Lessness by Samuel Beckett (1970)

Never but dream the days and nights made of dreams of other nights better days. He will live again the space of a step it will be day and night again over him the endlessness. Beckett’s writings as antidote to the modern world Sometime around 1802, that’s to say 220 years ago, William Wordsworth wrote: […]

Breath by Samuel Beckett (1969)

In 1969 Kenneth Tynan wrote to Beckett asking for a contribution to his hit stage revue, Oh! Calcutta!, which made headlines because of the extensive use of full-frontal nudity. Beckett replied with the stage directions for what must be one of the shortest plays ever written. Some versions barely last a minute. Longer ones stretch […]

Eh Joe by Samuel Beckett (1967)

Beckett wrote his first play for television, Eh Joe, in May 1965. The first English broadcast of Eh Joe was on BBC2 on 4 July 1966, with Jack MacGowran playing Joe and Siân Phillips as Voice. The play is another of Beckett’s ‘skullscapes’ in the sense of being entirely about an older male figure ‘trapped’ inside […]

Come and Go by Samuel Beckett (1965)

Come and Go is an example of the form Beckett came to call ‘dramaticules’ for the simple reason that they are very short. Come and Go consists of a set of very precise stage movements and just over 120 words of dialogue, and is about seven minutes long in performance. As with most of Beckett’s […]

Ping by Samuel Beckett (1966)

Ping is a very short text, just 908 words long. Beckett wrote it in French with the title Bing then translated it into English. It is in one continuous block of prose, like The Unnamable. It uses a fanatical amount of verbal repetition like How It Is does, taking a handful of key phrases and repeating them […]

Enough by Samuel Beckett (1965)

Well, after the punctuation-free word-clusters of Beckett’s 1964 novel How It Is, the full stop is back. All that goes before forget. Too much at a time is too much. That gives the pen time to note. I don’t see it but I hear it there behind me. Such is the silence. When the pen […]

How It Is by Samuel Beckett (1964)

warmth of primeval mud impenetrable dark Although he is meant to be the poet laureate of impoverishment and paucity and minds reduced to tatters, it never ceases to amaze me how much Samuel Beckett managed to write on more or less this one subject, and how ironic it is that he was so copiously prolific […]

Imagination Dead Imagine by Samuel Beckett (1965)

Although only published in 1965, Imagination mort imaginez (originally written in French) is obviously intimately linked with All Strange Away from the previous year, not least because All Strange Away opens with precisely these three words Imagination dead imagine. Beckett called it ‘a residual precipitate’ of the other work. Imagination dead imagine is yet another […]

All Strange Away by Samuel Beckett (1964)

But sudden gleam that whatever words given to let fall soundless in the dark that if no sound better none, all right, try sound and if no better say quite speechless, imagine sound and not till then all that black hair toss back into the corner baring face as about to when this happened. All […]

The Old Tune by Samuel Beckett (1960)

GORMAN: Miss Bertha so sweet and good. CREAM: Sweet and good, all right, but dammit if she doesn’t take me for a doddering old drivelling dotard… The Old Tune is a free translation by Samuel Beckett of Robert Pinget’s half-hour-long 1960 radio play La Manivelle (The Crank). In Pinget’s original play two garrulous old Parisians, […]