The Jew of Malta by Christopher Marlowe (1589)

‘But I perceive there is no love on earth, Pity in Jews, nor piety in Turks…’ (Abigail, after learning her father conspired to get her true love murdered) Provenance First recorded performance: 26 February 1592, by Lord Strange’s acting company. First published: 1592. Earliest extant edition, 1633. This was published to coincide with a revival […]

Dido, Queen of Carthage by Christopher Marlowe (1587)

Information about Marlowe’s plays is patchy. Dido, Queen of Carthage is generally thought to be Marlowe’s first play but it is anyone’s guess when it was written, sometime between 1587 when Marlowe arrived in London from Cambridge and 1594 when it was published. The Marlowe scholar Roma Gill thinks it was probably written before Marlowe left […]

Christopher Marlowe (1564 to 1593)

Christopher Marlowe was one of the original bad boy rebels. He lived fast, died young (aged 29) and left a beautiful corpus of exhilarating plays and sensuous poetry. Marlowe’s half dozen plays are the first to use blank verse, demonstrating its power and flexibility, and so can be said to have established the entire format […]

Bartholomew Fair by Ben Jonson (1614)

Bartholomew Fair is a very long comic play set in London’s huge and sprawling Bartholomew Fair. The fair had been held every year on 24 August since the 12th century in the precincts of the Priory at West Smithfield, outside the Aldersgate, and by Jonson’s day had grown into a massive, teeming festival of entertainment, […]

The Alchemist by Ben Jonson (1610)

The Alchemist is a plague play. Not only was it written in 1610, when the London theatres were closed (yet again) for (yet another) outbreak of plague, but the plot itself derives from that fact. The master of the house, Lovewit, has (like everyone else who can afford it) fled London and is waiting at […]

A Chaste Maid in Cheapside by Thomas Middleton (1613)

A Chaste Maid in Cheapside is universally agreed to be the best of the half dozen or so comedies Middleton wrote or co-wrote. It is yet another comedy about sex and class and money, about corruption and greed and adultery – all the usual subjects – in fact the oppressively narrow range of subjects which […]

The Roaring Girl, or Moll Cutpurse by Thomas Middleton and Thomas Dekker (1611)

‘Perhaps for my mad going some reprove me: I please myself and care not else who loves me.’ (Moll Cutpurse, the Roaring Girl) According to Elizabeth Cook, editor of the New Mermaid edition of The Roaring Girl, The Elizabethan playwright Thomas Middleton was for centuries dismissed as just another member of the flock of playwrights […]

The Knight of the Burning Pestle by Francis Beaumont (1607)

It is the spring of 1607 and a play is just about to start in the Blackfriars theatre. Unlike Shakespeare’s Globe theatre across the river, the Blackfriars is not open to the elements but roofed, and it is also small, meaning tickets are more expensive (sixpence compared to a penny admission at the Globe). Not […]

Eastward Ho! by George Chapman, Ben Jonson and John Marston (1605)

Six salient facts: 1. Eastward Ho and Westward Ho were the cries of the watermen who plied on the Thames, telling customers which way they were headed. 2. Eastward Ho! was a collaboration between three leading playwrights of the era, George Chapman, Ben Jonson and John Marston. Scholars have been arguing for centuries about who […]

The Vicar of Wakefield by Oliver Goldsmith (1766)

The Vicar of Wakefield: A Tale, Supposed to be written by Himself was written by Irish novelist, playwright, poet and critic Oliver Goldsmith (1728–1774). It was immediately praised on publication and went on to become one of the most widely read 18th-century novels, and also one of the most widely illustrated, with hundreds of Victorian […]