In the mid-1960s John Christopher switched from writing science fiction for adults to writing science fiction for teens or young adults as they’re called nowadays. The Guardians is one of the more successful of these teen novels. It won prizes – the annual Guardian Children’s Fiction Prize and the Deutscher Jugendliteraturpreis for the German translation. I can see why. In clear, factual, no-nonsense prose Christopher vividly depicts the adventures of a fatherless young boy in a story which is both a scary adventure, but also strangely reassuring at the same time.
It uses familiar sci fi tropes: a) it is set in a future society which b) has been divided into castes or distinct groups c) is controlled by shadowy, all-powerful forces, but d) there is a cohort of keen young idealists setting out to overthrow it. If Christopher doesn’t investigate any of these themes in any depth a) this is maybe appropriate in a book aimed at 10 to 14 year-olds, and b) instead of depth what you do have is tremendous speed. It’s a short but fast-moving book, good to keep easily distracted teenagers’ attentions.
Lastly, unlike The White Mountains and some of his novels for adults which consist of long, gruelling journeys which end up wearing down the reader as well as the protagonists, The Guardians has a compelling symmetry and circularity to the storyline, and it ends on a pleasing note of excitement and expectation. It is a good novel for older children (11 to 14).
The Guardians
Future It is 70 or 80 years in the future. England is divided into the ‘County’, a rumoured land of leisure beyond the ‘Barrier’, and the ‘Conurbs’, the extensive urban areas in one of which lives Rob Randall. Rob’s been living in an apartment in a high rise with his dad since his mum died after a long illness.
Conurbs The Conurbs are packed. People live in high rise blocks and have access to futuristic gadgets. Monorails run at up to 200 kilometres an hour. Cars run on predetermined routes. There are portable lumoglobes.
Games The populace is kept entertained with bread in and circuses, in this instance the high-speed often violent Games held in massive Stadiums, including terraplaning where jet-propelled cars hurtle round a cambered track, occasionally crashing, to the cheers of the crowds. Crowds entering or exiting often turn into mobs, creating hysterical crushes.
China war The world is at peace as far as we know, except for a permanent war in faraway China, which people rarely talk about, and never seems to present any threat.
Library Rob gets caught in one of these sudden mob crushes on the way back from the library. The library is falling to bits, no-one goes there. A sign outside says it was opened as long ago as 1978 (thus setting the story in what was then the future). This is because in the Conurbs hardly anybody reads books or writes anything. Everybody watches holovision (HV) or dictates messages into handheld recorders.
An accident Rob pops by the Stadium to see his dad but is met by his friend Mr Kennealy who tells him his dad’s had an accident. He’s an electrician and touched a live wire. Mr Kennealy takes him back to his house for supper and to spend the night.
Conspiracy? That evening Rob hears Kennealy discussing his father in a conspiratorial way with some men who’ve come to visit, but can’t hear the details. ‘This is a dangerous business… We better all watch out.’ Was Rob’s dad’s death not an accident? Why? Was he part of some conspiracy? What?
Dad dead Next day Mr Kennealy takes Rob to the hospital where he is shocked to be told Rob’s dad has died. Kennealy takes Rob to his dad’s apartment to collect some things, including an old box Rob finds, containing his mum and dad’s letters and old b&w photos, and then back the Kennealy flat.
Leaving Mr Kennealy’s Mr and Mrs Kennealy discuss whether Rob could stay with them but the decision is taken out of their hands at his school next day when inspectors turn up and declare Rob must be sent to a state boarding school in Barnes. Rob goes back to the Kennealy’s to get his stuff. Keannealy tells him he’ll be ‘safer’ there. Safer? From what?
Barnes Boarding School It’s horrible. Extremely regimented, with fanatical rules about making your bed just so and presenting possessions for a weekly inspection. Rob, predictably, fails the inspection and is subject to a midnight bullying, ‘the Routine’ (hit on the forehead repeatedly by a rubber-tipped hammer) by the other boys. He is given an extended detention, extra work, and the precious books we saw him borrowing from the library at the start of the book, are taken away and burned.
Running away Early the next Sunday, Rob takes a small bag, makes his way between buildings to the school gates, out into the road beyond, catches a bus into central London (through Trafalgar Square with its glass column) and to a train terminus where he takes off his school blazer and bow tie (!) then spends almost all his money on a ticket to Reading.
Reading? Yes. When he read the dusty old love letters written by his mum to his dad, he learned that she originally came from The County, beyond the wall. Well, he’s got nothing to stay in the Conurbs for. Reading is only a few miles south of the border. He’ll go there and sneak across The Barrier and see if he can find a better life in the County.
Reading carnival When the monorail has whisked him to Reading in just 30 minutes (as if any train in England could ever run that fast!) Rob discovers there’s a Carnival going on, one of the many festivals which Conurbanites fill their time with in between watching violent competitions in stadiums or immersing themselves in twaddle on the holovision.
Rob is given a lift This is bad, though, because when he asks a guy for a lift to the north side of Reading, the guy helpfully starts asking around and someone volunteers to take Rob in a ten-seater ‘Electrocar’ and others offer to come along – with the result that he can’t just hope to be dropped and slip away. Damn! These volunteers ask him where he lives so he has to invents a street on the spur of the moment. After driving around north Reading in search of this non-existent address, the volunteers stop at a police station and most of them go inside to ask directions. Rob takes the opportunity to nip out the car but some of them see him running away, so there’s a chase through the Victorian terraces of north Reading.
Rabbit man Rob nips into someone’s back garden and into their garden shed. The mob arrive moments later and the owner gives them the wrong directions. Rob realises this is because he’s keeping rabbits in his shed, which is illegal. He’s a rough, working-class, ferret-faced man who, when Rob says he’s hungry, gives him some mildewy cheese in week-old bread, then tells him to hop it.
Through the Barrier Rob walks north as the buildings of Reading peter out into bare moorland and eventually stumbles on the legendary Barrier. Instead of being vast and electrified it’s only 12 feet or so high and, when he watches a squirrel scamper across it, he realises, not electrified at all. He walks along it, comes to a bit that’s come loose from the earth, digs for a while with his bare hands and wriggles underneath. He is in the County!
Horses He immediately notices the difference. Some men ride by on horses, wearing swords in scabbards and accompanied by hunting dogs while Rob hides. He walks on getting hungry and grubbing up some potatoes to eat raw. Oh dear, this recalls the protagonists of all the other Christopher novels I’ve read, who spend weeks on the run, hungry, cold and exposed to the elements
Mike Luckily this phase is relatively brief because after a night sleeping rough, he’s making his way through fields when a figure on horseback spots him and gives chase. Rob runs but (inevitably) stumbles and there’s an exciting moment when the horse rears above him, the sun behind the rider dazzling terrified Rob. Then it speaks and turns out not to be some vengeful Viking but a boy his own age named Michael, who is jolly decent.
Bunker Mike is astonished to learn Rob has crossed from the Conurbs and decides to help him. He takes him to an old disused concrete bunker (from back during the ‘Hitler war’, apparently) which is relatively dry and secure. Here Rob rests and over the next few days Mike brings him a huge amount of stuff, fresh food every day along with blankets and bedding, a torch and a little paraffin stove.
Mrs Gifford One day Rob is cooking up a nice little meal when someone stands in the doorway. It isn’t Mike and, once again, for a moment I thought it would be some horrible police / army / militia figure who would drag Mike off to prison, but it’s the opposite. It’s Mike’s mum, Mrs Gifford. She’s realised food and clothes have been going missing and watched Mike one morning. She briskly makes a decision to take Rob in.
Big house The Giffords are an old landed family, members of ‘the gentry’. They (Mr and Mrs Gifford, Mike and his younger sister Cecily) live in an enormous old mansion staffed by at least 20 servants. Mrs Gifford runs a tight ship, keeping the servants up to snuff, so that food is served on time, the horses are well looked after, everything runs like clockwork. Mr Gifford is a very passive, understanding man. After the initial introductions, he shows Rob his collection of miniature bonsai trees and there’s a couple of pages going into some detail about how to tend and nurture them.
County living The gentry live very well. There are regular luncheon parties, dinner parties, and bigger garden parties including one where Rob turns out to have a natural ability for archery. However, this big party is also risky. Having accepted him into their family, Mrs Gifford comes up with a cover story. Rob is renamed Rob Perrott and said to be the son of a cousin of Mrs G’s, raised by an old colonial family in faraway Nepal. After dinner party guests ask him about Nepal, Rob makes straight for the big Gifford library and reads all the books about Nepal that he can find in order to improve his cover story. The family stableman teaches Rob how to ride. Mrs Gifford teaches him how to dress, speak correctly and tip the servants. He is being turned into a gentleman.
Posh boarding school Eventually the time comes for school. Mike had been ill earlier in the year. Now he returns to school along with Rob. It is a very posh boarding school, a mirror image of the Barnes state school (just one of the many parallelisms between the two societies.
Conspiracy After various details of the school routine and settling in and lessons and so on, one night Mike introduces him to a bunch of older boys who, after cocoa and biscuits, fall to having a schoolboy-level debate about the rights and wrongs of the society they live in. The group is led by Daniel Penfold who takes the view that all the peace and plenty is the result of exploitation of the masses. Rob tends to the common sense point of view that most people appear to be pretty happy with the way things are. Rob notices that Mike takes Dan’s side. Later, Mike inducts Dan into a deeper secret, the fact that Penfold is the representative in the school of an organisation of revolutionaries actively dedicated to overthrowing this society.
Debates about revolution If this had been a John Wyndham novel, there would have been a long and penetrating discussion of the merits of revolution. Being John Christopher discussion and debate is much thinner: Mike says people need to be woken up and realise the system is rotten and based on exploitation of their apathy. Rob replies that most people are actually happy enough living as they do. You’ll have a hard job persuading people to throw away the comfort and security the currently enjoy, and for what? For a handful of high-sounding words bandied around by some disgruntled sixth formers.
Christmas at the end of the term the boys go home. Mrs Gifford has always shown a penchant for Rob. He now routinely refers to her as ‘Aunt Margaret’. Now she confides in him her concerns about her son: his school reports all say he’s falling short and not concentrating. Rob and Mike have been invited over to the Penfolds house for lunch and Mrs G expresses concern about the influence of Dan Penfold.
The Penfold household Christopher draws a sharp contrast between the two households and their inhabitants: where the Giffords are tall and handsome and Mrs Gifford is brisk and commanding, the Penfold parents are short and tubby and exercise no discipline over the servants, with the result that tea is served late and cold and, in a piquant detail, Rob’s shoes, which he leaves outside his door to be polished, are done so badly he has to do them again himself.
The revolution After Christmas, back to school and another term, but now with this added tension that Mrs G is unhappy about her son, Mike is distracted and aloof from Rob and Rob wonders what is going on. Back home after that term, Rob and Mike plan to go fishing for a morning before rising on to the Penfold place for lunch, but Mike makes excuses about having to go and see a man about a horse. When Rob eventually arrives at the Penfolds he discovers it in uproar. The Revolution has begun! That’s why Mike rode off that morning, to join it.
Protecting Mrs Gifford Rob rides straight to Mike’s house to discover all the menfolk have ridden off: the radio’s down, there are mad rumours of massacres in Oxford and Bristol, the Cherwell is said to be running with blood, mobs of Conurbanites are said to have stormed the Barrier. Rob saddles up to go and join the ‘vigilantes’ (probably better described as the militia) but all the men including Mr Gifford have left and Mrs Gifford begs him to stay and protect them, so he does.
The rebellion is suppressed The next morning Mr Gifford and the male servants return in a downpour. They tell Mrs G and Rob that the rebellion has been completely suppressed. None of those rumours were true, there was no massacre, no storming of the Barrier, nothing like that. Everyone is very relieved and life goes back to normal except that… Mike is missing! His parents are understandably concerned about what has happened to him.
Mike at midnight That night Mike slips into Rob’s room. He’s on the run. Sure, the rebellion was defeated and the servant class didn’t rise up as Penfold et al hoped they would, but he hasn’t given up. He describes how the rebels were outnumbered and outgunned. Theoretically guns are banned in the County, even in the Conurbs, but it turns out that, when they’re needed, the authorities had plenty to use. Plus helicopters flying overhead which released a fatal nerve gas onto the revolutionaries. Many died on the spot but Mike was out on the periphery and just felt very ill.
Escape In fact, far from deterring him, the brutality with which the revolt was put down has hardened Mike’s determination. He plans to go over the Barrier into the conurbs at Southampton. He makes Rob swear not to tell anyone, then they go down to the empty kitchen, steal some chicken and ham, then Rob sees Mike quietly mount his horse, Captain, and head off south, before going back to bed, his mind in turmoil.
Militia Next day a military patrol stops at the Gifford house led by a Mr Marshall and asks after Mike. He’s wanted. They must give up any information they have about him or face prosecution. Mr and Mrs Gifford say they know nothing and are sick with worry (worried parents; a very young adult fiction trope).
But the militiaman insists on arresting Rob. He is forced to come on horseback. At first he is terrified and the reader wonders what dungeon and tortures await. But then Rob is reassured when he discovers they’re going to the Old Manor, home of inoffensive old Sir Percy Gregory (page 141).
Sir Percy interrogates Bumbling old Sir Percy puts Rob completely at his ease, offers him coffee and cherry cake, asks a number of innocent sounding questions… and then springs a surprise. They know who he is. They know he is really Rob Randell who absconded from Barnes Boarding School made his way to Reading and crossed under the Barrier. They knew who he was within a day of Mrs Gifford finding him. Sir Percy gives a complete biographical sketch, including the dates and full names of both his parents (page 145). (This passage contains the kind of chronological information which gives all true science fiction fans a thrill, by specifying the dates of the action. We learn his father died in 2052, so if a Christmas has gone by the revolution and these scenes are set in 2053.)
The Guardians Who are ‘they’? They are The Guardians. English society was divided between the heavily populated Conurban areas full of proley families kept entertained by holovision, games and the occasional riot, and the sparsely populated County run by grand landed families with penumbras of servants, several generations ago. The division perfectly suits the majority of the population and has been preserved in a stable situation by the eternal watchfulness of the Guardians for 50 years or more.
An offer Throughout this piece of explication Rob has nervously been expecting to be told he will be sent back over the Barrier to Barnes. So he is thunderstruck when Sir Percy offers him the opportunity to become a Guardian himself. He is smart, he is resourceful, he has shown he can conceal his true identity and lie. He will be able to carry himself well either side of the Barrier. He is perfect for the role.
Gentleman’s agreement They shake hands on it. Sir Percy gives him a short-wave radio. All he has to do is report to them if Mike turns up. They don’t want him. They want the people he’ll lead them to, the ringleaders. ‘But what will happen to Mike?’ Rob asks. Oh, Sir Percy replies, he won’t be harmed. He will just have a small operation in the brain. It won’t change his memories or who he is. It will just stop him being rebellious. He will carry on living a privileged life, carry on fox hunting and archery and go to university. But with the rebel part of his brain snipped out. Sir Percy explains that this is a fundamental method which has been used to keep the populations in both societies cowed and quiescent. If by chance, young men continue rebellious despite the operation, then they are packed off to the war in distant China so they can exercise their testosterone in a safely distant arena.
Mrs Gifford reveals They let Rob go. He rides back to the Gifford House with the little radio. The Gifford family are relieved to see him. After dinner it dawns on him that he is safe, utterly safe. He has a home for the first time in his young life, a warm loving family, a life of luxury. But after Mr Gifford potters off to his greenhouse to grow Mrs Gifford surprises him with two revelations. First, she says she knows Mike was there the night before. When food goes missing from the kitchen it is reported to her. She accuses him of not telling her and her husband, but Rob says Mike pleaded with him not to.
Mr Gifford’s operation The second revelation is that Mike’s father has had that brain operation. He, in his youth, had the rebel part of his brain snipped out. At a stroke various facts fall into place. First, why Mr Gifford is so placid and content to potter among his bonsai trees. Second, that rebellion must be genetic: Mike has inherited his father’s restless streak.
A decision Reeling from this revelation, that night Rob comes to a decision. He decides he had been taken in, deluded, seduced by the comfort and luxury of this life. But it is not the real life, the whole thing is based on the neutering of the human brain to make people quiescent. He could acquiesce and lead a life of luxury, private school, university, then a life of fox hunting and harmless hobbies. Or he can make his way to the Conurbs, find Mike, and join the struggle to free humanity from its sedatives and delusions.
The novel ends with Rob leaving the Gifford house that night, heading south towards the Conurbs, with a backpack of supplies which includes a trowel for digging under the Barrier on his way to freedom.
Thoughts
The Guardians is a lot better than the first book in the Tripods series, The White Mountains. In both books 13-year-old boys are brought up in a future society which passively accepts philistinism and the submission to accepted conventions. So in both novels the boy protagonist ups stumps and goes on an arduous trek to freedom.
Christopher’s books suffer in comparison with his peer John Wyndham. They lack Wyndham’s psychological or intellectual depth. When the protagonist of The Chrysalids, David Strorm, rebels against his upbringing in a stiflingly conformist future society, it happens over a period of many years of thinking and learning, punctuated by key and highly dramatic episodes, and all accompanied by his slowly maturing conversations with Uncle Axel. You feel you have entered really deeply into David’s mind and experienced the difficulty of breaking away from family and convention.
Rob, on the other hand, goes to a rough school for a few weeks where he’s beaten up one night so he decides to run away. That’s it. It feels trivial and shallow, as if little effort went into imagining the psychological background and none at all went into really thinking about the issues involved.
Also, Christopher’s prose is pretty boring. It is plain and factual, unenlivened by metaphors or similes. Pages go by without any colour. Dull.
And, at least to begin with, I was dismayed when Rob sleeps in a ditch and is quickly reduced by hunger to eating raw potatoes plucked from a field, because that’s more or less what happens to the protagonists of the previous three Christopher novels I’ve read.
However, as you continue reading I think this book addresses and overcomes all these issues. Rob is quickly rescued from sleeping rough and quickly assimilated into a life of luxury (which is a blessed relief for the reader). And the lack of psychological or intellectual depth (for example, around the whole notion of rebelling against a conformist society) can perhaps be justified in at least two ways:
- Speed. What it lacks in depth, The Guardians makes up for in pace. At just 150 pages long, a lot of events and brief ideas are packed into a short exciting narrative.
- Target audience. Maybe it’s age-appropriate. Wyndham’s novels are all, ostensibly, for adults. In the foreword to The White Mountains Christopher dwells on the advice and guidance he was given by his American publisher which led him to comprehensively rewrite the middle of the novel. We know from his adult books that he’s not a great thinker, Maybe his publishers said, ‘Play to your strengths: put as little controversy or thought or ideas into the book as is necessary, at just the right level to get an intelligent 12-year-old thinking, and then get back to the action.’
And maybe the same thing applies to his bare prose. I went from reading this to reading a William Gibson novel and it was like going from a scratchy black and white silent movie to a modern CGI Marvel movie. Christopher’s prose is colourless. But, again, maybe that’s appropriate. Maybe the prose in a young adult novel should be as bare and functional as possible to let the story and the narrative take priority.
There is also the structure of the narrative. His previous novels were straightforward linear narratives describing gruelling journeys. However, The Guardians is notably more sophisticated than that in its symmetrical structure, in the way the hero introduces us to two very different societies, ending up alienated from both of them.
Not only that but it is aesthetically pleasing the way that privileged Mike is, of course, in many ways a mirror image of working class Rob. Mike has both his parents unlike Rob the orphan; he has been brought up in luxury and privilege, unlike Rob raised in a crappy council flat, and so on.
But the most obvious mirroring is that whereas Rob has escaped from the Conurbs into the Country, Mike wants to escape the other way. It isn’t particularly prominent, it feels a natural part of the plot, but the way the two boys echo and contrast with each other lifts the novel significantly above the level of a mere trek into something much more artful and satisfying.
Credit
The Guardians by John Christopher was published by Hamish Hamilton in 1970. All references are to the 2015 New Windmill Series hardback edition.
Books & Boots 
