The Night Wanderers: Uganda’s Children and the Lord’s Resistance Army by Wojchiec Jagielski (2009)

Warning: this review contains graphic descriptions of torture and mutilation.

Were you forced to kill any of your relatives or neighbours?
Were you forced to chop off people’s hands or feet with a machete?
Were you forced to gouge out people’s eyes?
Were you forced to rape women?
Were you forced to burn people alive?

(Part of the questionnaire given to freed child soldiers in north Uganda, quoted in The Night Wanderers, page 38)

Wojchiec Jagielski

Wojchiec Jagielski is a Polish journalist who specialises in reporting from the world’s worst conflicts. Hence, for example, ‘Towers of Stone’, his 2009 book about the gruesome brutal wars in Chechnya, along with books on Afghanistan and South Africa.

But it’s not not just reporting – Jagielski is interested in the psychology created by terrible conflicts and, beyond that, in the voodoo, spectral elements, the worlds beyond normal human experience which extreme situations create, the deprivation, degradation, demoralisation spread over long periods, which create new psychic zones.

For this reason – for Jagielski’s interest in moods and alternative states and his interest in depicting them in prose which is often more about poetry and fleeting perceptions than the journalist’s tradition fare of facts and dates – he has often been compared to the famous master of such writing and fellow Pole, Ryszard Kapuściński.

No surprise that snippets of praise from Kapuściński are found on the jackets of Jagielski’s books (”A stunning and beautiful book…Jagielski has scaled the heights of reportage’), or that Kapuściński wrote the introduction to one of his books, or that this very book was nominated for the Ryszard Kapuściński Prize.

Part 1 (Gulu and its night wanderers)

Ugandan elections 2006

The Night Wanderers is set in Uganda in 2006. Nominally Jagielski was in Uganda to cover the February 2006 general election and party politics are, accordingly, described in part 2. But the meat of the book is his descriptions of the appalling plight of the thousands of children abducted by the rebel group, the Lord’s Resistance Army (LRA), led by the psychopath Joseph Kony. J.M. Barrie wrote about the Lost Boys but it was a fairy tale compared to this lost generation of Ugandan children.

The Acholi

The north of Uganda is inhabited by the Acholi people. Some 2 million of them have been driven out of their villages, forced to abandon their homes, their fields and crops, to leave behind the graveyards full of ancestral spirits, and instead herded into about 200 refugee camps where they have built huts and live, but which they can never regard as home.

Exemplary cruelty

The rebels terrify civilians by attacking villages, hacking people to death with machetes, chopping off their hands, slitting their throats, clubbing them to death, hacking them to pieces with axes, raping the women, herding people into huts and burning them alive. The cruelty is exemplary: it is punishment for not believing in the wonderfulness of Joseph Kony, and also to terrify entire regions into submission. Thus:

On the orders of their commanders, the guerrillas killed the villagers in extremely cruel ways. They butchered and burned them alive, forced the prisoners to commit cannibalism and infanticide. They raped and tortured, cut off people’s lips, gouged out their eyes, and chopped off their hands and feet. They left behind bloodied corpses and gutted houses. (p.138)

(Why does the LRA cut off people’s lips? As a warning to others not to report encounters with them to the authorities or to the Ugandan Army, p.296.)

Refugee village headman

Jagielski meets Abola Imbakasi, headman of one such refugee camp, Palenga. His meek son, Robert, was taken by the guerrillas for 3 months (p.18). On returning he had to be exorcised by a priest but is still not the same. His mind has been permanently damaged by what he saw and was forced to do.

The children’s treatment centre

Jagielski meets Nora who runs a rehabilitation centre (a ‘children’s treatment centre’) for children who’ve escaped or been rescued from the guerrillas. All of them have killed, multiple times. Jagielski watches one of the therapy methods which is to let them act out what they did as a kind of gruesome pantomime, some of them acting out their own roles, some of them playing the villagers who they hacked, burned, tortured, shot and burned. The terrible questionnaire (p.38).

The journalist’s responsibility

Jagielski explains that he’s never had problems interviewing the commanders and leaders who order massacres and atrocities. They’re always confident it was the only way to achieve justice or peace. They are always full of excuses, justifications and blame others (see Putin’s justifications for murdering civilians in Ukraine).

In his experience it is always much harder talking to the victims of atrocities. For many their story, their experience, is all they have left. Therefore sharing it with a journalist is like a precious trust. Part of which is they think that by sharing their story, it will bring about justice in the outside world, and will bring them peace and closure. It is far harder dealing with these poor people when neither of those things happen, when the world doesn’t suddenly galvanise itself to address their wrongs, when they are left feeling even worse than they did before they told their stories (p.33).

Rebel magic

The ferocity of the attackers, the way they chiefly emerged at night, the way they hid in the jungle and picked off anyone foolish enough to stray into the darker jungle, all this gave rise to folk stories and legends: that they could dematerialise at will, could appear anywhere like witches, had magical powers, that they change the children they kidnapped from humans into savage animals (p.39)

And indeed, villagers, adults, normal civilians who haven’t been inducted, regard returnees from the rebels as ‘spirits of the forest’, as bewitched, soulless, voodoo, jinxed, bad luck (p.49).

Initiation killing

Jagielski learns from Nora’s interviews with countless child soldiers how new initiates into the LRA were forced at gunpoint to murder their own fathers, mothers, sisters, brothers, best friends, neighbours, in front of everyone, in front of plenty of witnesses, because then there was no going back, then they were forced to stay. This was the initiation ceremony into the Lord’s Army (p.45).

The boy Samuel

Jagielski is particularly interested in interviewing Samuel, who was abducted at age 9 and was soon afterwards forced to kill his first person, a boy from his village, and whose story Jagielski tries to piece together. Nora tells him the best age to create a child soldier is 9, old enough to be independent, young enough not to really know right and wrong. Mouldable (p.57).

Jackson the journalist

After trips to refugee camps or to interview the children, Jagielski returns to the bar at Franklin’s Inn where he regularly meets Jackson, now a radio journalist, himself inducted into the guerrillas many years earlier. Jackson plays the role of sardonic, satirical commentator on Jagielski’s efforts, claiming that no matter how many questions he asks, he’ll never understand what it’s like (p.46).

Atrocities

The narrative is regularly punctuated by descriptions of the most appalling atrocities, for example on pages 45, 50, 72, 138, 144, 146,

When they had finished their interrogation, the older guerrillas started killing the villagers. The commanders forbade them from shooting unnecessarily, to save bullets, and also because the noise of shots would alert the army. The peasants were tied up and made to lie on the ground, as the guerrillas unhurriedly murdered them one by one – men, women, old people, and also small children who weren’t fit to be prisoners. They killed them with machetes, axes, hoes and large knives usually used as agricultural tools. None of the villagers put up resistance or fought for their lives. Terror and a sense of doom had taken away their capacity for any kind of action. (p.137)

Or the story (repeated twice) of the LRA attack on a funeral procession when they forced the mourners to cook and eat the remains of the deceased, allegedly on the orders of Onen Kamdalu (p.241).

Gulu

Jagielski bases himself in Gulu, administrative capital of north central Uganda and each evening observes the same eerie ritual: every evening as the sun sets thousands of children (as many as 15,000) arrive having trekked from all the surrounding villages, for their own safety, to avoid the risk of being kidnapped and conscripted by the LRA. It is this silent army of forlorn children who arrive every evening and make beds in public spaces and on the sidewalks, who Nora calls ‘the Night Wanderers’ which give the book its title (p.58).

Jagielski describes the arrival of these tens of thousands of silent children in spooky spectral terms. The way the town of Gulu changed its atmosphere. the way adults departed abandoned the streets to the thousands of ghostly children. The peculiar way these children inspired irrational fear in the adult population, harbingers of evil (p.59).

Jagielski tells us he stayed at the Acholi Inn Hotel (p.91). This is a real place, still exists, and you can book a stay there, if you want.

Jagielski tells the history of how Uganda was created as a nation by the British, yoking together completely different peoples and tribes, the Buganda – agriculturalists – in the south, the Acholi, Lango and other peoples who lived by grazing and cattle, in the north.

Milton Obote and Yoweri Museveni

At independence in 1962 the British tried to reconcile these different peoples, making Milton Obote from the Lango tribe prime minister and the king of the Buganda, Frederick Mutesa II, president. But in 1966 Obote overthrew Mutesa and declared himself president. In 1971 Obote was overthrown by his own army chief of staff, Idi Amin from the Kwakwa people. In 1979 Ami invaded Tanzania but was swiftly repulsed and overthrown by the Tanzanian army (for a vivid description of Amin’s horrifying rule and the Tanzanian invasion, see Giles Foden’s powerful novel The Last King of Scotland).

Obote returned to power and swiftly commenced violent repression even worse than Amin’s triggering the Ugandan Bush War against him, led by members of Obote’s army plus tribal opponents. They crystallised into the National Resistance Army (NRA) and attracted support from the many Rwandan Tutsi exiles and refugees living in southern Uganda (who were to go on to form the Rwandan Patriotic Front and invade Rwanda in 1990).

In 1986 Obote was overthrown for the second time and the leader of the NRA, Yoweri Museveni, came to power. Museveni began a campaign of intimidation against the powerful Acholi people in the north and it was this which inspired Acholi resistance.

Alice Auma

Jagielski gives a pen portrait of Alice Auma, a withdrawn young woman who had failed to get pregnant by two husbands and been returned to her father in shame, before she began having visions and claimed to have visitations from spirits and announced she was a prophet of the Lord. She named the chief spirit visitor Lakwena (p.74).

Alice became known as Alice of the Holy Spirit. She set up a temple where she could heal the sick and the mentally disturbed. Then announced she was establishing an army which would not just defend the Acholi from the Ugandan Army’s depredations, but conquer all of Uganda and establish religious rule. She gathered followers from conventional guerrilla forces who were losing encounters against the army. She promised if they sprinkled holy water on their guns every bullet would find its billet, and if they smeared holy oil on their bodies they would be invulnerable.

Although this didn’t actually happen, the intensity of their belief led them to surprising victories over the conventional army and word spread. Conventional troops fled in panic when they heard the psalm-singing Alice army approaching. The army grew to several thousand and fought its way south to within 100 miles of the capital. But then her spirits abandoned her. Her troops said it happened when she crossed the White Nile and went beyond the borders of Acholi land. The central army also recruited powerful witches and magicians and defeated Alice’s army in November 1987.

Alice fled to Kenya where, ten years later (1997), Jagielski interviewed her. She didn’t say much. She claimed to have found a spirit cure for AIDS. She died in 2007.

Joseph Kony

Her father tried to take up her baton for a while but lacked the charisma. Then a new prophet arose in Acholiland, Joseph Kony. He claimed to be visited by Lakwena who had instructed him to create a new army, the Lord’s Army, and liberate Acholiland. One by one other rebel groups folded and ceasefired with the Ugandan army. Only the most fanatical opponents or those who had committed the most barbaric crimes held out and gravitated towards Kony’s army which, by a process of selection, became full of psychopaths, ‘vile, bloodthirsty, accursed creatures’ (p.81). (Jackson explains more about Lakwena, pages 198 to 200).

But they lacked manpower and the villages were no longer as keen to hand over their sons as they had been for Alice’s Army. So Kony took to kidnapping children on an industrial scale. Jagielski thinks the force Kony renamed the Lord’s Resistance Army might be the only child army in history.

Interview with Kony

Jagielski gives extended quotes from what I initially took to be a newspaper interview Kony gave, in which he disclaimed all responsibility for kidnapping children, claiming the mutilations were carried out by the Uganda army not him, swearing that his cause is just etc (pages 201 to 203). In fact the material comes from this video interview carried out by Sam Farmer, who must, as the saying goes, have balls of steel to doggedly track down a known mass murderer to his lair.

Warning: this video contains graphic and upsetting images of mutilation.

Sister Rachele Fassere

The story of Sister Rachele Fassere who tried heroically to rescue the 139 girls abducted by the LRA from the most eminent school in the region, St Mary’s convent school in Aboke.

Britain’s imperial behaviour and legacy: pages 71, 104, 154,

The stock African accusation against imperialists, the British, against all outsiders:

‘And that’s where the problem lies – in the names,’ said Jackson…’You give your own names to whatever you find in your country, and you’re convinced that once you’ve named it all, you’re also going to understand it all. But we have our own names too, but we look at things in our own way.’ (p.114)

Part 2 (Kampala)

In part 2 Jagielski leaves Gulu, travelling south by bus (with Jackson) to the capital of Uganda, Kampala. Thus we get a pen portrait of Kampala’s history – one of the few cities in all Africa that existed before the Europeans arrived i.e. that Europeans didn’t found. Winston Churchill was delighted with it and called it the pearl of Africa (p.154)

Jagielski checks into the Speke Hotel where all the foreign correspondents say, meet and swap knowledge (p.122). How western journalists co-op or rip off the hard-earned knowledge of local African journalists (pages 123 to 126).

Spirits

Alice Auma, and Joseph Kony after her, both triumphed because of the nearly universal belief in spirits. The book adverts again and again to spirit belief. For example, the passage about the area around Luwero where so many villagers were slaughtered that there was no-one to give them burial rites and so the spirits of the dead were trapped in this world and entered the bodies of the living (p.146).

Extended passage naming some of the spirits who take Kony, how he behaves when possessed etc, chief among them Lakwena (pages 166 to 169).

Jackson’s family believed that when his father came home from the war he was possessed by a spirit which eventually drove him to hang himself. The entire family and village were too scared to cut the rope he’d hanged himself by under the belief that anyone who did so would themselves be possessed and die, and had to bribe an old, old lady, known to be an ajwaka or healer, to do it.

Part 2 has more history and politics in it than part 1, which was more about individuals like Nora, Samuel et al. Jagielski is quite a repetitive writer. Some ideas are repeated in nearly the same phrasing. The dispossessed refugee men of Penga often raped women:

as if only by inflicting rape could they come alive and shake off their inertia (p.18)

Two hundred pages later, Nora complains that Acholi men are ‘useless’. They steal the money their womenfolk earn, simply abandon them, or rape them:

as if only through violence, by inflicting pain and harm, could they restrain something beyond their control which was causing their former world and old way of life to slip away before their very eyes. (p.237)

In a bigger example of repetition, the sequence of events whereby the British left Obote as Prime Minister and the king of Buganda as president, then Obote overthrew the king to become a dictator (1966), was himself overthrown by Amin (1971), who was overthrown by the Tanzania War (1979), which brought Obote back to power (Obote II), how Obote was even more bloodthirsty than Amin (maybe as many as 500,000 Ugandans died under his second regime), how this triggered the Ugandan Bush War (1980 to 1986), which eventually overthrew Obote and replaced him with Museveni – this narrative is repeated at least twice, some parts of it 3 or 4 times.

Part 2 goes into more detail about the biographies of all three players, Obote, Amin, Museveni, plus the restored king of Buganda, King Kabaka Ronald Muwenda Mutebi or ‘King Ronnie’ (p.140).

Pages about Amin and the mutual loathing between him and Julius Nyerere (pages 142 to 144); ‘the personification of horror (pages 155 to 166, including some of the scenes described in ‘The Last King of Africa’).

Another thing Jagielski repeats is the claim that Uganda became a place of war, horror and death. Because he repeats this kind of phrasing, stretched out to paragraphs, many times, and because the narrative is non-chronological but hops about in time, it becomes hard to figure out which leader it happened under and why it happened. Many passages like this:

Presidents changed but the nightmare continued and Uganda never stopped flowing with blood, as if it had been sacrificed to the god of war and evil. (p.145)

Wracked by lawlessness and violence, Uganda continued to be a bloodbath, doomed to horrific destruction, curse with an apocalypse. (p.164)

After almost two decades of the tyrannical regimes of Obote and Amin, civil wars, massacres, lawlessness and bankruptcy, plague and famine, and one and a half million corpses, it had come to be known as a doomed country… (p.170)

The bravery of British journalist William Pike, who edited the newspaper New Vision without fear or favour, and his lead journalist, Allio Ewaku Emmy (pages 126 to 129).

What triggers the more political flavour of part 2 is that Museveni had prided himself on not being like the old dictators, not hanging on forever…and yet, at the time Jagielski is writing, Museveni was trying to alter the constitution in order to allow him to run for president more than two times (as most constitutions require). That happened in November 2005, which dates the writing of these sections to that moment, rolling on to the subsequent elections of February 2006.

(In fact as I write, at the start of 2024, Museveni is still president of Uganda, having held the post since 1986, 38 years and counting.)

Museveni

Pen portraits of Museveni on pages 129 to 133, 139 to 140, 144 to 145, 170 to 177. Museveni surprised everyone by changing quickly, on taking power, from a firebrand socialist revolutionary guerrilla to a pragmatic head of state prepared to work with western banks and let capitalism thrive.

Museveni on slavery

Museveni discomfited other African rulers with a few home truths:

‘We like to complain about the whites, but have we ever wondered why only Africans let themselves be enslaved? Why didn’t we put up resistance? It was our own greed and quarrelsome nature that ruined us. That’s why we were defeated and conquered. We ourselves are to blame. It was our chiefs, waging fratricidal wars, who took people prisoner to sell them to slave traders from Europe. It was those black traitors who bear the blame for slavery.’ (quoted on page 171)

1. The kind of thing a white person could never say or think.

2. I think he’s wrong though, in two ways. Firstly, the reason Africa was so prey to depredation was because it was the most economically, socially and technologically backward of the continents (with the exception of Australia) due to the reasons laid out at length in Jared Diamond’s Guns, Germs and Steel.

But there’s a second thing going on here which is that Museveni, like most modern commentators, is thinking within the framework of black and white that has been firmly established over the past 100 years, which has created a false homogeneity among black people. I’m continually impressed, on a pretty much daily basis – reading the papers, listening to the radio, going to exhibitions – how black activists think there is some kind of inherent unity among black people, that all black people share the same interests and concerns. This seems to me wrong, wrong about any community or group of people.

What I’ve read in the books by Jeal or Hochschild or Segal give the impression that the Africans we’re talking about, in the 1700s and 1800s, didn’t have this simplistic modern binary between Black and White, nor share the modern idea that all black people share a common identity, common goals, need to be united etc. This all seems, as far as I can tell, to have sprung up among black people in the West, whether civil rights movements or black power or Nation of Islam or Black Lives Matters – all these groups define themselves by contrast with whites (and mostly derive from America).

My reading of the sources is that back in the 1700s and 1800s this kind of ‘black consciousness’ simply didn’t exist. Instead Africans identified themselves with tribes, maybe religions, with regions and languages, and regarded all Africans outside their tribal or religious group as others, others who could be quite legitimately enslaved or waged war on or whatever. They had no need to feel guilty as they were smiting the enemy and then selling them into slavery, thus boosting their own prowess, preserving their tribe, making their family wealthy, and that’s what mattered to them.

In a nutshell, Museveni is projecting back onto his ancestors a kind of black consciousness which is a twentieth century (and mostly American) creation and (like America) simply didn’t exist so no-one was aware of it and no-one acted on it, in the period he’s projecting it back onto.

African unity

3. Finally, yet again the strong impression given is that the whole concept of black unity in Africa is a joke. Here’s Michela Wrong describing the moribund Organisation of African Unity:

The summit of the Organisation of African Unity, that yearly get-together where insincere handshakes were exchanged, 29-year-old coup leaders got their first chance to play the international statesman, and the patriarchs of African politics politely glossed over the rigged elections, financial scandals and bloody atrocities perpetrated by their peers across the table.

(‘I Didn’t Do It For You: How The World Used and Abused A Small African Nation’ by Michela Wrong, p.357)

Biafra. The Rwanda genocide. The wars in Congo. The civil war in South Sudan. Just the history of Uganda alone makes clear how difficult Africans find it to live in peace with other Africans. One and a half million Ugandans dead in 20 years of civil wars and insurgencies is proof of something.

Look at how the insurgency of the Lord’s Resistance Army got mixed up with ongoing enmity between all the regional nations: at various points the governments of both Sudan and Democratic Republic of Congo gave the LRA aid and support, while Sudan backed Kony in retaliation for Uganda’s longstanding support of the secessionist movement in South Sudan.

Where is the ‘African unity’ in any of this? In fact Jagielski’s description of the poisonous backstabbing rivalry between African states is bleakly hilarious (pages 195 to 196).

The Ugandan opposition

Jagielski visits the HQ of the opposition party, the Forum for Democratic Change.

Portrait of Nasser Sebaggala, opponent of Museveni and mayor of Kampala from 2006 to 2011.

Portrait of Museveni’s slighted mistress Winnie Byanyima, who has blossomed into an international figure (pages 178 to 180). Winnie married Museveni’s one-time physician, Dr Kizza Besigye, and encouraged him to become a leading political opponent, to stand in the presidential election against Museveni (180 to 181).

As usual with the African elections I’ve read about, nobody talks about policies, instead the campaigns rotate solely around personality and character i.e. Museveni is the ‘great leader’ who has saved Uganda or Museveni has hung on too long and must go. Playground level.

Bounty hunters

A page on freelance bounty hunters around the world. The international community put a bounty of $1.5 million on Kony’s head, which attracted freelancers (p.193). In that case surely the question is, how come nobody tracked him down and killed him? Simply because he’s surrounded by trigger-happy bodyguards?

Bishop Joseph Kibwetere

Auma and Kony aren’t the only ones possessed by spirits. The story of Bishop Joseph Kibwetere who gathered a large following when he predicted the end of the world for 31 December 1999. He and his followers all burned to death in a church fire in March 2000. Or did he escape? Prophets and visionaries appear whenever there’s a natural disaster, droughts, floods, epidemics (p.209). (It doesn’t so much sound like, as actually is the European Middle Ages.) The ebola epidemic of the early 2000s which was, of course, seen as another attack of bad spirits and, like so many evil things, came from the Congo (pages 210 to 212).

Jagielski’s unhelpful way of describing disease

Jagielski writes about disease in a melodramatic, anthropomorphised way which undermines your trust in his descriptions of other things. Here he is describing the action of AIDS:

But the invisible virus was alive inside her, lying in wait, and when it launched its lightning attack, giving no chance for defence, it was too late to save her. (p.214)

This isn’t a very useful way of talking about or thinking about infectious diseases. Anthropomorphising disease like this is not far short of the local belief in spirits, except that Jagielski doesn’t have the excuse of no education. He’s dumbing down from dramatic effect.

In fact it has two deleterious effects. 1) Talk to any health professional and they’ll tell you we need to remove moralising and stigma from infectious disease. This kind of dumbed-down anthropomorphising encourages scientific illiteracy and folk attitudes. Most western nations are facing health crises, specifically over measles, caused by the decline in MMR vaccinations, triggered by rumour and false information. Many people thought the COVID vaccines were some kind of state-run conspiracy. For this reason discourse about illness should be kept scientific, factual and precise.

2) The second bad effect is that anthropomorphising illness like this, using this kind of emotionalising, unscientific way of describing disease, opens the door to moralising which quickly leads to judging victims, for example the way AIDS was initially stigmatised as a ‘gay plague’ or more recent slurs about monkeypox. Medieval worldview. Burn witches etc. People need to be encouraged to think about disease in the correct scientific, objective fashion.

A journalist’s complaint

Another thing I didn’t like was his self-centred hand-wringing about the moral challenges and compromises involved in being a journalist.

Messy, abandoned friendships, business started and interrupted, then forgotten, littered the routes of all my journeys. (p.216)

Well, I reflected, as I read the fifth or sixth such passage, if you don’t like it, get a job in an office. A lot of journalists seem to imagine that when I buy a book on a particular subject I’ll really appreciate lots of stuff thrown in about how hard their job is and how they have to continually make work-life compromises and let people down and oh it’s so difficult. Well, I don’t. Boring.

In a way the journalist’s profession has betrayal encoded into it. It demands gaining people’s trust and extracting confidences from them, purely in order to publicise and reveal them, all for a sense of a job well done, for satisfaction, applause and prizes. (p.216)

Like going to see your doctor with troubling symptoms and just wanting a diagnosis and treatment but instead having to listen to a long lecture about how badly paid doctors are and there’s never enough time to see patients and all their other gripes. No. Just diagnose and treat me. Same with journalists: don’t tell me all about your sensitive scruples and heroic regrets. Just tell me the bloody story.

Part 3 (back to Gulu)

To his own surprise, Jagielski didn’t hang around in Kampala to wait for the results of the election. He had unexpectedly bumped into Jackson and decides to return to Gulu. On the way Jackson tells him something extraordinary: most of the guests at the Acholi Inn Hotel where he’s staying are former guerrillas, people who have carried out the most appalling atrocities.

He describes the standard military corruption: all Ugandan soldiers are all corrupt. Their officers keep all their pay for themselves so the ordinary soldiers are forced to steal from the locals, hold them up at temporary roadblocks, even sell their arms and ammunition to the guerrillas.

Not only that, but many of the shops in Gulu sell goods stolen from country villages which the guerrillas  have looted and then send on here. And that the guerrillas, who kidnap other people’s children, send their own children to good public schools here in Gulu. This isn’t a dysfunctional society so much as dysfunctional people. When so many people dysfunction what hope is there for ‘normal’ society?

‘Where two elephants fight, the greatest victim is the grass.’ (Acholi proverb, p.229)

Rehabilitating child brides

Jagielski returns to the child treatment centre. It’s pretty obvious he fancies Nora and she’s quite happy to flirt with him. He admires her tight-fitting jeans. The other care worker, Christine, is careful to knock on Nora’s door, even when it’s open, so she doesn’t walk in on them kissing or worse. I found these scenes a bit icky (for example, page 249).

Lunch. Watching the children at crafts. The eldest girl is 16. All of them who were capable of it, were taken as child brides by guerrilla leaders and have borne children. On returning to the world they are shunned by their families. So the centre teaches them to sew, makes crafts, open market stalls. This is the route to financial independence and, once they’ve earned some money, to interesting some man into marrying them.

Refugees

Refugees are people who may not have lost their lives to war, but their existence has been robbed of its meaning. War has taken away all their faith, hope, dreams and energy. (p.234)

Former guerrilla leaders

Jagielski talks to the former LRA leaders now living quietly at the Acholi Inn:

Jagielski carries out an extended interview with Banya (pages 240 to 248), a characteristic figure in that he had been a senior figure in the formal Ugandan army but quit when Museveni came to power, disgusted that Museveni overthrew the interim rulers (who succeeded Amin) through violence, and also worried Museveni would start persecuting the Acholi (as he did). One day envoys from Kony arrived at his home and told him to come now or they would kill his entire family. So he went with them and was never allowed back.

Christine returning the lost boys

At the centre Nora works alongside Christine. They dislike and avoid each other. Nora thinks Christine obeises herself to a husband who’s moved to Kampala and is rumoured to have taken a second wife. Christine denies all this and thinks Nora is disreputable for not having married and settled down.

A long passage seeing things through Christine’s eyes, the arrival of the first liberated child soldiers at the centre, Christine’s opinion that they need love and support and, above all, to be told it’s not their fault. All of them were forced to kill or mutilate under threat of it happening to themselves.

The best medicine for these damaged children turned out to be routine: wake-up same time, breakfast, chores etc (p.259).

Jagielski accompanies Christine as she takes some of the last boys in the camp back to their various villages, observing their receptions (pages 259 to 269). Life in the dirt poor refugee camps, with absolutely no purpose, is hard for the reclaimed boy soldiers. Many of them run back into the bush, where there’s at least a purpose, and food. Or are so shunned by former neighbours and even their own family that they become embittered, violent. Some of them spontaneously kill.

Mato oput

Jagielski witnesses a ceremony of mato oput meaning reconciliation for a crime, and learns the complex traditional methods for a wrong-doer to admit their guilt, the compensation to be paid by his family, the road to acceptance and reconciliation (pages 266 to 269, 273 to 282).

A detailed description of Acholi beliefs about dead people’s spirits, specially how they persecute the living if they’re not happy (pages 269 to 273). Worth mentioning that a Catholic priest, Father Remigio, accompanied Christine and Jagielski on this trip, and was by his side explaining all aspects of the mato oput ceremony, their provenance and meaning.

The Acholi king

The Achioli king is named David Onen Acana II. His shabby court looks like a provincial post office. Some facts about the Acholi who migrated into north Uganda from Sudan where they were nomadic shepherds, hunters and fishermen.

When he arrives the king is discussing the future of Kony with one of his advisers, Chief Lugai. They’d been invited to meet Kony in the bush but when they got there he didn’t show up. The king and Chief Lugai say Museveni needs to pardon Kony and the International Tribunal at the Hague drop its charges. Only then will Kony come in, and he must be handled with traditional Aconi rites i.e. Mato oput (p.288).

The king then laments at length how the old tribal ways are being destroyed not only by the war, the enforced relocation of 2 million people, but criticism from Christian missionaries and Muslim imams and the new young generation in cities who turn to the West (pages 289 to 291). In other words, the inevitable process of ‘modernisation’ and ‘development’.

Father Cosmas

An interview with the Catholic priest Father Cosmas who is quite clear that Alice was possessed by satanic spirits but that Kony is Satan himself (p.294). Stories he has heard from children who have been rehabilitated and made their confessions to him.

Severino Lukoya

Jagielski says goodbye to Nora, with the uneasy feeling that he has wormed his way into her and Samuel’s affections merely to exploit them for his book then dump them. And that’s what she accuses him of.

The last thing he does in Gulu is go to visit Severino Lukoya. He was the father of Alice Auma who, after Alice’s forces were defeated, claimed that the spirits had entered him and that he was now the spokesman for Lakwena et al. In the event the forces he led were defeated by the Ugandan Army even more heavily than Alice’s, he fled to Kenya, and the mantle passed to Joseph Kony who lied that he was Alice’s cousin. So it’s a family romance, of sorts.

Anyway, Severino quietly returned to Gulu, built a church for his own denomination, and has been living quietly, left in peace by the authorities. Jagielski discovers he is now a very old, weak old man. Severino is assisted by Martin the chaplain who seats him on a chair and hands him one of the holy bottles. Then Jagielski witnesses the old man being possessed by Lakwena.

Severino speaks in Acholi, Martin translates, and it’s basically a recap of Severino’s career i.e. being chosen by God, trying to preach the word of God, going off to bush to live by himself, choosing water to purify and stones to act as weapons and incite his men to fight for the Last Judgement…

Then it’s over and the old man shrinks in his chair, exhausted.

Thoughts

1. This is a very, very good book which doesn’t so much explain as immerse you in the bloody, complex history of modern Uganda and especially the horrifying reality of the LRA’s campaigns and their terrible aftermaths for all concerned.

2. It’s a fount of information not only about the LRA and about Uganda’s troubled history, but many aspects of the folklore and traditional beliefs of the Acholi people, above all their profound belief in the role of spirits in all aspects of human life.

3. It also gathers together a range of valuable eye-witness accounts: from children directly involved, from some of Kony’s henchmen, from Nora and Christine, plus Jagielski’s witnessing of the mato oput ceremony, the knowledge of Father Remigio, the opinion of Father Cosmas, Jackson’s conveying of the voodoo mysticism of the Acholi people which no outsider can really understand.

4. It’s a real shame the book doesn’t have an index as I found myself wanting to reread certain passages or flip through the explanations of particular topics which are scattered in fragments through the text and so hard to re-find unless you’ve made a record or turned down the page. Part of my motivation in making such detailed notes and providing precise page references in this blog is to create such indexes, as best I can, for my own use and as, hopefully, a help to other readers.

5. Jagielski is in the same ballpark as Kapuściński but not in the same class. Kapuściński can be, by turns, genuinely philosophical, reaching deep into human nature, or lyrical, or quirky and drily humorous (as throughout his book about Haile Selassie). Jagielski attempts the same kinds of thing and they’re interesting enough, such as his fairly frequent personification of abstract entities:

The day fixed for the elections overslept and got up late, looking grey. For ages it couldn’t gain full consciousness and get itself going. (p.187)

This kind of thing is entertaining enough, but without the real depth or lyricism of his mentor.

6. Obviously most of the subject matter of The Night Wanderers is beyond appalling but, if you’ve read 20 or 30 books about contemporary Africa, as I have, you get used to Africans massacring each other, generally in the most brutal, sadistic ways possible.

What it makes me wonder is … you know how anti-colonial critics, post-colonial writers and anti-colonial historians often criticise the Europeans for, among countless other crimes, imposing their notion of the nation state onto cultures which were more flexible and fluid, based around tribes and traditional rulers … well, in descriptions of the collapse of whole regions of supposed ‘states’ (such as Rwanda or Congo or Uganda or Sudan) into violent anarchy, I wonder if it’s simply a matter of older traditional African culture reasserting itself, of societies rearranging themselves around their core attachment to tribes…and that the endless guerrilla wars are just the modern name given to the age old tradition of warlords gathering supporters and fighting the ruling king…

They’re called warlords and guerrillas these days but, from my reading of Gerald Segal’s book about Islamic slavery, I learned a lot about the continually shifting, rising and falling kingdoms and empires of west Africa, rising as new warrior chiefs achieved ascendancy, falling as other states seized land and towns under violent new leaders…

So isn’t the violent chaos in many African countries simply a continuation of the old traditions, but now with Kalashnikovs? That’s the strong impression you get from Jagielski’s extended description of the tangled web of insurgencies, civil wars, militias and guerrillas, which completely ignores state borders and sprawls across a huge area of north Africa taking in Somalia, Sudan north and south, Uganda, Congo, Darfur, Chad, Central African Republic, as far west as Niger, large parts of which are under no state control (pages 195 to 197).

And stepping right back – isn’t this patchwork quilt of petty kingdoms based around local chieftains in fact the way most humans have lived through most of history? Wasn’t this the same continually warring tribal world the Romans encountered everywhere they advanced, for example the complex tribal networks of Gaul and Britain endlessly at war with each other as described in Julius Caesar’s Gallic Wars? Or, hundreds of years later, the equally complex, warlord-based societies of Dark Age Britain and, indeed, right across post-Roman Europe? Isn’t it, in fact, the natural way most humans have lived in most of history – and the huge, secular, technocratic and democratic states we in the West take for granted, aren’t these the oddities and exceptions to the rule?

Antonia Lloyd-Jones

A word on the translation by Antonia Lloyd-Jones. It reads very well indeed. The word order and use of subordinate clauses do not feel as if converted from another language, as often happens with translations from French or German. It reads like English and very well written English at that. There are a few odd turns of phrase, which I enjoyed:

  • When Museveni announced new presidential elections that he intended to win again and extend his reign, Dr Besigye cast him a challenge and stood for election too. (p.180)
  • Museveni had the victory in his grasp. (p.184)
  • Emmy cast him a look but didn’t say anything. (p.194)

The only blemish on her style is her very frequent use of the word ‘whom’ which regular readers of this blog will know I have developed an irrational dislike of. I dislike it’s prissy formality. Nobody says it in actual speech. It is becoming a literary fossil.

There he had met Nora, the first person to whom he had told everything he had seen and endured. (p.187)

‘What about those who don’t even know whom they have killed?’ (p.283)

Despite being British, Lloyd-Jones uses the word ‘pants’ for trousers (p.248) and ‘line’ for queue (p.172). Maybe the sub-editors at the New York publishers insisted. But these are microscopic quibbles. It’s a highly readable, fluid translation.


Credit

The Night Wanderers: Uganda’s Children and the Lord’s Resistance Army by Wojchiec Jagielski was published in the Polish original in 2009. The 2012 English translation by Antonia Lloyd-Jones was published by Old Street Publishing (OSP). References are to the OSP paperback edition.

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Epicoene, or the Silent Woman by Ben Jonson (1609)

CLERIMONT: For God’s sake, let’s effect it: it will be an excellent comedy of affliction…

Epicoene is an older archaic spelling, nowadays we spell it ‘epicene’. Epicene means ‘having characteristics of both sexes or no characteristics of either sex; of indeterminate sex’. Intersex is, I think, the modern term.

Cast

Men

Morose: A gentleman that loves silence
Sir Dauphine Eugenie: A knight, Morose’s nephew
Ned Clerimont: A gentleman, Dauphine’s friend
Truewit: Dauphine’s other friend
Epicoene: A young gentlewoman, supposedly the silent woman
Sir John Daw: A knight, Epicoene’s servant
Sir Amorous la Foole: A knight
Thomas Otter: A land and sea captain
Cutbeard: A barber, also aids in tricking Morose
Mute: One of Morose’s servants

Women

Madame Haughty: one of the Ladies Collegiates
Madame Centaure: one of the Ladies Collegiates
Mistress Mavis: one of the Ladies Collegiates
Mistress Trusty: one of the Ladies Collegiates
Mistress Otter: The captain’s wife
Parson

Plot summary

Act 1

London. Morose is a wealthy old man with an obsessive hatred of noise, going as far as to live on a street too narrow for carts to enter. Morose is morbidly and comically averse to noise of any kind. He lives in a room with double walls and treble ceilings, the windows closed and caulked. It has a voicetube from his room to his servant, aptly named Mute. If they are in his presence, he insists he answers his questions by shaking their left or right legs. He turned away a serving man who came to the house because his new shoes squeaked!

With the miserly ill-will typical of a Jonson character, Morose plans to disinherit his nephew, Sir Dauphine Eugenie, partly because of them mean practical jokes Eugenie has carried out in the past, aided by his two buddies, Ned Clerimont and Truewit.

Dauphine concocts a plan with Cutbeard, Morose’s barber (itself a joke, since barbers were meant to be notoriously gabby), such that Cutbeard presents to Morose a prime candidate for marriage, a young and – here’s the point – very quiet woman to marry.

This main plot continues with Morose being introduced to Epicœne and testing her with questions to see whether she really is a silent woman. He tells her not to succumb to the temptations of the court and tells her about the virtues of silence. Under the assumption that his fiancée, Epicœne, is an exceptionally quiet woman, Morose excitedly plans their marriage. Unbeknownst to him, Dauphine has arranged the whole match for purposes of his own.

But there is a jungle of sub-plots which help to make this play unusually long. First there are two idiots – affected fops, Sir Jack Daw who thinks of himself as a clever intellectual who likes to drop Latin phrases into conversation, and Sir Amorous La Foole, a fop, who fancies himself as a great man-about-town and hosts grand parties. He’s holding a big feast tonight at the house of Captain Otter, a former sea captain and then supervisor of a bear-pit, whose wife is a relative of La Foole’s.

Second, we are told about a ‘college’ of strong-minded women, the so-called ‘Collegiates’ Lady Haughty, Lady Centaure, Mistress Dol Mavis:

an order between courtiers and country-madams, that live from their husbands; and give entertainment to all the wits, and braveries of the time, as they call them: cry down, or up, what they like or dislike in a brain or a fashion, with most masculine, or rather hermaphroditical authority; and every day gain to their college some new probationer.

These ladies, too, have been invited to La Foole’s big party.

Act 2

Truewit takes it upon himself to visit Morose a) upsetting him by blowing a horn, such as postmen use but b) with the main purpose of delivering an extended lecture on why women are awful and so Morose should not marry. Almost all of this is copied from Juvenal’s satire against women, and it genuinely terrifies Morose about the prospect of marriage. Truewit warns him he will be made so miserable by a wife that he wants to kill himself, and humorously leaves him a noose behind on his departure.

Jack Daw fancies himself as a poet and so Eugenie and Clerimont egg him on to show his ignorance by a) reciting one of his bad poems and b) giving his ignorant opinions about the famous poets of history, during which it becomes clear that he has a vast library but has never read a book, taking the names on the covers to be famous authors even when, in fact, they are the titles. So, an extended satire on would-be literary pretentiousness.

Truewit returns to his friends and proudly announces that he has put Morose off marrying, for life. Eugenie is devastated and only now reveals to his friend that they have been planning for months to marry him to Epicœne precisely because she will be an agent of Eugenie’s and get Morose to reinstate him as his heir.

Scene 5

Cutbeard presents Epicœne to Morose. Morose has come to suspect that Truewit was sent by Eugenie deliberately to put him off marrying – and that has made him more determined than ever to bed wed! Morose cross-questions Epicœne at length, with Epicœne only rarely answering and then very briefly and softly. Excellent! Just what Morose requires. Morose is so delighted he gives Cutbeard the freehold to the property he was renting.

Scene 6

Cutbeard reports back his success to Eugenie, Truewit and Clerimont, who are delighted. When he’s gone they take the mickey out of the barber’s fondness for Latin tags, they are surrounded by pretentious idiots. Truewit suggests the practical joke of redirecting all the guests heading for La Foole’s feast round to Morose’s to celebrate his wedding. The noise will drive him mad. They all agree it’s an excellent idea.Then they mock Tom Otter, who they rank alongside La Foole and Jack Daw as a fool. Otter has retired from the bear-baiting business to open a pub which he keeps stocked with tankards with animal heads. He is hen-pecked by his powerful wife.

Act 3

Act 3. Scene 1. Tom Otter’s pub

Otter is being nagged and harangued by his wife who ridicules everything about him. The wits – Eugenie, Clerimont and Truewit establish that she is preparing to host La Foole’s party. The wits persuade Jack Daw to divert the party-goers to Morose’s house. La Foole enters and they con him, telling him Daw was trying to spoil his party but La Foole can get his own back be deliberately relocating his party to Morose’s house – which he promptly agrees to do.

Act 3. Scene 4

Cut to Morose who has been married by a feeble Puritan preacher with a heavy cold. And now takes place the Comic Reversal of the play which is that… Epicœne, once wed, turns out to be a chatterbox and a shrew, and immediately falls to nagging her poor husband.

MOROSE: Oh immodesty! A manifest woman!

She immediately starts bossing him around, not just him the servants, too. When Mute comes in and starts making the silent bodily signals Morose has requested, Epicœne scolds him and tell him no longer to use such silly unnatural signing.

MOROSE: She is my regent already! I have married a Penthesilea, a Semiramis, sold my liberty to a distaff.

Truewit arrives and ironically congratulates Morose on sticking to his guns despite his (Truewit’s) advice. Morose curses the barber Cutbeard and he and Truewit engage in several pages of comic abuse and elaborately appropriate curses for a barber.

Act 3. Scene 6

Daw arrives with three of the leading Collegiates to Morose’s horror. The Collegiate ladies are impressed by Epicœne’s self-possession and decide to invite her into the college. They then set about berating Morose for the hole-in-the-wall way he’s got married and criticise him for not having costumes and music and masques and an epithalamium. Morose shrivels with misery.

Act 3. Scene 7

Clerimont arrives with musicians who all start playing at once. La Foole arrives with Mistress Otter and her servants carrying an elaborate wedding dinner. Obviously this is all to the mounting horror and disbelief of Morose, but there is additional comedy when Mistress Otter argues with some of the Collegiates about the order they should enter Morose’s house. Sisters etc. Then arrives Captain Otter, with some trumpeters and drummers. Morose’s misery is complete.

Act 4

Act 4. Scene 1 Morose’s house

Clerimont and Truewit laughingly describing the racket in the house. Dauphine enters and tells Truewit Morose has retired to the tallest attic in the house and wrapped his head in nightcaps. Truewit proceeds to give an extended description of ‘women’ i.e. how they need to be pursued, only pretend to be coy, sometimes must be taken by force. Enough to make a feminist explode. Truewit’s role, after all, is the lecturer, compared to his lighter friends, and he delivers a massive block of prose about how to chat up and insinuate yourself with all types of women. Off the back of this rodomontade we learn that Eugenie is taken with the Collegiates, all of them.

Act 4. Scene 2

Enter Daw, La Foole and Otter who has brought his tankards with the lids shaped into the heads of different animals. They’re already drunk and proceed to have a drinking game and get even drunker. The three wits decide to encourage drunk Otter to express what he really feels about his wife, and get her to come and eavesdrop. He is predictably rude about all wives, in fact gives a very funny description of how Mistress O is assembled from a host of false parts (hair, eyebrows, teeth) manufactured in all parts of London, which have to be laboriously assembled every morning. Overhearing, Mistress O is predictably furious and falls on, starts beating him, while the wits order the trumpets and drums to play and yell, ‘A battle, a battle.’ Presumably all wives and husbands in the audience were laughing with recognition or mock horror.

Morose appears with a huge sword and drives the musicians and Mistress Otter away and runs off shouting, Eugenie follows him, and Truewit and Clerimont are left laughing. But it is very typical of Jonson that their last comments are not charitable, but are spiteful.

TRUEWIT: His humour is as tedious at last, as it was ridiculous at first.

Earlier Truewit had commented on Jack Daw that:

TRUEWIT: A mere talking mole, hang him! no mushroom was ever so fresh.
A fellow so utterly nothing, as he knows not what he would be.

Truewit is excellent at being vicious about people behind their backs. He is the driving force of the play and his motivation is malice and spite.

Act 4. Scene 3

The Collegiate ladies instruct Epicœne. They tell her to exploit her husband mercilessly, to demand a carriage and servants. And then to encourage men to court her, at the theatre, at the Exchange. For taking lovers never hurt anyone. In other words, a stereotyped list of all the behaviours moralists blamed women for.

Act 4. Scene 4

Enter Morose telling Dauphine he would do anything, anything, to be free of all these guests, this racket and his wife. Dauphine positions himself as the One Man Who Can Fix It – with a view to being reinstated as the heir.

Morose is so beside himself that Epicœne then declares he is going insane or having a fit (Truewit lets us know that she is being paid to play a part and is devising inspired means of her own to torment Morose; he is genuinely impressed). This leads into a comic couple of pages where the half-wit men (La Foole, Daw, Otter, ‘a brace of baboons’, Truewit calls them) and the pretentious women outdo each other with absurd remedies for mental illness drawn from a selection of wildly inappropriate contemporary authors.

On and on they pile the agony, Epicœne saying she will read him from each of these authors, at length, every night. We learn that Epicœne talks in her sleep. And snores. Very loudly. Morose storms off followed by Dauphine. The others set about insulting Dauphine behind his back so Truewit instructs Epicœne to go in and praise him to the skies. Dauphine recognises that Truewit is driving the narrative. ‘You have many plots,’ he says.

Act 4. Scene 5

Truewit vows to do down the baboons who were so recently denigrating Dauphine to the ladies. Hide behind the arras he tells Clerimont and Dauphine and watch a master at work. Enter Jack Daw. Truewit persuades Daw that La Foole is after his blood. He hustles Daw into a side room and locks the door, and then loudly pretends as if La Foole had charged up with drawn sword ready to hack Daw to pieces. He begs Dauphine to drag La Foole away, waits a beat then opens the door to Daw who is now petrified and convinced La Foole will murder him. Much ironic humour for the audience as Truewit monstrously exaggerates how many weapons La Foole was carrying and makes Daw admit he’d gladly sacrifice an arm or a leg so long as he lives. Truewit locks him into the room again.

Clerimont asks if he can have a role in part two but Truewit says it requires tact and quick wits. As you might expect, La Foole now appears in the corridor and Truewit similarly persuades him that Daw is out for his blood. Terrified, cowardly La Foole lets himself be pushed into the other room of this corridor and Truewit pretends to be talking to Daw now, who he pretends is outside with a bomb! He shouts through the door to La Foole what terms he will accept. Anything anything, La Foole replies.

Now Clerimont and Dauphine come out of hiding between the arras. Clerimont has the bright idea of going to fetch the ladies, so they can see the climax of the comic drama Truewit has contrived, although Dauphine thinks this is going too far, thinks Truewit is in love with his own contrivances.

Truewit now invites Daw out of the room where he’s been hiding and says La Foole is prepared to let bygones be bygones after payment of a small forfeit. First Truewit teases him by saying La Foole wanted his upper lip and six teeth! Then just two front teeth. Then that he’d be content with five good hard kicks. Daw agrees and Truewit signals to Dauphine, who is heavily disguised, comes out of hiding and delivers five swift kicks. ‘Six’ says Daw, so Dauphine gives him one more then retires. Grateful for his escape, Daw hands over his sword and is locked back in his room.

Now Truewit gives La Foole the same treatment, tells him to come out and, to save his life, must submit to be blindfolded and beaten around the mouth. So once he’s blindfolded Dauphine sneaks in (pretending to be Daw) and beats him round the mouth. Truewit pretends to restrain him and eventually send him away. He unblindfolds La Foole and locks him in his room

Now – all this was because La Foole and Daw joined in a bit of drunken banter about Dauphine and insulted his reputation, saying he was poor and forced to run errands for a living. This extended farce seems both elaborate and cruel. Cruel judgement, disproportionate and harsh punishment, is a characteristic of Jonson’s comedies.

Act 4. Scene 6

The Collegiate ladies arrive onstage having witnessed part of the last scene which has successfully disgraced La Foole and Daw in their opinion, and hugely raised Dauphine. They all fancy him and itemise his attractions.

And now Truewit crowns his farce by calling the two ridiculed knights out of their hidey rooms – first he and Dauphine cautioning the ladies not to titter or give any sign that have seen the ridiculing. And so Daw and La Foole emerge from their rooms and greet each other with excessive politeness and bow and smile and everyone else on stage and in the audience knows what fools they are.

Act 4. Scene 7

Enter Morose, back from the courthouse where he tried to find a lawyer to divorce him but couldn’t they were all so busy shouting at each other. Truewit promises he’ll get him the best lawyer in town, and packs Morose off inside. Then asks Dauphine to run and fetch Otter and the barber Cutbeard from wherever they’ve gone. He will dress them up and transform them into a learned divine and an imposing lawyer. This will be the final humiliation for act 5.

Act 5

Act 5. Scene 1

A scene in which Clerimont eggs Daw and La Foole on to boat about their feats with women, by telling them their reputations go before them as ladykillers, the Collegiate ladies all talk about them… and then lets them both stutter and hand over to the other and try to avoid having to tell any specific anecdote, giving the strong impression they might both be virgins. Clerimont even asks if it’s true they’ve both enjoyed Epicœne’s favours and they mumblingly admit that, yes, it might be true.

Act 5. Scene 2

Dauphine really is a hit with the ladies. Here we see him walking with Lady Haughty who flatters him then tells him to come to her chamber tonight, bouncy bouncy, her maid will let him in, she gives him a jewel to wear for her sake.

She is closely followed by Lady Centaure who tells him not to trust Lady Haughty, that she is over 50 and paints her face, you should see her first thing in the morning! No, he should come and visit her, Lady Centaure, one evening… She is followed by Mavis (another of the Collegiates) who gives him an Italian poem to translate before flitting off. Enter Clerimont who congratulates him on his popularity with the women.

Also to tell him that the rest of the company have carried on getting Daw and La Foole so drunk and egging them on so much that they are both fiercely claiming to have slept with Epicœne, almost vowing to have done so today. Dauphine is delighted, as their comeuppance is inevitable.

Act 5. Scene 3

Enter Truewit, the malicious impresario of the play. As planned he has dressed up Cutbeard and Otter as a canon lawyer and a divine, respectively. Now we realise why it was made a notable feature of both characters that they had a penchant for Latin tags: now they can go made and quote all kinds of dog Latin each other, while Morose stands between them being driven mad by their incomprehensible jargon.

Act 5. Scene 4

The ladies enter and interrupt the lawyerly bickering. Epicœne asks whether anyone ever saw anything so shameful as a bridegroom on his wedding day employing two professionals to help him get divorced. The women suggest they beat or blanket Otter and Cutbeard out of the building. Truewit prompts Morose to come forward and throw himself on the mercy of the women, abjectly apologise and reveal that he is, in fact, impotent!

The ladies all gasp in horror, but then insist he is inspected by a doctor; or why not by them (asks Mistress Otter) and Morose is reeling from this suggestion, when Epicœne caps it by saying she forgives him and will take him anyway.

At this point, there is yet another torment, namely Clerimont bringing forward Daw and La Foole who, if you remember, had been drunkenly banteringly persuaded to confess that they had slept with Epicœne. Reassured that Morose actually wants them to say this, they both agree, that yes, they have had Epicœne as their mistress. This crushes Morose right into the dirt.

MOROSE: O my heart! wilt thou break? wilt thou break? this is worst of all worst worsts that hell could have devised! Marry a whore, and so much noise!

Now at his lowest point, his nephew Dauphine steps forward and offers to save him. He tells Morose that he well knows that he, Dauphine, has repeatedly asked to be given £500 a year out of Morose’s annual income of £1,500 and the full amount upon Morose’s death. Now he gives him a document to sign to that effect. Morose signs it, all the company witness it – at which Dauphine steps forward and takes off Epicœne’s wig.

Epicœne is a boy! Dauphine has been planning the con, and paying Epicœne to act a woman, for 6 months. Now he dismisses Morose who shuffles back into his house without a word. He takes off Cutbeard and Otter’s disguises, telling the former he can keep his property and the latter that he will be reconciled with his wife.

A boy! Epicœne is a boy! Truewit congratulates Dauphine who has, for once, outwitted even him (Truewit). Truewit points out that the fact Epicœne is a boy makes a mockery of Daw and La Foole’s claims to have slept with her, but not with gentle ribaldry, with the savage cruelty which is so characteristic of Jonson:

Away, you common moths of these, and all ladies’ honours. Go, travel to make legs and faces, and come home with some new matter to be laugh’d at: you deserve to live in an air as corrupted as that wherewith you feed rumour.

He tells the Collegiate ladies to take care of such wretched braggarts in future, then steps forward and briskly asks the audience to clap if they liked the play, now that Morose has gone into his house he will not be disturbed.

Comedy of affliction

CLERIMONT: For God’s sake, let’s effect it: it will be an excellent comedy of affliction…

It’s hard to think of this as anything other than bullying. In the main plot the entire cast bands together to bully and humiliate and vex Morose. In the big farce sub-plot in act 4, Truewit contrives the extended humiliation and shaming of Jack Daw and La Foole. The plot amounts to as much humiliation, shaming and vexation as can be fitted into three hours.

Morose repeatedly begs for mercy:

MOROSE: Alas, do not rub those wounds, master Truewit, to blood again: ’twas my negligence. Add not affliction to affliction.

Pleas which are completely ignored and, indeed, mocked. When Morose trusts anyone, they deceive him, especially the self-appointed impresario of his torments, Truewit.

MOR: Do your pleasure with me gentlemen; I believe in you: and that deserves no delusion.
TRUEWIT: You shall find none, sir [Morose exits]… but heap’d, heap’d plenty of vexation.

Behind their backs Truewit is scathing. I found his character far more despicable than Morose’s. In fact what is wrong with wanting a quiet life? Whereas reducing a fellow human being to tears of despair doesn’t strike me as being a particularly admirable achievement.

MOROSE: O, my torment, my torment!

Themes

Quite clearly the play’s two main themes are gender and speech. They both seem pretty straightforward. As to gender, the three wits – Truewit, Clerimont and Dauphine – unman and humiliate all the other male characters, most notably Morose (who is forced to admit he is not a ‘real’ man at the play’s climax, then is dismissed) Daw and La Foole (who are subjected to the extended kicking and punching ordeal before being revealed as monstrous liars regarding sleeping the Epicene). Otter and Cutbeard are used to bring out the sham knowledge and empty argot of doctors and lawyers.

And ‘women’ as a gender come in for sustained and vitriolic criticism from Truewit on numerous occasions, besides being portrayed as manipulating exploiters of men who pretend to a noble sisterhood, while in fact secretly scheming and undermining each other (the Collegiate ladies) or straight-out nags and shrews (Mistress Otter).

As to language, clearly the entire play is built on the destruction of Morose’s wish for silence, and celebrates the triumph of cacophony, itself made up of countless different styles and rhetorics, from Mistress Otter’s nagging, to Truewit’s reversioning of Roman satire, to Otter and Cutbeard’s preposterous pretence of Latin learning as the fake doctor and divine. There’s the fake sisterhood of the Collegiate women and the pretended literary knowledge of Jack Daw and La Foole. The closer you look at it, the more you realise the play represents a kind of riot of rhetorics.

The more the play’s charivari of gulls and manipulators babbled on, the more I sympathised for Morose’s forlorn wish for them all just to shut up and go away.

Historic position

Apparently, Epicoene was the first play to be performed when the London theatres re-opened after the restoration of Charles II. He returned to England in May 1660 and as quickly as the next month some of the theatres had re-opened and Epicoene was being staged.

R.V. Holdsworth, in the introduction to the Mermaid edition of the play, speculates that this may have been because the play features many characteristics which appealed to the audience of the time and went on to influence or be reflected in many Restoration comedies, namely: it’s concern with upper-class manners and morals, the centrality of a mock marriage, the cynical libels on both sexes, the fundamental motive of the play – which is a young man extracting money from an old relative – and its colourful parade of wits, fops and middle-aged grotesques.

To my astonishment, John Dryden in his Essay of Dramatic Poesy (1668) considered the construction of Epicoene ‘the greatest and most noble of any pure unmixed comedy in any language.’ Really? Rather than any of Shakespeare’s comedies? This surprising opinion is an indicator of the height and influence of Jonson’s reputation for generations after his death.

Boys

It beggars belief that the play was written to be performed by boys, specifically the Children of Her Majesty’s Revels. It is packed out with bawdy double entendres and sexual references, not least Daw and La Foole’s boasting about their sexual escapades, all the Collegiate women making sexual appointments with Dauphine, Morose shouting that he is impotent – every page is (according to the notes) packed with sexual innuendo. And all performed by children!

The Wikipedia article on boy players says the actors were generally aged 8 to 12, chosen because they hadn’t yet hit puberty or their voices broken! I wonder if anyone in the modern era has tried to restage any of these plays a) entirely played by boys b) with a cast of 8 to 12 year olds? What would be the aesthetic, psychological, comedic impact of watching a lot of 8 to 12 year old boys spending three hours speaking a sustained barrage of sexual innuendo?


Related links

Elizabethan and Jacobean reviews

Three Essays on Sexuality by Sigmund Freud (1905)

Note: to avoid misunderstanding, I believe Freud is a figure of huge cultural and historical importance, and I sympathise with his project of trying to devise a completely secular psychology building on Darwinian premises. Many of his ideas about sexuality as a central motive force, about the role of the unconscious in every aspect of mental life, how repressing instinctual drives can lie behind certain types of mental illness, his development of the talking cure, these and numerous other ideas have become part of the culture and underlie the way many people live and think about themselves today. However, I strongly disapprove of Freud’s gender stereotyping of men and women, his systematic sexism, his occasional slurs against gays, lesbian or bisexuals and so on. Despite the revolutionary impact of his thought, Freud carried a lot of Victorian assumptions into his theory. He left a huge and complicated legacy which needs to be examined and picked through with care. My aim in these reviews is not to endorse his opinions but to summarise his writings, adding my own thoughts and comments as they arise.

***

Introduction and overview

Freud’s aim was to show the ubiquity and the strangeness of sex and use the sex instinct, massively expanded and redefined, as the basis of an entire new theory of human psychology.

According to historian of psychoanalysis Frank Sulloway, Freud found the sex instinct most suitable as the central vehicle or basis for the new and emphatically physiological type of psychology he wanted to devise, because it is a) so strong and b) so flexible.

In these three ground-breaking essays on sexuality, Freud set out to widen the concepts of sexuality, the sex instinct, libido, so as to encompass a much broader sphere of activity than ever previously imagined in order to make them underpin almost every aspect of human nature.

In Freud’s psychology people’s characters are like complicated family trees, all descended from the same one huge fountain of libido which is channelled and rechannelled into ever-smaller rivers and streams.

It is these rechannellings, the repressions and redirections and reaction-formations and sublimations and so on which come to make up your character – a collection of habits based on infantile pleasures, of disgust or shame (reaction-formations) or heroic ambition (sublimation) or guilts and anxieties (the neuroses).

Thus the Three Essays On The Theory of Sexuality (1905) is Freud’s second most important book after The Interpretation of Dreams (1900).

Essay 1 begins with a detailed look at the state of Victorian knowledge about homosexuality and perversions, because they reveal:

  1. the infinite malleability of the sex instinct
  2. how easily the sex instinct can be rerouted away from its ‘proper’ channel of ‘normal’ sexuality
  3. how even ‘normal’ sexuality is in fact built up of a network of pretty weird behaviour (Freud’s most striking example is kissing, which doesn’t make any sense the more you look at it)

In Essay 2 Freud shows that sexuality is not only present but vitally important in the life of infants and children. This idea was the biggest single cause of opposition to Freud’s theories in his lifetime, from Church and State, from commentators and populist politicians, and from decent people everywhere. It still is.

Freud is not very much interested in ‘love’. Love is the psychological effect of the ‘overvaluation of the sexual object common to almost all manifestations of the libido’:

It is only in the rarest instances that the psychical value set on the object as being the goal of the sexual instinct stops short at the genitals. The appreciation extends to the whole body of the sexual object and tends to involve every sensation derived from it. The same overvaluation spills over into the psychological sphere: the subject becomes, as it were, intellectually infatuated (that is, his powers of judgment are weakened) by the mental achievements and perfections of the sexual object and he submits to the latter’s judgments with credulity.

For Freud sex and love are interchangeable terms. He contrasts the overvaluation of the love-object found in the Western tradition with the more relaxed approach of the ancient world:

The most striking distinction between the erotic life of antiquity and our own no doubt lies in the fact that the ancients laid the stress upon the instinct itself, whereas we emphasise its object. The ancients glorified the instinct and were prepared on its account to honour even an inferior object; while we despise the instinctual activity in itself, and find excuses for it only in the merits of the object.

The Greeks held Bacchic orgies and had a god, Priapus, dedicated to the male organ; by contrast we in our time appear to fear the penis more than ever and instead reverence the idealised object of libido, the dream partner of the opposite sex (or the same sex), and the institution of Marriage.

And despite all the rhetoric from feminists and LGBTQ+ activists about interrogating and subverting this, that or the other stereotype and convention, we still appear to be in thrall to the narrow concept of finding ‘love’ in a faithful, monogamous, committed relationship, every bit as much as our Victorian forebears – very narrow and limited compared to the polymorphous, open and pluralistic attitudes of the 30 or so ancient Roman authors I read last year.

THREE ESSAYS ON THE THEORY OF SEXUALITY (1905)

This long work sets out to show the importance of sexuality in all human achievements, to establish a wider-than-usual definition of sexuality, and to prove the existence of infantile sexuality.

Freud’s recurring tactic is to make the ordinary, the everyday, look strange; to look again without conventional blinkers at things we think we know, and to show that our attitudes are complacent, superficial and contradictory.

1. The sexual aberrations

Popular opinion credits two universal instincts, Hunger and Sexuality. Sex is supposed to set in at the time of puberty and manifest itself in irresistible attractions between adults of the opposite sex with the ultimate end of genital sex, itself with the purpose of reproduction (as taught in Christianity and most of the other world religions).

Let us call the desired one the sexual object, the act towards which the instinct tends, the sexual aim.

(1) Deviations in respect of the sexual object

If popular opinion is true and God made sex solely for reproduction, how do we account for homosexuals?

(A) Inversion

Behaviour of ‘inverts’. For a start there are different types:

  • a) absolute inverts, totally repelled by the opposite sex
  • b) amphigenic inverts i.e. bisexuals
  • c) contingent inverts, depending on circumstances

Some inverts accept their condition as natural; others feel it a torment. Some were gay as far back as they remember; for others, homosexuality cropped up at puberty; others only ‘come out’ as adults, sometimes after they’ve followed a straight career with wife and kids.

Nature of Inversion

The first observers thought inversion the result of nervous degeneracy because it was first found among mental patients studied in asylums.

Degeneracy

But then it was late-Victorian fashion to blame anything you didn’t understand on ‘degeneracy’: criminals are degenerate, the working class is degenerate, Africans are degenerate etc.

Freud defines degeneracy in rigorous Darwinian terms as the actual impairment of an organism’s efficiency and survival probability. In these, practical, terms inversion is not degenerate. Not only is it found in people otherwise perfectly normal, but it is found in people ‘who are indeed distinguished by specially high intellectual development and ethical culture.’

Innate character

Some gays insist homosexuality is absolutely innate. But the existence of the late-developers or of contingent homosexuals argues against this. Far from being innate, much evidence suggests that homosexuality is acquired:

  • the case of many ‘inverts’ in whom an early impression left a permanent gay after-effect
  • later influences and life experiences which have fixed contingent gayness e.g. the army, prison, monastery etc

Almost all ‘inverts’ will be found to have been subjected to some experience like this (for example, public school). But on the other hand, so were many people who went on to be perfectly hetero. So it remains hard to say whether homosexuality is acquired or innate.

Bisexuality

Havelock Ellis says a clue might be that homosexuality is a form of psychical hermaphroditism, a mental equivalent of having the organs of both sexes.

Richard von Kraft-Ebing says that the brain contains female and male brain centres which are activated by a ‘sex gland’. (It wasn’t only Freud who was having batty, speculative ideas at this time.)

Whoever is right, it seems that most authorities accept the idea of an innate bisexuality in everyone, and that ‘inversion’ owes something to early disruption of development.

Later, Freud would write:

It is well known that at all times there have been, as there still are, human beings who can take as their sexual objects persons of either sex without the one trend interfering with the other. We call these people bisexual and accept the fact of their existence without wondering much at it … But we [psychoanalysts] have come to know that all human beings are bisexual in this sense and their libido is distributed between objects of both sexes, either in a manifest or a latent form.

Sexual object of inverts

Popular opinion holds that ‘inverts’ simply desire the qualities of the opposite sex. An inverted man is like a woman in desiring the qualities of the opposite sex, of masculinity, in his sex object.

But what about gays who love pretty boys, boys who demonstrate all the qualities of a girl, being beautiful, hairless, young and coquettish?

What about transvestites who do a good trade dressing up as women for gay clients? In ancient Greece older men regularly looked after shy, young, girlish boys.

So the sex object is a compromise between an impulse that seeks for a man and one for a woman (in the same way that a symptom is a compromise between a wish and reality).

Psychoanalysis’s explanation is thus: in his childhood the future ‘invert’ passes through a brief but intense attachment to a woman (normally his mother). After leaving this behind he identifies himself with this woman and take himself as his sexual object. Invoking infantile narcissism, ‘inverts’ identify themselves with a woman and set out to find a boy whom they can mother and love as their mother loved them.

The situation will be exacerbated by the absence of a strong father. Think of Oscar Wilde and his imperious mother; of W.H. Auden’s father away at the Front while his mother dressed him in girl’s clothing; of the plays of Joe Orton.

So, says Freud, being gay is being in endless flight from women.

But, Freud emphasises, this isn’t weird. Psychoanalysis has established that everyone makes homosexual object choices in their unconscious mind; that the freedom to range wide over male or female objects is found in childhood, in primitive societies, in early history and in the ancient world, and is the original basis of sexuality.

It is only as a result of later, Victorian social restrictions that people are forced into one fixed, standardised and regimented mould, heterosexual or homosexual, or their modern equivalent which demands that people be in monogamous committed couple relationships.

In reality a person’s final sexual orientation is not decided until after puberty, and then only as the result of innumerable obscure influences. That there is a multiplicity of determining factors is indicated by the extraordinary range of sexual practices and attitudes to be found in mankind.

Thus psychoanalysis regards so-called ‘normal’ sexuality as achieved only under intense pressure and great restriction of the original wider options for pleasure. In fact it’s so-called ‘normal’ sexuality, the genital attraction between man and woman, which is historically problematic and just as much in need of explanation as any other form.

Sexual aim of ‘inverts’

No one single aim can be laid down for the sexuality of ‘inverts’, as it can for the ‘normal’ behaviour of straights; there is too great a variety.

Conclusion

We have been in the habit of regarding the link between the sexual aim and the sexual object as more solid than it is. In fact the object appears to be no more than soldered onto the instinct, and which aim takes which object is a great deal more problematical than previously thought, because the sexual instinct is more free-flowing and independent than we previously suspected.

(B) Sexually immature person and animals as sexual objects

Light is thrown on the sexual instinct by the fact that it permits of so much variation in its objects and such a cheapening of them.

That children can be the objects of sex, or even animals, tells us about the vicissitudes of the sex instinct (along with rapes, sexual assaults and perverse murders). It seems as if the sex instinct will do almost anything to achieve satisfaction.

The impulses of sexual life are among those which, even normally, are the least controlled by the higher activities of the mind… In the process of human cultural development, sexuality is the weak spot.

(2) Deviations in respect of the sexual aim i.e. perversions

Popular opinion says the sexual aim is the union of the genitals in copulation which leads to the release of sexual tension. But a moment’s reflection tells you that, even in ‘normal’ sexuality, people kiss – bringing together two parts of the digestive system – for pleasure. And most people linger to some extent over intermediate stages, such as looking and touching. So the seeds of ‘perversity’ are all around us.

Perversions are sexual activities which either:

  • extend in an anatomical sense beyond the parts of the body designed for sexual union
  • linger or halt at the intermediate stages on the path to sexual union

(A) Anatomical extensions

Overvaluation of the sexual object

The first and prime perversion of sex from its object is the overvaluation of the object i.e. ‘love’. For all practical purposes ‘love’, for Freud, is this (potentially pathological) overvaluation of the love object.

It is only in the rarest instances that the psychical value set on the object as being the goal of the sexual instinct stops short at the genitals. The appreciation extends to the whole body of the sexual object and tends to involve every sensation derived from it. The same overvaluation spills over into the psychological sphere: the subject becomes, as it were, intellectually infatuated with (that is, his powers of judgment are weakened) by the mental achievements and perfections of the sexual object and he submits to the latter’s judgments with credulity.

This sexual overvaluation is something that cannot easily be reconciled with [society’s] restriction of the sexual aim to union of the actual genitals and it helps to turn activities connected with other parts of the body into sexual aims.

Once a sexual object has been chosen, the ordinarily effective higher activities of the mind – judgment and civilised restraint – all too often go out of the window. In most people this results in crushes, infatuations, sometimes in grands amours: once the libido sees an opening, it tends to pour forth like a flood.

How the subject (carried away by powerful libido) and the (perhaps reluctant) object cope with the situation is the theme of most of Western literature from Hero and Leander to Madame Bovary.

(I can see an evolutionary explanation for all this which Freud doesn’t mention, which is that: having made a sexual choice, overvaluation follows from a) opening the floodgates of an instinct otherwise fiercely repressed b) to ensure a strong libidinal attachment to the woman who you’re planning to impregnate – so it is a blind Darwinian instinct designed to make the impregnator bond with their mate  and remain to look after their offspring; but, as all of human history tells us, this often clashes with the other biological imperative affecting men which is impregnating as many women as possible, hence the many men who eat, shoot and leave.)

Sexual use of the mucous membrane of the lips and mouth

Freud proceeds with his agenda of making everything about sex and love look strange and uncanny.

The use of the mouth as a sexual organ is regarded as a perversion if the lips (or tongue) of one person are brought into contact with the genitals of another, but not if the mucous membranes of the lips of both of them come together.

Why do people find kissing acceptable and cunnilingus or fellatio disgusting? Freud here points to the purely conventional, culturally-determined nature of our feelings.

Has ‘disgust’ (a powerful reaction-formation) played a large part in forming our cultural conventions – or is it simply a product of the increasing self-repression which characterises us in the West (unlike other contemporary civilisations, primitive cultures and the cultures of the ancient world, which were and are much more liberal in their sexual practices)?

Freud seems to think the ancients were more honest in this, as in so much else.

The most striking distinction between the erotic life of antiquity and our own no doubt lies in the fact that the ancients laid the stress upon the instinct itself, whereas we emphasise its object. The ancients glorified the instinct and were prepared on its account to honour even an inferior object; while we despise the instinctual activity in itself, and find excuses for it only in the merits of the object.

The progress of civilisation seems to require a steadily increasing restriction of the sexual instinct, bought at the price of a growing sense of disgust. Hence the genitals of men and women, worshipped by the Greeks as holy, are now banned as dangerously corrupting.

There is no doubt that the genitals of the opposite sex can in themselves be an object of disgust and that such an attitude is one of the characteristics of all hysterics.

One thinks of John Ruskin (allegedly) driven into paroxysms by the discovery on his wedding night that, unlike the Greek statues which he adored, his wife had pubic hair. Or, more up to date:

Indecent exposure, sometimes known as ‘flashing’, is a serious sexual criminal offence, which carries a custodial sentence of up to 2-years at its most severe. (Old Bailey solicitors)

Does ‘disgust’ drive the repression of sexuality i.e. is disgust natural, a ‘God-given’ reaction of the ‘God-given’ conscience to the spectacle of fallen sexuality? A question related to: is conscience ‘God-given’ and so universal? Or is ‘conscience’ created by culture and therefore morally relative across different cultures? Morality and disgust on the one side, pragmatism and sexual libertarianism on the other.

Or is disgust an entirely material, biological reaction-formation to the compulsory repression of sexuality enforced by a coercive society, no God or morality required?

Sexual use of the anal orifice

People who think sodomy is disgusting because we defecate through the anus are as correct as women who say the penis is disgusting because men urinate through it or men who think the vulva is disgusting because women menstruate through it.

Which is to say, all these opinions are correct in their own terms, but missing the point. These organs can (clearly) be put to various uses. Should they be? Or should they be restricted to their ‘God-given’ purposes? But then who is to say what their correct usage is? A bunch of old men wearing purple dresses in the House of Lords? Imams and rabbis? Agony aunts? TV shows. Gender studies lecturers? Where is the authority for this?

Significance of other regions of the body

What seems to be common to all human sexuality is:

  1. overvaluation of the sexual object
  2. a versatile ability on the part of the sexual aim to use any part of the body as the sexual object for gratification

Unsuitable substitutes for the sexual object: fetishism

In fetishism the sexual instinct replaces the primary object (the genitals) and the overvalued secondary object (the person attached to the genitals) with unlikely tertiary objects – parts of the body, locks of hair, feet – or linked objects, such as underwear or other items of clothing.

A certain amount of fetishism is habitually present in normal love, especially of those stages of it in which the normal sexual aim seems unattainable or its fulfilment prevented.

A lock of your true love’s hair. Or as Goethe put it in Faust:

‘Get me a kerchief from her breast,
A garter that her knee has pressed.’

These objects can justifiably be likened to the fetishes of primitive peoples. Inscribed in fetishes is a primitive symbology, comparable with the symbolism of dreams. For example, the foot is an age-old symbol for the penis. Fur is linked to the hair of the mons Veneris. The shoe or slipper is a symbol of the female genitals (as in Cinderella) into which the male foot neatly slips, and so on.

(B) Fixations of preliminary sexual aims

Appearance of new aims

External factors (danger, unavailability of a sexual object, risk of disease) tend to fix libido at the preparatory activities. Truly, every normal aspect of ‘love’ carries the seeds of a perversion.

Touching and looking

Seeing is an evolutionary derivative of touching. A look can be as exciting as a touch.

Both seeing and touching are ‘ordinary’ parts of ‘normal’ sexual activity – unless lingered over, or unless they become ends in themselves, in which case we have voyeurism/exhibitionism and various types of masturbation.

Freud thought exhibitionism the result of either wishing for a reciprocal showing of the other person’s genitals; or a triumphant assertion against the Castration Complex: ‘Look, I’ve still got my willy!’

He doesn’t seem to take into account the sadistic urge to offend or scare women, a kind of sublimated form of rape, visual rather than physical rape.

The power of vision is shown by just how upset some women can feel, how physically defiled, just because a strange man showed them his penis. I’m not downplaying the offence or upset caused.

The concealment and revelation of the sexual parts of the body go hand in hand with the rise of civilisation and progressive sexual repression. It is unlikely that the Greeks had strip clubs; instead they had orgies, the real thing. We have strip clubs because of the immense repression to which our sexuality has been subjected.

For Freud the concept of ‘beauty’ itself originates in sexual excitement but is sublimated away from the genitals onto the body as a whole, which is perceived as ‘beautiful’, a concept or feeling which can then  be transferred onto other types of object, and then onto objects created and enjoyed for their ‘beauty’ alone i.e. works of art.

This explains why women are more often the object of art than men – even in women painter’s paintings – because men are more sexually predatory than women. And why the sight of the genitals themselves is rarely ‘beautiful’; all pleasure has been sublimated out of them leaving only the reaction-formation of ‘disgust’.

Sadism and masochism

These were given their names by Richard von Kraft-Ebing (Viennese) in the 1890s, after the Marquis de Sade (French) and Leopold von Sacher-Masoch (Viennese) As with the other perversions, a moderate amount of sado-masochism is generally regarded as ‘normal’:

The sexuality of most male human beings contains an element of aggressiveness – a desire to subjugate. The biological significance of it seems to lie in the need for overcoming the resistance of the sexual object by means other than the process of wooing. Thus sadism would correspond to an aggressive component of the sexual instinct which has become independent and exaggerated and, by displacement, has usurped the leading position.

Many types of sexual relationship which are regarded as ‘normal’ contain a high amount of aggression; sadism becomes an actual perversion when pleasure is derived from violence alone.

Masochism is sexual excitement aroused purely by receiving pain or humiliation. Later in his career, after he’d outlined the new theory of the superego, Freud distinguished between purely physical masochism and moral masochism, the desire to be found guilty of sins, to be punished for them and so on, an internal submission of the ego to the overbearing superego which plays such a large part in religious life.

Freud thinks masochism is secondary, a deflection of primary sadism – which the subject is too weak to inflict onto others – back onto the self. Masochism is for weaklings; or for the weakling part of even strong people.

The history of human civilisation shows beyond any doubt that there is an intimate connection between cruelty and the sexual instinct.

But nobody really knows why. Some people think aggression is a development of the primal desire to eat, to master objects by putting them in the mouth – an instinct seen in children and in the holy meals at the centre of many religions. Others think there is some intimate biochemical link between pleasure and pain.

Suggestive for Freud’s bisexual thesis – the mingling of the ‘feminine’ and the ‘masculine’ in all of us – is Havelock Ellis and Kraft-Ebing’s agreement that masochism and sadism are often found in the same person.

(3) The perversions in general

Variation and disease

Medical men first identified perversions in the insane and perversion was blamed (like homosexuality) on ‘degeneracy’. What Freud has shown is that the perversions are implicit in even ‘normal’ love.

No healthy person, it appears, can fail to make some addition that might be called perverse to the normal sexual aim; and the universality of this finding is enough to show how inappropriate it is to use the word ‘perversion’ as a term of reproach. In the sphere of sexual life we are brought up against peculiar and, indeed, insoluble problems as soon as we try to draw a sharp line to distinguish mere variations within the range of what is physiological from pathological symptoms.

On one side the liberal Freud, on the other a vast army of censorious Christians, trying to draw precisely that line, trying to tell people exactly just which type and forms of ‘love’ are permissible and which aren’t, from the Pope to Mary Whitehouse.

For the Moral Majority it is always other people who are degenerate, other people who are the helpless prey of, for example, homosexual men in the homosexual age of consent debate.

Freud is saying, if you only look at the acts themselves you may be tempted to define them as unchristian or degenerate, pathological or perverted etc. But if you look at the instinct which carries so many people to such lengths, it is the same instinct and it is in all of us – it is what our minds are made of.

The mental factor in perversions

Despite the sometimes disgusting ends to which the love instinct is put, all these behaviours are to some extent idealisations of the libido, in the sense of abstractions of it away from its normal role.

The omnipotence of love is perhaps never more strongly proved than in such of its aberrations as these. The highest and the lowest are always closest to each other in the sphere of sexuality.

Two conclusions

Every individual plays a double existential role:

  1. to reproduce, to pass on its genes and preserve the species
  2. to preserve itself while it does this

Sometimes the two purposes clash and this is the basis of Freud’s psychology, the clash between the unconscious libidinal drive to have sex, all the time, with everyone and everything; and the rational ego’s struggle to redirect this blind drive into socially acceptable forms which help the individual survive and help it be at peace with itself. So the origins of any person’s sexuality must be looked for in two places: in the history of the species and the accidents of the individual.

Our study of the perversions has shown us that the sexual instinct has to struggle against certain mental forces which act as resistances, and of which shame and disgust are the most prominent. It is permissible to suppose that these forces play a part in restraining that instinct within the limits that are regarded as normal; and if they develop within the individual before the sexual instinct has reached its full strength, no doubt they then determine the course of its development.

These forces, which act like dams upon sexual development – disgust, shame and morality – must also be regarded as historical precipitates of the external inhibitions to which the sexual instinct has been subjected during the psychogenesis of the human race. We can observe the way in which, in the development of individuals, they arise at the appropriate moment, as though spontaneously, when upbringing and external influence give the signal.

In the second place we have found that some of the perversions are only made intelligible if we assume the convergence of several motive forces. If such perversions admit of analysis, that is, if they can be taken to pieces, then they must be of a composite nature. This gives us a hint that perhaps the sexual instinct itself is no simple thing but put together from components which have come apart again in the perversions.

(4) The sexual instincts in neurotics

Psychoanalysis

Here Freud reiterates his belief that all the psychoneuroses are based on sexual instinctual forces and that the psychoneuroses can only be investigated using the method perfected by Josef Breuer and himself – psychoanalysis. He gives a useful summary of the famous cathartic method:

By this I do not merely mean that the energy of the sexual instinct makes a contribution to the forces that maintain the pathological manifestations (the symptoms). I mean expressly to assert that that contribution is the most important and only constant source of energy of the neurosis and that in consequence the sexual life of the persons in question is expressed in these symptoms. The symptoms constitute the sexual activity of the patient!

The removal of the symptoms of hysterical patients by psychoanalysis proceeds on the supposition that those symptoms are substitutes – transcriptions, as it were – for a number of emotionally cathected mental processes, wishes and desires which, by the operation of a special psychical procedure (repression) have been prevented from obtaining discharge in psychical activity that is admissible to consciousness.

These mental processes, being held back in a state of unconsciousness, strive to obtain an expression that shall be appropriate to their emotional importance – to obtain discharge; and in the case of hysteria they find such an expression (by means of the process called conversion) in somatic or bodily phenomena, that is, in hysterical symptoms [cf Anna O’s inability to drink water, choking sensation etc].

By systematically turning those symptoms back (with the help of psychoanalysis) into emotionally cathected ideas – ideas that can now become conscious – it is possible to obtain the most accurate knowledge of the nature and origin of these formerly unconscious psychical structures.

Findings of psychoanalysis

Psychoanalysis has shown that:

Symptoms represent a substitute for impulses the source of whose strength is derived from the sexual instinct… The character of hysterics shows a degree of sexual repression in excess of the normal quantity, an intensification of resistance against the sexual instinct (which we have already met with in the form of shame, disgust and morality), and what seems like an instinctive aversion on their part to any intellectual consideration of sexual problems.

In the case of someone predisposed to hysteria, the onset of his illness is precipitated when, either as a result of his own progressive maturity or of the external circumstances of his life, he finds himself faced by the demands of a real sexual situations. Between the pressure of the instinct and his antagonism to sexuality, illness offers him a way of escape. It does not solve his conflict but seeks to evade it by transforming his libidinal impulses into symptoms.

(See Jensen’s Gradiva, written two years later, which is a textbook example of hysteria as the self-deluding flight into illness. The archaeologist Norbert’s escape from the reality of an emotionally demanding sexual situation – his awakening love for Zoe – into delusions about the light-tripping woman on the antique frieze whom he names ‘Gradiva’, and then Norbert’s actual fleeing to Italy, to Pompeii, to escape the sexual situation, only to meet Zoe magically transformed into the woman in the frieze –– from the heart of the reaction-formation returns the repressed. In the novel Norbert is then cured through love, by the redirecting of his libido – unhealthily cathected onto the Gradiva-delusion – back to the reality of his flesh-and-blood love, Zoe, by the love object herself.)

Neurosis and perversion

Moreover, neurotics’ symptoms, upon psychoanalysis, often turn out to be conversions not just of ‘normal’ sexuality, but to include what are called the perversions i.e. neurotics’ unconsciousnesses are often raging with perverse wishes deflected into symptoms. Hence Dora’s persistent cough is a (transmuted) wish for oral sex with Herr K.

a) The unconscious life of all neurotics shows inverted impulses, fixation of the libido on persons of their own sex.

b) The unconsciouses of neurotics show tendencies to every kind of anatomical extension of sexual activity, particularly oral and anal.

c) An especially prominent part is played by the fact that the instincts involved are component instincts. Thus the perversions often come in opposing pairs: exhibitionism and voyeurism; the active and passive forms of the instinct for cruelty.

It is through such an opposition, a component tying together of libido and cruelty, that the transformation from love into hate takes place, the transformation from affectionate into hostile impulses.

(You can see here the embryonic shape of Freud’s later division of all the instincts into Sex instincts and Death instincts, Eros and Thanatos which would formulate nearly 20 years late, in Beyond the Pleasure Principle.)

(5) Component instincts and erotogenic zones

If we trace back the positive and negative aspects of the perversions (masochism/sadism, voyeurism/exhibitionism) they appear to derive from component instincts which themselves admit of further analysis.

When sexual excitement derives from a particular organ or area of the body we refer to that as the erotogenic zone.

Thus, under the right circumstances, the anus or the mouth can become an erotogenic zone. Or the surface of the skin in touching. Or the eye itself in voyeurism where, through the eye alone is felt excitement comparable to that of sex in a ‘normal’ person.

(6) Reasons for the apparent preponderance of perverse sexuality in the psychoneuroses

But just because neurotic symptoms often contain a perverse wish doesn’t mean that neurotics are closer to perverts than to ‘normal’ people. Neurotics are normal people whose libido, either because of innate predisposition or due to accident, has been dammed up.

Most psychoneurotics fall ill after the age of puberty as a result of the demands made upon them by normal sexual life. Or else illnesses of this kind set in later, when the libido fails to obtain satisfaction along normal lines. In both these cases the libido behaves like a stream whose main bed has become blocked. It proceeds to fill up collateral channels which may hitherto have been empty.

Where the constitution is predisposed to illness maybe no external factor will be required. On the other hand, a great shock in real life may tip a robust constitution into neurotic illness.

Might there be a link between the perversions wished for by the neurotic’s unconscious, between the erotogenic zone it highlights, and innate constitution?

In a word, can you define personality types by predisposition to a particular perversion/erotogenic zone? (This is what Freud does in the following essay, about childhood sexuality, defining and describing the oral, anal types and so on.)

(7) Intimations of the infantile character of sexuality

“By demonstrating the part played by perverse impulses in the formation of symptoms in the psychoneuroses, we have quite remarkably increased the number of people who might be regarded as perverts. It is not only that neurotics in themselves constitute a very numerous class, but it must also be considered that an unbroken chain bridges the gap between the neuroses in all their manifestations and ‘normality’….

Thus the extraordinarily wide dissemination of the perversions forces us to suppose that the disposition to perversions is itself of no great rarity but must form a part of what passes as the ‘normal’ constitution…

There is indeed something innate lying behind the perversions but it is something innate in everyone, though as a disposition it may vary in its intensity and may be increased by the influences of actual life. What is in question are the innate constitutional roots of the sexual instinct. In one class of cases (the perversions) these roots may grow into the actual vehicles of sexual activity; in others they may be submitted to an insufficient suppression (repression) and thus be able in a roundabout way to attract a considerable portion of sexual energy to themselves as neurotic symptoms; while in the most favourable cases, which lie between these two extremes, they may by means of effective restriction and other kinds of modification bring about what is known as ‘normal’ sexual life.

Thus the germs of our character, the way our sexual instincts will be channelled, are probably laid down in childhood. In the next essay Freud looks at the play of influences which govern the evolution of infantile sexuality until its outcome in perversion, neurosis or normal sexual life.

Essay 2. Infantile sexuality

Neglect of the infantile factor

In Essay 2 Freud sets out to smash the popular opinion that children have no sexual feelings; that sexual feelings only set in with puberty. On the contrary, all the literature, and a chat with any nurse, will tell you that many babies play with their willies or fannies and suck various bits of themselves, but these stories are generally only mentioned as exceptions and monstrosities.

Why do we not remember our sexual feelings from our own childhood years?

Infantile amnesia

We definitely behave lively in every respect during childhood, giving every evidence of feeling joy, love, rage, delight. Why do we forget so much of this? Freud says that under analysis patients often remember events from their earliest years. Therefore the memories are stored somewhere – but are repressed from everyday access. Why? Nobody knows.

(1) The period of sexual latency in childhood and its interruptions

Based on a) scattered reports of the so-called exceptional behaviour of infants in the literature and b) the memories of neurotics revealed by psychoanalysis, Freud will sketch out a theory of infantile sexuality.

Freud thinks of the sex instinct as being innate in the child; that it grows as the child grows; that it is overtaken by suppression at the age of 5 or 6; then it revives and develops further at puberty, developing in a pattern of fits and starts. Childhood sexuality only emerges into the light of observable day in the third or fourth year of life.

Sexual inhibitions

It is during this same period that the mental forces are built up which are later to impede and block the flow of the sexual instinct – feelings of disgust (at an object), feelings of shame (at oneself) and moral and aesthetic ideals (as it were, objective guidelines we build for ourselves).

Reaction formation and sublimation

These are the two methods by which these dams are erected to prevent the return of repressed material into the conscious mind.

Sublimation is a widely reported phenomenon, the diverting of instinctual sexual energies into ‘higher’, more socially acceptable ones.

A reaction formation is:

a defence mechanism in which emotions and impulses which are anxiety-producing or perceived to be unacceptable are mastered by exaggeration of the directly opposing tendency

Freud thinks that reaction formations are the result of a series of unpleasurable experiences, either of internal unpleasure (excessive playing with the genitals leads to unpleasure) or external tellings-off, which create, as it were, a psychological allergic reaction to the erotogenic zone and experiences in question. Told off for touching his winkle enough times and the small boy genuinely come to believe it is dirty and disgusting.

[A digression on Freud’s final theory of sexual development

A lot later, Freud was to elaborate and fine-tune the notion that the human infants evolve through a set number of stages, namely:

  • polymorphous perversity – undifferentiated pleasure in the whole body
  • oral phase (0 to 1 year) – the infant gets most of their pleasure from their mouth, for example eating and thumb-sucking: if an infant’s oral needs aren’t met it can develop an develop oral fixation which continues into adult life
  • anal phase (1 to 3 years) – controlling bladder and bowel movements, potty training, when successfully accomplished leads to praise from parents and a sense of achievement and independence; but if parents take an approach that is too lenient, Freud suggested that an ‘anal-expulsive personality‘ – could develop whereby the adult has a messy, wasteful, or destructive personality, while if parents are too strict, he believed this could lead to an ‘anal-retentive‘ personality which is over-strict, rigid, and obsessive.
  • phallic stage (3 to 5 years) – focus of the libido is on the genitals and children begin to discover the difference between boys and girls
    • in boys this gives rise to the Oedipus complex as boys view their fathers as a rival for the mother’s affections: the Oedipus complex describes these feelings of wanting to possess the mother and replace the father. But at the same time the little boy worries that his father will punish him for having these feelings, a fear Freud termed castration anxiety
    • other Freudians suggested the term Electra complex to describe a similar but mirror set of feelings experienced by small girls, namely the wish to be possessed by their father and rid of their mother, accompanied by parallel feelings of guilt and anxiety
    • Freud, however, believed that instead of the Electra complex, girls experience what he notoriously called penis envy i.e. the wish to be a boy, the lack of a penis forever leaving girls feeling inadequate. Even in Freud’s own day female psychoanalysts deplored this idea, and female followers have denied it and overwritten it ever since]
  • latency phase (6 to puberty) – the superego or conscience gains in power, the libido and memories of all those early physical pleasures are suppressed; instead boys or girls enter school and become more concerned with peer relationships, hobbies, and other interests; a time of exploration in which the sexual energy repressed or dormant, still present but sublimated into other areas such as intellectual pursuits and social interactions
  • genital stage (11, 12, 13 onwards) – at puberty the libido becomes active again and teens develop a strong sexual interest in the opposite sex: if all the previous stages have been successfully navigated, the person becomes a rounded, balanced individual]

Freud therefore thinks that the development through the oral, anal and phallic stages is partly achieved by the erection of these reaction formations which act as ‘dams’ or road blocks saying ‘No Going Back’.

That this may be the origin of feelings of ‘shame’ and ‘disgust’ is an interesting theory to ponder; that this process is the basis of all civilised morality, as Freud claims, was clearly a provocative thing to say, and which sparked much outraged opposition to him and his theories.

Interruptions of the latency period

Not all children’s sexuality goes underground at about five years old. There may be all sorts of exceptions, single strands of sexual pleasure continuing into the latent period.

(2) The manifestations of infantile sexuality

Thumb-sucking

This emerges early and often persists into adolescence. Sometimes accompanied by the rubbing of an erotogenic zone it can act as an introduction to masturbation. Because it is accompanied by pleasurable rubbing, and sometimes even by orgasm-type physical reactions, Freud makes thumb-sucking the prototype of infantile sexuality.

Auto-erotism (coined by Havelock Ellis in 1898)

Infants initially derive pleasure from their own bodies. Sucking thumbs or lips or any other part of the body is a repetition of the initial oral activity, sucking at the breast.

No-one who has seen a baby sinking back satiated from the breast and falling asleep with flushed cheeks and a blissful smile can escape the reflection that this picture persists as the prototype of the expression of sexual satisfaction in later life.

As the child grows it experiments with enacting the sexual pleasure of sucking when the breast is absent: sucking any part of its own body, taking itself as a source of pleasure. In later life the pleasures of lingering kissing re-enact this primal sexual experience. In some children there is a constitutional intensification of the labial region (lips):

If that significance persists, these same children will grow up to become epicures in kissing, will be inclined to perverse kissing or, if males, will have a powerful motive for drinking and smoking. If, however, repression ensues, they will feel disgust at food and will produce hysterical vomiting.

Thus, for Freud, entire character types and types of adult behaviour can be traced right back to earliest childhood behaviour.

(3) The sexual aim of infantile sexuality

Characteristics of erotogenic zones

Erotogenic zones are a moveable feast. Particular parts of the body seem predisposed to resonate with sexual pleasure (the genitals, lips, nipples, anus, the surface of the skin generally) and if an infant, in its auto-erotic stage, chances on one of these to suck or play with, that part easily becomes the model of sexual pleasure, of reassurance etc in later life.

Any part of the body can acquire the same susceptibility to stimulation as is possessed by the genitals and can become an erotogenic zone.

It is hard to think of a view more contrary to the popular, conventional view that a) infants have no sex life and that b) sex appears only at puberty and is exclusively confined to the genitals.

The infantile sexual aim

Although all the body is susceptible to sexualisation, certain zones seem predisposed to be especially erotogenic, generally zones which are physiologically designed for other activities and pleasures which the child can then repeat by auto-erotic stimulation: the lips for eating, the penis for peeing, the anus for defecating can all be co-opted by the libido.

(4) Masturbatory sexual manifestations

Activity of the anal zone

Psychoanalysis of patients has revealed the surprising extent to which the anus is not only a source of pleasure in infancy but retains its pleasurable power throughout life.

Children who are making use of the susceptibility to erotogenic stimulation of the anal zone betray themselves by holding back their stool till its accumulation brings about violent muscular contractions and, as it passes through the anus, is able to produce powerful stimulation of the mucous membrane. In so doing it must no doubt cause not only painful but highly pleasurable sensations.

One of the clearest signs of subsequent eccentricity or nervousness is to be seen when a baby obstinately refuses to empty its bowels when he is put on the pot and holds back that function till he himself chooses to exercise it. He is naturally not concerned with dirtying the bed, he is only anxious not to miss the subsidiary pleasure attached to defecating.

Faeces come to have another important meaning for the child.

They are clearly treated as part of the infant’s own body and represent his first ‘gift’: by producing them he can express his active compliance with his environment and, by withholding them, his disobedience…

The retention of the faecal mass, which is thus carried out by the child intentionally to begin with, in order to serve, as it were, a masturbatory stimulus upon the anal zone or to be employed as a weapon in his relation to the people looking after him, is also one of the roots of the constipation which is so common among neuropaths.

Activity of the genital zone

The glans of the penis in boys and the clitoris in girls:

The anatomical situation of this region, the secretions in which it is bathed, the washing and rubbing to which it is subjected in the course of a child’s toilet, as well as accidental stimulation, make it inevitable that the pleasurable feeling which this part of the body is capable of producing should be noticed by children even during their earliest infancy, and should give rise to a need for its repetition.

Girls often masturbate simply by rubbing their thighs together. Boys tend to use hands.

The preference for the hand which is shown by boys is already evidence of the important contribution which the instinct for mastery is destined to make to masculine sexual activity.

Second phase of infantile masturbation

In this early essay Freud posits three periods of sexual activity: a first phase of infantile sexuality; a second phase flourishing around the fourth year; then the eruptions of puberty.

The second phase of infantile sexual activity may assume a variety of different forms which can only be determined by a precise analysis of individual cases. But all its details leave behind the deepest unconscious impressions in the subject’s memory, determine the development of his later character, if he is to remain healthy, and the symptomatology of his neurosis, if he is to fall ill after puberty.

Return of early infantile masturbation

The return of infantile sexuality at around 4 and 5 years is determined by all sorts of factors, internal and external. But Freud is careful to mention the external factor of infantile seduction (or child abuse, as we would say) as a way many of his patients recall being jolted, as it were, into sexual life, and made aware of the erotogenicity of the genitals.

Polymorphously perverse disposition

In and as a result of sexual abuse, children can be induced to all manner of perversions thus revealing, for Freud, an innate disposition to polymorphous perversion.

The same, he asserts, is true of many women, as witness the large number of prostitutes who can accommodate any type of sexual taste for their clients.

It becomes impossible not to recognise that this same disposition to perversions of every kind is a general and fundamental human characteristic.

[At one and the same time this notion is typical of Freud’s throwaway sexism, but also of the immense tolerance and acceptance of a huge variety of sexual predilections implicit in his theory.]

Component instincts

Exhibitionism, voyeurism and cruelty are all apparent as perversions in potentia in children. Small boys proudly display the thing which gives them so much pleasure and which they pee through, their penis, which thus symbolises at least two types of infantile ‘mastery’.

Looking is the child’s earliest way of relating to the world. Once it has established its own erotogenic zones it is curious to see them in others: voyeurism.

Cruelty comes relatively easily to the childish nature, since the obstacle that brings the instinct for mastery to a halt at other people’s pain – namely a capacity for pity – is developed relatively late…

It may be assumed that the impulse of cruelty arises from the instinct for mastery and appears at a period of sexual life at which the genitals have not yet taken over their later role…

Children who distinguish themselves by special cruelty towards animals and playmates usually give rise to a just suspicion of an intense and precocious sexual activity arising from erotogenic zones…

The absence of the barrier of pity brings with it a danger that the connection between the cruel and the erotogenic instincts, thus established in childhood, may prove unbreakable in later life.

Jean-Jacques Rousseau’s Confessions show that early beating on the buttocks can easily be linked with erotogenic pleasure and form the basis of a fusion of the instincts of sex and cruelty in later life.

(5) The sexual researches of childhood

The instinct for knowledge

At the same time as children reach an early peak of sexuality (3 to 5 years) they display an instinct for knowledge. For Freud this is a sublimated form of the instincts for mastery and of seeing, voyeurism.

Psychoanalysis has shown that the first problem to awaken the childish thirst for knowledge are sexual problems, where do I come from? why does my wee-wee make give me pleasure?

The Riddle of the Sphinx

Freud gave this typically grandiose title to the core question of infancy: where do babies come from?

Sex differences aren’t important at this stage since boys assume all babies have penises.

Castration complex and penis envy [this section was added in 1915]

Only painfully do boys realise there’s a whole category of person who doesn’t have a penis and become petrified that they too might lose their mighty weapon. This he calls the castration complex.

The discovery that girls don’t have one gives many boys an enduringly low opinion of girls. For girls, the discovery that boys have this toy which they can play with induces in them penis envy and an enduring sense of being second-rate. Penis envy culminates in the girl’s wish to be a boy.

[The whole concept of ‘penis envy’ is probably the single most outrageous example of Freud, despite being a revolutionary on one level, nonetheless often reinscribing the sexist prejudices of his Victorian times in a new language.]

Theories of birth

All children speculate about where babies come from, especially if their mother is pregnant again. The central feature of most theories is that the baby is got by eating something (as in many fairy tales) and delivered through the anus.

Sadistic view of sexual intercourse

Many children see or overhear their parents making love. Children feel intense curiosity about it. It seems to have to do with some joint activity involving peeing or defecating. But many children pick up on the apparent violence involved (hard physical movements, screaming) and this is another way in which cruelty may attach itself to a child’s fantasy world and resurface in a person’s adult attitudes to sex.

Typical failure of infantile sexual researches

No matter how subtle the sexual theories of children they are invariably wrong; for how could they know about semen and ovaries? But the whole attempt is important to Freud as a symbol of the growing independence of the child. These researches:

constitute a first step towards taking an independent attitude in the world, and they imply a high degree of alienation of the child from the people in his environment who formerly enjoyed his complete confidence.

(6) The phases of development of the sexual organisation

Infantile sexual pleasure is the opposite in every way of ‘normal’ adult sexuality. It is essentially auto-erotic, and its component instincts are generally disconnected and scattered over all manner of activities: this is the meaning of polymorphous perversity.

Compare and contrast with adult sexuality aims at genital contact with some external object.

Pregenital organisations

I.e. sexual patterns before the instinct settles on the genitals:

1. The oral or cannibalistic phase: the aim is the incorporation of the sexual object, to eat it, to master it by ingesting it and stimulating the mucous membranes of the lips at the same time.

This is the origin of cannibalism in primitive peoples; of the primitive relic of a holy meal found in most religions; and of the higher intellectual activity of identification with a hero figure.

The primitive and intellectual functions are brought together in the Eucharist where we eat the body of Christ at the same time as we acknowledge Him lord and master.

2. The sadistic-anal phase: it is at this early stage that the sex instinct can be seen dividing into the active-passive division which characterises all later sexuality: the masculine drive to mastery, of defecating at our own time and pleasure; and the feminine pleasure derived from the anus; a sadistic and a passive pleasure intermingle.

Ambivalence

This duality is the basis of later ambivalence, a word coined by the Swiss psychiatrist Paul Eugen Bleuler (Bleuler was a prolific coiner of neologisms; he also invented the terms ‘schizophrenia’, ‘schizoid’ and ‘autism’).

Ambivalence became central to Freudian theory. It describes the holding of contradictory feelings, classically love and hate, towards the same object. Thus the child can both love but be terrified by their father.

Phallic phase

Freud distinguishes one last phase of infantile sexuality, where a love-object has emerged but the instinct in both boys and girls focuses on the penis alone, when boys develop pride in their penis and girls develop a painful sense of lack of penis, giving rise to penis envy (see comments above).

Diphasic choice of object

To summarise, Freud can claim that, completely contrary to the popular view, the distinctive thing about human sexuality is:

  • that it is present, in various forms, in infants from the earliest time
  • that it develops through a series of stages
  • that each of these stages carries the risk of arrest or error which deforms the child’s feelings and emotions around libido
  • that infantile sexual choices and activity are progressively repressed by reaction-formations (guilt, shame) by the age of about 5
  • that the entire set of experiences goes underground during the latency period (5 or 6 to puberty), is repressed and forgotten
  • that it resurfaces in a more explicitly sexual mode at puberty but with shapes and flavours conditioned by those earliest experiences

These infantile longings become the basis of later ‘affectionate’ feelings:

Their sexual aims have become mitigated and they now represent what may be described as the ‘affectionate current’ of sexual life. Only psychoanalytic investigation can show that behind this affection, admiration and respect there lie concealed the old sexual longings of the infantile component instincts which have now become unserviceable.

(7) The sources of infantile sexuality

These conclusions have been reached by the psychoanalysis of adult patients and the observation of children. Sexual excitation in children seems to arise from:

a) repetition of satisfaction achieved in normal organic processes (sucking, defecating)
b) through external stimulation of erotogenic zones
c) as the expression of fundamental instincts

Mechanical excitations

Children love swinging and being thrown and caught. Psychoanalysis has shown the recurrence of these sensations in adult dreams i.e. that they lay down patterns of the earliest pleasures, for example, fantasies of flying, air blowing against the skin and genitals.

It is well known that rocking is habitually used to induce sleep in restless children. The shaking produced by driving in carriages and later by railway travel exercises such a fascinating effect upon older children that every boy, at any rate, has at one time or another in his life wanted to be an engine driver.

It is a puzzling fact that boys take such an extraordinarily intense interest in things connected with railways and, at the age at which the production of fantasies is most active (shortly before puberty), use those things as the nucleus of a symbolism that is peculiarly sexual. A compulsive link of this kind between railway travel and sexuality is clearly derived from the pleasurable character of the sensations of movement.

In the event of repression, which turns so many childish preferences into their opposite, these same individuals, when they are adolescents or adults, will react to rocking or swinging with a feeling of nausea, will be terribly exhausted by a railway journey, or will be subject to attacks of anxiety on the journey.

Muscular activity

Many patients report their first memories of sexual excitation when romping, fighting and playing with playmates. Organised games are done at school to keep the body healthy and divert adolescent attention away from sexuality: Freud says what this is doing is channel sexuality back into one of its specific components.

Affective process

Powerful emotions have sexual effects. Terrified or anxious children may touch their genitals for reassurance. The erotic aspect of terror, fright and so on may become intimately associated with sexuality so that adults find fear and terror thrilling; either in real life, in fantasies of rape or masochistic punishment; or in imaginary worlds of books or the cinema.

Pathways of mutual influence

If the taking in of food gives rise to sexual pleasure then the reverse may be true. If healthy sexuality accompanies healthy eating, then disturbance of sexuality may lead to disturbance of nourishment. Thus a sexually disturbed hysteric may cease eating.

We can speculate about a whole network of pathways by which sexual instincts may be channeled both towards basic organic functions (for example, eating) and also rerouted towards higher functions (that is, sublimated, into thinking, planning, deciding).

Essay 3. The transformations of puberty

Infantile sexuality is polymorphously perverse and auto-erotic, finding pleasure as it learns to control and play with its own body.

The latency period sees the repression of sexuality in the name of various reaction-formations and sexuality’s sublimation into all kinds of games and fantasies.

With puberty the genitals become active and the subject actively seeks a love object outside itself. The new sexual aim of genital union appears and all the scattered erotogenic zones with their sex impulses become focused on, and subordinate to, genital union. Hopefully.

‘Normal’ sexuality consists of the uniting of the affectionate current (the sublimated remains of childhood sexuality) and the sensual current (mainstream libido).

So proper human sexual development is the coming together of affection/love and sex/pleasure, focussed on the genitals, to produce the ‘normal’ healthy adult. But, as always, there can be all kinds of hiccups along the way.

(1) The primacy of the genital zones and fore-pleasure

At puberty the sex organs grow and become ready for use. They can be excited in three ways:

  1. excitation of the erotogenic zones from outside
  2. from the organic interior
  3. from mental life, the storehouse of impressions and ideas

Sexual excitement is felt in two ways:

  1. perception of a mental tension of an extremely compelling type
  2. physical preparation: erection of the penis, lubrication of the vagina

Sexual tension

How come sexual excitation is perceived as both pleasurable but also as an unpleasurable tension?

The mechanism of fore-pleasure

Touching or seeing clearly give rise to a) pleasure in themselves b) a perceived raising of sexual tension.

It is as if the fore-pleasure derived from stimulating the erotogenic zones is designed to increase the incentive to move onto the act of sexual union.

Initial pleasure thus disguises increasing tension (unpleasure) so you are led relentlessly on towards copulation, the aim of the entire organism.

The whole pattern leads up to orgasm and the release of the appropriate sexual substances. It would seem that orgasms are designed to extinguish libido, if only temporarily. They are the height of pleasure, the abrupt release of tension by the blood thronging the penis or clitoris rushing back into the body as the scrotum or vagina undergoes a series of muscular contractions perceived as pleasurable.

And this release of tension takes you right the way back to square one i.e. normal bodily function; the overwhelming compulsion towards sex evaporates, the rational mind returns to full control.

Freud divides the two stages into fore-pleasure and end-pleasure.

A distinction similar to the fore-pleasure offered by the telling of jokes which prepare you for the greater release of libidinal pressure (laughing).

[He uses the same division in his essay Creative Writers and Daydreaming to describe the fore-pleasure afforded by aesthetic or formal literary techniques which prepare the way for the deeper pleasure of sharing unconscious fantasies (tales of damnation and salvation, risk and adventure, Ian Fleming and Barbara Cartland).]

Dangers of fore-pleasure

But fore-pleasures are clearly yet another balancing act; the incentive of pleasure must be balanced by an increase of tension which successfully propels you towards sex. If the yield of orgasmic pleasure doesn’t live up to the growth in tension, you may become stuck at the fore-pleasure stage.

Obviously enough, you may be predisposed to this through any number of accidents which emerge in infancy. Extreme attachment to various types of fore-pleasure, to a particular erotogenic zone or to the mental equivalents of them (stimulation of the anus – masochism/inversion) may develop into full-blown perversion.

But these very complex combinations will have some influence over the shape of even the most healthy adult sexuality.

Not only the deviations from normal sexual life but its normal form as well are determined by the infantile manifestations of sexuality.

Again, if this is an accurate account of the growth of sexuality, it shows that it will be very hard to police, to draw a hard and fast line between ‘normal’ and perverse.

Freud is making the controversial claim that ‘the normal’ is built on ‘the perverse’ and most of its activities contain the seeds of perversity.

(2) The problem of sexual excitation

Part played by the sexual substances

Maybe sexual tension is produced, in men, by the accumulation of semen in the testicles? Kraft-Ebing thought so. But if so, how can this account for sexual excitation in children and women?

Importance of the internal sexual organs

Arguing against that theory, observation of castrated men shows that sexual excitement continues to operate with no semen at all.

Chemical theory

Freud speculates that the key role is played by substances released by the sex glands. In his day there was no convincing biological theory of sex.

The discovery of the class of chemicals called ‘hormones’ (at around this time, 1905, in England) paved the way to our present understanding of how sex works.

It’s worth pointing out, though, that even today one of the great mysteries is: Why Sex? And, as Steve Jones says, If Sex, why only two sexes?

(3) The libido theory

Libido is:

a quantitively variable force which serves as a measure of processes and transformations occurring in the field of sexual excitation

A kind of electricity. Freud imagines that libido is distinguished from the other main instinct, hunger, chemically. Libido is a chemically unique force. Psychoanalysis has shown that libido is derived not just from the genitals but from all sorts of organs, including the skin.

We thus reach the idea of a quantity of libido, to the mental representation of which we give the name of ego-libido, and whose production, increase or diminution, distribution and displacement should afford us possibilities for explaining the psychosexual phenomena observed.

Psychoanalysis can only observe ego-libido as it becomes attached to objects i.e. becomes object-libido, as it is attached to, detached from, swapped around various objects (for example, images, fixations, words and ideas) directing the subject’s activity towards sex. For the act of sex, in particular orgasm, results in the temporary extinction of libido.

Psychoanalysis observes the outflowing of libido from the ego and its return thereto.

The ego acts as a psychic reservoir for libido.

In the earliest phases every ego is narcissistic, that is, focusses libido on itself (during the auro-erotic stages of infantile sexuality). Only later does the ego develop the ability to project energy onto external objects and Freud (or his English translators) label these object-cathexes.

The slightest damage to the organism (for example, illness) results in a return to infantile narcissism, as do psychic wounds.

Narcissism is also evoked by particularly self-contained objects, by aloof women, by cats, and by babies (see Freud’s 1914 essay On Narcissism).

In later editions of the Three Essays Freud attacks Jung for watering down libido to make it mean psychical instinctive forces in general.

But the whole point of having a distinct sexual instinct, chemically differentiated from all other instincts, whose special operations can be studied through observation and analysis, in fact all Freud’s efforts and theories, are destroyed if you thus throw out the distinguishing sexual element of libido theory.

(4) The differentiation between men and women

Libido is masculine i.e. active, in character.

In levels of autoerotism and masturbation boys and girls are similar, though girls develop the reaction-formations of shame and disgust more easily than boys (i.e. mental forces which damp down their libido).

Freud suggests three meanings of masculine and feminine:

  • passive versus active personalities
  • biological i.e. defined by sex organs
  • sociological i.e. observing the actual behaviour of men and women

Freud uses masculine and feminine to denote active and passive. To say libido is masculine means it is, in this value system, always active. As to the sociological aspect:

Such observation shows that in human beings pure masculinity or femininity is not to be found either in a psychological or biological sense. Every individual, on the contrary, displays a mixture of the character-traits belonging to their own and to the opposite sex and shows a combination of activity and passivity…

Without the fundamental idea of innate bisexuality I think it would scarcely be possible to arrive at an understanding of the sexual manifestations that are actually to be observed in men and women.

Leading zones in men and women

The clitoris is what little girls masturbate, as boys the penis. Both become erect i.e. engorged with blood during excitation. But Freud thinks that at puberty, whereas boys receive a fresh wave of sexual excitement, girls undergo a profound sexual repression; this takes the form of moving their chief erotogenic zone from the clitoris to the vagina.

The ‘normal’ woman has thus repressed her masculine active organ (the clitoris) in the name of vaginal excitation designed for sex and procreation:

The fact that women change their leading erotogenic zone in this way, together with the wave of repression at puberty which, as it were, puts away their childish masculinity, are the chief determinants of the greater proneness of women to neurosis and especially to hysteria.

[This is, of course, complete rubbish. Women retain their chief sexual excitation through the clitoris. The rediscovery and widespread publicisation of clitoridal sexuality was one of the great achievements of the feminists in the 1960s and 1970s. By the 1980s I was well aware that many women cannot orgasm through vaginal stimulation alone but need clitoral stimulation as well and I think (I hope) this has now become common knowledge. Thus Freud’s theorising away of the clitoris, along with all his theories about the inevitable inferiority of women, are the grossest example of his simply recasting the patriarchal prejudices of his time in a new language.]

(5) The finding of an object

[Expanded in the 1915 essay On Narcissism.]

A person may love:

1. according to the anaclitic (attachment) type:

  • the woman who feeds him
  • the man who protects him

2. according to the narcissistic type:

  • what he himself is
  • what he himself was
  • what he himself would like to be i.e. an idol
  • someone who was once part of themselves i.e. a baby

Suckling at the breast is the prototype of all pleasure and love.

From 1915 Freud introduces the idea of narcissism into his theory. The physical pleasure of suckling at the breast is now accompanied by the psychic pleasure of self-love, the earliest attachment of libido to the ego, the ego to itself, as it grows and comes to consciousness.

After puberty all love objects will partake of these two earliest loves; all love objects will have an element of narcissism and of attachment (cupboard) love.

The finding of a love-object is always a refinding of this original pleasure. A recapturing of what we once had. Falling in love is always a return to lost happiness.

The sexual object during early infancy

Everyone’s first love is for their mother. Freud goes further to say everyone’s first sexual object is their mother. Mothers stroke and kiss and caress babies, thus awaking the erotogenic zones and sex instincts. There is nothing perverse in this. The mother is only fulfilling her task in teaching the child how to love. Later in life, the former baby will itself stroke and kiss and caress a love object. How else does it learn to do this except by unconscious recall of its own childhood caresses?

Infantile anxiety

Infantile anxiety is caused by the loss of the person the infant loves. They are afraid of the dark because in the dark they cannot see the person they love. An infant who turns his love/libido into anxiety when it cannot be satisfied is behaving exactly like an adult neurotic.

The barrier against incest

‘Normal’ development means the transmutation of the early sexual attachment to the mother into ‘affection’ i.e. aim-inhibited libido. One of life’s great tasks is overcoming this love and learning to reattach it to socially acceptable objects.

This happens partly due to internal psychic development but is hugely reinforced by social and moral pressures. In Totem and Taboo (1913) Freud writes about the fundamental taboo against incest which is, in his view, the beginnings of society and morality.

Nonetheless, incest remains a possibility in the unconscious mind, in dreams and fantasies.

Puberty is particularly rich in fantasies as the adolescent tries out various combinations of object and experiments with its new strong feelings obsessively in the mind, before attempting to put them into practice.

Some fantasies are particularly common: the adolescent’s fantasies of overhearing his parents having sex; of having been seduced in infancy; of having been threatened with castration; fantasies of life in the womb; and the so-called Family Romance, the fantasy of being the abandoned child of rich beautiful parents – a rationalisation of infantile perception of parental omnipotence.

In overcoming renewed childhood sexual fantasies about his parents the adolescent also has to make the crucial break with them; to rebel against parental authority, particularly the father.

Some people never make it and remain in thrall to their parents. Many women never properly escape and remain as loving and passive as they were in childhood. Girls have a tendency to rebel against their sexual destiny, against sexuality itself and to flee into exaggerated affection for siblings or parents. To become virgin carers.

It falls to some men to become the complete rebels against authority which are required by the furtherance of the race.

After-effects of infantile object-choice

These powerful loves of childhood cast a pall over the rest of our lives. Women often look for older, more mature, authoritative husbands who are quite obviously father-substitutes. Men, even more often, are looking for the unconditional love of their mothers.

Prevention of inversion

It seems that the presence in our childhood of the same sex parent as a figure of a) resented authority and b) sexual rivalry, contributes to our early love for the opposite sex parent, all of which is motivated by the hormones at puberty.

But if the family unit is disturbed, if one of the parents is lacking, this is a powerful accidental stimulus to homosexuality (innate predispositions aside).

SUMMARY

* Neuroses are the mirror image of perversions: both represent aberrations from normal sexuality. Neurotic symptoms are generally a reinvoking of infantile perversions, at least in fantasy and transferred symptoms, as libido flees an unbearable sexual situation.

* Perversions are the fixation of the libido onto particular components of sexuality at the expense of normal heterosexual genital union.

A disposition to perversions is an original and universal disposition of the human sexual instinct and ‘normal’ sexual behaviour is developed out of it as a result of organic changes and psychical inhibitions occurring in the course of maturation.

* Any departure from established sexuality is therefore an instance of developmental inhibition and infantilism, a regression.

* The sexual instinct is put together from various factors and, in the perversions, these components fall apart.

* ‘Normal’ sexuality integrates these instincts and submits them to socially-condoned genital aims.

* Children bring sexuality into the world with them. After an efflorescence of sexuality from ages 2 to 5 the sex instinct undergoes a repression, entering the latency period. Sexual feelings continue during this period but rerouted:

a) to develop secondary characteristics such as affection and friendship (aim-inhibited libido)
b) into ‘reaction-formations’ to sexual activities, which are now perceived as dirty, shameful, disgusting and so on, into a predisposition to receive moral education. These reaction-formations will be critical in establishing the channels along which libido can flow after puberty; too strong and they will react badly to the arrival of puberty and real sexual situations, causing all sorts of havoc, not least the flight into illness which characterises neurosis.

* Children develop through three phases: oral (breastfeeding), anal-sadistic in which ambivalence emerges, and phallic, part of which is the Oedipus complex. Then it is all buried in the latency period.

* The diphasic onset of sexuality i.e. in two stages, allowing for a latency period during which the socialising process can get going, seems to be a precondition for humanity’s civilised achievements. But, being so long and precarious, the latency period also explains mankind’s predisposition to neurosis and mental illness, and to the various failures and perversions of the sex instinct.

* The perversions of infancy, the finding of pleasure in erotogenic zones, returns with puberty but subordinated, as fore-pleasures, to the great act of copulation itself.

* Children find their first sex object in the opposite sex parent but this lust is repressed and redirected by the primeval psychological taboo against incest.

Factors interfering with development:

Every step on this long path of development can become a point of fixation, every juncture in this involved combination can be an occasion for a dissociation of the sexual instinct.

Constitution and heredity

Nature/nurture, which comes first? Imponderable. Except to say that in families with a predisposition to sexual failure, the men will tend to be perverts, the women, “true to the tendency of their sex to repression”, will become negative perverts i.e. hysterics.

Further modification

Whatever the hereditary predisposition, it is clear the sex instincts undergo further modifications:

Perversion: at puberty the libido may find the genital zone too weak for the tasks asked of it, and so revert to fixation on earlier infantile perverse zones.

Repression: the instincts in question are repressed and travel underground until they can find their expression disguised as hysterical symptoms. They can have perfectly normal sex lives but accompanied by psychological problems.

Sublimation: excessive sexual dispositions can be redirected into socially acceptable fields, thus yielding greater psychic efficiency and providing a strong evolutionary advantage. Maybe this is the reason why sublimation is the basis of much human mental life.

Reaction-formation: the building up during the latency period of strong counter-forces to perverse instincts, abetted by education which is designed to channel sexuality into ‘normal’ ends.

What we describe as a person’s character is built up to a considerable extent from the material of sexual excitations and is composed of instincts that have been fixed since childhood, of constructions achieved by means of sublimation, and of other constructions, employed for effectively holding in check perverse impulses which have been recognised as unutilisable.


Credit

All Freud’s works have complicated histories in translation. The Three Essays on the Theory of Sexuality were first translated into English in 1953 as part of The Standard Edition of the Complete Psychological Works of Sigmund Freud. References in this blog are to the revised version, published in 1977 as part of ‘On Sexuality’, Volume 7 of the Pelican Freud Library.

More Freud reviews

The Case-Book of Sherlock Holmes by Arthur Conan Doyle (1927)

This is the final collection of twelve Sherlock Holmes short stories, published in the trusty Strand Magazine between October 1921 and April 1927. Incredible that the character associated with London pea-soupers, hansom cabs, gas lamps and Jack the Ripper, should live on into the Jazz Age and see the publication of Ulysses and The Great Gatsby, the Russian Civil War, the rise of Mussolini, the General Strike and talking movies. As Conan Doyle writes in the preface to this final collection:

He began his adventures in the very heart of the later Victorian era, carried it through the all-too-short reign of Edward, and has managed to hold his own little niche even in these feverish days. (Preface)

Cruelty and violence

But, possibly as a sign of the traumas the world had passed through viz. the Great War, the collapse of Europe’s land empires, and the tempestuous Bolshevik Revolution, the stories are notably crueller and harsher than previous ones.

  • A handsome man has acid thrown in his face.
  • A man finds himself among half-beasts and catches leprosy.
  • Holmes is severely beaten and repeatedly threatened.
  • When he seizes the diamond from Count Negretto Sylvius he holds a pistol to his head, more the act of a Philip Marlowe than the debonaire Holmes.
  • A boy infects his baby brother with incurable poison.
  • A woman shoots herself in the head.
  • A man takes medicine which turns him into a half ape.
  • A maniac traps his wife and lover in a gas chamber.
  • A deadly jellyfish kills its victims by flailing their backs to a bloody pulp.
  • A lion rips a beautiful woman’s face off.

Animal imagery

And the greater cruelty and violence of the stories is reflected in the much more frequent comparison of humans to animals:

  • ‘When one tries to rise above Nature one is liable to fall below it. The highest type of man may revert to the animal if he leaves the straight road of destiny.’
  • The Baron has little waxed tips of hair under his nose, like an insect.
  • How a beastman could have laid his vile paws upon such a being of the beyond I cannot imagine. You may have noticed how extremes call to each other, the spiritual to the animal, the cave-man to the angel. You never saw a worse case than this.
  • It seemed that none of them could speak English, but the situation wanted clearing up, for the creature with the big head was growing furiously angry, and, uttering wild-beast cries
  • A sudden wild-beast light sprang up in the dark, menacing eyes of the master criminal.
  • ‘You cruel beast! You monster!’ she cried.
  • From keeping beasts in a cage, the woman seemed, by some retribution of fate, to have become herself a beast in a cage.
  • Ruffian, bully, beast – it was all written on that heavy-jowled face.
  • Holmes sprang at his throat like a tiger and twisted his face towards the ground.
  • I tell you, Mr Holmes. this man collects women, and takes a pride in his collection. as some men collect moths or butterflies.
  • ‘And is this Count Sylvius one of your fish?’ ‘

    Yes, and he’s a shark. He bites. The other is Sam Merton the boxer. Not a bad fellow, Sam, but the Count has used him. Sam’s not a shark. He is a great big silly bull-headed gudgeon. But he is flopping about in my net all the same.’

  • If I had said that a mad bull had arrived it would give a clearer impression of what occurred. The door had flown open and a huge negro had burst into the room.
  • She entered with ungainly struggle like some huge awkward chicken, torn, squawking, out of its coop.
  • ‘I see. You’ve tested them before.’ ‘They are good hounds who run silent.’ ‘Such hounds have a way sooner or later of biting the hand that feeds them.’
  • There have been no advertisements in the agony columns. You know that I miss nothing there. They are my favourite covert for putting up a bird, and I would never have overlooked such a cock pheasant as that.’
  •  With his dressing-gown flapping on each side of him, he looked like some huge bat glued against the side of his own house, a great square dark patch upon the moonlit wall.
  • In all our adventures I do not know that I have ever seen a more strange sight than this impassive and still dignified figure crouching frog-like upon the ground and goading to a wilder exhibition of passion the maddened hound, which ramped and raged in front of him, by all manner of ingenious and calculated cruelty.
  • It was a dreadful face – a human pig, or rather a human wild boar, for it was formidable in its bestiality. One could imagine that vile mouth champing and foaming in its rage, and one could conceive those small, vicious eyes darting pure malignancy as they looked forth upon the world. Ruffian, bully, beast – it was all written on that heavy-jowled face.
  • … the other, a small rat-faced man with a disagreeably furtive manner.
  • ‘For myself, I am deeply in the hands of the Jews. I have always known that if my sister were to die my creditors would be on to my estate like a flock of vultures.’
  • He clawed into the air with his bony hands. His mouth was open, and for the instant he looked like some horrible bird of prey. In a flash we got a glimpse of the real Josiah Amberley, a misshapen demon with a soul as distorted as his body.

And the fact that one story is about a vampire and another about a scientist who turns himself into an ape-man clinches the sense of the ab-human, of the human mutating into the Gothic creature or beast, which permeates the stories. Humans permanently poised on the edge of bestial violence.

The Strand Magazine, vol. 73, April 1927

The Strand Magazine, vol. 73, April 1927

Sex and seduction

There’s more sex, more overtly referred to, than in the earlier stories.

  • Baron Grüner is a smooth-talking seducer of women; the Illustrious Client hinges on Holmes purloining the Baron’s ‘Lust Diary’.
  • Similarly, the gorgeous Isadora Klein has seduced numerous young men, used them and then discarded them, and the case hinges (once again) on a text which records her sexual escapades, this time a roman a clef written by her lover.
  • Maria Gibson is jealous enough of her husband’s relationship with the maid to kill herself.
  • Professor Presbury is besotted enough with a young woman he’s met to experiment with a dangerous youth serum.
  • Leonardo the circus acrobat has ‘the self-satisfied smile of the man of many conquests’.

It is difficult to cast your mind back to the Victorian stories where the sex element is simply absent; where there is no reference to sex whatsoever, at any point; where men drop dead of heart attacks at the mere thought of their reputations being besmirched, where women are prepared to plunge their country into war rather than have their husband read an old billet-doux (The Adventure of the Bruce-Partington Plan).

This is the most obvious way that, despite the way the tales are still ostensibly set in the late ’90s or early noughties – in fact the post-War Holmes is operating in a new era with new conventions,

Anglo good, foreign bad

Foreigners are generally bad, such as the smooth Baron Grüner:

  • The fellow is, as you may have heard, extraordinarily handsome, with a most fascinating manner. a gentle voice and that air of romance and mystery which means so much to a woman. He is said to have the whole sex at his mercy and to have made ample use of the fact… His European reputation for beauty was fully deserved. In figure he was not more than of middle size, but was built upon graceful and active lines. His face was swarthy, almost Oriental, with large, dark, languorous eyes which might easily hold an irresistible fascination for women. His hair and moustache were raven black, the latter short, pointed, and carefully waxed. His features were regular and pleasing, save only his straight, thin-lipped mouth. If ever I saw a murderer’s mouth it was there – a cruel, hard gash in the face, compressed, inexorable, and terrible.
  • Isadora Klein was, of course, the celebrated beauty. There was never a woman to touch her. She is pure Spanish, the real blood of the masterful Conquistadors… She rose from a settee as we entered: tall, queenly, a perfect figure, a lovely mask-like face, with two wonderful Spanish eyes which looked murder at us both.
  • It was as if the air of Italy had got into his blood and brought with it the old cruel Italian spirit.
  • This gentleman married some five years ago a Peruvian lady the daughter of a Peruvian merchant, whom he had met in
    connection with the importation of nitrates. The lady was very beautiful, but the fact of her foreign birth and of her alien religion always caused a separation of interests and of feelings between husband and wife.
  • ‘She was a creature of the tropics, a Brazilian by birth, as no doubt you know.’ ‘No, it had escaped me.’ ‘Tropical by birth and tropical by nature. A child of the sun and of passion.’
  • He was looked upon as an oddity by the students, and would have been their butt, but there was some strange outlandish blood in the man, which showed itself not only in his coal-black eyes and swarthy face but also in occasional outbreaks of temper, which could only be described as ferocious.

But, thankfully, in contrast to the beast-people and dastardly foreigners, there are plenty of fine upstanding, Anglo-Saxon chaps (and the occasional chapess):

  • Mr James M. Dodd, a big, fresh, sunburned, upstanding Briton.
  • ‘I have found out who our client is,’ I cried, bursting with my great news. ‘Why, Holmes, it is—‘ ‘It is a loyal friend and a chivalrous gentleman,’ said Holmes.
  • ‘He had the fighting blood in him, so it is no wonder he volunteered. There was not a finer lad in the regiment!’
  • “Of course I remembered him,” said I as I laid down the letter. “Big Bob Ferguson, the finest three-quarter Richmond ever had. He was always a good-natured chap.’
  • Our new visitor, a bright, handsome girl of a conventional English type, smiled back at Holmes as she seated herself beside Mr Bennett.
  • Stackhurst himself was a well-known rowing Blue in his day, and an excellent all-round scholar.
  • Fitzroy McPherson was the science master, a fine upstanding young fellow…
  • ‘Forgive what is past, Murdoch. We shall understand each other better in the future.’ They passed out together with their arms linked in friendly fashion.
  • Who could have imagined that so rare a flower would grow from such a root and in such an atmosphere?.. I could not look upon her perfect clear-cut face, with all the soft freshness of the downlands in her delicate colouring, without realizing that no young man would cross her path unscathed.

High society and superlatives

These stories continue the trend of hobnobbing with the rich and famous – giving the reader a flattering Downton Abbeyesque feeling that they are rubbing shoulders with the glamorous, rich and aristocratic. If not actual aristocrats, the adversaries are generally men and women at the top of their field.

  • It is hinted that the illustrious client in the first story is the Prince of Wales.
  • All the doctors are the most eminent in their field – Sir Leslie Oakshott, the famous surgeon, Sir James Saunders the great dermatologist
  • The soldiers are all medal-winning heroes – Colonel Emsworth the Crimean V. C.
  • Ronder, of course, was a household word. He was the rival of Wombwell, and of Sanger, one of the greatest showmen of his day.
  • ‘There are the Shoscombe spaniels,’ said I. ‘You hear of them at every dog show. The most exclusive breed in England.’
  • ‘That is a colt you are running?’ ‘The best in England, Mr Holmes.’
  • And the Prime Minister and Foreign Secretary come calling in person about the Mazarin stone!

The stories

The Adventure of the Illustrious Client (1924)

Set in 1902, in Kingston.

The dapper Sir James Damery visits on behalf of an anonymous client who wishes to prevent sweet and gullible Miss Violet Merville from marrying the Austrian Baron Adelbert Gruner, not only a cad to women but probably a murderer. While Watson is distracting the Baron with the offer of a rare Chinese antiquity, Holmes sneaks in the back and purloins the notebook the Baron keeps of all his conquests. There is little or no deduction involved. What is involved is shocking violence as a) Holmes is badly beaten up by two of the Baron’s men b) the Baron has vitriol thrown in his face by an embittered lover, Kitty Winter. The Wikipedia entry on vitriol-throwing says the French press coined the word La Vitrioleuse after a wave of 16 vitriol attacks in 1879, all of them crimes of passion. In 1894 the French artist Eugene Grasset (1841 to 1917) created a haunting lithograph title La Vitioleuse.

La Vitrioleuse by Eugene Grasset, 1894 (Wikimedia Commons)

La Vitrioleuse by Eugene Grasset (1894)

The Adventure of the Blanched Soldier (1926)

Set in 1903, near Bedford.

First ever Holmes story narrated by Holmes himself. Fine upstanding soldier James Dodd fought side by side with good man Godfrey Emsworth, son of the famous Crimean VC. Rumoured to be wounded but then disappeared and family are strangely cagey about him. Holmes goes to Tuxbury Old Park and quickly deduces that the missing soldier has in fact contracted leprosy in South Africa and is hiding from the world with his family’s help

The Adventure of the Mazarin Stone (1921)

Set in 1903, in Harrow Weald.

First use of 3rd person narrator. Holmes has a mannekin of himself in the window to distract his watchers. By adroitly swapping places with it he persuades Count Negretto Sylvius to take out the stolen £100K jewel to show to his accomplice at which Holmes simply swipes it. Baker Street.

The Adventure of the Three Gables (1906)

Set in 1903.

Steve Dixie, a black boxer bursts in to warn Holmes off Harrow Weald which is a coincidence because he’s just had a letter from Mary Maberley who lives there. Off we go to meet her and hear her story, that an agent suddenly offered her a fortune for her house and everything in it. Through various clues Holmes deduces the involvement of the imperious Spanish beauty Isadora Klein who has dallied with half the men in London, including Mary Maberley’s dead son. Turns out he wrote a novel dramatising Isadora’s wicked ways and she suspected it was in his luggage, hence the offer for the house and all its contents.

The Adventure of the Sussex Vampire (1924)

Set in 1896, in Ryder Street, St James’s (London).

Good solid rugger player Bob Ferguson comes to Holmes stricken: after some suspicions he caught his wife at the throat of his little baby, and she turned with blood on her lips! then ran off weeping to her rooms and won’t emerge. On a visit to the rundown house Holmes quickly sees the lie of the land: the 15 year old son of the first wife is deadly jealous of the new baby by the second, Peruvian, wife and had nipped it with an south American arrow tipped with poison. The wife was gallantly sucking it out only to be completely mis-accused. The prescription for 15 year old Jacky is a year at sea! Near Horsham.

The Adventure of the Three Garridebs (1924)

Set 1902.

An American named Garrideb reluctantly appears before Holmes after an English eccentric with a vast collection of bric-a-brac named Garridenb has messaged him. His irritation and worn English clothes belie his cock and bull story about a multi-millionaire American back in Kansas named Garrideb who bequeathed his millions to whoever could find three Garridebs in the world. He claims to have found the third one in Birmingham and packs the eccentric off to meet him but, of course, Holmes and Watson stake out the now empty house where they reveal the first Garrideb to be none other than ‘Killer’ Evans from Chicago, who’d killed a confederate in London and served five years for it during which time the eccentric Garrideb moved into his flat, thus blocking access to the forger’s kit in the basement.

The Problem of Thor Bridge (1922)

Set in 1900, near Winchester, Hampshire.

Mr Neil Gibson, the Gold King, the richest gold magnate in the world, marries a Brazilian lady and settles in England but as her looks fade they argue a lot, and he becomes attached to his children’s maid, Miss Grace Dunbar. The wife Maria is found shot dead and the gun is found in Grace’s wardrobe. What could be simpler? Holmes deduces from the way the little bridge over the lake is chipped, that the wife planted a copy of the gun to implicate the maid, and then shot herself with a gun tied to a weighted string dangling into the lake!

The story is notable within the Sherlock Holmes canon for the initial reference to a tin dispatch box, located within the vaults of the Cox and Co. Bank at Charing Cross in London, where Dr Watson is said to keep the papers concerning some of Holmes’ unsolved or unfinished cases.

The Adventure of the Creeping Man (1923)

Set 1903 in Camford i.e. a fictional version of Cambridge.

Mr Trevor Bennett comes to Holmes with a problem. He is Professor Presbury’s personal secretary engaged to the professor’s only daughter, Edith. After a trip to Prague the professor has been behaving strangely, with a new vigour but also, on some nights, loping around the house and climbing the walls! Holmes shows he has been taking an experimental youth serum extracted from apes in Madagascar.

The Adventure of the Lion’s Mane (1926)

Set in 1907, on the Sussex coast.

One of the last of Holmes’s adventures and the second one to be narrated by Holmes himself! In his retirement on the South Downs cases still follow him. One of the teachers at the nearby ? academy is found stumbling up the cliffs from an early morning swim on the beach, his back horribly flailed and bloody. There is an interlude while speculation about his murderer implicates his rival in love for a nearby maiden. Only for Holmes to suddenly remember the same marks are made by a rare tropical giant jellyfish, but not before the chief suspect is himself stung almost to death.

The Adventure of the Veiled Lodger (1927)

Set in 1896, in Brixton.

The veiled lodger is the wife of the world famous circus owner ? He was a tyrant and sadist who whipped her. Her lover Leonardo the strong man cooked up a plan to stave the tyrant’s head in with a club with spikes in it to replicate a lion’s paw and release the lion they fed every day. The murder went ahead but, unfortunately the lion was maddened by the smell of blood and turned on Mrs, ripping her face off while the coward Leonardo ran off. She feels free to tell her story now she’s read that Leonardo is dead. And she has lived in retirement hiding behind a veil ever since. Holmes gallantly talks her out of committing suicide.

The Adventure of Shoscombe Old Place (1927)

Set in 1902, in Berkshire.

Head trainer John Mason from Shoscombe Old Place, a racing stable in Berkshire, comes to Holmes about his master, Sir Robert Norberton. Mason thinks he has gone mad. The stables are actually owned by Norberton’s sister, Lady Beatrice, and the old man has huge debts. He is staking everything on the next race featuring his colt. Meanwhile, Mason lists various odd events which capture Holmes’s attention:

  • Lady B has stopped greeting her favourite horse
  • Sir Robert has become increasingly angry and stressed
  • in a fit of anger he gave Lady B’s dog away to the local publican
  • he’s been seen going into the local church crypt at night to meet a stranger
  • and then burnt human bones are found in the furnace at Shoscombe!

Holmes deduces that Lady B has actually died, but Sir Robert is maintaining the fiction that she’s alive to prevent his creditors seizing the estate before his horse can win the Derby. Which it does, and with his huge winnings he pays off his debts.

The Adventure of the Retired Colourman (1926)

Set 1898 in Lewisham, south London.

Holmes is hired by a retired supplier of artistic materials, Josiah Amberley, to look into his wife’s disappearance. She has left with a neighbour, Dr Ray Ernest, taking a sizeable quantity of cash and securities. Amberley wants the two tracked down. Holmes deduces that Amberley himself did away with the couple, locking them in his strong room and gassing them and then throwing them down a disused well. Holmes prevents Amberley committing suicide, predicting he will end up in Broadmoor not swinging from a rope.

Town versus country

Despite Holmes’s association with pea-souper fogs and so on, only four of these 12 stories actually take place in London. All the rest are located in the countryside.


Related links

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