Spain and the Hispanic World @ the Royal Academy

Historical scope

This is a vast exhibition, almost intimidatingly, almost bewilderingly so. Not so much because of the number of objects – although the 150 artifacts it contains must be at the top end of anybody’s ability to really process and appreciate. No, it’s the scale of the subject matter. The poster and promotional material gives the impression that it’s largely an art exhibition but this is way wrong. In fact it’s more of a historical exhibition which aims to give an overview of Spanish cultural history from the earliest times, from around 2,500 BC, to the time of the Great War. Imagine an exhibition which set out to give an overview of British culture starting with the earliest finds at Stonehenge and going century by century through to the War.

But more than that, it also aims to cover the cultural history of Spain’s colonies in the New World i.e. central and South America. Imagine one exhibition which set out to cover the complete cultural history of Britain and its empire! That’s what I mean by the scale and scope of the thing being challenging.

So there are paintings, yes, lots of paintings, quite a few by masters of the Spanish tradition – but there is a lot, lot more besides, lots of other types of object and artifact. At places across the website the RA use the strapline ‘Take a journey through 4,000 years of art-making across Spain and Latin America’ and that’s closer to the mark.

The Hispanic Society

The key fact to understanding the exhibition is given in its sub-title, ‘Treasures from the Hispanic Society Museum and Library’. The Hispanic Society Museum and Library in New York was founded in 1904 by philanthropist Archer M. Huntington in a set of buildings commissioned specially for the collection and which remain its home to this day. It is home to the most extensive collection of Spanish art outside of Spain.

So this exhibition is by way of presenting the greatest hits of the HSM&L’s collection. It contains some 150 works, including:

  • masterpieces by Zurbarán, El Greco, Goya and Velázquez
  • objects from Latin America including stunning decorative lacquerware
  • sculptures, paintings, silk textiles, ceramics, lustreware, silverwork, precious jewellery, maps, drawings, illuminated manuscripts

The exhibition is divided into 9 rooms and because each one makes such huge leaps in place and time and culture this seems the most manageable way of summarising it.

Room 1. The Iberian Peninsula in the Ancient World

A glass case of fine silver torcs and bracelets and suchlike made 2400 to 1900 BC by the so-called Bell Beaker people. By the third century BC the peninsula was inhabited by the people the Romans called the Celts.

The Palencia Hoard by unknown artists (172 to 50 BC)

Quite quickly we’re on to the Roman colonisation, consolidated in the first century BC. The room contains a floor mosaic of Medusa and a breath-taking marble statue of the goddess Diana.

I was surprised there was no mention of the Carthaginians who colonised eastern Spain and exploited its famous silver mines, something I read about in Carthage Must Be Destroyed by Richard Miles (2010) among other sources.

Moving swiftly we beam forwards to the collapse of Roman rule in the 5th century AD and the arrival of the Visigothic tribes.  There’s a case with a lovely cloisonne belt buckle from the 6th century, reminiscent of the much better one from the Sutton Hoo horde.

Room 2. Al-Andalus

In 711 Arab and Berber invaders overran the Visigothic kingdom and installed their own Islamic governments. The territory came to be known as al-Andalus. In 756 Abd al Rahman I named himself Caliph and established a celebrated court in Córdoba. The peninsula remained under Muslim rule for the next 700 years with power moving between different dynasties and power centres. The room contains some stunning fabrics.

Alhambra silk from Nasrid, Granada (about 1400)

Among the most prized works by Muslim artisans from the thirteenth to the fifteenth centuries were ceramics and this room contains a lot of plates and bowls.

Deep Plate by an unknown artist (1370s)

This plate is made of tin-glazed earthenware and has been given an iridescent finish by applying a very thin layer of metal oxide. Potters would glaze with tin, lead, copper, silver, gold, or platinum, depending on availability and the desired outcome. For added extravagance, some of the dynamic patterns have been painted in vibrant (and very expensive) cobalt blue. In the centre is a coat of arms of one of the oldest aristocratic families in Catalonia, the Despujol. Designs like this were ostentatious showpieces for Europe’s rich and powerful. The two small holes at the top of this plate indicate that it was designed to be hung as art on a wall rather than piled with food on a table.

Locks and knockers

My favourite case in this room displayed eight or so fine metalwork door knockers and chest locks. The Hispanic Society’s collection of ironwork comprises some 300 pieces, including door knockers, pulls, locks and lock plates. I liked their medieval feel and especially the way they incorporate animals and imaginary beasts, such as a lizard, a wolf and a dragon, with intricate geometric designs influenced by Islamic tradition.

Two metal door knockers, on the left in the shape of a crab’s claw, on the right a bird with a long dropping neck (both around 1500)

The Reconquista

Throughout the Middle Ages Christian kings from the north fought the Muslim invaders, without much luck. The pace of military campaigning picked up from the 11th century onwards. This came to be known as the Reconquista and was the west Mediterranean equivalent of what, in the East, came to be known as the Crusades. Unlike the Crusades it was successful and in 1492 the last Muslim state, of Granada, was overthrown under forces led by the joint monarchs, Queen Isabella I of Castile and King Ferdinand II of Aragon, whose marriage and joint rule marked the de facto unification of Spain.

Slavery

The Spanish pioneered the European slave trade from Africa. The ruthless and forceful displacement of Africans to the Iberian Peninsula began as early as the 1440s. Following the discovery of the Americas the majority of enslaved Africans were trafficked directly across the Atlantic where, throughout the American continent, they were forced to work on plantation and in the notorious silver mining industry. By the sixteenth century, it is thought that Spain had the largest population of enslaved Africans in Europe.

Room 3. Medieval and Early Modern Spain

Room 3 is the biggest in the exhibition and the overwhelming impression in entering is the arrival of painting. There are works by Spanish masters such as El Greco, Velasquez and Zubaran. But, as with the exhibition generally, there’s much more to it than painting. The room covers the period from the triumph of Ferdinand II of Aragon and Isabella I of Castile over the Moors in 1492. They began a programme of forced conversion and violent expulsion of Muslim and Jewish communities as they bid to unite their realms under the Catholic faith. The Catholic Monarchs were followed by Charles V (1500 to 1558) and Philip II (1527 to 1598).

The sixteenth and seventeenth centuries were known as the Age of Gold. This was funded by slave labour in the New World, and especially the gold and silver mined by forced labourers working in terrible conditions in Spain’s Central American colonies.

It was also the Age of the Counter-Reformation when first Charles V then Philip II took it upon themselves to reinforce the Catholic Church at its most fierce and repressive (these were the glory years of the Spanish Inquisition which became notorious across Europe). Spanish rulers commissioned art which emphasised a sickly, sentimental, reactionary form of Catholicism or produced lickspittle portraits of terrifying, brutish kings, politicians and generals.

The Penitent St Jerome by El Greco (1600)

The most prominent painters of the period included artists such as El Greco, who moved to Toledo in 1577, and Diego Velázquez, who was appointed court painter to Philip IV in 1623. I appreciate that El Greco (1541 to 1614) is a classic of European art but I have never liked him. The milky eyes of his sickly saints and martyrs staring up into Catholic heaven have always revolted me.

The room is packed with lots of other nauseating Catholic imagery including an ascension, an altarpiece, images of Mary and Martha, a Mater Dolorosa, crucifixions, mothers and babies, a Pieta, images of the Immaculate Conception. There’s a big painting of St Emerentiana by Francisco de Zurbarán which is dire. The depiction of the fabric is impressive in a stiff late medieval way, but the face is awful.

Revolting in a different way are the power-worshipping portraits by the likes of Diego Rodríguez de Silva y Velázquez (1599 to 1660). There’s a huge portrait of Gaspar de Guzmán, Count-Duke of Olivares, who carried out negotiations with the young Prince Charles who came to Spain to sue for the hand of the Infanta in 1623. With characteristic arrogance Olivares insisted that Charles could only marry her if he promised to convert to Catholicism along with all the British court. This was a non-starter and explains why Charles went onto the court of France and won the hand of Henrietta Maria from the much more pragmatic Henry IV.

Spanish wars of repression

The huge wealth Spain creamed from its black slaves and the enslaved Aztecs and Incas in the New World paid not only for a re-energised and harshly reactionary Catholic Church, but for its wars of conquest designed to undo the Reformation and reimpose Catholicism on Protestant countries. It was with this aim that King Philip II launched the Armada in 1588 which was designed to defeat the English, overthrow their queen, Elizabeth I, who, along with most of the aristocracy would have been treated as heretics and executed, and then a foreign ideology (Catholicism) imposed on the entire population, anyone complaining being subjected to summary execution.

Luckily the English navy disrupted the Spanish fleet and the ‘Protestant wind’ did the rest. But the Netherlands was not so lucky. Originally under the control of the Dukes of Burgundy, with the end of their line the Netherlands fell to the house of Hapsburg, which itself inherited the Spanish throne. Largely Protestant the Netherlands rebelled against Catholic rule in the 1570s starting the prolonged period of rebellion which is known as the Eighty Years War. In 1567 Fernando Álvarez de Toledo, 3rd Duke of Alba arrived with an army of 10,000 Spanish and Italian soldiers and proceeded to institute a reign of terror. As Wikipedia puts it:

Acting on orders of Philip II of Spain, Alba sought to exterminate all manifestations of Protestantism and disobedience through inquisition and public executions.

There was not a lot of difference between this and the Nazi conquest of the Low Countries 400 years later. None of this is mentioned in any of the wall labels. Spain’s role as arch enemy of free Protestant countries in the 16th and 17th centuries simply goes unmentioned.

The Duke of Alba in 1549 by Anthonis Mor, the man who ‘sought to exterminate all manifestations of Protestantism and disobedience through inquisition and public executions.’

Besides paintings testifying to the lachrymose religiosity of the Counter Reformation and the genocidal macho-ness of Spain’s generals, the room also includes:

  • many early maps of the Mediterranean, the Atlantic coast and the New World
  • a baptismal font, a pilgrim flask, a chalice, a reliquary cross, a pendant, a huge bishop’s brocade
  • a set of illuminated manuscripts including a Book of Hours
  • glazed earthenware, goblets and suchlike

My favourite piece was much earlier, a medieval wooden carving of St Martin on a horse from the late 15th century before the Reformation split Europe, before Columbus discovered the New World, before art became really professionalised – from a simpler time.

St Martin 1450 to 1475 by unknown artist

Room 4. Colonial Latin America I: People and place

A huge modern map on the gallery wall gives a sense of the breath-taking amount of territory Spain arrogated to itself after Christopher Columbus stumbled across the New World on his failed attempt to find a western passage to India. He had, in fact, landed on Guanahani, an island in the Caribbean which he renamed San Salvador (in modern-day Bahamas).

His mistaken belief that the natives were Indians condemned indigenous peoples in north, central and south America to be known as ‘Indians’ for centuries afterwards, despite belonging to a huge range of peoples, languages and conditions and explains why the Caribbean islands are erroneously referred to as the West Indies to this day.

The Spanish conquistadors promptly conquered the empires of the Mexica (Aztecs) and Inca, massacring them where necessary, setting the survivors to work as forced labour on huge plantations or in the silver mines which they discovered  in 1547 at Potosí in the southern highlands of Bolivia.

Spain divided its vast territories in the Americas into two viceroyalties: Nueva España (New Spain, modern-day Mexico and Guatemala), and Peru (which included Peru, Bolivia and Ecuador). Later, additional viceroyalties were created: Nueva Granada (made up of Colombia and Venezuela) and Mar de la Plata (Argentina, Chile, Uruguay and Paraguay).

Spain was to rule over this huge colonial empire until independence movements in the 1820s forced them to relinquish these territories allowing for the emergence of modern nation states.

Race rules – apartheid

The conquering Spanish implemented a strictly hierarchical society based on purity of bloodlines and skin tone denominating ‘casta’ (caste). Close ties to Spain and white skin elevated the status of the individual: ‘peninsulares’ (literally those from peninsular Spain) dominated the colonial administration; followed by ‘criollos’ (creoles), those of Spanish (or European) descent born in the Americas; ‘mestizos’, those of mixed parentage; and finally ‘indígenas’, those of indigenous descent. At the bottom of the pile were the hundreds of thousands black African slaves.

This room contains a lot of surveys and maps, for example several surveys of the new settlement of Mexico City, and including the famous World Map of 1526 by Giovanni Vespucci. This map was a copy of the padrón real, Spain’s master nautical chart which was kept in a secret location in Seville. It’s thought this ornate version was a gift for King Charles V. It includes decorative details such as ships in the ocean, camels and elephants across Africa, a collapsing Tower of Babel, and a Red Sea coloured vivid scarlet.

Detail of Giovanni Vespucci’s World Map (1526)

Room 5. Colonial Latin America II: Decorative Arts

In the decades after the conquest there was, surprisingly enough, a flourishing of the arts. Indigenous artists who were skilled with local materials, techniques and iconography adapted their work to satisfy European tastes and religious beliefs. As it was prohibitively expensive to import domestic objects from Spain there was significant demand for locally produced decorative arts. This gallery contains 20 or so examples of this hybrid art including a number of bateas or trays, vases, caskets, bowls and jars, and an impressive shawl.

Shawl (1775 to 1800) by unknown artist

A large rectangular shawl with fringed ends, the rebozo, is perhaps the most enduring of all traditional Mexican garments. It was first recorded in the 1580s, and is still worn by women across the country today.

Room 6. Colonial Latin America III: Religious Art

A room devoted to art and artifacts created for the Spanish Catholic church which moved quickly to lay out a network of ecclesiastical districts or dioceses under the jurisdiction of bishops alongside a far-reaching programme of church and convent building – all designed, of course, to convert the entire native population.

Not many Spanish artists volunteered to go and live in the New World so the religious authorities had to rely on converting and then training indigenous artists. These created fresco cycles, paintings and polychrome sculptures which were made in vast quantities, likewise fine ornamented silver and gold objects, and fabrics.

This gallery contains a range of religious paintings, sculpture and other objects from across the Americas that reveal how local artists used local materials and adapted traditional techniques, incorporating pre-Columbian symbols or other
local references such as flora and fauna in their work.

The room contains a number of dubious paintings of varying levels of amateurishness and kitsch, one incorporating fish scales into its surface. The objects, such as lamps, are more persuasive. But the standout item, and one of the highlights of the exhibition, is the set of four small sculptures of figures demonstrating the four states of people after death, namely a rotted skeleton covered in maggots, a flame-red soul burning in hell, a pale white naked person undergoing the torments of purgatory, and a dressed and serene personage enjoying the bliss of heaven.

The Four Fates of Man: Death, Soul in Hell, Soul in Purgatory, Soul in Heaven attributed to Manuel Chili, called Caspicara (around 1775)

Room 7. Goya

The Spanish are everso proud of Francisco José de Goya y Lucientes (1746 to 1828) but visiting the National Gallery’s exhibition Goya Portraits back in 2015 destroyed my respect for him. That exhibition revealed Goya to be a shockingly bad painter, particularly of portraits. He looks like a bad caricaturist. At one point in that exhibition they had hung Goya’s portrait of the Duke of Wellington alongside one British painter Sir Thomas Lawrence and there was no comparison. The Lawrence portrait is a brilliantly penetrating, superbly finished and completely convincing portrait. The Goya portrait is far more muddy, murky and unfinished.

In this room there are only six or so works, three big paintings and three small sketches. To my astonishment the Spanish curator of the exhibition, Guillaume Kientz, makes the wild claim that Goya’s portrait of the Duchess of Alba is Spain’s equivalent of the Mona Lisa, a lodestone, a high water mark of the art of painting. Really? I think it’s dire.

Francisco de Goya The Duchess of Alba (1797) © Courtesy of The Hispanic Society of America, New York

The Duchess of Alba by Francisco de Goya (1797)

The background is drab and dead, her posture is stiff, and her face! And yet the curators are so confident that this is a great European masterpiece that they made it the poster for this exhibition. The fact that she is pointing with her right hand to  the words ‘Solo Goya’ (‘Only Goya’) written in the sand only make it seem more clumsy, gauche and amateurishness.

Luckily, the room has a redeeming feature, which is a display of three small drawings from what came to be called Albums A and B. These small-scale sketches were to culminate in the better known series of sketches known as Los Caprichos. Goya’s depiction of faces in these is still dire, but the sketches aren’t about the faces, they are about striking and often unusual physical postures and positions, capturing the activities of everyday life of people and peasants with swift, vivid strokes.

This smudgy reproduction doesn’t do justice to the dynamic energy of the original sketch, the excellence of composition, the straining man’s calf muscles, the woman’s hauntingly blank face sketched in with ink. Million times better than the silly duchess standing on a beach.

Peasant Carrying a Woman by Francisco de Goya (1810)

Room 8. Sorolla, Zuloaga and the Hispanic Society

Now, at long last, after what seems like an immensely long and exhausting journey, we finally enter ‘recent’ history i.e. the twentieth century. This is the last proper room of the exhibition and it contains a dozen or so huge paintings, 3 or 4 of them by ‘the Spanish Impressionist’, the master of light, Joaquín Sorolla.

The wall label gives an account of Archer Huntington’s founding of the ‘Spanish Museum’ in New York which opened its doors to the public in 1908. Soon after, Huntington visited Europe, where he saw works by the contemporary Spanish painters Ignacio Zuloaga in Paris and Joaquín Sorolla in London. Archer immediately planned to exhibit their work at
the Hispanic Society the following year as well as setting about buying works by other contemporary Spanish artists including Hermenegildo Anglada Camarasa, Isidre Nonell and José Gutiérrez Solana.

Sorolla and Zuloaga can be seen as presenting differing views of Spain, from the lovely sunlit world of Sorolla to the darker vision of Zuloaga which is why the curators have hung them on opposite walls.

After the Bath by Joaquín Sorolla (1908)

Sorolla is less like an impressionist than the Spanish equivalent of John Singer Sargent, but painting in a Mediterranean setting drenched with light. His paintings look best from the other side of the room where the details of the composition fade a bit and the main impact comes from the drama of light and shade.

Possibly my favourite painting in the whole exhibition was Ignacio Zuloaga’s ‘Lucienne Bréval as Carmen’ from 1908. Why? Because I think I’m right in saying that she is the only human being in the exhibition’s 60 or so paintings of people who is happy, who is laughing. After scores of black-clothed clerics, members of the Inquisition and brutal, exterminating generals on the one hand, and countless Immaculate Conceptions of the Holy Virgin Mary and El Greco saints looking milky-eyed up to a heaven pullulating with baby angels, how lovely to come across an actual human being looking like they’re enjoying being alive.

Lucienne Bréval as Carmen by Ignacio Zuloaga y Zabaleta (1908)

As usual this internet copy isn’t a patch on the size and vibrancy of the original. The more I looked the more relaxed and happy I felt and so so relieved to have escaped the centuries of bleak Catholic oppression.

Room 9. Vision of Spain

More Sorolla. Following the success of the Hispanic Society’s exhibition in 1909, Huntington and Sorolla embarked on an ambitious project that would dominate the rest of the artist’s career. Huntington wanted him to paint a series of murals for the Hispanic Society’s main building. Originally he wanted scenes from Spain’s long colourful history but Sorolla demurred – he wasn’t that kind of painting. The project evolved into the idea for a series of fourteen monumental canvases depicting the peoples, costumes and traditions of different regions of the country and to be titled ‘Vision of Spain’.

Painted between 1911 and 1919, the panoramic series was opened in a purpose-built gallery at the Hispanic Society in 1926, three years after the artist’s death.

Now it would have been very impressive to end the exhibition with one of these finished panels but, for whatever reason, the curators haven’t. Instead, the final room is a long narrow gallery in which is hung a preparatory sketch for the panels.

The wall label tells us that Sorolla produced around 80 of these preparatory studies, painted in gouache. They display a more sketchy, expressionist approach than the final work along, with modern processes such as the collaging technique papier collé.

This is sort of interesting but not as impressive as the final thing would have been. In fact it’s an odd, parochial, anti-climactic way to end an exhibition which, in its central rooms, encompassed the military and religious history of one of the greatest empires the world has ever known.

Sketch for the Provinces of Spain: Castile by Joaquín Sorolla y Bastida (1912 to 1913)

In-depth video

Thoughts

Two thoughts:

1. The end of the exhibition – and so, presumably, the Society’s collection – is strangely incomplete.  What I mean is, they have Goya, in 1797 and 1810 and then…Sorolla from 1908: what happened in between? What happened in Spanish art between Goya and Sorolla? There appears to be a big hole in the collection. In France we got reams of Salon art but also Courbet and then the amazing achievement of the impressionists and post-impressionists. Even in unartistic England we had lots of anecdotal and social art and then the pre-Raphaelites morphing into the ‘Olympians’ and then atmospheric fin-de-siècle art with outstanding individuals such as Aubrey Beardsley. Did Huntingdon not buy anything of 19th century Spanish art because he wasn’t interested, because there was nothing worth buying? It’s a big gap.

And then the 20th century. I appreciate Huntingdon was buying in the Edwardian period but…did the trustees of the collection agree not to purchase anything after his commissioning of Sorolla’s ‘Vision of Spain’, nothing from 20th century Spanish culture? For example, by Pablo Picasso or Salvador Dali? And, as I understand it, the Spanish Civil War of 1936 to 1938 was central to Spain’s modern history leading, as it did, to the fascist dictatorship of General Franco which only ended in 1975.

I don’t know what exactly you’d include in the collection or exhibition to cover this period – I’m just saying that the omission of artifacts from almost the entire 19th and 20th centuries feels very strange and surely undermine the collection’s claim to represent ‘Spanish culture’. The last two hundred years are, arguably, the most important part of any modern nation’s history and culture. Which brings me to a bigger question:

2. What is a nation’s culture? I know that the curators at the British Museum or Tate Britain would agree with the curators of this exhibition that a national culture is somehow captured or conveyed by rooms full of medieval ceramics, ancient maps, old paintings and church accessories. But is it? Would you say that the ‘culture’ of Britain would be adequately conveyed by Roman mosaics, medieval church artifacts, Jacobean paintings and some works by John Singer Sargent (the rough equivalent of Sorolla)? Pretty obviously, no. That would just be a collection of miscellaneous historical objects masquerading as a portrait of a culture.

Surely you’d turn to sociologists to learn what a real culture consists of – its language and religion, its human and physical geography, the climate, the agriculture and the traditional foods arising from it (beef and beer in England, tapas, paella and wine inn Spain), its laws and customs and traditions, the things that make it unique, and then how it survived the storms and disasters of the 20th century and has fared in the post-industrial, multicultural world of the last 30 years or so.

I understand the aims of this collection and this exhibition, I see its strong points, I marvel at its breadth and detail. But in a sense, isn’t a living, breathing culture, as lived by a nation’s people, precisely everything which is missing from this exhibition?


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The Penguin History of Latin America by Edwin Williamson (revised edition 2009) (1)

Because it comes with the bright orange and white spine of the new-style Penguin histories, and because it said ‘New Edition’ on the front cover, I hadn’t quite grasped that the main body of this hefty 700-page history of Latin America was completed by 1990. The new edition is ‘new’ because it tacks a 40-page chapter at the end, summarising events in Latin America between 1990 and 2008. Obviously quite a lot of water under the bridge since 2008, so probably need to supplement this with a modern modern history of LA.

The text is divided into three big parts:

  • The Age of Empire, pages 3 to 192 (189 pages)
  • The Challenge of the Modern World, pages 195 to 310 (115 pages)
  • The Twentieth Century, pages 313 to 566 (253 pages)

Note how the section on the 20th century, plus the forty pages of the ‘new’ chapter, is as long as the first two parts put together. Here, as everywhere, the more recent the history, the more of it there is, the more people there have been (the higher the population) and the more records have been kept, until we reach the present age where every phone call, every text and every photograph anyone in the world takes is being recorded and stored. Soon we will drown in data.

The conquest of the Aztecs and Incas

Williamson dives right in with the early, legendary history of the Aztecs, when they were a group of nomads traipsing round central Mexico, before they established the largest empire in pre-Colombian America around 1400. Their only rival was the Inca Empire, down in modern-day Peru.

There is, of course, a lot to say about both, but the thing that struck me was the way both of them were empires carved out by one particular tribe or ethnic group which subjugated all their neighbours, and demanded tribute in food, precious metals and slaves (some devoted to grisly human sacrifices).

Both generated complex religious ideologies accompanied by fascinating and complex theories of time – that it moved in cycles and was marked by moments of great significance – but the bottom line was that both the Aztec ruler and the Inca emperor believed they derived their authority from the gods, and were backed up in this conviction by the class of priests and the warrior castes which surrounded and defended them.

Of course the vast majority of the population was peasants, mostly living in abject serfhood, who slaved away for their entire short, unhealthy lives, producing the surpluses which paid for the elaborate costumes and rituals and treasures passed up to their rulers. And the entire populations of conquered tribes, for both the Aztecs and Incas lived by war, and by conquering, subjugating and exploiting neighbouring peoples.

The other striking thing was their backwardness. Both Aztecs and Incas, and all the hundreds of other tribes scattered across central and south America, were illiterate. The Aztecs and Incas had no written language, just a primitive system of markers, and so the important knowledge about the stars and the gods was handed down by word of mouth, and hence the semi-divine regard for the caste of priests who, alone, knew this vital celestial information.

They didn’t have the wheel, nor beasts of burden – no horses or donkeys or camels or bullocks. Therefore they had to carry everything by hand. It is staggering to realise that the awesome Inca city of Machu Picchu was built by massive stones, carried 2,430 metres above sea level, by human power alone.

All this was doomed to come crashing to an end when the Europeans arrived. Williamson describes in detail the four successive voyages of Christopher Columbus, his first landfall in 1492, the chaotic mismanagement of the first islands he and his men settled – Hispaniola – the slow, establishment of colonies and extension of Spanish rule onto neighbouring island, and then, 27 years later, Cortez’s expedition to the mainland against the Aztecs (1519-21).

The eeriest thing about Cortes’s conquest of the Aztec Empire, and then Francisco Pizarro’s conquest of Peru in 1532, is the theory that the rulers of both empires were too puzzled and confused by the invaders to respond adequately. They couldn’t believe these little gangs of a few hundred men were serious about planning to overthrow their empires of tens of thousands of warriors – but they couldn’t figure out what it was they really wanted. Williamson attributes the conquistadors’ success partly to guns and horses but shows that in both cases, the conquerors really had very few – when Pizarro finally met with the Inca emperor Atahualpa, in nothern Peru, he had a force of just 110-foot soldiers, 67 cavalry, three arquebuses and two falconets.

More decisive was the Europeans’ superior grasp of strategy, in particular realising that the empires they were encountering were themselves highly stressed, riven by faction fights or stretched by the continual need to control their subject peoples. The Spanish made alliances with enemies and groups wishing to be liberated. They were good at building coalitions.

He doesn’t say it in so many words, but the idea emerges that the Europeans triumphed because they were just more intelligent about strategy and warcraft.

The role of European diseases

Then there’s our old friend disease. As explained at length in Jared Diamond’s classic 1997 study Guns, Germs and Steel, wherever European explorers went they took with them the infectious diseases which, over thousands of years, we had built up immunity to – but which ravaged native populations which had no immunity to them.

This view is reinforced by the revisionist history of America told by Alan Taylor in American Colonies: The Settling of North America (2001). In this Taylor explains how the entire native civilisation of the Mississippi valley was wiped out by diseases, most probably smallpox, brought by a few shipwrecked Spanish sailors to the mouth of the Mississippi delta but which then spread catastrophically so that when, a century later, the first Anglo-Saxon explorers entered the region, they discovered entire cities with complex layouts, large palaces and temples and canals… all abandoned and overgrown by forest.

Indeed, Pizzaro’s job of conquering the Incas was made easier because the Incas were themselves in the middle of a bloody civil war, which was complicated by the fact that not one but two rival claimants to the throne had died from smallpox. Over the decades after the Spanish arrived, there was a catastrophic collapse in native populations caused by the invaders’ diseases. Some experts estimate as much as 90% of the native population of Mexico was killed by European disease within fifty years.

Still, Williamson is always at hand to say that in this, as in everything else, the reality on the ground, and across such vast areas as all of Mexico, Central America and Peru, were far more complex and uneven that contemporaries and many historians realise. Many many other areas of the continent remained relatively untouched and life went on in the same old way, only now you had to pay a tribute of your produce to a new boss, who wore armour and rode a horse.

The geographic limits of Spanish settlement

The book is packed with thought-provoking ideas and insights. I was fascinated to understand more about the geographic limits to the spread of Spanish rule.

When the Anglo settlers arrived in North America in the 1600s they found it relatively easy to spread out into New England and all along the Atlantic coast. But the Spanish, having established their key centres of administration in Mexico City and Lima a century earlier, with waystations and ports in the Caribbean, found it difficult to expand beyond them. Why?

North of Tenochtitlan, the Aztec capital which the invaders had renamed Mexico City, lies a vast area of arid desert – the territory which centuries later would become Arizona and New Mexico – where the Spanish explorers discovered nothing but impoverished villages of Indians surviving on subsistence agriculture.

Over to the east there were repeated attempts to explore the peninsula they named ‘Florida’, but the Spanish found it consisted of endless everglades with few settlements and nothing to plunder.

Heading south, the Spanish took over the coastal strip west of the Andes, conquering the Inca empire, but found the Andes mountains themselves too high to settle. Only a handful of expeditions went over the Andes to explore east. Williamson describes these expeditions, which got lost in the vast Amazon rainforests, and encountered only the most primitive tribespeople, if, indeed, they lived to tell the tale.

So, in a nutshell, central and south America were more difficult for the Spanish to settle than North America would turn out to be for the Anglos. And this explains the quite startling fact that some parts of South America – Williamson singles much of the interior of what is now called Argentina – weren’t really settled at all until the 20th century.

The other factor which limited the area of settlement was the Spaniards’ motivation. The conquistadors were adventurers, often from the very lowest parts of society. No nobles or aristocrats ventured their lives in the New World. Poor youngest sons of noble families led gangs of criminals and proles. None of them were the type of people who wanted to stake a claim and build a farmhouse and work the land – as the Anglo settlers were to do up north a hundred years later.

Instead, the Spanish wanted to exploit and loot as much wealth as they could from the New World before returning home and buying land, a house and a title. They came to loot. And here’s the important thing – you can only loot people who are already rich. The Spanish took over the two big empires, the Aztec in Mexico and the Inca in Peru, because an infrastructure was already in place whereby the native emperors and the upper class exploited large numbers of peasants in a well-organised system. The Spaniards simply took over the system, co-opting the best of the agricultural produce and all the treasure and artefacts for themselves.

It is this factor – the Spanish approach to colonisation – which explains the limited and very patchy nature of Spanish settlement. In the deserts of north Mexico, and in the south of the area they named California, were only desert dwellers, scraping a subsistence living from the soil by dint of elaborate water works. Nothing to steal. In Florida, endless swamps inhabited by scattered villagers. Nothing to steal, and no ‘society’ worth taking over. Ditto the Amazon rainforests. Nothing like an organised society whose power structures and tributes they could simply appropriate.

The Spanish only settled where there were established and relatively advanced societies which they could parasite onto.

How Spain applied the Reconquista to the New World

Williamson lays out with beautiful logic and clarity just how that imperialist approach to colonisation had arisen in Spain.

It is an enormous historical coincidence that the year that Columbus made landfall in the Bahamas, 1492, just happened to be the very same year that – after nearly 800 years of war and crusade – the Spanish finally kicked the very last Muslim Moorish presence out of the south of Spain. (Muslim forces had crossed the Straits of Gibraltar to seize Spanish territory way back in 711 – the fightback is traditionally dated to their first defeat by Christian forces, in 718 – and it took nearly another 800 years, of slow painstaking battles and piecemeal conquest, for native Christians, sometimes fighting alongside Christian warriors from the rest of Europe attracted by the periodic ‘crusades’ against the Muslim –  to finally expel all the Muslim chiefs, emirs and so on from the final southern enclaves.

The point of this historical background is that expelling the Muslims from Spain wasn’t achieved by a modern-style mass army, and in a few years of continuous campaigning – but by ad hoc campaigns led by local Spanish warriors and adventuring knights, which liberated bits and pieces of territory, over a very long period of time.

As and when they seized territory from the Muslims, they applied to the king to rule it. (Spain itself was a very fractured entity, with a number of different kingdoms. It was only as the Reconquista reached its conclusion that the marriage of King Ferdinand of Aragon with Queen Isabella of Castile united most of Spain’s territory to form the basis of one unified Spanish monarchy.)

Sometimes large areas of land would be conquered and the new lords were granted what were known as latifundia, originally a Roman word describing a vast agricultural estate. The new owners co-opted the existing inhabitants as serfs to work the land, but often much of the original or Muslim population had fled and so the lords had difficulty filling them with workers and had to advertise for new workers to come in.

The point is that the Reconquista established a model for settling new lands, freshly conquered from the infidel, which was then applied wholesale to the new territory discovered by Columbus and his Viceroys across the ocean, and by the conquistadors and adventurers who followed them.

The Reconquista established the pattern of the monarch granting complete control over large swathes of territory, and all the people on it to, the conqueror or adelantado who had seized it. This resulted in a handful of rich swaggering lords riding among the large population of impoverished peasants working vast areas of land. In the New World it became known as the encomienda system and the grant holders encomenderos.

In fact it was a bit more complicated than that: the native Indians remained, nominally, free subjects of the Crown, which awarded encomenderos the right to enforce labour from the natives, but not complete power of life and death over them. That was the theory, anyway.

Williamson – once he has reported the main military and political events of the conquest – moves briskly on to discuss in considerable detail, this and all the other legal and administrative measures which the Spanish implemented in their new lands.

In fact, the ‘excitement’ of the narrative of Columbus’s voyages and the initial conquests of the Aztecs and the Incas which open the text, might give the reader quite a misleading impression of the book. Williamson is much more a historian of constitutional and administrative systems than he is a chronicler of exciting battles and against-the-odds expeditions. A lot of this book is quite dry. But he develops the constitutional and legal aspects of the conquest in such detail that, to my surprise, the conflicts between the settlers, and in particular between the Viceroys appointed to govern the new provinces and the monarchy back in Spain – and between both of them and Catholic church – at moments become quite gripping.

The Crown protects the Indians 

One counter-intuitive learning is that the Spanish crown, right from the start, was concerned about protecting the rights of the native Indians, indeed became their chief protector.

As Spanish adventurers opened up new territory and conquered more and more native peoples, the monarchs became concerned to make sure they were not simply enslaved. Queen Isabella personally forbade the enslavement of the natives, and a series of ‘Laws of the Indies’ tried to stem abuses wherever they were found. Encomenderos may have enjoyed almost complete power over the populations of their vast estates, but Spanish laws commanded them to also set up schools and hospitals, to educate the Indians, protect them from wars and raids, and to enact justice. This effort continued for the rest of the 16th century, for example with the ‘New Laws of the Indies for the Good Treatment and Preservation of the Indians’ of 1547, which explicitly forbade all forms of enslaving the native population. The New Laws prompted violent opposition among the oligarchies of Spanish settlers.

The Church takes the Indians’ side

It’s also surprising to read about the broadly sympathetic line taken by the Catholic Church. The Pope and the Catholic organisations which sent cohorts of missionaries out to the New World took the line that these were people made in God’s image, like us, with souls that needed saving. Certainly, some of the first cohort of priests accompanying the conquistadors helped in the wholesale destruction of priceless documents and artefacts which they considered pagan and devilish. But within a generation, a new wave of clerics began for all kinds of reasons to take the native Indians’ side, deploring their brutal exploitation by amoral Spanish lords.

On a pragmatic note, they also realised they couldn’t convert the natives by preaching at them in Latin or Spanish, and undertaking ‘mass baptisms’ where the Indians didn’t have a clue what was going on. So a whole project was undertaken to learn more about the natives’ languages, which quickly extended into documenting their histories and beliefs. Most of what we know about native Indian religion and history derives from these records taken down by Christian missionaries.

The classic figure of this type was Bartolomé de las Casas, initially a coloniser himself, who became a Dominican friar and spent the last 50 years of his life fighting slavery and the colonial abuse of indigenous peoples. He was appointed by the Spanish crown the first ‘Protector of the Indians’, an administrative office responsible for attending to the wellbeing of the native populations, a function he enthusiastically carried out and which included speaking on their behalf in law courts and even reporting back to the King of Spain in person.

In 1550, Bartolomé participated in the Valladolid debate, in which Juan Ginés de Sepúlveda (the noted Spanish Renaissance “humanist”, philosopher, theologian, and… er… proponent of colonial slavery) argued that the Indians were less than human and required Spanish masters in order to become civilized. Las Casas maintained that the Indians were fully human and that forcefully subjugating them was morally, legally, and theologically, unjustifiable. Las Casas is a hero (not a perfect hero, but by the standards of his own time a d brave and determined protector of the people.)

Williamson gives a long and detailed account of the numerous legal initiatives launched by the Crown to try and protect the Indians from exploitation, but in the end they all failed. No amount of legal or theological argumentation could avoid the fact that the Spanish remained the ruling caste with one law for them, while the Indians remained a separate caste, subject to completely different laws. Williamson calls them the Republic of the Spaniards and the Republic of the Indians.

And nothing could alter the simple fact that, on the ground, most of the laws designed to protect the Indians were ignored by the settlers, who looked after each other’s interests.

Theories of conquest and bureaucratic structures

I could have done with more about where the silver was discovered in the New World, and the technology of how it is mined and purified. We are told that mercury was vital to the purification process, but not really how or why. I had to google it to find out. He does eventually have three pages on the silver mines (two on gold-mining), but in general Williamson is light on that kind of thing, on technology, and on the diverse resources of the region.

Instead, as the book settles into its stride, you realise that Williamson is going to devote most of his energy to the legal and theological justifications of Spanish rule along with detailed descriptions of the bureaucratic structures the Spanish set up.

Thus there is a long passage explaining how the theory of monarchy evolved in Spain from its late-medieval form to the theory which underpinned the role of Philip II as head of an empire which stretched from California to Sicily. He explains the role of the Catholic Church as a vital prop to royal authority, and gives long explanations of the laws and the administrative structures set up to run the colonies.

He explains the main theories by which the Spanish justified their conquests, both to themselves and to the rest of the world (especially to their critical opponents in the Protestant world). There were two main ones:

  1. The well-established Law of Conquest, by which one ruler conquers another and is allowed to seize his land and titles, which had been worked out over long centuries of theological and legal debate during the Middle Ages.
  2. The more modern notion that the Crown of Spain had a ‘right’ to rule the Indians because the Europeans would convert the natives to Christianity and so save their souls. This was accompanied by a kind of sub-argument, which many missionaries put forward: that the New World represented an opportunity for Christianity – which had, by the early 1500s become widely associated with corruption and worldly ambition – to start again. Here, in the Garden of Eden, were a new kind of Adam and Eve, a First People uncorrupted by the Old World, and one thread of early colonisation is the devout wishes of the early missionaries to create a Christian Paradise on earth. Of course it was not to turn out that way; the secular settlers – and the terrible European diseases – made sure of that.

How the silver was squandered

Williamson does, however, clarify something which has always puzzled me, which is – if the Spanish monarchy began receiving ever-increasing amounts of silver from the New World (as the result of great silver strikes in North Mexico and Peru in the 1540s), how come Spain steadily declined in power and influence in the century and a half after the conquest?

Indeed, Williamson points out that by the death of Philip II in 1598, Spain was technically bankrupt and had experienced state bankruptcies (i.e been unable to repay its debts) in 1557, 1560, 1569, 1575, and 1596!

Where did the Spanish silver go? The answer turns out to be simple: Paying for Spain’s wars.

Even though it never accounted for more than 20 per cent of imperial revenues, silver was the fuel that drove the Spanish war machine. (p.106)

Philip II’s father had been Holy Roman Emperor and when Philip came to the throne in 1556, he inherited responsibility for territory in every continent known to Europeans – from the extensive empire in Central and South America to the newly conquered territory of the Phillippines, from the kingdom of Naples and Sicily in Italy, to the Seventeen Provinces of the Netherlands which began a protracted war of independence against Spanish rule in 1568. Not only this, but Philip saw himself as the defender of all Christendom in its wars against the Ottoman Turks in the East. He it was who organised ‘the Holy League’, bringing together ships from Spain, the Republic of Venice, the Republic of Genoa, the Papal States, the Duchy of Savoy and the Knights of Malta, to inflict a decisive defeat on the Ottomans at the naval Battle of Lepanto in 1567.

Philip also saw himself as the defender of Catholic orthodoxy against the shocking new Protestant heresy. Thus Philip gave large financial support to the Catholic League fighting the Protestants in France, and then went directly to war with the French King Henry IV, an intervention which secured the future of France as a Catholic country.

Last but not least, as we Brits know, Philip II built, armed, provisioned and manned an enormous armada which was designed, with the blessing of the pope, to conquer England, overthrow the Tudor dynasty and the Church of England, and impose Philip as the Catholic ruler of a Catholic Britain.

So that’s where the silver, hacked out of dangerous and unhealthy mines in the New World by Indian slaves and serfs, ended up being spent. Funding the impossible ambitions of the over-extended Spanish monarchy.

Spain went into decline because of proliferating military commitments for which it could not pay. (p.116)


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Charles I: King and Collector @ the Royal Academy

King Charles I is most famous for getting his head chopped off in 1649, at the climax of the civil war he had triggered against his Puritan, ’roundhead’ opponents in Parliament.

(I am aware that there’s controversy about all aspects of the wars, from their very name [should it be called the Great Rebellion, the British Civil Wars, the Wars of Three Kingdoms, etc] through to the dates, because the civil wars across all four of his realms actually started with the rebellion of the Scots at having an English prayer book imposed on them in 1637 – which triggered Charles’s hapless manoeuvrings with his Parliament to get them to fund an army to repel the Scots invasion of 1638 – although it wasn’t until rebellion broke out in Ireland in 1641 that the final breach between Charles and his Puritan opponents in Parliament became irreconcilable. It’s a much more complicated story than usually depicted.)

Anyway, before he mismanaged his kingdoms so badly that he triggered war in all three of them (Wales was not a kingdom but a principality) Charles had been one of the most sophisticated royal patrons and collectors of art anywhere in Europe. This big exhibition at the Royal Academy brings together an impressive number of the sculptures, paintings, tapestries and so on that Charles either directly commissioned or purchased through his roving agents from the leading artists of the day. it is a magnificent display of some 150 works of art, ranging from classical sculptures to Baroque paintings, and from exquisite miniatures to monumental tapestries.

Equestrian painting of Charles I with M. de St Antoine by Anthony van Dyck (1633)

Scattered and reunited

A simple but important point about the exhibition – and a demonstration of the vanity of human wishes – is that, having spent a lifetime collecting all these riches, soon after Charles’s execution the new Puritan regime sold them off to pay their soldiers and all these masterpieces were scattered across Europe.

Some were tracked down and rebought by his son, Charles II after his restoration to the throne in 1660, especially the ones which had gone to British purchasers who were no keen to ingratiate themselves with the new king. Most remained abroad and, indeed, made very nice additions to the royal collections of the Louvre and the Prado. But what was returned, along with the works which Charles’s queen, Henrietta Maria, had taken to France and brought back in 1660, went on to form the core of the future Royal Collection.

Charles the collector

In 1623, two years before he became king, Prince Charles visited Madrid. The purpose of the visit was to sound out the possibility of marriage to Maria Anna of Spain, daughter of King Philip III of Spain. Negotiations broke down when the new king, Philip IV, demanded that Charles convert to the Catholic Church and live in Spain for a year as pre-conditions.

But although the diplomatic aim of the visit failed, one thing made a deep impact on the future king of England, namely the huge and dazzling art collection of the Philip IV. This, thought Charles, was the magnificence and grandeur befitting a divinely appointed monarch! Charles went shopping and returned to England with a number of works, including paintings by Titian and Veronese, while agents were sent to France and Italy to snap up anything which came on the market. Thus Charles was able to snap up the famous Gonzaga collection which had been accumulated by successive dukes of Mantua, through the work of Nicolas Lanier, his Master of Music and agent.

It was this collection which included Andrea Mantegna’s monumental series, The Triumph of Caesar, (1484 to 1492) which is given a whole room to itself in the exhibition.

Triumph of Caesar: The Vase Bearers by Andrea Mantegna (1484 to 1492)

But it wasn’t just a matter of liking fine art. A king’s collection bespoke his power, both to the few subjects who saw it, but, more importantly, to visiting ambassadors and princes. According to historian Jenny Uglow, ‘ceremonies were delayed and dinners cooled as he showed visiting dignitaries proudly round’ his collection, including the so-called Bear Gallery containing works like Titian’s portrait of Charles V with a Dog (1533) and Rubens’s Daniel in the Lions’ Den (1616), to the Privy Lodging Rooms which housed works by Titian, Correggio, Giorgione and others; and then, the core of the collection, the Cabinet Room, which held 80 paintings, 36 statues and statuettes, as well as bas-reliefs, miniatures, books, engravings, drawings, medals and precious objects.

Charles V with a Dog by Titian (1533) Museo Nacional del Prado

Moreover portraits, such as those by van Dyck, then had multiple copies made of them which could be sent to foreign monarchs as testaments to Charles’s majesty and glory.

By 1649, Charles’s collection comprised around 1,500 paintings and 500 sculptures. An inventory compiled by Abraham van der Doort (c.1580 to 1640), first Surveyor of The King’s Pictures, recorded the contents of the collection, providing a detailed account of the artistic tastes and high level of connoisseurship within the king’s circle.

Changing British taste

One of the aims of the exhibition is to demonstrate how Charles was the first British monarch to really grasp the artistic culture of the Continent. The Protestant Tudor monarchs (Henry VIII, Edward VI, Elizabeth I), with the brief exception of the Catholic Queen Mary (1553 to 1558), had been wary of Catholic Europe and its culture.

But Charles’s father, James I, changed this policy. During the long reign of Queen Elizabeth Catholic Spain had been the enemy, justifiably so since its king, Philip II, had launched an armed invasion of England, which, if it had succeeded, would have resulted in the forced conversion of the church and people back to strict Roman Catholicism, with untold numbers of arrests, tortures and public burners of recusants.

James came from a different family and tradition and so was able to break with Elizabeth’s policy and seek a rapprochement with Catholic Spain. During his reign the treaties with Spain were moderate but still sparked murmurs of dissent from the Protestant aristocracy. (Anti-Spanish murmurings became louder when the Protestant hero, Sir Walter Raleigh, was beheaded in 1618, largely at the behest of the Spanish ambassador, and as a result of a last, ill-fated expedition to South America in 1617.)

The apotheosis of James I, commissioned by Charles I from Peter Paul Rubens to form the centrepiece of the newly refurbished Banqueting House, completed in 1636

James’s eldest son, Henry, surrounded himself with scholars, artists and musicians and acquired ‘Catholic’ paintings from Holland and from Florence. On Henry’s death in 1612 his collection passed to his mother, Anne of Denmark, who herself became a keen patron of painters, dramatists and architects as well as court masques, and filled her rooms at Somerset House and Oatlands Palace with religious pictures, still-lifes, landscapes and allegorical scenes.

So this was the family atmosphere Charles grew up in, far more relaxed about Catholic culture than his Protestant forebears of the previous century. The Puritans in Parliament disliked this cultural shift, as they had disliked Charles’s trip to Spain (still Europe’s most Catholic power) and then really disliked Charles’s marriage to the Catholic Henrietta Maria, youngest daughter of Henry IV of France, who – to the Puritans’ outrage – was allowed to attend Catholic masses in the Royal Palaces.

But Charles wasn’t alone in his taste for Continental art. Other super-rich aristocrats vied with him to create superb collections, including Thomas Howard (1586 to 1646), Earl of Arundel, and George Villiers (1592 to 1628), Duke of Buckingham. At the height of his success, Buckingham’s palace in the Strand contained over 300 paintings by artists including Rubens, Titian, Tintoretto and Bassano. It became a fashion and a competition.

Titian was the main man. Titian (1490 to 1576) had loyally served Habsburg monarchs, sending them paintings on a wide range of subject from his base in Venice. Titian’s portraits, especially those of the Holy Roman Emperor Charles V, proved him the supreme painter of kingly, military and diplomatic power, and Charles wanted some.

The Allocution of Alfonso d’Avalos to His Troops by Titian (1540 to 1541) Museo Nacional del Prado, Madrid

Charles and Van Dyck

The artist most associated with Charles is Sir Anthony van Dyck (1599 to 1641). Charles persuaded the great Flemish painter to come to London in 1632, where he was appointed ‘principalle Paynter in Ordenarie to their Majesties’.

Triple Portrait of Charles I by Sir Anthony van Dyck (1636)

Van Dyck’s achievement was immense. His fluency and sense of composition, his extraordinary ability to capture not just the likeness but the mood and character of his sitters, was unparalleled. The exhibition includes some of his most spectacular works, including:

  • Charles I and Henrietta Maria with Prince Charles and Princess Mary (1632)
  • his two magnificent equestrian portraits, Charles I on Horseback with M. de St. Antoine (1633) and Charles I on Horseback (1638)
  • ‘Le Roi à la chasse’ (1635)

Many portraits were done in several versions, to be sent as diplomatic gifts or given to supporters of the increasingly embattled king. Altogether van Dyck has been estimated to have painted forty portraits of Charles himself, as well as about thirty of the Queen.

Such was the impact and range of his works that van Dyck became the dominant influence on English portrait-painting for the next 150 years. Charles awarded him a knighthood and a £200 annual pension. When van Dyck died young, in 1641, he was buried in (the old) St Paul’s Cathedral.

The Mortlake tapestries

But it wasn’t just van Dyck. Charles I commissioned some of the most important artists of his day. Beside the ceiling of the Banqueting House (above) Charles commissioned from Peter Paul Rubens paintings such as ‘Minerva Protects Pax from Mars’ (1630) and his ‘Landscape with Saint George and the Dragon’ (1630 to 1635).

Another major highlight of the exhibition is the Mortlake tapestries of Raphael’s Acts of the Apostles. These have a complicated history. In 1513 Pope Leo X commissioned Raphael to design a set of tapestries of the Acts of the Apostles to be hung in the Sistine Chapel. Detailed versions of the works were painted in gouache on sheets of paper which were glued together to achieve the scale required, and these preparatory studies are referred to as ‘cartoons’. These cartoons were the send to Brussels, at that time the premiere centre of tapestry making in Europe. The final tapestries took some time to create but were complete and delivered to Rome by the time of the Pope Leo’s death in 1521.

The cartoons were kept on at the workshops in Brussels for some years, and more versions of the tapestries created from them. But a hundred years later many had found their way back to Italy, to the city of Genoa to be precise. And it was here that one of Charles’s agents ascertained that they were available for sale and so young Prince Charles hurriedly bought them.

His aim was to bring the cartoons to England, where they could be used as models for the tapestry factory established in 1619 by his father, James I, at Mortlake in south-west London, and several partial sets of the Acts of the Apostles were indeed woven here over the next two decades. After passing through the hands of various monarchs, the reassembled cartoons were eventually gifted to the Victoria and Albert Museum. And it’s these huge and awesome works that the visitor can see in a room devoted to them.

The Miraculous Draft of Fishes by Raphael (1515 to 1516)

Summary

To visit the exhibition is to bask, for a while, in the reflected glory and magnificence of royalty, strolling past the masterpieces mentioned above as well as stunning works by other Renaissance artists such as Correggio, Agnolo Bronzino, Jacopo Bassano, Tintoretto and Paolo Veronese as well as Albrecht Dürer, Jan Gossaert, Hans Holbein the Younger and Pieter Bruegel the Elder. What a banquet of Baroque art, a visual feast fit for a king.

The promotional video


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King John by Marc Morris (2015)

I loved Marc Morris’s ‘History of the Norman Conquest’ because it gave such a thorough explanation of the background, build-up, events and consequences of the most famous moment in English history, so I was looking forward to reading this book and it is certainly good – but not as good as the Conquest one, and I spent some time, as I read it, trying to figure out why.

1. The long historical build-up to John’s reign

I think the main reason is that the central feature of King John’s reign (1199 to 1216) is the complete collapse of the huge and elaborate ’empire’ created by his predecessors – Henry I (his grandfather), the great Henry II (his father) and King Richard, his swashbuckling brother.

The pressures John faced trying to hang on to the south (Aquitaine), the middle (Anjou) and the north (Normandy) of France, along with the large and fractious realm of England, as well as managing relations with Scotland, Wales and Ireland – all these only make sense if you have a good grasp of how this patchwork ’empire’ had been slowly and effortfully acquired by his father and brother in the first place.

So anyone describing John’s reign would have to give a fair amount of space to this ‘back story’. Thus Morris has to start his story with the advent of Henry I (1100) and explain how his son and heir, William Aetheling, was lost in a disastrous shipwreck (1120) which – since Henry had no other sons – led him to the desperate expedient of trying to impose his daughter, Matilda, as his heir on his reluctant nobles. When Henry I died in 1135 Matilda’s claim was immediately contested by her cousin, Stephen of Blois, who managed to secure the throne of England and ruled as King Stephen (1135 to 1154) but under constant assault from the forces loyal to Queen Matilda in the west and north of England leading to 20 years of exhausting civil war.

Eventually, in the event-packed last few years of his reign, Stephen’s own son and heir, Eustace, died young (in 1153) and Stephen was forced to accept the son of Matilda and her husband, Geoffrey Count of Anjou, Touraine and Maine, Henry, as his heir. Geoffrey enjoyed the sportive nickname of Plantagenet, and so this name was also given to his son, Henry.

The very next year Stephen himself died (1154) and young Henry Plantagenet assumed control over a complex web of territories – England from Stephen, Normandy via his grandfather the Conqueror, Anjou, Touraine and Maine from his father and, via his shrewd marriage to Eleanor of Aquitaine in 1152, possession of Aquitaine, a huge slab of south-west France, maybe a third the land area of the present-day France.

Because Henry’s central inheritance (from his father, Geoffrey) was of the Duchy of Anjou, the ’empire’ is often referred to as the Angevin Empire, Angevin being the adjectival form of Anjou (as Poitevin is the adjectival version of the neighbouring region of Poitou).

Just holding on to control of these far-flung territories needed every drop of this remarkable man’s confidence, aggression, cunning and ruthlessness. But it is only by understanding how the ’empire’ came about, almost by accident, that we can understand the context of problems which he and his sons – first Richard (1189 to 1199) and then John (1199 to 1216) -–would inherit:

  • How to maintain the disparate French possessions in the face of continual uprisings by local counts and lords?
  • How to fight off the continual attacks and threats of successive French kings – Louis VII and Philip II?
  • How to keep the aggressive Scottish kings bottled up in Scotland?
  • How to secure more land in Wales?
  • How and when to interfere in the troublesome island of Ireland?
  • How to manage relations with the pope, especially when you seem to be at loggerheads with one or other of your archbishops? (England has two archbishops – of Canterbury and of York)
  • How to pay for it all by raising the maximum amount of taxes but not alienating the fractious competing nobles of England?
  • And, above all, how to manage all this while coping with all the adult members of your family politicking and conspiring against you?

This context, this historical backdrop, the events of the 60 or 70 years prior to John’s accession (in 1199) are key to understanding John’s predicament.

2. Use of flashbacks

Rather than deal with this long historical run-up in a straightforward chronological account, Morris takes the risky decision to start his narrative in the middle of John’s reign, starting with a detailed account (along with pictures and two maps) of the French King Philip II’s siege of the Plantagenet castle of Château Gaillard, on the River Seine, 20 miles south-east of Rouen in 1204.

Having painted this scene, in chapter two Morris jumps all the way back to the birth of the family empire in the early 1100s (as outlined above). Chapter three returns us to the Château Gaillard siege (which turned out to be one of the longest and most gruelling in medieval history). Chapter four jumps back again, to 1189, when Henry II died and his son Richard succeeded.

This chapter takes us through the first half of Richard’s ten-year reign – his adventures on the Third Crusade (1189 to 1192), his capture on his return through Europe, his imprisonment by the Holy Roman Emperor Henry VI and his final release after his regents in England had raised an enormous ransom for him in 1194 – then abruptly stops.

The next chapter picks up the thread of John’s reign in 1205 after the end of the Château Gaillard siege and the humiliating failure of his English nobles to join an armed flotilla designed to attack King Philip of France, then follows events of the ‘campaigning season’ of the following year, 1206.

We are just getting our head round this context when the next chapter whisks us away from all that, to pick up the second half of King Richard’s reign from 1194 and carry it on through to the first years of John’s reign, 1202.

And so on. For well over half its length the book flicks back and forward between a ‘present’ narrative and historical flashbacks. I think I can see why: he didn’t want to start his book with 60 or 70 pages of solid exposition before he gets to John’s coronation. But, for me, it doesn’t work.

Comparison with Dan Jones

It just so happens that I read Morris’s book in parallel with Dan Jones’s jaunty, boys-own-adventure account of the entire Plantagenet dynasty. This tells the story outlined above but in a traditional chronological order and a direct comparison between the two suggests that, although Morris’s book is more scholarly and nuanced, Jones’s narrative is not only easier to read but gives you a much better cumulative sense of the issues at stake for all these rulers:

  • how the Angevin empire was originally created
  • the tremendously complex shifting alliances it required to keep it together
  • the history of the other major players involved, like Eleanor of Aquitaine, like Henry II’s rebellious children, like the pesky kings of France
  • as well as the litany of difficulties Henry, Richard and John all encountered while trying to tax the bolshy nobles of England
  • and the challenges of keeping the bloody church and interfering pope onside

To put yourself in the place of these (horrible) rulers you have to understand the constant pressure they were under from all sides (and the constant pressure they themselves exerted in the never-ending conflict which was medieval high politics). And the only hope you have of understanding why William of Scotland or Llewylyn of Wales or Louis of France attacked when and how they did, is to have a sense of the cumulative relationships between them and Henry or Richard or John, and the accumulated grudges or alliances or betrayals which feed into their behaviour.

It is hard enough to follow when presented clearly and simply so, for me, Morris’s approach made it hopelessly confusing. I quite quickly decided to read the chapters of his book out of the textual order he’s placed them in (reading chapters 2, 4, 6, 8, then 1, 3, 5, 7).

Detail

Dan Jones is shrewd to start his 600-page account of the Plantagenets with the sinking of the White Ship in 1120, which really seems to be the mainspring of the whole Plantagenet story. But his chronological approach also allows him to give events a properly detailed treatment as they occur – logically enough, there is a set of chapters devoted to Henry II and Richard I, before we get to the birth and youth of John.

Morris, by contrast, often skips over these earlier events in order to get to the ostensible subject of his book the quicker. He has to tell us something about the events of earlier reigns because John grew up under them and spent most of, for example Richard’s reign (1189 to 1199) politicking and conspiring against his brother – but he tends to skimp on details of Richard’s activities.

Thus he tells us simply that, en route to the Holy Land in 1191, Richard conquered Cyprus, in one sentence (p.72). Jones goes into much more detail, giving us a full description of Richard’s two-pronged assault on Cyprus (pages 118 to 119) and giving a typical snapshot that, once he’d conquered, Richard forced all Cypriot men to shave their beards off!

Similarly, Morris skips very briskly over Richard’s time in Palestine to focus on John’s scheming back in England. But we need to understand the detail of Richard’s activities in Palestine in order to understand how and why he managed to alienate so many of his Christian allies with such parlous consequences: we need to know that he scorned Philip of France so much that Philip eventually packed up and returned to Paris. And when the vital city of Acre was finally taken from the Muslims after a prolonged siege in which many Christian knights died of fighting or sickness (1191), Richard managed to infuriate Leopold Duke of Austria. Leopold had been involved in the siege for a year before Richard arrived and had demanded an equal place at the front of the victorious Crusader army as it rode into the fallen city along with Richard – but Richard rejected this request and added insult to injury by having Leopold’s flag torn down from the ramparts of Acre.

These details are vital because both Philip and Leopold returned to Europe before Richard and spread the blackest possible rumours about Richard’s treachery, lack of chivalry and so on, to anyone who would listen. When Richard finally decided to abandon the Crusade and return to England (prompted by news of the ruinous feud which had grown up between his chancellor William Longchamps and his enemies supported by John) Richard discovered that he was now a wanted man across most of Western Europe. So that when his ships were blown ashore in north Italy and he tried to make his way in disguise through Austrian lands, Richard was soon recognised, arrested and taken to the court of the very same Leopold who he had so fatefully insulted in Palestine – who promptly threw him into prison.

For sure Richard’s imprisonment, and the vast ransom demanded for his release, are all dealt with by Morris because they all impinge on the state of England and on John’s scheming (John was in his late 20s during the ransom crisis) – but the story makes much more sense, acquires a fuller depth of meaning, if you’ve been given a really good account of Richard’s activities in Palestine, and this Jones does better than Morris.

King John

King John

Notable aspects of John’s reign

It is in the second half of Morris’s book (chapters 9 to 14) – once he drops the flashback structure – that it becomes measurably more detailed and immersive than the Jones account. Having had a run-up of 150 pages or so you begin to have a feel for certain key players in the story – the ill-fated William de Brouze who John hounded into exile, imprisoning and starving to death his wife and son – or the remarkable William Marshall, 1st Earl of Pembroke, whose career spanned five monarchs, and who managed to survive accusations and punishments from the erratic John and went on to become guardian and regent for John’s young son, Henry III, when he succeeded in 1216.

And you get a feel for the relentless turnover of events: every year sees all the players on the board – the Scots, the Welsh, the numerous Irish and Anglo-Irish, the King of France, the nobles of Normandy, Brittany, Anjou, Main, Poitou, Angouleme, Gascony and so on, all girding their loins and setting off to fight each other, in a bewildering blizzard of alliances which shift and change at the drop of a hat. This second half of Morris’s book becomes really gripping, providing much more detail than Jones’s limited space can, and judiciously weighing evidence, balancing the accounts of the different contemporary chroniclers, as he gives a week by week account of John’s difficult confusing reign.

Some highlights

His reign lasted 17 years (1199 to 1216).

John Lackland

 While a boy under King Henry II John acquired the nickname ‘Lackland’ because his older brothers were all given substantial provinces to rule except for John, who was too young. Towards the end of his reign, the nickname was ironically revived to describe the way he had lost most of the Angevin Empire.

The loss of Brittany Arthur, Duke of Brittany

From the very start of John’s reign there was an alternative ruler, Arthur, son of John’s elder son Geoffrey (who himself had died in 1186). Arthur was born in 1187 and so was 12 when King Richard died in 1199.

Arthur inherited from his father the title of Duke of Brittany, and his Breton nobles proved remarkably loyal to him, while Arthur himself sought help and advice from French King Philip II. The situation was worsened by the fact that back in 1190 Richard had officially declared the infant Arthur his legal heir (during his peace negotiations with Tancred of Sicily, p.67). On his death-bed Richard changed his mind and proclaimed John his heir, fearing Arthur was too young for the job – but the Bretons, and everyone opposed to John, took Arthur as a figurehead for their cause.

The to and fro of successive alliances and peace treaties whereby Arthur allied with Philip, then John, then Philip again, came to an end when, in one of the rare military successes of his rule, John captured Arthur, who was leading a force besieging his grand-mother, Eleanor, at the Château de Mirebeau in Anjou.

John sent his nephew to a series of castle prisons. The contemporary chronicler Ralph of Coggeshall reports the story that John sent two knights with orders to mutilate the duke but that his gaoler, Hubert de Burgh, refused to let them – a legend which quickly spread and later provided the central plotline of Shakespeare’s play, King John, as well as heaps of wonderfully sentimental Victorian illustrations, like this one.

Prince Arthur and Hubert de Burgh by William Frederick Yeames (1882)

Prince Arthur and Hubert de Burgh by William Frederick Yeames (1882)

Young Arthur was moved to Rouen prison in 1203 and never heard of again. Quickly the rumour got about that John had had Arthur murdered, though whether getting others to do it or, in one version, murdering his nephew himself in a drunken rage, has never been confirmed. The rumour was enough for many people, nobles and commoners alike, throughout his realm, and John became known as the nephew-killer. In response the nobles of Brittany rebelled against John and he never regained their trust.

The loss of Normandy

Meanwhile in 1204, to the East, King Philip II of France began a major offensive against Normandy, bypassing the stronghold of Rouen and picking off smaller towns – Falaise, Cherbourg. Rouen begged John (in England) for reinforcements and John tried to mount an armed expedition to help them, but was stymied by the reluctance of his own nobles, who showed up late or not at all. When it became clear that no help was coming from England, Rouen surrendered to King Philip and the remaining strongholds of Normandy followed suit. The 139-year union of England and Normandy, created by William the Bastard in 1066, came to an end in 1204.

The loss of Aquitaine

In April 1204 Eleanor of Aquitaine died, old and full of years (a little over 80). With her died the loyalty of most of the dukes and counts of the massive region to the Plantagenet regime in the form of the unattractive John. They rose up, seized whatever strongholds remained loyal to John and, within months, the largest part of the Angevin Empire was lost.

Tough taxes

With the loss of most of the Empire, John’s sphere of activity was vastly reduced and now confined to the British Isles. Here he became famous for instituting ferocious new taxes. At that time many simple activities of the nobility traditionally required permission and a nominal fee to be paid to the king, for example for the smooth succession of an heir or the arrangement of a new marriage. John pushed these customary dues much deeper into every aspect of noble life and hugely increased the fees, by up to 1,000%. Anyone who questioned his right to do so was arrested or forced into exile and their lands confiscated. There was a ‘forest tax’ for anyone found breaching the rules of the Forest. John hiked these and extended the definition of ‘forest’ to include agricultural land and even towns. There was a tax known as ‘scutage’, which knights could pay if they didn’t want to answer the king’s call to join an army: John hugely increased this and applied it for new purposes. He applied another tax known as the Thirteenth, and in 2008 another tax, known as the tallage (p.182). He relentlessly mulcted everyone and everything throughout his reign.

The failed 1205 invasion

In 1205 John used this money to organise a massive invasion of Normandy, recruiting thousands of knights and soldiers and building (or hijacking) enough ships to create a war fleet of 1,500 vessels. But – at the last minute his leading nobles and knights backed out – afraid of chaos in the realm if John were killed (he had no heir), afraid they would find no support in the French realms which had so solidly gone over to King Philip, afraid of losing their lives and remaining goods.

And so John was left to gnash his teeth and weep tears of frustration. In fact John did mount several expeditions to France later in his reign, in one of them landing in Bordeau and marching inland to seize castles in his traditional heartland of Anjou. But always he had to retreat before the superior forces of King Philip II, or the Bretons or Normans or the Gascon nobles, sometimes reinforced by armies from over the border in Spain.

Two wives

King John had two wives, both named Isabella. In 1189 Henry married John off to Isabella, Countess of Gloucester, when he was 23 and she was 16. In fact they were half-second cousins as great-grandchildren of Henry I, and thus within the prohibited degrees of consanguinity, and on this basis John had their marriage annulled by the Church in 1199, just before he acceded to the throne. He then married Isabella of Angoulême in 1200, when she was just 12 years old. The marriage gave him possession of lands in the centre of Aquitaine but also, unfortunately, led to the enduring enmity of Hugh IX le Brun, Count of Lusignan, to whom she had been betrothed and who John was widely seen as stealing her from. The enmity of the de Lusignan family and their allies was a contributory factor to the loss of Aquitaine in 1204 when Eleanor died.

The Papal Interdict

Archbishop Hubert of Canterbury died in 1205 and the monks secretly elected one of their own as his successor. King John and the English bishops refused to accept their choice and appointed John’s favorite, John de Gray, in his place. Pope Innocent III (1198 to 1216) refused to accept either candidate and instead arranged the election of his friend Stephen Langton, in 1207. Furious, John expelled the monks of Canterbury who fled to France. The pope responded by placing England under Interdict in 1208. The interdict suspended Christian services and the administration of sacraments (except baptism, confession, and last rites). Even the dead were denied Christian burial. Ordinary people would have experienced an eerie phenomenon – for the first time in their lives church bells – which rang at numerous times of day for various services – fell silent and remained silent. John in fact turned the situation to his advantage, imposing lucrative fines and threatening imprisonment to bully the clergy. Innocent III retaliated by excommunicating John and eventually declared John ‘deposed’ in 1212, absolving his subjects of their allegiance to him.

In fact John, at a low point in his fortunes in 1213, made the shrewd move of completely and totally humbling himself to the papal legate, declaring England as the pope’s belonging and himself only a humble vassal. Innocent II was delighted and from that point onwards (for the last three years of his life) treated John with notable indulgence and favouritism. The interdict was lifted and after five long years, the church bells of England were allowed to ring again.

The Jews

There were probably only a few thousand Jews in all of Britain, but they were in a vulnerable position. They were allowed to carry on the business of lending money – forbidden to Christians – but only on the king’s sufferance. The crusading fervour at the very end of Henry’s rule led to violent anti-Jewish pogroms on the day of Richard’s coronation and for weeks afterwards, leading to the horrible climax of the entire Jewish community of York being hounded into York castle and preferring mass suicide to facing the baying mob outside. In 1210 John imposed a massive tax or ‘tallage’ in 1210, extracting some £44,000 from the community. At first he wanted only a percentage of their loans but this escalated to become a percentage of all their possessions. Roger of Wendover tells the gruesome story of a Jew of Bristol who was imprisoned and had one tooth knocked out every day until he gave in and handed over all his wealth to the king. Leading Jews were hanged as an example. And then, in John’s last full year of 1215, there were further attacks on the Jews, extracting money under torture. It took the Jewish community a generation to recover population and belongings after this onslaught.

Scotland

When he came to power John turned down King William the Lion of Scotland’s demand to have the province of Northumbria returned to him. The two remained on reasonable terms until in 1209 John heard rumours that William planned to ally with King Philip of France. John invaded Scotland and forced William to sign the Treaty of Norham, which gave John control of William’s daughters and required a payment of £10,000.

Ireland

John was made ‘Lord of Ireland’ by his father as long back as 1177, when he was just 11. When just 19 he was sent there by his father but, along with his youthful courtiers, created a very bad impression, making fun of the local nobles’ long beards. During his reign there was conflict not only between the caste of Anglo-Irish rulers who had settled in Ireland since the Conquest, and the native lords, but also among the natives themselves. John played all sides off against the other, and in 1210 led a major expedition to Ireland to crush a rebellion by the Anglo-Irish lords and impose English laws and customs.

Wales

Wales was divided into roughly three parts, the border or ‘marcher’ regions with England, ruled over by a handful of powerful Anglo-Norman lords, south Wales/Pembrokeshire owned by the king directly, and wilder North Wales. The leading figure was Llywelyn the Great, to whom John married off one of his illegitimate daughters, Joan, in 1204. In 1210 and 11 Llywelyn launched raids into England. John retaliated by supporting a range of Llywelyn’s enemies in the south and in 2011 launched a massive raid into North Wales. However Llywelyn’s forces retreated and John’s army was reduced to near starvation in the barren lands around Snowdonia. But the next year he came back on a better planned attack, ravaging Llywelyn’s heartlands, burning villages, towns and cities, until Llywelyn sent his wife, John’s daughter, as emissary to beg for peace. Peace was signed at, of course, a steep price, then John sent his mercenary warlords into South Wales to secure the territory and build defensive castles.

By 1212 John had lost almost the entire continental empire, but solidly secured the grip of the English crown over the neighbouring British countries. But all mention of peace is deceptive, even inappropriate in the context of the Middle Ages. The very next year John had to go to the aid of William of Scotland who faced pressing danger from a usurper and had barely finished doing this before Llywelyn led a concerted attack to reclaim his lost territory in north Wales, along with uprisings by lords in central Wales.

Basically, every year there was conflict – and in more than one theatre of war – with players shifting alliances from year to year based on short-term strategy. This is what makes medieval history so difficult to follow in any detail.

The Battle of Bouvines

I’d never heard of this battle, but both Jones and Morris says it has a similar talismanic importance in the history of France as the Battle of Hastings has for England. It was the climax of the series of incursions John made into French territory in the previous few years. John had amassed a force of English nobles and foreign mercenaries (all paid for by his brutal taxation) and was campaigning in central France, while his allies – a force of German, English and Flemish soldiers – was being led by Otto IV, Holy Roman Emperor, in the north. John’s plan was for his forces to draw King Philip II south while his German allies took Paris, leading to the decisive crushing of King Philip, for him to regain all his lost French land and the Emperor Otto to seize the Low Country.

In fact John had already suffered a defeat when he was forced to abandon the siege of La Roche-au-Moine due to the reluctance of his Poitevin allies to engage in a pitched battle against King Philip’s son, Louis. In the retreat his infantry were badly mauled and he only just made it back to La Rochelle, losing all the gains of the campaign to the French.

So everything now depended on the northern army of the Emperor. This caught up with Philip’s main army on 27 July 1214, and rapidly attacked. The battle turned into confused mayhem but slowly the cavalry charges of the French began to tell. By the end of the day the Emperor had fled, his army was defeated, and a collection of rebel nobles had fallen into Philip’s hands.

From the French point of view, their strongest enemies had created their strongest possible alliance and thrown everything against the French – and failed. A chapel was built, Masses were sung everywhere, the students of Paris danced in the streets for a week, according to one chronicler. The Battle of Bouvines confirmed the French crown’s sovereignty over the Angevin lands of Brittany and Normandy, and lost them forever to the English crown. It was the climax of John’s decade of brutal taxation and war plans: and it was a complete failure.

A few hours of bloody mayhem at Bouvines had confirmed that [John]’s loss of Normandy, Brittany and Anjou would be permanent. (p.235)

Magna Carta

The barons’ rebellion

The failure of this campaign tipped many of England’s nobles over into open rebellion. Morris says there were about 160 barons in England and now most of them openly denounced and defied John. For several years there had been calls to return to the good old days of Henry II or even before, embodied in calls to restore the charter Henry II issued on his accession. Numerous hands – probably involving the archbishop – were involved in creating a draft document which started with traditional calls for good rule but then went on to address specific issues of John’s reign. The climax of the Barons’ Rebellion came when one of their forces – a self-proclaimed ‘army of God’ – seized London ahead of John’s representatives in May 2015. Now they had access to all his treasure and the taxation rolls of the Exchequer.

John camped with his forces at Windsor and representatives of both sides met half way, in the meadows at Runnymede. Here the document we call Magna Carta took shape and was swiftly stamped and agreed by John.

The key thing about Magna Carta is that it was a peace treaty between the two armed sides; and that it failed. Within weeks open conflict broke out again and John took his foreign mercenaries on a rampage through East Anglia, killing and raping all the supporters of the rebel barons, destroying crops in the fields, burning everything. It was on this last final orgy of destruction that he decided to take a short cut across the Wash into Lincolnshire but was caught by the tide and lost his entire baggage train, including all his jewellery and treasure, the crown of England and his priceless collection of Holy Relics. And he got dysentery. It was a blessing for everyone when he died on 19 October 1216.

There is no doubting John was a wicked, evil man, a coward who screwed his country and tortured countless victims in order to extract a vast fortune from his subjects which he then squandered on mismanaged military campaigns. He lost almost the entire Angevin Empire which he’d inherited, and he left his country in a state of bitter civil war.

Morris’s book includes at the end a full translation of the Magna Carta into English but that is all. Obviously his preceding historical account gives a blow-by-blow description of the events leading up to it, and to the issues raised by John’s misrule, which the charter seeks to address and limit. And briefly describes how the charter – a failure in its own day – was reissued under later kings, widely distributed, and became a set of standards to which medieval kings could be held to account. But somehow just stopping with the translation and nothing more felt a bit… abrupt.

Plantagenet trivia

  • King Henry I carried out a brutal recoinage of the realm’s money in 1125 in which he ordered the mutilation of all his moneyers – the people who had official permission to mint coins, namely the removal of their right hands and genitals
  • Right at the end of his life Henry II took the Cross with a view to going on Crusade and recapturing Jerusalem. In 1188 he instituted ‘the Saladin Tithe‘, a levy of 10% on all revenues and movable properties across England. In the end it raised some 100,000 marks, though Henry died before he could go on Crusade. The administrative machinery created to claim the tithe was used four years later to raise the enormous ransom required to free Richard I from his imprisonment by the Holy Roman Emperor.
  • King Richard founded Portsmouth Royal Naval dockyard.
  • Richard in his usual impetuous way, finding himself in negotiation with Tancred ruler of Sicily, promised to betrothe Arthur (then aged 4) to one of Tancred’s daughters (aged 2), though the wedding never took place.
  • In his passion to go on crusade, Richard weakened the Crown by selling off or mortgaging a huge number of Crown lands and goods. He is said to have quipped, ‘I would have sold London if I could find a buyer.’
  • King John founded Liverpool in 1207.
  • the word Exchequer derives from the large chequered cloth laid out a table on which debts were counted out using a device like an abacus (p.167).

Glossary

  • amercement – a financial penalty in English law, common during the Middle Ages, imposed either by the court or by peers
  • castellan – the governor or captain of a castellany and its castle
  • distrain – seize (someone’s property) in order to obtain payment of rent or other money owed
  • interdict – in the Roman Catholic church a punishment by which the faithful, while remaining in communion with the church, are forbidden certain sacraments and prohibited from participation in certain sacred acts
  • forest eyre – the main court of the Forest Law in the medieval period was the Forest Eyre, which was held at irregular intervals by itinerant justices
  • Forest Law – laws separate from English Common Law designed to protect game animals and their forest habitats from destruction. Forest Law offenses were divided into two categories: trespass against the vert (the vegetation of the forest) and the venison (the game).
  • justiciar – a regent and deputy presiding over the court of a Norman or early Plantagenet king of England
  • moneyer – any private individual who is officially permitted to mint money
  • scutage – also called shield money (from the Latin scutum meaning ‘shield’) in feudal law payment made by a knight to commute the military service that he owed his lord
  • tallage – a form of arbitrary taxation levied by kings on the towns and lands of the Crown

Other medieval reviews

A Chronology of the Crusades

The Crusades lasted about two hundred years from 1095 to about 1295 and were designed to ‘liberate’ Jerusalem and the Christian Holy Places from the control of Muslim rulers. Although there were later military adventures or social movements which called themselves crusades, they either petered out or were diverted to other targets. Historians squabble over whether there were seven or eight or nine crusades.

Muhammed

632 Muhammed dies.

637 Muslim armies besiege and take Jerusalem from the Byzantines.

The Great Schism

1054 Eastern and Western Christianity finally split after years of drift, crystallising into the Eastern Orthodox church based in Byzantium and the Roman Catholic church based in Rome, their respective followers known as Latins (or Franks) and Greeks.

1063 King Ramiro I of Aragon murdered by a Muslim and Pope Alexander II offers an indulgence (forgiveness of all sins; go directly to heaven) to anyone taking arms to revenge this crime.

1064 to 1066 – A group of about 7,000 Germans, some heavily armed, travel to Jerusalem and back unhindered.

1073 Pope Gregory VII helps organise an army against the Muslims in Spain, promising any soldier he can keep the land he seizes.

1095 Byzantine Emperor Alexios I sends an ambassador to Pope Urban II asking for military help against the growing Turkish threat (in fact the fast-expanding Great Seljuk Empire). Urban sees an opportunity to reassert Western control over the East and starts preaching a new idea: anyone who takes up arms and travels to liberate the Holy Land under the order of the Pope will go to heaven. Killing the infidel will no longer require penance: it will be a penance.

The First Crusade 1096 to 1099

1096 Easter. Peter the Hermit led a mass of maybe 20,000 people to set off to the Holy Land. As they moved through Germany they sparked off a series of massacres of Jews in every town and city. Having reached the Byzantine Empire they were ambushed by Muslim forces and only about 3,000 survived. Official crusader armies departed Europe August and September 1096.

1097 Siege of Antioch until June 1098. Crusaders massacre the Muslim inhabitants and loot the city.

1099 15 July – CAPTURE OF JERUSALEM The remnants of the army enter/liberate Jerusalem, massacre native Muslims, killing all the Jews, burning the synagogue, looting all the holy buildings. The chronicler claims some 70,000 were slaughtered and the streets piled high with corpses.

1100 On Christmas Day in the Church of the Nativity in Bethlehem, Baldwin of Edessa is crowned King of Jerusalem.

[1101 The Crusade of 1101, also known as The crusade of the faint-hearted due to the involvement of soldiers who had turned back from the First Crusade, was in three distinct groups of western soldiers, all of which were soundly thrashed by Seljuk Turks led by Kilij Arslan. As usual when the crusaders took Caesarea they rounded up all the Muslims into the Grand Mosque and massacred them all. And were then themselves beaten and killed by Kilij. The survivors eventually made it to Jerusalem, more as a pilgrimage than a military force.]

1109 The Franks sack the city of Tripoli after a five year siege, then rampage through it, burning the Banu Ammar library, the largest in the Muslim world, containing over 100,000 manuscripts.

1118 Baldwin dies, succeeded by his cousin, Baldwin II.

1124 Tyre falls to the Franks who now hold the entire cost from Egypt to Antioch.

1131 King Baldwin II dies and is succeeded by his son-in-law, Count Fulk of Anjou.

1122 to 1124 The Venetian Crusade A combination of religious fervour (it was sponsored by Pope Callixtus II) and commercial savvy, some 120 ships carrying over 15,000 men left Venice on 8 August 1122: they besieged Corfu to settle a commercial dispute; defeated a navy from Fatimid Egypt; besieged and took the sea port of Tyre, which became a Venetian trading centre, and on the way home ravaged various Greek islands, forcing the Empire to concede their trading privileges.

1135 Pope Innocent II’s grant of crusading indulgences to anyone who opposed papal enemies can be seen as the beginning of politically motivated crusades.

The Second Crusade 1145 to 1149

1144 King Fulk dies. Army of Imad ad-Din Zengi recaptures Edessa (modern Urfa), massacring the men and selling the women into slavery. Which leads Pope Eugenius III to call for another crusade, supported by various clerics, notably Bernard of Clairvaux.

1146 March 31 – Bernard delivers the first of many thundering first crusade sermons. In May and June armies from France and Germany led by King Louis VII and Conrad III set off.

[1147 A group of crusaders from northern Europe allied with the king of Portugal, Afonso I, retaking Lisbon from the Muslims.]

1147 October 25 – Battle of Dorylaeum: Conrad III and his army of 20,000 men was badly defeated by the Seljuk Turks led by Mesud I. The Germans abandoned the crusade and Conrad and the 2,000 survivors retreated to join the forces of King Louis VII of France.

1148 Louis and Conrad’s surviving soldiers besiege Damascus. It ends in complete defeat and a ruinous retreat. ‘St Bernard’s crusade ended in fiasco.’ (p.93)

1150 Louis and Conrad return home, failures.

The Wendish Crusade

1147 German knights attacked western Slavs on their border with a view to christianising them. Henry restarted efforts to conquer the Wends in 1160, and they were defeated in 1162.

[1172 Henry the Lion, Duke of Saxony, made a pilgrimage that is sometimes considered a crusade.]

Saladin

1169 Saladin – Ṣalāḥ ad-Dīn Yūsuf ibn Ayyūb – a Kurdish Muslim from Damascus, is in complete control of Egypt.

1169 to 1187 the campaigns of Saladin to unite the usually warring Arab kingdoms.

1180 King Baldwin IV negotiates a peace treaty with Saladin.

1185 24-year-old Baldwin IV dies, leaving the throne of Jerusalem to the eight-year-old Baldwin V.

1186 Baldwin V dies. The kingdom is weakened by complicated dynastic feuds which lead to Guy of Lusignan being crowned king.

1187 SALADIN RETAKES JERUSALEM Saladin led an enormous army of 30,000 into Palestine and inflicted a crushing defeat on the army of Jerusalem at the Battle of Hattin on 4 July. He took his time capturing all the surrounding towns and then retook Jerusalem on 29 September. In studied contrast to the crusader’s massacre and pogrom of 1099, Saladin enforces his army to respect the city and its inhabitants: not a building was looted, not a person harmed.

When Pope Urban III heard the news he died of a heart attack. On 29 October Pope Gregory VIII issued a papal bull calling for the…

The Third Crusade 1189 to 1192

1189 Frederick I ‘Barbarossa’, Holy Roman Emperor, commanded a vast army which sailed to Constantinople, then fought its way across Anatolia, winning battles but suffering from the heat and lack of supplies. Coming down the other side of the Taurus Mountains, Frederick went for a swim in the river Göksu and drowned. His disheartened troops turned back. Philip II of France, and Richard I of England led their armies on to the Holy Land.

1190 Pre-Crusade pogroms of Jews spread across England climaxing in a particularly violent massacre of Jews at York in March.

1191 Richard the Lionheart captured Cyprus from the Byzantines, then recaptured Acre and Jaffa. But they ran out of food before reaching Jerusalem which he knew, anyway, he didn’t have the force to hold.

1192 Richard negotiates a treaty with Saladin allowing Christian pilgrims free passage, then sails home. ‘Jerusalem would never again be captured by crusaders.’ (Crusades p.151) In Palestine Richard had had a big argument with Leopold of Austria. Now, travelling overland back through Leopold’s territory, Richard was identified and arrested. Leopold handed him over to the Emperor Henry VI who held him in prison for a year before a vast ransom could be organised to buy his freedom.

1193 Saladin dies worn out.

1199 Richard dies of gangrene from an arrow wound at an insignificant siege in Aquitaine.

The German Crusade

1197 Henry VI, Holy Roman Emperor, fulfils a promise to his father. Led by Conrad of Wittelsbach the army landed at Acre and captured Sidon and Beirut, but when Henry died most of the forces returned to Germany.

The North European Crusade

1193 Pope Celestine III called for a crusade against Northern European pagans and his successor Pope Innocent III issued a papal bull declaring a crusade against the pagan Livonians. Bishop Berthold of Hanover led a large army against them, during which the Christian settlers found the city of Riga, although Berthold was himself killed in battle in 1198.

1201 Albrecht von Buxthoeven established Riga as the seat of his bishopric in 1201.

1202 Albrecht formed the Livonian Knights to convert the pagans to Catholicism. The Livonians were conquered and converted between 1202 and 1209.

1217 Pope Honorius III declared a crusade against the Prussians.

1226 Konrad of Masovia gave Chelmno to the Teutonic Knights in 1226 as a base for the crusade.

1236 The Livonian Knights were defeated by the Lithuanians at Saule.

1237 Pope Gregory IX merged the remainder of the troops into the Teutonic Knights as the Livonian Order.

1249 The Teutonic Knights completed their conquest of the Old Prussians. They then conquered and converted the Lithuanians, a process which lasted into the 1380s. The order tried unsuccessfully to conquer Orthodox Russia.

The Fourth Crusade 1202 to 1004: the Sack of Constantinople

1199 Pope Innocent III began preaching the Fourth Crusade in France, England, and Germany. The two military leaders Doge Enrico Dandolo of Venice and German King Philip of Swabia had their own political agendas and when the enterprise turned out not be able to pay the Venetian fleet, they decided to conquer and loot Constantinople instead.

1202 They seized the Christian city of Zara prompting Innocent to excommunicate them.

1203 Easter – the army set sail for Byzantium.

1204 The army entered Constantinople and enacted the complicated plot to put Prince Alexius IV on the throne. Alexius had promised wild amounts of money in return but turned out to be unable to pay. Alexius was murdered in a palace coup; the blind old emperor died; the coup plotter announced himself emperor. All this made it easier for the Latins and their Catholic leaders to give the go-ahead for a devastating sack of the city, which spread out of control to unbridled looting, massacring, churches pillaged and thousands murdered in the streets.

1205 Bulgars defeated the crusaders and remaining Greeks at Adrianople. The devastation of Byzantium permanently weakened the Eastern Empire, didn’t bring its church under Latin rule, as the Pope dreamed, and probably benefited Venice most, which seized control of commerce in the empire.

The Albigensian Crusade 1208 to 1229

1208 launched to eliminate the Cathars of Occitania (present-day southern France) lasted for decades and led to Northern French domination of the South. In July 1208 the crusaders took Béziers and massacred every man, woman and child. When soldiers asked the Abbot how they could avoid killing ‘true’ believers, he replied:

‘Kill them all. God will know his own.’

Mindset of terrorists throughout the ages.

[1221 Pope Honorius III asked King Andrew II to put down heretics in Bosnia. Hungarian forces answered further papal calls in

1234 and 1241. This campaign ended with the Mongol invasion of Hungary in 1241.]

The Fifth Crusade 1213 to 1221

1215 Pope Innocent III called the Fourth Council of the Lateran in 1215. It was at this mass assembly of bishops and cardinals that ‘heresy’ was defined, ‘inquisition’ formalised, Jews were ordered to wear special clothing and Innocent announced his new crusade.

1216 Innocent III dies.

1217 Duke Leopold VI and Andrew II arrived in Acre but failed to assert their power and left.

1219 The remaining forces besieged Damietta in Egypt and captured it in November 1219. But further plans were blocked by the Arab leader Ayyubid Sultan Al-Kamil and the crusaders were forced to surrender and hand back Damietta.

The Sixth Crusade b.1228

1228 Holy Roman Emperor Frederick II, after being repeatedly threatened and eventually excommunicated by Innocent’s successor, Pope Honorius III, for his delays, finally landed at Acre.

1229 RESTORATION OF JERUSALEM – However, both sides being reluctant to fight, Frederick agreed a peace treaty with Al-Kamil which allowed Latin Christians to rule most of Jerusalem and a strip of land along the coast, with the Muslims controlling their sacred areas in Jerusalem. Frederick had himself crowned in the Holy Sepulchre and declared himself the mouthpiece of God. Frederick returned home to find the Pope had organised armies to invade his realm.

1238 Frederick tried to extend his lands into northern Italy and Pope Gregory declared a crusade against him. ‘The Holy War was now being preached not against the ‘infidel’, not even against a heretic – no such charge was made against Frederick – but against a political enemy of the Pope.’ (Crusades p.181) Crusade had become degraded to a purely secular concept.

1239 A force led by King Theobald I of Navarre arrived in Acre in September. Defeated in battle in November, Theobald negotiated another treaty with the Ayyubid Sultan Al-Kamil.

1244 The Destruction OF Jerusalem

The Ayyubids invited Khwarazmian forces whose empire had been destroyed by Genghiz Khan’s Mongols, to reconquer the city. It fell July 15, 1244 and the Khwarezmians completely razed Jerusalem to the ground, leaving it in ruins.
1244 An Arab force led by al-Salih Ayyub seized Jerusalem.

The Seventh Crusade 1248 to 1254

1245 to 1250 King Louis IX of France organized a vast army, set sail in 1248 and landed in Egypt in June 1249. In a series of battles they were defeated, and in 1250 Louis was captured and ransomed for 800,000 bezants, and a ten-year truce agreed.

1254 Louis withdrew to Acre, now the only Crusader territory of any significance, which he built up again until his money ran out in 1254 and he had to return to France.

[1256 The Venetians were evicted from Tyre, prompting the War of Saint Sabas over territory in Acre claimed by Genoa and Venice. The war dragged on for a decade during which both Christian sides allied with Muslim forces and most fortified buildings in Acre were destroyed.

1266 Louis IX’s brother Charles seized Sicily and other parts of the eastern Mediterranean with a view to restoring the Latin empire by reconquering Byzantium.]

The Eighth Crusade 1270

1265 The ferocious Mameluk Sultan Baibars ibn-Abdullah had captured Caesarea, Nazareth, Haifa, Safed, Toron, and Arsuf.

1268 Baibars captures Antioch and massacres its entire population.

1270 These events inspire King Louis IX of France to sail to Tunis with a large fleet and impressive army. However it was the height of the Saharan summer, the army was devastated by disease and Louis died. Thus ended the last major attempt to take the Holy Land.

The Ninth Crusade 1272

1270 The future Edward I of England had travelled with Louis. He sailed with his forces to Acre in May 1271. His forces were small and he was unable to alter the existing peace treaties between Baibars and King Hugh of Jerusalem.

1272 Edward learned of his father’s death.

1274 Edward I returns to England to take up his crown.

1277 The fearsome Baibars dies.

The last crusade

1281 Election of a French pope, Martin IV who threw himself behind the campaigns of French king Charles I. His ships were at Sicily when the Emperor of Byzantium conspired to provoke the ‘Sicilian Vespers’, an uprising during which the crusader fleet was abandoned and burnt.

1287 King Charles I dies, allowing Henry II of Cyprus to reclaim Jerusalem.

These kinds of struggles are typical of the endless disunity and conflict among the Roman Christians which continually undermined efforts to hold the Holy Land. In this two hundred year period the papacy, far from creating the kind of total control over Christendom which Innocent and Urban dreamed of, had become just one among a hectic throng of nationalist kings and princes all fighting each other. The papacy had lost all its moral authority. Thus:

1284 The Crusade of Aragon was called by Pope Martin against Peter III of Aragon, Peter supporting anti-Angevin forces in Sicily, Martin supporting Charles of Anjou.

1298 Pope Boniface VIII proclaimed a crusade against Frederick III of Sicily (Peter’s younger brother).

The end of the Crusader states

1291 A group of pilgrims from Acre was attacked by Muslim forces and in retaliations killed some innocent Muslim merchants. The Sultan demanded compensation from the king of Acre and, when none came, used it as a pretext to besiege and then capture the city. Men, women and children were massacred: prisoners were beheaded. Acre had been the last independent Crusader state in the Holy Land and its fall signified that – The Crusades had ended.

Non-Holy Land ‘crusades’

1365 The Alexandrian Crusade Peter I of Cyprus captured and sacked Alexandria for mainly commercial reasons, killing as many Christians as Muslims and Jews.

1390 The Mahdian Crusade Louis II led a ten-week campaign against Muslim pirates in North Africa. After a siege the crusaders signed a ten-year truce.

1396 Crusade against the Ottomans led by Sigismund of Luxemburg, king of Hungary which was defeated by the Ottomans in the Battle of Nicopolis.

1420s The Hussite Crusades military action against the followers of Jan Hus in Bohemia from 1420 to about 1431. Crusades were declared five times during that period: in 1420, 1421, 1422, 1427, and 1431.

1440s Crusade against the Ottomans Polish-Hungarian King Władysław Warneńczyk invaded recently conquered Ottoman territory, reaching Belgrade in January 1444. Negotiated a truce with Sultan Murad II. The Ottomans won a decisive victory at the Battle of Varna on 10 November, and the crusaders withdrew. This left Constantinople exposed and it fell to the Ottoman Turks in 1453.

John Hunyadi and Giovanni da Capistrano organized a 1456 crusade to lift the Ottomon siege of Belgrade.
1487 Pope Innocent VIII called for a crusade against the Waldensians in the south of France but little military activity followed and it had no effect…


Sources

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