The Night Wanderers: Uganda’s Children and the Lord’s Resistance Army by Wojchiec Jagielski (2009)

Warning: this review contains graphic descriptions of torture and mutilation.

Were you forced to kill any of your relatives or neighbours?
Were you forced to chop off people’s hands or feet with a machete?
Were you forced to gouge out people’s eyes?
Were you forced to rape women?
Were you forced to burn people alive?

(Part of the questionnaire given to freed child soldiers in north Uganda, quoted in The Night Wanderers, page 38)

Wojchiec Jagielski

Wojchiec Jagielski is a Polish journalist who specialises in reporting from the world’s worst conflicts. Hence, for example, ‘Towers of Stone’, his 2009 book about the gruesome brutal wars in Chechnya, along with books on Afghanistan and South Africa.

But it’s not not just reporting – Jagielski is interested in the psychology created by terrible conflicts and, beyond that, in the voodoo, spectral elements, the worlds beyond normal human experience which extreme situations create, the deprivation, degradation, demoralisation spread over long periods, which create new psychic zones.

For this reason – for Jagielski’s interest in moods and alternative states and his interest in depicting them in prose which is often more about poetry and fleeting perceptions than the journalist’s tradition fare of facts and dates – he has often been compared to the famous master of such writing and fellow Pole, Ryszard Kapuściński.

No surprise that snippets of praise from Kapuściński are found on the jackets of Jagielski’s books (”A stunning and beautiful book…Jagielski has scaled the heights of reportage’), or that Kapuściński wrote the introduction to one of his books, or that this very book was nominated for the Ryszard Kapuściński Prize.

Part 1 (Gulu and its night wanderers)

Ugandan elections 2006

The Night Wanderers is set in Uganda in 2006. Nominally Jagielski was in Uganda to cover the February 2006 general election and party politics are, accordingly, described in part 2. But the meat of the book is his descriptions of the appalling plight of the thousands of children abducted by the rebel group, the Lord’s Resistance Army (LRA), led by the psychopath Joseph Kony. J.M. Barrie wrote about the Lost Boys but it was a fairy tale compared to this lost generation of Ugandan children.

The Acholi

The north of Uganda is inhabited by the Acholi people. Some 2 million of them have been driven out of their villages, forced to abandon their homes, their fields and crops, to leave behind the graveyards full of ancestral spirits, and instead herded into about 200 refugee camps where they have built huts and live, but which they can never regard as home.

Exemplary cruelty

The rebels terrify civilians by attacking villages, hacking people to death with machetes, chopping off their hands, slitting their throats, clubbing them to death, hacking them to pieces with axes, raping the women, herding people into huts and burning them alive. The cruelty is exemplary: it is punishment for not believing in the wonderfulness of Joseph Kony, and also to terrify entire regions into submission. Thus:

On the orders of their commanders, the guerrillas killed the villagers in extremely cruel ways. They butchered and burned them alive, forced the prisoners to commit cannibalism and infanticide. They raped and tortured, cut off people’s lips, gouged out their eyes, and chopped off their hands and feet. They left behind bloodied corpses and gutted houses. (p.138)

(Why does the LRA cut off people’s lips? As a warning to others not to report encounters with them to the authorities or to the Ugandan Army, p.296.)

Refugee village headman

Jagielski meets Abola Imbakasi, headman of one such refugee camp, Palenga. His meek son, Robert, was taken by the guerrillas for 3 months (p.18). On returning he had to be exorcised by a priest but is still not the same. His mind has been permanently damaged by what he saw and was forced to do.

The children’s treatment centre

Jagielski meets Nora who runs a rehabilitation centre (a ‘children’s treatment centre’) for children who’ve escaped or been rescued from the guerrillas. All of them have killed, multiple times. Jagielski watches one of the therapy methods which is to let them act out what they did as a kind of gruesome pantomime, some of them acting out their own roles, some of them playing the villagers who they hacked, burned, tortured, shot and burned. The terrible questionnaire (p.38).

The journalist’s responsibility

Jagielski explains that he’s never had problems interviewing the commanders and leaders who order massacres and atrocities. They’re always confident it was the only way to achieve justice or peace. They are always full of excuses, justifications and blame others (see Putin’s justifications for murdering civilians in Ukraine).

In his experience it is always much harder talking to the victims of atrocities. For many their story, their experience, is all they have left. Therefore sharing it with a journalist is like a precious trust. Part of which is they think that by sharing their story, it will bring about justice in the outside world, and will bring them peace and closure. It is far harder dealing with these poor people when neither of those things happen, when the world doesn’t suddenly galvanise itself to address their wrongs, when they are left feeling even worse than they did before they told their stories (p.33).

Rebel magic

The ferocity of the attackers, the way they chiefly emerged at night, the way they hid in the jungle and picked off anyone foolish enough to stray into the darker jungle, all this gave rise to folk stories and legends: that they could dematerialise at will, could appear anywhere like witches, had magical powers, that they change the children they kidnapped from humans into savage animals (p.39)

And indeed, villagers, adults, normal civilians who haven’t been inducted, regard returnees from the rebels as ‘spirits of the forest’, as bewitched, soulless, voodoo, jinxed, bad luck (p.49).

Initiation killing

Jagielski learns from Nora’s interviews with countless child soldiers how new initiates into the LRA were forced at gunpoint to murder their own fathers, mothers, sisters, brothers, best friends, neighbours, in front of everyone, in front of plenty of witnesses, because then there was no going back, then they were forced to stay. This was the initiation ceremony into the Lord’s Army (p.45).

The boy Samuel

Jagielski is particularly interested in interviewing Samuel, who was abducted at age 9 and was soon afterwards forced to kill his first person, a boy from his village, and whose story Jagielski tries to piece together. Nora tells him the best age to create a child soldier is 9, old enough to be independent, young enough not to really know right and wrong. Mouldable (p.57).

Jackson the journalist

After trips to refugee camps or to interview the children, Jagielski returns to the bar at Franklin’s Inn where he regularly meets Jackson, now a radio journalist, himself inducted into the guerrillas many years earlier. Jackson plays the role of sardonic, satirical commentator on Jagielski’s efforts, claiming that no matter how many questions he asks, he’ll never understand what it’s like (p.46).

Atrocities

The narrative is regularly punctuated by descriptions of the most appalling atrocities, for example on pages 45, 50, 72, 138, 144, 146,

When they had finished their interrogation, the older guerrillas started killing the villagers. The commanders forbade them from shooting unnecessarily, to save bullets, and also because the noise of shots would alert the army. The peasants were tied up and made to lie on the ground, as the guerrillas unhurriedly murdered them one by one – men, women, old people, and also small children who weren’t fit to be prisoners. They killed them with machetes, axes, hoes and large knives usually used as agricultural tools. None of the villagers put up resistance or fought for their lives. Terror and a sense of doom had taken away their capacity for any kind of action. (p.137)

Or the story (repeated twice) of the LRA attack on a funeral procession when they forced the mourners to cook and eat the remains of the deceased, allegedly on the orders of Onen Kamdalu (p.241).

Gulu

Jagielski bases himself in Gulu, administrative capital of north central Uganda and each evening observes the same eerie ritual: every evening as the sun sets thousands of children (as many as 15,000) arrive having trekked from all the surrounding villages, for their own safety, to avoid the risk of being kidnapped and conscripted by the LRA. It is this silent army of forlorn children who arrive every evening and make beds in public spaces and on the sidewalks, who Nora calls ‘the Night Wanderers’ which give the book its title (p.58).

Jagielski describes the arrival of these tens of thousands of silent children in spooky spectral terms. The way the town of Gulu changed its atmosphere. the way adults departed abandoned the streets to the thousands of ghostly children. The peculiar way these children inspired irrational fear in the adult population, harbingers of evil (p.59).

Jagielski tells us he stayed at the Acholi Inn Hotel (p.91). This is a real place, still exists, and you can book a stay there, if you want.

Jagielski tells the history of how Uganda was created as a nation by the British, yoking together completely different peoples and tribes, the Buganda – agriculturalists – in the south, the Acholi, Lango and other peoples who lived by grazing and cattle, in the north.

Milton Obote and Yoweri Museveni

At independence in 1962 the British tried to reconcile these different peoples, making Milton Obote from the Lango tribe prime minister and the king of the Buganda, Frederick Mutesa II, president. But in 1966 Obote overthrew Mutesa and declared himself president. In 1971 Obote was overthrown by his own army chief of staff, Idi Amin from the Kwakwa people. In 1979 Ami invaded Tanzania but was swiftly repulsed and overthrown by the Tanzanian army (for a vivid description of Amin’s horrifying rule and the Tanzanian invasion, see Giles Foden’s powerful novel The Last King of Scotland).

Obote returned to power and swiftly commenced violent repression even worse than Amin’s triggering the Ugandan Bush War against him, led by members of Obote’s army plus tribal opponents. They crystallised into the National Resistance Army (NRA) and attracted support from the many Rwandan Tutsi exiles and refugees living in southern Uganda (who were to go on to form the Rwandan Patriotic Front and invade Rwanda in 1990).

In 1986 Obote was overthrown for the second time and the leader of the NRA, Yoweri Museveni, came to power. Museveni began a campaign of intimidation against the powerful Acholi people in the north and it was this which inspired Acholi resistance.

Alice Auma

Jagielski gives a pen portrait of Alice Auma, a withdrawn young woman who had failed to get pregnant by two husbands and been returned to her father in shame, before she began having visions and claimed to have visitations from spirits and announced she was a prophet of the Lord. She named the chief spirit visitor Lakwena (p.74).

Alice became known as Alice of the Holy Spirit. She set up a temple where she could heal the sick and the mentally disturbed. Then announced she was establishing an army which would not just defend the Acholi from the Ugandan Army’s depredations, but conquer all of Uganda and establish religious rule. She gathered followers from conventional guerrilla forces who were losing encounters against the army. She promised if they sprinkled holy water on their guns every bullet would find its billet, and if they smeared holy oil on their bodies they would be invulnerable.

Although this didn’t actually happen, the intensity of their belief led them to surprising victories over the conventional army and word spread. Conventional troops fled in panic when they heard the psalm-singing Alice army approaching. The army grew to several thousand and fought its way south to within 100 miles of the capital. But then her spirits abandoned her. Her troops said it happened when she crossed the White Nile and went beyond the borders of Acholi land. The central army also recruited powerful witches and magicians and defeated Alice’s army in November 1987.

Alice fled to Kenya where, ten years later (1997), Jagielski interviewed her. She didn’t say much. She claimed to have found a spirit cure for AIDS. She died in 2007.

Joseph Kony

Her father tried to take up her baton for a while but lacked the charisma. Then a new prophet arose in Acholiland, Joseph Kony. He claimed to be visited by Lakwena who had instructed him to create a new army, the Lord’s Army, and liberate Acholiland. One by one other rebel groups folded and ceasefired with the Ugandan army. Only the most fanatical opponents or those who had committed the most barbaric crimes held out and gravitated towards Kony’s army which, by a process of selection, became full of psychopaths, ‘vile, bloodthirsty, accursed creatures’ (p.81). (Jackson explains more about Lakwena, pages 198 to 200).

But they lacked manpower and the villages were no longer as keen to hand over their sons as they had been for Alice’s Army. So Kony took to kidnapping children on an industrial scale. Jagielski thinks the force Kony renamed the Lord’s Resistance Army might be the only child army in history.

Interview with Kony

Jagielski gives extended quotes from what I initially took to be a newspaper interview Kony gave, in which he disclaimed all responsibility for kidnapping children, claiming the mutilations were carried out by the Uganda army not him, swearing that his cause is just etc (pages 201 to 203). In fact the material comes from this video interview carried out by Sam Farmer, who must, as the saying goes, have balls of steel to doggedly track down a known mass murderer to his lair.

Warning: this video contains graphic and upsetting images of mutilation.

Sister Rachele Fassere

The story of Sister Rachele Fassere who tried heroically to rescue the 139 girls abducted by the LRA from the most eminent school in the region, St Mary’s convent school in Aboke.

Britain’s imperial behaviour and legacy: pages 71, 104, 154,

The stock African accusation against imperialists, the British, against all outsiders:

‘And that’s where the problem lies – in the names,’ said Jackson…’You give your own names to whatever you find in your country, and you’re convinced that once you’ve named it all, you’re also going to understand it all. But we have our own names too, but we look at things in our own way.’ (p.114)

Part 2 (Kampala)

In part 2 Jagielski leaves Gulu, travelling south by bus (with Jackson) to the capital of Uganda, Kampala. Thus we get a pen portrait of Kampala’s history – one of the few cities in all Africa that existed before the Europeans arrived i.e. that Europeans didn’t found. Winston Churchill was delighted with it and called it the pearl of Africa (p.154)

Jagielski checks into the Speke Hotel where all the foreign correspondents say, meet and swap knowledge (p.122). How western journalists co-op or rip off the hard-earned knowledge of local African journalists (pages 123 to 126).

Spirits

Alice Auma, and Joseph Kony after her, both triumphed because of the nearly universal belief in spirits. The book adverts again and again to spirit belief. For example, the passage about the area around Luwero where so many villagers were slaughtered that there was no-one to give them burial rites and so the spirits of the dead were trapped in this world and entered the bodies of the living (p.146).

Extended passage naming some of the spirits who take Kony, how he behaves when possessed etc, chief among them Lakwena (pages 166 to 169).

Jackson’s family believed that when his father came home from the war he was possessed by a spirit which eventually drove him to hang himself. The entire family and village were too scared to cut the rope he’d hanged himself by under the belief that anyone who did so would themselves be possessed and die, and had to bribe an old, old lady, known to be an ajwaka or healer, to do it.

Part 2 has more history and politics in it than part 1, which was more about individuals like Nora, Samuel et al. Jagielski is quite a repetitive writer. Some ideas are repeated in nearly the same phrasing. The dispossessed refugee men of Penga often raped women:

as if only by inflicting rape could they come alive and shake off their inertia (p.18)

Two hundred pages later, Nora complains that Acholi men are ‘useless’. They steal the money their womenfolk earn, simply abandon them, or rape them:

as if only through violence, by inflicting pain and harm, could they restrain something beyond their control which was causing their former world and old way of life to slip away before their very eyes. (p.237)

In a bigger example of repetition, the sequence of events whereby the British left Obote as Prime Minister and the king of Buganda as president, then Obote overthrew the king to become a dictator (1966), was himself overthrown by Amin (1971), who was overthrown by the Tanzania War (1979), which brought Obote back to power (Obote II), how Obote was even more bloodthirsty than Amin (maybe as many as 500,000 Ugandans died under his second regime), how this triggered the Ugandan Bush War (1980 to 1986), which eventually overthrew Obote and replaced him with Museveni – this narrative is repeated at least twice, some parts of it 3 or 4 times.

Part 2 goes into more detail about the biographies of all three players, Obote, Amin, Museveni, plus the restored king of Buganda, King Kabaka Ronald Muwenda Mutebi or ‘King Ronnie’ (p.140).

Pages about Amin and the mutual loathing between him and Julius Nyerere (pages 142 to 144); ‘the personification of horror (pages 155 to 166, including some of the scenes described in ‘The Last King of Africa’).

Another thing Jagielski repeats is the claim that Uganda became a place of war, horror and death. Because he repeats this kind of phrasing, stretched out to paragraphs, many times, and because the narrative is non-chronological but hops about in time, it becomes hard to figure out which leader it happened under and why it happened. Many passages like this:

Presidents changed but the nightmare continued and Uganda never stopped flowing with blood, as if it had been sacrificed to the god of war and evil. (p.145)

Wracked by lawlessness and violence, Uganda continued to be a bloodbath, doomed to horrific destruction, curse with an apocalypse. (p.164)

After almost two decades of the tyrannical regimes of Obote and Amin, civil wars, massacres, lawlessness and bankruptcy, plague and famine, and one and a half million corpses, it had come to be known as a doomed country… (p.170)

The bravery of British journalist William Pike, who edited the newspaper New Vision without fear or favour, and his lead journalist, Allio Ewaku Emmy (pages 126 to 129).

What triggers the more political flavour of part 2 is that Museveni had prided himself on not being like the old dictators, not hanging on forever…and yet, at the time Jagielski is writing, Museveni was trying to alter the constitution in order to allow him to run for president more than two times (as most constitutions require). That happened in November 2005, which dates the writing of these sections to that moment, rolling on to the subsequent elections of February 2006.

(In fact as I write, at the start of 2024, Museveni is still president of Uganda, having held the post since 1986, 38 years and counting.)

Museveni

Pen portraits of Museveni on pages 129 to 133, 139 to 140, 144 to 145, 170 to 177. Museveni surprised everyone by changing quickly, on taking power, from a firebrand socialist revolutionary guerrilla to a pragmatic head of state prepared to work with western banks and let capitalism thrive.

Museveni on slavery

Museveni discomfited other African rulers with a few home truths:

‘We like to complain about the whites, but have we ever wondered why only Africans let themselves be enslaved? Why didn’t we put up resistance? It was our own greed and quarrelsome nature that ruined us. That’s why we were defeated and conquered. We ourselves are to blame. It was our chiefs, waging fratricidal wars, who took people prisoner to sell them to slave traders from Europe. It was those black traitors who bear the blame for slavery.’ (quoted on page 171)

1. The kind of thing a white person could never say or think.

2. I think he’s wrong though, in two ways. Firstly, the reason Africa was so prey to depredation was because it was the most economically, socially and technologically backward of the continents (with the exception of Australia) due to the reasons laid out at length in Jared Diamond’s Guns, Germs and Steel.

But there’s a second thing going on here which is that Museveni, like most modern commentators, is thinking within the framework of black and white that has been firmly established over the past 100 years, which has created a false homogeneity among black people. I’m continually impressed, on a pretty much daily basis – reading the papers, listening to the radio, going to exhibitions – how black activists think there is some kind of inherent unity among black people, that all black people share the same interests and concerns. This seems to me wrong, wrong about any community or group of people.

What I’ve read in the books by Jeal or Hochschild or Segal give the impression that the Africans we’re talking about, in the 1700s and 1800s, didn’t have this simplistic modern binary between Black and White, nor share the modern idea that all black people share a common identity, common goals, need to be united etc. This all seems, as far as I can tell, to have sprung up among black people in the West, whether civil rights movements or black power or Nation of Islam or Black Lives Matters – all these groups define themselves by contrast with whites (and mostly derive from America).

My reading of the sources is that back in the 1700s and 1800s this kind of ‘black consciousness’ simply didn’t exist. Instead Africans identified themselves with tribes, maybe religions, with regions and languages, and regarded all Africans outside their tribal or religious group as others, others who could be quite legitimately enslaved or waged war on or whatever. They had no need to feel guilty as they were smiting the enemy and then selling them into slavery, thus boosting their own prowess, preserving their tribe, making their family wealthy, and that’s what mattered to them.

In a nutshell, Museveni is projecting back onto his ancestors a kind of black consciousness which is a twentieth century (and mostly American) creation and (like America) simply didn’t exist so no-one was aware of it and no-one acted on it, in the period he’s projecting it back onto.

African unity

3. Finally, yet again the strong impression given is that the whole concept of black unity in Africa is a joke. Here’s Michela Wrong describing the moribund Organisation of African Unity:

The summit of the Organisation of African Unity, that yearly get-together where insincere handshakes were exchanged, 29-year-old coup leaders got their first chance to play the international statesman, and the patriarchs of African politics politely glossed over the rigged elections, financial scandals and bloody atrocities perpetrated by their peers across the table.

(‘I Didn’t Do It For You: How The World Used and Abused A Small African Nation’ by Michela Wrong, p.357)

Biafra. The Rwanda genocide. The wars in Congo. The civil war in South Sudan. Just the history of Uganda alone makes clear how difficult Africans find it to live in peace with other Africans. One and a half million Ugandans dead in 20 years of civil wars and insurgencies is proof of something.

Look at how the insurgency of the Lord’s Resistance Army got mixed up with ongoing enmity between all the regional nations: at various points the governments of both Sudan and Democratic Republic of Congo gave the LRA aid and support, while Sudan backed Kony in retaliation for Uganda’s longstanding support of the secessionist movement in South Sudan.

Where is the ‘African unity’ in any of this? In fact Jagielski’s description of the poisonous backstabbing rivalry between African states is bleakly hilarious (pages 195 to 196).

The Ugandan opposition

Jagielski visits the HQ of the opposition party, the Forum for Democratic Change.

Portrait of Nasser Sebaggala, opponent of Museveni and mayor of Kampala from 2006 to 2011.

Portrait of Museveni’s slighted mistress Winnie Byanyima, who has blossomed into an international figure (pages 178 to 180). Winnie married Museveni’s one-time physician, Dr Kizza Besigye, and encouraged him to become a leading political opponent, to stand in the presidential election against Museveni (180 to 181).

As usual with the African elections I’ve read about, nobody talks about policies, instead the campaigns rotate solely around personality and character i.e. Museveni is the ‘great leader’ who has saved Uganda or Museveni has hung on too long and must go. Playground level.

Bounty hunters

A page on freelance bounty hunters around the world. The international community put a bounty of $1.5 million on Kony’s head, which attracted freelancers (p.193). In that case surely the question is, how come nobody tracked him down and killed him? Simply because he’s surrounded by trigger-happy bodyguards?

Bishop Joseph Kibwetere

Auma and Kony aren’t the only ones possessed by spirits. The story of Bishop Joseph Kibwetere who gathered a large following when he predicted the end of the world for 31 December 1999. He and his followers all burned to death in a church fire in March 2000. Or did he escape? Prophets and visionaries appear whenever there’s a natural disaster, droughts, floods, epidemics (p.209). (It doesn’t so much sound like, as actually is the European Middle Ages.) The ebola epidemic of the early 2000s which was, of course, seen as another attack of bad spirits and, like so many evil things, came from the Congo (pages 210 to 212).

Jagielski’s unhelpful way of describing disease

Jagielski writes about disease in a melodramatic, anthropomorphised way which undermines your trust in his descriptions of other things. Here he is describing the action of AIDS:

But the invisible virus was alive inside her, lying in wait, and when it launched its lightning attack, giving no chance for defence, it was too late to save her. (p.214)

This isn’t a very useful way of talking about or thinking about infectious diseases. Anthropomorphising disease like this is not far short of the local belief in spirits, except that Jagielski doesn’t have the excuse of no education. He’s dumbing down from dramatic effect.

In fact it has two deleterious effects. 1) Talk to any health professional and they’ll tell you we need to remove moralising and stigma from infectious disease. This kind of dumbed-down anthropomorphising encourages scientific illiteracy and folk attitudes. Most western nations are facing health crises, specifically over measles, caused by the decline in MMR vaccinations, triggered by rumour and false information. Many people thought the COVID vaccines were some kind of state-run conspiracy. For this reason discourse about illness should be kept scientific, factual and precise.

2) The second bad effect is that anthropomorphising illness like this, using this kind of emotionalising, unscientific way of describing disease, opens the door to moralising which quickly leads to judging victims, for example the way AIDS was initially stigmatised as a ‘gay plague’ or more recent slurs about monkeypox. Medieval worldview. Burn witches etc. People need to be encouraged to think about disease in the correct scientific, objective fashion.

A journalist’s complaint

Another thing I didn’t like was his self-centred hand-wringing about the moral challenges and compromises involved in being a journalist.

Messy, abandoned friendships, business started and interrupted, then forgotten, littered the routes of all my journeys. (p.216)

Well, I reflected, as I read the fifth or sixth such passage, if you don’t like it, get a job in an office. A lot of journalists seem to imagine that when I buy a book on a particular subject I’ll really appreciate lots of stuff thrown in about how hard their job is and how they have to continually make work-life compromises and let people down and oh it’s so difficult. Well, I don’t. Boring.

In a way the journalist’s profession has betrayal encoded into it. It demands gaining people’s trust and extracting confidences from them, purely in order to publicise and reveal them, all for a sense of a job well done, for satisfaction, applause and prizes. (p.216)

Like going to see your doctor with troubling symptoms and just wanting a diagnosis and treatment but instead having to listen to a long lecture about how badly paid doctors are and there’s never enough time to see patients and all their other gripes. No. Just diagnose and treat me. Same with journalists: don’t tell me all about your sensitive scruples and heroic regrets. Just tell me the bloody story.

Part 3 (back to Gulu)

To his own surprise, Jagielski didn’t hang around in Kampala to wait for the results of the election. He had unexpectedly bumped into Jackson and decides to return to Gulu. On the way Jackson tells him something extraordinary: most of the guests at the Acholi Inn Hotel where he’s staying are former guerrillas, people who have carried out the most appalling atrocities.

He describes the standard military corruption: all Ugandan soldiers are all corrupt. Their officers keep all their pay for themselves so the ordinary soldiers are forced to steal from the locals, hold them up at temporary roadblocks, even sell their arms and ammunition to the guerrillas.

Not only that, but many of the shops in Gulu sell goods stolen from country villages which the guerrillas  have looted and then send on here. And that the guerrillas, who kidnap other people’s children, send their own children to good public schools here in Gulu. This isn’t a dysfunctional society so much as dysfunctional people. When so many people dysfunction what hope is there for ‘normal’ society?

‘Where two elephants fight, the greatest victim is the grass.’ (Acholi proverb, p.229)

Rehabilitating child brides

Jagielski returns to the child treatment centre. It’s pretty obvious he fancies Nora and she’s quite happy to flirt with him. He admires her tight-fitting jeans. The other care worker, Christine, is careful to knock on Nora’s door, even when it’s open, so she doesn’t walk in on them kissing or worse. I found these scenes a bit icky (for example, page 249).

Lunch. Watching the children at crafts. The eldest girl is 16. All of them who were capable of it, were taken as child brides by guerrilla leaders and have borne children. On returning to the world they are shunned by their families. So the centre teaches them to sew, makes crafts, open market stalls. This is the route to financial independence and, once they’ve earned some money, to interesting some man into marrying them.

Refugees

Refugees are people who may not have lost their lives to war, but their existence has been robbed of its meaning. War has taken away all their faith, hope, dreams and energy. (p.234)

Former guerrilla leaders

Jagielski talks to the former LRA leaders now living quietly at the Acholi Inn:

Jagielski carries out an extended interview with Banya (pages 240 to 248), a characteristic figure in that he had been a senior figure in the formal Ugandan army but quit when Museveni came to power, disgusted that Museveni overthrew the interim rulers (who succeeded Amin) through violence, and also worried Museveni would start persecuting the Acholi (as he did). One day envoys from Kony arrived at his home and told him to come now or they would kill his entire family. So he went with them and was never allowed back.

Christine returning the lost boys

At the centre Nora works alongside Christine. They dislike and avoid each other. Nora thinks Christine obeises herself to a husband who’s moved to Kampala and is rumoured to have taken a second wife. Christine denies all this and thinks Nora is disreputable for not having married and settled down.

A long passage seeing things through Christine’s eyes, the arrival of the first liberated child soldiers at the centre, Christine’s opinion that they need love and support and, above all, to be told it’s not their fault. All of them were forced to kill or mutilate under threat of it happening to themselves.

The best medicine for these damaged children turned out to be routine: wake-up same time, breakfast, chores etc (p.259).

Jagielski accompanies Christine as she takes some of the last boys in the camp back to their various villages, observing their receptions (pages 259 to 269). Life in the dirt poor refugee camps, with absolutely no purpose, is hard for the reclaimed boy soldiers. Many of them run back into the bush, where there’s at least a purpose, and food. Or are so shunned by former neighbours and even their own family that they become embittered, violent. Some of them spontaneously kill.

Mato oput

Jagielski witnesses a ceremony of mato oput meaning reconciliation for a crime, and learns the complex traditional methods for a wrong-doer to admit their guilt, the compensation to be paid by his family, the road to acceptance and reconciliation (pages 266 to 269, 273 to 282).

A detailed description of Acholi beliefs about dead people’s spirits, specially how they persecute the living if they’re not happy (pages 269 to 273). Worth mentioning that a Catholic priest, Father Remigio, accompanied Christine and Jagielski on this trip, and was by his side explaining all aspects of the mato oput ceremony, their provenance and meaning.

The Acholi king

The Achioli king is named David Onen Acana II. His shabby court looks like a provincial post office. Some facts about the Acholi who migrated into north Uganda from Sudan where they were nomadic shepherds, hunters and fishermen.

When he arrives the king is discussing the future of Kony with one of his advisers, Chief Lugai. They’d been invited to meet Kony in the bush but when they got there he didn’t show up. The king and Chief Lugai say Museveni needs to pardon Kony and the International Tribunal at the Hague drop its charges. Only then will Kony come in, and he must be handled with traditional Aconi rites i.e. Mato oput (p.288).

The king then laments at length how the old tribal ways are being destroyed not only by the war, the enforced relocation of 2 million people, but criticism from Christian missionaries and Muslim imams and the new young generation in cities who turn to the West (pages 289 to 291). In other words, the inevitable process of ‘modernisation’ and ‘development’.

Father Cosmas

An interview with the Catholic priest Father Cosmas who is quite clear that Alice was possessed by satanic spirits but that Kony is Satan himself (p.294). Stories he has heard from children who have been rehabilitated and made their confessions to him.

Severino Lukoya

Jagielski says goodbye to Nora, with the uneasy feeling that he has wormed his way into her and Samuel’s affections merely to exploit them for his book then dump them. And that’s what she accuses him of.

The last thing he does in Gulu is go to visit Severino Lukoya. He was the father of Alice Auma who, after Alice’s forces were defeated, claimed that the spirits had entered him and that he was now the spokesman for Lakwena et al. In the event the forces he led were defeated by the Ugandan Army even more heavily than Alice’s, he fled to Kenya, and the mantle passed to Joseph Kony who lied that he was Alice’s cousin. So it’s a family romance, of sorts.

Anyway, Severino quietly returned to Gulu, built a church for his own denomination, and has been living quietly, left in peace by the authorities. Jagielski discovers he is now a very old, weak old man. Severino is assisted by Martin the chaplain who seats him on a chair and hands him one of the holy bottles. Then Jagielski witnesses the old man being possessed by Lakwena.

Severino speaks in Acholi, Martin translates, and it’s basically a recap of Severino’s career i.e. being chosen by God, trying to preach the word of God, going off to bush to live by himself, choosing water to purify and stones to act as weapons and incite his men to fight for the Last Judgement…

Then it’s over and the old man shrinks in his chair, exhausted.

Thoughts

1. This is a very, very good book which doesn’t so much explain as immerse you in the bloody, complex history of modern Uganda and especially the horrifying reality of the LRA’s campaigns and their terrible aftermaths for all concerned.

2. It’s a fount of information not only about the LRA and about Uganda’s troubled history, but many aspects of the folklore and traditional beliefs of the Acholi people, above all their profound belief in the role of spirits in all aspects of human life.

3. It also gathers together a range of valuable eye-witness accounts: from children directly involved, from some of Kony’s henchmen, from Nora and Christine, plus Jagielski’s witnessing of the mato oput ceremony, the knowledge of Father Remigio, the opinion of Father Cosmas, Jackson’s conveying of the voodoo mysticism of the Acholi people which no outsider can really understand.

4. It’s a real shame the book doesn’t have an index as I found myself wanting to reread certain passages or flip through the explanations of particular topics which are scattered in fragments through the text and so hard to re-find unless you’ve made a record or turned down the page. Part of my motivation in making such detailed notes and providing precise page references in this blog is to create such indexes, as best I can, for my own use and as, hopefully, a help to other readers.

5. Jagielski is in the same ballpark as Kapuściński but not in the same class. Kapuściński can be, by turns, genuinely philosophical, reaching deep into human nature, or lyrical, or quirky and drily humorous (as throughout his book about Haile Selassie). Jagielski attempts the same kinds of thing and they’re interesting enough, such as his fairly frequent personification of abstract entities:

The day fixed for the elections overslept and got up late, looking grey. For ages it couldn’t gain full consciousness and get itself going. (p.187)

This kind of thing is entertaining enough, but without the real depth or lyricism of his mentor.

6. Obviously most of the subject matter of The Night Wanderers is beyond appalling but, if you’ve read 20 or 30 books about contemporary Africa, as I have, you get used to Africans massacring each other, generally in the most brutal, sadistic ways possible.

What it makes me wonder is … you know how anti-colonial critics, post-colonial writers and anti-colonial historians often criticise the Europeans for, among countless other crimes, imposing their notion of the nation state onto cultures which were more flexible and fluid, based around tribes and traditional rulers … well, in descriptions of the collapse of whole regions of supposed ‘states’ (such as Rwanda or Congo or Uganda or Sudan) into violent anarchy, I wonder if it’s simply a matter of older traditional African culture reasserting itself, of societies rearranging themselves around their core attachment to tribes…and that the endless guerrilla wars are just the modern name given to the age old tradition of warlords gathering supporters and fighting the ruling king…

They’re called warlords and guerrillas these days but, from my reading of Gerald Segal’s book about Islamic slavery, I learned a lot about the continually shifting, rising and falling kingdoms and empires of west Africa, rising as new warrior chiefs achieved ascendancy, falling as other states seized land and towns under violent new leaders…

So isn’t the violent chaos in many African countries simply a continuation of the old traditions, but now with Kalashnikovs? That’s the strong impression you get from Jagielski’s extended description of the tangled web of insurgencies, civil wars, militias and guerrillas, which completely ignores state borders and sprawls across a huge area of north Africa taking in Somalia, Sudan north and south, Uganda, Congo, Darfur, Chad, Central African Republic, as far west as Niger, large parts of which are under no state control (pages 195 to 197).

And stepping right back – isn’t this patchwork quilt of petty kingdoms based around local chieftains in fact the way most humans have lived through most of history? Wasn’t this the same continually warring tribal world the Romans encountered everywhere they advanced, for example the complex tribal networks of Gaul and Britain endlessly at war with each other as described in Julius Caesar’s Gallic Wars? Or, hundreds of years later, the equally complex, warlord-based societies of Dark Age Britain and, indeed, right across post-Roman Europe? Isn’t it, in fact, the natural way most humans have lived in most of history – and the huge, secular, technocratic and democratic states we in the West take for granted, aren’t these the oddities and exceptions to the rule?

Antonia Lloyd-Jones

A word on the translation by Antonia Lloyd-Jones. It reads very well indeed. The word order and use of subordinate clauses do not feel as if converted from another language, as often happens with translations from French or German. It reads like English and very well written English at that. There are a few odd turns of phrase, which I enjoyed:

  • When Museveni announced new presidential elections that he intended to win again and extend his reign, Dr Besigye cast him a challenge and stood for election too. (p.180)
  • Museveni had the victory in his grasp. (p.184)
  • Emmy cast him a look but didn’t say anything. (p.194)

The only blemish on her style is her very frequent use of the word ‘whom’ which regular readers of this blog will know I have developed an irrational dislike of. I dislike it’s prissy formality. Nobody says it in actual speech. It is becoming a literary fossil.

There he had met Nora, the first person to whom he had told everything he had seen and endured. (p.187)

‘What about those who don’t even know whom they have killed?’ (p.283)

Despite being British, Lloyd-Jones uses the word ‘pants’ for trousers (p.248) and ‘line’ for queue (p.172). Maybe the sub-editors at the New York publishers insisted. But these are microscopic quibbles. It’s a highly readable, fluid translation.


Credit

The Night Wanderers: Uganda’s Children and the Lord’s Resistance Army by Wojchiec Jagielski was published in the Polish original in 2009. The 2012 English translation by Antonia Lloyd-Jones was published by Old Street Publishing (OSP). References are to the OSP paperback edition.

Related links

Related reviews

Things Fall Apart by Chinua Achebe (1958)

Here’s an introduction to Chinua Achebe, freely adapted from Wikipedia:

Chinua Achebe, born Albert Chinụalụmọgụ Achebe (1930 to 2013), was a Nigerian novelist, poet and critic, who is regarded as a central figure of modern African literature.

His first novel and magnum opus, Things Fall Apart (1958), occupies a pivotal place in African literature. It has been described as the most important book in modern African literature. It has sold over 20 million copies worldwide and been translated into 57 languages, making it the most widely studied, translated and read African novel.

Along with Things Fall Apart, the two subsequent novels, No Longer at Ease (1960) and Arrow of God (1964), make up the ‘African Trilogy’.

The trilogy was followed by a fourth novel, A Man of the People (1966) but then this regular output of a novel every two years came to an end and was followed by a 21-year gap. After this long gap came his fifth and final novel, Anthills of the Savannah (1987), a finalist for the Booker Prize which turned out to be his final work of fictions and was itself followed by a long silence of 26 years until Achebe’s death in 2013.

The primacy and influence of his early novels, especially Things Fall Apart, led Achebe to be referred to in the West as ‘the father of African literature’, although he vigorously rejected the title.

A glut of summaries

The text of Things Fall Apart consists of 25 chapters divided into three parts with a glossary of Igbo terms at the end.

It tells the story of Okonkwo, ‘strong man’ and tribal elder of the village of Umuofia in the Igbo society of what would become south-east Nigeria. It paints an in-depth portrait of traditional Igbo society and then shows the impact on it of western Christianity and colonialism. All this is embodied in the story of Okonkwo’s decline and fall.

As the most heavily studied and commentated African novel, the full text of Things Fall Apart is available online in numerous places:

And there are any number of study guides:

Not to mention scores of book-length academic studies of Achebe and tens of thousands of academic papers on this novel. While selecting which edition to buy online I read various plot summaries. The Everyman Library edition I read it in comes with a summary on the back, a summary in the introduction by contemporary Nigerian novelist Chimamanda Ngozi Adichie, and a brief summary in the biographical note.

In other words, this is one of the most over-summarised and analysed-to-death books I’ve ever read. Before I’d read a word of it, I felt tired out by, and over-familiar with, the whole idea.

I can’t see any point summarising the plot or listing the characters, since this has already been done, countless times, probably better, more thoroughly and more sensibly than I could ever do.

Outside the book itself one thing that interests me is the enormous discrepancy between the ‘implied author’, the author’s voice, the omniscient narrator of Things Fall Apart who is an expert in traditional Igbo society of the 1890s, soaked in tribal life and culture and language and custom – and the reality of Achebe’s own life as a sophisticated globetrotting academic, first leaving Nigeria to work for the BBC in London in the 1950s, then travelling round Africa as a young writer in the 1960s, travelling to the US and Brazil as representative of the breakaway state of Biafra in the late 60s, going to teach in America in the 1970s. After being involved in a serious car crash in 1990, Achebe went for medical treatment to the US, was offered what turned out to be a series of academic posts, and never went back to Nigeria. He lived in the States until his death in 2013 i.e. for 23 years i.e. over a third of his adult life.

Reading the list of his awards and honours makes you wonder whether he was one of the most honoured writers of the 20th century. It’s certainly intimidating. If so many thousands of scholars, hundreds of fellow writers, institutions and prize committees think he’s a master, who am I to dissent?

Immersive technique

What becomes clear within just a few pages is how totally immersive the book is. It’s the authority which gets you. Every paragraph, almost every sentence tells you something about the traditional life Achebe sets out to depict. The narrator doesn’t look at Okonkwo, his life and acts, the values of his village and culture, from the outside, with the benefit of hindsight – it feels right from the start like you are right there, inside that world, totally inhabiting it.

Achebe rarely states facts (in the style of, say, the historical novelists Giles Foden or William Boyd, who give you paragraphs of factual explanation which could have been lifted from encyclopedias). Instead the learning is demonstrated by doing. He shows, doesn’t tell. We learn what we learn about Igbo society through the values, expectations and actions of Okonkwo and those around him (the village elders with their countless proverbial sayings, and the older, wealthier villagers who intervene and judge behaviour and infractions, come in particularly handy here).

In a calm, unhurried and unobtrusive way, the novel conveys a vast amount of lore about belief in spirits, customs surrounding marriage, war and the planting of crops, lots of detail about the daily round of village life. Look at the amount of information conveyed in just this one paragraph.

Okonkwo’s prosperity was visible in his household. He had a large compound enclosed by a thick wall of red earth. His own hut, or obi, stood immediately behind the only gate in the red walls. Each of his three wives had her own hut, which together formed a half moon behind the obi. The barn was built against one end of the red walls, and long stacks of yam stood out prosperously in it. At the opposite end of the compound was a shed for the goats, and each wife built a small attachment to her hut for the hens. Near the barn was a small house, the ‘medicine house’ or shrine where Okonkwo kept the wooden symbols of his personal god and of his ancestral spirits. He worshipped them with sacrifices of kola nut, food and palm-wine, and offered prayers to them on behalf of himself, his three wives and eight children. (p.12)

It’s the calm authoritativeness of this tone which put the reader right there, not only in the physical location, but in the mindset of the people who live there.

Okonkwo

One aspect of this lack of hindsight or outside commentary, of the way we are plunged right into the tribal world he wishes to convey, is the way Achebe doesn’t sugar coat his portrayal of the central figure. Okonkwo is depicted entirely in his own terms, without external commentary and, in particular, authorial criticism.

Thus we learn that he was a strong man, defined by his ability to win wrestling competitions, but also his achievements in war. We learn of his success in farming which means the storehouse in his large compound is always full of yams and so he can afford to maintain a household of three wives and 8 children.

Achebe doesn’t strive to make Okonkwo an attractive figure, indeed there are lots of reasons to find him unattractive or even repellent, by modern standards.

Domestic violence

Most obviously, his family are all terrified of his capricious temper.

Okonkwo ruled his household with a heavy hand. His wives, especially the youngest, lived in perpetual fear of his fiery temper, and so did his little children.

When one of his wives, Nwoye’s mother, dares to ask him a question:

‘Do what you are told, woman,’ Okonkwo thundered.

He regularly beats his wives for even small infractions of routine and duty. When his third wife, Ojiugo, goes to visit a neighbour and is gone too long, Okokwo beats her ‘very heavily’ on her return. His other wives beg him to stop but ‘Okonkwo was not the man to stop beating somebody half-way through’. Later, on a slight pretext, Okonkwo gives his second wife ‘a sound beating and left her and her only daughter weeping.’ When his second wife, Ekwefi, makes a slighting remark he grabs a rusty old gun he owns and tries to shoot her as she scrambles over the wall of his compound to escape. (He misses.)

He thinks his eldest son, Nwoye, is getting lazy and so regularly beats him. This fear of a tyrant’s capricious moods reminds me of the extended portrait of Idi Amin in Giles Foden’s terrifying novel ‘The Last King of Scotland’, and of Wojchiec Jagielski’s parallel portrait of Amin and of the psychopathic figure of Joseph Kony, head of the Lord’s Resistance Army, in his book ‘The Night Wanderers’.

Warrior

In my review of Jagielski’s account of the Lord’s Resistance Army in northern Uganda I wondered whether the endless civil wars and insurgencies which so many African countries seem to be plagued with should be regarded not as a new phenomena but as a return to pre-colonial culture when every tribe was at war with all its neighbouring tribes.

Achebe’s account of the conflicts between the village of Umuofia and its neighbours seems to bear that out. We are told that Okonkwo has fought in two tribal wars and killed five men (p.47). He is a ‘strong man’ in his culture and Achebe explains what that means without any hesitation.

In Umuofia’s latest war he was the first to bring home a human head. That was his fifth head; and he was not an old man yet. On great occasions such as the funeral of a village celebrity he drank his palm-wine from his first human head. (p.10)

Weak father

The narrator suggests that a lot of Okonkwo’s behaviour is a reaction against his father, Unoka, who was perceived, within their culture, as being weak. Unoka borrowed lots of money and died in debt. He spent the borrowed money on palm wine and partying. He didn’t work hard at the main male occupation of planting yams and so didn’t have many in his yam store (a major indicator of wealth). People laughed at his poverty. He didn’t like fighting. He left his son no title. (The clan employs just four titles; only one or two men in each generation attain the fourth and highest; p.86.)

Okonkwo is depicted as growing up ashamed of his weak failure of a father and determined to be the opposite. This partly explains his permanent bad temper. He holds himself to a high standard of behaviour, it has required unremitting effort to get to where he is today, he feels he can’t afford to relax and so snaps at the slightest sign of dereliction of duty, whether by his 12-year-old son or any of his wives. Hence the fiery temper they’re all afraid of, hence the constant tellings-off and beatings.

Okonkwo ruled his household with a heavy hand. His wives, especially the youngest, lived in perpetual fear of his fiery temper, and so did his little children. Perhaps down in his heart Okonkwo was not a cruet man. But his whole life was dominated by fear, the fear of failure and of weakness. It was deeper and more intimate than the fear of evil and capricious gods and of magic, the fear of the forest, and of the forces of nature, malevolent, red in tooth and claw. Okonkwo’s fear was greater than these. It was not external but lay deep within himself. It was the fear of himself, lest he should be found to resemble his father…And so Okonkwo was ruled by one passion-to hate everything that his father Unoka had loved. One of those things was gentleness and another was idleness. (p.11)

Thus:

Okonkwo never showed any emotion openly, unless it be the emotion of anger. To show affection was a sign of weakness; the only thing worth demonstrating was strength. (p.22)

Hence his unstinting work ethic. Hence his success, which all agree is well deserved.

If ever a man deserved his success, that man was Okonkwo. (p.21)

Superstitions

Jagielski’s book is saturated for 300 pages with the belief in spirits of the Acholi people he describes. Achebe’s narrative also is soaked in belief in spirits and the best way to appease them.

Darkness held a vague terror for these people, even the bravest among them. Children were warned not to whistle at night for fear of evil spirits. Dangerous animals became even more sinister and uncanny in the dark. A snake was never called by its name at night, because it would hear. It was called a string.

In particular the villagers regularly consult the Oracle of the Hills and the Caves. When Okonkwo offends against the tradition of the Week of Peace by beating his wife during it, he is intimidated by Ezeani, the priest of Ani, ‘the earth goddess and source of all fertility’, into making a mighty penance (one she-goat, one hen, a length of cloth and a hundred cowries).

Sexism

‘Sit like a woman!’ Okonkwo shouted at her. (p.33)

I imagine every female reader of the book has been offended by Achebe’s depiction of women, and hundreds of thousands of feminist students and academics have noted and critiqued it. But it’s part of Achebe’s technique of acceptance of tribal lore and customs, the good, the bad and the brutal. They’re all described flatly and frankly, all taken together completely oblivious of whether they offend modern sensibilities, and it is this frankness which gives the book its extraordinary power.

Anyway, in Okonkwo’s society women are very much second-class citizens. They must obey their father and then their husband in everything. They are breeding stock and their job is to bear and rear children.

She was about sixteen and just ripe for marriage. Her suitor and his relatives surveyed her young body with expert eyes as if to assure themselves that she was beautiful and ripe. (p.51)

They are involved in agricultural work but of certain defined types:

His mother and sisters worked hard enough, but they grew women’s crops, like coco-yams, beans and cassava. Yam, the king of crops, was a man’s crop. (p.18)

And:

Yam stood for manliness, and he who could feed his family on yams from one harvest to another was a very great man indeed. (p.25)

There is no insult worse than being called a woman (p.19). The word agbala means both ‘woman’ and also ‘man who lacks a title’ i.e. a woman is like the lowest form of man. When Okonkwo hears his 12-year-old son grumbling about women, it makes him happy.

That showed that in time he would be able to control his women-folk. No matter how prosperous a man was, if he was unable to rule his women and his children (and especially his women) he was not really a man. (p.39)

Brutality

Cutting off the head of your enemy, cleaning it and using it a drinking vessel indicates a pretty brutal culture. Okonkwo’s routine beating of his wives and children gives the reader a sense of a widespread culture of brutality in the domestic sphere. We are told it is a tribal tradition to take twins, put them in earthenware pots and throw them away in the jungle, presumably because they’re perceived as bad luck (Achebe doesn’t casually mention this custom, but makes a point of it, mentioning it on pages 95, 107 and 109).

But nothing in the first six chapters had prepared me for the abrupt decision by the village elders to kill Ikemefuna, the hostage boy who had lived with Okonkwo for three years, for him to be hacked down by machete, or for Okonkwo to join in hacking him to death. Having read so many books about the Rwanda genocide it was difficult for the echoes of millions of Africans hacked to death with machetes and hoes not to come screaming into my mind at this moment.

Part 1

A woman of their tribe, the wife of a man named Udo, is killed by a neighbouring tribe. The elders meet and arrange compensation, which is that a virgin from the offending tribe should be sent to Udo to be his new wife, and a young lad from the offending tribe be handed over to our guys.

The elders decide that this boy, Ikemefuna, aged 14, should reside in Okonkwo’s household temporarily. We are shown the poor boy’s distress and unhappiness, being parted from his family for no wrong that he’s done.

Chapter 5

The feast of the New Yam approaches. Detailed description of wives and daughters cooking in Okonkwo’s obi.

Chapter 6

Description of a wrestling festival, an entire day of wrestling matches in front of the assembled village, with cheers and praise for each victor.

Chapter 7

For three years Ikemefuna lives in Okonkwo’s household. He is a pleasant boy, gets on with everyone, a fount of folk stories, Okonkwo’s own son, Nwoye, grows to love and look up to him.

A huge plague of locusts arrives. They haven’t had one for years, only old men remember when. The villagers welcome the locusts because they are good to eat (roasted in clay pots, spread in the sun to dry, then eaten with solidified palm oil if you want to try this at home).

Okonkwo is informed that the elders have decided that the boy Ikemefuna must be executed. Ogbuefi Ezeudu, the oldest man in this quarter of Umuofia, warns Okonkwo to have no hand in his killing. Next day men come, confer with Okonkwo, then tell Ikemefuna he’s going to be taken back to his village. He makes tearful farewells, especially to Nwoye, then sets off with the men. A long trek out beyond the village and into the sandy paths through woodland. A man walking behind him makes a sound to warn the other men, draws his machete and hacks Ikemefuna down. Contrary to Ogbuefi’s advice, Okwonko steps forward and joins the other men hacking Ikemefuna to death.

When Achebe wrote this he wasn’t to know that Africans hacking fellow Africans was to be practiced on an industrial scale in Sierra Leone, Uganda, Rwanda, but we know, and a million ghosts walk over the text at this moment.

Chapter 8

We learn that Ikemefuna’s killing was commanded by the Oracle. Okonkwo’s friends say nobody had any choice in the matter but chide him for taking part. It’s the kind of action will bring curse a whole family. For days afterwards Okonkwo is depressed and listless. He needs activity or, lacking that, talk with friends.

The negotiation of a bride price for Akueke, the ripe 16-year-old daughter of Okonkwo’s friend, Obierika. Description of her elaborate formal wear and body painting. Discussion of different customs in the adjacent villages i.e. the variety of folk customs.

Chapter 9

Okonkwo’s favourite daughter, Ezinma, falls ill with a fever, iba. Extended passage describing ogbanje children i.e. spirits of dead children who go back into the womb to be reincarnated and plague their mothers. Because Ezinma’s mother has borne no fewer than ten children of which nine died young. Account of how, a year previously, a holy man Okagbue, had been brought in to find the fetish or iyi-uwa which Ezinma, like all ogbanje, had buried deep by an orange tree.

Chapter 10

Description of the trial, by the nine egwugwu or ‘masqueraders who impersonate the ancestral spirits of the village’, of Uzowulu, accused of beating his wife so badly and regularly that her in-laws came and rescued her, refusing to hand her back. Hence this big trial which is attended by the entire village.

Chapter 11

Ekwefi and Ezinma are telling each other folk tales when Chielo approaches, the priestess, possessed by the god Agbala, and insists the Ezinma goes away with her, carries her off piggyback. Distraught, Ekwefi decides to follow them in a long passage through the black night haunted by evil spirits, first towards the nearest neighbour village, and then back to the circle of hills amid which lies the tiny opening in the rocks which gives entry to the cave of the Oracle.

Chapter 12

Okonkwo’s friend, Obierika’s wife cooks up a feast for kin attending the uri of his daughter, the day when her suitor would bring palm wine as a gift to her relatives. It is a communal feast prepared by many women, and accompanied by ritual gifts. Eating, drinking, singing and dancing goes on till late into the night.

Chapter 13

Ezeudi, eldest man in the village, dies, the message carried at night by the ekwe, a type of drum made of wood. The funeral is a long complicated cultural event, with eating, and dancing funeral dances. Spirits appear i.e. men in costumes, often terrifying the mourners. The world of the living and of spirits interpenetrate. After all:

A man’s life from birth to death was a series of transition rites which brought him nearer and nearer to his ancestors. (p.85)

As the dancing and firing of guns and clanging of machetes reaches a crescendo, there’s a disaster. Okonkwo’s gun explodes by accident and a piece of metal pierces the heart of the dead man’s 16-year-old son who now lies dying right in the heart of the ceremony, right in front of everybody.

There is nothing for it but for Okonkwo to flee the clan and live in exile for seven years. It is carried out peaceably. His belongings and yams are stored in the obi of his friend Obierika. Then Okonkwo and his family flee back to his motherland, to a little village called Mbanta, just beyond the borders of Mbaino. Then Ezeudi’s kinsman storm Okonkwo’s compound, kill his animals and burn it to the ground. They have no malice, They are merely acting out the justice of the earth goddess.

Part 2

Chapter 14

Okonkwu is taken in by his mother’s family. They give him land to build a compound on and yams to sow and tend. The eldest surviving family member is his mother’s brother, Uchendu. He performs cleansing ceremonies. It was the time when the long summer heat was broken by heavy rain. Okonkwo has to start out all over again and often acts defeated and depressed.

He has arrived at the time of the marriage of the youngest of Uchendu’s five sons to a new bride, a process of numerous ceremonies spread out over months. Description of the ‘confession’ ceremony.

Uchundu calls his extended family together and delivers a stern lecture to Okonkwo, telling him that many in that family assembly have had harder knocks and setbacks to overcome than he, Okonkwo, has. So he needs to man up and look after his wife and children.

Chapter 15

In the second year of Okonkwo’s exile his friend Obierika comes to visit him and is presented to the old patriarch, Uchundu. He brings news of the arrival of the white men. One first appeared in the village of Abame. The holy men consulted the oracle which said white men would bring destruction, so they killed him. Obierika then heard from survivors who made it to Umuofia that the white men returned with a horde of Africans and massacred almost the entire population of the village of Abame.

Chapter 16

Two years later Obierika returns to visit Okonkwo. During that time white Western Christian missionaries have arrived and built a church in Umuofia. Missionaries also arrive in Mbanta, five blacks led by one white man. A comical account of the white man’s attempt to proselytise, as translated by an outsider with a heavy accent. Most think the tale of the Trinity is nonsensical, but the appeal to love, and the music of the hymn they sing, appeals to Okonkwo’s sensitive son, Nwoye.

Chapter 17

When the Christians ask for some land to build a church the village elders give them part of the evil forest.

Every clan and village had its ‘evil forest’. In it were buried all those who died of the really evil diseases, like leprosy and smallpox. It was also the dumping ground for the potent fetishes of great medicine men when they died. An ‘evil forest’ was, therefore, alive with sinister forces and powers of darkness. (p.105)

The villagers expect their evil spirits to strike down the Christians but when it doesn’t happen, they gain more converts. When Okonkwo learns his son is attending church he grabs and starts beating him. Uchundu happens to arrive and tells him to desist. Nwoye walks away without a word, leaves Mbanta and returns to Umuofia where the Christians are building a school. Later, alone by his fire, Okonkwo worries that his entire culture, all belief and customs, will be erased. How could he have sired such an effeminate son?

Chapter 18

The Christians thrive and attract more converts, albeit generally the lowest weakest members of the clan. Rumour comes that they have set up not only a church but a government in Umuofia and are judging miscreants. That they hanged a man for killing a missionary. Trouble caused when the leader of the Mbanta church, Mr Kiaga, accepts osu. These are the caste of permanent outsiders, cursed, distinguished by their long dirty hair, something like the untouchables of India. Kiaga makes an impassioned defence of all being free and equal in the eyes of God, which confirms many in their faith and the osu convert en masse.

One of the Christians is alleged to have killed one of the village’s holy pythons. This gives rise to a debate among the elders. Okonkwo wants to drive the Christians out with extreme violence but is overruled, much to his disgust.

Chapter 19

Okonkwo’s seven year exile approaches its end. He sends money to Obierika to begin to rebuild his compound in Umuofia. And he throws a huge feast for his extended family in Mbanta.

Part 3

Chapter 20

Okonkwo is determined to return and regain his place in his village, determined to build a bigger compound and attain the highest title. But he finds Umuofia much changed. Some men of high caste have thrown away their tribal titles to convert. The white man has built not only a church but a court where the District Commissioner tries cases and a prison where black men are locked up.

It is an important fact that the administration i.e. the court and prison, are served by black men from a long way away, who have no sympathy with the clan in fact despise it.

These court messengers were greatly hated in Umuofia because they were foreigners and also arrogant and high-handed. They were called kotma.

His friend Obierika explains that there are only two white men, driving them out or killing them would be easy. The problem is the number of tribesmen who have converted and committed to the new regime. What to do about them? Hence the title of the book:

‘The white man is very clever. He came quietly and peaceably with his religion. We were amused at his foolishness and allowed him to stay. Now he has won our brothers, and our clan can no longer act like one. He has put a knife on the things that held us together and we have fallen apart.’ (p.125)

Chapter 21

The white head of the mission in Umuofia is Mr Brown. A lot of its success is due to the way he is calm and respectful of local belief. He has many long debates about religion with an elder in a neighbouring village named Akunna. Brown realises a frontal assault won’t work so he builds a school and a hospital. Soon the locals realise that being able to read and write opens opportunities to earn good money in the court or prison.

From the very beginning religion and education went hand in hand. (p.128)

Okonkwo is disappointed that his return doesn’t cause much stir. The mental world, the horizons of the village people have been immeasurably expanded.

The new religion and government and the trading stores were very much in the people’s eyes and minds. There were still many who saw these new institutions as evil, but even they talked and thought about little else, and certainly not about Okonkwo’s return. (p.129)

Okonkwo’s son Nwoye has now taken the Christian name Isaac and gone to the capital of the British colony, Umuru on the big river, to attend the training college for teachers. When Mr Brown makes a courtesy call on Okonkwo the latter tells him next time he’ll be carried out of his compound.

He mourned for the clan, which he saw breaking up and falling apart, and he mourned for the warlike men of Umuofia, who had so unaccountably become soft like women.

Chapter 22

Mr Brown succumbs to illness and returns to Britain. He is replaced by the Reverend James Smith who is much more doctrinaire and unforgiving. One of the most zealous converts, Enoch, confronts the masqueraders dressed as gods at the annual ceremony to honour the earth deity, and tears off his mask, thus revealing him to be an ordinary mortal. Ripples of shock throughout the village.

All night the Mother of Spirits haunted the village and in the morning all the egwugwu from all the surrounding villages assembled in a show of strength, made a huge song and dance and then marched on Enoch’s hut which they trash. Then on to the church. The black converts flee but the Reverend Smith stands his ground, along with the interpreter, Okeke.

The egwugwu deliver a speech saying they will restrain themselves from killing Smith out of respect for his brother, Brown. But they will smash down his (red-earth) church, and this they do.

Chapter 23

The District Commissioner (DC) returns from a trip and invites the six head men to a meeting. Here he lulls them into a false sense of security then has the court officials, in effect the black police, jump them, handcuff them and throw them in the cells. The DC says he’s decided to fine them 200 cowries for breaching the peace, and promises they’ll be well treated while the money is collected, but the moment his back is turned, the kotma shave their heads and whip them. The six headmen are plunged into despair.

The court messengers or kotma then tell the villagers that they must pay a ransom of 250 cowrie shells, planning to keep the 50 surplus shells for themselves. Here we see the seeds of the institutionalised corruption which will cripple all African nations.

Instead of celebrating the festival of the full moon, the entire village is silent and subdued as if in mourning.

Chapter 24

A great meeting of the village, to which people from other villages come, starting off early in the morning. A series of speakers set off to address the great assembly on the destruction the white man is bringing to their life, when round the corner come the five leading ‘court messengers’ or kotma. 

Okonkwo, all the fury and frustration of his entire life, and his unjust exile, pent up inside him, leaps from his seat to confront the lead messenger. He refuses to be cowed and rudely informs Okonkwo that the meeting is to be terminated. All his fury bursts and Okonkwo draws his machete and hacks the man to the ground then chops his head off.

The world spins round him but already he knows Umuofia won’t rise to support him. All their brave words are void. They have become women. He lives in an effeminate world. He flees.

Chapter 25

When the District Commissioner goes with armed men to arrest Okonkwo, his friend Obierika takes them through Okonkwo’s compound to the tree where Okonkwo has hanged himself. He then explains at length that a man who kills himself is unclean which is why they cannot cut him down or bury him. He asks the DC to get his men to do that. Then the village elders will carry out the appropriate cleansing rituals.

In its last paragraph the entire novel undergoes a massive heave, like tectonic plates, a vast shift of focus. For 25 chapters the narrator has entirely occupied the minds and customs of the villagers and soaked us in their mindset and culture. Now in these last few paragraphs the perspective changes to share with us the thoughts of the English District Commissioner. It tells us that in his many years of ‘bringing civilisation to different parts of Africa’, he has learned not to demean himself with simple tasks like cutting down a hanged man. He will leave that to his men. Meanwhile what the leaders have just told him about their attitude to suicides might well make a chapter in the book he’s been pondering for some time about native customs.

Well, he reflects, in a killing aside, maybe not an entire chapter. Maybe a paragraph. After all, he thinks, with what the entire preceding text has shown us to be breath-taking ignorance,

Perhaps not a whole chapter but a reasonable paragraph, at any rate. There was so much else to include, and one must be firm in cutting out details. (p.146)

Thus we see how the rich and complex life of a major figure, a complex nuanced character, Okonkwo famed throughout the nine villages, is erased, elided, destroyed, reduced to a small paragraph in a colonial book of African anthropology. It’s a really cutting, stinging ending.

For the Brits haven’t killed anyone, let alone carried out some awful colonial massacre. The book is all the more powerful for showing that they did something much worse. They erased entire cultures. They destroyed people’s identities. They took away people’s reasons for living.

Thoughts

I doubt I can say anything which hasn’t already been said a thousand times before. I bet there are hundreds of scholarly papers relating the novel to the sociological and cultural impact of white Europeans on traditional black African cultures. And just as many pointing out the book is a tragedy which complies with the Greek idea of a central figure crippled by a tragic flaw. In Okonkwo’s case his flaw is his righteous anger, his resort to violence in the belief that he is more righteous and validated than everyone around him. Thus the immediate cause of his death is the blind rage which overcomes him when the chief court messenger provokes him.

But the overriding impression the book leaves is of its immense poise and finish. Miraculously, it doesn’t feel dated. It feels timeless in the way of a true classic. It feels like it has always been true and always will be. All the incidents hang together and are of a piece. It feels immensely solid and authoritative.

Tiny footnote

The W.B. Yeats poem the title is taken from (The Second Coming) was obviously a favourite of Achebe’s. Twenty-five years later, in his long essay, The Trouble with Nigeria, he casually uses another phrase from it, ‘mere anarchy’ (chapter 7).


Credit

Things Fall Apart by Chinua Achebe was published in 1958 by Heinemann. References are to the 2010 Everyman edition.

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