of the chapter in the company of working class youths in a Protestant slum street in the build-up to the big bonfire night which inaugurates the July marching season. He notes how fanatical they are about the symbols of Britishness, pictures of the Queen, the Union Jack plastered over everything.

Which is when he springs another of his Big Ideas: Ulster Protestantism is like the cargo cults anthropologists have identified in the South Seas. The great white god arrives by ship, fights a battle, saves the local tribe and their religion from neighbours and rivals, then departs never to return. But generations of tribespeople wear out their lives waiting, waiting for that return, and turning the bric-a-brac the white man left at random into relics and cult objects to be worshipped at home-made shrines on special holy days (pages 182 to 184).

Same, Ignatieff claims, with Ulster Protestantism. It has become a weirdly deformed caricature of the culture of the homeland. While mainland England has become evermore secularised and multicultural, Ulster Protestantism has become evermore obsessed and hag-ridden by its forbidding religion, evermore furiously insistent on its ethnic purity, evermore angry at what it perceives as its ‘betrayal’ by the great white god across the water.

Apart from the historical accident of a handful of symbols (Queen, flag, crucifix) it has grown utterly separate from English culture and is an almost unrecognisable caricature of it.

Loyalism is an ethnic nationalism which, paradoxically, uses the civic symbols of Britishness – Crown and Union Jack – to mark out an ethnic identity. In the process the civic content is emptied out: Loyalist Paramilitarism, for example, makes only too clear what a portion of the Loyalist community thinks of the rule of law, the very core of British civic identity. In the end, the Crown and the Union Jack are reduced to meaning what they signify when tattooed on the skin of poor, white teenagers. They are only badges of ethnic rage. (p.185)

Update

The situation Ignatieff was reporting on in 1993 was superseded by the signing of the Good Friday Agreement in April 1998 and the 23 years of peace which have followed. Nowadays, there is much feverish speculation that the peace may be jeopardised by the complicated economic and political fallout of Brexit. Maybe a new generation of men in balaclavas will return and think they can achieve something by blowing up cars and shooting farmers.

The bigger picture, though, is that Ulster is now part of a United Kingdom substantially changed since Ignatieff’s time, because of the devolution of Scotland and Wales. Somehow, Scotland and Wales are still part of something called the United Kingdom but articles every day in the press wonder how long this can last.

Personally, I feel like I’ve been hearing about Scottish nationalism and Plaid Cymru all my adult life. Although they now have their own expensive parliament buildings and control over their healthcare and education systems, the basic situation doesn’t seem to have changed much – both Scots and Welsh nationalists continue to make a good living criticising the English politicians who pay for their nations to remain solvent.

I have no skin in the game. If they want to be independent nations, let them. Fly free, my pretties. According to a 2020 YouGov poll, my indifference is fairly representative of my people, the fat lazy English:

Less than half of English people (46%) say they want Scotland to remain part of the UK. Few want to see the nation pull away, however, at just 13%. Most of the rest (34%) have no opinion, saying that they consider it a matter for the people of Scotland to decide.

It seems unlikely that Scotland or Wales will ever become independent nations or that Northern Ireland will join the Republic, and for the same simple reason. Money. All three receive substantial subsidies from London and would become poorer overnight if they left. Try and sell that to your electorate.

Brief summary

Reviewing the six nationalist issues reviewed in the book prompts a simple conclusion which is that: none of these conflicts have gone away. Nationalism is like a terrible disease: once it has gripped a people, a tribe, a region, and once it has been used to set populations at loggerheads with other neighbouring groups or with the very state they find themselves in, it is almost impossible to extirpate. Nationalism is a virus which has no cure. Like COVID-19 we just have to learn to live with it and try to mitigate its effects before they become too destructive, before there’s an outbreak of another, more virulent variety.

The Cold War as the last age of empire

The Cold War was a lot of things to a lot of people but I am still reeling from one of the biggest of Ignatieff’s Big Ideas, which is that the Cold War amounted to the last phase of imperialism.

There was the early phase of Portuguese and Spanish imperialism; there was the rivalry between the French and British around the world in the 18th century; the Europeans grabbed whatever bits of the world they could bite off during the 19th century; and then the French, British, Dutch, Belgians and a few others hung onto their colonies through the catastrophic twentieth century and into the 1960s.

Then they left in a great wind of change. But they did so at exactly the same time as the spreading Cold War meant that huge areas of the world came under the direct or indirect control of the Americans or the Soviets. Although it wasn’t their primary goal, the CIA supporting their authoritarian regimes and the Soviet advisers to countless communist groups, between them they sort of – up to a point – amounted to a kind of final reincarnation of imperial police. Up to a point, they policed and restrained their client states and their opponents around the world. They reined them in.

And then, in 1990, with little or no warning, the imperial police left. They walked away. And instead of blossoming into the wonderful, democratic, peaceful world which the naive and stupid expected – chaos broke out in a hundred places round the world. The gloves were off and ethnic nationalism and ethnic conflicts which had been bottled up for decades, exploded all over.

Because this ideology, this psychology of blood and belonging and ‘kill the outsider’ – it’s easier for hundreds of millions of people; it provides a psychological, cultural and linguistic home, a refuge in otherwise poverty-stricken, war-torn, economically doomed countries.

It offers reassurance and comfort to stricken populations, it flatters people that whatever is wrong with the country is not their fault – and it offers an easy route to power and strategies to stay in power for demagogic leaders, by whipping up ethnic or nationalist sentiment and justified violence against the Outsider. Demonising outsiders helps to explain away the injustices and economic failure which somehow, inexplicably, despite their heroic leadership, continues.

Blame it on the others, the outsiders, the neighbouring tribe, the people with funny shaped noses, different coloured skin, spooky religions, use any excuse. The poison of ethnic nationalism is always the easy option and even in the most advanced, Western, civic societies – it is always there, threatening to break out again.

Concluding thoughts on the obtuseness of liberalism

Ignatieff ends with a brief conclusion. It is that his liberal beliefs have profoundly misled him. Educated at a top private school, clever enough to hold positions at a series of the world’s best universities (Harvard, Cambridge) and to mingle with the most gifted of the cosmopolitan elite, he thought the whole world experienced life and thought like him. Idiotic. The journeys he made for this book have made him realise that the vast majority of the human population think nothing like him.

This was crystallised by one particular type of experience which kept cropping up wherever he went. On all his journeys he saw again and again that most of the warlords and fighters are young men aged 18 to 25 (p.187). Until he met them at roadblocks and checkpoints he had not understood what masculinity is. An etiolated, lily-pink liberal with the impeccable manners handed down by his family of Russian diplomats, Ignatieff had no idea what men, poor men, uneducated men, out there in the world, are really like.

Until I had encountered my quotient of young males intoxicated by the power of the guns on their hips I had not understood how deeply pleasurable it is to have the power of life and death in your hands. It is a characteristic liberal error to suppose that everyone fears and hates violence. I met lots of young men who loved the ruins, loved the destruction, loved the power that came from the barrels of their guns. (p.187)

Only someone so phenomenally clever and immaculately well educated could be so remote from the world as it actually is, from human nature in all its appalling greed and violence. Meeting gun-toting warlords made him realise more than ever that the aim of civic society is to quell, control and channel this kind of male aggression which he had never experienced before.

I began the journey as a liberal, and I end it as one, but I cannot help thinking that liberal civilisation – the rule of laws not men, of argument in place of force, of compromise in place of violence – runs deeply against the human grain and is only achieved and sustained by the most unremitting struggle against human nature. (p.189)

And the best all-round way to prevent the outburst of ethnic nationalism and the almost inevitable violence which accompanies it, is the creation and maintenance of a strong stable state with institutions which distribute and diversify power, which act as checks and balances on themselves, which are permanently capable of correction and reform, including the most important kind of reform which is the ability to get rid of your political leaders on a regular basis.

The only reliable antidote to ethnic nationalism turns out to be civic nationalism, because the only guarantee that ethnic groups will live side by side in peace is shared loyalty to a state, strong enough, fair enough, equitable enough, to command their obedience. (p.185)

The fundamental responsibility of a government is not to promote ‘equality’ and the raft of other fine, liberal values. They’re nice-to-haves. It is more profound than that. First and foremost it is the eternal struggle to build and maintain civic nationalism – because the alternative is horror.

Credit

Blood and Belonging: Journeys into the New Nationalism by Michael Ignatieff was published by BBC Books in 1993. All references are to the revised 1995 Vintage paperback edition.


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