The Eclogues by Virgil

Publius Vergilius Maro, generally referred to in English simply as Virgil (or Vergil), was the greatest Roman poet. He wrote three of the most famous poems in Latin literature: the Eclogues, the Georgics, and the epic poem, the Aeneid.

Historical background

Virgil was born in 70 BC, in the consulships of (the bitter rivals) Marcus Licinius Crassus and Gnaius Pompeius. When Virgil was 7, Cicero was consul and managing the Catiline conspiracy. When he was 10, the rivals Pompey and Crassus were reconciled by Julius Caesar who formed them into the behind-the-scenes alliance which later came to be called the First Triumvirate.

The 50s BC in Rome were characterised by the street violence of rival political gangs led by Publius Clodius Pulcher and Titus Annius Milo. For most of the decade (58 to 50) Julius Caesar was racking up famous victories in his campaign to conquer all of Gaul. In 53 Crassus’s army was destroyed by the Parthians at the Battle of Carrhae and he was killed, ending the triumvirate.

At the end of the 50s, the 18 year old Virgil arrived in Rome to find a career. Throughout 50 BC the political crisis grew deeper and, eventually, in January 49, Caesar illegally led a legion of his Army of Gaul across the river Rubicon, thus triggering civil war with Pompey and the senate. Virgil was 21.

This civil war dragged on for 5 long years, dividing families, laying waste tracts of land which armies marched across despoiling, with a series of battles in which Romans killed Romans at locations around the Mediterranean, until Caesar’s final victory in Spain at the Battle of Munda in March 45.

Caesar returned to Rome and began administering the empire, briskly and efficiently. Soon after he had had himself made dictator for life, he was assassinated in March 44. Virgil was 26. But removing the dictator did not bring the moribund forms of the old Republic back to life, as the conspirators, led by Brutus and Cassius, had hoped. Instead it inaugurated another 13 years of political instability, with the arrival in Rome soon after the assassination of Caesar’s adoptive son and heir, Gaius Octavius, complicating an already fraught situation.

After initially fighting against Caesar’s former lieutenant, Marcus Antonius, Octavius made peace with him in November 43, inviting a third military leader, Marcus Aemilius Lepidus, to form what became known as the Second Triumvirate. Virgil was now 27.

In 42 BC the combined forces of Antony and Octavian defeated those of Brutus and Cassius at the Battle of Philippi (where the poet Horace led a legion on the losing side).

The second triumvirate lasted a long time, from 43 to 31 BC, although the partners often fell out, fiercely criticised each other and sometimes threatened open conflict. Antony assigned himself rule of the eastern Mediterranean in which capacity he a) embarked in 36 BC on an ill-fated attempt to invade the Parthian Empire, which ended in complete failure; and b) based himself in the capital of Egypt, Alexandria, where he famously had a long relationship with its queen, Cleopatra, fathering 2 children by her.

In 36 a war against Pompey’s surviving son, Sextus, who obstinately held the island of Sicily and was using his fleet to attack Roman ships, provided the pretext Octavius needed to accuse Lepidus of ineffectiveness and corruption and send him into internal exile in Italy. Virgil was 34.

The second triumvirate had become a duumvirate and very unstable, with Octavius using Antony’s relationship with Cleopatra to paint him as undignified, unroman, unpatriotic. Eventually Octavius declared open war on Antony, marching his forces to meet Antony’s legions in Greece, and defeating his fleet at the naval Battle of Actium, in September 31, after Cleopatra famously led her small contingent away from the battle, prompting the latter to follow her and abandon his own sailors to defeat.

The ill-fated couple returned to Alexandria and, when Octavius approached the city with his legions, both committed suicide.

Not only was Octavian now the only one of the triumvirate left but, after the long 18 years of almost continual civil war since Caesar crossed the Rubicon, he was the only figure with any authority left in Roman politics.

With astonishing assurance he proceeded to transform the constitution of the old Republic into the shape of what would become the Roman Empire, with him at its centre holding all the strings. Virgil was 39 when Octavius emerged as the strongest figure in Rome, and 43 when, 4 years later, the senate awarded him the title by which he is known to history, ‘Augustus’. His entire adult life had been lived against a backdrop of war, dispute and destruction.

The Oxford University Press edition

The 1930s poet Cecil Day Lewis made translations of The Georgics in 1940 and of The Eclogues in 1963. These (fairly dated) translations are still available in a nifty Oxford University Press paperback, with a 1983 introduction by academic R.O.A.M. Lyne (both, like most classicists, educated at private school and Oxbridge).

Virgil the poet

Let Athena dwell in the cities she has founded. For me the woodlands.
(Eclogue 1, line 62)

Between 42 and 39 Virgil wrote ten short poems known as the Eclogues. In the introduction to this OUP volume, R.O.A.M. Lyne explains that Virgil’s explicit model was the Greek poet Theocritus (300 to 260 BC). Theocritus wrote a variety of poems but is famous for his idylls and bucolics. The word idyll is Greek and originally meant simply ‘little scene’ or ‘vignette’. In Theocritus’s hands, an idyll became a short poem describing an idealised view of country life among peasants, farmers and especially shepherds. A bucolic is a similar form, describing idealised peasant life in the country.

Theocritus helped establish the long literary tradition whereby apparently artless depictions of idealised country life turn out to be the opposite of naive and simple-minded but often the most sophisticated verse of all. Theocritus’s shepherds display a surprising ability to quote previous poets or refer to Greek legend and seem to spend far more time reciting beautifully formed verse to each other than tending their flocks.

Theocritus stands at the start of that tradition that pretending to rural simplicity is nearly always associated with sophisticated and aristocratic audiences who like to take a break from their more serious urban responsibilities with fantasies of country living. Look at the elaborate form and demandingly allegorical content of Spenser’s Faerie Queene or the 18th century’s endless paintings of shepherds and swains. Vide Marie Antoinette’s fondness for dressing up as a shepherdess.

Virgil takes the already sophisticated form Theocritus had developed and adds a whole new range of subterranean depths to it. His stretching of the form he inherited is indicated by the very first eclogue in the set. This deals, albeit tangentially, with a controversial aspect of contemporary Roman policy (see below). Other poems address the turmoil of romantic love with a disruptive intensity not found in Theocritus.

An indication of his difference is that Virgil didn’t use Theocritus’s term, idyll, but called his poems eclogues, eclogue in Latin meaning ‘draft’, ‘selection’ or ‘reckoning’. By the Middle Ages the terms idyllbucolic and eclogue had become almost synonymous.

Eclogue 1

A dialogue between Tityrus and Meliboeus. Tityrus describes having been up to Rome to petition ‘the young prince’ to keep his family land. The prince grants his petition and so Meliboeus is a ‘fortunate old man’, whereas Tityrus laments that he and many like him will be dispersed to Scythia, ‘bone-dry Africa’, even to Britain, ‘that place cut off at the world’s end (line 66).

This poem was probably written in 41 BC, when Octavian was arranging the demobilisation and settlement around Italy of soldiers who had fought for him and Antony in the campaign to defeat the assassins of Julius Caesar, which climaxed in the Battle of Philippi (October 42 BC). Antony went on to sort out the East while Octavian was given the unwelcome task of settling the demobbed veterans. He carried out the very unpopular policy of dispossessing current farmers from their land in order to assign it to veterans (who often had no clue about running a farm, something Meliboeus bitterly points out in this poem):

To think of some godless soldier owning my well-farmed fallow,
A foreigner reaping these crops!

And laments that this is what the civil wars have brought them to:

…To such a pass has civil
Dissensions brought us: for people like these have we sown our fields.

So the first eclogue may be cast as a Theocritan idyll, and feature descriptions of idealised country scenery and farming practices – but it makes no bones about dealing with very contemporary politics, unfair state policy, unfairness and bitterness.

Eclogue 2

By contrast the second eclogue consists of the soliloquy or monologue of the shepherd Corydon who burns with love for the ‘handsome boy’, Alexis. Corydon boasts of his ability with the Pan pipes, the fertility of his flocks, and the idyllicness of the lives they could live together…but to no avail.

And, again, although the poem is deceptively dressed in rural imagery, the feeling is intense:

Yet love still scorches me – love has no lull, no limit. (line 68)

It’s worth pointing out that this is an explicitly homosexual poem, which did Virgil no harm at all with his patron, Maecenas nor his emperor.

Eclogue 3

The third eclogue feels different, again. It features rough and tumble squabbling between Menalcas and Damoetas, which leads up to Damoetas suggesting they hold a singing contest to decide who’s best.

At which point the poem turns from consisting of Virgil’s standard hexameters into alternating series of four-line, four-beat stanzas which have much shorter lines, a lyric format which Day-Lewis captures by making them rhyme.

The wolf is cruel to the sheep,
Cruel a storm to orchard tree,
Cruel is rain to ripened crops,
Amaryllis’ rage is cruel to me.

Eclogue 4

A dramatic departure from the stereotypical idea of an easy-going chat between shepherds, this eclogue is an extremely intense, visionary poem prophesying the birth of a divine baby who will usher in a Golden Age, peace on earth and describes a new age of peace and plenty when farm animals mind themselves and there is enough for all.

Later, Christian, commentators took this to be a prediction of the birth of Christ (about 40 years after the poem was written) and this was part of the mystique that grew up around Virgil in the Middle Ages, one reason why Dante chose him to be his guide through Hell in his long poem, the Divine Comedy.

Chances are, however, that Virgil had a much more mundane practical event in mind. The alliance between Octavian and Antony following Caesar’s assassination was very ropey indeed, and kept needing patching up. One such occasion was the Pact of Brundisium, agreed in 40 BC, whereby, among other provisions, Antony agreed to marry Octavian’s sister, Octavia (a betrothal portrayed in Shakespeare’s play Antony and Cleopatra). According to this interpretation, the ‘saviour child’ of this poem is the son everybody hoped would be born of this union, who would usher in a post-civil war era of peace and plenty.

In the event, the alliance wore very thin before Octavius eventually declared war on Antony and Cleopatra in 31 BC, leading to their naval defeat at the Battle of Actium and their double suicide soon thereafter. Thus, the cynical reader may conclude, all hyperbolic expectations of a New Age tend to be brutally disappointed by real world politics.

Eclogue 5

In a completely different mood, back in the land of idylls, shepherds Menalcas and Mopsus bump into each other and decide to have a singing contest, taking turns to sing poems they have written about the lovely Daphnis.

Eclogue 6

Two naughty shepherds (Cromis and Mnasyllus) come across the old drunk, Silenus, in a cave and tie him up, but he insists on singing a series of strophes absolutely packed with references to Greek mythology, a kind of 2-page summary of Ovid’s Metamorphoses.

Eclogue 7

Goatherd Meliboeus relates how Daphnis called him over to listen to a singing competition between Corydon and Thyrsis, who proceed to take turns singing 12 4-line rhyming stanzas.

More sweet than thyme, more fair than pale ivy,
More white to swans you are to me:
Come soon, when the bulls through the meadows are homing,
Come soon, if you love me, my nymph of the sea!
(lines 37 to 40)

Eclogue 8

Another singing competition, this time between Damon and Alphesiboeus, and this time, instead of alternating short verse, each takes it in turn to sing a page-long poem made of longer, rhyming stanzas, each ending with the same line repeated as a refrain. Damon’s verses go like this:

A child you were when I first beheld you –
Our orchard fruit was chilled with dew –
You and your mother both apple gathering:
Just twelve I was, but I took charge of you.
On tiptoe reaching the laden branches,
One glance I gave you and utterly
My heard was ravished, my reason banished –
O flute of Maenalus, come, play with me!

Alphesiboeus’s verse is more interesting: it describes the magic, witchcraft, incantations and magic objects the narrator creates and casts in order to get his beloved, Daphnis, to return to him:

These keepsakes he left with me once, faithless man:
They are things that he wore – the most precious I own.
Mother earth, now I dig by my door and consign
Them to you – the dear keepsakes that pledge his return.
Make Daphnis come home from the city, my spells!

This also appears to be an explicitly gay poem, a man keening for his male lover.

Eclogue 9

This is another poem lamenting the unfair and divisive policy of land sequestration. Two out of the ten poems are on this subject. Sad Moeris complains to Lycidas that an outsider has taken over his farm and made him a servant on his old land and that’s why he is now driving his (the new owners’) goats to market.

Interestingly, Lycidas says he’d heard that the intercession of the poet Menalcus had prevented the land appropriation going ahead. Not so, replies bitter Moeris. But the interesting point is: is this a reference to Virgil’s attempts to moderate the land confiscation policy by appealing to Augustus? And a sad reflection on his failure?

MOERIS:… But poems
Stand no more chance, where the claims of soldiers are involved,
Than do the prophetic doves if the eagle swoops upon them.

This touches on the broader point of Virgil’s ambiguity: his verse is very finely balanced between political allegory, factual description and poetic fantasia. It hovers and shimmers between different layers of meaning.

Meanwhile, the two characters manage to get over their initial bitterness and swap fragments of poems they themselves have written or other people’s lines which they remember. Lycidas points out that the wind has dropped, the lake waters are still. It’s a golden opportunity to stop their trudge to the market town and recite to each other their favourite old songs. At which point the poem ends.

Complex effects. Although the rural setting and the simple names and many of the homely details about goats and plants and whatnot frankly derive from his Greek model, the emotion or psychological effect is more complex and multiflavoured than Theocritus.

Eclogue 10

A poem dedicated to Virgil’s friend, Caius Cornelius Gallus, politician and poet. He wrote elegies devoted to a fictional female figure, Lycoris who, the note tells us, is probably a code name for the courtesan Cytheris, also Mark Antony’s lover. (Shades of Catullus’s beloved Lesbia, being the code name of Clodia, lover of umpteen other young Roman men. Roman poets and their aristocratic affairs).

The translation

I liked Day Lewis’s translation well enough, it is light and clear, as the examples I’ve quoted demonstrate. I suppose you could quibble about the slight unevenness of register: some of his phrasing uses the vague, rather stagey diction of so much translationese:

Let us honour the pastoral muse of Damon and Alphesiboeus,
Whose singing, when they competed together, left the lynxes
Dumbfounded, caused a heifer to pause in her grazing, spellbound,
And so entranced the rivers that they checked their onward flow.
(Eclogue 8, opening lines)

It’s clear enough but not really what any actual modern poet would write. Anyway, my point is that this slightly stiff style comes a cropper in the many places where Day Lewis attempts a more demotic, matey note:

I’m driven from my home place but you can take it easy…

I have two roes which I found in a dangerous combe…
Thestylis has been begging for ages to take them off me…

‘Bumpkin! As if Alexis care twopence for your offerings!’

I wonder when the last time was that any English speaker used the word ‘bumpkin’ in a literal, serious sense? Or:

‘Watch it! What right do you have to lecture a chap!’

‘You desperado, while his mongrel was barking his head off!’

‘Strike up if you have a song to sing, I’ll not be backward…’

‘I’ll not be backward’ – of course I understand the meaning, I just kept being brought up short by Day Lewis’s well-meaning 1950s slang. Maybe it’s in the original: maybe the Virgil has a variety of tones, from the tragically lovelorn to the banter of farm workers. But this unevenness is definitely a feature of the Day Lewis translation.

Scansion

Scansion means the method of determining the metrical pattern of a line of verse. Latin (and French and Italian) verse uses patterns based on the number of syllables in a line and the different ‘lengths’ of each syllable. English poetry, rather more crudely, is based on the number of beats in each line. In English poetry each beat is at the heart of a ‘foot’, and each foot can have 1, 2 or 3 other unstressed syllables either before or after the beat. Thus a iambic pentameter is a line made up of five beats and so five ‘feet’, with each ‘foot’ made up of two syllables, the beat falling on the second one, di dum. A ‘foot’ with two syllables with the stress falling on the second one was called, by the ancient Greeks, a iamb, and so a iambic pentameter is a five-beat line, consisting of five feet, all of them in the form di dum.

Di dum di dum di dum di dum di dum.

Shall I compare thee to a summer’s day?

But I struggled to figure out the metre of many of Day Lewis’s verses. First off, the eclogues are not all written in the same style. Day Lewis varies the verse forms a lot. There appears to be a long form line for the basic narrative sections, which he varies when the various shepherds and goatherds go into their singing competitions. But I found it difficult to scan even his basic form. Take the opening of Eclogue 4:

Sicilian Muse, I would try now a somewhat grander theme.

This seems to me a regular iambic heptameter i.e. seven beats.

Sicilian Muse, I would try now a somewhat grander theme.

But the next two lines throw me:

Shrubberies or meek tamarisks are not for all: but if it’s
Forests I sing, may the forest be worthy of a consul.

If the first line is intended to have only 7 beats in it, surely it would end on ‘if’. Not only do these lines not have 7 beats but the beat is difficult to assign. Is it shrub-be-ries or shrub-ries? Either way that appears to be a trochee i.e. a foot which starts with the beat instead of having it second.

Maybe it’s deliberate. Maybe Day Lewis writes a loose long line which occasionally falls into the regularity of a heptameter but just as often skips round it. Maybe it’s designed to shimmer round regularity just as Virgil’s allegories and political meanings shimmer into view then disappear again.

At the start of the book Day Lewis writes a brief note about his approach to translation, which mentions that in some of the singing competitions between shepherds he uses ‘rhythms of English and Irish folk song’. This explains the stimulating variety of verse forms found throughout the book. Some of them have a regularity I enjoyed, but I found others puzzling and a bit irritating:

The fields are dry, a blight’s in the weather,
No vine leaves grow – the Wine-god is sour

So far I read these as having four beats per line (and so tetrameters), with variation in the feet i.e. they’re not all strict iambs. But having got into that swing, the next 2 lines (and there are only four; this is a quatrain) threw me by having five beats, but beats which don’t occur in any neat way:

Shading our uplands – but when my Phyllis comes here,
Green shall the woodlands be, and many the shower.

I wondered whether he was using the Latin technique of literally counting the syllables in each line and ignoring the beats, but I don’t think it’s that, since the first line has 10 syllables, the second 9, the third 12 and the fourth 12. Maybe I’m missing something obvious, but I found this lack of regularity in Day Lewis’s verse irksome and distracting.

Competition

All the histories I’ve read of the period describe the escalation of once-sensible rivalry between Rome’s leading men into increasingly violent, bitter and unforgiving conflict. It becomes almost an obsession of Tom Holland’s account, which blames out-of-control, toxic political rivalry for the Republic’s collapse.

That was my first thought when I realised that, far from idyllic peace and tranquility half of the poems describe and enact poetic competitions. Now I know that the competing goatherds aren’t bribing the voters and having each other’s supporters beaten up in the streets, as in the chaotic final decades of the Republic, nothing like that, the competitions are presented as amiable, good-hearted exercises (Eclogues 7 and 8). Still. Its presence in these would-be idyllic poems suggests that competition was a fundamental category which informs / underpins / infects absolutely every aspect of Roman existence.


Credit

The Eclogues by Virgil were translated into English by Cecil Day Lewis in 1963. I read them in the 1999 Oxford University Press paperback edition.

Roman reviews

Augustus: From Revolutionary to Emperor by Adrian Goldsworthy (2014) – 2

Adrian Goldsworthy’s biography of Augustus is long, thorough and consistently interesting, shedding light not only on the man himself but containing an immense amount of background information on the customs, traditions, laws and so on of the Rome of his time and how he set about reforming and remodelling them so decisively.

It’s impossible to summarise the achievements of the longest-serving and most impressive Roman emperor, Augustus (reigned 31 BC to 14 AD), without ending up repeating long Wikipedia article. Instead, here is an impressionistic list of themes and achievements which emerge from Adrian Goldsworthy’s impressive book.

Peace

Above all everyone wanted peace after decades of chaos, war, disruptions to trade, impressment, deaths and injuries and proscriptions. Once Antony was defeated and had committed suicide (in 30 BC), Goldsworthy repeatedly describes the widespread desire for peace to explain the absence of opposition to let alone rebellion against Augustus (pages 199, 200, 211, 282).

Temple of Janus Germinus

The Janus Geminus (to reflect his twin faces) was a small shrine that held an archaic bronze statue of the god, said to have been dedicated by Numa, Rome’s second king (Plutarch, Life, XX.1-2). Pliny (XXIV.33) relates that its fingers were arranged to indicate the 355 days of the year. Ovid in his Fasti, I.99 says that one hand held a key (as the god of entrances), the other, a staff (to signify his authority and as a guide).

The doors of the Janus Geminus were opened to indicate that Rome was at war and closed during times of peace. Since the time of Numa, the doors were said to have been closed only in 235 BC, after the first Punic war; in 30 BC, after the battle of Actium; and several times during the reign of Augustus (for example, when the Cantabrians were defeated in 25 BC, supposedly ending the Spanish wars (pages 200, 239)

Victories

For Romans peace came through conquest and victory: it was always an imposed peace. Thus, having defeated and eliminated Mark Antony and become ruler of the entire Roman Empire, Augustus still had work to do. Campaigns followed:

  • Egypt was formally annexed to the empire
  • to pacify the north-west of Spain (pages 241 to 245, 254 to 255), final embers stamped out in 19 BC (p.322)
  • Illyria (pages 174 to 178)
  • the Alps, pages 339 to 341 (surprising it took the Romans so long to pacify their own back yard)

Parthia

The Romans never defeated the Parthians. A great achievement was a negotiated settlement with the great Parthian Empire which resulted in the return of the legionary standards lost by Crassus at Carrhae in 53 and then by Antony in 36. This was painted as a great victory. The compliant senate voted Augustus even more honours and a triumph (all of which he rejected). Coins were minted showing the standards, and they are depicted on the breastplate Augustus is wearing in the most famous statue of him, the one found at the suburb of Prima Porta (p.303).

Statue of Augustus wearing a breastplate depicting the return of the legionary standards from the Parthians

Army reorganisation

Augustus reorganised the army, reducing it from 60 or so legions down to 28 (p.247 to 256) making it more professional. Huge scope was opened up for posts for aristocrats and promotions and Octavius made sure to retain control of all appointments and ensure all senior officers were loyal to him.

In 13 BC he carried out more reforms, regularising the period of service for a legionary to 16 years and defining other periods and terms of service. He made auxiliary units more permanent. Many of them were now raised from the provinces, from Gaul, Spain or Thrace and service in them allowed provincial aristocrats the opportunity to acquire citizenship and work their way into the hierarchy of empire (p.349). He laid down regulations for the constructions of camps and forts (p.366).

Building works

Augustus completed Julius Caesar’s forum with its massive temple to Venus Genetrix at one end. Then designed and built his own forum with a massive temple to Mars Ultor, in 2 BC and dedicated to the god Mars in his guise as avenger.

Mausoleum

The huge circular mausoleum Augustus built for himself and his family was one of the first building projects he began after victory at the Battle of Actium in 31 BC. It consisted of several concentric rings of earth and brick, faced with travertine on the exterior, and planted with cypresses on the top tier. It measured 295 feet in diameter and 137 feet in height. He built it for himself but many of his close family were to find resting places there before him, including: Marcus Claudius Marcellus (son of Octavia Minor), Marcus Vipsanius Agrippa (Augustus’s right-hand man and husband of Julia the Elder), Nero Claudius Drusus (son of Livia Drusilla), Octavia Minor (sister of Augustus), Gaius Caesar and Lucius Caesar (his grandsons).

The saepta

The saepta or ‘sheepfolds’ were the traditional structures on the Campus Martius which hosted elections. Augustus turned them from wooden into permanent stone structures. Year after year the whole area was transformed into a giant monument to his glory (p.357). Agrippa, in effect Augustus’s number two, accumulated a vast fortune and spent it nearly as lavishly as his master on public works. The diribitorium was a public voting hall situated on the Campus Martius in Ancient Rome. Agrippa paid for the building called the Diribitorium, where votes were counted by diribitores (election officials). It was begun by Marcus Agrippa but after his death in 12 BC was finished by Augustus (p.385).

The Pantheon

The Pantheon was a part of the complex created by Marcus Vipsanius Agrippa on the Campus Martius in 29 to 19 BC, which included three buildings aligned from south to north: the Baths of Agrippa, the Basilica of Neptune, and the Pantheon. It was rebuilt by Hadrian in the 120s AD, it was later adapted to be a Catholic church and so well maintained, thus ending up being the best preserved building we have from ancient Rome.

The provinces

The restoration of peace led to the revival of trade and, wherever he went or had influence, Augustus encouraged local elites to mimic him and build, refurbishing and improving their cities and towns, building theatres, reviving festivals and games. He dangled offers of citizenship or administrative posts as an incentive to provincial leaders (p.292).

Large numbers of people resident in provincial towns and cities won citizenship. The benefits of Roman citizenship came to be seen as valuable, itself an incentive for powerful or aspiring men to keep the peace in order to gain it (p.298). Every town and city in the empire was encouraged to be rebuilt along Roman lines, in a grid system, with roads converging on an open forum (p.343).

Roman roads

One of the most clichéd achievements of the Romans was building roads. Goldsworthy describes the creation of a network of roads across Gaul, linking the new-look Roman towns (p.341). Good, navigable roads which didn’t flood or wash away in winter led to hugely expanded trade and thus prosperity (pages 342 to 343).

Colonies

Colonae is the term the Romans gave to new settlements or towns. They had been building them for centuries, mainly as places to house the large numbers of men continually being demobilised from their armies. Augustus increased the number of colonies or new towns built in newly pacified Spain and Gaul, including the forebears of modern Zaragoza and Merida (p.347). Most Gauls had lived in defendable hilltop settlements. Now they came down off their hills and lived in towns joined by direct, well-maintained roads. Trade thrived. Prosperity (p.348).

Tours

To aid the process Augustus spent more of his rule away from Rome than in it, systematically touring all the provinces. Anecdotes suggest he went out of his way to make himself very accessible to all who had a grievance or issue (p.324). In his absence from Rome he left administration to loyal subordinates such as Agrippa (p.353) and Statilius Taurus. He increased the grain dole (p.224).

The constitution

The restoration of the constitution is a massive and subtle subject as Augustus spent 45 years restoring then tinkering with the constitution to make it appear as if the Republic had been restored while maintaining a firm grip on power. Thus he restored the post of consul and held annual elections for the consulship, as per tradition – except that he made sure that he was always elected one of the consuls.

In 27 BC, Octavian made a show of returning full power to the Roman Senate and relinquishing his control of the Roman provinces and their armies. But he retained control of the ‘grand provincial command’ whose importance Goldsworthy explains in detail (p.381).

The consulships

Augustus held one of the consulships every year from 31 BC to 23 BC, when he entered his eleventh consulship.

The senate

In practical terms Augustus tried to reform the senate, reducing its numbers from the unwieldy 1,000 it had grown to. Augustus tried to separate senators from the equestrian class with which they overlapped and imposed a minimum wealth requirement of 1 million sestercii (p.320).

He struggled with the problem that quite a few scions of the great houses didn’t even want to sit in the senate but were quite happy with their wealthy lives as equites (p.353). In 9 BC Augustus had another go at reform, determining that the senate would meet on fixed dates, ensuring they didn’t overlap with court cases and other obligations, and requiring all senators to attend, anyone absent being fined. But bribery and corruption persisted. In the consul elections of 8 BC, all the candidates including the winners bribed voters on such a heroic scale that Augustus insisted in future all candidates must pay a deposit which they would forfeit on conviction of bribery (p.383).

His tinkering with various rules and initiatives to get just what he wanted, and the continual stymying of his reforms by a corrupt ruling class, remind me of Oliver Cromwell’s forlorn attempts to get just the right kind of House of Commons, free but also high-minded and responsible.

Titles

He began with the name Gaius Octavius, son of Caius Octavius. When Julius Caesar’s will was read in March 44 he immediately took his adoptive father’s name to become Gaius Julius Caesar, with or without the legacy name Octavianus. From 38 BC at the latest, Octavian officially dropped all of his names except Caesar and began using the victory title imperator (‘commander’) in place of the traditional Roman forename, so Imperator Caesar. In 27 BC the Senate granted him the additional name ‘Augustus’, making Imperator Caesar Augustus.

Awards

Previous Romans were awarded days of thanksgiving when they secured a victory. Augustus’s were off the scale. He was awarded a staggering 51 thanksgivings, adding up to a total of 590 days (p.357).

The month of August

Julius Caesar had reformed the Roman month which had, until then, consisted of ten months (hence the way in our English months September, October, November and December, the first syllable indicates the 7th, 8th, 9th and 10th months, respectively). Because the old calendar only contained 355 days it quickly went out of sync with the seasons and required the addition of an extra, or intercalary, month every so often. Caesar consulted astronomers and devised a new calendar of 365 days, adding a few days to each month and inventing an entirely new month, modestly named after himself, which gives us the English ‘July’ (French ‘Juillet’, Spanish ‘Julio’). His reforms came into force on 1 January 45 BC.

Augustus followed in his adoptive father’s footsteps and received yet another honour from the Senate, the renaming of a month in his name. Some wanted him to have September, the month he was born in. But Augustus chose the sixth month or Sextilis, when he had first been elected consul and won many of his victories. So in 8 BC the month was renamed August and remained so in European calendars including English.

Religion

Augustus embarked on a policy of rebuilding or beautifying temples and reviving, restoring and encouraging the practice of traditional rituals, not only in Rome but throughout Italy and the provinces.

Games and festivals

For example, he created the rather factitious ludi saecularii, supposedly to celebrate the return of what the Romans called ‘the Great Year’ (p.330).

Poets

Augustus prided himself on his association with only the greatest writers. During his rule flourished the three greatest Roman poets:

  • Publius Vergilius Maro, known in the English-speaking world as Virgil (70 to 19 BC)
  • Quintus Horatius Flaccus, known in the English-speaking world as Horace (65 to 8 BC)
  • Pūblius Ovidius Nāsō, a generation younger, known as Ovid (43 BC to 18 AD)

Goldsworthy devotes a significant passage to describing Virgil and then summarising the themes and importance of his great poem, The Aeneid. This is an epic poem telling the story of the flight of Prince Aeneas from Troy after it had been captured by the Greeks at the climax of the Trojan War. It describes his extended dalliance with Dido Queen of Carthage, before piety and duty forces him to abandon her and sail on to Italy, where he is caught up in a series of brutal conflicts with various tribes before conquering them all to establish Alba Longa, the settlement near what would, centuries later, become Rome and to which Roman antiquarians attributed the origin of their city and race (pages 307 to 317).

Breeding

Augustus became concerned about the disastrous impact the civil wars and the proscriptions had than on aristocratic and knightly families, with many lines going extinct. Therefore he passed the lex Julia de maritandis ordinibus to encourage the upper classes to reproduce, granting benefits to fathers of three or more children and penalising the unmarried or childless (p.325).

Succession

This is the issue which Mary Beard identifies as the single biggest political problem for the emperors: who was to succeed? (See my summary of her discussion of the various options.)

What the reader of this book notices is that the first hundred pages describe the traditional republican constitutional forms of consuls and tribunes and so on; the middle 200 describe how Augustus attempted to keep the façade of all these elections and structures, while continuing to hold all the reins of power; how he vehemently denied in the 20s that he was grooming any of his close family to ‘succeed’ because he was not a monarch.

But how, during the last 100 pages or so, the issue of Augustus’s family becomes more and more pressing, with the narrative focussing more and more on the marriages of his extended family and the health or otherwise of his various stepsons and nephews and so on.

In his endeavours to ensure a smooth transition of power Augustus was ill-fated and the labyrinthine complexities of his extended family and the bad luck and/or conspiracies among them are amply recorded in Robert Graves’s best-selling novels I, Claudius and Claudius the god.

Livia

Goldsworthy devotes extended passages to profiling Augustus’s wife, Livia (e.g. pages 377 to 379). She was his third wife. There was a whiff of scandal about their marriage, because she had first been married to Tiberius Claudius Nero around 43 BC, and they had had two sons, Tiberius and Drusus. Octavian saw her, liked her, and compelled her to divorce Nero and marry him in 38 BC.

When the Senate granted Octavian the title Augustus, Livia automatically became Augusta, prototype of all future empresses. Just as Augustus used propaganda tools to depict himself as the ideal Roman male and ruler, Livia was portrayed as the ideal Roman matron.

Rumour surrounded her machinations to get her eldest son Tiberius into position as heir to Augustus, and it’s these rumours Robert Graves used as the central theme of I Claudius. Tiberius was fast-tracked through military education and the old cursus honorem (p.336). Through Tiberius she was grandmother of the emperor Claudius, great-grandmother of the emperor Caligula, and the great-great-grandmother of the emperor Nero.

She liked dwarves and freaks (p.378).

Heirs

Augustus’s ultra-reliable number two, Agrippa, was married to Augustus’s daughter, Julia (p.321). A dynasty was taking shape (p.322).

It is a small indicator of the shift in emphasis that the last ever old-style triumph was awarded to the Younger Balbus in 19 BC. Thereafter, triumphs were only awarded to members of the imperial family (p.305). Something similar happened a few years later when, in 12 BC Augustus had himself appointed head priest or pontifex maximus. No civilian was ever to hold this post again. From now till the fall of Rome in 410 AD this title and post was only held by the emperor (p.350).

Augustus arrogated unprecedented powers and privileges to himself (p.356) but there were never any indications he planned to nominate a sole heir (p.359). He appears to have expected to be succeeded by a college of colleagues, all with advanced power but who would work collaboratively. In other words, he gave no indication of realising that what would happen would be rule by a series of single individuals, kings in all but name (p.360).

Thoughts

Augustus is an awesome figure. Rarely can one man have had such an impact on an entire civilisation.

Reading the book is overwhelming because of the extraordinarily hectic nature of the times Gaius Octavianus lived through and mastered, and then the dizzying list of his achievements.

But it left me with one dominating thought: The book is like a doorway between two eras. For the first hundred pages we are solidly in the world of the Roman Republic, with its complex constitution, its squabbling senate, its fiercely competitive elections to the consulship and the tribunate and the jostling for power of a host of larger-than-life characters including Crassus, Caesar, Pompey, Cicero and so on.

But in the last 100 pages (380 to 480) we are in a completely different world, one of peace and stability, where elections continue but are essentially hollow, where no public figures at all come anywhere close to the wielding the power and significance of Augustus, and where, increasingly, the only people of interest are the members of his own family: Livia, Drusus, Tiberius, Julia and so on.

By around page 390 all his old friends have died off – Agrippa, Maecenas, Virgil and Horace – the old generation has departed, and the narrative becomes evermore focused on the palace intrigues and manoeuvring over who will replace the princeps when he finally dies. These are now the palace intrigues of an emperor in all but name, completely unlike anything which existed under the Republic.

So reading the book gives a slightly vertiginous, Alice-through-the-looking-glass feel, of transitioning the reader, without you quite realising it, without you being aware precisely when it happens, from one world to another, completely different one.

I wonder if people at the time were aware that they were living through such a fundamental transition, or whether it’s just the effect of reading a modern account which, by its nature, tends to focus on what changed and maybe neglects the vast continuities which most people probably experienced in their day-to-day lives.

Augustus: From Revolutionary to Emperor is a thorough, solid, continually interesting and, in the end, rather mind-bending read.


Credit

Augustus: From Revolutionary to Emperor by Adrian Goldsworthy was published in 2014 by Weidenfeld and Nicholson. All references are to the 2015 paperback edition.

Roman reviews

Augustus: From Revolutionary to Emperor by Adrian Goldsworthy (2014) – 1

Augustus was one of the most successful rulers of all time. He rescued Rome from the recurring collapse of its political institutions into civil war which dogged the years 100 to 30 BC, and established an entirely new form of government – what he called the ‘principate’ but which came to be called imperial rule – which went on to last for 250 years. Even after the empire collapsed in the West, its ghostly image lived in for a further thousand years in Byzantium.

Augustus ruled longer than any other Roman ruler, whether king, dictator or emperor. He nearly doubled the size of the empire. His reforms endured for centuries. It beggars belief that he entered the toxic jungle of Roman politics when he was just eighteen years old and proceeded to outwit and defeat all his opponents, defeating some in war, having some murdered, forcing others to commit to suicide, to emerge as the unchallenged ruler of the greatest empire Europe has ever seen.

Augustus’s name

First, the name. He was born Caius Octavius. On being adopted as Julius Caesar’s heir he took his legal father’s name, becoming Caius Julius Caesar. In the decade after Caesar’s assassination he slowly dropped the Caius, sometimes operating under the exact same name as the dead general, sometimes adding the title Imperator at the start of his name. Mark Antony commented that he was ‘a boy who owed everything to his name’ which was certainly true at the start. When Caesar was deified by the senate, Octavianus added ‘son of the divine Julius’ in some contexts. Finally, in 27, he was awarded the made-up title ‘Augustus’ by the senate.

In other words, maybe the most important thing about Augustus is his shape-shifting changes of identity. He played the Name Game as deftly as he played the terrifying power politics of the Republic. And when it ceased to be a republic and he established himself as the sole authority figure, he was again careful not to use the name king (heaven forbid) or even empire and emperor. Instead he used the semi-official term princeps meaning ‘first citizen’ to describe himself and principate to describe the kind of political system he proceeded to build around him.

Goldsworthy says he will use the name Julius Caesar to refer to him, but I think that’s pretty confusing. Although I take the point that only his enemies called him Octavianus, I will use the more usual tradition of calling him Octavian until he is awarded the title Augustus.

Goldsworthy says historians tend to divide history into neat periods, having the Republican era end with the assassination of Julius and starting the Augustan era with the defeat of Antony at Actium. This has the effect of underplaying the key period from 44 to 31 BC which Octavian spent mostly in Rome or Italy, consolidating his grip on power by establishing favourites, contacts and clients who he placed in positions of power at all levels.

Dr Adrian Goldsworthy

Goldsworthy was (born in Wales in 1969, educated at private school and Oxford) is a historian specialising in the Roman army and Roman history (although he has also written half a dozen historical novels set during the Napoleonic wars). According to his introduction to this book, it was while developing his interest in the Roman army into a blockbuster biography of Julius Caesar (2006) that he became aware of the glaring absence of a good, scholarly but accessible biography of the latter’s adoptive son and heir, Caius Octavianus, known to history as the emperor Augustus (63 BC to 14 AD), inventor of the Roman Empire. So he wrote it.

It’s a big book, 607 pages long, including a 100 pages of bibliography, notes, index, a glossary of terms, a list of key personages, and a series of intimidatingly complicated family trees of the key players. But beyond this, it is also an outstanding introduction to the rules and practices surrounding Roman power.

Augustus’s father

In the opening 50 pages in particular, as Goldsworthy describes the promising career of Augustus’s father (Caius Octavius, born 100 BC and steadily rising through the ranks of the cursus honorem and just about to stand for consul when he died of a sudden illness in 59) he interweaves masses of background information about the Roman constitution, customs and conventions, which make the book a useful introduction to all aspects of the Rome of the late Republic.

Background facts

I found his explanation of the precise way in which elections to the different magistracies were held particularly enlightening (the election of the praetors pages 41 to 43), but he also gives to-the-point explanations of:

  • Roman marriage (a Roman husband had only to utter the phrase ‘take your things for yourself’ – tuas res tibi habeto – to separate from his wife, p.163)
  • the meanings of the words optimates (the best men or aristocracy), populares (aristocrats pandering the populist agenda such as free food allowance, forgiveness of debts or land distribution), plebs (the majority of people, defined in contrast to the patricians, or ‘best’ or more noble families) (p.51)
  • the property qualifications needed to be a member of the equites or knightly class
  • the absence of any political parties and so the way Roman society was structured around bonds of obligation between patrons and clients

He explains exactly which officials were involved in Roman trials and how the court was physically laid out (p.43). (Cicero thought so highly of Caius Octavius’s conduct as praetor supervising trials that he wrote to his brother Quintus telling him to copy his example, p.44.) He explains how the role of provincial governor was notoriously regarded as a way to get rich quick by extorting taxes and bribes from Rome’s subjects (p.45).

Training boys He tells us how boys of aristocratic families from the age of five were encouraged to observe their fathers going about their business, receiving clients, attending the senate. Within a year or so they began physical exercise on the Campus Martius and learned to ride a horse, throw a javelin and fight with sword or shield.

Education There were about 20 schools in Rome, for those who could afford them, though the really rich would hire a grammaticus, a teacher of language and literature, to tutor their sons in reading and writing at home (p.55).

Background He gives very clear accounts of the events which formed the background to preceded Gaius’s career, namely the civil war between Marius and Sulla in the 80s, then the rise of the boy wonder general Pompey in the 70s, the rebellions of Lepidus and Sertorius, the disaffection which led up to the conspiracy of Catilina in 63 BC which was the same year Pompey returned from his military command against Mithridates in Asia and ostentatiously disbanded his army at Brundisium, thus demonstrating his democratic bona fides.

Unlike Mary Beard’s rambling history of Rome, which organises itself around a succession of irritating rhetorical questions, Goldsworthy just gets on and tells you interesting stuff, very interesting stuff, in plain no-nonsense prose, which is why I found this an addictive read.

More background facts

Women’s names Roman women kept their name throughout their lives and did not change it at marriage. Generally they only had one name, unlike aristocratic men who had three (the praenomen, nomen and cognomen, sometimes with a nickname added), hence Julia, Fulvia, Terentia, Tullia. They were generally given a female version of the clan name, hence Caius Julius Caesar’s sister was called Julia and Marcus Tullius Cicero’s daughter was named Tullia (p.23), Titus Pomponia’s daughter was called Pomponia (p.356) and so on.

If there were two daughters they were given the same name and the aftername major or minor, meaning in this context, older and junior. If many daughters, they were sometimes numbered: Julia 1, Julia 2, Julia 3 and so on. Thus Augustus’s mother, Atia, was so called because it was the gens or family name of her father, Marcus Atius Balbus. She probably had an older sister, who had the same name, and so was sometimes called Atia Secunda.

Marriage alliances Marriage was a tool of political alignment or social advantage, consolidating links between (generally powerful) families. Hence Pompey’s marriage to Caesar’s daughter, Julia, and Octavius marrying his sister, Octavia, off to Mark Antony (p.35).

Personal abuse was the common coin of political exchanges (p.33) in fact high political discourse and, by extension the courts, were characterised by astonishing levels of ‘violent and imaginative abuse’ (p.131).

Publicans There was a profession of men who undertook state contracts such as collecting taxes in subjugated provinces. These were called publicani, a term which is translated as publicans in the King James version of the New Testament.

Personality Having just read some courtroom speeches by Cicero, it is relevant to read that in the many elections held for official office throughout the Roman year, the electors rarely if ever voted for a clearly articulated political programme or policies, but far more on the basis of character (plus a hefty amount of bribery) – more or less as jurors at trials were subjected to much more argumentation about the defendant’s (and the prosecuting and defence attorney’s) characters, than about any actual facts or evidence (p.37).

Clients The importance to politicians of being accompanied at all times by a crowd of clients, who waited outside your front door from early morning, some of whom you admitted for audience, the rest following you as you emerged and made your way down to the forum and to the senate house. If eminent or notable men were in this attending crowd, all the better (p.39).

These ties of family, clan and class were not incidental but intrinsic to Roman society:

Men rose to high office through the support of new or inherited friendships and bonds of patronage, and by marriage alliances. (p.356)

The praetors Each year eight praetors were elected, seven of them to preside over the seven courts of quaestiones established by the dictator Sulla, the eighth to be praetor urbanus with wide-ranging legal powers.

Prosecuting Goldsworthy confirms D.H. Berry’s account in his introduction to Cicero’s defence speeches, that a) since there was no equivalent of the Crown or State legal cases could only be brought by individuals and b) prosecuting was seen as invidious, unless one was defending family pride or there was a really gross example of wrongdoing – and so accusers tended to be young men out to make a name for themselves with one or two eye-catching prosecutions, before settling into the more congenial and socially accepted role of defence counsel, exactly the career Cicero followed (p.43), a point repeated on page 281:

Prosecution was generally left to the young, and had long provided an opportunity for youthful aristocrats to catch the public eye at an early stage in their careers.

The rabble rouser Publius Clodius Pulcher’s support came largely from the collegia or guilds of tradesemen (p.57).

Aristocratic funerals were public events, designed to impress and remind everyone of a family’s antiquity and noble achievements for the state, commencing with a ceremony in the forum and then a procession to beyond the city walls where the cremation was carried out (p.65).

The toga is, on the face of it, a simple item of clothing: a roughly semicircular cloth, between 12 and 20 feet long, worn draped over the shoulders and around the body. It was usually woven from white wool, and was worn over a tunic. But there were at least half a dozen types or styles, several of which had important social meanings:

  • the toga virilis or ‘toga of manhood’, also known as toga alba or toga pura was a plain white toga, worn on formal occasions by adult male commoners, and by senators not holding a curule magistracy: it represented adult male citizenship and its attendant rights, freedoms and responsibilities
  • the toga praetexta, a white toga with a broad purple stripe on its border, worn over a tunic with two broad, vertical purple stripes, the formal costume for:
    • curule magistrates in their official functions
    • freeborn boys before they came of age
    • the strip indicated the wearer’s protection by law from sexual predation and immoral; a praetexta was thought effective against malignant magic, as were a boy’s bulla, and a girl’s lunula, amulets they wore round their necks
  • the toga candida or ‘bright toga’, from the Latin adjective candida, meaning pure white, a toga rubbed with chalk to a dazzling white and worn by candidates for election
  • the toga picta or ‘painted toga’, dyed solid purple, decorated with imagery in gold thread and worn over a similarly-decorated tunica palmata, this was worn by generals in their triumphs

Courtesans Goldsworthy explains something which had slightly puzzled me in the plays of Plautus and Terence, which is that, above and beyond the many brothels in Rome, there was a class of high-end courtesans ‘who needed to be wooed and cared for in expensive style’ (p.69). In England in 2022, I imagined that a client pays for a courtesan and then can have his way, but the comedies of Plautus and Terence depict courtesans as being every bit as independent and strong-willed as a mistress.

Senate hours The senate was not allowed to sit after dusk. As the sun set senators knew it was time to wind up a debate. This explains how Marcus Porcius Cato was able on numerous occasions to filibuster or talk non-stop, refusing to sit down, until dusk came and the session had to end, in order to prevent decisions being passed which he objected to (p.107).

Centurions Goldsworthy is at pains to bust various myths, for example the one that centurions were experienced old bloods raised from the ranks to become a kind of sergeant major figure. Wrong. They ‘were men of property and often came from the aristocracies of the country towns of Italy’ (p.123).

Piety (pietas in Latin), the honour owed to gods, country and especially parents, was a profound and very Roman duty. [Augustus] proclaimed his own pietas as he avenged his murdered father. (p.158)

Pietas was a virtue central to Rome’s sense of identity and the neglect of proper reverence due to the old gods of the Roman people was symptomatic of the moral decline of recent generations, so evident in the decades of discord and violence. (p.224)

Moral explanations of everything As I explained in reviews of Plutarch and Cicero’s speeches, lacking any of the numerous theories which we nowadays use to explain social change and development, all the Romans had was a very basic recourse to notions of morality:

Moral explanations for upheaval came most readily to the Roman mind, and so restoration must involve changes in behaviour, conduct and a reassertion of a good relationship with the gods who had guided Rome’s rise to greatness. (p.224)

Auguries In a sense, you can see the rich paraphernalia of auguries, soothsayers, oracles and so on as reflecting the same complete absence of rational theory. Completely lacking the modern infrastructure of statistics, data, social trends, as we use them to analyse and manage the economy, trade, population, illness and even military encounters, the ancients were thrown back on two extremely primitive vectors of explanation – the moral character of Great Men, and the moods or wishes of the capricious gods.

Animal sacrifice (p.331)

Decimation was the traditional punishment, though already antiquated by Octavius’s day, of punishing a mutinous or cowardly legion by having one man in ten beaten to death and the rest shamed by receiving barley – food traditionally given to slaves and animals – instead of wheat (p.177)

Spolia opima (‘rich spoils’) were the armour, arms, and other effects that an ancient Roman general stripped from the body of an opposing commander slain in single combat. The spolia opima were regarded as the most honourable of the several kinds of war trophies a commander could obtain, including enemy military standards and the peaks of warships.

Caesar’s scruples By the time Octavius, Antony and Lepidus had raised armies to back them up, with Cassius and Brutus raising armies in the East and Sextus Pompeius in control of Sicily i.e. in the late 40s BC, the issue which triggered the civil war between Caesar and Pompey – whether Caesar was allowed to enter Italy with his army of Gaul – had vanished like dew, become completely irrelevant in a world where first Octavius, then Antony, not only marched legions on Rome, but put it under military occupation. All the pettifogging precision of the debates about Caesar’s rights and privileges were ancient history within less than a decade (p.178)

Antony’s drunkenness Many of the leading politicians were also authors, pre-eminently Caesar. Mark Antony published just the one book, De sua ebrietate (‘On his drunkenness’) a touchy defence admitting that he liked getting drunk buy denying accusations that he was ever under the influence while performing official or military duties. Sadly, like the autobiographies of Sulla and Augustus himself, it has not survived (p.185).

Aged 33 When he was 33, Julius Caesar encountered a statue of Alexander the Great in Spain, and according to Plutarch and Suetonius either burst into tears or heaved a heavy sigh and explained to his colleagues that by his age Alexander had conquered the known world whereas he, Caesar, had achieved nothing. By sharp contrast, Goldsworthy points out how, with the deaths of Brutus and Cassius, Anthony and Cleopatra, by 30 BC Octavius, himself now widely known as Caius Julius Caesar Octavianus, had done the same – making himself master of Rome and unrivalled ruler of the Mediterranean world (p.194). He commanded 60 legions, more than any Roman commander in history (p.204).

Special commands The wonderfully intricate and carefully balanced Roman constitution was a marvel of checks and balances, but it also led, increasingly in the late Republic, to blockage and inaction, as rival political leaders preferred to stymy each other’s initiatives regardless of the best interests of the Republic. Which is why the state found itself reverting increasingly to giving Special Commands to (particularly military) commanders, such as Pompey received to sort out the pirates, then sort out King Mithridates. And which, unconsciously, as it were, prepared both the senate and the people to the idea that rule by one man (Augustus) was more likely to get things done than the increasingly fractious rule of consuls, tribunes and the rest of it (p.235).

Augustus was able to make things happen. If he was not involved then the inertia which had characterised senatorial government for so many years seemed to return. (p.276)

Images In the long years of his rule Augustus worked hard to ensure that his image became more widespread around the Mediterranean than the images of any other individual, whether human or divine. It was on every coin, created in mints all round the empire, and depicted in thousands of statues he had erected in towns and cities everywhere. We have far more images of Augustus than any other figure from the ancient world (250 statues survive and countless coins).

He was everywhere, his name, image or symbols on monuments in the heart of Rome, in the towns of Italy and throughout the provinces. (p.305)

And yet he single-handedly overthrew the longstanding Roman tradition of very realistic sculpture which depicts figures such as Marius, Sulla, Caesar or Pompey with distinctive features, jowls and wrinkles, with pomaded quiffs or thin combovers or whatever – Augustus swept this all away and ensured the image of him was standardised around the empire, to depict an idealised image of the nations’ ruler, handsome, authoritative and tall, and above all in the prime of manhood, young and virile and decisive.

Statue of Augustus found in 1863 nine miles from Rome in the suburb of Prima Porta. Note the depiction on his breastplate of the return to Rome of the legionary standards seized by the Parthians in victories over Crassus and Antony, but returned to Augustus in 20 BC

Among the thousands of images of Augustus which survive none deviate from this strict model, there are no images of him as a middle-aged or old man (p.256). And yet we know from Suetonius how far removed from reality this image was: in real life Octavius was shorter than average, with bad teeth, and a skin so sensitive that far from strutting round in military armour he preferred to be carried about in a litter and wore a broad-brimmed floppy hat to protect himself from the sun (Goldsworthy p.300; Suetonius Augustus, 82).

Temper Augustus had a bad temper, something he learned to control in later life. One of his tutors, the Greek teacher of rhetoric Athenodorus, told him that every time he lost his temper, ‘recite the alphabet before you speak’ (p.202).

Goldsworthy’s military expertise

Goldsworthy began his career as a military historian of the Roman army. His first publications were:

  • The Roman Army at War 100 BC (1996)
  • Roman Warfare (2000)
  • The Punic Wars (2000)
  • Fields of Battle: Cannae (2001)
  • Caesar’s Civil War: 49 to 44 BC (2002)
  • The Complete Roman Army (2003)

His summaries of the hectic political events which led up to the assassination of Caesar (15 March 44 BC) and then the confused manouevrings of the various parties in the years that followed are always good and clear, and he also gives, as mentioned above, a continual feed of clear, useful background information about all aspects of the Roman state.

But with the outbreak of the wars which Octavius was directly involved in, from about page 100 onwards, the narrative gives more space and time to explaining the campaigns and battles and the military background than previously – the number of legions, their actual likely strengths, their supply lines and so on. Suddenly a good deal more military history is included.

Several things emerge from this: for a start size mattered:

In the civil wars of these years there was great emphasis on mass, on simply fielding more legions than the opposition. There was also a well-entrenched Roman belief that throwing numbers and resources at a problem ought to being success. (p.165)

A commander’s prestige relied more on the number of his legions than the precise total of soldiers under his command, so there was a tendency to raise lots of units, which in turn had the added advantage of giving plenty of opportunities to promote loyal followers to the senior ranks. (p.125)

Another key and surprising fact which emerges is that the Roman armies weren’t that good. Good enough to defeat chaotic barbarians, maybe, but just because they were Romans didn’t guarantee quality. Goldsworthy goes out of his way to highlight that Mark Antony was very much not the great military leader later historians mistake him for, having had quite limited experience of command. Several examples: none of the four main commanders at the Battle(s) of Philippi (3 and 23 October 42 BC), Mark Antony, Octavius, Cassius or Brutus, had anything like the experience of Pompey or Caesar. Moreover they had, as explained above, all devoted a lot of energy to raising large armies without making sure that they were particularly well trained; in fact new recruits were by definition the opposite; easily spooked and ready to run.

This was a war fought by large and clumsy armies, where none of the senior officers had any experience of warfare on so grand a scale. On each side the armies remained to a great degree separate, loyal only to the leader who paid them. They formed up beside each other, but they were not integrated into a single command. (p.138)

This all explains why Philippi was such a confusing mess:

Cumbersome and essentially amateur armies given poor leadership, or none at all, turned the First Battle of Philippi into a draw. (p.141)

This is very important information but it’s the kind of thing which is often skipped over in political histories which concentrate solely on the political machinations between rivals. And yet Roman history is pre-eminently military; it was a highly militarised society in which the entire aristocracy was trained and motivated to achieve glorious victories in war.

The greatest service to the Republic was to defeat a foreign enemy. (p.173)

That quite a few of these military leaders were actually incompetent is something which is glossed over in other accounts but foregrounded in Goldsworthy’s.

This explains, for example, the wretched destruction of Marcus Licinius Crassus’s badly led and undisciplined army in Parthia in 53 BC; and also sheds light on Antony’s almost-as-disastrous defeat in the same territory in 36 BC (this is a summary from Wikipedia):

As Antony marched his huge army of 80,000 soldiers into Parthian territory the Parthians simply withdrew. In order to move faster, Antony left his logistics train in the care of two legions (approximately 10,000 soldiers), which was attacked and completely destroyed by the Parthian army before Antony could rescue them. Antony pressed his army forward and set siege to the provincial capital but failed to take it and by mid-October had to withdraw. The retreat was mercilessly harried by the Parthians. According to Plutarch, eighteen battles were fought between the retreating Romans and the Parthians during the month-long march back to Armenia, with approximately 20,000 infantry and 4,000 cavalry dying during the retreat alone.

And so, from page 100 or thereabouts, Goldsworthy with his military historian hat on gives us descriptions of various campaigns which aren’t disproportionately long but longer than a political historian without his specialist military knowledge would have given:

  • Antony’s siege of the senatorial army in Mutina, pages 115 to 120
  • the build-up to the decisive Battle of Philippi, from page 134
  • the campaign against Sextus Pompeius in Sicily, pages 165 to 168
  • Octavius’s campaign in Illyria, pages 174 to 178
  • Antony’s big military disaster in Parthia, pages 172 to 173
  • Antony’s defeat at the Battle of Actium, pages 188 to 192

Goldsworthy makes another interesting point which is that, ideally, the Romans didn’t negotiate:

For the Romans, true peace was the product of victory, ideally so complete that the same enemy would never need to be fought again…Conflicts ended with absolute victory, the Romans dictating the terms, and not in compromise or concessions. (p.197)

This helps to explain the way that, in Caesar’s campaigns in Gaul, he was continually looking for excuses to crush new enemies: the slightest provocation or incursion was all he needed to justify punitive invasions and crushing conquest (p.226) which his critics in Rome (notable Cato the Younger) thought unwarranted and illegal.

Peace was celebrated but it was a Roman peace, following on from military victory…[a] peace of unchallenged Roman dominance. (p.359)

On the one hand this unremitting drive for total victory explains the sense of an unstoppable military machine which peoples all round the Mediterranean experienced. But on the downside, it explains the bitterness and the brutality of their civil wars, for they brought the same drive for total victory to their wars among themselves (p.197).

They don’t swamp the book at all, but Goldsworthy gives more detail about the state and nature of the armies and combatants in these and many other confrontations than a purely political historian would give, and, as always with Goldsworthy, it is presented in a clear, factual way and is very interesting.

Octavius’s escapades

Goldsworthy sheds a shrewd sidelight on the various narratives of this time which have come down to us. In a lot of the official narratives put out by Octavius’s side during this early, battle-strewn part of his life, mention was made of the future emperor’s lucky escapes, when he was nearly hit by a javelin, or escaped from some fire with only singed hair, or was only slightly hurt when a siege drawbridge he was leading troops across collapsed.

Goldsworthy makes the shrewd point that in his great-uncle and adopted father’s copious accounts of his wars in Gaul, Caesar rarely makes an appearance in the fighting (though once or twice he does seize a standard or shield and charge to the front, rallying his troops). In Caesar’s Commentaries on the Gallic Wars the events – Caesar’s relentless steamroller sequence of victories –are allowed to speak for themselves and are all the more impressive for it.

By complete contrast, many of the battles and campaigns Octavius was personally involved in were far more mixed or problematic or failures in outcome – and so the narrative genre is completely different, and is concerned with how Fortune Smiled on our gallant hero as he pulled off a series of close shaves and narrow escapes. This focus on Our Lucky Hero also conveniently concealed the fact that, when he did win, Octavius almost always owed his victory to talented subordinates (above all the tremendously competent and reliable Marcus Vipsania Agrippa). No Caesar he, and he early realised it but learned to turn it – like everything else – to his advantage. (p.169)

Cleopatra

Goldsworthy’s half a dozen myth-busters include quite a big one about queen Cleopatra. Contrary to Egyptian nationalists, Cleopatra was Greek, came from a Greek family, had a Greek name and spoke Greek. There is, according to Goldsworthy, no evidence that she was very interested in the traditional Egyptian gods, but instead cleaved to the Hellenistic gods which held sway around most of the Mediterranean.

Second, she was in essence no different from the numerous other kings, rulers and tetrarchs scattered around the Eastern Mediterranean, generally struggling with family feuds and civil wars at home, who tried to curry favour with whichever Roman ruler was uppermost. Cleopatra’s main achievement was to prostitute herself out to not one but two of them, having affairs with and children by Julius Caesar (a son who she named Caesarion but Caesar never showed interest in) and then with Mark Antony (twins who she named Alexander Helios and Cleopatra Selene II, in 40 BC, and a third, Ptolemy Philadelphus, in 36 BC).

When Mark Anthony committed suicide on the approach of Octavius’s army to the capital, Alexandria, the 29-year-old survivor prepared herself for another seduction and impregnation:

She had always been a loyal ally of Rome, and would no doubt exploit her subjects just as enthusiastically for his benefit as she had for Julius Caesar and Antony. (p.192)

Goldsworthy argues that Cleopatra’s prominence in history is at least in part due to Octavius’s propaganda. It is factually correct that she had a long affair with Antony which lasted to the end of his life, and the children, and that the departure of her ships from the naval engagement off Actium prompted Antony to withdraw and thus lose the battle – but at the same time it suited Octavius very well indeed to exaggerate what to a patriotic Roman audience were all the negative aspects of the situation: that Antony was in thrall to a woman; that he had deserted his noble, long-suffering Roman wife, Octavia; that he let his administrative and military decisions be swayed by a female – all anathema to Roman values (p.192).

Change in narrative tone

Somewhere after page 200 (maybe with the start of Part Four on page 217) the narrative undergoes another subtle change in feel or vibe. The subject matter becomes more…pedestrian. It took me a while to realise why this was but Goldsworthy himself explains it on page 281:

The historian Dio lamented that it was harder to recount events after Augustus’ victory in the Civil War than it was before, since so many key decisions were taken in private and unrecorded, while much that was in the public domain was merely an empty ceremony.

That’s what it is. In the dozen or so accounts I’ve read of the troubled century from 133 to 27 BC there were always multiple players and combatants, vying for political power, either within the bounds of the constitution or spilling over into conflict, all having to stand for election, make speeches in the senate or addressing the popular assemblies or writing accounts of their doings or speeches – historians are able to give often very detailed accounts of political manoeuvrings and positionings because there are so many players involved and many of them left records or we have good accounts from contemporary or near contemporary historians.

Then Augustus wins total victory and it all goes quiet. By the time he has won he is the last man standing: Pompey, Caesar, Cicero, Cato, Cassius, Brutus, Antony, one by one all the great men of the previous generation were killed or killed themselves, leaving Octavius the sole figure on the stage.

He was very careful not to have himself declared dictator, as the ill-fated Caesar did, but to work through the channels of the Republican constitution, to continue to have elections of consuls and tribunes carried out, it was just that he arranged for himself to be elected ten years in a row and arranged who was to be his partner consul. There continued to be a senate, larger than ever in terms of numbers, all holding debates and speaking in the time-honoured way except that none of their debates carried any weight and many of the recorded speeches are eulogies to the princeps as he had himself called, a steady roll call of titles and awards which a grateful nation kept giving him.

Previously we had Pompey and Caesar and the senate all squabbling like ferrets in a sack and historians can calculate what each player’s motives were, and interpret each one’s moves, declarations and so on. And then… a great smothering blanket settles over Roman political life because only one man made the decisions. We have a record of the decisions but why he made them, what his thinking was, remains a matter of speculation.

Which is why all biographies of Augustus circle round to the same conclusion: that he was a mystery, an enigma, unknowable, in a way that Caesar and Pompey and Crassus and Cicero feel highly knowable. He wrote an autobiography but that has vanished. All we have is the Res Gestae Divi Augusti, a monumental inscription composed 35 paragraphs, grouped into four sections – political career, public benefactions, military accomplishments and a political statement – which manage to smother the turbulence and problems of what turned out to be the longest rule by any Roman emperor (45 years) into a series of bland, corporate achievements. It sounds like this:

Wars, both civil and foreign, I undertook throughout the world, on sea and land, and when victorious I spared all citizens who sued for pardon.

And:

I pacified the Alps, from the area closest to the Adriatic Sea all the way to the Tuscan Sea, without waging an unjust war against any tribe. (quoted p.334)

We have this and the biographies of later historians, namely Suetonius (69 to 120 AD), which capture snippets of gossip and factoids, but the rest…is a record of decisions by one of the colossi of history whose ‘true character’, despite hundreds of thousands of analyses, remains a mystery.

Pronunciation

The Latin pronunciation is:

  • praetor – pry-tor
  • quaestor – kwy-stor
  • Julius Kye-zer
  • Kikero

But if, in English, we say Julius Sea-zer, then it follows that all Latin words with ‘ae’ should be pronounced ‘e’ – hence preetor, queestor and so on.


Credit

Augustus: From Revolutionary to Emperor by Adrian Goldsworthy was published in 2014 by Weidenfeld and Nicholson. All references are to the 2015 paperback edition.

Roman reviews

The Life of Augustus by Suetonius

Suetonius’s life of Augustus has 101 chapters compared with his life of Julius Caesar with 89.

(1) Traditional connection of the Octavian family with the town of Velitrae. Tradition that a forebear was in the middle of sacrificing to Mars when a neighbouring tribe attacked so that he grabbed the innards out of the fire half burned [no idea what this really means], giving rise to a tradition of sacrificing that way in the town.

(2) The family was of the equestrian class i.e. neither rich and venerable patricians nor plebeians. Generations back the family split into two branches, one of which sought high office, Octavius’s branch less so. His father was the first family member to become a senator. Mark Antony taunted him that his great-grandfather was a freedman and rope-make, while his grandfather was a money-changer.

(3) His father Gaius Octavius was a man of wealth and repute who served well as governor of Macedonia, defeating Rome’s enemies in battle, meting out justice to Rome’s allies. Marcus Cicero, in a letter to his brother, Quintus, who was serving as proconsular governor​ of Asia, advises him to imitate his neighbour Octavius.

(4) On the way back from Macedonia he died suddenly leaving a wife, Atia, and three children, one by his first wife, 2 by Atia. Atia was the daughter of Marcus Atius Balbus and Julia, sister of Gaius Caesar. Balbus came from a family with many senators in its history and was closely connected on his mother’s side with Pompey the Great.

(5) Augustus was born just before sunrise on the ninth day before the Kalends of October [i.e. 23 September] in the consul­ship of Marcus Tullius Cicero and Gaius Antonius [63 BC], at the Ox‑Heads, a small property in the Palatine quarter, where there is now a shrine, built shortly after his death.

(6) A small room like a pantry is shown to this day as the emperor’s nursery in his grandfather’s country-house near Velitrae, which is now said to be haunted.

(7) His names In his infancy he was given the surname Thurinus in memory of the home of his ancestors. Mark Antony uses the name as an insult when the two fell out in the 30s BC. In 44 BC he took the name of Gaius Caesar by the will of his great-uncle, Julius. In 27 BC he was awarded the surname Augustus, on the motion of Munatius Plancus, Augustus being a made-up name because sacred places and those in which anything is consecrated by augural rites are called ‘august’ from the increase (auctus) in dignity or authority.

Suetonius uses the name Augustus throughout.

(8) He lost his father when he was 4. At 12 he delivered a funeral eulogy to his grandmother Julia. When his uncle went to Spain to engage the sons of Pompey, although he had hardly recovered from a severe illness, he followed over roads beset by the enemy with only a very few companions and so endeared himself to Caesar, who soon formed a high opinion of his character.

Suetonius gives a fantastically abbreviated account of Augustus’s career in order to get onto the character stuff: so, after Caesar defeated the last of the Pompeyans in Spain, thinking peace had arrived for good, Augustus devoted himself to study in Greece. When he learned that his great-uncle had been assassinated, and he had been named his heir, he pondered whether to appeal to the nearest legions, eventually deciding against it. He returned to Rome and entered upon his inheritance, in spite of the doubts of his mother and the strong opposition of his stepfather, the ex-consul Marcius Philippus. Then he levied armies and henceforth ruled the State, at first with Marcus Antonius and Marcus Lepidus, then with Antony alone for nearly 12 years, and finally by himself for 44. That’s it, that’s the complete summary of Augustus’s political career.

(9) “Having given as it were a summary of his life, I shall now take up its various phases one by one, not in chronological order, but by classes, to make the account clearer and more intelligible.” In his introduction to the Penguin edition, Michael Grant points out that Suetonius’s fondness for assigning things to categories reminds us that he wrote the lives of great grammarians (now lost). Very bookish, very librariany, this love of taxonomies.

He wages five civil wars which Suetonius oddly names after their decisive battles: Mutina (43 BC), Philippi (42), Perusia (40), Sicily and Actium (31).

(10) Augustus initially wanted to avenge his uncle [for some reason Suetonius insists on calling Caesar Octavius’s ‘uncle’ not his ‘great uncle’] by gaining a position of power such as tribune of the plebs and then leading forces against Brutus and Cassius. But he was blocked in all attempts by Mark Antony and so went over to the aristocrats’ party. He plotted to assassinate Antony but when the conspiracy was uncovered, raised veterans to protect himself. He was put in command of the army which he had raised, with the rank of propraetor, and bidden to join with Hirtius and Pansa, who had become consuls, in lending aid to Decimus Brutus.

(11) Both Hirtius and Pansa lost their lives in this war and there were persistent rumours that Augustus had them arranged their deaths in order to create vacancies in the consulship.

(12) But when Antony, after his flight north, found a protector in Marcus Lepidus, and realising that the rest of the leaders and armies were coming to terms with them, he abandoned the cause of the nobles without hesitation and entered negotiations.

(13) He now formed a league with Antony and Lepidus and they finished the war against Brutus and Cassius with the two battles of Philippi. He was not merciful. He sent Brutus’s head to be thrown at the foot of Caesar’s statue.

When the duties of administration were divided after the victory at Philippi, Antony undertook to restore order in the East, and Augustus to lead the veterans back to Italy and assign them lands in the municipalities. But he could please neither the veterans nor the landowners, since the latter complained that they were driven from their homes, and the former that they were not being treated as their services deserved.

(14) Dangerous incidents during the siege of Lucius Antonius in Perusia.

(15) After the capture of Perusia he took vengeance on many, meeting all attempts to beg for pardon or to make excuses with the one reply, “You must die.”

(16) Details of the war in Sicily against Pompey’s son, Sextus Pompeius.

(17) When the final breach with Antony came, despite numerous attempts to patch it up, in 32 BC Augustus had Antony’s will read out to the people in which he named his children by Cleopatra as his heirs. Suetonius briskly deals with the battle of Actium, the difficulties he had sending his fleet and troops back to Italy, then his journey with some forces to besiege Antony in Alexandria.

Although Antony tried to make terms at the eleventh hour, Augustus forced him to commit suicide, and viewed his corpse. He greatly desired to save Cleopatra alive for his triumph, and even had Psylli brought to her, to suck the poison from her wound, since it was thought that she had died from the bite of an asp.

The young Antony, the elder of Fulvia’s two sons, he dragged from the image of the Deified Julius, to which he had fled after many vain entreaties, and slew him. Caesarion, too, whom Cleopatra fathered on Caesar, he overtook in his flight, brought back, and put to death. But he spared the rest of the offspring of Antony and Cleopatra, and afterwards maintained and reared them according to their several positions, as carefully as if they were his own kin.

(18) He visited the shrine of Alexander and placed a golden crown in the tomb. He annexed Egypt as a Roman province and had troops clear out the canals from the Nile in order to make it a more efficient bread basket. He founded the city of Nicopolis close to the site of his victory at Actium.

(19) Half a dozen assassination attempts are foiled.

(20) He carried on but two foreign wars in person: in Dalmatia, when he was but a youth, and with the Cantabrians after the overthrow of Antony.

(21) He subdued Cantabria, Aquitania, Pannonia, Dalmatia, and all Illyricum, as well as Raetia and the Vindelici and Salassi, which are Alpine tribes. He put a stop to the inroads of the Dacians, slaying great numbers of them, together with three of their leaders, and forced the Germans back to the farther side of the river Albis. But he never made war on any nation without just and due cause and was far from desiring to increase his dominion or his military glory at any cost. He only took hostages where necessary and if the hostage-giving nation rebelled, did not execute them but sold them into slavery.

His moderation in this and other things prompted India and the Scythians to send friendly envoys. Friendship with the eternally troublesome Parthian Empire allowed Augustus to reclaim the standards lost by Crassus at the battle of Carrhae in 53, and by Antony’s lieutenants in 40 and 36 BC.

(22) He had the doors of the temple of Janus Quirinuse closed three times, having won peace on land and sea. He twice entered the city in an ovation, after the war of Philippi, again after that in Sicily, and celebrated three regular triumphs​, for his victories in Dalmatia, at Actium, and at Alexandria, on three successive days.

(23) He suffered but two severe and ignominious defeats, those of Lollius and Varus, both of which were in Germany. [At the Battle of Teutoburg Forest in AD 9 3 entire legions led by Publius Quinctilius Varus were destroyed by Arminius, leader of the Cherusci.] It was said Augustus was so affected that for several months he cut neither his beard nor his hair, and sometimes he would dash his head against a door, crying: “Quintilius Varus, give me back my legions!” And he observed the day of the disaster each year as one of sorrow and mourning.

(24) He was a strict disciplinarian. He dismissed the entire tenth legion in disgrace because they were insubordinate. If any cohorts gave way in battle, he decimated them, [had every tenth man, chosen by lot, executed].

(25) After the civil wars he never called any of the troops ‘comrades’ either in the assembly or in an edict but always ‘soldiers’, thinking the former term too flattering for the requirements of discipline, the peaceful state of the times, and his own dignity.

He thought the worst quality in a general or officer was haste and risk. Hence his favourite sayings: “More haste, less speed”; “Better a safe commander than a bold”; and “That is done quickly enough which is done well enough.”

(26) He held the consulship an unprecedented 13 times. The first time he bullied the Senate into granting it him when he was only 20. He held his second consul­ship 9 years later, and a third after a year’s interval. The rest up to the eleventh were in successive years, then a long interval of 17 years till his twelfth and 2 years till his thirteenth.

(27) He was for ten years a member of the triumvirate for restoring the State to order, and though he opposed his colleagues for some time and tried to prevent a proscription, yet when it was begun, he carried it through with greater severity than either of them.

While he was triumvir, Augustus incurred general detestation by many of his acts and Suetonius lists the times Augustus had nobles he suspected of treachery arrested, tortured or executed on the spot.

He received the tribunician power for life, and once or twice chose a colleague in the office for periods of five years each. He was also given the supervision of morals and of the laws for all time, and by the virtue of this position, although without the title of censor, he nevertheless took the census thrice.

(28) He twice seriously considered restoring the Republic but both times was given pause at the thought of what would happen to himself, and by what new dissensions would immediately break out. [The same kind of argument which kept Oliver Cromwell in power.]

He undertook such sustained building work that in later life he liked to say he had found Rome built of brick and left it made of marble.

(29) A list of the notable buildings he had erected, and he encouraged other rich citizens to build new buildings or restore old ones.

(30) He reorganised the city into wards, organised fire watches, widened the channel of the Tiber to prevent floods and had all the approach roads to Rome widened and improved.

(31) After assuming the post of pontifex maximus on the death of Lepidus he collected whatever prophetic writings of Greek or Latin origin were in circulation and burned them. He restored Julius’s reform of the calendar and had the month Sextilis renamed after him, August, because it was the month when he held his first consulship and won his most famous victories.

He increased the number and importance of the priests. He increased the privileges of the Vestal virgins. He revived ancient rites which had fallen into disuse, such as the augury of Safety, the office of Flamen Dialis, the ceremonies of the Lupercalia, the Secular Games and the festival of the Compitalia. He provided that the Lares of the Crossroads should be crowned twice a year, with spring and summer flowers.

(32) To put a stop to brigandage, he stationed guards of soldiers wherever it seemed advisable, inspected the workhouses, and disbanded all guilds, except such as were of long standing and formed for legitimate purposes. He reformed the system of juries.

(33) In his administration of justice he was both highly conscientious and very lenient. [As so many have commented, it was as if the bloodshed of the civil wars and the proscriptions led to a psychological backlash, in which he tried to erase his former brutality.]

(34) He revised existing laws and enacted some new ones, for example, on extravagance, on adultery and chastity, on bribery, and on the encouragement of marriage among the various classes of citizens.

(35) Membership of the Senate had swollen to over 1,000 due to bribery and other reasons. He reduced it to 600, partly by having them vote worthy candidates, partly by his own intervention. He had sittings regularised to twice a month.

(36) Description of other administrative innovations designed to save money and avoid corruption.

(37) To enable more men to take part in the administration of the State, he devised new offices: the charge of public buildings, of the roads, of the aqueducts, of the channel of the Tiber, of the distribution of grain to the people, as well as the prefecture of the city, a board of three for choosing senators, and another for reviewing the companies of the knights whenever it should be necessary.

(38) He was generous in honouring military achievement for he had regular triumphs​ voted to over 30 generals. To enable senators’ sons to gain an earlier acquaintance with public business, he allowed them to assume the broad purple stripe immediately after the gown of manhood and to attend meetings of the senate. And when they began their military career, he gave them not merely a tribunate in a legion, but the command of a division of cavalry as well.

(39) His review of the knightly class, scolding and reprimanding many for bad behaviour.

(40) He revised conditions of the knightly class. He reviewed the way the free grain dole was distributed. He tried to abolish the widespread bribery at elections.

He was very hesitant to grant full Roman citizenship on foreigners. He made careful provision as to the number, condition, and status of slaves who were manumitted.

He wished to promote traditional forms of dress and directed the aediles not to allow anyone to appear in the Forum or its neighbourhood who wasn’t wearing a toga and a cloak.

(41) He increased the property qualification for senators, requiring 1,200,000 sesterces instead of 800,000. He loaned money at zero interest to people who needed it. He paid for the grain distribution in times of scarcity.

(42) But he was strict about acts of generosity and got cross when the people demanded more than he had promised.

(43) He surpassed all his predecessors in the frequency, variety, and magnificence of his public shows. If anything rare and worth seeing was ever brought to the city, it was his habit to make a special exhibit of it in any convenient place on days when no shows were appointed. For example, a rhinoceros in the Saepta, a tiger on the stage and a snake of fifty cubits in front of the Comitium.

(44) Reforms to rules surrounding the theatre, shows, gladiatorial combats, athletics competitions and so on.

(45) Games He didn’t attend all the games but when he did, he made a point of giving them his full attention, unlike Julius who was publicly criticised for answering correspondence and working during the show. He improved conditions for athletes. It appears that actors were legendarily lawless and he had some severely punished. For example, Pylades was expelled from the city and from Italy as well, because by pointing at him with his finger​ he turned all eyes upon a spectator who was hissing him.

(46) Population He increased the population of Italy by creating 28 new colonies. He paid for new buildings throughout. To keep up the supply of men of rank and induce the commons to increase and multiply, he admitted to the equestrian military career​ those who were recommended by any town. As he did his rounds of towns and districts he paid all who had had legitimate children 1,000 sesterces for each child.

(47) Provinces He assigned to himself rule of the stronger provinces; the others he assigned to proconsular governors selected by lot. Cities which had treaties with Rome but were on the road to ruin through their lawlessness, he deprived of their independence. He relieved others that were overwhelmed with debt, rebuilt some which had been destroyed by earthquakes, and gave Latin rights​ or full citizen­ship to all who could point to services rendered the Roman people.

(48) Foreign kingdoms He restored the kingdoms of which he gained possession by the right of conquest to those from whom he had taken them or joined them with other foreign nations. He encouraged dynastic intermarriages. He appointed guardians to the children of kings and had some brought up with his own.

(49) Reforms to the administration and pay of the army.

(50) Personal seal In dispatches and private letters he used as his seal first a sphinx, later an image of Alexander the Great, and finally his own image carved by Dioscurides.

(51) Clemency The evidences of his clemency and moderation are numerous and strong. He was content to let people speak ill of him, at dinner parties and such, confident they wouldn’t actually do anything.

[It is faintly miraculous the way the history of the Republic from about 100 BC to Augustus’s realm was continually riven by dissension and people supporting rival great men…and then all such talk just disappears.]

(52) When the people did their best to force the dictator­ship upon him, he knelt down, threw off his toga from his shoulders and with bare breast begged them not to insist.

(53) Lord He angrily refused the title of dominus or Lord. As consul he commonly went through the streets on foot, and when he was not consul, generally in a closed litter. His morning receptions were open to all, including the common people, and he met the requests of those who approached him with great affability, jocosely reproving one man because he presented a petition to him with as much hesitation “as he would a penny to an elephant.”

He was a highly effective socialiser: On the day of a meeting of the senate he greeted all the members in the House​, calling each man by name without a prompter and when he left the House he took leave of them in the same manner. He exchanged social calls with many and attended all their birthdays.

(54) Some senators cheeked him or made slighting remarks but no one suffered for their freedom of speech or insolence.

(55) He was relaxed about anonymous lampoons and satires.

(56) When he voted for officials he did so in his tribe as an ordinary citizen. He made sure all his friends and contacts were subject to the law. He even appeared in court and allowed himself to be cross questioned.

(57) As a result of this phenomenally wise rule he was immensely popular and regularly voted titles and given feasts and festivals by all classes of citizen.

(58) He was offered the title Father of His Country by popular acclaim and the Senate and graciously accepted it.

(59) A statue was erected to his doctor, Antonius Musa. Some of the Italian cities made the day on which he first visited them the beginning of their year. Many of the provinces, in addition to temples and altars, established quinquennial games​ in his honour.

(60) His friends and allies among the kings each in his own realm founded a city called Caesarea.

(61) Now Suetonius turns to consider his personal and domestic life.

(62) Three wives 1. When he became reconciled with Antony after their first quarrel, and their troops begged that the rivals be further united by some tie of kinship, he married Antony’s stepdaughter Claudia, daughter of Fulvia by Publius Clodius, although she was barely of marriageable age; but because of a falling out with his mother-in‑law Fulvia, he divorced her before they had begun to live together.

2. Shortly afterwards he married Scribonia, who had been married before to two ex-consuls, and was a mother by one of them. He divorced her also, “unable to put up with her shrewish disposition,” in his own words on the same day that she gave birth to his daughter, Julia.

3. And on that same day married Livia Drusilla, taking her from her husband Tiberius Nero, although she was with child at the time; and he loved and esteemed her to the end without a rival (although with numerous other sexual partners, see below).

(63) Children i.e. one daughter By Scribonia he had a daughter Julia, by Livia no children at all. He gave Julia in marriage first to Marcellus, son of his sister Octavia and hardly more than a boy, and then after his death to Marcus Agrippa, prevailing upon his sister to yield her son-in‑law to him. At this point the family tree of Augustus and Livia’s families, various children, grandchildren and adopted children becomes increasingly complicated.

(64) His grandchildren and very close supervision of them.

(65) Bad family Despite all his precautions Fortune intervened to screw up his family. He found the two Julias, his daughter and granddaughter, guilty of every form of vice and banished them. He lost grandsons Gaius and Lucius within the span of 18 months, the former dying in Lycia, the latter at Massilia. He then publicly adopted his third grandson Agrippa but soon disowned him because of his low tastes and violent temper.

Julia He exiled his daughter to the island of Pandataria where he denied her the use of wine and every form of luxury. No man, bond or free, was allowed to come near her without his permission, and then not without being informed of his stature, complexion, and even of any marks or scars upon his body. He frequently lamented having been inflicted with such daughters and wives.

(66) Friends He had few friends but was extremely loyal to those. Suetonius names two who he was forced to hand over to the authorities when it was discovered they were conspiring. He was very sensitive to friends’ death bed comments, or comments written in wills (which Romans often used to vent their true feelings, especially about rulers, once they were dead).

(67) Freedmen and slaves He had close friends among his freedmen but was severe with anyone who broke bounds:

  • he forced Polus, a favourite freedman of his, to take his own life, because he was convicted of adultery with Roman matrons
  • he broke the legs of his secretary Thallus for taking five hundred denarii to betray the contents of a letter
  • when the tutor and attendants of his son Gaius took advantage of their master’s illness and death to commit acts of arrogance and greed in his province, he had them thrown into a river with heavy weights about their necks

(68) Gay In young manhood many accusations that he was gay.

(69) Adultery His widespread adultery. He took the wife of an ex-consul from her husband’s dining-room before his very eyes into a bed-chamber, and brought her back to the table with her hair in disorder and her ears glowing. Mark Antony claimed his friends acted as his panders, and stripped and inspected matrons and well-grown girls, as if Toranius the slave-dealer were putting them up for sale.

(70) Vices The anecdote of the scandalous dinner of the twelve gods when Augustus and his circle dressed as, then behaved as, the gods and goddesses.

He was criticized as over fond of costly furniture and Corinthian bronzes. It was said some of the people proscribed in 43 BC were murdered so he could seize their bronzes. Sounds like the kind of gossip that always surrounds this kind of thing, compare and contrast with Sulla’s proscriptions.

(71) He was not greedy and freely distributed treasure he seized abroad. He was promiscuous, though: they say that even in his later years he was fond of deflowering maidens who were brought together for him from all quarters, even by his own wife.

He was open about his addiction to gaming and gambling, particularly dice.

(72) Temperate lifestyle Given his complete power and immense wealth he lived relatively simply, staying in one house in Rome, summer or winter, staying at other people’s houses, disliking grand palaces. He had the mansion built by his disgraced daughter Julia razed to the ground.

At his villa at Capreae he amassed a collection of the monstrous bones of huge sea monsters and wild beasts called the “bones of the giants”. These were fossils.

(73) Clothes He lived and dressed simply. He wore raised shoes to make him seem taller than he was.

(74) Dinner parties He gave dinner parties constantly, which weren’t that lavish or formal, at which he was a considerate host.

(75) Celebrations He celebrated festivals and holiday, sometimes with jokes and pranks, organising lotteries with wildly varying prizes.

(76) Eating He preferred plain food. He particularly liked coarse bread, small fishes, hand-made moist cheese, and green figs of the second crop. He would eat even before dinner, wherever and whenever he felt hungry.

(77) Alcohol He drank little, sometimes three swigs of a glass of wine and that was it. He would take a bit of bread soaked in cold water, a slice of cucumber, a sprig of young lettuce, or an apple with a tart flavour,​ either fresh or dried.

(78) Sleep He took a nap after lunch. After dinner he went back to his study to work. He slept 7 hours or less. He often woke up and called for a storyteller to speak till he fell asleep again. He hated getting up early. Due to his trouble sleeping he often nodded off during ceremonies or in his litter.

(79) Appearance He was unusually handsome and exceedingly graceful at all periods of his life but wasn’t fussed about appearance, having his hair cut any whichway, not bothering whether his beard was shaved or trimmed. He had clear bright eyes in which he liked to think a sparkle of divinity shone and he liked it if people he stared at dropped their gaze as if before the glare of the sun.

His eyebrows met. His ears were of moderate size, and his nose projected a little at the top and then bent slightly inward.​ His complexion was between dark and fair. He was short of stature though you didn’t notice it because his body was perfectly proportioned.

(80) Health He was rather sickly: he was covered in spots, itched constantly and was not very strong in his left hip, thigh, and leg, and even limped slightly at times.

(81) Ailments He suffered from bladder stones, enlargement of the diaphragm, catarrh. He didn’t like the winter cold.

(82) Clothes In winter he wore an undershirt, a woollen chest-protector and wraps for his thighs and shins, four tunics and a heavy toga. He couldn’t endure the sun even in winter, and never walked in the open air without wearing a broad-brimmed hat, even at home. He travelled in a litter, usually at night.

(83) Exercise Riding, pass-ball, balloon-ball, running and leaping dressed in a blanket. He sought out street urchins to play dice with but abhorred dwarfs, cripples, and people of that sort, as freaks of nature and of ill omen.

(84) Speaking From early youth Augustus devoted himself eagerly and with utmost diligence to oratory and liberal studies. To avoid the danger of forgetting what he was to say, or wasting time in committing it to memory, he adopted the practice of reading everything from a manuscript. Even his conversations with individuals and the more important of those with his own wife Livia, he always wrote out and read from a note-book, for fear of saying too much or too little if he spoke offhand.

(85) Writings He wrote numerous works of various kinds in prose, most of which have perished [except for the blankly factual Res Gestae].

(86) Writing style He sought to write as clearly as possible, without the affectations of style common at the time.

(87) Suetonius itemises specific linguistic habits of Augustus.

(88) Orthography i.e. spelling. Augustus wasn’t strict or consistent, preferring to spell as words sounded, phonetically.

(89) Literature He was interested in Greek oratory and studied it but never became fluent in Greek. He gave every encouragement to the men of talent of his own age, listening with courtesy and patience to their readings, not only of poetry and history, but of speeches and dialogues as well.

[Suetonius doesn’t mention it, but the three most important Roman poets flourished under Augustus’s patronage, Virgil, Ovid and Horace.]

(90) Superstition When it thundered and lightninged he took refuge in an underground bunker because he was once being carried in a litter when lightning struck and killed the servant walking in front bearing a lantern, something he never forgot.

(91) Dreams Examples of dreams which saved Augustus’s life or in which he spoke to Jupiter.

(92) Auspices Certain auspices and omens he regarded as infallible. If his shoes were put on in the wrong way in the morning he considered it a bad sign. If there was a drizzle of rain when he was starting on a long journey by land or sea, he thought it a good omen.

(93) He treated with great respect such foreign rites as were ancient and well established, but held the rest in contempt.

(94) Omens Suetonius brings together all the omens surrounding his birth which hinted that he was to be a great man. No difference between him and Plutarch, similarly in thrall to superstitions, omens, auguries and signs:

  • The day he was born the conspiracy of Catiline was before the House, and his father Octavius arrived late because of his wife’s confinement. Then Publius Nigidius, as everyone knows, learning the reason for his tardiness and being informed also of the hour of the birth, declared that the ruler of the world had been born.
  • As soon as he began to talk, it chanced that the frogs were making a great noise at his grandfather’s country place; he bade them be silent, and they say that since then no frog has ever croaked there.
  • As the Deified Julius was cutting down a wood at Munda and preparing a place for his camp, coming across a palm tree, he caused it to be spared as an omen of victory. From this a shoot at once sprang forth and in a few days grew so great that it not only equalled the parent tree, but even overshadowed it. Moreover, many doves built their nests there, although that kind of bird especially avoids hard and rough foliage. Indeed, it was that omen in particular, they say, that led Caesar to wish that none other than his sister’s grandson should be his successor.

(95) As he was entering the city on his return from Apollonia after Caesar’s death, though the heaven was clear and cloudless, a circle like a rainbow suddenly formed around the sun’s disc, and straightway the tomb of Caesar’s daughter Julia was struck by lightning.

(96) Auguries of victory As he was on his way to Philippi, a Thessalian gave him notice of his coming victory on the authority of the deified Caesar, whose shade had met him on a lonely road. As he was walking on the shore the day before the sea-fight off Sicily, a fish sprang from the sea and fell at his feet. And so on…

(97) Omens of death Towards the end of his life the first letter of his name was melted from the inscription on one of his statues by a flash of lightning. This was interpreted to mean that he would live only a hundred days from that time, the number indicated by the letter C, and that he would be numbered with the gods, since aesar (that is, the part of the name Caesar which was left) is the word for god in the Etruscan tongue.

(98) His final journey to the island of Capri. On the sea journey he contracted diarrhea. Anecdotes of his last few days, accompanying Tiberius, attending games, joking at a dinner party. He at last took to bed in Nola.

(99) Last day On his last day he was attended by servants and friends. He passed away as he was kissing Livia, uttering these last words: “Live mindful of our wedlock, Livia, and farewell,” thus blessed with an easy death such as he had always longed for.

(100) Funeral His body was escorted back to Rome. Details of his funeral, his cremation, burial in the Mausoleum. An ex-praetor who took oath that he had seen the form of the Emperor, after he had been reduced to ashes, on its way to heaven.

(101) His will, very detailed and specific, giving sums to Rome, to the praetorian guard, city cohorts and legionaries and other named individuals and groups. Its most important provision was appointing Tiberius his heir.

Summary

It can easily be seen that Suetonius skimps on Augustus’s military or political record – barely records most of it – in order to move onto what really interests him, which is the carefully categorised itemisation of Augustus’s qualities and attitudes.

And many readers just remember the most colourful anecdotes, like the rhinoceros and the elephant, breaking his secretary’s legs, having Roman matrons stripped naked for his inspection, or addressing his wife from written notes to avoid making mistakes. Suetonius encourages the quirks and oddities.


Related links

Roman reviews

All For Love, or, The World Well Lost by John Dryden (1677)

….we have lov’d each other
Into our mutual ruin.
(Antony to Cleopatra, All For Love Act 2)

John Dryden (1631 to 1700) was the dominant literary figure of the Restoration period, loosely 1660 to 1700. The period is sometimes called the Age of Dryden by academics who are paid to label things.

Dryden was extremely prolific. He not only wrote original poems – notably extended satires on the fierce politics and bickering theatre-world of the Restoration era – but produced an awe-inspiring number of translations, notably of Virgil’s Aeneid, of episodes from Homer, Ovid, and Boccaccio and translations from the Middle English of some of Chaucer’s Canterbury Tales. Not only this but during the revival of the theatre under the restored King Charles II, Dryden wrote some 30 plays, including texts for some of the earliest English operas.

Dryden’s dominance was in part due to his development of blank verse (unrhymed iambic pentameters) and rhyme royal (rhymed iambic pentameters) into extremely flexible and expressive tools, for writing satirical poems, plays comic or tragic, and narrative verse, whether high toned or entertaining. He added a few variations to add variety, namely alexandrines and triplets. Triplets are when not two but three lines share the same end rhyme, and an alexandrine is a line of six beats or feet rather than the usual five of the pentameter, such as this line from the Faerie Queene:

And to the Dwarfe awhile his needlesse spere he gave.

Setting standards

But there’s a further reason for Dryden’s dominance. No other poet or playwright wrote so extensively about literature. Dryden not only set about establishing orderly blank verse as the standard medium for verse, and set out to revive serious high poetic drama in the theatre; he wrote numerous essays explaining why he wanted to do this and how he was setting about doing it. He was the greatest theorist and justifier of the great change in poetic style and medium which took place during his lifetime.

In Restoration England there was a great hankering for law and order and regularity. Laws were brought in to compel conformity to the state religion, the Royal Society brought together scientists who were seeking the fundamental laws of nature, and writers of the period were motivated to seek out the laws and rules which underpinned the best literature of the ages.

Dryden wrote very appreciatively about both Chaucer and Shakespeare – in fact his translations of Chaucer helped revive interest in him – but at the same time he deprecated them for ignoring what he took to be fundamental rules about correct format and diction and style appropriate to each poetic genre.

Bringing order to the drama

In particular, when it came to plays, Dryden was among many authors of the period in thrall to the so-called Three Unities. Two thousand years earlier the Greek philosopher Aristotle had delivered a series of lectures analysing the tragic plays of his time and noting what the most successful of them had in common. The most successful Greek tragedies tended to focus on just one subject and not waste the audience’s attention on sub-plots and distractions. They tended to happen in one place rather than a confusing variety of locations. And they tended to be very focused in time, often taking place in just one day, sometimes, like Oedipus Rex, taking place in real time, with no jumps, gaps or ellipses.

These were the three unities which later generations converted from being a shrewd analysis of the particular cohort of plays Aristotle chose to analyse into grand universal laws which ought to be applied to all serious dramas.

All this is by way of explaining why Dryden chose to rewrite Shakespeare’s tragic drama Antony and Cleopatra in order as nearly as possible to comply with the three unities.

Unity of Time Shakespeare’s play covers an extravagant ten years of ancient history, from Fulvia’s death in 40 BC to the lover’s suicide after the Battle of Actium in 30 BC. By contrast Dryden’s play covers just the last few days leading up to the main characters’ double suicide.

Unity of Subject Shakespeare’s play is diffuse in the sense that, beside the central story, it also touches on the war against Sextus Pompeius, the character of Lepidus, vivid portraits of Octavius Caesar and his entourage. Antony and Cleopatra covers a larger timeframe and has more named characters than any other Shakespeare play, some 57. By deliberate contrast, Dryden focuses right down on just ten named characters.

Unity of Setting And whereas Shakespeare’s play makes huge leaps in location, from Alexandria to Rome to Greece to Sicily to Athens, Dryden’s sticks to a handful of buildings in the capital of ancient Egypt, Alexandria.

So a concerted focus on setting, subject and time. All depicted in neat, regular and easily understandable verse.

Synopsis

Act One

The Egyptian priest Serapion sets the scene by describing ominous portents and prodigies which are afflicting the country, such as the untimely flooding of the Nile.

Cleopatra’s eunuch and chief minister Alexas dismisses all these omens, tells Serapion to stop broadcasting them, and instead focuses on the army of Caesar which is camped within sight of Alexandria.

Alexas rues the day Cleopatra ever met Antony and so got Egypt dragged into Rome’s civil wars. Alexas gives us the backstory that, since his ignominious defeat at the naval Battle of Actium, Antony has been hiding in the temple of Isis ‘a prey to black despair’, and refusing to see Cleopatra.

Enter Ventidius, a Roman general who is an old friend and colleague of Antony’s (‘A braver Roman never drew a sword’). He is appalled to witness Antony wandering distracted and depressed and insists, over the objections of Antony’s assistants, in seeing the great man.

In their dialogue Antony expresses worldweariness unto death and Ventidius laments that a man who was once ‘the lord of half mankind’ has been reduced to such a pitiable state out of wretched submission to ‘one light, worthless woman’).

After having a good cry together, Ventidius gets to the point of his visit which is that he has brought 12 battle-hardened legions with him from Syria. They will fight for Antony – but only on condition that he abandons Cleopatra. They are not prepared to die for a flighty foreign queen.

Antony is inspired and agrees these terms.

Act Two

The focus switches to Cleopatra who laments the tragic downturn in her fortunes to her maids, Charmion and Iras. Charmian reports back from a visit to Antony where she tried to persuade him to come see Cleopatra but she refused. Cleopatra sends Alexas.

Cut to Antony in company with Ventidius when Alexas enters bearing flattering messages from Cleopatra and gifts of jewellery for his generals and a bracelet of rubies for Antony. Ventidius gives vitriolic comments on this activity, calling Alexas a ‘vile crocodile’.

When Alexas fumbles to fix this bracelet on Antony’s wrist, he slyly asks wouldn’t he prefer the sender to tie it on herself, and introduces Cleopatra who enters, for the lover’s first confrontation in the play. Ventidius is disgusted and warns Antony to keep his resolve and Antony starts well by delivering a long speech outlining how love for Cleopatra has reduced him and his career to ruins. In fact ‘ruin’ is a key word in this act.

But, inevitably, Antony, like an alcoholic offered a bottle of scotch, relapses. The crux comes when Cleopatra presents a letter from Octavius himself in which Caesar has offered her not only continued rule over Egypt but the kingdom of Syria as well, if she would only surrender Antony. Now, by proving that she refused to do so, Cleopatra wins Antony all over again, he falls into her arms and proclaims his undying love.

Ventidius is disgusted:

VENTIDIUS: ⁠O Women! Women! Women! all the gods
Have not such pow’r of doing good to Man,
As you of doing harm.

Nonetheless Antony orders Ventidius to unbar the gate facing towards Caesar’s army, as he is keen to lead his (Ventidius’s) legions into battle.

Act Three

Between acts 2 and 3 Antony has led an army out of Alexandria and defeated Caesar’s army, leaving five thousand dead. The act opens with he and Cleopatra celebrating and mutually praising each other. But after a certain amount of hailing each other as Venus and Mars, respectively, Cleopatra and her entourage exit, allowing Antony’s loyal general and conscience, Ventidius to enter.

He pours cold water on Antony’s good mood by pointing out that Caesar has the whole world and any number of allies and their armies to draw on while Antony has only the finite resources and manpower of Alexandria.

Antony laments that he has had only one true real friend and proceeds to describe the kind of friendship which consists of a complete unity of mind and spirit, which makes me wonder whether he had read Cicero’s Essay on Friendship. (Although the idea of super friendship had been recycled countless times during the Renaissance and was probably available to Dryden as a cliché both of humanistic discourse.)

Anyway, this One True Friend he has in mind is the young Dolabella and Ventidius now proceeds, to Antony’s great surprise…to invite this same Dolabella on stage!

Antony recovers from his shock, embraces his young friend, and there is some dialogue where Dolabella upbraids him for falling thrall to Cleopatra, while Antony reminds Dolabella how utterly enthralled the latter was when Cleopatra made her grand entrance at Cydnus, and explains it was jealousy lest his young soul mate fall equally for Cleopatra which led Antony to banish him from his side (!)

[This offers Drydren the opportunity to do a direct rewriting of the most famous speech from Shakespeare’s play, when Enobarbus describes Cleopatra’s magnificent arrival at Antony’s camp by boat. Below I give a detailed comparison of Shakespeare and Dryden’s styles using a much smaller excerpt.]

Dolabella has come from Caesar’s camp to offer terms. Antony asks who was man enough to stand up to mighty Caesar and plea for terms? Was it Dolabella? Was it Ventidius? No, they reply; someone nobler and stronger than either of them. Then pray produce this prodigy, Antony demands.

At which, with a magician’s flourish, and with rather cheesy dramaturgy, Dryden presents Antony’s forsaken wife Octavia and their three small children! All of them then proceed to gang up on Antony:

⁠DOLLABELLA: ⁠Friend!
OCTAVIA: ⁠Husband!
BOTH CHILDREN: ⁠Father!

– his best friend Dolabella, his loyalest general Ventidius, his noble wife and his three children all beg him to abandon the Egyptian queen and treat with Caesar, who has made a surprisingly generous offer:

OCTAVIA: I’ll tell my Brother we are reconcil’d;
He shall draw back his Troops, and you shall march
To rule the East: I may be dropt at Athens;
No matter where, I never will complain,

At which point Antony utterly capitulates, giving in, begging their forgiveness, weeping, saying Octavia can lead him wherever she wills.

It seems that Cleopatra has heard of this reconciliation because her representative, Alexas, hurriedly arrives and…is ironically dismissed as too late by Ventidius, before he too departs. Alexas has a moment alone onstage to lament that a) as a eunuch he has never known love and passion b) he advised Cleopatra to drop Antony, she refused, so now she’s the one being dropped.

Enter Cleopatra and her entourage. Alexas barely has time to tell her that Antony has defected to the enemy when Octavia herself enters and the stage is set for a set-piece dramatic confrontation between wife and mistress, between duty and passion, between married chastity and sexual indulgence. Cleopatra wins on the topic of beauty and ‘charms’ but Octavia triumphs with her virtue, calling her rival, in effect, a whore.

Obviously this is all a man’s creation, written for a highly patriarchal society, in which the male-created characters speak and argue in terms dictated by patriarchy. Yet Shakespeare was writing for an even more hierarchical society and his women soar.

In Octavia’s handful of scenes in Antony and Cleopatra she emerges as a well-defined character and in her brief scene with Antony in Rome there is real affection and gentleness on both sides. Here, in Dryden, this little set-piece feels like a contrived and highly schematic binary opposition of the kind you find in his political poems.

That said, after Octavia sweeps off the stage, Cleopatra staggers with affliction:

CLEOPATRA: My sight grows dim, and every object dances,
And swims before me, in the maze of death.
My spirits, while they were oppos’d, kept up;
They could not sink beneath a Rivals scorn:
But now she’s gone they faint.

Act Four

Act 4 takes an unexpected turn. Antony asks Dolabella to tell Cleopatra he is leaving and the scene is initially mildly comic because Antony makes to leave three times but each time comes back to give Dolabella just a few more points to say to Cleopatra. It’s a portrait of a man struggling to tear himself away.

But this one request turns out to be the focus of the entire act because Ventidius overhears this arrangement and turns, rather suddenly, into a kind of organising spirit. For he realises that Dolabella is himself still in love with Cleopatra. Now Ventidius fantasises about stepping into Antony’s shoes (‘What injury/To him to wear the Robe which he throws by?’)

Ventidius also overhears (suddenly there is lots of overhearing and eavesdropping – all very Restoration comedy and very unlike the plain dealing of the first three acts) Alexas suggesting to Cleopatra that she make Antony jealous by encouraging Dolabella’s love making, the idea being that Antony will hear about this and be prompted to come running back to her.

ALEXAS: Th’ event wil be, your Lover will return
Doubly desirous to possess the good
Which once he fear’d to lose.

To make it even more staged and contrived, Ventidius gets Octavia to accompany him in eavesdropping on this scene, namely Dolabella supposedly passing on Antony’s final farewell to the queen. At first both play up to their roles i.e. Cleopatra feigns upset at Antony leaving but then says she might accede to Dolabella’s passion and Dolabella, thus encouraged, admits that he’s always loved her from afar. Flirtation:

DOLABELLA: ⁠Some men are constant.
CLEOPATRA: ⁠And constancy deserves reward, that’s certain.

Ventidius and Octavia see and hear all this from the back of the stage (in a very stagey contrived kind of way). They see Dolabella pretend that Antony had been fierce and heartless in casting her off. But they are all surprised at the extent to which Cleopatra is distraught and collapses to the floor in a faint. This prompts Dolabella to regret his scheming and admit he was lying and to stagily beg forgiveness. Cleopatra joins in the mutual confessing, that admitting she was leading him on as a scheme. Now both succumb to guilt at their respective betrayals (of lover and friend).

But this doesn’t stop Ventidius and Octavia then returning to Antony and swearing they’ve seen Cleopatra and Dollabella holding hands and kissing. Ventidius even ropes in Alexas, who backs them up because, although he hadn’t witnessed the scene himself, this is what he recommended Cleopatra to do.

This all backfires for Ventidius. He hoped portraying them as lovers would finally extinguish any love for Cleopatra and set Antony free, but in the event Antony is so full of jealous anger at Cleopatra’s betrayal that it shocks and disgusts Octavia.

OCTAVIA: Tis not well,
Indeed, my Lord, ’tis much unkind to me,
To show this passion, this extreme concernment
For an abandon’d, faithless Prostitute.

Antony repeatedly tries to argue that Ventidius cannot be right, Cleopatra cannot have pledged love to Dolabella, that she still loves him and his obstinate determination to exculpate her infuriate Octavia. She thought they were completely reconciled at the end of Act 3 but now she sees how naive she has been. She realises Antony has but ‘half returned’ to her. And so she storms out for the final time, Ventidius, like any Restoration schemer, lamenting that Heaven has blasted his ‘best designs’.

The last element in the unfolding of this grand misunderstanding comes after Octavia has stormed out and Dolabella and Cleopatra enter only to be surprised at the ferocity of Antony’s accusations against them, calling them ‘false and faithless’ serpents.

They try to explain themselves but Antony refuses to believe them and Cleopatra in particular beats herself up that one minute’s feigning has now wrecked a lifetime of love. Antony orders them out of his sight, forever but even as he does so he weeps bitter tears. In other words, pity, fear and sympathy are wring to the maximum.

Act Five

Obviously the entire audience knows Antony and Cleopatra will die in this act so the only question is how Dryden handles the scenes, what speeches he gives them.

The act opens with Cleopatra grabbing a knife ready to kill herself and her maids Charmian and Iras struggling to stop her. With comic timing Alexas walks in and Cleopatra forgets suicide and turns her entire fury on him, the counsellor who suggested she play act being in love with Dolabella. Wretch! He has killed her!

Alexas reassures her that the plan half worked – Dolabella and Octavia both banished, Antony has returned to being a wounded animal and may, again, be wooed. He is right now up the tower of the Pharos watching the sea battle between the Egyptian and Roman fleets.

Right on cue, the high priest Serapion enters and announces that, far from attacking Caesar’s fleet, Cleopatra’s fleet sailed right up to it and…joined it! Everyone cheered and the Egyptians fell into line behind the Romans. Now they are entering the port and will soon be in the palace. Antony was beside himself with rage and tried to throw himself tom his death, was prevented, and is hurrying back into the city.

Serapion tells her to flee to her Monument and orders Alexas – the author of her recent banishment – to go and confront Antony and admit the pretending-to-be-in-love-with-Dolabella scheme was his idea. Cleo, Serapion and the others leave quivering Alexas to a soliloquy lamenting his fear.

Enter Antony and Ventidius who roundly insult the craven Egyptians then vow to rouse what men they can and launch an attack on the invaders and so meet their death like Romans.

They come across Alexas and Ventidius is prompted to kill him on the spot, but Antony thinks he’s too despicable to kill. He just wants to know where Cleopatra is. At which, Alexas tells them both the whopping lie that she has holed up in her Monument where, overcome with grief, she has stabbed herself to death.

Alexas’s motivation for this appears to be an extreme way of extenuating and justifying Cleopatra, faithful unto death, for he says her last words were of undying love for Antony. Antony is, of course, stricken with grief and guilt. Alexas thinks to himself his plan has worked, it has prompted Antony to realise how much he loves/loved Cleopatra. All he has to do now is say it was a false report and they will leap back into each others’ arms.

Ventidius expresses satisfaction that the bloody woman is dead and reminds Antony they promised to go out, all guns blazing. But Antony doesn’t care any more, is overcome with apathy and indifference: if Cleopatra is dead, then nothing matters any more.

ANTONY: What shou’d I fight for now? My Queen is dead.
I was but great for her; my Pow’r, my Empire,
Were but my Merchandise to buy her love;
And conquer’d Kings, my Factors. Now she’s dead,
Let Cæsar take the World,———
An Empty Circle, since the Jewel’s gone
Which made it worth my strife: my being’s nauseous;
For all the bribes of life are gone away.

There follows quite a long dialogue between Antony, who asks Ventidius to kill him and live to tell his story, and Ventidius who complains what it will look like if he lives on like a coward after his master has nobly quit the stage. But as Antony turns away his face in readiness for the death blow, Ventidius betrays him by stabbing himself.

Antony laments but praises his friend’s amity unto death; then falls on his own sword but messes it up, so he is badly wounded but not dead. He’s trying to kneel up to have another go when Charmian and Iras enter and Cleopatra!

In his agony, for a moment Antony thinks he has died and gone to heaven and his mistress is greeting him, but then realises he is still alive and Alexas lied to him.

Antony, rather trivially, double checks with Cleopatra that she is true and she never felt anything for Dolabella. Of course not! They place Antony, rather incongruously, in a chair and he delivers a stirring requiem:

ANTONY: ⁠But grieve not, while thou stay’st
My last disastrous times:
Think we have had a clear and glorious day;
And Heav’n did kindly to delay the storm
Just till our close of ev’ning. Ten years love,
And not a moment lost, but all improv’d
To th’ utmost joys: What Ages have we liv’d?
And now to die each others; and, so dying,
While hand in hand we walk in Groves below,
Whole Troops of Lovers Ghosts shall flock about us,
And all the Train be ours.

He gives Cleopatra a last kiss. [It’s notable how little actual sensual activity there is from this pair of lovers who are supposedly wallowing in the sink of sin. One kiss – that appears to be it.]

Despite the protests of her maids, Cleopatra resolves to die, motivated not least by a refusal to be led in triumph through the streets of Rome to be gawped at by the plebs. She bids the maids go fetch her finest clothes and jewellery and ‘the aspicks’.

They return, dress Cleopatra in her finery, who sits in the chair next to Antony’s, and addresses a speech to the snakes which are going to deliver her from a cruel world. Offstage they hear Serapion declaring Caesar is approaching so she hurries, forcing the snake to bite her on the arm. As Serapion beats on the locked doors the two handmaids apply the snake to themselves, too and slowly drowse down, laying on the body of their queen as Serapion’s men burst open the door and run up to them.

SERAPION: ⁠Charmion, is this well done?
CHARMION: ⁠Yes, ’tis well done, and like a Queen, the last
Of her great Race.

Serapion delivers a eulogy to the dead lovers and now we realise the point of the business with the chairs, the apparently incongruous notion of propping the dying Antony up on a chair. The intention was that the two dead lovers present a striking tableau, at the play’s very ending, of sitting on royal thrones:

SERAPION: See, see how the Lovers sit in State together,
As they were giving Laws to half Mankind.
Th’ impression of a Smile left in her face,
Shows she dy’d pleas’d with him for whom she liv’d,
And went to charm him in another World.
Cæsar’s just entring; grief has now no leisure.
Secure that Villain, as our pledge of safety
To grace th’ Imperial Triumph. Sleep, blest Pair,
Secure from humane chance, long Ages out,
While all the Storms of Fate fly o’er your Tomb;
⁠And Fame, to late Posterity, shall tell,
⁠No Lovers liv’d so great, or dy’d so well.

Several thoughts:

1. Shakespeare had ended his play with a scene of Cleopatra’s death which is so intense as to be uncanny, spectral, supernaturally intense. Dryden clearly had to end his play with a bang and you can imagine him casting around for a suitable final setup/scene/page and lines. This closing spectacle of the two dead lovers propped up on thrones makes a striking – and strikingly different from Shakespeare – final tableau.

2. But it is also subject to a very negative interpretation. They may be sitting there like emperors giving laws to half mankind, but they are in fact corpses, dead, powerless, defunct. they are a mockery of living power, a travesty of real authority. The real thing – Caesar – is at the door. And although he (tactfully on Dryden’s part) never makes an appearance in the play, his presence – and the awe due to real power – is present throughout and, in a sense, drives the entire plot.

3. Thus Dryden presents actors, directors and audiences with a very ambiguous tableau at the play’s end. It might be possible to take Serapion’s words at face value. But the more I mull it over the more the sight of two dead losers propped up on outsize thrones by their sycophants should probably be made to look macabre, outlandish, like the gruesome finale of a Hammer horror movie.

General thoughts

All For Love is surprisingly enjoyable. It’s an easy read. This is due to its greatest strength which is also its weakness, which is its tremendous clarity. Everything is clearly explained in calm and lucid iambic pentameters. The rhythm of the verse is as regular as the German train network. Everything arrives on time and in correct order. All the characters explain how they feel or what they are going to do with admirable candour and clarity. There is very little metaphor or simile and certainly nothing obscure or difficult, nothing to disturb the flow of high-toned sentiments. Even when the characters claim to be in a transport of passion, they still manage to explain it in clear and lucid language expressed with regular rhythm:

CLEOPATRA: … My Love’s a noble madness,
Which shows the cause deserv’d it. Moderate sorrow
Fits vulgar Love; and for a vulgar Man:
But I have lov’d with such transcendent passion,
I soar’d, at first, quite out of Reasons view,
And now am lost above it…

Even when it sounds poetic, the language, on closer examination, always turns out to be clear and rational:

VENTIDIUS: I tell thee, Eunuch, that she has unmann’d him:
Can any Roman see, and know him now,
Thus alter’d from the Lord of half Mankind,
Unbent, unsinew’d, made a Womans Toy,
Shrunk from the vast extent of all his honours,
And crampt within a corner of the World?

There are lots of places in Shakespeare which are puzzling to scholars and readers alike, lots of places where the thought is compressed into clever wordplay so convoluted or uses words referring to things or practices which are now so lost or obscure to us, that even the experts aren’t clear what he was trying to say. Nothing like that ever happens in Dryden. There is a steady trickle of metaphor and simile but nothing obscure, nothing puzzling, no sudden imaginative leaps to take your breath away. He has followed Cleopatra’s injunction to:

CLEOPATRA: ⁠Be more plain.

Mermaid’s inadequate notes

The notes to the 1975 Mermaid paperback edition I read, written by the editor N.J. Andrew, are disappointing. There aren’t many of them and what there are are mostly concerned with pointing out textual variations in the early printed editions, described in the clipped abbreviations of editorial scholasticism i.e. the dullest kind of notes possible for a classic text.

There is, admittedly, a second type of note, which is where he quotes passages from Shakespeare to indicate where Dryden copied or imitated the Bard. This also is pretty boring and he need only have given the reference not take up half the page quoting the entire passage. Editions of Shakespeare are easy to access.

What the reader very much does want is notes explaining the characters’ motivations, any obscurities, explaining some of the incidents referred to in the text which took place before the play started, or other people referred to in the text who don’t appear, and so on.

But there are almost no notes like that. Better than the tedious textual notes might have been references to the lives of Plautus or other ancient sources Dryden used. But again, nada. The Mermaid paperback is clearly printed and nice to hold in the hand but there must be editions with fuller, more useful notes.

A comparison

One of the places where Andrew highlights the comparison with Shakespeare is particularly famous and instructive. In Shakespeare’s Antony and Cleopatra Act 2 scene 2 line 239 onwards, Enobarbus is drunkenly praising Cleopatra’s amazing charisma to a table of Roman diners:

ENOBARBUS: Age cannot wither her, nor custom stale
Her infinite variety: other women cloy
The appetites they feed: but she makes hungry
Where most she satisfies

The first line is clear enough but the ‘cloy the appetites they feed’ bit requires a moment to process, as does its repetition in the next phrase. I think the idea is that male sexuality is usually quenched and dowsed after sex with a woman, sometimes leading to boredom or even repulsion. I had to look up the dictionary definition of ‘cloy’ to find that it is: ‘disgust or sicken (someone) with an excess of sweetness, richness, or sentiment.’ So I think the passage is based on the idea that women attract men who, however, often grow sick of them, particularly after their initial sexual appetite is satisfied. BUT that Cleopatra is not only different, but has the opposite effect, that the more men are with her and have sex with her, the more wild they are driven by love and lust.

Now I’m not very interested in this idea, as an idea, just the way it’s so densely expressed. Maybe I’m being dim, but I did have to look up the word and read the passage half a dozen times to be sure I understood it. So that’s what I mean by describing Shakespeare’s later style as dense and compact.

Compare that with a passage which seems pretty obviously derived from it in All For Love. Dryden has Antony tell Cleopatra to her face:

ANTONY: There’s no satiety of Love in thee;
Enjoy’d, thou still art new; perpetual Spring
Is in thy armes; the ripen’d fruit but falls
And blossoms rise to fill its empty place;
And I grow rich by giving.

It’s less impactful in at least three ways:

1. It’s more clearly expressed: ‘Enjoyed [i.e. after sex] thou still art new’ and the even clearer ‘Perpetual spring is in thy arms’.

2. For sure, there’s a metaphor about ripened fruit falling but being continually replaced with new blossoms (which promise evermore fruit), the implication being that her sexual allure is always new, and never falls into that surfeit or male repulsion which Shakespeare refers to. But the thing about both these metaphors (perpetual spring, ripened fruit) is how easy they are to understand. They’re more sensual and easy to process and so, also, more…well, relaxing. Contrast with the Shakespeare phrase that Cleopatra makes hungry where most she satisfies. This feels much more primeval; he is describing basic physical appetites, physical hunger, physical satisfaction after sex. At the same time, though, although these words describe basic physical processes they are, in a sense, also quite abstract, hunger being a very abstract word, like anger or love. So the Shakespeare passage manages to feel both more intellectual and more basic, at the same time! This maybe explains why, as a description, it feels a lot more intense, intensely physical yet intensely psychological, and all these factors help explain why it feels more dramatic.

3. And this brings me to my final point, which is the speech’s dramatic placement or context: by this I simply mean that having Enobarbus give his vivid description gives it all kinds of dramatic and psychological reverberations; because Enobarbus is a chorus to Antony’s actions who both approves and disapproves of his master’s infatuation, and so is ambivalent about the figure of Cleopatra. The opening lines sound like extravagant praise but Enobarbus goes on to be scathing about Cleopatra in the very next phrase, so it is an ambivalent, complex speech.

Moreover, it is a description of her in her absence given to a dinner party table of Romans who have never seen her so are all agog at Enobarbus’s account, which, of course, allows the old soldier, a bit drunk, to crank up his description, to exaggerate. In doing so he is bigging up himself as the top eye-witness to all Antony and Cleopatra’s affairs. The grandeur of the description reflects well on its teller.

4. And, lastly, and pretty obviously, Cleopatra is not there, so this is a conjuration from empty air, it is a word painting, it is a tone poem, it is Enobarbus showing off his way with words at the same time that Shakespeare is showing off his ability to conjure magnificence on a bare wooden stage. Quite apart from the subject matter, the speech conjures the pure magic of poetry on the stage, like Prospero with his staff.

Returning to the Dryden passage we find it lacks all of these complex multi-layered effects. In Dryden the speech is just part of Antony telling Cleopatra how wonderful she is. Obviously there’s some context in the specific context in the play i.e. it reflects Antony’s over-confidence in the military victory he’s just won, and the fact that he’s been swung round from deep depression into a renewed will to live, conquer and be in love; so, arguably, it reflects his manic mood and this explains why it is hyperbolic overstatement. But still…it almost completely lacks the complex psychological and dramatic multidimensionality of the Shakespeare version.

Hopefully, just this one comparison demonstrates how the Dryden is easier to process and enjoy, has merits of its own, but almost completely lacks the verbal, psychological and dramatic complexity which Shakespeare achieves.

‘Ruin’

Key words and symbols are often buried in Shakespeare and take rereading or rewatching to bring them out. Not least because his language is so packed with metaphors, imagery and word play it can be like spotting a needle in a haystack. By contrast, as in so many other things, keywords in Dryden are much easier to spot and process because his language is so much plainer and clearer, so repetitions stand out like a church spire in a landscape.

Thus it wasn’t difficult to notice the word ‘ruin’ recurring again and again. Not a very subtle choice of word or image or metaphor, on the contrary, a very rational choice for a drama about two people who ruin themselves, each other, their causes and countries. But it is repeated so many times it is clearly an attempt to create the same kind of verbal threading and echo that Shakespeare does so effortlessly.

ALEXAS: And Dolabella, who was once his Friend,
Upon some private grudge, now seeks his ruine

ALEXAS: She dotes, Serapion, on this vanquish’d Man,
And winds her self about his mighty ruins

VENTIDIUS: O, she has deck’d his ruin with her love,
Led him in golden bands to gaudy slaughter,
And made perdition pleasing…

VENTIDIUS: ⁠So, now the Tempest tears him up by th’ Roots,
And on the ground extends the noble Ruin.

ANTONY: I was so great, so happy, so belov’d,
Fate could not ruine me; till I took pains
And work’d against my Fortune,

ANTONY: ⁠That I derive my ruin
From you alone—
⁠CLEOPATRA: ⁠O Heav’ns! I ruin you!

ANTONY: ⁠All this you caus’d.
And would you multiply more ruins on me?

CLEOPATRA: …’twill please my Lord
To ruine me, and therefore I’ll be guilty.

VENTIDIUS: ⁠O Syren! Syren!
Yet grant that all the love she boasts were true,
Has she not ruin’d you?

ANTONY: This, this is she who drags me down to ruin!

VENTIDIUS: Justice and Pity both plead for Octavia;
For Cleopatra, neither.
One would be ruin’d with you; but she first
Had ruin’d you: the other, you have ruin’d,

OCTAVIA [going up to Cleopatra]: ⁠I would view nearer
That face, which has so long usurp’d my right,
To find th’ inevitable charms, that catch
Mankind so sure, that ruin’d my dear Lord.

And so on. No great perspicacity required to spot the keyword or to understand how Dryden intends it as the central theme of his play. For though Dryden gives the lovers the best love and passion poetry he can conceive, the long introductory essay to his play makes it crystal clear that he takes a strong moral line and thinks they were wrong and immoral. That their neglect of their duties – to their families, their friends, their armies and their countries – mean that their wretched fate was entirely deserved and fitting.

In Dryden’s view, we are not meant to admire history’s most famous lovers, but to condemn them.


Related links

Poetry

History

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Restoration drama

Introduction to the defence speeches of Cicero

Marcus Tullius Cicero (106 to 43 BC), without the benefit of coming from a patrician or aristocratic family, rose by hard work to become the leading Roman lawyer and orator of his day. For a generation he dominated the Roman courts, usually appearing for the defence. We know of 88 law speeches he gave and an amazing 58 of them survive in whole or in part. The Oxford University Press publish an excellent paperback containing five of his most famous defence speeches.

(Note that the Latin word pro simply means ‘for’ and takes the ablative case i.e. changes the ending of words and names to ‘o’, so that the speech ‘for Caelius’ is known as ‘Pro Caelio’ and so on – unless the name ends in ‘a’, in which case it stays the same, or already ends in ‘o’ in which case it adds ‘ne’ to the end. These are examples of the kind of rules you have to learn when studying Latin.). The five features speeches are:

  1. Pro Roscio Amerino: his defence of Quintus Roscius Gallus, falsely accused of murdering his father
  2. Pro Murena: defence of the consul-elect Lucius Licinius Murena, accused of electoral bribery (39 pages)
  3. Pro Archia: defence of the poet Archias, on a citizenship charge
  4. Pro Caelio: of Marcus Caelius Rufus , ex-lover of Clodia Metelli, on charges of poisoning and violence
  5. Pro Milone: defence of Titus Annius Milo, accused of murdering Cicero’s hated enemy Clodius

The most obvious thing about the speeches is how long they are. I’ve no idea how long a modern defence address is but Cicero’s speeches occupy 30 to 40 pages of an average paperback and must have taken some time to deliver, especially stopping for all the dramatic pauses, the appeals to the jury and the strategic bursting into tears (he refers to his own tears of grief in several of the speeches). Did he memorise them and deliver them without notes? That, also, is an impressive feat.

The next most obvious thing is how complex the background and context of each case is. If you look them up online, you discover that each of Cicero’s major speeches has an entire Wikipedia article devoted to it because each one requires a meaty explanation of the context of the case: where it stood in Cicero’s career, and then the (generally very complicated) background of the case, including biographies of all the main participants, which themselves only make sense when carefully located within the feverish and tortuously complicated politics of the late Roman Republic.

Many law cases brought in ancient Rome were not objective products of what we think of as ‘justice’ but were entirely motivated by personal rivalries, sparked by the never-ending competition for office, but often just personal feuds or vendettas.

There was no police force in ancient Rome and, crucially, no office of public prosecution, no Crown Prosecution Service such as we have in modern England. In other words, you didn’t take your grievance to the authorities, who then carefully assessed whether there was a case to answer and decided whether to bring a criminal or civil case against a suspect or defendant. None of that framework existed. So people (generally rich and well-connected people) brought cases against individuals off their own initiative, using their own interpretation of the law.

And many of the cases were what I think are, in modern law, called ‘vexatious’, meaning they were not attempts to achieve objective justice but were nakedly biased attempts to game the system in the prosecutor’s favour, often shameless attempts to get political rivals convicted, exiled or maybe even executed. And this was accepted because everyone else was gaming the system, too. Personally motivated accusations and counter-accusations and counter-counter-accusations were the normal procedure.

The courts were one of the principal arenas in which the business of politics in Rome was played out: if you wanted to get rid of a political opponent, you prosecuted him and brought about his exile; if you failed, he might then prosecute you.
(Defence Speeches by Cicero, translated and edited by D.H. Berry, Introduction p.xxvii)

It was also the case that no one could be prosecuted while holding political office. Therefore a lot of the fiercely competitive vying to be elected to ‘magistracies’ or political offices in late Republican Rome was motivated not by keenness to serve, but as a tactic to dodge prosecution.

(This rose to a kind of climax with the political impasse which developed when Caius Julius Caesar refused to give up his command in Gaul and return to Rome unless he could be promised the opportunity to run for consul in his absence [an election he knew he could bribe his way to winning]. His sole reason for doing this being to avoid the prosecutions for corruption and malpractice which he knew he would face if he returned to Rome as a private citizen. Caesar knew this would happen because stentorian Republicans like Cato had made umpteen speeches promising to prosecute him. Therefore he had no choice but to seek election in order to win immunity, and he could only run in his physical absence because he knew that, as soon as he entered Rome as a private citizen, he knew he’d be tried, multiple times until his enemies got the result they wanted. When the senate rejected all his and his supporters’ attempts to negotiate this deal, he was left with no alternative but to enter Italy backed by his legions for security – thus triggering the civil war.)

D.H. Berry’s introductions

So before the reader gets anywhere near the speeches themselves, you have to mug up on their very complex background. And that’s where the OUP edition of Cicero’s Defence Speeches is outstanding. The editor and translator D.H. Berry not only provides an excellent general introduction to the volume, giving us a thorough and vivid overview of Cicero’s life and how it entwined with the complicated political context of the 70s, 60s and 50s BC, before going on to explain at some length the quirks of the Roman legal system…

But he also precedes each of the speeches with an in-depth summary of the political context and specific events which gave rise to it. This sounds simple but is, in each case, impressively complicated and absolutely vital: without a full understanding of the context you wouldn’t know what Cicero was trying to achieve in each speech. Berry is excellent at not only explaining the factual background but the strategy and tactics Cicero adopts in each speech.

General introduction

There were two main types of oratory: ‘forensic’ (from the Latin forensis meaning ‘of the forum’, which is where the public law courts were sited, also known as judicial) and ‘deliberative’ (the display of public oratory in political assemblies).

The Roman first court or ‘public inquiry’ was only set up in 149 BC and was followed by the establishment of further courts set up to try specific types of cases. Juries were large (sometimes hundreds of citizens) and if no court existed for the type of case, the trial was held in front of the entire people in the forum.

The system grew piecemeal for the next 70 years or so until it was swept away by the dictator Lucius Cornelius Sulla in 81 BC. He set up seven courts, designed to try specific types of case, namely murder, forgery, extortion, treason, electoral malpractice, embezzlement and assault.

The make-up of juries was a subject of controversy for decades – as you can imagine, if many cases were politically motivated, then who was allowed to sit on the jury was vitally important to both sides – until a law of 70 BC decreed they should be made up of one third senators, one third equites (or knights) and one third ‘tribunes of the treasury’ (who seem to have been a minor sort of equites).

In the decades that followed, more permanent courts were added, such as one devoted to violence, and other ad hoc types were created as and when required, such as the ‘sacrilege court’ set up to try Publius Clodius Pulcher for his famous dressing-up as a woman to infiltrate the women-only celebration of the Bona Dea being held at Julius Caesar’s house in 61 BC.

There were no public prosecutors. A defendant was prosecuted by the man who brought the case against him and any advocates or eminent men he could persuade to join him. The scope for doing deals and sharing prosecutions with social or political allies who stood to gain from a victory were endless.

Something else surprising: successful prosecutors were awarded their victim’s marks of honour and acceded to their rank in the senatorial hierarchy. So, on the face of it, a very strong motive to bring a prosecution and win.

However, they didn’t gain respect from doing this, often the reverse, and prosecuting was generally seen as an invidious role, unless you were obliged to carry it out by civic or family duty or gross injustice. The role of defender was much more socially respected, which explains why in almost all of Cicero’s cases he appears for the defence. The general idea was to mount one spectacular prosecution to make your name, then seek the safety of defending (a career path Cicero explicitly recommends in Pro Caelio, 73).

Also surprising is that it was forbidden by law to pay a defence attorney. This law had been passed as long ago as 204 BC to prevent bribery, but in a roundabout way led to subtler corruption. Roman society functioned via complex webs of clients and patrons. Patrons gave protection and assistance to clients who in turn waited on their patrons in their houses, in the street, rallied support for them at elections and so on. (These scenes are described by Cicero himself in Pro Murena, 70.)

In a legal setting an advocate (actually called, in Latin, a patronus) was a continuation of this intricate web of allegiances. Cicero might choose to defend a client because he owed them favours (he defended men who had supported him during the Catiline crisis of 63) or to put someone in his debt. It was never done out of charity or public duty. Every relationship, every act in ancient Rome, had undertones of politics and power.

Another surprisingly important factor was personal charisma. Roman trials put less weight on the evidence (they didn’t have the tradition of presenting forensically objective evidence that we do) and much more on the character of the people involved. Often a legal speech spent more time assassinating the character of the accused, or the accuser, than querying any of the supposed facts.

And this extended to the character of the advocate himself. Many of Cicero’s speeches not only defend his client’s character and denigrate the character of the plaintiff, but they also viciously attack the character of the prosecuting attorneys. By the same token, all the speeches in the volume draw heavily on Cicero’s own character and record as part of the defence.

Cicero obsessively invokes the auctoritas he acquired after ‘saving the nation’ during the Catiline crisis, repeatedly describes the risks he ran, the danger he faced, his boldness of action.

In my own consulship I undertook a bold venture for the sake of yourselves and your children. (Pro Milone, 82)

He is not slow to remind everyone that Cato had called him ‘the Father of the Nation’. He does all this in order to bring his (he hoped) huge moral authority to bear on the case.

(For example, when he reminds the jury of his role in saving the nation and then uses this authority to personally vouch for Marcus Caelius Rufus’s good character in Pro Caelio, 77, let alone the half or dozen or more references to it throughout Pro Milone.)

[This emphasis on character and personality is not restricted to Cicero’s speeches. It permeates the histories written at the time. Lacking any theories of society or economics, otherwise intelligent men like Sallust, Plutarch and Suetonius fall back again and again on individual character as the primary engine of history and human affairs, in a manner which we, as heirs to 2,000 years of evermore sophisticated social theory, frequently find naive and simplistic.]

Trials took place in the open air (what happened if it rained?). The presiding magistrate and scribes sat on a raised platform (tribunal) at the front of the court, while the jury (probably) sat on benches slightly raised off the ground. The plaintiff, defendant, their advocates, legal advisers, friends and families sat in two groups to one side. And this diorama was open to the forum and to sometimes huge crowds of the general public who gathered to watch and follow every trial, especially if it was of someone eminent or promised juicy gossip.

Trials were more like theatre than we are used to. The defendant had to wear mourning clothes and not shave or wash for several days in order to present a piteous spectacle. Berry gives examples of defendants who refused to comply with this ridiculous convention and were promptly convicted, regardless of the proceedings, solely because of their affront to tradition.

The prosecution spoke first, laying out the case, then the defence rebutted the prosecution points – only then was any evidence presented. Oddly, to us, in some of Cicero’s speeches he guesses at what the evidence will be.

Slaves could be made to give evidence but only under torture. Nowhere does Cicero refer to the shocking inhumanity of this tradition, which sheds light on the fear of all the slaves in the ‘comedies’ of Plautus and Terence that they might find themselves being tortured if their master gets into any kind of legal difficulty.

The magistrates (praetors) overseeing a case often knew nothing about the law (praetors were elected to hold office for only one year). They simply kept the peace and ensured the rules were complied with. (Cicero is on record as complementing the father of the future Augustus, Gaius Octavius, for his fairness and calm in supervising trials.)

How many jurors were there? Evidence is mixed, but it seems to have been a surprising 75, 25 from each of the three categories mentioned above. Jurors were not allowed to confer and voted immediately after the evidence was presented in a secret ballot. They were each given a wax table with A for absolvo on one side and C for condemno on the other. They rubbed out the letter they didn’t want and popped the table in an urn, then a court official totted up the votes.

If a defendant was found guilty the official penalty was death. But since there were no police and the defendant was never in anyone’s ‘custody’, it was generally pretty easy for them to leave the court, the forum, pack up their things and go into voluntary exile. Before most Italian tribes were given Roman status in 90 BC, this might mean retiring to places like Praeneste (only 23 miles from Rome) but by the time Cicero was a prosecutor it meant having to leave Italy altogether. Massilia, the large thriving port on the south coast of Gaul (modern Marseilles) was a popular destination and was where both Verres, who Cicero successfully prosecuted for corruption, and Milo, who he failed to defend from prosecution for murder, ended up living out their lives in well-heeled exile there.

Rhetorical style

Following his extremely useful and informative summary of Cicero’s career and the apparatus of Roman laws, Berry gives an equally useful explanation of the rhetorical techniques Cicero used in his speeches.

Cicero’s prose style is highly artificial. Sentences are long, sometimes a third of a modern page, sometimes longer. The style is ‘periodic’, meaning the sentences only achieve closure and make their meaning clear right at the end. The result is suspense: the audience hangs on the orator’s words and the succession of subordinate clauses, waiting to find out whether the sentence will end as they expected (with a nice sense of completion) or will deliver a surprise (gasps of delight). You can see how, done well, this could enthral a crowd.

Sometimes clauses are in pairs, to create balance, either/or.

‘For it is not my enemies who will take you away from me but my dearest friends; not those who have on occasion treated me badly, but those who have always been good to me,’ (Pro Milone, 99)

Sometimes they come in threes, to provide a crescendo effect. Pairs and trios create a balanced civilised effect. By contrast, sometimes his sentences pile up 4, 5, 6 7 short clauses to create a machine gun effect, to create something more feverish and frantic.

‘No witness, no accomplice has been named. The entire charge arises out of a malevolent, disreputable, vindictive, crime-ridden, lust-ridden house.’ (Pro Caelio, 55)

Cicero took great care to make sure his clauses ended with certain rhythms. Apparently these cadences were named, categorised and taught by teachers of oratory, although Berry doesn’t list or explain any, and they’re not really detectable in English translation.

The jurors and the public watching the trial knew all about these techniques and assessed speakers on their skill at deploying them. Cicero tells an anecdote about a crowd bursting into applause at an advocate’s particularly elegant turn of phrase.

In addition to rhythm a trained orator could deploy:

Anaphora

The repetition of words or phrases in a group of sentences, clauses, or poetic lines.

If you restore Caelius to me, to his family, and to the country, you will have a man who is dedicated, devoted and bound to you. (Pro Caelio 80)

Asyndeton

The omission of the conjunctions that ordinarily join coordinate words or clauses, as in ‘I came, I saw, I conquered’.

Apostrophe

A speech or address to a person who is not present or to a personified object. Cicero frequently addresses the spirit of dead, venerable Romans, or addresses the spirit of murdered Clodius, or addresses figures not physically present in the court (such as Pompey, directly addressed in Pro Milone).

Exclamation

For example, ‘O gods!’ the speaker pretending to give way to moments of emotion.

Alliteration, assonance and wordplay

Berry assures us these are everywhere present in Cicero but it is, of course, impossible to judge in translation.

Metaphor

One consul handing over to another informs him of the current challenges and issues in much the same way that the captain of a ship putting into port tells the captains of ships just setting out about the weather and pirates (Pro Murena, 4). A metaphor which is revived later in the speech, in the extended comparison of elections to unpredictable ocean currents or storms in (35 to 36).

Rhetorical strategies

At a higher level than specific tricks of rhetoric are larger-scale rhetorical tactics.

Appropriating the prosecution

Often he repeats the points the prosecution has made in order to rebut them. He does this by quoting them but often twisting the points in such a way as to suit himself, to tee up the kind of rebuttal he wants to make – as when he repeats a series of points allegedly made by Cato in Pro Murena, 67 onwards).

Inventing opposition points

One step beyond twisting prosecution points is inventing possible objections to what he’s saying in order to easily counter them. There are hundreds of instances along the lines of:

  • ‘You will no doubt ask me, Grattius…’ (Pro Archia, 12)
  • ‘Someone will surely ask…’ (Pro Archia, 15)

In which he attributes to the opposition lines of attack which he then easily refutes.

Rhetorical questions

Why do I mention his mother and his home when the penalty of the law deprives him of his home, his parent, and the company and sight of his friends? Shall the poor man go into exile, then? Where? To the east, where for many years he serves as a legate, led armies and performed heroic deeds? (Pro Murena, 89)

If Caelius had really given himself up to the kind of life that is alleged, would he, when still a young man, have brought a prosecution against an ex-consul? If he shied away from hard work, if he were enslaved to pleasure, would he do battle here every day, go in search of personal enmities, bring prosecutions, and run the risk of being prosecuted himself? And would he also maintain for so many months now and in full view of the entire Roman people a struggle for one of two things – his own political survival or glory? (Pro Caelio, 47)

Mimicry

As when Cicero imagines the feelings of soldiers called on to vote for Murena and remembering his many achievements in the army of the East (Pro Murena, 36) or mimics the voices of sceptical voters on election day (Pro Murena, 45).

Or the great sequence in Pro Caelio where he pretends to be one of Clodia’s ancestors brought back from the dead to thunder against her immoral behaviour.

There’s another type of mimicry. Surprisingly, the defendant was not allowed to speak at their own trial and so Cicero sometimes speaks for them, in the sense of putting words into their mouths and telling the jury, this is what X said to me, these are his very words.

This is notable at the climax of Pro Milone where sections 94 , 95 and 98 purport to be the sad but stoic speech of Milo himself.

If you combine this technique with ‘apostrophe’, addresses to people either absent or dead, you can see why the speeches are highly dramatic in the sense that there are a surprising number of characters in them, not as in a play, obviously, but being named, addressed, invoked and even attributed whole speeches which are then performed in another voice.

Changing the subject

In Pro Milone Cicero doesn’t bother denying that Milo was responsible for the murder of Clodius, but tries to shift the ground of argument to the issue of whether Milo was acting in justifiable self defence. Specifically, he argues that the incident wasn’t a random accident but a carefully contrived ambush by Clodius and so his client was only responding as Great and Eminent Romans Throughout History had responded i.e. by defending himself. This strategy failed and Milo was convicted.

Invoking famous men

In all the speeches Cicero invokes the memory of Great and Noble Romans from history who he says behaved like his client. It is a variation on invoking his own auctoritas.

Closely related is the Appeal To Patriotism. All of the speeches invoke the idea that jury must acquit his client because The Very Existence of the State is at stake!

‘In this trial you hold the whole country in your hands!!’ (Pro Murena, 83)

Invoking the sad family

At the end of Pro Murena and Pro Caelio Cicero invokes the tragic spectacle of the defendant’s family, his aged father, his weeping mother or wife, on their knees, begging for their son or husband or father to be freed and their family happily reunited.

The Appeal to the Romans’ very strong sense of Family Values seems to have been a tried and trusted, standard strategy (Pro Caelio, 79 and 80).

Crying

In several of the speeches Cicero refers to the fact that he himself is weeping, crying at the spectacle of such a valiant, heroic, brave, virtuous, patriotic, dutiful and wonderful person having been brought low by his fiendish enemies and so utterly deserving of vindication and acquittal that he, Cicero, cannot help bursting into floods of tears, he cannot see the jury, he cannot see the court, he can barely speak for grief!

‘But I must stop now. I can no longer speak for tears…’ (Pro Milone, 105)

Repetition

Obviously the rule of three, or using multiple clauses to say the same thing, or asking a series of rhetorical questions are all types of repetition. But a big feature of all the speeches which Berry doesn’t really address is their repetitiveness. Cicero often says he’s going to address a point, addresses it, tells us he’s finished with it, and yet several pages (a few minutes) later, brings it up again.

I can’t find the precise references now but in the three longest speeches, he has a tendency to make a point, wander off to something completely different, then revert to the same point later. This was the single factor which made reading them difficult for me, the sense that they didn’t have a clear logical flow – a beginning, middle and end – but on the contrary, I found all the speeches rambling and digressive and often hard to follow, with no higher level logic.

Conclusion

The cumulative effect of all these techniques is that the speeches, especially when written down and published (as Cicero took care to have done) are emphatically not the language of ordinary speech. The orator has done a lot of work preparing them and he expects the audience to do some work to appreciate them. It is intended to sound ‘theatrical and high flown’ in Berry’s phrase. The fact that I found them long-winded and often quite confusing maybe says more about my taste, shaped as it is by the 20th century taste for laconic brevity, than Cicero’s verbose and long-winded achievement.

P.S. Adrian Goldsworthy’s comments

Dr Adrian Goldsworthy’s big biography of Augustus contains lots of factual asides about aspects of late Republican Rome. Some of these concern the law and provide context to these speeches:

Legal attacks could easily end a career and so were far more high-stakes than in our society (p.94).

Goldsworthy gives an example of the rhythm of Cicero’s sayings in Latin. This was a throwaway remark he made about young Octavius, laudanum adulescentum, ornandum, tollendum – which means ‘we will praise the young man, reward and discard him’ – and, apparently, caused a serious breach in their relations (p.122) – but it’s one of the few examples I have of the rhythm of Cicero’s language in Latin.

He reinforces the notion that a) since there was no equivalent of the Crown or State, legal cases could only be brought by individuals and b) prosecuting was seen as invidious, unless one was defending family pride or there was a really gross example of wrongdoing – and so accusers tended to be young men out to make a name for themselves with one or two eye-catching prosecutions, before settling into the more congenial and socially accepted role of defence counsel, exactly the career Cicero followed (Augustus: From Revolutionary to Emperor by Adrian Goldsworthy p.43). He repeats the point on page 281:

Prosecution was generally left to the young, and had long provided an opportunity for youthful aristocrats to catch the public eye at an early stage in their careers.

Goldsworthy refers to ‘the aggressive and abusive tone common in Roman trials’ which we’ve seen plenty of evidence of (p.280).

Above all, Goldsworthy makes the most devastating single point about Cicero’s speeches with striking simplicity:

A glance at Cicero’s speeches is enough to show the readiness with which Roman advocates distorted the truth. (p.278)

For all his pontifications about Justice, for all his exhaustive descriptions of Law epitomising Reason In Action – Cicero was a highly professional and convincing liar.


Credit

Defence Speeches by Cicero, translated and edited by D.H. Berry, was published by Oxford University Press in 2000.

Cicero reviews

Roman reviews

On the laws by Cicero

We are born for justice and what is just is based, not on opinion, but on nature.
(De legibus, book I, section 28)

Cicero began writing the De legibus or On the laws during the same period as the De republica, i.e. the late 50s BC, but suspended work on it when he was compelled to go and be governor of Cilicia in 51 BC, and possibly never resumed it. It is certainly unfinished. We have just two books of 60-odd sections each and most of book 3 (49 sections) then the manuscript stops in mid-sentence. The 4th century AD philosopher Macrobius refers to the existence of a book 5. Maybe it was intended to have 6 books to parallel the De republica to which it is obviously a partner.

Like most of Cicero’s other works it is a dialogue though, unlike the De republica, it is set in the present and, instead of historical personages, features just the author himself, his brother (Quintus Tullius Cicero) and his best friend (Titus Pomponius Atticus, addressee of so many of Cicero’s letters).

De legibus has a simple premise: since he is Rome’s leading lawyer and advocate, Cicero’s brother and friend suggest he is perfectly placed to write a book about The Law, and so Cicero sets off with the aim of establishing the fundamental basis of law, before considering specific laws, whether they need to be amended and, if so, how. From the start Cicero describes and explicates what was essentially the Stoic theory of natural law as amounting to right reason in action.

Natural Law

In the introduction to the Oxford University Press edition, Jonathan Powell explains that Cicero’s theory of Natural Law was based on certain premises:

  1. that the universe is a system run by a rational providence
  2. that mankind stands between God and the animals so that in creating and obeying laws man is employing Right Reason
  3. that human potential can only be realised in communities – Cicero derives this from Aristotle’s view that humans are sociable animals
  4. that man is a homogeneous species – we have more in common than separates us – therefore we are susceptible to the same, one, universal natural law which stands above (or lies beneath) all ‘positive’ i.e. merely local and culture-specific laws
  5. that law is based on (human) nature not opinion – individual laws may come and go but the existence of a deep fundamental law of human nature can never change

Natural Law refuted

The objections to this are obvious and start with the counter statement that the universe is very much not a system run by a rational providence. Since Isaac Newton’s discoveries of the basic forces which govern the universe, there has been no need to posit a God to create and keep the universe running; and since Darwin published On The Origin of Species in 1859, there has been no need to posit a God who created the extraordinary diversity of life forms we see around us, including humanity. Many other reasons may be found for adducing the existence of a God or gods, but the regularity of the cosmos and the diversity of the natural world are not among them.

If God does not exist, didn’t create the universe and does not deploy a benevolent providence to watch over us, then humans cannot occupy a middle space between the animals and this God who doesn’t exist. We are more accurately seen as just another life form amid the trillions teeming all over the earth.

Cicero displays towards human beings the same kind of anthropocentric chauvinism and exceptionalism which was first recorded among his Greek predecessors and persisted through most thinking about humanity and human nature up till very recently. Only in the last couple of generations has it become clear that humans may have invented language and maths and built skyscrapers and flown to the moon but that, deep down, we are just apes, mammals, animals, and behave much like all the other mammals, in terms of our fundamental behaviours – feeding, mating and fighting.

If you have a God, then you can establish a hierarchy with him at the top, then the angels, then humans sitting comfortably above all other species on earth. If you have no God, the hierarchy crumbles and we are just one among a million different life forms jumbled together on this small planet, engaged in the never-ending battle for survival. Nowadays we know that humanity is killing off the other species, destroying countless habitats, and burning up the planet as no other species possibly could. Some people characterise our arrogant lording it over life forms as speciesism, a view I share.

If there is one quality that distinguishes human beings from all other species it is our unique capacity for destruction.

The notion that humans are governed by Right Reason has always seemed to me self evidently false. Our values are inculcated by the society we grow up in. If some values are almost universal across most of these societies this is because they make evolutionary sense, they help the group survive, rather than being a Universal Law handed down by a Benevolent God.

Therefore premises 1, 2, 4 and 5 listed above are false. We are left with 3, the notion that humans naturally live in groups or communities, which seems to be objectively true, but gives us no guide on how we should conduct ourselves, or establish laws or rules for running these communities.

Lastly, the introductions to all these texts by Cicero tend to talk about Universal values, Universal laws, and Universal human nature very freely but I can’t help feeling they only apply to the Western world. The terms of reference seem very Eurocentric or Anglocentric or whatever the word is for Western-centric. Meaning that my reading about African tribes, cultures, laws and traditions, or what I know about Chinese history, and my personal experience of travelling in the Muslim world, suggest that there are many non-Western cultures which don’t share these ways of looking at the world at all. I’m guessing the same could be said about Indian culture, or the traditions of the native Americans of North or South America, the Australian aborigenes and any number of other cultures.

Liberals may be proud of the Universal Declaration of Human Rights (UDHR), adopted by the recently founded United Nations, founded by the soon-to-be-victorious Allies during the Second World War, based in New York, a document drafted by a committee chaired by the American president’s wife (Eleanor Roosevelt) – but the idea of universal set of values is not a fact about human beings but a high-minded aspiration.

I recently visited the British Museum exhibition on Stonehenge. This has a section describing life in Britain before the advent of the (first) agricultural revolution, which began in the Middle East 12,000 years ago. The human population of Britain was minuscule (maybe 5,000) arranged into tiny communities of hunter gatherers who lived deep amid nature as they found her, without the knowledge, means or incentive to change anything, to fell trees, clear land, burn forests and so on. Instead they considered themselves an integral part of nature, not set aside from it. They killed rarely and atoned for their killings with offerings. And the exhibition says this was the way of life for most hunter-gatherer societies for most of human history i.e. going back hundreds of thousands of years, back through all the various species of the genus Homo.

So I’m saying that Cicero’s premises are not only wrong in the theoretical/theological way that they posit the existence of One Universal God to explain the world around us, an explanation which has been utterly superseded by the scientific worldview – but wrong in all his factual claims about human nature,  above all that it is universally the same, whereas we now know that there have been, and currently are, many, many, many more human cultures than Cicero could ever imagine.

The Romans thought the world amounted to one continent completely surrounded by a vast Ocean, punctuated by the middle-earth or Mediterranean Sea. They hugely underestimated the size of Africa, and thought the world ended with India and a little beyond the Ural mountains, so forming one circular continent. The historical examples Cicero bases his notion of a universal human nature on amount to a tiny sub-set of the actually existing cultures of his own time, and a minuscule sub-set of all the human cultures and societies which have existed over the face of the earth for the past several hundred thousand years.

So: this book is clever and interesting in all kinds of ways but it is based on multiple types of ignorance – deep, deep ignorance – which lead to false premises and wrong deductions on every page.

Cicero’s motivation

As we saw in De republica Cicero was a very practical-minded Roman. He wasn’t interested in airy-fairy philosophical speculations for their own sake. He was a staunch Roman patriot who wanted to preserve the Roman state. The practicalness of his motivation is stated explicitly mid-way through book one:

You see the direction which this discussion is taking. My whole thesis aims to bring stability to states, steadiness to cities, and well-being to communities. (I, 37)

He is not seeking ‘the truth’, so much as cherry-picking arguments from the range of Greek philosophy in order to shore up his practical and patriotic aim.

Book one

Cicero asserts that:

  1. human beings are blessed with the ultimate gift of the gods, Reason
  2. humans have a single way of living with one another which is universal
  3. all people in a community are held together by natural goodwill and kindness (I, 35)

As you can see, all these axioms are wrong and he goes on to deliver a slew of equally high-minded, fine-sounding sentiments which are equally false:

Law is the highest reason, inherent in nature, which enjoins what ought to be done and forbids the opposite. (I, 18)

Law is a force of nature, the intelligence and reason of a wise man, and the criterion of truth and injustice. (I, 19)

The creature of foresight, wisdom, variety, keenness, memory, endowed with reason and judgement, which we call man, was created by the supreme god to enjoy a remarkable status. Of all the types and species of living creatures he is the only one that participates in reason and reflection whereas none of the others do…Since there is nothing better than reason, and reason is present in both man and God, there is a primordial partnership between man and God. (I, 22-23)

No, humans were not created by God but evolved through natural processes. We now know that numerous other species certainly have memory, and many appear capable of thought and calculation. Who says there is nothing better than reason? A philosopher whose central subject is reason, which is like a carpenter saying there’s nothing better in the world than working with wood. Why is there nothing better in the world than reason. How about, say, love?

Since there is no God, the statement ‘since reason is present in both man and God, there is a primordial partnership between man and God’ is meaningless. Or more accurately, it has a meaning, but a meaning made out of words, in the same way that a poem about blue guitars floating up to the moon makes sense, but refers to nothing in the real world. On it goes:

Those who share reason also share right reason; and since that is law, we men must also be thought of as partners with the gods in law. (I, 23)

Those who obey the same laws effectively live in the same state and:

and they do in fact obey this celestial system, the divine mind, and the all-powerful god. Hence this whole universe must be thought of as a single community shared by gods and men. (I, 23)

In the course of the continuous circuits and revolutions of the heavens the right moment arrived for sowing the human race; that after being scattered and sown in the earth it was further endowed with the divine gift of mind; that whereas men derived the other elements in their makeup from their mortal nature…their mind was implanted in them by God. Hence we have…a lineage, origin or stock in common with gods…As a result man recognises God in as much as he recognises his place of origin…the same moral excellence in man and in God. (I, 24-25)

Cicero’s belief in God or gods isn’t tangential to his thought: his theism is absolutely central and vital to his entire view of human nature, reason, ethics, law and justice. And so, since there is no God, Cicero’s views on human nature, reason, ethics, law and justice are wrong from top to bottom. They may occasionally coincide with modern views based on humanistic atheism but these are accidental overlaps.

What makes this relatively short book (72 pages) so hard to read is that I disagreed with all his premises and almost all his conclusions. As a discussion of the theoretical basis of law and justice I found it useless. It has a sort of historical usefulness in shedding a very clear light on how a leading Roman lawyer conceived his profession and clearly explaining the kind of arguments about jurisprudence which were common in his day. And it includes references to Greek and Roman history which are anecdotally interesting. But every time he makes a general statement I find myself totally disagreeing and this eventually becomes very wearing:

Nature has lavished such a wealth of things on men for their use and convenience that every growing thing seems to have been given to us on purpose; it does not come into existence by chance. (I, 26)

Wrong: the life forms we see around us evolved by the process explained by Darwin, of which Cicero knows nothing; none of them were created ‘for our convenience’, instead food crops and livestock only began to be bred and fine-tuned for our use during the agricultural revolution which began some 10,000 years before Cicero’s time, of which he knew and understood nothing.

And the world does not exist ‘for our convenience’: it is precisely this self-centred sense of human privilege and entitlement which is very obviously destroying the earth in our own time.

God has created and equipped man in this way, intending him to take precedence over everything else. (I, 27)

Anthropocentrism. Narcissism*. Human chauvinism. Arrogance.

Nature made man alone erect, encouraging him to gaze at the heavens as being akin to him and his original home. (I, 27)

Sweet, poetic and false.

Cicero goes on to make the humanistic claim that people have more in common than separates them, we are all one human family. He is not stating this because he’d like to teach the world to sing in perfect harmony but because he wants to continue his thought that there is One God who has created one human race with One Reason and so it follows that there must be One Law to rule them all. Hence his insistence that there is One Human Nature. He claims that Reason:

  • may vary in what it teaches but is constant in its ability to learn
  • that what we perceive through the senses, we all perceive alike
  • that perceptions which impinge on our minds do so on all minds in the same way
  • that human speech may use different words but expresses the same ideas
  • troubles and joys, desires and fears haunt the minds of all alike

He is trying to corral human nature into his One God, One Reason, One Human Nature therefore One Law argument, but each of those four statements is questionable or wrong, starting with the notion that everyone is alike in the ability to learn and ending with the notion that we all experience the same emotions. Demonstrably false.

This is the evidence, in reality just wishes and assertions, which leads him to conclude that there is One Justice and that it derives from Nature (I, 33). Again and again he repeats the same formulas:

There is one, single, justice. It binds together human society and has been established by one, single law. That law is right reason in commanding and forbidding. (I, 42)

We are inclined by nature to have a regard for others and that is the basis of justice. (I, 43)

But repeating false claims doesn’t make them true.

Nature has created perceptions that we have in common, and has sketched them in such a way that we classify honourable things as virtues and dishonourable things as vices. (I, 44)

And yet Cicero saw Scipio Africanus, the general who oversaw the complete destruction of Carthage and the selling of its entire population of 50,000 into slavery as an epitome of virtue and honour and glory. Is that a perception we all have in common? Probably not the population of Carthage.

Moral excellence is reason fully developed and that is certainly grounded in nature. (I, 45)

Goodness itself is good not because of people’s opinions but because of nature. (I, 46)

Here and in many other similar formulations you can see that what he is arguing against is the notion that goodness and morality and law are contingent upon human societies. If this is true then, for a patriotic, socially-minded conservative like Cicero, what follows is anarchy. (It is the same fear of anarchy which underpins his conservative preference to keep on worshipping the gods according to the traditional ceremonies, as expressed in De rerum deorum.)

For more pragmatic, sceptical and utilitarian-minded people like myself, what follows is not anarchy, but is certainly a complex and never-ending process of trying to create culture, morality and laws which allow for diversity and strike a balance between conflicting opinions, classes and needs. The unending messiness of democracy, in other words.

Book one is essentially in two parts: up to section 40-something he is laying down these basic principles, and then gets his brother and best friend to enthusiastically vouch that he has certainly proved them, that men were endowed with reason by the gods, men live with one another in the same way everywhere, and that all human communities are held together by the same universal justice (I, 35).

All good men love what is fair in itself and what is right in itself. (I, 48)

In the second half he introduces, or wanders off to consider, notions of the good and morality. Sometimes, reading Cicero, it feels like you can see the joins, the places where he moved from copying one Greek text to suddenly copying from another. The order is his but much of the source content is cribbed from Greek originals (as he freely admits in his letters and in the texts themselves) with the result that his works rarely feel like they have a steady clear direction of travel, but more like a collection of related topics thrown loosely together. And this partly explains why his so-called conclusions rarely feel really justified by what has preceded them.

The conclusion is obvious from what has been said, namely that one should strive after justice and every moral virtue for their own sake. (I, 48)

Therefore what is right should be sought and cultivated for itself. (I, 48)

The t-shirt slogans keep on coming:

Justice looks for no prize; it is sought for itself and is at once the cause and meaning of all virtues. (I, 48)

This reminds me of St Paul’s letter to the Corinthians:

Love is patient and kind; love does not envy or boast; it is not arrogant or rude… (1 Corinthians 13:4)

And the comparison confirms my sense that Cicero’s writings are less philosophy than wisdom literature, defined as: “statements by sages and the wise that offer teachings about divinity and virtue.”

A fundamental mistake he makes is common to dogmatists of his type, namely the false dilemma or false dichotomy, “an informal fallacy based on a premise that erroneously limits what options are available.” For, Cicero argues, if his account of One God endowing One Human Race with One Right Reason so that Justice and Virtue arise out of Nature is wrong – then the only alternative is chaos. For if people only act in their own self-interest, not according to Universal Justice, then:

where is a generous person to be found…what becomes of gratitude…where is that holy thing, friendship…what are we to say of restraint, temperance, and self-control? What od modesty, decency and chastity?… then there is no such thing as justice at all. (I, 49-50)

But this is a false dichotomy. There aren’t just two stark alternatives. There are, in reality, a huge variety of societies, laws, customs and traditions. Yes it may look like anarchy to a conservative like Cicero. But it is how human beings actually live. The false dichotomy is a way for an author to terrorise you into accepting his tendentious view.

Cicero is not seeking ‘the truth’; he is, like the excellent lawyer he was, making a case and using every rhetorical and logical sleight of hand to do so.

Quintus asks where all this is going (I, 52) and Marcus replies that he is steering the discussion towards a definition of the Highest Good. Oh God, how boring. As with all these conservative/authoritarian thinkers, there can only be one of everything, One God, One Human Nature, One Reason, One Justice, One State and One Good.

As usual he a) approaches the problem through a blizzard of references to Greek philosophers including Phaedrus, the Academy, Zeno, the Old Academy, Antiochus, Chios, Aristotle, Plato and b) fails to reach any meaningful conclusion. Whereas the Old Academy called what is honourable the highest good, Zeno said it was the only good, holding the same beliefs as Aristotle but using different terms. (I, 55).

Quintus suggests that:

There is no doubt about it: the highest good is either to live according to nature (i.e. to enjoy a life of moderation governed by moral excellence) or to follow nature and to live, so to speak, by the law (i.e. as far as possible to omit nothing in order to achieve what nature requires, which means the same as this: to live, as it were, by a code of moral excellence). (I, 56)

Great. Does that help anyone? No. Words, words, words. But when Quintus asks him to show what all this means in practice, Cicero at first pleads that it is beyond his powers. What isn’t beyond his powers is more highfalutin’ truisms:

Wisdom is the mother of all good things; the love of her gives us the word ‘philosophy’ from the Greek. Of all the gifts which the immortal gods have bestowed on human life none is richer or more abundant or more desirable. (I, 58)

Cicero deflects to invoke the famous maxim carved above the oracle at Delphi, Know thyself:

The person who knows himself will first of all realise that he possesses something divine, and he will compare his own inner nature to a kind of holy image placed within a temple. (I, 59)

Will he? The book concludes with a half page hymn of praise to the Truly Great Man Who Knows Himself, understands his mind is a gift from God, understands Wisdom and Virtue and Justice, and so is ideally placed to rule over his fellow men. In other words, the ideal Roman ruler of Cicero’s own time.

Book two

As a break, the characters describe the fictional walk they are taking through the countryside of around the Cicero family estate outside Cicero’s home town of Arpinum, 100 kilometres south east of Rome. Pleasant chat about the view (‘What could be more delightful?’) is artfully placed in order to lead on to consideration of love of birthplace and country. Never forget that Cicero was a fierce Roman patriot. A person’s birthplace:

is the country for which we should be willing to die, to which we should devote ourselves heart and soul, and on whose altar we should dedicate and consecrate all that is our. (II, 5)

All that is ours. Cicero is usually referred to as a lovely humanist but this is as fierce and total a patriotism as Mussolini’s. And then we return to consideration of the law and Cicero recapitulates his axioms for the umpteenth time:

Law was not thought up by the intelligence of human beings, nor is it some kind of resolution passed by communities, but rather an eternal force which rules the world by the wisdom of its commands and prohibitions…the original and final law is the intelligence of God, who ordains or forbids everything through reason. Hence that law which the gods have given to the human race is rightly praised, for it represents the intelligence of a wise man directed to issuing commands and prohibitions. (II, 8)

I think I disagree with pretty much every word of this. On it goes: the power of encouraging people to right actions:

is not only older than the existence of communities and states; it is coeval with that god who watches over and rules heaven and earth. (II, 10)

Repetition

If in doubt, repeat it again and again, bludgeoning your readers into submission:

Reason existed, reason derived from the nature of the universe, impelling people to right actions and restraining them from wrong. That reason did not first become law even it was written down, but rather when it came into being. And it came into being at the same time as the divine mind. Therefore the authentic original law, whose function is to command and forbid, is the right reason of Jupiter, Lord of all. (II, 10)

Mind you, in a note to page 162 Jonathan Powell points out that repeating ideas in different formulations in order to drive it home was a skill that was taught and practiced in the schools of rhetoric which Cicero attended.

The use value of religion

I mentioned above how the conservative Cicero thought religion should be kept up in order to maintain social structure, for its use value. In book two he makes this explicit:

Who would deny that these [religious] ideas are useful, bearing in mind how many contracts are strengthened by the swearing of oaths, how valuable religious scruples are for guaranteeing treaties, how many people are restrained from crime for fear of divine retribution…(II, 16)

One of the reasons Cicero despises and mocks Epicureans is because they sought to free people’s minds from fear of the gods. For Cicero (as for the ancient Jews) piety and morality begin with fear of the gods. This is very Roman, very practical-minded of Cicero. And explains why the population has to be brainwashed into believing in the gods:

Citizens should first of all be convinced of this, that the gods are lords and masters of everything; that what is done is done by their decision and authority; that they are, moreover, great benefactors of mankind and observe what kind of person everyone is…Minds imbued with these facts will surely not deviate from true and wholesome ideas. (II, 15)

I don’t need to point out how coercive and authoritarian this idea is. The gods are Big Brother, watching you, reading your thoughts, checking up that you obey Right Reason, as defined by Cicero and his class.

That said, Cicero’s attitude really only reflected the attitudes of most educated men of his time. They didn’t believe in their religion in the same way a Christian or Muslim believes in their God. Roman religion was, as Jonathan Powell puts it, by this period a matter almost entirely of public ritual, tradition and custom. Religious belief, in the post-Christian sense of the word, wasn’t required or checked. Obedience to custom and ritual, reverence for tradition, was all.

Cicero’s ideal laws concerning religion

All of which explains why, when he comes to actually enumerate the laws in his ideal state, Cicero does so with Laws Governing Religion. Anti-climactically, these turn out to be pretty much the same laws as govern Rome. Just as De republica concluded that the Roman constitution was the best imaginable constitution (a conclusion he repeatedly refers to here e.g. II, 23), so De legibus, when push comes to shove, concludes that the best possible laws the human mind could devise are…exactly the same as the laws of ancient Rome (II, 23).

The rest of the book is divided into two parts: a relatively considered statement of Cicero’s ideal laws concerning religion (sections 18 to 22) followed by a detailed commentary on each of them (sections 23 to 60). There follow pages and pages of detailed prescriptions about religious rites and rituals, an extraordinary level of detailed specification. There’s a short digression about the proper regulation of music to stop it becoming immoral and corrupting which made me think of Mary Whitehouse and demonstrates Cicero’s cultural conservatism, before we plunge back into thickets of religious law.

The contrast between the high minded rhetoric about the One God and Universal Human Nature and Divine Law in book one and the slavish iteration of Roman rules and regulations as the actual embodiment of this supposedly Universal Law is unintentionally comic. Bathos = “an effect of anti-climax created by an unintentional lapse in mood from the sublime to the trivial or ridiculous.”

The place of burial is not called a grave until the rites have been conducted and the pig has been slain. (II, 57)

Do not smooth the pure with a trowel. (II, 59)

Women shall not scratch their cheeks on the occasion of a funeral. (II, 64)

It is forbidden to decorate a tomb with stucco work. (II, 65)

Do these sound like the Universal Laws indicative of the Divine Mind which Cicero has been banging on about…or the customs and conventions accumulated by one particular little city state?

Once this lengthy and hyper-detailed account of Rome’s religious laws is finished, Cicero announces that the next most important element in the structure of the state is magistrates and that he will devote the next book to considering the ideal magistrate.

Book three

Cicero bases his thoughts about magistrates, like his thoughts about everything else, on God:

Nothing is so closely bound up with the decrees and terms of nature…as authority. Without that, no house or clan or state can survive – no nor the human race, nor the whole of nature, nor the very universe itself. For the universe obeys God; land and sea abide by the laws of the universe; and human life is subject to the commands of the supreme law. (III, 3)

As with book two, he gives a clipped concise statement of his ideal laws governing magistracies or public offices (sections 6 to 11, 3 pages) then a detailed commentary on them (sections 12 to 47, 14 pages).

And yet again he repeats that, since his ‘six previous books’ (i.e the De republica) ‘proved’ that the Roman constitution was the best one conceivable by the human mind, so, logically enough, the kind of Ideal Magistrate he intends to describe will also turn out to be…Roman ones!

And so indeed, it turns out, after consulting the Divine Mind, that the optimum state will feature quaestors, aediles, praetors, consuls and censors, a senate to propose laws and popular assemblies to vote on them – exactly like the Roman state! He has the good grace to have his characters admit that this is a little embarrassing:

QUINTUS: How succinctly, Marcus, you have drawn up a scheme of all the magistrates for our inspection! But they are almost identical with those of our own country, even if you have introduced a little novelty.
MARCUS: Yes, we are talking about the harmoniously mixed constitution which Scipio praised in those books and prefers to all others…and since our constitution was given the most sensible and well-adjusted form by our ancestors, I found little or nothing to change in the laws. (III, 12)

The latter part of book three goes into considerable details about all aspects of the Roman constitution, the peculiarities of the different magistracies, the age limits, the pros and cons of the tribunate, the different types of voting (by acclamation, writing down, secret ballot) and so on. This is quite interesting because it is, arguably, the most practical part of the book, describing Rome’s actual constitutional practices and debating points Cicero (or his more conservative brother, Quintus) would like to change, a bit, not too much.

Worth emphasising that the aim of all the tinkering round the edges which Cicero proposes is to ensure that power remains firmly in the hands of the aristocracy and out of the hands of the people at large.

Liberty will exist in the sense that the people are given the opportunity to do the aristocracy an honourable favour.

Thanks to my [proposed] law, the appearance of liberty is given to the people [and] the authority of the aristocracy is retained. (III, 39)

The end was nigh

This final section has a wistfully hypothetical air about it because, within a few short years the entire world it describes would be swept away.

Let us imagine that Cicero was half way through writing the book when, in 51 BC, he was called on to take up the governorship of Cilicia (the southern coast of modern Turkey) and served throughout the year 50.

This meant that he was out of Rome as the political confrontation between Caesar and the Senate came to a head. there was a flurry of proposals and counter proposals in December 50, all of which failed and prompted Caesar, in January 49, to cross with his army from Cisalpine Gaul where he held an official post, into mainland Italy, where he didn’t, thus breaking the law, making himself an outlaw, and sparking the five year civil war between himself and Pompey and his followers.

When peace was restored in 45 BC, Caesar had himself declared dictator for life thus turning the entire Roman constitution into a hollow shell and rendering On the laws, with their pages of pedantic footling about precise constitutional arrangements, redundant overnight. It became overnight a record of a specific historical moment, which was eclipsed before the book could even be completed.

Thoughts

Cicero is frequently held up as the godfather of humanism. Finding, translating and commenting on his books was a central element in the Renaissance, which saw the creation of modern ideas of humanism. (“Petrarch’s rediscovery of Cicero’s letters is often credited for initiating the 14th-century Renaissance.” Lumen).

However, as my close readings of De rerum deorumDe republica and De legibus amply demonstrate, Cicero’s ‘humanism’ is crucially, vitally, centrally based on his theism, his belief in One God who created human beings and implanted in them fragments of the Divine Reason which underpin all our values, morality, law, justice and statecraft.

Thus, in a nutshell: humanism derives from religious belief. Without its religious underpinning, humanism is nothing. It becomes a wish, a hope, a dream, with no factual or logical basis. I don’t say this to undermine humanistic values. I am probably a humanistic progressive liberal myself. Where I appear to differ from most of my tribe is I don’t believe these truths to be self evident. There are other ways of being human, other cultures, other values completely different from ours, probably the majority of human lives have very much not been lived according to these values. Several points follow:

1. We do not have the right to compel these other cultures into adherence to our values. That is no different from Victorian missionaries trying to convert tribes in Africa or Asia or Australia to their narrow Christian culture.

2. If we want to defend our values effectively against those who threaten them, for example Vladimir Putin or Xi Jinping, we must base them on really secure foundations, not wishes or aspirations. Far stronger foundations than Cicero, who wrote all these fancy words only to have his head cut off by Mark Antony’s bounty hunters. The sword is mightier than the pen.

* Cicero’s self promotion

It’s further evidence of Cicero’s self-centred narcissism that in several places in book 3 he manages to showehorn into the text the famous events of 63 BC, when he was consul and saved the state from the Cataline conspiracy. He gives a melodramatic account of the tremendous dangers he faced and how he single-handedly overcame them (III, 26) and then has Atticus fulsomely thank him for his efforts.

To be sure, the whole order is behind you and cherishes most happy memories of your consulship. (III, 29)

Cicero also takes the opportunity to remind everyone that he should never have been exiled (in 57 BC) and that’s why it needed no legislation to rescind his exile (III, 47). In other words, no matter what Cicero is writing about, the text has a strong tendency to end up being about himself.

There is something irredeemably comic about Cicero, like Oliver Hardy pretending to be Napoleon. It’s this hyper-intelligent, super articulate yet comical earnestness which has endeared him to 2,000 years of readers.

Niall Rudd’s translation

A word of praise for this Oxford University Press edition. I described, probably at too much length, how strongly I disliked the prose styles and odd attitudes of A.J. Woodman, who translated Sallust, and Carolyn Hammond, who translated Caesar’s Gallic War, both for OUP. This edition restored my faith in OUP editions of the classics.

The introduction, mostly written by Jonathan Powell, is a model of lucidity, useful and to the point, as are the scholarly and interesting notes. There is a useful list of names and an appendix giving a handy summary of the sometimes confusing Roman constitution.

The translation itself is by Professor Niall Rudd (1927 to 2015) and was first published in 1998. It is clear and unaffected – you feel you are engaging directly with the text. I cannot judge its fidelity to the source Latin, but it makes for a lucid, engaging read, as I hope you can tell from the many quotations I take from it. All round, it is a gold standard edition.


Credit

The Republic and The Laws by Cicero translated by Niall Rudd with introduction and notes by Jonathan Powell and Niall Rudd was published by Oxford University Press in 1998. All references are to the 2008 paperback edition.

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Roman reviews

The life of Brutus by Plutarch

(1) Marcus Brutus was said to be a descendant of the Junius Brutus who overthrew the last king of Rome in 709 BC. But unlike his ancestor who has harsh and unbending, Marcus Brutus was civilised and softened by philosophy and literature. Contemporaries attributed all that was good in the conspiracy to Brutus and all that was bad to his colleague Gaius Cassius Longinus.

(2) Brutus’s mother was Cato’s sister. Cato was his uncle. He had a higher esteem for him than any other Roman. Brutus was good friends with many philosophers, some of whom stayed with him, He was a devotee of Plato and the Old Academy. His letters demonstrate great literary style.

(3) He accompanied his uncle Cato on a mission to Cyprus.

(4) Plutarch in a huge jump skips right the way over Brutus’s boyhood and young manhood, and skips all the political travails of the 60s and 50s to arrive at the breach between Gnaeus Pompeius (usually referred to in English as Pompey) and Julius Caesar in 50 BC. Everyone expected Brutus to side with Caesar as Pompey had had his father executed, but he reasoned that Pompey represented the public good and so sided with him. He sailed to Cilicia but had nothing to contribute there so journeyed to Illyricum to meet Pompey who had just fled from Italy and was greeted by the great man who paid him the honour of getting to his feet. Even here he continued to spend most of  his time with his books.

(5) It is said that Caesar commended his officers to look out for Brutus during the Battle of Pharsalus. This was because Brutus was the son of Servilia who, although married to Cato, was madly in love with Caesar so that Julius had some grounds for believing Brutus might be his own son. Plutarch tells the same anecdote he used in the life of Cato, only told less well here – that when Caesar and Cato were speaking in the senate about the Catiline conspiracy, Caesar was handed a note which Cato excitably declared must be a message from the conspirators. So Caesar nonchalantly handed it over to Cato who realised it was a love note from his own sister to Julius. 1-0 Caesar.

(6) After Pharsalus Brutus fled to Larissa and wrote to Caesar who was delighted and asked him to join him. They discussed whither Pompey might have fled and Brutus’s opinion influenced Caesar towards Egypt. Plutarch says he was an effective public speaker who achieved his ends by reasoning and noble principles.

When Caesar travelled to Africa to fight Cato and Scipio he appointed Brutus governor of Cisalpine Gaul, and he proved an exemplary governor.

(7) Cassius was married to Brutus’s sister, Junia. But they became rivals running for praetorship of Rome in 47. Caesar hears them speaks and makes the decision. Brutus could have been Caesar’s top confidante but the colleagues of Cassius warned him not to succumb to the tyrant’s flattery.

(8) Plutarch repeats the anecdote he tells in the life of Caesar, that when the latter was told that Mark Antony and Dolabella were plotting revolution, he said it was not the fat and long-haired fellows that troubled him, but the pale and lean ones, meaning Brutus and Cassius, a story used by Shakespeare.

So Plutarch argues that, if he had waited, Brutus might have inherited from Caesar. But he was fired up by Cassius who had no noble scruples about tyranny and liberty, but just hated Julius. Plutarch attributes this, improbably, to the incident of the lions of Megara which Cassius had lined up to be part of games he was staging as aedile, but which Caesar, on taking Megara, appropriated.

(9) Plutarch says this interpretation is wrong and that Cassius had always been opposed to tyranny and calls to witness a story about how Cassius as a boy thrashed the son of the then-dictator Lucius Cornelius Sulla, at school. Brutus was exhorted to conspire against Caesar by flocks of supporters who left messages at the tomb of his ancestor and graffiti on monuments and so on, as listed in his life of Caesar.

(10) And so it becomes very important to the conspirators that they secure the support of Brutus as he was widely seen as a man of principle and would lend the murder dignity. So Plutarch imagines the scene where Cassius inducts Brutus into the conspiracy, writing the dialogue as for a movie and ending when the two men kiss and embrace, in perfect agreement.

(11) Short anecdote about Caius Ligarius, a declared enemy of Caesar. Brutus comes to visit him when he’s ill and when he mentions it is a bad time to be ill Ligarius twigs that something’s up, sits up in bed and declares: “Nay, Brutus, if thou hast a purpose worthy of thyself, I am well.”

(12) They recruit conspirators. Not Cicero, because he is too timorous and pernickety. Nor Statilius the Epicurean and Favonius the devoted follower of Cato. But the other Brutus, Albinus, because he was maintaining lots of gladiators in Rome. They were all won over by Brutus’s reputation for integrity. They manage to keep it a close secret, despite the many signs of ill omen (which Plutarch records extensively in his life of Caesar).

(13) During the day Brutus keeps tight control of himself but at night he is troubled and anxious. His wife, Porcia, was the daughter of Cato and realises something is wrong. One day she takes some nail scissors and deeply gashes her thigh. Then she makes a long speech about how she isn’t just some concubine brought to warm his bed, but the daughter of a famous man reared to endure hardships and determined to share her husband’s joys and sufferings. Then shows the wound in her thigh to prove it. Then Brutus lifts his hands to heaven and hopes his undertaking will be worthy of his noble wife.

(14) They decide to do it at a meeting of the senate because then all the important they need to pledge allegiance to liberty will be on the spot. It is apparent (though I’m not sure I’ve read it anywhere) that the senate met in different buildings i.e. moved around central Rome. This meeting, for the 15th March 44, was scheduled to take place in the Curia Pompeii, a part of the big theatre complex Pompey had built a decade earlier. Hence the big statue of Pompey which Caesar ends up collapsing against.

On the big day Brutus straps on his dagger and walks to the portico of Pompey where he meets the other senators, either waiting or conducting the business of praetors i.e. adjudicating petitions from a crowd of applicants.

(15) A list of misunderstandings and encounters on the morning which nearly wreck the plot. A paragraph devoted to the anxiety of Porcia who keeps racing to the door to hear news, becomes pale and faints and her women shriek that she’s dead and the rumour spreads to the senate and appals Brutus but he determines to carry on. I.e. Plutarch’s usual procedure of cranking up the melodrama.

(16) Highly detailed depiction of the scene. Caesar arrives late, delayed by his wife and soothsayers. He travels by litter which is more private. He is engaged at the door to the room by Popilius Laenas who speaks to him for some time and all the conspirators think they are being betrayed. But he is merely asking for something at great length.

(17) The detail that Trebonius engaged Antony in conversation outside the hall (apparently, this is wrong but like so much Plutarch, is highly dramatic). The precise manner in which they gather round Caesar’s chair, led by Tullius Cimber pleading for his brother in exile, Caesar becomes irritated and tries to shake them off at which point Tullius tears his toga from his shoulder and Casca stabs him and calls to his brother in Greek to join him. Caesar castigates Casca, then is inundated by other blows but when he sees Brutus draw his dagger, covers his face with his toga and submits. The body is riddled with cuts, there is blood everywhere and the conspirators injure each other in their enthusiasm.

(18) Very vivid description of the way the other senators panicked and thronged the exists. Brutus had made it quite clear no-one else was to be killed; it wasn’t to be a Sulla-esque bloodbath but a return to liberty. This was even extended to Antony who was unpopular and arrogant, but Brutus hoped that, with the tyrant removed, he would come over to their side. Mistake number one.

The murderers walked to the Capitol sporting their daggers. Rumour and panic among the people but when it became clear there wasn’t to be a massacre they thronged to hear the speech by Brutus which was noble. They applaud and bring him down and take him to the Rostrum to further address them. The mood changes when Cinna addresses the crowd. He’s not popular and the murderers withdraw to the Capitol.

(19) Next day the senate met and Antony, Plancus, and Cicero moved a vote of amnesty. Antony gives his son to the conspirators as a hostage and this gives them the confidence to leave the Capitol.

Cassius was taken home and entertained by Antony, Brutus by Lepidus, and the rest by their several comrades or friends. Early next morning the senate assembled again. In the first place, they gave a vote of thanks to Antony for having stopped an incipient civil war; next, they passed a vote of commendation for the followers of Brutus who were present; and finally, they distributed the provinces. It was voted that Brutus should have Crete, Cassius Africa, Trebonius Asia, Cimber Bithynia, and the other Brutus Cisalpine Gaul.

(20) Antony argues that Caesar’s body should be carried to his funeral and his will read to the people. Cassius is vehemently opposed but Brutus, out of gentleness of spirit, agrees. This was the second mistake. The will:

When it was found that the will of Caesar gave to every Roman 75 drachmas, and left to the people his gardens beyond the Tiber, where now stands a temple of Fortune, an astonishing kindliness and yearning for Caesar seized the citizens.

When Antony commenced his eulogy he realised the crowd was in a sentimental mood and so changed his tone and held up Caesar’s toga, showing the many places the daggers had torn it. At this the crowd went nuts and stormed local shops, dragging out wooden objects to make an ad hoc funeral pyre for the body; then took brands from it and ran off to the houses of the murderers and set them on fire.

The story of Cinna the poet who had a bad dream about Caesar the night before but nonetheless, the next day went along to the funeral and was mistaken by the mob for the Cinna who was one of the conspirators and was torn to pieces. Oh dear. Not the dignified gratitude which Brutus and Cassius had expected at all. The opposite: bloodlust fury.

(21) This incident is important because it was this which convinced the conspirators to flee Rome, despite the senate trying to bring to justice the mobsters who had attacked their houses. Unexpectedly Brutus continued to perform his role as praetor in laying on lavish games (I thought the aediles did this). And in the absence of Brutus and all the other conspirators it is Antony who emerges as the strong man in control.

(22) Everything is transformed with the arrival of Octavian.

He was pursuing his studies at Apollonia when Caesar was killed, and had been awaiting him there after his determination to march at once against the Parthians. As soon as he learned of Caesar’s fate, he came to Rome, and as a first step towards winning the favour of the people, assumed the name of Caesar and distributed to the citizens the money which had been left them by his will. Thus he deposed Antony from popular favour, and by a lavish use of money assembled and got together many of Caesar’s veteran soldiers.

Hit the ground running, very smart, very strategic. When Cicero eventually opted to support Octavian Brutus wrote him a long bitter letter saying he had no principles but just preferred a tyrant who would be nice to him.

(23) “Already one faction was forming about Octavius, and another about Antony, and the soldiers, as though for sale at auction, flocked to the highest bidder.” Against all is expectations Brutus finds himself driven out of Italy and goes to Greece. His wife, Porcia accompanied him before turning back for Italy and Plutarch paints a tear-jerking scene of departure and Brutus’s words of praise for his strong wife.

(24) Brutus sails on to Athens and purports to be socialising with philosophers but in fact sent out to the commanders of armies around Greece to recruit them for the cause of liberty. He meets Cicero’s son and praises him as a hater of tyranny. But at a feast he makes an odd quote from Homer which seems to indicate he sees himself as doomed by fate. Did he? Or is this the literary tradition, the kind of thing he ought to have said?

(25) Brutus rounds up various forces throughout Greece. Brutus marches his forces to Epidamnus but falls ill.

(26) The garrison of Epidamnus brings food to Brutus wherefore he treats the city well. Fighting between the forces of Brutus and Caius Antonius until the former has the latter surrounded in a marshy region and prevents his men massacring them and persuades them to come over to him. For a long time he respects Caius Antonius until he discovers he is conspiring to subvert Brutus’s officers and so has him locked up.

(27) News arrives that Octavian is consolidating power, has had Antony evicted from Italy, is canvassing for the consulship illegally. When he sees how unpopular this is he changes tack, sends envoys of friendship to Antony. But still gets himself elected consul at the ridiculously young age of 20. As soon as Octavian is consul he promotes prosecutions against Brutus, Cassius and the rest who are tried in absentia, and exemplary sentences intimidated out of the juries. Then, very briskly:

After this, the three men, Octavius, Antony, and Lepidus, were reconciled with one another, distributed the provinces among themselves, and sentenced to death by proscription two hundred men. Among those put to death was Cicero.

(28) The importance of family, kinship and friendship networks demonstrated by this sentence:

When tidings of these events were brought to Macedonia, Brutus felt compelled to write to Hortensius commanding him to kill Caius Antonius, on the plea that he was thus avenging Cicero and Brutus Albinus, one of whom was his friend, and the other his kinsman. For this reason, at a later time, when Antony had captured Hortensius at the battle of Philippi, he slew him on the tomb of his brother.

In mid-43 Brutus crossed into Asia where he performed the role of governor, adjudicating between native kings. He wrote to Cassius saying they shouldn’t settle into exile but be raising armies to return to Rome and ‘free’ it. Now they met at Smyrna, strong in arms.

(29) An extended description of the character of Brutus who even his enemies admitted was motivated by the highest motives of liberty. Just a shame that hardly anyone else was, including most of the population of Rome. Brutus:

The virtues of Brutus, as we are told, made him beloved by the multitude, adored by his friends, admired by the nobility, and not hated even by his enemies. For he was remarkably gentle and large-minded, free from all anger, pleasurable indulgence, and greed, and kept his purpose erect and unbending in defence of what was honourable and just.

(30) Cassius takes Rhodes, Brutus campaigns against the Lycians with many battles, namely the siege of Xanthus.

(31) When Xanthus catches fire Brutus orders his troops to put the fire out but the Xanthians in a kind of frenzy assist in the burning down of their town. Plutarch goes to town, describing little children who throw themselves into the flames, mothers jumping from the battlements and so on. Maybe there was a fire but folk legend and Plutarch’s fondness for the gruesome have added the rest.

(32) Brutus’s clemency dealing with the city of Patara compared with Cassius’s extreme exactions from Rhodes.

(33) Plutarch repeats the story told in the life of Pompey about h ow the council of young king Ptolemy deliberated what to do when Pompey approached Egypt and were persuaded by the arguments of the rhetorician Theodotus to kill him. How everyone involved in the murder was, in their turn, killed on Caesar’s orders, except this Theodotus who fled to a wretched life traipsing round Asia. Well, Brutus chanced across him and had him killed. No-one dies a natural death in these stories.

(34) In early 42 Brutus and Cassius met with their huge armies at Sardis. they lock themselves into a tent and fall into a furious argument, enumerating the list of wrongs each has done the other. All their followers have been forbidden from intervening but Marcus Favonius knew no fear and pushed his way through the throng outside the tent and insisted on going in and jokingly quoting some verse from Homer who has old Nestor say:

“But do ye harken to me, for ye both are younger than I am.” (Iliad book I 259)

This makes Cassius laugh and, although Brutus tries to have Favonius ejected, breaks the ice. That night there is a feast of the uneasy allies which Favonius gatecrashes and barges his way into the place of honour.

(35) Brutus and Cassius disagree about whether to publicly shame their officials when they catch them behaving corruptly, in this case embezzling public funds. The story is told to show Brutus the more principled of the two.

(36) Plutarch tells us Brutus needed little sleep but worked or conversed until very late. This is prologue to a repeat of the story told in the life of Caesar about how very late one night he hears someone come into his tent and turns to see a monstrous and fearful shape standing at his side who announces that he is his evil genius and will meet him at Philippi.

(37) Next morning Brutus tells Cassius about his vision and Plutarch gives Cassius an extended passage describing the philosophy of the Epicureans, namely that the senses and the imagination of man are infinitely malleable and so it was a product of his fantasy.

(38) They march across Greece till they face the armies of Antony and Octavian. ‘The plains between the armies the Romans call Campi Philippi.’

(39) As usual, Plutarch gleefully describes the various ill omens before the battle of Philippi:

  • the lictor brought Cassius his wreath turned upside down
  • in a procession at some festival, a golden victory belonging to Cassius, which was being borne along, fell to the ground, its bearer having slipped
  • many carrion birds hovered over the camp daily, and swarms of bees were seen clustering at a certain place inside the camp

All these incidents began to weaken Cassius’s Epicurean rationalism and also demoralised the soldiers. The leaders disagreed: Cassius wanted to drag the war on and wear down their opponents; Brutus wanted to get on with it and lessen the damage to Rome. Also, men were deserting to the other side. So Cassius was won round to giving battle the next day.

(40) That night Brutus dines and goes to bed but Cassius dines with intimate friends and is unusually quiet. Plutarch gives him a speech telling one friend, Messala, that he is in the same plight as Pompey, venturing the destiny of his country on one battle.

At daybreak a scarlet tunic is displayed before the tents of Brutus and Cassius which is the sign for battle. The pair are given a noble dialogue about death. Brutus tells Cassius that when he was younger he blamed Cato for killing himself and not being man enough to face whatever the fates had in store. Now he’s changed his mind. On the ides of March he gave his life for his country. Since then he has lived a life of liberty. If they lose, he will ‘go hence’ with praise for Fortune. Cassius embraces him and thus emboldened they prepare for the battle.

(41) The Battle of Philippi October 42 BC. Antony’s men were building elaborate fortifications to keep Cassius from the sea. Ocatvian was absent from the field with illness. Both were surprised when Brutus and Cassius’s men let out a great shout and ran forward. They did so in bad order and almost immediately lost touch with their neighbouring legions, but the right wing outflanked the cavalry and stormed Octavian’s camp, massacring some Lacedaemonians and wrecking Octavian’s litter leading to rumours that he was killed.

(42) According to Plutarch the defeat was down to miscommunication. Brutus’s legions were completely victorious and took the enemy camp. But Cassius’s wing was routed and the enemies took his camp.

And one thing alone brought ruin to their cause, namely, that Brutus thought Cassius victorious and did not go to his aid, while Cassius thought Brutus dead and did not wait for his aid.

(43) What happened on Cassius’s wing. He is beaten back, his forces panic and break, he makes for a hillside, sees cavalry riding towards him, can’t make out if they’re friend or foe, sends out an officer, Titinius, to find out. This man is surrounded by whooping horsemen so that Cassius thinks he has been captured. In fact it is cavalry send by Brutus celebrating finding a colleague unharmed. But under the impression that all is lost, Cassius retreats to his tent.

Here the account becomes very characteristically Plutarchian, for he reminds us that Cassius was quaestor with Marcus Crassius on his catastrophic expedition into Parthia in 53 BC. Ever since he survived that debacle he has kept by him a freedman named Pindarus. Cassius drew his robes over his head, bared his neck and instructed Pindarus to strike. So Pindarus cuts his head off. By the time Titinius returns to the camp on the hill it is to find all his generals weeping and wailing. Cursing his tardiness at returning and bringing the good news that the cavalry were Brutus’s, Titinius draws his sword and stabs himself.

(44) When Brutus hears of Cassius’s death he has the body decorated and sent to Thasos for funeral. From which one deduces we are no longer still in the heat of the battle. Brutus addresses Cassius’s men and tries to lift their spirits and gives them generous payment. He was the only one of the four generals (Brutus, Cassius, Antony, Octavius) who wasn’t defeated, but he threw away his victory by letting his soldiers loot the enemy camp.

(45) The losses on both sides. When Antony is brought the robe and sword of Cassius he is energised to fight again the next day. But the two camps Brutus is commanding have lots of problems, his own guarding numerous prisoners of war, Cassius’s men demoralised by their defeat and resentful of a new commander.

(46) Brutus tries to motivate Cassius’s demoralised men by promising them they can loot two cities, Thessalonica and Lacedaemon. This is the one time Brutus did this kind of thing, mostly he was careful to preserve the cities he passed by or took submission from. But these were desperate times and he had to do whatever he could to motivate Cassius’s surly soldiers.

(47) Octavian and Antony were in an even worse state, for their camp was on low lying land prone to flooding by the frequent rains, water which immediately froze (it was October). Moreover a large fleet Octavian had ordered from Italy was intercepted by Brutus’s fleet and destroyed. If Brutus had learned of this he probably wouldn’t have fought, because his camp was in the better position, he had more provisions and control of the sea to bring food and reinforcements. Plutarch slips into sententious mode:

But since, as it would seem, the government of Rome could no longer be a democracy, and a monarchy was necessary, Heaven, wishing to remove from the scene the only man who stood in the way of him who was able to be sole master, cut off from Brutus the knowledge of that good fortune.

(48) More omens, inevitably:

  • the foremost standard was covered with bees
  • of its own accord the arm of one of the officers sweated oil of roses, and though they often rubbed and wiped it off, it was of no avail
  • just before the battle two eagles fought a pitched battle with one another in the space between the camps, and as all were gazing at them, while an incredible silence reigned over the plain, the eagle towards Brutus gave up the fight and fled
  • and the story of the Ethiopian who, as the gate of the camp was thrown open, met the standard-bearer, and was cut to pieces by the soldiers, who thought his appearance ominous

(49) As he reviews his troops he notices how ill at ease and reluctant they are and even as his army lines up a notably brave soldier defects to the enemy. It’s now or never so Brutus decides to attack at 3pm. Brutus’s wing is triumphant but Cassius’s command spread their line too thin and are overwhelmed and then Brutus’s army is surrounded and massacred. Many fine Romans lost their lives etc, not least Cato’s son.

(50) The story of Lucilius who, as darkness falls, sees Brutus being chased by barbarian horsemen and so pretends to be him, crying out that he is surrendering and asking to be brought to Antony. The barbarian cavalry is delighted and so is Antony to hear his great opponent is coming but then is thrown into doubt about how to greet him. When he sees it is this man Lucilius he is hugely relieved, and although Lucilius makes a speech saying he is prepared to accept death for his deception, Antony in fact grants him his life, welcomes him and he becomes one of his most loyal adherents.

(51) Brutus escapes with loyal officers and takes refuge by a stream by a big rock. There is an incomprehensible anecdote about a soldier who is sent twice to fetch drinking water. Statyllius promises to cut his way through the enemy and make his way to the camp and light a flaming torch if it is safe to return. After a while they see a blazing torch raised because Statyllius managed to reach the camp but… he never returned, being struck down on the return journey.

(52) Night comes on and Brutus asks each of his companions to help him kill himself but they all refuse. Then he shakes all their hands and thanks Fortune to be left surrounded by such loyal men and considers himself lucky to be leaving behind a reputation for honesty and virtue which none of those who conquered him would have. Then he got another old friend to hold a sword steady while he plunged onto it and so died.

(53) A lot of Plutarch’s account seems to derive from an account by Messala, the comrade of Brutus, an eye witness. After Brutus’s death he went over to Octavian who found all the Greeks loyal.

Antony had the body of Brutus wrapped in his best robe and burned on a pyre, then sent the ashes home to his mother Servilia. (Suetonius, by contrast, says that the head of Brutus was sent to Rome to be thrown at the feet of Caesar’s statue.) Brutus’s wife Porcia now wanted to die but she was closely watched by all her friends till she found the opportunity to snatch up hot colas from a fire, swallow them and kept her mouth firmly closed till she died.

Plutarch ends his account very inconsequentially by stating that this might, in fact, be wrong, since a letter exists purporting to be from Brutus in which he chides them for neglecting her when she was ill and so driving her to her death while he was still alive. If this letter is genuine, that is. Who knows.

Thoughts

Plutarch excels himself at jumping right over Brutus’s family, boyhood, young manhood, political career or education in order to leap straight to the start of the civil war in 49.


Related links

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The Life of Mark Antony by Plutarch

This is one of the longest lives at 87 chapters, longer than Sertorius (27), Crassus (33), Cicero (49), Brutus (53), Caesar (69), Cato the Younger (73) or Pompey (80). Dates and other information in square brackets are not in Plutarch but content I’ve added in to make the account more accurate.

Plutarch’s life of Marcus Antonius

(1) Marcus Antonius [83 to 30] came from an undistinguished family. His grandfather was murdered during the purges of Marius in 87 BC. Plutarch tells an anecdote about how, when a friend came asking for money, all his father could give him was a bowl, and that when his wife discovered it was missing she threatened to torture all the slaves to find it until his father confessed to having given it away. (Torture all the slaves? So the references to torturing slaves to  establish something, as jokily referred to in the plays of Plautus and Terence, is based on common practice.)

(2) His mother was Julia, a third cousin of Julius Caesar. When his father died, his mother remarried Publius Cornelius Lentulus Sura, an eminent man of noble family who was always in debt due to his extravagance and so had got lured into the Catiline conspiracy. He was one of the conspirators caught in the capital about whom the famous debate in the senate was held (where Julius Caesar and Cato the Younger put opposing views, namely clemency versus execution, as described in detail in Sallust’s Catilinarian Conspiracy). As a result of Cato’s violent argument, Lentulus was summarily executed on the orders of Cicero, consul at the time. According to Plutarch, this explains Antony’s violent hatred of Cicero who he would, 20 years later, directly cause to be executed. Thus does the whirligig of time being in his revenges.

A promising youth, Antony fell under the influence of Gaius Scribonius Curio, who debauched him with wine and women till he was massively in debt and Curio’s father banned him from the house. Then he fell in with Publius Clodius Pulcher, the street demagogue and rabble rouser. He acquired so many enemies that he thought it wise to leave Italy for Greece, where he studied military tactics and oratory. Interestingly, Plutarch tells us that Antonius adopted:

the Asiatic style of oratory, which was at the height of its popularity in those days and bore a strong resemblance to his own life, which was swashbuckling and boastful, full of empty exultation and distorted ambition.

So by chapter 2 we know where Plutarch’s sympathies lie. With Brutus the liberator and Cato the principled, against Caesar the tyrant and Antony his swaggering lieutenant. OK. Good.

(3) Antony accompanies Grabinius to Syria as captain of his horse and distinguishes himself in a siege against Aristobulus at Jerusalem in 57 BC. He plays a leading role in the campaign to restore King Ptolemy XII Auletes to the throne of Egypt after he’d been dethroned by his people. For example, capturing the city of Pelusium. (Cato 35, Pompey 49) Something which, presumably, endeared him to Ptolemy’s daughter, Cleopatra, when he was to meet her 15 years later.

(4) “He had also a noble dignity of form; and a shapely beard, a broad forehead, and an aquiline nose were thought to show the virile qualities peculiar to the portraits and statues of Hercules.” He liked to play on his putative descent from Hercules. He dressed casually, was boastful and banterish, all this produced goodwill and reputation among the soldiers, helped by ‘his liberality, and his bestowal of favours upon friends and soldiers’.

(5) When the crisis between Caesar and Pompey came to a head, Curio, with money provided by Caesar, got Antony elected tribune of the plebs in 50 BC [following straight on from Curio’s own term]. During the crisis Antony played a key role at crucial moments. In January 49 he read out Caesar’s letter to the senate with his proposals for a compromise. It was he who suggested the further compromise that both Caesar and Pompey lay down their arms simultaneously, but this proposal was rejected by the consuls and Lucius Cornelius Lentulus (not the same Lentulus as the one involved in the conspiracy) expelled Antony from the Senate building by force and threats.

Which is why Antony changed into the clothes of a slave and headed to Caesar’s camp by the river Rubicon, there to brief him that all compromise was impossible. (Pompey 58, Caesar 30) It was the hounding of Antony in his capacity as tribune which made it possible for Caesar to dress up his motivation for invading Italy as being in part to restore the rights of the tribunes i.e. to dress up personal ambition in lofty rhetoric about rights and customs. [See the opening chapters of Caesar’s Civil War.]

(6) It was this which allowed Cicero to write, in his Philippics against Antony, that he was the prime cause of the civil war, which is, of course, silly, and Plutarch goes on to say so, and to explain that Caesar was not a man to do anything on a whim. No:

that which led [Caesar] to war against all mankind, as it had led Alexander before him, and Cyrus of old, was an insatiable love of power and a mad desire to be first and greatest.

Not a fan, then.

After Caesar crossed into Italy and drove Pompey across the Adriatic to Macedonia, he lacked the ships to follow and so turned around and headed to Spain to quell the Pompeian legions there, leaving Rome to Lepidus, who was praetor, and Italy and the troops to Antony, in his capacity as tribune of the people.

Antony curried favour with the troops by living with them and sharing their exercises and making generous gifts of money, but he was impatient with administering justice and gained a reputation for sleeping with other men’s wives. In other words, he did a lot of damage to Caesar’s cause.

(7) Nonetheless Caesar was right to put his faith in him as a general. Early in 48, having crushed Spain, Caesar has marched his army all the way back into Italy and rustled up the ships to transport them across the Adriatic. He was besieging Pompey’s army at Dyrrhachium in the Balkans with limited forces and sent word for Antony to send reinforcements. And Antony did a very good job by embarking 20,000 men and escaping the blockade of Brundisium being carried out by Lucius Scribonius Libo. He sailed them down the Macedonian coast in a storm but managed to find a safe port and so brought his forces safely to Caesar – the forces with which Caesar was to win the decisive Battle of Pharsalus later that summer.

(8) Antony distinguished himself at two engagements, where he stood and rallied fleeing troops, and Caesar gave him the decisive command of the left wing at the Battle of Pharsalus. [This is skipped over here because Plutarch describes it at length in his life of Pompey, chapters 68 to 73]. After Caesar won and had himself appointed dictator, he set off in pursuit of Pompey to Egypt, but made Antony his Master of Horse and sent him back to Rome. This post was second only to dictator and when the dictator was absent, as Caesar was, Antony was effectively in complete control.

(9) But while Caesar is away Antony shocked Rome with his loose living, his drunkenness, his heavy expenditures, his debauches with women, his spending the days in sleep or wandering about with an aching head, or attending the nuptial feasts of mimes and jesters. He has a falling out with Publius Cornelius Dolabella, who he thought had had an affair with his wife, so he drove the latter from his house. When Dolabella proposed a law for the abolition of debts and sought to enact it by force and seized the Roman Forum, Antony responded by unleashing his soldiers upon the assembled masses, killing hundreds. – The civil war had taught them nothing. Political street violence wouldn’t go away (at least not until the arrival of the ultimate strong man).

(10) When Caesar returned to Rome he disapproved of Antony’s actions, pardoned Dolabella and chose Lepidus rather than Antony to be his co-consul the next year. (Antony, in fact, was stripped of all official positions and received no appointments for the year 46 or 45 BC.)

Anthony took to wife Fulvia, the widow of both the demagogue Clodius and the hellraiser Curio, who was a tough woman and determined to reform him. Plutarch waspishly claims that Cleopatra owed her a debt because Fulvia house-trained Antony and made him ready to be ruled by a woman. [Before you get too impressed, remember this is the woman who delighted in seeing the severed head and hands of Cicero, executed in December 43 and sparked a full blown war with Octavian in 41.]

An anecdote: Antony goes to meet Caesar on  his return from Spain, but then news breaks that Caesar is dead. So Antony made his way back to Rome disguised as a slave (an echo or repeat of his flight from Rome at the start of 49) and in disguise gained admittance to his own house claiming to be a slave with a message. He hands it to Fulvia who tearfully begs for news about her beloved Antony, at which point he drops his disguise and embraces her.

(11) When Caesar returned from victory in Rome, from all the men who went to meet him it was Antony he honoured and had accompany him in his ‘car’ back to the capital. Plutarch continues the idea of rivalry with Dolabella, claiming Caesar wanted to hand over power to him but Antony vehemently opposed it. Plutarch repeats the story about Caesar being warned about Antony and Dolabella and replying that it wasn’t these fat men who worried him, it was the pale and thin ones, indicating Brutus and Cassius. [Told less convincingly than in the lives of Caesar (62) or Brutus (8).]

(12) A repeat of the story of how Antony was taking part in the annual festival of the Lupercalia and ran with a diadem to the rostra where Caesar was sitting, had his fellow athletes lift him up and place the diadem on Caesar’s head. Some applauded but when Caesar pushed it away the whole crowd applauded. This happened several times before Caesar stood in displeasure, pulled the toga from his throat and said anyone who wanted could strike him there and then. It’s an odd story, isn’t it, with a folk legend aptness but also a deep implausibility. And the related anecdote that unknown hands hung wreaths  on the heads of Caesar’s statues, which were then torn down by the tribunes. All this is told better in Caesar 61.

(13) The conspirators discuss inviting Antony to join. Trebonius shared a tent with Antony as they both accompanied Caesar back to Rome, hinted at the idea and Antony firmly refused. At which they switched round to considering killing Antony along with Caesar – a neat illustration of the way that, once you’ve crossed the line into deciding you need to kill people to get rid of the ‘tyrant’ and the ‘dictator’, it quickly becomes a list. In fact, Brutus is held up as the man of principle who insists that nobody else is harmed. Fearing Antony’s popularity and position, they nonetheless arrange for some of their number to engage Antony outside the senate hall so he is not present when the deed is done.

(14) In this account the actual assassination of Caesar takes up one short sentence. Fair enough; it is described in great and dramatic detail in the life of Caesar [chapters 63 to 69]. Anthony flees into hiding but when he realises the conspirators are harming no-one else but are holed up on the Capitol, he comes out of hiding, gives his son to them as a hostage guaranteeing safe passage, and then entertains the assassins to dinner. In the senate he proposes an act of amnesty and a distribution of provinces among Brutus and Cassius and their partisans.

In the immediate aftermath Antony was widely thought to have acted with immense wisdom to calm the risk of civil war.  But everything changed when he made the official funeral address over Caesar’s body.

At the close of his speech shook on high the garments of the dead, all bloody and tattered by the swords as they were, called those who had wrought such work villains and murderers, and inspired his hearers with such rage that they heaped together benches and tables and burned Caesar’s body in the forum, and then, snatching the blazing faggots from the pyre, ran to the houses of the assassins and assaulted them.

This one act split the city, terrified the assassins into fleeing and, in effect, restarted the civil war.

(15) The assassins fled Rome. Caesar’s wife gave Antony his fortune to dispense with and all his papers. Antony implemented Caesar’s wishes but went further, appointing magistrates who suited him, acting increasingly autocratically.

(16) Octavian It was at this point that 18-year-old Octavian arrived in Rome, a son of Caesar’s niece. When Octavian asked for the money Caesar had left him, in order to distribute the payment of 75 drachmas which Caesar had enjoined, Antony ridiculed the boy for being a mere stripling, and also blocked his attempt to become a tribune. But Octavian allied with Cicero and others of the anti-Caesar party and Antony began to fear him, so held a summit conference, gave into his demands, and was reconciled. Briefly. For then Antony learned Octavian was touring the country drumming up old soldiers and recruiting an army.

(17) Cicero was the most powerful man in Rome and got the senate to declare Antony a public enemy while he was out of the city conducting a siege. Plutarch says this drove Antony and his army out of Italy and over the Alps and they suffered hardships and starvation, but this brought out the best in him, as adversity always did, and the soldiers admired him for sharing their privations.

(18) When Antony’s army came close to camp near to Lepidus‘s the latter, who owed Antony many favours, surprised him by being reluctant to acknowledge him. He came to Lepidus’s campy dishevelled and unshaven and won the sympathy of the troops. Many of Lepidus’s soldiers implored him to usurp their commander and take over but Antony insisted Lepidus be treated with respect and when their armies united he did so. This inspired Munatius Plancus also to join him so that he crossed the Alps into Italy with 17 legions of infantry and 10,000 horse.

(19) Octavian had realised he couldn’t treat with Cicero because the latter was a man of principle, so realised he had to come to an accommodation with Antony. So Octavian, Antony and Lepidus met on an island where ‘they divided up the whole empire among themselves as though it were an ancestral inheritance’. The Second Triumvirate. They all wanted to get rid of political enemies but agreeing a list presented great difficulties. Octavian gave up Cicero to Antony, Antony gave up Lucius Caesar (Antony’s uncle) to Octavian, Lepidus gave up Paulus his brother. ‘Nothing, in my opinion, could be more savage or cruel than this exchange.’

(20) Plutarch has it that the soldiers demanded additional tokens of their alliance so Octavian married Clodia, a daughter of Antony’s wife Fulvia. As a result of these agreements, 300 men were proscribed and put to death, including Cicero. [Wikipedia has 2,000 Roman knights and one third of the senate.] Antony ordered his head and right hand be cut off, the one he had used to write his savage criticisms of Antony with, and nailed to the rostra in the forum [Cicero 48]. In the Gallic Wars Caesar remarked on the Gauls’ ‘barbaric’ practice of sticking the heads of defeated enemies on poles around their camps. How is this different? What could be more savage and barbarian?

(21) Antony emerges as the most powerful of the triumvirate but makes himself very unpopular for his dissolute living. And because he had bought up the house of Pompey [only recently and tragically dead] and the people were upset to see it closed against commanders, magistrates and ambassadors and filled instead with mimes, jugglers and drunken flatterers.

The triumvirate not only sold the properties of those they slew, but brought false charges against their wives and heirs in order to confiscate their belongings. They instituted new taxes, and plundered the  treasure deposited with the Vestal Virgins.

Then Octavian and Antony led their armies into Macedonia against Brutus and Cassius, leaving Rome in charge of Lepidus.

(22) This short chapter deals with the campaign of Octavian and Antony in Greece against Brutus and Cassius, describing but not mentioning by name the crucial two battles at Philippi in October 42, mainly to bring out how it was Antony who was victorious while Octavian was sick in his tent and his forces lost their part of the battle. [Brutus and Cassius’s campaigns in Greece, the long buildup to the battle, the battle and its aftermath are described in great detail in Plutarch’s life of Brutus, taking up the final third of the text, chapters 38 to 53, which is why he skimps it here.] In Plutarch’s account Cassius commits suicide after the first battle, Brutus after the second.

In the negotiations of the triumvirate it was Antony who insisted that Cicero was killed. In revenge Brutus ordered Hortensius to execute Antony’s own brother, Caius. In revenge, Antony had Hortensius executed on his family tomb. Thus the logic of civil wars.

(23) After the battle Octavian, still sick, returns to Rome, while Antony remains in Greece, raising money and enjoying himself, gaining a reputation as a philhellene, listening to learned debates, attending games, giving money to Athens.

(24) In 41 Antony left Lucius Censorinus in charge of Greece and he and his army crossed into Asia meaning the Eastern, Greek-speaking part of what is now Turkey. Here he was greeted as conqueror, lavished with gifts and women and lapsed into his former lifestyle of debauchery. His tax gatherers milked the territory till a brave local politician complained that they had already given Antony 200,000 talents, now he was demanding more. Which gave him pause.

For Antony was simple and slow, quick to forgive, lavish of gifts, but easily flattered and deceived by his subordinates.

(25) Enter Cleopatra who:

roused and drove to frenzy many of the passions that were still hidden and quiescent in him, and dissipated and destroyed whatever good and saving qualities still offered resistance.

Antony sends to her to attend him in Cilicia to explain her support for Cassius. Antony’s messenger, Dellius, on meeting her immediately realises his boss will be enslaved by such a lustrous woman, now at the peak of her beauty [born in 69 BC, in 41 she was 28].

(26) Cleopatra first meets Antony by sailing down the river Cydnus to his camp. This inspires the single most gorgeous description in Plutarch who says she sailed up:

the river Cydnus in a barge with gilded poop, its sails spread purple, its rowers urging it on with silver oars to the sound of the flute blended with pipes and lutes. She herself reclined beneath a canopy spangled with gold, adorned like Venus in a painting, while boys like Loves in paintings stood on either side and fanned her. Likewise also the fairest of her serving-maidens, attired like Nereïds and Graces, were stationed, some at the rudder-sweeps, and others at the reefing-ropes. Wondrous odours from countless incense-offerings diffused themselves along the river-banks.

Antony asked her to come meet him but Cleopatra refused and told him to come meet her. And he obeyed.

(27) A chapter on the character of Cleopatra, tactfully observing that she was no necessarily the most beautiful of women, but she had an ineffable charm and wove a magic every time she spoke.

(28) Instead of preparing for war against the Parthians, Antony sank into oriental sloth, went to Alexandria with Cleopatra and spent his time in feasting and drinking. Plutarch includes a very rare snippet of autobiography which hints at the personal sources of information for his biographies.

Philotas, the physician of Amphissa, used to tell my grandfather, Lamprias, that he was in Alexandria at the time, studying his profession, and that having got well acquainted with one of the royal cooks, he was easily persuaded by him (young man that he was) to take a view of the extravagant preparations for a royal supper. Accordingly, he was introduced into the kitchen, and when he saw all the other provisions in great abundance, and eight wild boars a-roasting, he expressed his amazement at what must be the number of guests. But the cook burst out laughing and said: “The guests are not many, only about twelve; but everything that is set before them must be at perfection, and this an instant of time reduces. For it might happen that Antony would ask for supper immediately, and after a little while, perhaps, would postpone it and call for a cup of wine, or engage in conversation with some one. Wherefore,” he said, “not one, but many suppers are arranged; for the precise time is hard to hit.” This tale, then, Philotas used to tell; and he said also that as time went on he became one of the medical attendants of Antony’s oldest son, whom he had of Fulvia, and that he usually supped with him at his house in company with the rest of his comrades, when the young man did not sup with his father. Accordingly, on one occasion, as a physician was making too bold and giving much annoyance to them as they supped, Philotas stopped his mouth with some such sophism as the: “To the patient who is somewhat feverish cold water must be given; but everyone who has a fever is somewhat feverish; therefore to everyone who has a fever cold water should be given.” The fellow was confounded and put to silence, whereat Antony’s son was delighted and said with a laugh: “All this I bestow upon thee, Philotas,” pointing to a table covered with a great many large beakers. Philotas acknowledged his good intentions, but was far from supposing that a boy so young had the power to give away so much. After a little while, however, one of the slaves brought the beakers to him in a sack, and bade him put his seal upon it. And when Philotas protested and was afraid to take them, “You miserable man,” said the fellow, “why hesitate? Don’t you know that the giver is the son of Antony, and that he has the right to bestow so many golden vessels? However, take my advice and exchange them all with us for money; since perchance the boy’s father might miss some of the vessels, which are of ancient workmanship and highly valued for their art.” Such details, then, my grandfather used to tell me, Philotas would recount at every opportunity.

(29) Astonishingly, Antony liked to dress up as a slave and go round the streets of Alexandria, looking through people’s doors and mocking them. And Cleopatra accompanied him in these merry jaunts! She played at dice with him, drank with him, hunted with him, and watched him as he exercised himself in arms. The Alexandrians said that he used the tragic mask with the Romans, but the comic mask with them.

He was fishing once, and had bad luck, and was vexed at it because Cleopatra was there to see. He therefore ordered his fishermen to dive down and secretly fasten to his hook some fish that had been previously caught, and pulled up two or three of them. But the Egyptian saw through the trick, and pretending to admire her lover’s skill, told her friends about it, and invited them to be spectators of it the following day. So great numbers of them got into the fishing boats, and when Antony had let down his line, she ordered one of her own attendants to get the start of him by swimming onto his hook and fastening on it a salted Pontic herring. Antony thought he had caught something, and pulled it up, whereupon there was great laughter, as was natural, and Cleopatra said: “Imperator, hand over thy fishing-rod to the fishermen of Pharos and Canopus; thy sport is the hunting of cities, realms, and continents.”

(30) Eventually the real world intruded on these larks. His wife and brother had become enemies of Octavian and been forced to flee Italy. Meanwhile, Labienus, Caesar’s best lieutenant in Gaul, who had gone over to Pompey and then escaped East after Pharsalus, was leading a Parthian army into Asia. Antony set off to engage Labienus but received messages from Fulvia.

[Fulvia had become involved in a full-blown conflict with Octavian which is known as Fulvia’s civil war or the Perusine war, because it ended up with Octavian besieging the forces of Fulvia and Antony’s younger brother, Lucius Antonius, in the Italian town of Perusia, modern Perugia.]

Plutarch has Antony changing direction to meet her but she died en route to meet him. [Wikipedia, by contrast, says Octavian took Perusia but spared both Lucius Antonius and Fulvia, sending the latter into exile at Sicyone near Corinth where she promptly died of disease.] Either way, when Antony arrived in Rome, he was able to restore friendship with Octavian by blaming any dissension on his headstrong wife.

The triumvirs divided up the empire, making the Ionian sea a boundary, assigning the East to Antony and the West to Caesar and giving Africa to Lepidus. They then arranged either to be consuls themselves or arranged for their friends and allies to have senior offices. So the Republic was in effect dead.

(31) In order to cement their alliance, Antony married Octavian’s half sister, Octavia, who was recently widowed. The senate passed a law allowing her to marry in less than the legal requirement of 10 months mourning. It’s one among many examples of the way the laws and the senate operated on a micro level to adjust things for fellow members of the small Roman elite.

(32) Pompey’s son Sextus Pompeius inherited command of his big fleet. Antony and Octavian meet him at Misenum, where they make peace [August 39]. As he is entertaining them on his flagship, a senior officer of Sextus’s whispers in his ear that they could cut their ropes, set sail, execute them, and Sextus would become ruler of the Roman world. But Sextus chooses integrity and rejects the idea.

(33) Antony sends Antony sent Publius Ventidius Bassus on ahead into Asia to oppose the Parthians while he has himself made Pontifex Maximus, as Julius had been. The partnership between Octavian and Antony functioned but Antony consistently came off worse in all their deals, even when things were decided (improbably enough) by throwing dice or cockfights (!). A soothsayer tells Antony to avoid Octavian.

Antony leaves Rome for Greece taking Octavia who has borne him a daughter. In Athens he learns that Ventidius had conquered the Parthians in battle [of the Cilician Gates] and slain Labienus [39 BC]. Antony takes part in traditional Athenian games.

(34) A more detailed description of Publius Ventidius’s successes against the Parthians which go some way to redeeming the disastrous defeat of Crassus in 53 BC. in 40 BC the Parthians invaded Syria led by Pacorus, the son of King Orodes. Ventidius met Pacorus’ huge army [in the Battle of Cyrrhestica] where he inflicted an overwhelming defeat in which Pacorus was killed [38 BC].

Ventidius doesn’t pursue them into their own land as he is worried about Antony’s jealousy, and when Antony arrived with an army, he takes over Ventidius’s siege of Antiochus of Commagené in the city of Samosata, which in fact goes very badly, leaving Antony chagrined. He sends Ventidius back to Rome for a triumph.

Plutarch makes a general point that other generals flourished under Antony or that he was more successful in campaigns conducted by those under him, namely: Ventidius against the Parthians, Sossius in Syria, and Canidius who conquered , who was left by the Armenians.

(35) Tensions had been building between Octavian and Antony who sailed for Italy with 200 ships but sent his wife on ahead of him, and when Octavia met Octavian she pleaded with him not to make her a widow, and so the two imperators were reconciled again, for the time being…

So they ate and conferred in peace, then Octavian gave Antony two legions to pursue his wars in the East while Octavian set off to quell remaining Pompeians in Sicily. Antony left Octavia and his children with Octavian.

(36) But in Asia Antony fell back into his old infatuation with Cleopatra. In October 41 he called her to attend him in Cilicia and made her a gift of ‘Phoenicia, Coele Syria, Cyprus and a large part of Cilicia…and.. the balsam-producing part of Judaea and all that part of Arabia Nabataea which slopes toward the outer sea’. Antony set up or removed monarchs, punished nations and ruled like an eastern potentate. He acknowledged his children by Cleopatra, and granted her numerous honours. In 40 she bore him two children. All this scandalised conservative Roman opinion.

37 to 52: the Parthian War

(37) In 38 BC Phraates put his father Hyrodes, king of Parthia, to death, and many nobles fled Parthia. Antony assembles a vast army, including the forces of many vassal kings, against Phraates but Plutarch tells us he mismanaged everything in his haste to win quick victories so he could get back to Cleopatra.

(38) For example, in his haste he left behind a number of state of the art siege engines in Armenia in charge of Statianus and 10,000 men. But this meant that when he laid siege to Phraata, a large city, in which were the wives and children of the king of Media a) the siege dragged on needlessly, but b) Phraates attacked the waggon camp back in Armenia, massacred the soldiers, killed Statianus and destroyed the engines. A calamity.

(39) The Parthians then march up to the besieged city, Antony lifts the siege and marches off, pretending to flee, but then turns and engages the Parthians in perfect battle order. They see them off, attacked first by the cavalry then the infantry and follow the Parthian army for many miles, but are disheartened to see how few of them they’ve killed. Then the Medes in their own camp turn traitor and attack them.

(40) It is a long punitive campaign. Some Parthian soldiers ride alongside Romans and tell them they and their king Phraates respect them, but despise Antony for relying on fear and famine rather than fighting. Eventually Antony decides to break camp and retreat. He is too downhearted to address his men but gets Domitius Ahenobarbus to do it.

(41) A  man of the Mardian race offers to guide the Roman army back, emphasising that they should avoid the open plain and cleave to hilly country. Antony is not sure whether to trust him, till the Mardian offers to be put in chains as he guides them, so they agree. On the third day the Mardian notices a dyke has been cut to pour water across then Roman path and predicts an ambush, giving Antony enough time to prepare his legions and fight it off.

(42) Having cracked the strategy for fighting them off, Antony puts his army in the shape of a hollow square with slingers and cavalry on the outside and succeeds in fighting off the notorious Parthian cavalry for four days. But Antony makes the bad decision of letting Flavius Gallus lead an attack against the Parthians and, when he gets cut off, sending only small detachments to reinforce him which all get massacred. Eventually the entire Roman army wheels round to attack the Parthians, but it was a defeat.

(43) 3,000 dead and 5,000 wounded. Plutarch is typically sentimental, saying Antony went to visit the sick and they all with tears in their eyes assured him they were fine and would be happy so long as great Antony makes it to safety i.e. testament to his popularity.

(44) The Parthians camp near the Roman camp. Antony makes a speech berating those who have fled but asking for any punishment for transgressions to come down on his head so long as his army can be victorious.

(45) The Parthians continue to harry the retreating Romans. The Romans begin to starve and experiment with unknown vegetables. One of these is a herb which drives the eater mad, producing a mad obsession to turn over and move stones, and then death.

(46) Once again some individual Parthians fraternise with Roman soldiers and say their army, too, is exhausted and hungry. But a local named Mithridates came offering advice and showed one of Antony’s lieutenants hills in the distance and told him the entire Parthian host is waiting there to ambush them.

(47) Thus warned that the road through the deserts would leave them exposed, Antony holds a council of advisers and opts to take the path through the mountains, short of water though this would leave them. The Parthians attack their rear while the troops in the van fall on a river and start drinking but the water is salt and poisonous, causing stomach cramps.

(48) The Romans march on, assured by their guide that once they cross the next river the Parthians won’t pursues them. A garbled passage seems to imply that some of the Romans attacked and looted their own baggage train. There is such confusion that Antony calls one of the freedmen in his body-guard, Rhamnus, and tells him that, when he gives the order, he is to run Antony through then cut off his head. Weeping and lamentation from his entourage. But their guide swears the river is close and word comes that the disorder in the rearguard is caused by their own forces, and everyone cheers up.

(49) The Parthians continue to harass their rearguard, raining down arrows till they arrive at The River and cross it at which point the Parthians (supposedly) unstrung their bows and praised their bravery. Would be lovely to hear the Parthian version of all this. Finally they cross the river Araxes into the kingdom of Armenia and drop to the ground and kiss it. Although they promptly fall ill of dropsies and dysenteries.

(50) Antony undertakes a review and discovers 20,000 of his infantry and 4,000 cavalry have perished. (These numbers are always suspiciously round.) More than half from disease, which sounds the right kind of amount from modern accounts of the impact of disease and famine. Plutarch says Antony blamed their defeat on Artavasdes the Armenian who had led back from Media 16,000 horsemen who would have made all the difference in encounters with the mounted Parthian cavalry.

(51) They marched on to the coast at Sidon through snowstorms and lost another 8,000 men. Here Antony was beside himself with impatience to see Cleopatra.

(52) The king of the Medes falls out with the king of the Parthians and sends word to Antony that he is ready to join him on another campaign against the Parthians. This is music to Antony’s ears because it was precisely the  lack of Medean cavalry which he blamed for his previous failure.

(53) In 35 Octavian gave permission to his sister, Antony’s wife, to sail east with a fleet carrying extensive supplies. Antony wrote her telling her to stop at Athens, at which point she realised he wanted her out of the way while he consorted with Cleopatra. And Cleopatra realised her rival wanted to engage in battle. So Cleopatra loses weight and takes to simpering when Antony is there and pining when he’s not, and is backed up by a host of sycophants who tell Antony Octavia only married him as a matter of public policy. And so Antony puts off the war to go to Alexandria to see Cleopatra.

(54) Octavia returns to Rome where she continues to live in her absent husband’s house, raising their children, behaving nobly and honourably, and by doing so helping to highlight Antony’s disreputable behaviour. By contrast Antony dresses up in oriental royal costumes, holds an elaborate ceremony at which he distributes thrones and honours to Cleopatra, and her children, for all the world like an eastern king of kings.

(55) Octavian made sure to keep all these accusations before the senate and people, drip feeding scandal. Antony replies with his own accusations:

  1. Octavian seized Sicily from Pompey but never gave him a share of it
  2. Antony lent Octavian ships which he never gave back
  3. after ejecting their fellow triumvir Lepidus from office and degrading him, Octavian was keeping for himself the army, the territory, and the revenues which had been assigned to Lepidus
  4. Octavian had distributed almost all Italy in allotments, to his own soldiers, and had left nothing for the soldiers of Antony

Octavian replied:

  1. he had deposed Lepidus from office because he was abusing it
  2. he would share whatever he’d won in war with Antony whenever Antony should share Armenia with him
  3. Antony’s soldiers had no claim upon Italy, since they had Media and Persia

Playground squabbles.

(56) Antony gathers a huge naval force of 800 ships of which 200 are Cleopatra’s though he sends her back to Egypt. Cleopatra bribes his advisers to plead her case, that she needs to be by his side. So Antony relents and invites her to Samos where they party to the sound of theatre performances, music, banquets and processions. ‘How will the conquerors celebrate their victories if their preparations for the war are marked by festivals so costly?’

(57) Then on to Athens where there are more festivals and parties and Antony makes a great speech to Cleopatra, ostensibly on behalf of the city. Antony sends word to have Octavia ejected from his house and she leaves with all his children, to the great scandal of the people.

(58) It is 32 BC and Octavian is alarmed at Antony’s preparations for war. He is unpopular because he is enforcing high taxes, a quarter of income for citizens, and eighth for freedmen. If Antony had struck now he might have won the people, but he delayed. Then senior Antony officials who had been hounded out by Cleopatra maliciously told Octavian about Antony’s will. Octavian seized this from the Vestal Virgins and read it out to the senate. The most offensive provision was that he wanted to be buried in Egypt.

A man called Calvisius then made the following charges against Antony:

  1. he had bestowed upon Cleopatra the libraries from Pergamum, in which there were two hundred thousand volumes
  2. at a banquet where there were many guests he had stood up and rubbed her feet, in compliance with some agreement  they had made
  3. he consented to have the Ephesians in his presence salute Cleopatra as mistress
  4. many times, while seated on his tribunal and dispensing justice to tetrarchs and kings, he would receive love-billets from her in tablets of onyx or crystal, and read them
  5. and once when Furnius was speaking, the ablest orator in Rome, Cleopatra was carried through the forum on a litter, and Antony, when he saw her, sprang up from his tribunal and forsook the trial and, hanging on to Cleopatra’s litter, escorted her on her way

(59) Cleopatra’s suspicion or jealousy of Antony’s entourage, many of whom she forces to flee.

(60) When Octavian was quite ready a law was passed to wage war on Cleopatra and remove from Antony the power he had handed over to her i.e. reclaim it for the Roman authorities. Octavian claimed Antony had been drugged and bewitched and was under the thumb of Cleopatra’s officials.

Plutarch gives us the usual litany of ill omens he claims occur before every war or battle:

  • Pisaurum, a city colonized by Antony situated near the Adriatic, was swallowed by chasms in the earth
  • from one of the marble statues of Antony near Alba sweat oozed for many days, and though it was wiped away it did not cease
  • in Patrae while Antony was staying there, the Heracleium was destroyed by lightning
  • at Athens the Dionysus in the Battle of the Giants​ was dislodged by the winds and carried down into the theatre
  • the same tempest fell upon the colossal figures of Eumenes and Attalus at Athens, on which the name of Antony had been inscribed and prostrated them
  • the admiral’s ship of Cleopatra was called Antonius; some swallows made their nest under its stern but other swallows attacked these, drove them out and destroyed their nestlings

(61) So war begins between Octavian and Antony. Antony had 500 fighting ships, 100,000 infantry soldiers and 12,000 horsemen and the tribute of all the kings in the east.

(62) But so in thrall is Antony to Cleopatra that he decides to fight the battle at sea, even though they are struggling to fully man their ships. These are high-sided with as many as ten ranks of oars and heavy and slow to manoeuvre. Whereas Octavian’s ships are fully manned and in perfect array. He invites Antony to come and dock at Brundisium and Tarentum and that he’ll withdraw a day’s march to allow Antony to land and arrange his forces perfectly for battle.

Antony replies by challenging Octavian to single combat; then to re-enacting the battle of Pharsalus. But while Antony was lying at anchor off Actium, where now Nicopolis stands, Caesar got the start of him by crossing the Ionian sea and occupying a place in Epirus called Toruné.

(63) Octavian’s fleet engaged Antony’s but Antony boldly had his rowers released and sent up top to look like soldiers and his ships drawn up in battle array so that Octavian was put off and withdrew. Antony sealed off watersources to prevent Octavian’s fleet watering. Domitius defected from Antony to Octavian but Antony generously sent his baggage, servants and friends after him.

Some allied kings defected. Canidius advises Antony to send Cleopatra away and abandon the naval strategy, drawing Octavian onto land where Antony has the bigger force and better track record.

But Cleopatra’s insistence that they fight a naval battle prevailed, even though she was already making preparations to flee. Octavian approves a plan to kidnap Antony as he walked on the shore and it nearly succeeded, they captured the man in front of him but Antony managed to get away.

(64) Antony burns all but 60 of the Egyptian ships and packs these with 20,000 heavy-armed soldiers and 2,000 archers. An old infantry centurion complains to Antony that naval battles are all very well for  Egyptians and Phoenicians but Romans fare best on land.

(65) Four days of rough winds and high seas but on the fifth, 2 September 31 BC the Battle of Actium took place. Antony exhorts his men and tells the captains to keep the ships in the narrow mouth of the gulf. At first Antony’s ships refused to budge and Octavian thought they were anchored, but then the more impetuous left their line to attack him. Excellent! His ships were smaller and lighter and more nimble and able to surround Anthony’s.

(66) There was little ramming because Antony’s ships were too slow and Octavian didn’t want to risk his. It was as if three or four of Octavian’s ships were laying siege to Antony’s monsters. The battle is in mid flow when Cleopatra’s 60 ships made sail and began to leave right through the battlefield. Abandoning all reason, betraying his soldiers and sailors and allies, as if bewitched, Antony leapt into a five-oared galley and made after her.

(67) He caught up with her and was taken aboard Cleopatra’s ship where he sat with his head in his hands after they’d docked at Taenarum. For three days he didn’t move until her women persuaded him to come ashore and be reconciled with her. The world lost for love.

Some of their friends arrive in heavy transport ships and tell them the fleet is destroyed but they still possess an awesome land force. So Antony wrote to Canidius ordering him to withdraw across Greece into Asia. And he hands over a big transport ship full of the rarest treasure to his friends, telling them to divide it up and make the best of their fortune.

(68) In fact his fleet held out for hours at Actium and was only overcome by a storm, while he abandoned nineteen legions of undefeated men-at‑arms and 12,000 horsemen. Madness. The greatest example in human history of a man who was pussywhipped, meaning: “Totally controlled, domineered, or emasculated by a woman.”

His men held out for seven days expecting Antony to return at any moment, but he didn’t and after their commander Canidius ran away in the night, they handed themselves over to Octavian. Octavian sails on to Greece where he redistributes the grain which Antony had stripped from them for his forces. And here again a second unusually direct bit of reminiscence by Plutarch:

My great-grandfather Nicarchus used to tell how all his fellow-citizens were compelled to carry on their shoulders a stipulated measure of wheat down to the sea at Anticyra, and how their pace was quickened by the whip; they had carried one load in this way, he said, the second was already measured out, and they were just about to set forth, when word was brought that Antony had been defeated, and this was the salvation of the city; for immediately the stewards and soldiers of Antony took to flight, and the citizens divided the grain among themselves.

(69) Antony reaches the coast of Libya, sends Cleopatra ahead to Alexandria, and takes to roaming around with just two companions. Plutarch says nothing about Antony’s state of mind but his actions betoken a ghost man, a man who has ruined his cause and his reputation and has nothing to live for. When the general commanding Antony’s forces in Libya defected to Octavian Antony tried to kill himself but is stopped by his friends.

Eventually he sails on to Alexandria where he discovers Cleopatra is engaged in a ridiculous scheme, namely to raise and drag her fleet along the course of the current Suez canal, from the Mediterranean into the Red Sea and thus go and colonise somewhere to escape conquest by Octavian. But the Arabs burned her boats and Antony convinced her he still had a land army so she desisted.

And now Antony forsook the city and the society of his friends, and built for himself a dwelling in the sea at Pharos, by throwing a mole out into the water. Here he lived an exile from men, and declared that he was contentedly imitating the life of Timon, since, indeed, his experiences had been like Timon’s; for he himself also had been wronged and treated with ingratitude by his friends, and therefore hated and distrusted all mankind.

(70) A digression on the life and notorious misanthropy of Timon of Athens, clearly a legendary figure by Antony’s time.

(71) Canidius arrives to tell him what finally happened at Actium and the news that all the kings and tetrarchs and whatnot of the Middle East are defecting to Octavian. All he has left is Egypt. At which Antony abandons his depression and goes back into Alexandria where he embarks on a new round of feasting and partying, holding coming of age feasts for his children. Antony and Cleopatra establish a new society which they call Partners in Death. Cleopatra starts collecting rare poisons and experimenting with them on prisoners. the painless ones are too slow but the quick ones are very painful. After lengthy experimentation she settles on the venom of the asp.

(72) They send a petition to Octavian, Cleopatra asking that she be allowed to keep her children, Antony that he may go and live as a private citizen in Athens.

(73) Octavian wrote to Cleopatra that he would treat her well if she would kill or expel Antony. Plutarch shares some typical gossip, telling us that the leader of Octavian’s embassy was one Thyrsus, ‘a man of no mean parts’ who had frequent converse with Cleopatra till it made Antony jealous and he had Thyrsus strung up and flogged then sent back to Octavian. After that Cleopatra went out of her way to suck back up to Antony, celebrating her own birthday very modestly but Antony’s birthday with great splendour. Octavian was called back to Rome by Agrippa.

(74) The war is suspended for winter, but next spring Octavian advanced on two fronts, coming down through Syria and advancing east across Libya. Octavian hears that Cleopatra has built an extravagant tomb into which she has collected all her treasure and sends reassuring messages to her, because he is scared she will kill herself, set light to it and thus deprive him of his loot.

When Octavian is at the outskirts of the city Antony sallies force and fought brilliantly, routing Octavian’s cavalry and driving him back to his camp. Plutarch tells a typically waspish anecdote.

Then, exalted by his victory, he went into the palace, kissed Cleopatra, all armed as he was, and presented to her the one of his soldiers who had fought most spiritedly. Cleopatra gave the man as a reward of valour a golden breastplate and a helmet. The man took them, of course — and in the night deserted to Caesar.

(75) Antony makes Octavian a second offer of single combat. Octavian of course refuses so Antony insists on leading his army into battle. At feast the night before the battle, he tells his friends he will be victorious or die trying, while they all cry.

That night, as usual with Plutarch there are omens. Just the one this time which is that over the city a great music and noise is heard as of a Dionysian festival, but it is heard to move from the city centre towards the gate facing Octavian’s camp and then disappear. It was, people said, the god he had devoted his life to, Dionysius, abandoning him.

(76) On 1 August 30 BC Antony watches his fleet set out to engage Octavian’s but, at the last minute, raise their oars in peace, surrender, and be accepted into Octavian’s fleet. Also his cavalry defects. He fights with his infantry but they are defeated. He withdraws into Alexandria ranting that he has been betrayed by Cleopatra. Scared, Cleopatra retired into her refuge, had the doors locked and barred and messengers sent to Antony telling her he was dead.

Antony goes into his chamber, laments that he has been found wanting in courage to a woman, and orders his man Eros to kill him. Instead Eros kills himself. You just can’t get the staff. So Antony tries to stab himself but makes a hash of it. When he recovers he orders the bystanders to finish him off but they all run away. Until the secretary Diomedes arrives with orders to take Antony to her tomb.

(77) A peculiar scene. Antony is carried to Cleopatra’s tomb but she refuses to unbar the doors to let him in, instead insisting that he is laid on a bier and that she and her serving women haul him up using a rope and pulley system, even though this is extremely difficult for her. When they’ve finally got him inside, Cleopatra rents her clothes and beats her breasts and there’s blood everywhere, but he tells her he’s had a good life and to look out for herself.

(78) Antony dies and his sword is taken by a servant who shows it to Octavian.

When Caesar heard these tidings, he retired within his tent and wept for a man who had been his relation by marriage, his colleague in office and command, and his partner in many undertakings and struggles.

Octavian calls in colleagues and reads out his correspondence with Antony, emphasising how reasonable he had been and how rude Antony’s replies. Then Octavian sends Proculeius to negotiate with Cleopatra, anxious that she will burn her treasure and wanting her to adorn his triumph through Rome.

(79) Proculeius wangles his way into the tomb. He goes back accompanied by Gallus and while Gallus is keeping Cleopatra in conversation by the door, Proculeius uses a ladder to get up to that window, the window they hauled Antony in through, and then down the stairs and to the door and takes Cleopatra by surprise. She tries to stab herself with a small knife but Proculeius is too fast, seizes it, shakes her down to ensure she has no other weapons, then sends her under guard to Octavian.

(80) Now Octavian finally arrives in Alexandria, proceeds to a tribunal erected in the gymnasium. The population prostrate themselves in terror but Octavian says he holds them blameless and won’t punish them. At this crucial moment Plutarch rather spoils the effect by saying Octavian does it at least in part to gratify his companion, Areius the philosopher.

(81) As for the children of Antony, Antyllus, his son by Fulvia, was betrayed by Theodorus his tutor and put to death. Theodorus stole the precious stone the boy wore about his neck but when this was discovered he  was crucified. Cleopatra’s children, together with their attendants, were kept under guard and had generous treatment.

Caesarion, who was said to be Cleopatra’s son by Julius Caesar, was sent by his mother, with much treasure, into India, by way of Ethiopia. There Rhodon, another tutor like Theodorus, persuaded him to go back, on the ground that Octavian invited him to take the kingdom. And Octavian had him executed, after his mother died. One way of regarding this is barbaric. But it should be out in the context of the mass proscriptions Octavian enforced in Rome. His rule was characterised by large scale executions.

(82) Octavian allowed Cleopatra to bury Antony with lavish rites. Then she began to starve herself. But Octavian threatened the lives of her children and thus forced her to eke out a miserable existence.

(83) An interview between Octavian and Cleopatra at which she tries to justify her course of action but Octavian refutes her interpretations at every step. When a servant reveals that she is hiding away her jewellery she crossly slaps him and insists to Octavian that she is storing up women’s ornaments in order to send to Octavia and Livia to beg them to intercede for her. And so Octavian went away confident that she wanted to live. But she fooled him.

(84) One of Octavian’s entourage tells Cleopatra that his army is setting off for Syria and will be taking her, so she obtains permission to pour libations at Antony’s tomb one last tie and Plutarch give her a long sentimental speech.

(85) Cleopatra has a bath and then dinner. A man from the country arrives carrying a basket. The suspicious guards tell him to open it and are amazed at the size of the figs it contains. He bids them have a taste if they like so they let him pass. After her meal Cleopatra sends Octavian a written message, then has herself locked in her chamber with her two serving women. When Caesar opens the tablet and reads the message asking for her body to be buried next to Antony’s he knows what has happened and sends messengers to go instantly to prevent her. But they find Cleopatra lying dead upon a golden couch, arrayed in royal state.

And of her two women, the one called Iras was dying at her feet, while Charmion, already tottering and heavy-handed, was trying to arrange the diadem which encircled the queen’s brow. Then somebody said in anger: “A fine deed, this, Charmion!” “It is indeed most fine,” she said, “and befitting the descendant of so many kings.” Not a word more did she speak, but fell there by the side of the couch.

(86) Plutarch reports the 4 or 5 different versions of how she was poisoned, whether she stirred up the asp to make it angry, dipped her hand in the basket or took the snake out and applied it to her arm or breast. In Octavian’s triumph an ‘image’ (does this mean a model or effigy) of Cleopatra was included with the snake hanging from her, though Plutarch doesn’t say where exactly on her body.

Octavian was cross but admired her lofty spirit and so let her be buried with full rites next to Antony. Statues of Antony throughout Alexandria were torn down but those of Cleopatra were allowed to remain standing after one of her friends, Archibius, gave Caesar two thousand talents. She was 39, Antony was 55, they had been an item for 15 years.

(87) As in many a Victorian novel, Plutarch ends his narrative by tying up all the loose threads and telling us what happened to all Antony’s children and their descendants. He had seven children by three wives and their marriages and second marriages and intermarriages make for a complicated diagram. One of the two daughters he had by Octavia:

Antonia, famous for her beauty and discretion, was married to Drusus, who was the son of Livia and the step-son of Octavian. From this marriage sprang Germanicus and Claudius, Germanicus dying young but Claudius coming to the throne in the chaos after Caligula was assassinated in 41 AD.

Before Germanicus died he fathered Julia Agrippina, who, at age 13, was married off to Gnaeus Domitius Ahenobarbus. They had a son, Lucius Domitius Ahenobarbus. 21 years later, with Ehenobarbus dead, Agrippina married the emperor Claudius. And Claudius, having adopted Agrippina’s son, gave him the name of Nero Germanicus. This was the Nero who came to the throne in 54 AD.

So Antony’s ‘blood’, if there is such a thing, ran on into the Julio-Claudian dynasty for several generations.

Learnings

Predestination

Plutarch is a fatalist. He believes everything is predestined to happen. Not very often, but at various key moments when central characters try to avert war or settle conflicts or lay high-minded plans, Plutarch is at hand to tell us that an implacable fate controls our ends.

It was destined that everything should come into Caesar’s hands. (55)

A maze of cross-references

The way that the lives refer to each other creates an evermore complex matrix of cross-references, which turn them into a complex meta-narrative, or a multi-stranded history.

Iraq, Iran and the West

At some point, reading about the inexorable opposition of the Parthian Empire to the Romans (i.e. ‘the West’) and learning that the Parthian Empire was roughly cognate with present-day Iraq and Iran – made me think of the never-ending conflict between those places and ‘the West’ in my day.

Modes of death of Plutarch’s eminent Romans

  • Marius (died a natural death aged 71)
  • Sulla (died a natural death aged 60)
  • Lucullus (died a natural death aged 61)
  • Crassus (died killed in battle aged 61)
  • Sertorius (assassinated aged 53)
  • Pompey (murdered aged 57)
  • Caesar (assassinated aged 55)
  • Cato the Younger (suicide aged 49)
  • Brutus (suicide aged 43)
  • Cicero (murdered aged 63)
  • Antony (suicide aged 53)

It’s the opposite of a scientific sample but you notice how the first three died of natural causes, although Marius and Sulla had been mass murderers; somehow there was the space for them to retire, as for lucky Lucullus. But from then onwards all the rest die violent deaths, and the third aspect of trend is the number of suicides. It feels like Rome no longer had room for many of its eminent men. They were no longer just killed in battle or assassinated but removed themselves from a world which no longer had room for the beliefs or values or causes they had supported. In a voodoo kind of way it’s as if the Republic liquidated itself.


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Plutarch’s Life of Cato the Younger

This is one of Plutarch’s longer biographies of eminent Romans, at 73 ‘chapters’ or sections.

Marcus Porcius Cato, also known as Cato the Younger (95 to 46 BC), was a conservative Roman senator in the period of the late Republic. He made a reputation for being a stern, inflexible defender of the strictest interpretation of traditional ‘Roman’ values and a literalistic interpretation of the constitution. As such he was in effect a defender of the optimates party of traditional aristocrats and the senate as a body, against the growing power and political lobbying of the populares party, represented by others in the 80s and 70s but during the 60s and 50s increasingly represented by Julius Caesar. Cato saw Caesar as an over-ambitious autocrat who sought to tear up the traditional constitution and make himself tyrant and king, so he bitterly opposed him at every opportunity.

Ironically, the net effect of his stern speechifying and high-minded opposition to Caesar helped to create the impassible divide which arose between Caesar and Pompey (who he defected to and served during the civil war) and precipitated the civil war which overthrew the republic that he loved. When compromise was required, Cato offered inflexible opposition.

His suicide in north Africa, where he was one of Pompey’s governors, after Caesar had effectively won the province in 46 BC, was, in my opinion, not a noble end to a noble life but epitomised the political cul-de-sac he’d painted himself into. Compromise and mutual respect are the basic requisites for a functioning democracy.

The life

(1) Marcus Porcius Cato or Cato the Younger was a great-grandson of Marcus Porcius Cato, also known as Cato the Censor, Cato the Elder and Cato the Wise (234 to 149). The Elder was a Roman soldier, senator, and historian known for his conservatism and opposition to Hellenization, who was the first to write history in Latin with his Origines, a now lost work on the history of Rome.

Unusually Plutarch gives us something of Cato’s boyhood. Both his parents died leaving him, his sister and brother orphans. They were brought up by a maternal uncle. People noticed he was inflexible, harsh, not given to laughter though occasionally he smiled. He was a slow but steady learner, and Plutarch favours us with some 2,000 year old theory of education (based, apparently, on Aristotle).

(2) When he was 4 the Social War broke out and Pompaedius Silo, a representative of the rebels, visited Cato’s guardian’s house and humorously asked the children for their support. The others childishly agreed but Cato stared inflexibly silently in front of him, even when the visitor held him out the window as if to drop him. He took boyhood games very seriously.

(3) The dictator Sulla liked Cato and his half brother for their father’s sake and Cato’s tutor Sarpedon often took him to visit, till one day the 14-year-old asked why there were so many cries of torture and severed heads (!) carried from Sulla’s house and when his tutor explained everyone was too frightened to intervene, Cato angrily asked for a sword and said he’d rid his country of this scourge.

Cato’s devout attachment to his brother Caepio.

(4) He was made a priest of Apollo and moved out of his guardian’s house. He tried to put into practice Stoic philosophy and lived very plainly. He was a close companion of Antipater the Tyrian, a Stoic philosopher. He believed in a form of justice which was rigid and uncompromising.

(5) When the tribunes wanted to make changes to the Basilica Porcia which his famous ancestor had constructed, Cato was reluctantly drawn into defending it and opposing the move. Everyone commented on the stern maturity of his speech.

He took vigorous exercise, refused to ride a horse or be carried in a chair, exercised in cold or heat. Spartan.

(6) He was surprisingly unabstemious, though, and would stay up through the night, drinking and arguing with philosophers. He dressed so deliberately unostentatiously that it drew attention. When he came into an inheritance he shared it liberally with friends.

(7) He became betrothed to a woman named Lepida who had been dropped by Metellus Scipio but then Metellus changed his mind and wooed and won her which made Cato so furious he eased his mind by writing scathing verses against Metellus. Then he married Atilia, a daughter of Serranus.

(8) During the war of Spartacus (73 to 71 BC) Cato volunteered to serve since his brother was a military tribune. He displayed good discipline, self-control, courage in all emergencies and sagacity. When the commander, Lucius Gellius Publicola (consul in 72) awarded him honours Cato turned them down, saying he’d done nothing special. So he acquired a reputation as being clever and brave, but odd.

(9) In 67 he was appointed military tribune and sent to Macedonia, to serve under Rubrius the praetor. It’s fascinating to learn that he travelled to this post with fifteen slaves, two freedmen, and four friends. He was assigned a legion and won over the men by his unpretentious willingness to join in with all the tasks.

(10) Cato hears a Stoic philosopher named Athenodorus Cordylion, was living at Pergamum, he travelled there to persuade him to return with him to the army camp, which the latter did. Cato was more proud of this achievement than any military conquest.

(11) Cato’s brother fell sick at Aenus in Thrace. He made his way there as quickly as possible but his brother died before he arrived. People were surprised at his excess of grief and the huge amount he spent on the funeral rites, ‘not observing how much tenderness and affection was mingled with the man’s inflexibility and firmness against pleasures, fears, and shameless entreaties.’ In other words, Plutarch likes Cato.

(12) When he completed his military service the men saw Cato off with tears and embraces, which was unusual, On his journey through Asia he was very humble about his entrance to towns, didn’t do it with grand display and intimidate the local magistrates (which, by implication, was the norm).

(13) Plutarch tells the genuinely funny story of Cato entering Antioch in Syria to find a reception of young men in military cloaks or gala gowns and imagining it was for him. But when the city master of ceremonies stepped forward and greeted him it was to ask when Demetrius would be arriving – all this pomp was for him. Even funnier, Demeterius had at one stage been a slave of Pompey’s but Pompey was so in the ascendent that an ex-slave of his drew more of a grand welcome than Cato. Cato’s friends laughed about this all the way to their inn.

(14) When Cato arrived in Ephesus Pompey, who was there, made a big point of going to meet and greet him by hand, and praising his virtue to his face and behind it. But this was all in self interest, for Pompey never attached Cato to his entourage as he did other young men. Anyway, as a result of Pompey’s favour, the towns he subsequently passed through made a special effort to give him honours, though he asked his friends to ensure he didn’t fulfil the prediction of his friend Curio, that he would return from Asia more tamed.

(15) Deiotarus the Galatian repeatedly sends him lavish presents but Cato sends them back. Taking ship for Brundisium, his friends advise the ashes of Caepio should travel by another ship but Cato insisted they go in the same boat as him even though they turned out to have a difficult crossing.

(16) Back in Rome he is elected quaestor in 65 BC though not before making a careful study of the full constitutional roles and responsibilities of the office. Once instated he insisted on utter rectitude and obedience to the rule from his many clerks, who were used to pulling the wool over the eyes of new young officials. Cato sacked a leading clerk for embezzlement which led to a protracted law case.

(17) By his thoroughness Cato raised the office of quaestor to almost eclipse the consulship in dignity. He:

  1. made sure all debts to the public treasury were immediately called in, so that he could then make all the disbursements owed
  2. he weeded out false claims and decrees
  3. the assassins who murdered people on Sulla’s notorious proscription lists for money, and were widely loathed, he called to account, demanded the money back, upbraided them for their filthy acts, at which point many of them were arraigned for murder: for many people this closed the door on the shameful time of Sulla’s dictatorship (82 to 78 BC)

(18) He got to work early and left late. He set the state treasury on its feet. He attended the senate and popular assemblies to make sure slack politicians didn’t make promises of money they couldn’t keep. All in all he showed that the state treasury could be run honourably.

On the last day of office he was being accompanied home by a grateful crowd, when he heard that his boyhood friend Marcellus was trying to register a crooked remission of moneys so Cato turned right round, marched back to the treasury and, in Marcellus’s sight, expunged the application from the tablets, then took Marcellus home with home for dinner. Nothing personal, just inflexible application of the rules.

(19) Having held the quaestorship, Cato is automatically enrolled in the senate. Here he shows the same inflexible devotion to duty, arriving first, leaving last, and making sure he reads all notes and briefing papers, keeping across all details of all policies. Unlike many who drifted into it by accident, Cato

chose a public career as the proper task for a good man, and thought that he ought to be more attentive to the common interests than the bee to its honey. And so he was careful to have the affairs of the provinces and decrees and trials and the most important measures sent to him by his connections and friends in every place.

He soon became a byword for lecturing sternness and honesty. His name began to be of proverbial weight. Plutarch gives examples.

(20) When the time came to vote for tribunes despite his friends urging him to stand, Cato decided against and set off for one of his country estates to study philosophy. But on the way they encountered the entourage of Metellus Nepos on their way into town so Metellus could stand as tribune. At which Cato ordered his people to about turn and hastened back to Rome to contest the tribuneship in order to preserve the freedoms of the state.

(21) When he stood for the tribuneship many thought that, rather than seeking advantages for himself, he was conferring a gift on the role. In 63 he was elected one of the ten tribunes. He promptly lived up to his reputation for rectitude by prosecuting the consults elected that year to serve in the following years, Silanus and Murena, for bribery. It was the custom for the accused to hire a man to tail the prosecutor everywhere to see who he was talking to and what materials he was gathering. Murena’s hired man was soon impressed by Cato’s rectitude and eventually, if he asked Cato whether he was going about business for the trial that day, if Cato said no, he took his word and didn’t tail him.

Cicero was consul in 63 and defended Murena from Cato’s prosecution and got him off but it didn’t affect his respect for Cato’s honesty and he often consulted him, for:

in the tribunal and in the senate he was severe and terrible in his defence of justice, but afterwards his manner towards all men was benevolent and kindly.

(22) Two chapters on the Catiline conspiracy. Plutarch skips over all the details, to the debate about what to do with the conspirators Cicero has captured in the city. Plutarch focuses on Caesar’s speech advocating leniency for the conspirators i.e. that they be sent to various cities under house arrest until the conspiracy was completely quenched. Plutarch really comes out as anti-Caesar with these remarks:

Caesar now rose, and since he was a power­ful speaker and wished to increase every change and commotion in the state as so much stuff for his own designs, rather than to allow them to be quenched, he urged many persuasive and humane arguments.

That’s not how it comes over when you read Sallust’s reconstruction of Caesar’s speech in his account of the Catiline Conspiracy, which is sober and responsible. It also chimes with his lifelong practice of clemency and forgiveness first.

(23) But what Plutarch wants to get to is how many of the senate were swayed by Caesar until Cato stood up to speak and tore into Caesar as himself a traitor supporting traitors:

Caesar, he said, under a popular pretext and with humane words, was trying to subvert the state; he was seeking to frighten the senate in a case where he himself had much to fear; and he might be well content if he should come off guiltless of what had been done and free from suspicion, since he was so openly and recklessly trying to rescue the common enemies, while for his country, which had been on the brink of ruin, and was so good and great, he confessed that he had no pity; and yet for men who ought not to have lived or been born even, he was shedding tears and lamenting, although by their deaths they would free the state from great slaughter and perils.

So ferocious and impassioned that the senate voted overwhelmingly for immediate execution and Cicero led them away to the Roman prison and had them garrotted there and then. A rash impetuous act which would come back to haunt him in later years (when he was threatened with prosecution for having murdered these men without due legal process and so was terrified into going into exile in 58 BC).

Plutarch gives us an interesting little piece of social history by telling us that this was the only speech of Cato’s to have been recorded, and this is because Cicero was responsible for instituting the new practice of having a number of secretaries skilled at shorthand to record senate procedures. (Which is the central fact in Robert Harris’s trilogy of novels about Cicero.)

(24) Another quite funny anecdote. In the middle of Cato’s furious tirade against Caesar he observed a messenger come into the senate and hand Caesar a note, at which point he thunderously pointed this out to the senate and claimed it had something to do with the conspiracy, demanding he read it out. Caesar handed it over to Cato who read it and realised it was an erotic message from none other than his own sister, Servilia, to Caesar, who she was in love with (though he was married). Cato flung it back at Caesar. This is a lovely moment.

Plutarch goes on to state that Cato had bad luck with ‘his’ women: one sister gained a bad reputation for her carryings-on with Caesar, the other thrown out of her husband Lucullus’s house for infidelity, and his own wife Atilia ‘put away’ because of her ‘unseemly behaviour’. So Cato marries a daughter of Philippus, Marcia.

(25) The strange case of Quintus Hortensius, a man of splendid reputation and excellent character, who tries to persuade Cato to farm out to him his daughter who just happens to be married to another man, Bibulus. Why? To bind their families together and increase wise and virtuous offspring. Cato politely refuses. Things then become garbled as Plutarch states that Hortensius then asked for Cato’s wife in marriage. The fact that Cato agreed and that her father agreed, indicate that he had, or was about to, divorce her. Lots of divorces and remarriages among the Roman aristocracy.

(26) So Lentulus and the other conspirators are executed but Plutarch says Caesar continues to stir up unrest among the city’s poor and describes Cato as being wise and good in passing a law to expand the free grain distribution to the poor and landless.

It is 62 BC and Pompey is en route back to Italy from his triumphs in the East. Metellus has taken up the tribuneship and proposes a law asking Pompey to hurry back and protect the city. Cato at first politely declines and asks Metellus to reconsider. But when the latter takes advantage of his meekness, becomes angry and shouty, leaving witnesses with the sense that they’re both bonkers.

(27) The night before the vote the forum was filled with armed strangers and gladiators and servants with strong support from Caesar, who was praetor. That night Cato bravely walks with his friend Minucius Thermus through the throng of armed men to the temple of Castor and Pollux and pushes through the armed gladiators to eventually plonk himself in a chair between Caesar and Metellus who were conversing.

(28) The proposed law is read out but Cato snatches the paper out of Metellus’s hand. When Metellus continues to recite it from memory, Cato puts his hand over his mouth. So Metellus ordered the men at arms to come to his aid and some of the people pelted Cato with sticks and stones. Not a model democracy, was it?

(29) This brawl goes on for some time with Metellus attempting to read his law and some of the people threatening him. In the event Metellus fled from the people to the forum, made a long speech against Cato, and then fled the city altogether heading towards Pompey.

Switching subject, Lucullus had returned triumphant from the East in 66 but had been forced to wait for a triumph by the opposition of Caius Memmius who wanted to suck up to Pompey. Cato opposed this, partly because Lucullus was married to Cato’s sister. The importance of these marriage and family alliances and allegiances is difficult to capture but was a key element in Roman politics.

(30) Pompey as he approached Rome sent asking the senate if they could postpone the consular elections so he could canvass for Piso in person. The senate was inclined to agree but Cato vehemently disapproved. Seeing he was going to be an obstacle, Pompey then sent a message asking for the hand in marriage of Cato’s daughter for him and the other daughter for his son. When they heard this the women in question were delighted to make such high matches but Cato immediately refused and sent back that he wasn’t to be bought with marriage alliances. Plutarch, for once, is critical, and makes the kind of point I’ve made, which is that Cato’s intransigence brought about the very thing he sought to avoid:

However, if we are to judge by the results, it would seem that Cato was wholly wrong in not accepting the marriage connection, instead of allowing Pompey to turn to Caesar and contract a marriage which united the power of the two men, nearly overthrew the Roman state, and destroyed the constitution. None of these things perhaps would have happened, had not Cato been so afraid of the slight transgressions of Pompey as to allow him to commit the greatest of all, and add his power to that of another.

(31) Furthermore, Cato blocks Pompey’s wishes for a law distributing land to his veteran soldiers, and then blocks Caesar’s wish, on returning from Spain, to canvass for the consulship whilst remaining outside the city pending a triumph. Cato denied him this, too, by talking for an entire day and so talking the time out. But the effect of this scrupulous defence of principle was to drive Caesar and Pompey together and both to support the unscrupulous agitator Clodius. Again, by his scruples he brought about the thing he most opposed. Lucullus and Cicero are of h is party, but the new triumvirate outpowers them and Caesar is elected consul for 59.

(32) Plutarch describes the street violence encouraged by Cato’s opponents. With the help of this rioting Pompey’s land redistribution bill is passed after all along with an unusual clause compelling all senators to take an oath to uphold it. Inevitably, Cato refused to do this until persuaded into it by Cicero who said it was vanity to hold out against the general will, and that he needed Cato in Rome rather than in exile.

(33) Caesar introduces a law to divide almost all of Campania among the poor and needy. Of course Cato objects and so Caesar has him dragged off to prison. Plutarch alleges that it is by such shameless laws that Caesar curried favour with the people and so got himself awarded governorship of Gaul for five years despite Cato warning the people that they themselves were creating a tyrant.

(34) Caesar’s creature, Clodius, gets Cato sent against his will as governor to Cyprus and Ptolemy of Egypt, very obviously to get him out of the way to the clique can pursue their aims unobstructed. Clodius is particularly hot to hound Cicero out of Rome, something he couldn’t achieve if Cato were there.

(35) En route to the East Cato wrote to Cicero whose enemies were trying to get him banished to submit to the mood of the times. King Ptolemy of Egypt comes to see him and finds Cato full of wisdom, not least in his advice to have nothing to do with the rapacious crooks at Rome (Pompey and Caesar) and return to Alexandria and be reconciled with his people. Ptolemy in fact continues onto Rome but Plutarch has him (improbably) at the door of the first magistrate he visits groaning at his own weakness.

(36) Confusingly (for me at any rate) Plutarch then talks about an apparently different Ptolemy, ‘the Ptolemy in Cyprus’, who poisons himself. Cato hears this at Byzantium where he is supervising a peace (?) before he goes on to Cyprus and organises the auctioning of the king’s belongings. He insists on handling every aspect of this himself and so alienates a lot of his friends.

(37) An extended description of the falling out between Cato and his friend Munatius, who feels himself slighted. In the end they are reconciled with kindness and tears. This is a good example of an anecdote or passage which has nothing to do with politics or history, as such, but demonstrates Plutarch’s primary focus which is an interest in ‘the perception and manifestation of character‘.

(38) When Cato returned from the East he meant to present immaculate accounts of the enormous sum of money he was bringing back (7,000 talents of silver), but his account books were lost in unfortunate accidents which vexed him because he had wanted to display them as models and templates.

(39) Cato arrived back from the East in 56 BC and all Rome turned out to meet him, the senate and the people. Characteristically, Cato sailed right past his reception committee and to the docks, which irritated many. But he made up for it when he paraded the wealth he’d brought back through the forum, and he was awarded an extraordinary praetorship.

(40) In 57 BC Cicero had returned to Rome after an exile of 16 months. He promptly acted controversially by having all the records of Clodius’s acts as tribune destroyed, claiming that Clodius had been improperly elected through bribery. Surprisingly, Cato contradicted Cicero’s speech, saying it had not been illegal for Clodius to move from the patrician to the plebeian class, and arguing that if Clodius’s acts were to be erased so should his, Cato’s, in the East because his appointment was made by Clodius. This public disagreement caused Cicero to break off friendship with Cato for a long time.

(41) Plutarch briskly skips over the conference of the triumvirate at Luca. He calls it:

a conspiracy for the division of the supreme power and the abolition of the constitution.

It was where they agreed to make Crassus and Pompey consuls for the following year. Lucius Domitius is encouraged to put himself forward as a rival but Pompey’s thugs attack him one early morning as he is walking in the Campus Martius, killing a torchbearer and injuring others, including Cato who was with him.

(42) So Pompey and Crassus were voted consuls for 55 BC. But Cato didn’t give up his opposition and stood for praetor so he could oppose them from an official position. Plutarch describes the bribery and tricks Pompey used to prevent Cato’s election but he then gives a big address to the people expressing his fears about a tyranny and is followed home by a big crowd (as so often happens in these anecdotes).

(43) Caius Trebonius proposes a law assigning provinces to the consuls which Cato vehemently opposes, speaking against it at such length from the rostrum that he is dragged from it by his opponents, a fight breaks out, some people are killed (!). When another law is promulgated giving Caesar his command in Gaul, Cato makes a speech directly addressing Pompey saying he is unwittingly creating a burden which will crush him. But Pompey ignored him, trusting in his own power and fortune.

(44) Cato is elected praetor for 54 and tries to introduce a law eradicating bribery. This makes him unpopular with the mob who like being bribed, and he is pelted and jostled in the forum until he claws his way onto the rostrum and makes a principled speech which reduces the mob to silence. He institutes a bill whereby the candidates for election all give a deposit to Cato who then monitors the election and anybody caught cheating forfeits their deposit.

(45) His honesty shames the great men of the state who league against him. Clodius is back in Pompey’s orbit and regularly attacks him for corruption etc. Cato replies that he brought more treasure back from Cyprus by honest means than Pompey did from ravaging the East. Cato said Pompey had no right lending his legions to Caesar in Gaul without consulting the state as if they were his private possessions. And warns that he remains near Rome (i.e. didn’t take his governorship of Spain) in order to manage factions at elections as they were games.

(46) Cato ensures his friend Marcus Favonius is fairly elected aedile, the post which supervised games and entertainments, but Cato actually carries out a lot of the duties. People are amused by the way Cato rewards the players with humble gifts of food and fruit rather than elaborate gold and luxuries. He thought that to sport and entertainment, light and gladsome arrangements were appropriate.

(47) In 52 BC the street fighting of Clodius and Titus Annius Milo’s gangs and others became so extreme that elections to the magistracies were suspended. Opinion crystallised that Pompey needed to intervene with his army to restore order. When this was proposed in the senate to everyone’s surprise Cato supported it, with the simple argument that any government is better than no government at all.

(48) And so Pompey is appointed sole consul, floods the streets with soldiers, puts an end to political violence and safeguards the elections. A benign military dictatorship. He asks Cato to be his adviser. Cato, typically, says when he criticised him before it wasn’t out of personal malice and if he helps him now it won’t be to truckle favour, in both cases it is for the good of the state. He advises him against the retrospective prosecution of officials for winning their places by bribery, arguing that a) it will be difficult to know where to stop and b) it was unfair to punish people according to a law which didn’t exist when they acted.

Cato’s difficulty as a juror in trials where he couldn’t be suborned or bought and so was an unpredictable quality to both prosecution and defence.

(49) All this time Caesar is using the money and power he accumulates in Gaul to buy friends and influence in Rome. Finally it dawns on Pompey that he is becoming a threat. Cato decides to stand for the consulship to try and limit’s Caesar’s ambitions. Cato proposes a law that candidates must canvas in person, and not through middle men who distribute money and bribes, which alienates the populace who like money and bribes. Refusing to employ the common practices of a consul ingratiating himself with the people, he is not elected.

(50) Cicero upbraids Cato because, when the times required a man like him in power, he refused to change his principles and humble himself to stand for election, and so lost the opportunity to help the state. How much should a man compromise his principles in order to win power to enact his principles?

(51) It is reported in Rome that Caesar attacked Germans in Gaul during a truce, and massacred them. A great public celebration is called but Cato declares Caesar should be handed over to the Germans whose trust he breached. Caesar wrote a letter to be read out in the senate justifying his actions and execrating Cato at length. But this only gives Cato an opportunity to deliver a long, carefully evidenced indictment of Caesar’s behaviour and ambitions, so that the latter’s friends regret reading out the letter in the first place.

The senate consider it is well to find a replacement for Caesar but Caesar replies that he’ll only do that if Pompey lays down his arms. At which Cato points out that what he prophesied was coming to pass, that overmighty leaders with private armies were dictating to the senate rather than following the instructions of the government.

“Those things are come to pass which I foretold to you, and the man is at last resorting to open compulsion, using the forces which he got by deceiving and cheating the state.”

(52) Plutarch skips over the entire complex web of events which led to the escalating crisis between Caesar and Pompey, the ultimatums, the attempts at mediation, and skips suddenly to Caesar having crossed the Rubicon and occupied the town of Ariminum (January 49 BC). Cato says ‘I told you so’ and recommends that Pompey be supported in opposing Caesar. Pompey acknowledges that Cato was a prophet but fails to raise the armies he told everyone it would be so easy to raise and decides to flee Rome.

At this perilous moment Plutarch pauses to tell us about Cato’s private life, namely that he remarried the Marcia he had divorced and who subsequently married Hortensius, who had died, leaving her free again. Apparently Caesar made much of this in the virulent diatribe he wrote against Cato, claiming the latter in effect farmed his wife out to the wealthy Hortensius so that, when the latter died, he could remarry his wife and come into a fortune. Thus the Roman aristocracy, bickering among themselves.

(53) Cato opts to support Pompey and is sent as Pompeian governor to Sicily. But when he hears that Pompey has fled Italy for Greece he makes the droll remark that:

there was much inconsistency and obscurity in the divine government, since Pompey had been invincible while his course was neither sound nor just, but now, when he wished to save his country and was fighting in defence of liberty, he had been deserted by his good fortune.

As to being governor of Sicily, when a Caesarian force arrives under Asinius Pollio, Cato says he doesn’t want to lay waste the province with war and so sails to join Pompey in Greece. Here he made good policy suggestions, namely not to plunder a city that was subject to Rome, and not to put a Roman to death except on the field of battle. This brought to the party of Pompey a good repute, and induced many to join it.

(54) Cato is sent to Asia, whither he is accompanied by his sister, much reformed from her dissolute behaviour, and where he persuades Rhodes to declare for Pompey. At first Pompey is inclined to give Cato command of his huge fleet of some 500 ships, until it is pointed out to him that Pompey is not devoted to his cause but to Rome and that, the minute Caesar was defeated, Cato would be insisting that Pompey surrender his command, too. So he appoints Marcus Calpurnius Bibulus admiral.

But Cato proves an asset. When all the generals give speeches to the men before a big battle at Dyrrhachium, the soldiers listen lethargically, but when Cato addresses them and invokes all the ideas of patriotism and bravery and tells them the gods are watching he rouses them to a true fighting spirit and Pompey wins the battle.

(55) When Pompey marched his army into Thessaly, he left Cato in command of the supplies and men he left at Dyrrhachium, along with fifteen cohorts. After Pompey’s defeat at Pharsalus, Cato offered command of the fleet to Cicero, who refused, saying he wanted to return to Italy. But Pompey’s son, Gnaeus Pompey, was violently against anyone who deserted the cause, and might have killed Cicero had he left. Cato talked him into remaining and so probably saved his life (well, for the time being; nobody’s life is really saved, not forever).

(56) Guessing that Pompey had headed south Cato sailed to Africa with his fleet. In Libya he met Sextus Pompeius and learned of his father’s murder. Ashamed of abandoning men, Cato found himself taking command of the remaining Pompeian forces (reminding us how close, how very close, the military world was to all the Roman ‘statesman’ we read about. It was a totally militarised politics.)

He learns of other Pompeian forces under Juba the king and Attius Varus and resolves to join them. Cato shows all the signs of mourning (for Pompey) walks rather than rides a horse, only lies down to sleep, east sitting down.

(57) Cato tries to resolve the squabbles between the Roman commanders Scipio and Varus, and King Juba of the Numidians. He is punctilious about not taking command because he is only a pro-praetor whereas Scipio is a pro-consul.

(58) Scipio was going to give in to Juba’s request to have the city of Utica razed to the ground and it inhabitants slaughtered but Cato vehemently objected, got himself appointed governor of it to ensure its loyalty to the Pompeians. With his usual administrative flair he turns it into a storehouse for Pompeian forces in Africa. But his advice to Scipio, to play a waiting game and let Caesar tired himself in Africa, is ignored. Scipio mocks Cato locked up safe and secure in a walled city but when Cato offers to take his army to Italy to decoy Caesar back there, Scipio mocks this too. And Cato begins to realise Scipio is a rash and unreliable leader and would probably make himself tyrant, given half a chance.

All of which is grimly confirmed when messengers bring news of the Battle of Thapsus 6 April 46 in which Caesar demolished the much bigger army of Juba and Scipio and Varus.

(59) That night the population panics but Cato walks among them calming their fears. When day comes he assembles the 300 or so Roman citizens in the town, businessmen and moneylenders with the senators who had taken refuge there. (It is typical of the kind of insights you glean from these texts, that Plutarch calls these people Cat’s ‘senate’. Did this mean every town and city in a Roman province had its own ‘senate’ made up of the richest Roman inhabitants?)

Cato then makes a speech advising everyone to stay put and not flee, severally. And says it’s their free choice whether to switch to Caesar but he would admire and praise them more if they if they remained true to what he saw not as ‘Pompey’s side’ but the cause of Rome and its laws and traditions.

(60) Cato’s speech inspires the people to elect him their leader and use their goods and weapons and lives as he thinks fit. Someone suggests a law freeing all the slaves but Cato, with typically legalistic precision, says such a law would be illegal, but individual slave-owners can free them and all of military age will be accepted into the army. Both Juba (with the remnants of his army) and Scipio (with his fleet) send messages saying they await Cato’s decision what to do next.

(61) The senators manumitted their slaves but the leading 300 citizens were conflicted and Plutarch gives a paragraph of their thinking and reasoning why they want to hand themselves over to Caesar.

(62) Given these divisions Cato sends back to Juba and Scipio telling them not to come. But when a large number of allied cavalry arrive, Cato and the senators beg them to come inside the city and stay with them.

(63) The horsemen say they will but only if Cato drives out the ‘barbarian’ ‘fickle’ Phoenician people of Utica. Cato says he will consider it. When he returns inside the city the 300 have become bolder and complaining why they are being forced to oppose the undefeatable Caesar, and muttering more and more about the senators being responsible for their danger.

Then he hears that the cavalry force is riding away so grabs a horse and rides after them. They say come with us and be saved. Cato bursts into tears and begs them to come back to Utica if only for one day, to protect the senators.

(64) The cavalry take up positions inside Utica which is now really divided between the senators, who are with Cato, and the 300 businessmen, who want to surrender. Cato has decided to kill himself, since every future he can foresee is one of tyrants in which his beloved Rome is ruined. But he delays in his bid to reconcile the 300 and the senators. The 300 want to send messages to Caesar surrendering and offer prayers. Cato says by all means send messages but prayers are for the defeated and he is not defeated; he is triumphant in spirit, it is Caesar who has admitted his treacherous intent.

(65) As Caesar’s forces approach, Cato tries to keep order in the city, to ensure the senators’ safety, and to prevent the cavalry looting and killing. He tries to unite the people into accepting the treacherous 300, so they stand as one city. He helps those who want to flee embark from the harbour.

(66) Lucius Caesar offers to go as envoy to the great Julius and fall down at his feet to beg for Cato. But Cato says, No, this is his job. Instead they discuss how to save the 300. Then he gathers his son and family round him and takes a bath.

(67) He hosts a big dinner party after which literary and philosophical subjects are discussed, including the so-called ‘paradoxes of the Stoics’ which include the maxim that all good men are free and that the bad are all slaves. A peripatetic philosopher begins to object to this but Cato wades in and argues at length and fiercely for its truth. Only the good, like him, are truly free. The bad, like Caesar, despite all appearances to the contrary, are slaves. From his tone and words everyone realised he intended to kill himself.

(68) He walks with family and friends, embraces them all, and retired to his bedroom. Here he reads Plato on the soul but on glancing around discovers his sword is gone, His son removed it. He orders his slaves to find it, gets angry and hits them when they can’t, eventually his son arrives in floods of tears and Cato remonstrates with him for taking away his means of defence.

(69) He is left with just two friends and asks if they have been set there to talk him out of killing himself.

(70) These two friends burst into tears and leave. Then the sword is sent in, carried by a child. He sets it aside and rereads the Plato twice, then falls asleep. Then wakes up and sends an official, Butas, to check everyone who wanted has safely departed the harbour. His doctor he has bandage the hand he damaged punching his servant. Butas tells him most of those who wanted to depart have left but a strong wind and storm are blowing up.

When Butas has left Cato tries to kill himself but makes a weak blow with the sword and falls to the floor. His slaves and son rush in, weeping. The doctor tries to push his intestines which are spilling out of his abdomen back in, but when he realises what is going on, Cato pushes him away, tears at his own intestines and at the wound to make it bigger, and so dies. How disgusting. How undignified.

So, as with Pompey and Caesar and Cicero, Plutarch really lays on the domestic details in order to work his death scene up into one designed to spark strong emotion. Craftsmanlike, painterly.

(71) In an improbable show of unity which one suspects owes more to Plutarch’s partiality, he has the 300 and the townspeople all uniting in their love of Cato and declaring him the one free man. They dress his body richly, bury it near the sea and erect a statue which stands to this day.

(72) Soon after Caesar arrives at Utica, learns of Cato’s death and utters the famous words:

“”O Cato, I begrudge thee thy death; for thou didst begrudge me the sparing of thy life.”

But Cato didn’t want to live if it meant living at the whim of (people he thought) tyrants and of simultaneously having the sparing of his life turned into a great credit to Caesar’s reputation. No. He only really had one course of action.

(73) Coda about Cato’s son, who Caesar spared, as was his habit. Initially he became a figure of fun by having an affair with the wife of an eastern king, and Plutarch quotes some maxims or aphorisms made about him. But he ended well, dying fighting at Philippi against Caesar and Antony. His daughter married that Brutus who assassinated Caesar, was part of the conspiracy and died in the cause. And this expired the line of Cato.

Thoughts

Choosing sides

At various points in the reading you realise how difficult it is to know what to do in a society which is falling to bits. It wasn’t really a question of choosing sides because not until the final breakout of civil war were there two sides to pick from. Cato’s career demonstrates that the uttermost probity and honesty only take you so far. In the real world compromise has to be made on a host of occasions. A big example is when Cato surprised everyone by backing Pompey as sole consul in 52. Any government is better than anarchy.

But that, for me, raises the central issue. There are lots of interpretations, lots of scholarly reasons given, for the collapse of the republic, but in my opinion the fundamental one was the collapse of political discourse into street violence. Over the preceding generations it had become acceptable to physically attack your opponents and their supporters in the street. The problem was how to contain this violence, how to contain it within the realm of politics and stop it spreading over into the realm of violence.

Philosophy

Much is made of Cato’s devotion to philosophy, but it can be said of him as of so many other people who study the subject, that in the end they choose the school and philosophy which suits their temperament, which they were always going to choose. He was harsh and inflexible and sought to display little or no feeling, so he was drawn to stoicism which “teaches the development of self-control and fortitude as a means of overcoming destructive emotions.”

Far from teaching ‘truth’, philosophy is like a huge breakfast buffet where you can tuck into whatever you fancy and mix and match at will, change your opinions, decide you fancy a fry-up instead of pastries. Or, to quote Bob Dylan, “People do what they want to and then think up reasons to justify their actions later.”


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