The Waning of the Middle Ages by Johan Huizinga (1919)

There is not a more dangerous tendency in history than that of representing the past as if it were a rational whole and dictated by clearly defined interests. (p.91)

I’ve recently been looking at paintings from the ‘northern Renaissance’, namely works by Robert Campin, Rogier van der Weyden and Jan van Eyck. This trio are often credited with introducing a new more realistic and sensual style into painting in the first half of the fifteenth century.

This prompted me to dust off my old copy of this classic text on the period, The Waning of the Middle Ages. The book was originally published in Dutch by the historian Johan Huizinga in 1919, then translated into English in 1924. Its subtitle is: ‘A study of the forms of life, thought and art in France and the Netherlands in the fourteenth and fifteenth centuries’.

The most important thing about this book is that it is not a chronological history of the period. Very much the opposite, as it skips from one incident to another, across decades, between countries, taking excerpts from contemporary chroniclers, philosophers, writers and poets as required, to build up a mosaic of sources to exemplify the theme of each of the 23 chapters.

These have titles like ‘The violent tenor of life’, ‘Pessimism and the ideal of the sublime’, ‘The vision of death’, ‘Types of religious life’ and so on. As we process through these themes and ideas, anecdotes and quotes, slowly a composite ‘portrait’ of the culture of fifteenth century northern Europe emerges.

In fact, I’d forgotten that there is a direct connection to van der Weyden et al because, in the Preface to the English edition, Huizinga explains that his study originally started as a systematic attempt to understand the cultural and social background to the art of the van Eyck brothers and their contemporaries – precisely the artists I’ve been reading about in Craig Harbison’s excellent introduction to The Art of the Northern Renaissance (1995).

Burgundy and France

When I first read this book as a student in the 1980s I found it bracing to read a work about the Middle Ages which emphatically wasn’t about England or Britain. Instead the focus is very much on the kingdoms of France and especially the Duchy of Burgundy, and mostly during the 15th century. As it happens, I’ve just read a few pages summarising the history of the Duchy of Burgundy in a book about the Flemish painter Rogier van der Weyden. The most obvious thing about it during this period was that it was extremely fragmented, divided roughly into the area which is still called ‘Burgundy’ in modern France and is down towards Switzerland – and a northern coastal region comprising most of modern-day Holland and Belgium.

The other thing I took from my first reading all those years ago was the comedy names of the rulers of Burgundy in this period:

  • Philip the Bold (1363-1404)
  • John the Fearless (1404-19)
  • Philip the Good (1419-67)
  • Charles the Bold (1467-77)
  • Mary (1477 – 1482)
  • Philip the Handsome (1482-1506)

This time round I much more understand the context of Huizinga’s point that one of the purposes of giving these rulers grand surnames was to incorporate them into the only social theory the age possessed – Chivalry; that the names are ‘inventions calculated to place the prince in a nimbus of chivalrous romance’ (p.92).

Permanent war

Europe was almost continually at war. There were no real nation states in the way we’re used to today. Britain, for example, was a very fractious country. For the earlier half of the century the English were in a state of permanent war with the kingdom of France, the latter stages of the so-called Hundred Years War. The cause of the war was simple: successive kings of England claimed the throne of France; successive French kings rejected the claim.

The war’s high point, from the English point of view, was the Battle of Agincourt, fought on 25 October 1415, a famous victory for young King Henry V. Sadly Henry failed in a king’s main duty to rule long and leave a male heir. He died aged 35 in 1422, leaving the kingdom to his baby son who grew up to be the hapless and mentally unstable Henry VI. This explains why, despite rallies and counter-attacks, after Henry V’s death the tide of the war was broadly in favour of the French and they had eventually won back all their territory from the English (with the tiny exception of the coastal town of Calais) by the time a final peace treaty was signed in 1453.

In fact, it was complaints about the huge losses of lands in France suffered by many ‘English’ aristocrats as a result of these territorial losses that helped destabilise the English throne and trigger the series of dynastic disputes which we refer to as ‘the Wars of the Roses’. These were in reality a series of conflicts between dynastic nobles scattered between 1455 and 1487. And also, throughout the fifteenth century, the English (as in centuries before and after) suffered intermittent attacks from the Scots, who periodically invaded and ravaged the North of England – though this doesn’t feature much in this study of the Continent.

Instead Huizinga’s book is dominated by the conflict between the fragmented kingdom of France and the rising Duchy of Burgundy. From 1380 to 1422 France was ruled by Charles VI who, in 1392, went mad, without warning murdering four of his knights and nearly killing his brother. He became convinced he was made of glass and that his enemies were out to shatter him. Power devolved to competing cabals of nobles and France fell into anarchy. (The plight of France helps explain Henry V’s victories.) France’s ongoing misrule was exacerbated by the Hundred Years War which amounted, in practice, to unpredictable attacks and destructive rampages across the land by brutal English armies.

No wonder the Duchy of Burgundy, located away from England in the East, was able to rise to relative power, by allying or at least declaring peace with England, and protecting the trading wealth of its coastal ports in what is now Holland.

Two theories

Medieval society had broadly two theories to explain the world: Christian dogma and the code of chivalry. That was it. No science, no medicine, no economics, no political science, no sociology or linguistics or anthropology, no hard or social sciences at all. Again and again Huizinga emphasises the sheer ignorance of the age.

1. Christianity Christian teaching gave a comprehensive account of the creation of the universe, of the nature of the world, of all life forms and of the human race, along with a timeline which extended back to the Creation and forward to the End of the World when Jesus will rise to judge the dead, who will be consigned to Heaven or Hell for all eternity. In order to escape an eternity of hellfire you had to devoutly follow Christian teaching. It was a complete and imaginatively convincing cosmology.

2. Chivalry As to everything else people saw around them, the behaviour of human society, this could be summarised in the other major theory of the time, Chivalry. Huizinga quotes from a wide selection of 15th century poets, historians and chroniclers, and goes on to point out that:

The conception of chivalry constituted for these authors a sort of magic key, by the aid of which they explained to themselves the motives of politics and of history. The confused image of contemporaneous history being much too complicated for their comprehension, they simplified it, as it were, by the fiction of chivalry. (p.66)

At its broadest chivalry taught that everyone was born into a fixed position in an unchanging society made up of minutely defined orders or ranks or ‘estates’. The peasant majority existed solely to produce the food eaten by the myriad employees of the Church, and by the aristocracy and the king. The ‘middle classes’, the burghers and business men in the newly expanding towns, had no exact place in this ancient schema and were seen as a reluctant necessity of life; to some extent they had forebears in the merchants described in the Bible, but they had to be kept in their place. This was done, for example, by strict sumptuary laws which defined exactly what they and their wives were or were not permitted to wear. Because the best clothes, food, living quarters, art and lifestyle were – self-evidently – restricted to the most noble, virtuous, dignified and deserving in society – the aristocracy and the court.

But, as part of the intricate interlacing of ideas so typical of the late medieval mind, the court, in exchange for these obvious material benefits, had to be paragons of nobility and display for everyone the courtly virtues of dignity, charity, kindliness, forbearance and so on.

As the Middle Ages – say from 1100 to 1500 – proceeded, the depiction and understanding of these virtues (as of so much else in medieval thought) became more and more elaborate, defined in courtly protocols and etiquette which were enhanced and added to by each generation of writers until there were written rules prescribing every possible type of behaviour and clothing and speech which should be used on almost every conceivable occasion.

The lack of theory

Maybe the most though-provoking idea in the book (for me) was this notion that, Chivalry was all they had to think about society with. Lacking any other notions of human nature, lacking our modern ideas of biology or evolution, lacking the post-Enlightenment idea that there have existed numerous and hugely varied societies which themselves have changed and evolved over time, lacking the post-Industrial Revolution idea that technology drives social change with ever-new gadgets leading to ever-rising standards of living — all these modern ideas are predicated on CHANGE. But the central determinant of medieval thought is precisely that THERE IS NO CHANGE. God has made the world as perfect as it can be. Bible chronology explains the entire history of the world right up to its apocalyptic end. Christian teaching is all you need to live well and proceed to Heaven.

This explains why, for example, when medieval artists paint Bible scenes and stories, the characters are always wearing medieval clothes. Because the world HAS NOT CHANGED. The medieval mind can imagine no change, it has no theory of the gradual evolution of society and manners. People must always have dressed like they do today. (Huizinga makes the interesting point that it is only with the Italian Renaissance that artists began to depict the saints in classical togas, thus for the first time setting them aside and apart from the everyday familiarity they had enjoyed during the Middle Ages. In medieval art Roman martyrs and saints had worn medieval costume.)

The one glaring exception to this idea was the age-old one, as popular in the late Classical world as in the medieval world, which is the notion of steady decline from the first, primordial perfection of the Garden of Eden to the present sad and lawless days. The world hasn’t changed but Oh how behaviour and morality has lapsed and decayed!

Profound misunderstanding of their own times

Lacking any modern understanding of human nature and social dynamics, medieval thinkers, artists and writers were astonishingly dim about the world around them. So, for example, Huizinga makes the fascinating point that, lacking any theory of technology, commerce or economics, the chroniclers of the Duchy of Burgundy explained the notable wealth and success of the court of Burgundy not through the (to us obvious) point that the coastal towns of Antwerp and Bruges and so on were at a geographic nexus between Britain to the West, the Baltic to the East and France to the South and so the merchants there made fortunes as middlemen for vast matrices of trade, fortunes which the Duchy then taxed and lived off – none of this could be understood by contemporaries. Instead, every single chronicler accounts for Burgundy’s wealth in terms of the nobility and virtue of its ruler. Chivalry, nobility, Christian morality – these and these alone are what accounts for an entire nation’s rise or fall.

The chroniclers of the fifteenth century have, nearly all, been the dupes of an absolute misappreciation of their times, of which the real moving forces escaped their attention. (p.56)

And this explains why all the chroniclers and historians and priests, in their sermons and pamphlets and books and works have one message and one message only – since the world depends for its continued wealth and stability on the virtue of the prince, of the noble ruler – ALL of these books without exception start, focus on and end with earnest, heart-felt pleas to the ruler and prince to be Noble and Virtuous and to Rule Well. We are all depending on you.

It is the one political idea in the entire culture.

Chivalry as psychological protection

Chivalry was a kind of mass wish-fulfilment, the casting of all human behaviour into stereotyped and idealised patterns, which had tremendous psychological importance for all educated people of the time and many of the commoners. For Chivalry’s exaggerated formality and romantic ideals attempted to hold at bay what most people actually saw around them – which was appalling random acts of violence, sickness and death.

Only by constructing a system of forms and rules for the vehement emotions can barbarity be escaped. (p.105)

With no effective medicine, anybody could fall ill at any time, or suffer a scratch or wound which became infected and they died. Countless women died in childbirth. Countless children died pitifully young. Countless millions starved to death unrecorded and unlamented. Millions died horribly in the repeated epidemics of plague which swept across the known world. And countless millions lived in villages or towns where any day, out of the blue, soldiers in armour arrived and started killing, raping and burning everything, for reasons concocted in the faraway courts of London or Paris or Dijon, and which the victims would never hear about or understand.

For the rude and common people, only the incredibly ornate and complex set of Christian customs, practices, beliefs, festivals, penances, sacrifices, masses, saints and relics was all that stood between them and the constant spectre of complete disaster. Huizinga mentions a host of medieval superstitions – that you couldn’t fall ill on any day when you heard Mass (quite a strong motivation to attend as many as you could) or that any patron saint sighted during the day would protect you for that day (and hence the outside and the porches of churches being crammed full of statuettes of saints.) I particularly liked the idea that you don’t actually age during the time it takes to attend a Mass – the more you attend, quite literally the longer you will live.

The same was of course true for the educated aristocracy, but overlaying the boggling complexity of Christian teaching was this idea that the nobility should also aspire to Perfect Ideals of Gentlemanly and Courtly behaviour. Almost nobody did, and many rulers were instead paragons of greed, unpredictable rage and the most primitive rivalries and revenge. But the increasingly convoluted protocols of Chivalry which came to determine almost every element of an aristocrat’s life and thought and behaviour, were all the ruling class had to call each other to account, and to try and restrain themselves with.

(In a typically illuminating aside, Huizinga points out how the worlds of chivalry and theology overlapped in the figure of the archangel Michael, who is generally portrayed in armour, wielding a sword against the rebel angels. As the leader of the loyal army in heaven, he was the first knight – and thus the two worlds of divine angelology and worldly knighthood were neatly merged.)

Saint Michael Triumphs over the Devil (1468) by Bartolomé Bermejo

Saint Michael Triumphs over the Devil (1468) by Bartolomé Bermejo

Complexity as a defence mechanism

This explains why forms, patterns, orders, ranks and definitions ramified all over medieval society like weeds. Everything had to be nailed down with a meaning and a place in what was aspiring to be the Total System. Numerology played a large role in all this, numbers conveying a potent magic power, especially if they invoked any of the myriad numbers from Holy Scripture: the three of the Trinity recurs in all sorts of contexts: the human body is seen as made of four humours for each of which there is a key bodily fluid which determines one of the four human character types; all of the colours are given multiple religious symbolism, eventually becoming so complicated entire books can be written about them. Saints multiply like rabbits until every day in the year was the Special Day of at least one saint if not several.

I remember laughing years ago when I read an early medieval sermon which asserted that there needed to be two holy testaments (the old and new) because humans have two eyes, two ears, two nostrils, two arms, two legs so – you know, there just have to be. Like so much medieval reasoning, it has a sweet and childish flavour. The Middle Ages took the many numbers present in Holy Scripture and vastly expanded them:

  • the One God who created the world and all things in it
  • the two-persons in the duality of Jesus, man and God together
  • the Holy Trinity, the three theological virtues (Faith, Hope and Charity)
  • the four cardinal virtues (prudence, temperance, fortitude, justice), the four Last Things (Death, Judgment, Heaven and Hell), the four points of the cross, the four seasons, the Four Evangelists, the Four Elements and their summation – the fifth or Quintessence
  • The Five Wounds Christ received on the Cross (one each in hands and feet and the spear in his side), the Five Planets of the Solar System (plus Sun and moon makes seven)
  • the seven supplications in the Lord’s Prayer, the seven gifts of the Holy Spirit, the seven Beatitudes (from the Sermon on the Mount), the seven penitential psalms, the Seven Deadly Sins which are represented by seven animals and followed by seven diseases, the seven attributes, the Seven Sages of antiquity
  • the Nine Worthies were nine historical, scriptural, and legendary personages who personified the ideals of chivalry, typically divided into three groups of three – three pagans (Hector, Alexander the Great and Julius Caesar), three Jews (Joshua, David and Judas Maccabeus) and three Christians (King Arthur, Charlemagne and Godfrey of Bouillon)
  • the Twelve Disciples, the twelve months of the year, the Twelve Signs of the Zodiac, the twelve companions of Lady Rhetoric (as devised by George Chastelain, historian of Philip the Good in the 1460s)
  • the Fourteen Auxiliary Saints, the 14 Stations of the Cross
  • 33 is the estimated age of Jesus when he was crucified. Stephan Kemperdick’s book about the Netherlandish artist Rogier van der Weyden informs me that one strand of medieval theology thought that 33 is the age that all the dead would be when they are resurrected on the Last Day. If it was the optimum age for the Son of God so, by analogy, it must be the optimum age for a human being.

In fact Huizinga, in his brilliant chapter on ‘Symbolism in decline’, makes the harsh but true point that numerology is actually pretty boring. It is the deeper and often vaguer symbolic correspondences which the medieval mind loved to make between almost every aspect of the natural world and some part of Christian Theology or the Christian story, which are more accessible and more profound.

For example, consider the holly and ivy which grow in northern Europe (I have an abundance of both in my own garden): the prickly leaves represent the crown of thorns that Jesus wore when he was crucified and the berries are the drops of blood they caused. The beauty and simplicity of much of this kind of symbolism lives on to this day, especially when it is about the natural world.

Everyday things like plants and flowers, as well as classical stories and pagan myths, legends and imagery, all of it was easily taken over and incorporated into the vast system of Christian concordances because, to the medieval mind, everything was connected – because it all shines forth the wonder of God. A medieval author explains how the walnut symbolises Christ: the sweet kernel is his divine nature, the green and pulpy outer peel his humanity and the wooden shell between is the cross (p.198): there is no end to the ability of the medieval mind to find a religious symbol or analogy in everything around us.

Thus every day was marked out and divided, for the ever-growing number of religious orders of monks and nuns and so on, by precise hours at which their rituals had to be carried out. On the professional side, this gave rise to countless Rules for the different religious orders prescribing their behaviour for every minute of the day. The secular equivalent is the innumerable ‘Books of Hours’, beautifully illuminated manuscripts whose purpose was to give meaning and resonance to every hour of every day.

Huizinga explains the nature of what was known at the time as ‘Realist’ philosophy (but which we would nowadays called Idealism). This amounts to the notion that every idea is Real, has a precise definition and a place in an infinitely complex hierarchy, all underpinned by theology and, ultimately, God the Creator.

The creative result of this mind-set is a symbolical way of thinking, where almost every everyday occurrence or object can be related to deeper (or higher meanings). His explanation of the internal logic of this approach is fascinating enough – but it is riveting when he then goes on to draw out the connections between this mindset and the prevalence of proverbs (which crystallise everyday behaviour into idealised patterns), to the emblems and mottos chosen by aristocratic households, and their connection of all these with the complexity of heraldry, which had a more-than-decorative purpose for the aristocracy which commissioned it. For them it was a visible embodiment of the ancestors, of their family and its values and achievements. Their world is made up of a dizzying array of vertical hierarchies of meaning.

Wherever it looked the medieval mind constructed a vast and intricate ‘cathedral of ideas’ (p.194). Lacking any ability to genuinely understand the world or to change it, the medieval mind delighted in finding (spurious) patterns everywhere in the natural world, and in creating dizzying edifices of intellectual patterning to fill their (otherwise empty) heads.

Scholasticism

Hence the mind-boggling complexity of medieval theology which, over succeeding generations, set out to codify and order every conceivable thought anyone could possibly have about any aspect of Christian theology, the ceaseless multiplication of saints, feasts and festivals, religious orders, shrines, relics and so on. The late medieval world overflowed with meaning all of it, fundamentally, spurious.

It was this tendency to over-elaboration that later generations satirised with examples of the great debates which were held over ‘how many angels can dance on the head of a pin’, and dismissed as barren ‘scholasticism’. Much of this was gratefully abandoned even by the Catholic Church in light of the great Reformation which came in the early 16th century.

The gap between theory and reality

But for Huizinga what is entertaining is the vast gap between the theory of Christianity as pursued into endlessly remote corners of mental complexity – and the reality of a Church which was in a parlous state. At the top the Catholic Church was tearing itself apart, beginning with the period of the so-called ‘Babylonian Exile’ from 1309 to 1377, when seven successive popes ruled from Avignon in the South of France. When Pope Gregory XI ended the exile and moved back to Rome, half the Curia (most of the French cardinals) refused to go with him and set up a separate Pope of their own. This period became known as the ‘Great Schism’ of 1378 to 1417 when two, and then three, separate popes claimed God-given rule over the church, while merrily excommunicating and damning their opponents.

On the ground all across Western Europe, peasants and town-dwellers, dismayed by this perplexing collapse of central authority, mainly experienced the Church via the immense corruption of an institution devoted to fleecing them with all kinds of religious taxes, penances and indulgences – one of the great themes of the literature of the age.

Courtly Love

The will-to-complexity explains the gorgeous edifice of Courtly Love which grew up intertwined with the complex ideas of Chivalry. Courtly love, or the ars amandi, applied the same medieval technique of intricate elaboration which had produced scholasticism and the codes of chivalry, to relations between the sexes. The cult of Courtly Love grew into a highly complex, ritualised, ornate and delightful cornucopia, a delicate Gothic tracery of manners, behaviours and modes of address.

Just as scholasticism represents the grand effort of the medieval spirit to unite all philosophic thought in a single centre, so the theory of courtly love, in a less elevated sphere, tends to embrace all that appertains to the noble life. (p.105)

Works of courtly love grew bigger, longer and more complex as they redefined all aristocratic behaviour in light of the knight’s reverence for his distant and unattainable Lady. Thousands of books, tens of thousands of poems, were devoted to elaborating and curlicuing this one subject, the more elaborate it became the more remote from the often brutal reality of rulers selling off each other’s daughters in order to make strategic alliances.

Anxiety and hysteria

The terrible realities of a life without any medicine or science were compounded by the awful fear of the living hell awaiting almost everyone after death. Everyone was badly stressed by this appalling plight. And this helps to explain why, when anybody anywhere was seen to threaten the controlling orderliness of Christianity and Chivalry, they acted like a kind of lightning rod to the anxieties of an entire culture. For a threat to any part of the fixed and repressive structures of medieval society was a threat to ALL of it and therefore a threat to the entire mental and psychological paraphernalia which was all these people had to stave off bottomless fear and anxiety. Threatening complete collapse.

It is this extremity of anxiety which they felt all the time which explains the (to us) extraordinary hysteria which was let loose in the various witch hunts and trials. Helpless old women or sassy young women who stepped out of line, or in fact had often done nothing at all, could quickly find themselves short-circuiting the anxiety of an entire culture, instantly blamed for every bad harvest, illness and death which had happened anywhere near them. And not just blamed a little, but immediately transformed into omnipotently evil associates of Satan and his demons, complete with magic spells and malevolent familiars. Huizinga mentions the ‘vauderie d’Arras’ from 1459 to 1461 in which 29 townsfolk were accused of witchcraft (10 of them women) of which 12 were executed (8 women).

The same went for heretics, for anyone who dissented from the crushing orthodoxy of the Catholic Church. Once again a threat to any part was a threat to the whole ornate edifice of belief which sustained everyone and so even a small threat prompted hysterical over-reaction.

And for such a complete subversion of the fragile state of things, only the most extreme form of punishment was suitable – something so terrible that it would terrify anyone who witnessed or heard of it to go anywhere near this kind of transgressive behaviour. Heretics were hunted down, entire communities wiped out, and, like the so-called witches, their leaders very publicly burned at the stake.

Waning and decay

The terrible conditions of life, the almost continual warfare, the terror of hell, the ubiquity of witches, heretics and enemies of society, the only certainty being early death and a strong possibility of an eternity of hellfire – explain Huizinga’s title.

Huizinga doesn’t see this as a society on the brink of the exciting ‘rebirth’ of the Renaissance as we latecomers, looking back over the centuries, are tempted to see it – but as an age which was exhausted with permanent war and religious terror. An era of fathomless pessimism and permanent nostalgia for the olden days which must, must surely have been better than this. And an age, above all, which has thought itself out. Every detail of life has been cemented into the vast cathedral of analogies and concordances, of symbolic types and correspondences which crust the whole thing together so that no new thought is possible.

Early on he makes the brilliant point that the two are connected – that writers of the Middle Ages were so damn pessimistic precisely because they couldn’t see any way out of the dead end of dried-out theology and tired literary forms (all those thousands of allegory and romance).

We ‘moderns’ have two hundred years of accelerating technological change behind us giving us the near certainty that things will always be changing (and at an accelerating rate) – better medicines, laws, technologies, the spread of human rights, equality, feminism etc.

But the medieval mind not only had no theories of social change, their political ideas – such as they were – forbade social change of any kind, because Society – along with its ranks and positions – had been laid down for all time by God. Change was not only subversive, it was blasphemous.

Thus they not only had no mental wherewithal to envision a better future, at a deep level they weren’t allowed to; in their future there was only the certainty of continuing decline from the former Golden Age, combined with fear of the end of the world and the threat of an eternity of hell. No wonder the age was so pessimistic!

Unexpectedly critical

Maybe the biggest surprise about the book is how critical it is of medieval society, thinkers and rulers. You expect a scholar who’s devoted his life to a subject to be enthusiastic about it, but Huizinga is bracingly critical, if not downright insulting, about the culture as a whole and many of its leading thinkers and writers.

The mentality of the declining Middle Ages often seems to us to display an incredible superficiality and feebleness. The complexity of things is ignored by it in a truly astounding manner. It proceeds to generalisations unhesitatingly on the strength of a single instance. Its liability to wrong judgements is extreme. Inexactitude, credulity, levity, inconsistency, are common features of medieval reasoning. (p.225)

The ideal of chivalry tallies with the spirit of a primitive age, susceptible of gross delusion and little accessible to the corrections of experience. (p.125)

Most of the authors of the fifteenth century are singularly prolix. (p.268)

And he has harsh words for many of the writers he quotes so liberally. Eustace Deschamps is only ‘a mediocre poet’ (p.102); most of the poets of the age were ‘superficial, monotonous and tiresome’ (p.262); ‘Froissart is the type of this extreme shallowness of thought and facility of expression’ whose mind is marked by ‘poverty and sterility’ (p.283).

Comparison of late medieval literature and art

It is only towards the end of what feels like a long, dense account of the culture of the late Middle Ages, that Huizinga finally arrives at the subject which, apparently, triggered it – a consideration of the art of van Eyck, Rogier van der Weyden and their contemporaries. Why is their art so good, so beautiful, if so much of the rest of late medieval culture is tired, clapped-out and formulaic?

For two reasons:

1. It is newer. Written literature stretched back to the Romans. Literary genres like history, chronicle, play, poetry, epic, lyric, satire and so on had been going for nearly 2,000 years. In medieval hands every logical possibility within these genres had been explored and done to death. Hence Huizinga’s rude comments about the poets and even prose writers of the age. The medieval intellectual system had systematised everything and all that was left was repetition without invention.

By contrast, painting was new. It had only emerged out of flat devotional panels and icons in, say, the 1200s. There was still a great deal of scope for individuals to compose and arrange even the most hackneyed of subjects – the Annunciation, the Crucifixion etc. And in subjects free of Christian content, the world was their oyster, and European painting would continue to develop at an astonishing rate for another 500 years. Thus Huizinga points out that whereas there had been erotic literature for thousands of years, there was little or no genuinely sensual erotic imagery. There’s little or no erotic imagery in the late medieval art (which has survived) but what there is has a fantastic sense of freshness and innocence. We can still sense – 500 years later – the excitement of innovation and experimentation in their paintings.

2. There is (obviously) a fundamental difference between written literature and painting. In the Late Medieval period in particular, both succumbed to the era’s obsession with detail, but with widely different results: so much of the literature, whether religious or secular, routinely turns into lists of vices and virtues – Huizinga really dislikes allegory because it is such a superficial, sterile way to ‘create’ characters out of often flat and empty ‘ideas’, little more than words.

Imagination, both literary and artistic, had been led into a blind alley by allegory. (p.303)

He quotes reams of poets and prose writers whose texts are long lists of the angels or personified Virtues they encounter, and their entirely predictable attributes and oh-so leaden dialogue. Their realism ‘remains enslaved by conventional forms and suffocated under a heap of arid rhetoric’ (p.276).

But in the painters of the day, the obsession with complexity and detail is transformed into the goal of decorating every surface, with rendering every stitch and jewel, with capturing nuances of facial expression and emotion – and this is something entirely new in the history of art.

In a fascinating passage (chapter 20, ‘The Aesthetic Sentiment’) Huizinga quotes one of the few recorded opinions of this art made by a contemporary, the Genoese man of letters Bartolommeo Fazio who admires in the paintings of van Eyck and Rogier the realism and the detail: the hair of the archangel Gabriel, the ascetic face of John the Baptist, a ray of light falling through a fissure, beads of sweat on a woman’s body, an image reflected by a mirror.

It is precisely this love of detail and its exquisitely realistic rendition, which we know aristocratic patrons of the day enjoyed, and which to those of us who love it, is precisely one of the strengths and appeals of medieval culture: its creation of wonderfully rich and decorative patterns in not only the visual arts but all other aspects of intellectual life: the rich detail and dense symbolism to be found in all medieval arts – of tapestry, illumination and painting.

The Crucifixion Triptych by Rogier van der Weyden

The Crucifixion Triptych by Rogier van der Weyden (c.1430)

Fascinatingly, we have the opinion of Michelangelo himself on Netherlandish art, recorded by Francesco de Holanda. Michelangelo credits the technical achievement of the northerners but then criticises them for having too much petty detail and not enough of the grand sculptural simplicity which he, of course, achieved so spectacularly.

Though the eye is agreeable impressed, these pictures have neither art nor reason; neither symmetry nor proportion; neither choice of values nor grandeur. In short, this art is without power and without distinction; it aims at rendering minutely many things at the same time, of which a single thing would have sufficed to call forth a man’s whole application. (Michelangelo, quoted p.254)

What he dislikes is the late medieval tendency to get lost in a maze of details (reflecting the complexities of the mazes of theology and chivalry). For Michelangelo all this has to be swept aside to make way for enormous, grand, simplified and epic gestures.

The Creation of Man by Michelangelo (1512)

The Creation of Man by Michelangelo (1512)

Gone are the flowers, the trees, the landscape, the roofs and towers of the distant town, the colour symbolism and elaborate folds of the stiff clothes, the sweet douceur of the faces and the sentimental tears of the mourners. But these are precisely what I like so much about the art of the northern renaissance.

Conclusion

The above is a summary of just some of the many themes discussed in this brilliant book. It is a really rich, profound and insightful account, which repays repeated rereading, even after all this time still offering up new connections and shedding fresh light on time-honoured subjects.


Credit

The Waning of the Middle Ages was published in 1919 Herfsttij der Middeleeuwen and translated into English in 1924 by Frederik Jan Hopman. All references are to the 1976 Penguin paperback edition as reprinted in 1982.

Related links

‘The Crusades’ from A History of Christianity by Paul Johnson (1976)

The crusades were not missionary ventures but wars of conquest and primitive experiments in colonisation; and the only specific Christian institutions they produced, the three knightly orders, were military. (p.241)

Paul Johnson’s magisterial History of Christianity is divided into eight parts.

  • Part One describes the life of Jesus and, following his execution, the development of a ‘Christian’ theology and the spread of Christianity during the years of repression by the Roman Empire.
  • Part Two ‘From Martyrs to Inquisitors’ (250-450) describes the changing fortunes of the faith, as it morphs from a banned underground movement into the officially sanctioned state religion of the Roman Empire. By 400 it is firmly enough established to begin to ban and persecute pagans and non-believers in its own right.
  • Part Three ‘Mitred Lords and Crowned Ikons (450-1054)’ covers the Dark Ages, focusing on the achievement of Charlemagne in establishing order across a wide expanse of northern Europe, wholeheartedly accepting Christianity and becoming an active evangelist for it.

Part Four, ‘The Total Society and its Enemies (1054 – 1500)’

This section covers a myriad historical developments but grouped under one Big Idea: From the later 11th century through to around 1500 the papacy set out to systematically aggregate religious and secular power to itself.

Charlemagne (king of the Franks from 768 to 814) had expected his bishops, and even the pope himself, to obey his commands. He found a subordinate Church an invaluable aid in establishing law and order in 9th century Europe.

But around the time of the Norman Conquest the papacy began to flex its muscles, and successive popes tried to seize the upper hand against secular rulers, not least by asserting the Church’s control over every aspect of secular life. The body of church law expanded exponentially. The types of monastic order and mendicant friars burgeoned: Benedictines, Franciscans, Dominicans and so on. Clerics asserted a dizzying array of taxes, especially the hated ‘mortuary’ tax i.e. they wouldn’t bury you unless your family handed over a percentage of your valuables to the church.

Something similar happened with the concept of ‘indulgences’, which were first issued for pilgrims who attended a one-off jubilee in Rome in 1300. You bought them and – if you attended certain ceremonies, pilgrimages, feasts etc, they got you out of purgatory early. The 1300 Jubilee brought in so much money for the Church that the next pope declared there’d be another jubilee in 1350. Soon they were being declared every ten years. Eventually you could pay someone to do the pilgrimage for you, just like you could pay people to do your penances and pay clerics to sing masses for you after you were dead. Johnson calls it the growth of ‘mechanical’ Christianity.

Johnson gives countless examples of the invasive growth of church administration: For example, in the 10th century the Pope had had only a hazy idea where Britain even was; but by the 13th century we find the Pope intervening between two bishops in East Anglia squabbling about who benefits from the tithes of a local parish church.

But as the Total Church pushed its tentacles into every aspect of society, it planted the seeds of opposition. Johnson records various early appearances of anti-clerical complaints and these grew into a crescendo when the papacy as an institution left Rome altogether to relocate to Avignon in 1309.

To all intelligent observers it became clear the church was ceasing to be a spiritual body and becoming a well-run multinational corporation. The second half of the chapter details the ways the Church’s aspiration to ‘Total Control of Western Society’ generated increasing criticism and opposition. He examines the various movements for reform, including the intellectual ‘Humanist’ movement. This was just beginning to suggest the possibility of sophisticated reform within the established Church, when its subtle suggestions and ecumenical spirit were swept away in the tsunami of Martin Luther’s rhodomontades and the immense upheaval of the Reformation (started 1517).

The Crusades

It is in this overarching context that Johnson devotes a dozen or so pages to the Crusades. His main points are:

Early Christians viewed all violence as abhorrent, preferring death and martyrdom to armed resistance. Here, as in so many other issues, it was St Augustine who gave Christianity its baleful turn. He reasoned that men fight anyway, so a complete and realistic theology must take account of this fact, give in to human nature, and define under what circumstances violence, fighting and war are justified. Augustine’s writings gave birth to the long tradition of theologising about the ‘Just War’. These arguments became elaborated, along with the rest of ‘mechanical’ medieval theology, as successive popes developed more and more casuistical arguments: for example claiming that anyone dying in battle in defence of the faith would go to heaven; then would be defined as a ‘martyr’; and then would have all their sins forgiven. And obviously, the most just of just wars would be not against other Christian kings, but against either heretics and blasphemers (as defined, of course, by the pope), or against the joint enemy, the infidel hordes who had swept across the Mediterranean in the 7th and 8th centuries.

As to this Muslim world, Johnson shows in convincing detail how Islam had succeeded in sweeping through the Middle East and the North African coast largely because of the hopeless divisions among innumerable forms of North African Christianity – there were Nestorians and Pelagians and Arians who all accused each other of being ‘heretics’ with such bitterness that some openly greeted the new Muslim rulers, preferring to be ruled by infidels than by ‘heretics’.

Islam’s success was because, as a theology, it is simple and easy to grasp: there is one God and Mohammed is his Prophet. That’s it. Compare and contrast with the scores of fiendishly subtle and complex heresies which early Christianity threw up in droves, particularly around the two sore points of the exact nature of Christ’s manhood and godhood – and the precise relationship of the three elements of the ‘Trinity’. Christian heresy lost Africa to Islam.

Origins of the Crusades

Those in the region who didn’t convert were treated well. Islam proved tolerant and permissive of other beliefs. But by the 1000s a storm was brewing in the West. Johnson identifies three factors:

  1. Small-scale wars against Muslims were being pioneered in Spain, half of which was, of course, in the control of Muslim kings during this period. In 1063 King Ramiro I of Aragon was murdered by a Muslim and Pope Alexander II offered an indulgence (i.e. forgiveness of all sins; go direct to heaven) to anyone taking arms to revenge this crime. (N.B. It was the same Pope Alexander II who gave his blessing to William the Bastard’s conquest of England a few years later.) In 1073 his successor Pope Gregory VII helped to organise an army to fight against the Muslims in Spain, promising any Christian soldier that he could keep any ‘infidel’ land that he could seize.
  2. A Frankish tradition dating back to Charlemagne’s times had it that the Carolingian monarchs had a special duty to protect the Holy Places in Palestine and keep pilgrimage routes across Europe to them safe and secure. There were three well-marked land routes as well as the more expensive sea routes to the Holy Land. Many Holy orders maintained hospices along the route. Sometimes huge numbers of pilgrims did the journey and, by and large, the Muslim authorities treated them peaceably. (For example, in 1064-6 some 7,000 Germans, some heavily armed, travelled to Jerusalem and back unhindered.)
  3. What prompted the synthesis of the above two notions – the idea of taking military action against the infidel along with the idea of seizing control of the Holy Land – was the population explosion of the 11th century. By the 1000s, after centuries of chaos, most of Europe was settled and under the legalised control of strong rulers, themselves backed by the authority of a resurgent Catholic Church. Agricultural land across the continent began to be exploited to the maximum of the available technology. The Crusades can thus be interpreted as a bid for Lebensraum for a booming population. This explains why, along with the knightly enterprises we mostly read about, went various less romantic movements by the poor: like the 20,000 peasants led by Peter the Hermit, or the Peasants Crusade, or the Children’s Crusade and so on. Many of the nobles who flourished on Crusade – like Godfrey de Bouillon, who emerged as leader of the First Crusade (1096-99) – were junior members of the aristocracy, often left landless by elder brothers. To these ambitious younger sons the crusades offered huge opportunities to create and run their own fiefdoms, kingdoms, empires.

In a sweeping statement typical of his confident handling of large perspectives, Johnson says the Crusades, seen as a mass movement of people, stand mid-way between the Germanic migrations of the 4th and 5th centuries which brought the Angles and Saxons to this country, and the great transatlantic migrations of the European poor to America in the 19th century.

Seen from this lofty height, all of History can be summarised in terms of major migrations.

The appalling violence of the Crusades

Like Terry Jones in his book Crusades, Johnson emphasises that the crusades were bad news for Europe’s Jews, sparking waves of anti-Semitic violence, pogroms, murders and massacres.

But then they were bad news for lots of others, not just Muslims, as the crusaders repeatedly massacred everyone they found in foreign towns and cities. Peter the Hermit’s crusade slaughtered everyone they found in the villages around Nicea within the Byzantine Empire. When Jerusalem fell in 1187, the conquering Christians went on a horrifying rampage, murdering everyone they saw, raping women, even nuns, looting everything they could carry, burning everything they couldn’t. In 1101 when the crusaders took Caesarea they rounded up all the Muslims into the Grand Mosque and massacred them all. Same in Beirut. In 1109 Tripoli fell to Genoese sailors who burned down the Banu Ammar library, the largest in the Muslim world. The Frankish crusade to Egypt in 1168 was characterised by massacres wherever these rampaging barbarians went.

As Jones points out, the crusaders hated the Greek Christians of the Byzantine Empire almost as much as the Muslims. When, frustrated and unpaid, the angry crusaders rampaged through Constantinople in 1204 they massacred so many citizens and destroyed so much infrastructure that the city never recovered. What Johnson calls the last of the international crusades in 1365, led by Peter I of Cyprus, resulted in the sacking of the Christian city of Alexandria, when these ‘holy warriors’ killed as many Christians as Muslims or Jews. Once they’d finished slaughtering the inhabitants, the crusaders expelled all Greek clerics from their positions, replacing them with Latin-born bishops, priests etc. Orthodox priests were routinely tortured to reveal the location of hidden treasure, plate or relics. Cultural imperialism has rarely come more naked. The Orthodox empire, from the emperor to the lowest peasant, learned to hate and fear the Latins, the Franks, the Catholics, as devils.

The failure of the Crusades

Johnson brings out a point mostly implicit in Jones’s narrative: that a key reason for the failure of the crusaders was that there just weren’t enough of them. In their cultural imperialism the Pope and clerics forbade the crusaders to intermarry even with the Greeks, let alone the local Muslims or Jews. Therefore the population was dependent on rates of childbirth among the small colonies of pure Wester Christians – which appear to have been pitifully low – or on replenishment from Europe which, despite occasional spurts of enthusiasm, was never continuous enough to supply a stable population.

If it had wanted the Crusader kingdoms to succeed, the Church should have funded mass emigration. It should have set up missionising orders to convert Muslims to the faith and create a native population sympathetic to the colonists. But, as Johnson summarises, in the kind of magisterial judgement which makes his History so stimulating and entertaining to read:

The whole crusading movement was dogged by intellectual bankruptcy. (p.248)

Not enough people, not enough money, not enough knights, not enough soldiers – it’s surprising the crusader kingdom staggered on for as long as it did. By the 13th century there was no longer the same population surplus in Europe which had driven the first crusades -excess peasants tended to drift to the growing and commercially successful towns. Meanwhile, the north German knights were applying crusading techniques more effectively and with much more promise of land and titles against the pagan slavs in Poland, Lithuania etc. And then along came the Black Death in the 1340s, after which there was definitely not a problem of over-population.

The events surrounding the last century of the crusader kingdoms are complex, and involve the complicated interventions of different groups of enemies – the Seljuks, the Mongols, the Mamelukes – but the enterprise was by then bankrupt in every sense.

Conclusions

The Crusades left a sense of loss and nostalgia in the West given to sentimental self-deceit; but led directly to the creation of an embittered and less tolerant Islam, some of whose adherents are still smarting from its humiliations, 800 years later.

The Crusades set a pattern for the blood-thirsty anti-Semitism which was to disfigure parts of ‘Christian’ Europe for centuries to come.

And they established many of the mental, cultural and economic patterns which were to be invoked when the great European colonisations began in the 16th century and which we are still recovering from today.

Related links

More about the crusades

The Conversion of Europe: From Paganism to Christianity 371-1386 by Richard Fletcher (1997)

Big book, enormous subject. Just as well we’re in the company of such an immensely knowledgeable and charming companion – medieval historian Richard Fletcher. Sadly Dr Fletcher died in 2005 – read the Guardian obituary – but his works live on, and this is his masterpiece.

The Conversion of Europe: From Paganism to Christianity 371-1386 (1997) forms a great companion to Robert Ferguson’s brilliant book about the Vikings, The Hammer and The Cross (2010). The ‘Viking Age’ was roughly 800 to 1100. Ferguson describes in forensic detail the brutal, masculine world of the barbarian raiders from the seas, heathens from beyond the pale of Roman civilisation, law and literacy; only slowly is their bloodlust brought under control as the various Danish kings and warlords are converted and baptised at the end of the 900s and into the 1000s. Ferguson’s thesis is that, shadowy and difficult to pin down as the definition of ‘Viking’ is, there is certainly one constant to all their activities: their super-violent hatred of Christianity. Christian centres are not just attacked, they are destroyed and the inhabitants exterminated.

Fletcher’s book, on the other hand –

  • Covers a much larger period – from the emperor Theodosius banning pagan religion in the 380s to the conversion of the Lithuanians one thousand years later, in the 1380s – and a far wider canvas, from Scotland to Romania.
  • Covers the same story from the other side, examining the administrative and cultural framework of Christianity as it developed inside the Pale of Roman administration, law and literacy, and then slowly extended beyond it.

The main difference is that, compared to the Vikings, we actually have quite a lot of information about individual proselytisers because so many of them became saints (St Martin, St Columba, Patrick, St Augustine, St Wilfrid and so on) and had hagiographies (biographies of saints) written about them, often by followers who had personally known them and witnessed key events in their lives.

By the 7th and 8th centuries, many of these pioneers can be shown either to have come from aristocratic families or to have had aristocratic or royal sponsors. After the obscurity of the 5th and 6th centuries, Fletcher’s book in the 7th and 8th centuries becomes like a tapestry or puzzle, wherein we can see the complex web of relationships between successive kings and their spouses and their missionary monks and priests, the evangelists pushing into new territory, the royals providing the money and material to build them new churches and monasteries, which become engines of education and learning, generating new mission-minded monks who themselves set off further north or south or east to copy the example of their sainted forebears.

Slowly, slowly, by painstaking efforts, the whole continent is converted.

The rise of Christianity

The opening chapters move swiftly over Jesus (‘Christianity traces its historic roots to the ministry of a Jewish preacher and exorcist in a backward province of the Roman empire’, p.13), the missions of St Paul, the letters of the earliest fathers and martyrs, through to the ‘Eusebian accommodation’. The emperor Constantine plays a pivotal role in the history of Christianity because it was he who, in the Edict of Milan in 313, brought all Roman persecution of Christianity to an end and decriminalised Christian belief and practice. The age of persecution and martyrs ends in 313.

Constantine was a practical man who set about establishing peace throughout the Empire, reorganising its taxes and laws, establishing a fundamentally new structure whereby the empire was divided into a western and an eastern half (the latter to be ruled from the new capital he established at the old Greek town of Byzantium which he completely rebuilt and renamed Constantinople). And he brought the same practical thoroughness to the up-and-coming religion which had now established itself throughout the empire, Christianity, calling councils to thrash out its beliefs, to have them set in writing and promulgated under his name, as well as sitting in judgement on the theological and administrative squabbles of the early church.

Eusebius was court theologian to Constantine and, as well as the panegyrics he wrote to Constantine’s wonderfulness, he developed the idea that the empire and Christianity were intertwined: it was their destiny to work together, the wise and good Constantine providing the peaceful framework within which his holy church could save souls, the wise and good Church leaders providing the emperors with spiritual guidance. Now that it had adopted Christianity, the Roman Empire would be protected and supported by a loving God. The two would go hand in hand in peace and power.

100 years later this line of argument got into trouble when Rome was sacked by the Visigoths (410). Surviving pagan philosophers used this disaster to refute the argument that the Empire had been blessed and protected by Christianity: it looked very much the opposite, that abandoning the old pagan gods had led to disaster.

Far away in North Africa, the great theologian Augustine was prompted the fall of Rome to write his huge masterpiece City of God (426). This completely rejected the idea of an accommodation between Rome and Christianity, and asserted a complete separation between the earthly city with its corruption and imperfection, and the divine City of God. The Eastern, Greek empire, stuck with the Eusebian ideal; the West with Augustine’s separation, with huge consequences. Augustine’s insistence on the separation of Church and State sowed the seeds of the long-running feud between the Holy Roman Emperor and the Pope, and between individual rulers and their archbishops and the Pope, a tendency which led to the rejection of central Church authority in the Reformation. All this was in sharp contrast to the Greek Eastern Orthodox tradition which followed Constantine’s wish of uniting church and state – leading to the arguably more authoritarian regimes of Orthodox countries, epitomised by Russia.

If in the East church and state were nearly identical, in the West they were often at odds. Harmony was characteristic of the east, tension of the west. It was to be a critically important constituent of western culture that church and state should be perceived as distinct and indeed often competing institutions. Built into western Christian traditions there was a potential rarely encountered in the east for explosion, for radicalism, for non-conformity, for confrontation. (page 28)

Augustine’s pessimistic vision seemed to be confirmed when the Empire in the West collapsed and the last emperor was killed in 476. The slow decay of Imperial law and institutions eventually left the archbishops and bishops and abbots and monasteries – the papacy and the Church bureaucracy – as the only thing left standing to embody the literacy, legality and civilisation of the Roman Empire as the barbarians swarm across Europe.

Why convert anyone to Christianity?

Because Jesus told them to. The key passage is in the Gospel of Matthew, chapter 28, verses 16–20:

Now the eleven disciples went to Galilee, to the mountain to which Jesus had directed them. And when they saw him they worshiped him, but some doubted. And Jesus came and said to them, ‘All authority in heaven and on earth has been given to me. Go therefore and make disciples of all nations, baptizing them in the name of the Father and of the Son and of the Holy Spirit, teaching them to observe all that I have commanded you. And behold, I am with you always, to the end of the age.’

In later years this would become known as ‘the Great Commission’ and was used in the era of European expansion and colonisation (1500 to 2000) to justify missionising to all the native peoples Europeans encountered.

Fletcher’s book shows:

a) How very slowly it came about that the Church hierarchy even considered missionising beyond the urban centres – for a long time it was thought that you only needed a few converts in each of the ‘nations’ – and those mostly among the urban rich. ‘Surely that’s enough, isn’t it?’ Fletcher brilliantly describes how slow the notion of conversion and mission was to emerge. For centuries the authorities concerned themselves only with bringing the pagans within the Empire into the Church; that was challenge enough. He shows how Christianity was above all an urban phenomenon, and identified entirely with the wealthy and – once Constantine adopted it – with the extremely wealthy. These oligarchs fell over themselves to lavish land and bequests on the Church. In its earliest period Christian evangelisation was restricted to urban centres – St Paul’s epistles are to congregations in cities. Christian authorities followed the Roman prejudice that country dwellers were illiterate beasts. Only slowly did the idea develop that bishops should stamp out paganism in the countryside.

b) And this extending of the faith beyond urban centres itself turned out to be a chalenging and slow business – such that popes and bishops are still writing about the scandal of pagan worship clinging on among the peasants well into the 600s and 700s. And not on the periphery, but right in the heart of the ‘Christian’ empire, in Italy itself, 20 miles from Rome – let alone in the further lands of Francia and Spain, or out in the wild frontiers like England.

c) Only slowly, in the work of isolated writers and a few brave experimenters, did the notion of going beyond the borders of Romanitas to convert the heathen become even thinkable – the notion of sending Christian officials outside the boundaries of the former Roman Empire into hard-core, non-Latin, barbarian territory to ‘spread the Word’. The first half of the book tells the story of just such hardy souls, St Martin, St Patrick, St Boniface, and the wonderful miracles they did and hordes they converted. (The bishop was the standard rank of mission leader – a bishop could establish a ‘diocese’, set up a centre for ecclesiastical administration, appoint and manage priests, organise church-building etc, all the while corresponding with the Head of the Organisation back in Rome.)

What were the converters up against?

Fletcher builds the text by taking examples of figures both famous and obscure from across Latin Europe (Italy, France, Spain, England) and using the written records we have of them to investigate and compare their various motives, procedures, what they were up against (pagan resistance) and how much they succeeded.

The great frustration of this subject is that we know so little about what so-called ‘pagans’ actually believed or did. A central part of the ‘conversion’ process was to destroy every single shrine, statue, holy tree and so on, a scorched earth policy as regards buildings and objects, and it’s the same with texts – not a single text survives anywhere which records the nature of pagan belief, compared to the thousands and thousands we have which record the holy sayings and wonderful deeds and pious activities of Christian martyrs, saints and teachers.

In practical terms, this is because the Christians – of course – controlled the only means of storing and transmitting information i.e. writing. It appears that the pagans had no writing (apart, in some places, from primitive runes carved into stone) and certainly didn’t have the means of recording, replicating and storing writing which Christians established in the shape of monasteries full of educated, literate, text-copying monks.

But various church officials did, in scattered letters, sermons and theological works, make scattered references to the ongoing pagan practices, and from them we can piece together – if not the content of the beliefs or even the names of the pagan gods (pitifully rare) – at least some of the more superstitious practices of rural people. The De Correctione Rusticorum of Martin of Braga (now northern Portugal), written at the end of the 6th century, is a letter written to a fellow bishop, Polemius of Astorga, which laments the ongoing bad behaviour of his pagan flock who:

  • celebrate new year with the pagan Roman festival of Kalends
  • burn candles at stones and trees and springs and where three roads meet
  • observe divinations and auguries and days of idols
  • observe the Day of Vulcan (23 August) and the first days of each month
  • adorn tables and hang up laurels and ‘watch the foot’
  • pour wine and fruit over the hearth and put bread in a spring
  • women invoke Minerva in their weaving
  • keep weddings for the day of Venus (Friday)
  • mutter spells over herbs and invoke the name of demons in incantations
  • find special meaning in the behaviour of little birds and in sneezing (p.53)

The Christian authorities decried the existence of arioli (singular: ariolus), holy men who uttered impious words at altars and offered sacrifices, who tied ligatures on the bodies of the sick and applied medicines. In 598 Pope Gregory wrote to the bishop of Terracina just 50 miles from Rome lamenting that local inhabits continued to worship sacred trees, in the pagan manner.

And it wasn’t just the peasants who continued with heathen superstitions. A council of bishops at Toledo in 633 thought it necessary to forbid bishops, priests, deacons or any other clerical orders from consulting magicians, augurs, diviners or soothsayers (p.55). The power of these superstitious practices lingered on for centuries. In fact, in the final pages Fletcher gives records of Church authorities still trying to stamp out rural pagan practice in the 1600s!

How did the converters convert pagans?

This is simple and startling. Contrary to modern practice of converting through reading, teaching and discussion, medieval missionaries performed miracles and magic. ‘My God is more powerful than your gods – watch! Told you so!’

While the Church elite was writing and arguing about high points of theology – which is what many histories of Christianity tend to focus on – down on the ground, among the peasants of the Touraine or Galicia or Mercia, individual evangelists were going head to head with the local deities to show that only the Christian God could end a drought, guarantee safe childbirth, prevent a flood and so on.

The point is not only that the Christians could perform miracles – it’s that the pagan gods could too. High level theologians could dismiss pagan power as empty superstition but down on the ground, missionaries knew the pagan idols had power but they reinterpreted this power as coming from the Devil and his legion of demons – something they had good warrant for in the Gospel stories.

Early medieval Europe was a world in which persons of every level of intellectual cultivation accepted without question that the miraculous could weave  like a shuttle in and out of everyday reality. (p.10)

All these people lived in a world dominated by cruel and capricious forces – incurable diseases, natural disasters, plague and famine, not to mention the unexpected attacks from rampaging armies which killed, raped and dragged survivors off into slavery. Traditional beliefs were the only science and the only technology they had to try and order and control and give meaning to their lives. It took a lot to dislodge these time-honoured traditions.

In a European countryside where over hundreds of years diverse rituals had evolved for coping with the forces of nature, Christian holy men had to show that they had access to more efficacious power. (p.64)

Only by going head to head with the powers of the traditional gods could Christian missionaries hope to make even the slightest impact. Thus the records we have of missionaries throughout the period (300 to 1400, and beyond) tend to dwell on their miraculous works.

  • St Martin of Tours, according to the written records we have of him, frequently encountered supernatural beings: the Devil several times, angels, demons, St Mary, St Agnes, Saints Peter and Paul, he had telepathic powers, could predict the future, could exorcise evil spirits from men or animals, and could raise the dead, as well as performing numerous miracles such as halting a hailstorm in the region of Sens. A letter he wrote cured the daughter of a Roman official just by being placed on her body. He cured a girl of 12 who had been dumb from birth. On one occasion he was cutting down a sacred tree and the pagans dared him to stand where it would fall so Martin did so and as the tree began to fall towards him he made the sign of the cross and it miraculously veered in another direction. The pagans cried with one voice that Christ was king and implored to be baptised.
  • Bishop Simplicius encountered an idol being trundled about on a cart to bless fields and vineyards: he made the sign of the cross and the idol crashed to the ground while the oxen pulling the cart were rooted to the spot. Simplicius made 400 converts.
  • Emilian was a shepherd in the Rioja district of Spain who was called to the Holy Life and built up a powerful network of clients for his wonder-working. He cured the blindness of a slave girl of the senator Sicorius. He exorcised one of the slaves of Count Eugenius. He exorcised the evil spirits which had possessed the senator Nepotian and and his wife Proseria. He cured a woman named Barbara from her paralysis. He made the sign of the cross over the belly of the monk Armentarius and cured him. (p.58)
  • Eugendus wrote a letter to a demon who was possessing a girl in eastern Gaul; the demon left her before the letter was even delivered. The lady Syagria, member of a leading aristocratic family of Lyons, was cured of a grave illness by eating a letter from Eugendus.
  • Samson, grandson of the king of Gwent, was a native of Demetia in South Wales who made his way to England, received clerical training, and sailed across to Armorica in Gaul where he had a career as a miracle-worker, converting the pagan locals, and founding a monastery to preserve his name and build on his good work. In Trigg in north Cornwall he came across people who traditionally worshiped an idol. A boy was killed out riding. Samson told the people their idol couldn’t revive the boy but his God could and, if He did, they should abandon their idol forever. the people agreed. Samson prayed for two hours. The boy came back to life. The people destroyed their idol and agreed to be baptised.

The centrality of miracle working

Again and again and again, in countless accounts of saints’ lives, it is clear that the chief tool in the armoury Christians seeking to convert both aristocrats and peasants to Christianity was their wonder-working, miracles, cures and exorcisms.

These aren’t embarrassing details to be downplayed by modern believers – they are absolutely central to the success of the conversion effort. What’s more, they have their roots in the original gospels, where Jesus is nothing if not a wonder-worker, a miracle-maker, a curer, healer and exorciser, often pitched in direct conflict with the Devil and his demons.

And Jesus’ powers themselves have their roots in the old Jewish scriptures in which heroes as far back as Moses have to fight against the power of the pagan gods, and prove – even to the sceptical Israelites – that Jehovah is Boss. As Fletcher points out, the Book of Psalms was the most widely read book of the Bible in the early medieval period, and its songs repeatedly stress the direct link between piety and worldly success, stressing ‘the causal relationship of correct cult with victory, prosperity and progeny’ (p.244). And he cites the story of Elijah who, in the first Book of Kings, chapter 18, goes head to head with the prophets of Baal and Asherah for an extended competition to see whose god is more powerful and can end the three years of drought. With predictable results, but results taken literally by two thousand years of Christian believers.

Thus medieval superstition isn’t eccentric, it is part of a thousand-years-old tradition, and is intimately linked to the kind of folk beliefs which continued in the West until very recently, and continue to this day in many parts of the world.

It is the post-Enlightenment despiritualising of nature and the world around us, it is the modern Western denial of magic powers and miracles, which is the historical oddity.

Fighting pagan gods/demons

Thus pagan shrines, idols and objects had to be destroyed, pagan practices quashed – and even descriptions of pagan practices suppressed and ignored – not in the name of a secular ideology, but because they had power. They weren’t just empty errors, they were the Devil’s work, they were the activities of the opposition – they represented a real and ongoing threat to the survival, and to the salvation, of the Christian community.

Thus Martin and the hosts of other convertors like him didn’t just smash pagan shrines and buildings – they built over them. There was power in them which couldn’t be ignored – it had to be incorporated into the True Belief and redirected into the holy cause.

Converting from heresy to orthodoxy

It’s easy to forget how central Heresy was and is to Christianity – the history of early Christianity is mostly the history of heresies and, of course, Christianity is itself a heretical deviation from orthodox Judaism.

The most disruptive among a host of types of ‘wrong thinking’ was Arianism, one of the countless deviations thrown up as clever men agonised over the mystery of the Trinity: if God is all-powerful, what is the relationship with the Holy Spirit mentioned throughout the holy texts, let alone with his Son? Is the Son equal in power to the Father? Are they the same entity? How much of Jesus was man and how much God? Did God give birth to the Son who is therefore less than the Father?

Arius (c. AD 250–336) was a Christian presbyter in Alexandria, Egypt and he became associated with the belief that Jesus was begotten by the Father. Arius’s aim was not to dilute the power of the Father, to assert the absolute primacy and omnipotence of the One God. However, this had the effect of downgrading the Son and, by extension, of downgrading Jesus’s sacrifice: if he isn’t fully equal with God then maybe his sacrifice on the cross wasn’t fully earth-redeeming.

Difficult though the philosophical niceties are to follow, the practical consequences are simple. For most of the 4th century the battle lines between Arianism and Orthodoxy hardened and embittered. Arius was anathematised during his lifetime and the newly Christian emperor Constantine (ruled 306-37) called the Council of Nicaea in 325 precisely to try and thrash out a form of words which would please all sides – resulting in the text which became referred to as ‘the Nicene Creed’.

But so powerful was Arianism that the emperor’s own son, Constantius II (337–361) and his successor Valens (364–378), both in fact supported the Arian heresy, with the result that patriarchs and archbishops, bishops and priests were inducted into Arian Christianity – and that initial contacts with Gothic tribes and barbarians was with Arian missionaries.

It was only with the advent of the zealously Catholic emperor Theodosius the Great (ruled 379-95) that Arianism was decisively defeated within the Church: Theodosius ordered all Arian writings to be destroyed and their authors vilified. But from the point of view of a history of Christian conversion, an important element of the early Middle Ages was not just converting the pagans, it was converting those who had mistakenly adopted the Christianity of Arius, back into the fold of Orthodoxy.

Slavery

We need to remember that the slave trade was probably the most widespread business activity of the early medieval world. (page 113)

Reading this book reminds the reader, yet again, that slavery has been an almost universal feature of human societies. Ancient Egypt was a slave society. The ancient Greek cities were slave societies, Athens was a slave state. The Roman Empire was built on slave labour. The Parthenon, the Forum, all that poetry and maths and drama – based on slavery.

One of the major Roman exports from Roman Britain was slaves: we have written evidence and slave manacles and chains have survived. According to Bede’s story the official Roman mission to England was sent, in 597, because Pope Gregory the Great encountered some English slaves in the slave market in Rome. They were so attractive that the pope asked who they were. ‘Angles’, came the reply. ‘Not Angles, but angels,’ the pope quipped. Fletcher’s account of early missionaries to the Franks mentions ‘slaves from across the water’ i.e. the Channel, working for the French aristocracy. St Patrick was six years a slave.

The Goths had slaves. The Huns had slaves. The Vikings took slaves wherever they went to sell in Europe’s slave markets. It is a recurring feature of missionaries that they are recorded as buying and liberating slaves in pagan societies, where possible. Every few pages in this 500-page-long book Fletcher mentions slaves. In one form or another (as serfs, as bonded labour) Europeans carried on enslaving other Europeans until the late medieval era.

The shift North

The later part of the book divides into long chapters dealing with Big Themes: the Greek missionary push into the Balkans and up into Eastern Europe (chapter 10), trying to convert the Vikings (Chapter 11), North-Eastern Europe and the Baltic (chapter 12). All of them are fascinating, tell gripping stories and shed light on the religious and cultural patterns of contemporary Europe.

But one of the biggest ideas to emerge is in chapter 9 which assesses the early Medieval relationship with Judaism, and then with the sweeping military successes of Islam, which rampaged along the North African shore and up into Spain (completely conquered in the years 711 to 718), over the Alps and only being stopped in southern France at the Battle of Tours (10 October 732), where the Frankish King Charles Martel decisively defeated an army of the Umayyad Caliphate led by Abdul Rahman Al Ghafiqi. Charles went on to push Frankish domain south to the Pyrenees thus pinning the Moors inside the Iberian Peninsula, where they created the often stunning culture of Al-Andalus.

But although the Christians held their own against Muslim assaults in southern France, in Sicily (threatening Italy) and in the East, where Islam swept through the Middle East to confront the Byzantine Empire – the net effect of the loss of the North African littoral to Christianity was to push the cultural and political focus of Europe north. Towards the end of this fascinating chapter, Fletcher describes a further seismic process, the slow partition of Christendom itself between Greek East and Roman West. It took centuries of disagreement, misunderstanding, occasional conflict, and a drift apart of theological and cultural practices – but Fletcher brings out another important element.

For centuries after the collapse the Roman Empire in the West, Rome (and the pope) still came under the nominal protection of the Emperor in the East. But as early as 800 the papacy had recognised the power and protection of the Franks, when Pope Leo III crowned Charlemagne emperor in St Peter’s Basilica in Rome. And the diversion of the Emperor’s resources East to hold the Muslims at bay tended to make the papacy continue to look West, and North. A key moment in the breach came when the armies of the Fourth Crusade were diverted from the Holy Land and attacked Constantinople itself – theoretically to restore a pro-Western Emperor, but in reality the army ran riot and sacked the place, killing many of the inhabitants.

The Muslim Conquests and loss of North Africa of the 700s – the triumphant creation of a huge Frankish Empire by Charlemagne in the 800s – the conversion of England, Scotland, Wales and Ireland in the 6th and 7th centuries, then of the Germans, Danes and Poles in the 9th, 10th and 11th centuries – alongside the collapse of Byzantine power which was crystallised in 1204 — all these factors ensured that Roman Catholicism, though based in Rome, would gravitational pull towards the North, around the court of France for a long time, and then the long stormy relationship with the various Holy Roman Emperors of Germany.

So that in the twentieth century Poland could be one of the most fiercely and devoutly Roman Catholic countries. Poland! The heroes of early Christianity – Augustine, Tertullian, Cyprian, Origen – they wouldn’t even have known where Poland was. In the really big scheme of things, it is this shift of the Christian world towards the north of Europe which I found one of the most interesting ideas to emerge from this endlessly fascinating book

Random notes

– I’ve always liked the fact that the Emperor Constantine, the man who legalised Christianity in the Roman Empire, thus guaranteeing that Europe would become Christian with all that meant for future world history, was first acclaimed emperor when still a general by his troops in Britain – and in York!

– The most distinctive feature of early medieval Christendom was the explosion of the monastic movement in the 300s-500s – possibly as a response to Christianity becoming decriminalised in the early 300s, and then becoming the official state religion of the Roman Empire by 380. There was no more scope for martyrdom. But you could still mortify your own worldly ambitions (and those of your parents) by chucking in a promising career as a lawyer, or even as a bishop, and disappearing into the obscurity of a world-denying enclosed religious order. The establishment of monasteries went hand in hand with the more orthodox spread of dioceses across Western Europe, a movement associated with men like St Martin, bishop of Tours from 371 until 397.

– It was fascinating to learn how much this activity was associated with wealth; often the bishops came from very rich families, or they performed miracles which converted the very rich and powerful, who  themselves went on to commission churches and monasteries. Despite Christian propaganda, the Church from the early medieval period was associated not with the poor and slaves, but with money and power. This is emphasised by the string of textbooks, sermons and papal letters Fletcher quotes in the middle of the book which were aimed at trying to bring a very worldly clergy under control – no attending communion drunk! Cut down on the hawking and hunting!

– Only when the internal colonisation of the Empire by Christian networks of church and monastery was reaching completion, did it occur to anyone to go beyond the pale of Roman administration to spread Christianity to peoples outside the borders of the empire. Pioneers included:

– Ulfilas (311-83), the apostle of the Goths, who translated the Bible into a Gothic script which he invented for the purpose. Except that his translation of the Bible notoriously excluded the Books of Kings, which are mostly a record of ancient Israel’s wars. The Goths didn’t need any encouragement in that direction.

Palladius, sent as bishop to the pagan Irish in 431, much overshadowed by his successor St Patrick, 540-60(?). Fletcher spends a long passage describing and analysing the work of Patrick but the main thing about him is that:

As far as our evidence goes, [Patrick] was the first person in Christian history to take the scriptural injunctions literally; to grasp that teaching all nations meant teaching even barbarians who lived beyond the frontiers of the Roman empire. (p.86)

– The Latin word peregrinatio began life as a definition of a type of citizen, an alien or exile from their homeland living within the Roman Empire. In the early parts of his book Fletcher shows how it was taken over to describe the new idea of an ‘exile from Christ’, a person who devoted their lives to travelling and preaching and which became applied to what we would now call ‘missionaries’, men like St Patrick or the Englishman Winfrid, born in Wessex in the 7th century, who took the Latin name Boniface and travelled across North Europe to take a leading role in the conversion of the pagan Saxons, earning himself the title of the Apostle of the Germans. He was ‘martyred’ in the 750s. But towards the end of this long book, Fletcher pauses to consider how the word peregrinatio continued to change its meaning so that by the 11th century it was being applied to planned journeys by groups of people to sites of veneration, churches and shrines erected to the martyrs and saints of what was by now a mostly settled, Christian Europe. These journeys began to be called peregrinatios, translated into Middle English as pilgrimages.

What had once been wild journeys into the unknown had become package holidays.

Crusading violence

The final part of Europe to be converted to Christianity was up in the north-east, in northern Poland, in Livonia, along the Baltic and into the big and successful Duchy of Lithuania. Fletcher’s final chapter paints a rather grim picture of how this final proselytising effort was darker and more violent than what had come before, mainly under the influence of the Crusades. He has to take a detour to explain how the rhetoric of anti-Muslim Crusade came to be redirected towards the last pagan kingdoms – and also how the Crusades witnessed the birth of a new phenomenon, bands or ‘orders’ of knights banding together to either fight in the Holy Land or, like the Knights Templars, to protect pilgrims and other travellers to Palestine. Thus military orders grew up in the north-east devoted to converting the pagan, by fierce military means if necessary, the most notable examples being the Sword of the Brethren and the Teutonic Order. This Wikipedia map gives a good picture of the geographical territories involved and the way ‘conversion’ had been reduced to a military campaign.

Astonishingly, the Grand Duchy of Lithuania held on to its pagan status and religion until as late as 1386 when the Grand Duke seized the purely contingent opportunity of marrying the ten-year-old girl who’d inherited the throne of Poland and had to submit to baptism as part of the political deal.

But these last few centuries of the story are redolent of war, conquest, seizure of territory, rebellions by the conquered put down with brutality. As Fletcher points out, the castles built by these orders in their conquered territories bespeak imperial colonisation, like the contemporary Plantagenet colonisation of Wales. It is a long long way from the heroic solo missions of St Patrick or St Martin, or the better resourced but still peaceful missions of St Augustine or St Boniface. The licensing of military violence by the pope and Church hierarchy is ugly, and sets the scene for the lamentable invasions of the New World which began barely a hundred years later.

All of which, paradoxically, makes the Christianity of the so-called Dark Ages (400 to 1000) seem much sweeter and gentler by comparison. With a few notable exceptions (like Charlemagne’s genocidal ‘conversion’ of the Saxons in the 780s) the converters of the 6th, 7th and 8th centuries were more likely to be solitary holy men impressing pagan mobs by raising the dead or averting hail storms or stopping floods or bringing good weather. Although their miracles may be doubted, the bravery and faith of these early apostles can’t be, and there is something very admirable about it and them, which is worthy of respect.

Some early medieval dates

  • 406-7 the Rhine freezes and barbarian pagan Germanic tribes swarm across it into Gaul.
  • 410 The emperor Honorius withdraws the Roman armies from Britain to defend Rome from the barbarians.
  • 410 Rome is sacked by the the Visigoths under Alaric.
  • 451 The Battle of Châlons in 451 – one of the last major military operations of the Western Roman Empire when Romans under general Flavius Aetius and the Visigothic king Theodoric I fought against the Huns and their vassals commanded by Attila. The battle stopped the Huns seizing complete control of Gaul and installed the Frankish king, Merovech, as king of the Franks, from whom later Frankish claimed descent (and called themselves the Merovingians).
  • 476 The last Roman emperor in the West, Romulus Augustus, dies.
  • 481-509 Clovis king of the Franks, pressurised by his Christian wife Clotilde, is baptised on Christmas Day 496 and – crucially – into orthodox Catholic Christianity, not the Arian heresy espoused by almost all the surrounding barbarian nations. This single decision helped to ensure that Europe became a Catholic continent. Clovis founded a new capital at Paris, and called a Church Council to bolster Catholic orthodoxy in his realm.
  • 510s the Burgundians under King Sigismund convert from Arian to Catholic Christianity.
  • St Columba (520-97) regarding himself as an exile and pilgrim, established monasteries in Ireland and at Iona, which was to become an important religious centre and shrine off the west coast of Scotland.
  • 530s the Vandals convert from Arian to Catholic Christianity.
  • 560s the Sueves convert from Arian to Catholic Christianity.
  • 570s the Saxons of the Loire valley are converted to Catholicism by bishop Félix of Nantes.
  • 580s the Visigoths of Spain convert from Arian to Catholic Christianity.
  • Angle and Saxon kings:
    • 597 Pope Gregory the Great despatched St Augustine of Canterbury to Kent to convert King Ethelbert, at the bidding of his Frankish wife Bertha.
    • 604 King Saebehrt of the East Saxons accepts Christianity and builds a church in London.
    • Sometime before 605 King Redwald of the East Angles converts – though he later backslides and is in fact thought to be the pagan king buried at the famous Sutton Hoo ship burial.
    • 627 King Edwin of Northumbria is baptised, again under influence of his Christian wife.
  • St Columbanus (543-615) ‘an exemplar of Irish missionary activity in early medieval Europe’.
  • St Aidan, founder of Lindisfarne monastery (active 635-651) ‘Apostle to the English’, friend of the Northumbrian kings Oswald and Oswine, who overthrew Edwin in 633.
  • Benedict Biscop (628-90) founder of Monkwearmouth-Jarrow Priory in Northumberland.
  • The Venerable Bede (672-735) the Northumbrian monk, historian and author of the vital Historia ecclesiastica gentis Anglorum (732). Although the book’s purpose is didactic, nonetheless Bede was unusually scrupulous in his weighing of the evidence before him.
  • Saint Boniface (c. 675 – 5 June 754) an influential figure in North European history, who reorganised the Frankish Church, missionised into north Germany, and brought the Frankish dynasty and the papacy closer together, paving the way for the triumph of Charlemagne (747-814).

What medieval history teaches us

Why bother reading books like this? Well, studying pre-modern history teaches lots of things:

1. For a start, it gives a deeper sense of the importance of Christianity and why it spread to become the religion of Europe. It gives you a deeper sense of Christianity’s multi-faceted appeal – in providing a coherent narrative of the world to the illiterate and educated alike, assuring them of salvation and the help of God, Jesus and the Saints; giving rules to guide believers through the many problems of life, protocols and ritual to accompany all the way stations of life, from birth to death; assuring magic and miracle-working for those in need, suffering or pain – in numberless ways Christianity offered hope and solace and explanations and technologies (books, relics, crosses) for understanding and managing human life. Moreover, for pagan rulers, Christianity was the gateway into the legacy of Roman civilisation, into fabulous wealth, literacy, laws, coins and better ways of managing your realm, as well as access to the extensive trading networks of Christendom which eventually stretched from Iceland to the Black Sea. At a personal psychological level, at a social level in terms of law and order, and at the royal level of providing an entrée into the ‘club’ of European royalty,  Christianity as belief system, legal system, cultural heritage and power network was infinitely richer, more complex and sophisticated than the pagan alternatives.

2. It is so easy to ridicule the wonder-working saints and monks and the endlessly squabbling kings and the gullible peasants, but are we any better? Study of the past should make us realise that ‘we’ will also soon be ‘the past’, and that our great grandchildren will look back in wonder at how we wasted our resources, destroyed our environment and ruined the world, while fussing about there not being enough black actors in the Oscars or ‘freeing the nipple’. Our ability to stress over trivial cultural issues while ignoring the extermination of the environment and all the life forms in it will make medieval peasants believing in miracles seem as reasonable as Einstein. They were credulous and astonishingly ignorant by our standards – but at least they left us an inhabitable planet, which is more than we are doing for our descendants:

3. Since Europe went on to colonise the world and, in the last 70 years Europe’s child, America, has gone on to be the world’s dominant military and cultural force – studying early medieval Europe gives a deeper understanding of where it all came from, and why and how.

4. Study of this period teaches doubt and hesitation and respect for the profound uncertainty of human knowledge. Our sources are so limited; our ignorance of human activity through entire centuries so profound; the slightest discovery can so easily shed light on blank eras or overthrow widely-held views – that study of this period encourages what I take to be an appropriate attitude to human knowledge, which is one of deep scepticism. There is so much we don’t know and will never know.

5. We live amid the wreckage of all these centuries of ancestors and predecessors. We should respect their achievements, their cathedrals and statues and jewellery, their saints’ lives and often bizarre theology, because they are the heroic products of the human mind struggling in dark times. To my eye, their often primitive and unnerving artefacts have a haunting and mysterious beauty. These obscure messages from the remote past offer a strange and powerful hope for mankind’s survival.

Ivory virgin and Child (7th-8th century)

Ivory virgin and Child (7th-8th century)


Related links

Reviews of other medieval books and exhibitions

%d bloggers like this: