My Uncle Oswald by Roald Dahl (1979)

‘Is this exactly what happened?’ Sir Charles asked me.
‘Every word of it, sir, is the gospel truth,’ I lied. (p.45)

Apart from his well-known children’s novels, Dahl also wrote movie screenplays, TV scripts, and some fifty-four short stories for adults which appeared in various magazines throughout his career, the first in 1942, the last in 1988. It was these which formed the basis of the Tales of the Unexpected TV series I watched as a teenager in the 1970s.

My Uncle Oswald is his only full-length novel for adults, sort of. The fictional character of Oswald Hendryks Cornelius is described as:

‘the connoisseur, the bon vivant, the collector of spiders, scorpions and walking sticks, the lover of opera, the expert on Chinese porcelain, the seducer of women, and without much doubt, the greatest fornicator of all time.’

He first appeared in two short stories, The Visitor and Bitch, first published in Playboy magazine and published in book form in the 1974 collection Switch Bitch, which I’ve reviewed.

It’s no surprise that Uncle Oswald eventually had a novel devoted to him, indeed it’s a surprise it took so long, he is such a garish, larger-than-life and transgressively monstrous creation.

As ‘the greatest fornicator of all time’, by the age of seventeen he’s already ‘had’ some fifty English lovelies, and goes to stay in Paris, where he swives nubile French daughters (Madamoiselle Nicole), the wife of the British ambassador (Lady Makepiece) and an energetic Turkish gentlelady.

After you adjust to the bantering tone about sexual conquests and the deliberately obscene subject matter, you begin to realise that arguably the real appeal of the book is the deliberately dated and nostalgic setting. The nameless narrator claims to be quoting verbatim from scandalous Uncle Oswald’s multi-volume diaries, specifically Volume XX, written in the 1938 when Oswald was 43 years old and much of the texture of the book is filled with young Oswald’s appreciation for fine wine, gourmet meals, and very early motor cars.

Thus the opening sequence is set as long ago as 1912, during the pre-Great War imperial heyday, when a chap could still travel the world flourishing his big British passport.

1. The Sudanese Blister Beetle aphrodisiac (1912)

The first story tells how Uncle Oswald made his fortune by learning, from a disreputable relation of his, about the most powerful aphrodisiac in the world made from the ground shells of the Sudanese Blister Beetle. Inspired, he sets off himself to the Sudan where he does a deal with the head porter at his hotel to get a few bags full of the precious powder, and brings it back to Paris.

Here he is staying with friends of his posh father (William Cornelius, member of the Diplomatic Service) and sets up a little chemistry lab in the rooms he’s been allotted, and proceeds to produce home-made aphrodisiac pills which, with an eye for marketing, he describes as products of a certain Professor Yousoupoff’s secret formula (foreign names impress the gullible).

Put in summary form like this, you can see that – although the theme is supposedly pornographic, as Oswald couples with women tall and short, foreign and British – in fact the basic ideas and the childish way they’re described (‘the greatest fornicator in the world’, ‘the most powerful aphrodisiac known to man’) are closely related to his children’s books (Danny the Champion of the World, Charlie and the Chocolate Factory), and so is the often funny and deliberately ludicrous way he describes his umpteen couplings:

‘Were you ever a gym teacher?’ I asked her.
‘Shut up and concentrate,’ she said, rolling me around like a lump of puff pastry. (p.34)

Also played for laughs is the conceit that Oswald is subject to vivid hallucinations while he is on the job – thus the second time he swives the nubile 19-year-old daughter of his hosts in Paris, we are treated to an extended and deliberately comic comparison of the whole thing to a medieval tournament, in which he appears as a knight in armour with an unusually long, firm lance and goes about his business to the enthusiastic cheers of the crowd – ‘Thrust away, Sir Oswald! Thrust away!’ (p.27)

There is also a good deal of humour at the expense of national stereotypes, especially in the dinner he gets invited to at the British Ambassador’s residence in Paris, attended by ambassadors from Germany, Russia, Japan, Peru, Bulgaria and so on, each a lively cartoon version of their national stereotype from the short, ultra-polite Japanese to the gruff German with his thick accent. It is to this assembly of bemedalled men that Oswald first explains the nature of the powerful aphrodisiac he has discovered.

The little Mexican clapped his hands together hard and cried out, ‘That is exactly how I wish to go when I die! From too much women!’
‘From too much goats and donkeys iss more likely in Mexico,’ the German ambassador snorted. (p.43)

When we are told (a bit later on) that a sexy young woman student he embroils in his schemes is named Yasmin Howcomely (p.90) we remember that Dahl worked on two movie adaptation of Ian Fleming novels – You Only Live Twice and Chitty Chitty Bang Bang (the female lead of which is named Truly Scrumptious). And these connections made me see the gruff and candid German ambassador in this scene being played by the fabulous Gert Fröbe, who plays Goldfinger in the film of the same name, and the cartoon dictator, Baron Bomburst, in Chitty Chitty

Anyway, Oswald manages to enchant these rich VIPs with visions of the staying power afforded by his aphrodisiac pills and (very cannily) gives them each a free sample presented on a puff of cotton wool in a stylish little jewellery box. Soon they are coming back for more and he sells them for an outrageous amount (1,000 Francs) to the national ambassadors and, by word of mouth, to their fellow countrymen who come flocking.

So that’s how wicked Uncle Oswald made his first fortune.

2. The freezing sperm scam (1919)

The Great War comes, Oswald serves his country and ends the war as a captain with a Military Cross. He goes up to Cambridge and studies Chemistry with a brilliant if rather shabby tutor, A.R. Woresley, whose moustache is coloured yellow by his pipe.

One evening, over a fine bottle of port (Oswald who is, as you might expect, a confident connoisseur of wines and spirits) Woresley tells him a cock and bull story about how he has carried out extensive experiments and perfected a method for freezing sperm, specifically bull sperm.

This is the pretext for a grotesque story about the tutor and his brother stealing the sperm of the prize bull of his brothers neighbouring farm, by taking along an in-heat cow one night, smuggling it into the field with the bull and, as the bull gets and erection and goes to cover the cow, instead manhandling his pizzle into a fake rubber cow vagina, which then captures the bull’s ejaculate, with the tutor then getting onto his pushbike to wobble off along country lanes carrying a bag with a fake cow vagina full of bull semen back to the lab they’ve rigged up at his brother’s farm complete with liquid nitrogen to freeze the semen.

(In case it wasn’t obvious before, this story makes you realise the book is not intended as pornography, even soft pornography, but is instead a Rabelaisian satire on the whole preposterous subject of sex and its indignities and absurdities.)

Student Oswald goes home and lies in bed at night pondering the implications of his tutor’s experiment and realising… there is a fortune to be made selling the frozen semen of Great Men and Geniuses to women who want to be the mothers of the children of Great Men.

He recruits a lively young filly from Girton – the half-Persian Yasmin Howcomely mentioned above – who is sex incarnate.

The plan is for her to seduce the great and the good, writers and discoverers and scientists, with a sideline in the kings of Europe – slipping them each a dose of beetle powder, then clapping a sturdy rubber johnny over their manhoods as they attain rutting speed, in which the precious spermatazoa can be collected, before she makes her excuses and dashes back to Uncle Oswald who’ll be somewhere with the liquid nitrogen ready to pack and store the precious fluid.

What could possibly go wrong with such a hare-brained scheme?

The tutor thinks it can’t possibly work, at which point Oswald – who loves a challenge – makes Woresley his first conquest, sending Yasmin to him, getting him to sign a form for her (supposed) autograph book, and then to eat a chocolate with the fateful beetle powder in it. From his concealed position Oswald watches while stuffy, staid old Woresely is transformed into a virile stud and ravishes young Yasmin, who manages to collect a rubber johnny full of his sperm. Next day Oswald brandishes a container of the sperm and his signature in the tutor’s face. QED. Theory proved.

So they form a team and draw up a hit list of the Great Men of the age (an interesting list in itself). When it comes to the royals, Oswald reveals that he has faked introductory letters from King George V to all the crowned heads of Europe introducing Yasmin as an aristocratic lady in need of a private audience about a sensitive matter.

Imagine a particularly bawdy, not to say crude pantomime, and you have the spirit of the thing. The whole world of the arts and sciences is reviewed not in terms of achievement, but their potential spunk donations. The only snag is that the list of Great Men to be despunked includes some rather elderly ones that they worry might have a heart attack during the process.

‘Now see here, Cornelius,’ A.R. Woresley said. ‘I won’t be a party to the murder of Mr Renoir or Mr Manet. I don’t want blood on my hands.’
‘You’ll have a lot of valuable sperm on your hands and that’s all,’ I said. ‘Leave it to us.’ (p.115)

Woresley will remain Cambridge, doing his day job but also setting up the permanent sperm bank, while Oswald and Howcomely tour Europe collecting the sperm of Great Men!

So they set off on a grand tour of Europe and the first king to be milked is King Alfonso of Spain who, we discover (in this scandalous fiction at any rate), has a clockwork sofa which moves up and down and so does all the hard work for him while he remains more or less motionless ‘as befits a king’. Yasmin bounces out of the palace a few hours later with a johnny full of royal sperm and Oswald motors her back to the hotel where he’s set up a small lab to mix it with preservative, and then freeze it in liquid nitrogen.

And that sets the pattern for the following fifty or so pages. Next up is 76-year-old Renoir who is confined to a wheelchair, but still manages to deliver the goods and who leaves Yasmin in raptures about his greatness.

Followed by: Monet, Stravinsky, Picasso, Matisse, Proust (for whom Yasmin dresses like and pretends to be a boy, the seduction treated like a Whitehall farce), Nijinsky, Joyce, and then Puccini in his Italian villa – in the moonlight by the lake where Oswald prepares Yasmin by teaching her one of the maestro’s favourite arias. Thus when she starts singing it outside his window, Puccini is smitten, and swiftly has his way with her, but is charming and amusing and courteous.

Compare and contrast with Sigmund Freud, who admits this troubled young lady to his consulting rooms who promptly gives him a chocolate (laced with the aphrodisiac), the whole encounter a broad satire on Freud (who Dahl obviously despises).

And so on. It might have seemed a funny idea at the time but this litany of encounters with famous men soon pales, not least because the pattern is the same time – Yasmin introduces herself, offers them a chocolate spiked with beetle dust and precisely 9 minutes later they are stricken with untamable lust, she pops a rubber johnny over their member, then lets herself be ravished, then finds some way to extricate herself (sometimes being forced to use a hatpin to jolt the man off her) before rushing outside to hand the johnny full of Great Man sperm over to Oswald, who motors them both back to his hotel room where he mixes it with a preservative, secretes it into tooth-pick thin straws (a convenient way of dividing up the sperm), then pops these into the cabinet of liquid nitrogen.

In Berlin they harvest Albert Einstein – the only one of the victims to smell a rat – and then worthy-but-dull Thomas Mann, before returning to Cambridge to deposit the straws of frozen semen at the master vat kept by Dr Woresley. And then an English tour taking in Joseph Conrad, H.G. Wells, Kipling, Arthur Conan Doyle and an extended passage satirising pompous, opinionated, dray-as-dust vegetarian George Bernard Shaw.

I suppose a lot of the pleasure of the book is meant to come from a) the outrageousness of the central premise, compounded by b) satirical portraits of various great men, plus c) the comic vulgarity of the actual sexual descriptions, which often sound like a grown-up children’s story. Of the encounter with George Bernard Shaw:

‘There’s only one way when they get violent,’ Yasmin said. ‘I grabbed hold of his snozzberry and hung on to it like grim death and gave it a twist or two to make him hold still.’
‘Ow.’
‘Very effective.’
‘I’ll bet it is.’
‘You can lead them around anywhere you want like that.’
‘I’m sure.’
‘It’s like putting a twitch on a horse.’ (p.182)

In the book’s closing passages Oswald and Yasmin embark on another European tour, milking the kings of Belgium, Italy, Yugoslavia, Greece, Bulgaria, Romania, Denmark, Sweden but are finally brought up short with the king of Norway (the country of Dahl’s parents). For here Yasmin makes her first mistake and is merrily badmouthing the King of England and even pointing out the queen’s lovers, all on the basis that the beetle powder will kick in and transform the king when… the beetle powder kicks in on her. She has taken the wrong chocolate! She tries to jump on king Haakon and ravish him but he has his guard throw her out, where she reports all to Oswald and they decide to make a quick getaway to Sweden and so back to Cambridge.

And here the partnership falls apart. Yasmin has had enough, and who can blame her. Oswald wants to press on to America – Henry Ford, Edison, Alexander Graham Bell – but Yasmin insists on a month long break and says she’s going to stay with an uncle in Scotland.

They agree to reconvene in a month’s time and Oswald buys tickets on the Mauretania to sail to the States. Then he goes on a massive bender in London, bedding a different member of the aristocracy every night. Until a terrible day. He is dallying in the bath with a duchess who decides she’s had enough and wants to go home. Oswald is unwisely rude to her and she – having got out the bath, dried and got dressed – contrives to lean over the bath and play with his parts while secretly removing the bath plug. Result: there is a sudden tremendous suction of water and Oswald’s goolies are sucked down the hole. His screams of agony can be heard all across Mayfair! Which leads him to warn us against aristocratic women or, as he puts it in a long-cherished motto:

Ladies with titles
Will go for your vitals

It takes weeks to recover and he is still hobbling with swollen privates when he arrives back in Cambridge at old Woresley’s house to discover a note pinned to the door. They’ve scarpered! Yasmin has married Worsely! And they’ve done a bunk with all the Great Men sperm. All except Proust that is, who Yasmin didn’t take to at all.

Oswald goes mad and trashes Woresley’s house, demolishing every single piece of furniture. Then conceives his final plan. On the last page of the book he tells us how he finally made his fortune. He goes back out to Sudan and buys up the entire area where the rare Blister beetle breeds, sets up plantations with native labour and builds a refining factory in Khartoum. He establishes secret sales operations in the world’s leading cities (New York, London, Paris etc)

There is some last-minute throwaway satire on generals, for Oswald discovers that retired generals are his best sales agents. Why? Because there are retired generals in every country; they are efficient; they are unscrupulous; they are brave; they have little regard for human life; and they are not intelligent enough to cheat him.

If you add this to the page or so satirising aristocratic ladies a few pages earlier, it confirms your sense that, although the theme of the book is sex, its real purpose is to be a scattergun, blunderbus satire against all respectable values, people and institutions.

Kings, queens, aristocrats, inventors, Oxbridge dons, men and women all come in for Uncle Oswald’s robust, take-no-prisoners attitude. It is a bracing and hilarious read and like many an older satire, if the narrative structure, if the ‘plot’, feels patched together and made up as he goes along, that, too, is part of the satirical intent.

If the reader was expecting anything remotely serious or dignified or carefully planned, then the joke is on us, too.

Credit

My Uncle Oswald by Roald Dahl was published by Michael Joseph Ltd in 1979. All references are to the 1980 Penguin paperback edition.


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The Stoker by Franz Kafka (1912)

Kafka intended this to be the first chapter of a novel which he called Missing, Presumed dead and which he worked on during 1912. He abandoned the novel in January 1913, though he allowed this chapter to be published as a pamphlet later that year. Fifteen years later Max Brod arranged the manuscript and fragments into a novel which he titled America, and which was published in 1927.

America is the least Kafkaesque of the three novels in obvious ways, namely that the young single male protagonist is not trapped in the classic, Kafkaesque, and claustrophobically oppressive Central European location, he is in… big bold America!

In this opening chapter, he is on a transatlantic liner which has just arrived in New York harbour and surrounded by the hustle and bustle of one of the busiest ports in the world on a beautiful sunny day.

And he is not a man. The protagonists of the other novels are fairly successful professional men in their late 20s. The hero of America is only a boy, with a boy’s naive, superficial understanding of the world.

The stoker

Karl Rossmann is 16. He was seduced by the family servant (she being an eccentric 35-year-old) who got pregnant, she had the baby and Karl has been packed off to start a new life in America to hush up the scandal.

In fairly quick succession four things happen.

1. Karl is up on the observation deck of a transatlantic liner, with his suitcase all packed and ready to disembark along with thousands of other passengers, as the ship pulls into New York harbour. Suddenly Karl realises he’s left his umbrella down in his steerage bunk, so he asks a fellow passenger to look after his suitcase for him while he runs back to his steerage cabin to get it. But, in the only really Kafkaesque moment in the chapter, once he’s gone below he gets hopelessly lost in the maze of corridors and staterooms and alleys and so on. That sense of being lost.

2. He arrives gasping for breath, and demoralised, in a strange corridor and knocks at random on the first door he comes to. It is opened by a big brawny man who is also packing his belongings into a case and announces that he is a stoker on the ship. He describes the life of a stoker and soon starts lamenting the way his life was made a misery on the trip by his overseer, a Romanian named Schuber. The stoker had pushed Karl out of his way as he packed, pushing up onto his bunk and Karl was beginning to fall asleep, when there’s a loud clumping in the gangway outside. It’s the ship’s band coming back to their rooms which, the stoker explains, means that all the passengers have left (the band plays music after the ship has docked and while the passengers disembark). The stoker realistically points out that whoever was looking after his suitcase will have probably taken it or left it behind for someone else to steal: either way it’s probably gone. The stoker grabs his bags and tells Karl: ‘Come on, I’m going to see the bosses and put my case against the Romanian’.

3. So Karl is dragged by the stoker along a further maze of corridors to the captain’s cabin. They knock and enter despite a steward trying to stop them. This is the longest part of the chapter and it’s weird, but weirdly bad, I think. There are half a dozen other officers and some officials and civilians from the port authority standing around in the cabin. In front of all these, the stoker makes his case to the captain about being bullied by his Romanian boss. The odd thing is that, as the stoker hesitates and stumbles and falters in making his case, Karl childishly and naively comes to his rescue, picks up the stoker’s story (from everything he heard him say back in his cabin) and tries to support him. Why? Because he’s an impressionable 16-year-old boy who has been touched by the plaintive grievances of this simple working man? Even odder and more improbable is the way the captain and all the other officers listen to them both, despite the way they hesitate and eventually run dry. n fact the alleged bully, Schuber, now appears, having been summoned by the captain to put his side of the story.

This is, frankly, a completely implausible description of an oddly boring and inconsequential subject.

4. Suddenly one of the civilians, an elegant man who’s been swinging a bamboo cane during this tedious disquisition, steps forward and announces that he is Karl’s uncle! Yes, he is his mother’s brother who emigrated to America years ago and has now risen to the giddy heights of being a Senator, Senator Jacob!!

Oddly, inappropriately, peculiarly, the Senator proceeds to tell the assembled roomful of sailors and port officials, the stoker and even the stoker’s antagonist, Schuber, who has arrived to put his side of the argument, the whole story about how little Karl was seduced by the family maid (as he tells it, Karl in an interior monologue, gives us a really detailed and disturbing description of his seduction – it wasn’t at all fun, it really was like a rape).

To my bemusement the whole room of tough and serious officials seems to be suddenly relieved and full of celebration at this touching family reunion, even the poor old stoker. Karl realises this dramatic reunion scene has distracted everyone away from the stoker’s story, and putting his grievance, and feels boyish guilt. He kisses the stoker’s hand and apologises that he couldn’t do more for him. (Why?) Then he accompanies his newfound Uncle Jacob to a ladder on the side of the ship, down to a boat which has been ordered up specially for them and will ferry them ashore.

Thoughts

Is America rubbish? Was Kafka right to want his friend Max Brod to burn it?

Why did Kafka make the hero of his first attempt at a novel a 16-year-old? And a distinguishing feature is the way this 16-year-old keeps up a silent interior monologue of comments on the main action, on what he’s doing, or saying, or on what other people say?

The Stoker comes over as like a piece of boy’s fiction, in which we are taken into the mind of an adolescent who finds lots of things about the adult world dazzling and puzzling and new.

Except that it comes over as rather a bad description of the adult world. The appearance of the captain and his officers in their wardroom is reasonably plausible i.e. I can sort of accept it as a piece of novel-ish description. But the idea that a lowly stoker could burst into such a company and then start blurting out his grievances against his manager – while the senior officers all stand around in embarrassed silence – is more weird than plausible. And then that these gentlemen would stand in further polite attention while the stoker’s case was taken up by a 16-year-old boy from steerage?

In The Trial every single event and symbol and image is brought into alignment with the amazingly powerful force-field of the central idea that Joseph K. is the victim of a vast, universal conspiracy, in a universe which seems to be collapsing into ever-deeper shabbiness and humiliation. Every detail, no matter how random, contributes to the dominant themes.

But here in The Stoker there is no clear theme and so all the odd details – that Karl has to run to fetch an umbrella of all things, or that he and the stoker are roused to action by the arrival of the ship’s band outside his cabin door – these elements just seem wilful and arbitrary. Odd and bizarre.

The oddity puts me off trying to read America.


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Dates are dates of composition.

China’s War with Japan 1937 – 1945 by Rana Mitter (2013)

The aim of the book

Mitter is an eminent historian of twentieth century China and of the period leading up to World War II in particular. In his introduction he points out that the Sino-Japanese War – which lasted from 1937 and then became subsumed in the wider World War – is often neglected in Western historiography which, perhaps understandably, focuses on the war in Europe/Russia and on the American War in the Pacific: both perspectives tend to overlook the fact that the Chinese were fighting the Japanese for four long years before the Americans joined the struggle. By providing one continuous narrative of the entire Sino-Japanese War, as seen from the Chinese point of view, Mitter aims to redress this imbalance and tell this generally ‘untold story’.

The second main point, which emerges increasingly as the wider World War progresses, is that China – as the four-year adversary of the Japanese, and as the country responsible right to the end of the war for tying down some 500,000 Japanese troops as well as supplying men to fight alongside the British in Burma – deserved much greater representation in the meetings of the Big Three – Russia, America, Britain – which decided the fate of the post-war world. China was only invited to one, minor, Allied conference – held in Cairo – and was not invited to Yalta, Tehran, Potsdam. To this day, Mitter claims, the lack of recognition of China’s part in the wider anti-fascist struggle, and then her deliberate omission from the meetings of the Big Three – which they think should have been a Big Four – rankle in the memory of educated Chinese.

It contributes to the smouldering Chinese sense that for a long, long time, for some 150 years, first the British and then the Americans assumed control and sway over the Pacific and all its peoples, and that Chinese interests and contributions were consistently ignored or trampled on.

Now, at last, in the 21st century, China is confident enough and powerful enough to begin to flex her muscles and assert her rights in the region. Which is why, Mitter argues, educated people in the West need to be aware of the often harrowing events of this brutal eight-year war, and of the emotional significance it still has for many Chinese, and how it still informs modern China’s attitudes and worldview.

The Sino-Japanese War

1. 1937 to Pearl Harbour (1941)

Having annexed neighbouring Korea (1910) and the huge northern province of China known as Manchuria (1931), the aggressively militarist Japanese Empire took the opportunity of a trivial border incident (at the so-called Marco Polo Bridge) to launch a full-scale armed invasion of China in July 1937.

When Japan attacked there were broadly three forces in China: the Nationalist Party of Chiang Kai-Shek (also known as the Kuomintang) which claimed to be the official government of the whole country; the smaller Chinese Communist Party – whose leaders included the up-and-coming demagogue Mao Zedong – and a number of regional warlords.

China was divided like this:

a) Because the latter part of the 19th century was marked in China by decades of civil war and administrative weakness. The biggest of these disruptions was the Taiping Rebellion, a vast civil war which dominated the 1860s and in which anything up to 100 million Chinese might have killed each other, and which people in the West have little awareness of. The rebellion had only been put down at the cost of giving autonomy to regional military leaders and it was this which established the pattern of ‘warlord’ control of some regions. A growing body of politicians, modernisers and revolutionaries all realised that the old imperial structures just couldn’t rule this huge country, and the turmoil eventually led to the overthrow of the Qing imperial dynasty in 1912 and the establishment of a republican government.

b) However, the nationalist revolutionaries proved incapable of preventing the country falling apart into a patchwork of regions controlled by local military leaders or ‘warlords’. Hence the complex geography and politics of the ‘Warlord Era’, 1916 – 1928.

Japan’s advance was swift not only because of China’s political, administrative and economic divisions but for the more basic reason that, under successive 19th century rulers, China had failed to modernise and keep up with the industrialised world. Convinced of their cultural superiority, of their lofty position as ‘the Heavenly Kingdom’, China’s rulers looked down on the big-nosed Europeans with their crude manners and obvious greed. Which turned out to be a mistake because the foreign devils (one of many discriminatory terms the Chinese use for non-Chinese) came armed with the benefits of the Industrial Revolution – steamships, guns, cannon, trains.

In the 1840s Chinese rulers found themselves forced at gun point to agree to treaties with Western imperialist powers – Britain, France, America – who secured for themselves coastal entrepôts (Hong Kong, Shanghai), exemption for Western citizens from Chinese law, but who (wisely) never made any attempt to colonise the vast peasant interior.

China’s economic and social backwardness contrasted with Imperial Japan, whose government realised in the 1860s that they had to keep up with the farangs by importing the best of Western know-how. The Japanese gave Westerners limited rights at certain specific trading ports but, more importantly, embarked on a wholesale reform and modernising of their technology and industry. By the turn of the twentieth century Japan combined an ongoing level of rural Asian poverty with surprising levels of urbanisation and industrialisation. This was brought forcefully home to everyone when Japan defeated Russia – itself arguably a vast, backward nation but still, in theory, European – in the Russo-Japanese War of 1904-5. Bolstered by this victory, Japan’s well-organised, well-equipped and well-managed army and navy went on to seize control of all Korea in 1910.

The disparity in cultural attitudes (Japan’s Big Yes to Western know-how compared to China’s lofty rejection), in their respective levels of industrialisation, and in central economic, political and military control, help explain why – when they decided to extend their occupation in 1937, Japan, with a population of just 72 million, managed to subdue China, with a population of about 520 million.

The war was marked early on by the Japanese massacre of the civilian inhabitants of the capital Nanking

and continued to be marked by extreme Japanese brutality and bloodshed, including the indiscriminate bombing of cities crowded with refugees – for example, the bombing campaign against the Nationalists’ temporary capital of Chongqing – which resulted in horrifying casualties.

The Nationalists themselves contributed to the mayhem with a ‘scorched earth’ policy, including burning some of their own cities to the ground before the Japanese could take them and – most notoriously – in 1938 breaking the dikes which held in the massive Yellow River. This created a truly epic flood over a huge area of central China which certainly delayed the Japanese advance but led to a mind-boggling 800,000 deaths from drowning, not to mention further deaths from disease and starvation.

The Communist forces, such as they were, had retreated deep into remote northern China in the long flight which their propaganda machine turned into the legendary ‘Long March’. About 70,000 communist cadres set out on it and maybe as few as 7,000 completed it, the rest dying or giving up along the way. Thus the bulk of the resistance to the Japanese invaders, of the actual fighting, fell to Chiang, his German-trained Nationalist forces, and whatever warlord allies he could press to help him (and who all too often let him down).

The whole story is a panorama of extraordinary chaos, suffering and death on a continental scale.

2. After Pearl Harbour

The story becomes a lot more comprehensible – and therefore interesting and memorable – once the Japanese have their bright idea to attack Pearl Harbour and declare war on the most powerful nation on earth. And Hitler decides – quite unnecessarily – to rally to their support and also declare war on America.

There had been an earlier turning point when the war in Europe broke out in September 1939 and Chiang’s Nationalists suddenly hoped for arms and support from the European democracies (who just happened to be the very same imperialist devils which Chinese nationalist propaganda had been reviling for decades). But, in the event, the supposedly all-powerful British Empire turned out to be weak – in fact, it was shown to be an essentially peacetime operation, able to carry out local police actions and just about manage a huge array of established colonial assets, but in no way ready for a war of aggression – unlike Germany or Japan. Britain herself struggled for survival in 1940 and ’41 and so the last thing on her mind was sending troops to the other side of the planet to fight in someone else’s war.

Pearl Harbour marked the beginning of the war for America, but was only a way station for the Chinese who had, by this stage, been resisting the Japanese for four long years. It would take three more bitter years to defeat them, with mixed results for Chiang’s Nationalists: on the one hand they now found themselves de facto allies of Britain and America in the war against Japan; on the down side, they now found themselves caught up in the very complicated diplomatic and military manoeuvering which took place even between the nominal allies Britain and America, with the added challenge of Stalin’s Russia, as well as coping with Mao’s communists and the Chinese collaborationist regime.

For one of the many untold stories which Mitter brings back into the light is the role of Wang Jingwei, at one time a colleague of Chiang’s, who was persuaded that the patriotic thing to do in order to prevent more loss of Chinese lives and destruction of Chinese land, was to co-operate with the Japanese. After agonising soul-searching – recorded in detail by one of his aides-de-camp, Zhou Fohai, in a diary from which Mitter liberally quotes – Wang agreed to fly back to the occupied former capital of Nanjing and allow himself to be set up as the Japanese-backed puppet leader of Occupied China – an equivalent of the Vichy Regime in France or Quisling in Norway.

The three years of the War in the Pacific are detailed in Max Hasting’s grim history Nemesis. Mitter usefully complements such Anglocentric accounts with his narrative of the ongoing battles – and the complex diplomatic manouevres – taking place in war-torn China.

One of the most interesting themes which emerge in the final part of Mitter’s book is that the various Chinese administrations – as they struggled to keep control of their areas and populations, to properly organise the collection of taxes, the feeding of soldiers, the distribution of the growing amounts of Allied aid – became progressively more centralised and relied increasingly on Terror as a political tool. Each of the three regimes set up secret police forces who used arbitrary arrest, torture and executions to intimidate dissident voices, each one headed by specific individuals – the equivalents of the Nazis’ Heinrich Himmler – who became notorious for their brutality and sadism. For Chiang’s nationalists it was Dai Li, for Wang’s collaborationists it was Li Shiqun, for Mao it was Kang Sheng.

And all three parties despised Westerners as culturally inferior, hated and bitterly resented the shame and humiliation they’d been subject to during the era of Unequal Treaties, and were – accordingly – contemptuous of the hypocrisy of Western ‘liberal, ‘democratic’ societies. None of them really understood the Western notion of democracy from below – the models of all three (as indeed of the conquering Japanese) was of top-down rule by a strong Leader – Generalissimo Chiang or Chairman Mao.

Given the huge political differences between all three factions and given the direct links between the Chinese Communists and Stalin’s Russia – Stalin told the CCP, basically, what to do – on the one hand, and the widespread corruption, brutality and inefficiency of Chiang’s Nationalists (to the many Americans who had experience of Chiang Kai-Shek’s regime, he acquired the nickname ‘Cash My Check’) on the other – it’s no surprise that relations between the Western Allies and the various Chinese factions were fraught with misunderstandings, miscalculations, misgivings and mistakes, which Mitter records in great detail.

3. Conclusion

By the end of World War II, the sustained struggle against the Japanese had exhausted Chiang Kai-Shek’s Nationalist forces. By contrast the war had seen the growth in strength and confidence of the Communists who had been able to send out political cohorts to infiltrate broad areas of unoccupied China to spread their message of a revolution for the peasants, for the poorest of the poor.

It was also during the latter part of the war that Mao began to establish his grip on the Chinese Communist party through a programme of biting criticism and calls for ideological purity – the so-called ‘Rectification Process’ – which was the start of 30 years of intimidating, arresting and executing his opponents. As Mitter points out, the techniques which underlay the catastrophic Cultural Revolution of the late 1960s were first laid down in the early 1940s.

When the War in the Pacific came to an abrupt end in August 1945, the war for control of China still had four more bloody years to go, a ragged civil war in a shattered country which ultimately led to the complete seizure of power by the Communists and the establishment of the People’s Republic of China in October 1949. The remnants of Chiang’s Nationalists fled to Taiwan, where they rule to this day. As Mitter sums up – Chiang’s Nationalists won the war but lost China.


Related links

Reviews of books about other Asian wars

The Lost World by Sir Arthur Conan Doyle (1912)

3 September 2012

As well as being the centenary of the sinking of the Titanic (April 15) and the death of Scott of the Antarctic (March 29), 2012 is also the centenary of the publication of The Lost World by Sir Arthur Conan Doyle. The novel was published in instalments from April to November 1912 in The Strand magazine before being published in book form.

The plot is simple enough. Journalist Edward Malone is persuaded to join an expedition led by the intimidating Professor Challenger, along with Lord John Roxton and the sceptical Professor Summerlee, to a volcanic plateau deep in the Amazon forest where, to their amazement, dinosaurs still live, along with a race of primitive ape-men who capture our heros, and more modern native Indians who help release them. There are thrills and spills a-plenty.

What I’d forgotten was the book’s humour. No fewer than 6 of the 16 chapters are taken up with the Wellsian comedy of Malone’s forlorn love affair with the fickle Gladys, and the rambunctious character of prof Challenger, always ready to use physical violence at the slightest provocation. The book ends on a broad comic note as the returning Malone discovers the fickle Gladys has gone and married a solicitor’s clerk in  his absence.

The theme of dinosaurs living on into the modern world had been invented by Jules Vernes in Journey to the Centre of the Earth (1864), an extraordinary act of imaginative innovation. But Conan Doyle’s 1912 treatment seems to have been the one which opened the floodgates.

To date there have been seven film or TV versions and six radio or audio adaptations.  I like this jacket cover for its figure of a screaming damsel. There are no women on the expedition. She has been added – as women were added to the film versions – for purely pulp or sensationalist reasons.

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