Extraction/Abstraction by Edward Burtynsky @ the Saatchi Gallery

This is an epic, awesome exhibition, maybe the best exhibition currently on in London, certainly the most visually stunning one I’ve been to this year. It is not just a ‘photography exhibition’ but a display of masterpieces by a photographer of genius.

Typically awesome aerial photograph of Thjorsá River #1, Iceland (2012) photo © Edward Burtynsky. Courtesy Flowers Gallery, London

Largest ever Burtynsky exhibition

It is the largest exhibition ever mounted of the work of world-renowned photographic artist, Edward Burtynsky. Born in Canada in 1955, Burtynsky has spent over 40 years documenting the generally ruinous impact of human industry around the planet, in series of projects focused on environment-changing human activities such as mining, oil production, agriculture and so on.

Nickel Tailings #34, Sudbury, Ontario, Canada (1996) photo © Edward Burtynsky. Courtesy Flowers Gallery, London

It’s a big exhibition in every sense. They’ve brought together 94 of Burtynsky’s large-format photographs and the thing to grasp is that his photos are not just big, they’re massive, huge, enormous. You can only fit so many of these monsters into one space so the show is spread across 6 big galleries over two floors.

Uralkali Potash Mine #1, Berezniki, Russia (2017) photo © Edward Burtynsky. Courtesy Flowers Gallery, London

In addition to the 80 or so enormous digital prints there are 13 high-resolution murals i.e. photos blown up to cover entire walls, which overawe you with their scale and then draw you in to study the incredibly fine digital detailing.

Example of a wall-size ‘mural’ photo at ‘Burtynsky: Extraction/Abstraction’ giving a sense of the size of the ‘mural’ photos. Photo © Justin Piperger (2024) Image courtesy of the Saatchi Gallery, London

Factual captions

Each photo comes with a fact-packed wall label which explains the human activity we’re looking at. Often curatorial wall labels are barely worth reading or contain tiresome lectures from the curators about the tired old subjects of race or gender. By complete contrast, the wall labels in this exhibition are head and shoulders above the usual ruck because every one tells a fascinating story and gives you the hard facts without moralising. The facts are enough.

So, for example, the piece below is an aerial photo taken just outside the Atlantic port city of Cadiz in south-west Spain. The city is surrounded by salt marshes which once brought prosperity to the region by making it a major producer of sea salt. Snaking through the salt marshes are streams of turquoise sea water. Around these are a complex series of ridges which divide the marshes into ‘fields’ where salt can be harvested, some of which date from 1,200 BC. At the start of the 20th century some 160 artisanal sea salt producers worked these salt pans, now it’s down to just a handful.

Salinas #2, Cádiz, Spain (2013) photo © Edward Burtynsky. Courtesy Flowers Gallery, London

Extraction and the environment

It is a highly environmentalist exhibition (where environmentalist is defined as ‘concerned with or advocating the protection of the environment.’) Almost all the pieces show the catastrophic impact of human activity on the natural world, each image accompanied by fascinating, often profoundly dismaying information. Because every exhibition needs organising principles, the pictures, and so the accompanying information captions, are divided into themes, being:

  • Agriculture
  • Extraction
  • Manufacturing and infrastructure
  • Waste

The facts described in the picture captions are often mind-boggling. For example, there’s a photo of a vast array of plastic greenhouses in Ziway, Ethiopia, which covers an enormous 450 hectares in total. Up to 4 million roses are cut and shipped each day from here, almost all destined for the European market, where unknowing consumers buy bunches of Ethiopian-grown roses for their impressionable partners, both heedless of the enormous environmental cost behind every one of them.

Or take the wall label introducing the gallery devoted to Agriculture. This tells us that there are over 8 billion people on the planet and we all need to eat, preferably several meals a day. Approximately 75% of the global population eats meat, which corresponds to roughly 23 billion animals kept as livestock. Adding up all the people, livestock and, of course, pets, global agriculture must feed over 31 billion hungry creatures every day.

Creating enough agricultural land to cater to this vast, relentless need is the cause of endless environmental catastrophe:

  • mass cutting down of ancient forests
  • devastation of biodiversity
  • depletion of one-off resources such as aquifers
  • leaching of toxic pesticides and fertilisers into the water supplies
  • constant emission of greenhouse gases at every step of production, processing and transport

Abstraction

So far, so environmentalist. But there’s another whole layer to the exhibition and to Burtynsky’s practice, which is indicated in the exhibition title (Extraction/Abstraction) and underpins much of his work. This is that, from the early days of his career he came to realise that large-scale photographs of landscapes, taken from high vantage points like mountains or from helicopters or drones, often look very like the abstract art produced by the various movements of abstract art in the twentieth century, from Paul Klee teaching at the Bauhaus in the 1920s to Jackson Pollock getting drunk in New Jersey in the 1950s.

Installation view of ‘Burtynsky: Extraction/Abstraction’ showing two works which look like mid-20th century abstract paintings but are in fact 21st century aerial photos of the Texas panhandle. Photo by the author

The curators have some characteristically clear and intelligent things to say about this:

Abstract art emerged in the early twentieth century as a radical break with the old ways of making pictures. Rather than depicting recognisable figures, objects or landscapes, abstract painting explores form, texture and colour for their own sakes.

Over the same period industrial agriculture, mass production, surface mining and the internal combustion engine also emerged, changing our way of life forever. Today technology is rapidly propelling us into the future in every sector…

While modern artists invented new expressive and emotional languages, modern engineers, technicians and industrialists were developing a new reality, divorced from the ancient ways of being, alien to the natural world and wholly unsustainable.

Among the appealing elements of Burtynsky’s thrilling photos is his invocation of and toying with the conventions of abstract art. Many of his photos can be appreciated for their abstract beauty first, before we delve further into the ruined landscapes and human toil which lies behind them.

And it’s true. Look at the photos I’ve included so far in this review and you can see how the vivid, colourful landscapes often approach or fully appear as abstract designs. To be honest, this turns out to be more true of the first floor of works, less true of the second floor which depicts more ‘realistic’ scenes, such as vast waste mountains in Nigeria, the world’s biggest dump of used tyres in America, dehumanisingly vast factories in China and Bangladesh, and so on.

So this abstract aspect is not to be found in all of his works, but the abstract qualities which are to the fore in the early rooms continue to haunt the later, more realistic works, appearing round their edges so to speak, hinting at the deeper, unexpressed patterns and subtle regularities which emerge from the chaos of human activity.

Oil Bunkering #9, Niger Delta, Nigeria (2016) Photo © Edward Burtynsky. Courtesy Flowers Gallery, London

‘In the Wake of Progress’

In between the two floors of big stunning photographs, on a mezzanine floor, is a large room which has been blacked out in order to host what the curators call an augmented reality (AR) experience but you and I might think of as an old-fashioned film, the gimmick being that it is divided into three separate screens alongside each other, sometimes depicting the same subject, sometimes showing different angles of the same thing, sometimes changing and moving on before the other two screens can catch up, a dynamic triptych. It is a musical and rhythmic way of presenting moving images.

Installation view of ‘In the Wake of Progress’ showing on three screens at ‘Burtynsky: Extraction/Abstraction’ showing the viewing room for ‘In the Wake of Progress’. Photo © Justin Piperger (2024) Image courtesy of the Saatchi Gallery, London

The film is titled ‘In the Wake of Progress’ and, as the name suggests, shows the vast wake of destruction and dehumanisation left by the unstoppable exploitation of the planet’s natural resources. Unusually for me, I sat and watched the entire half-hour thing through in its entirety. It is an absolutely stunning, commentary-free, wordless series of beautifully shot sequences depicting the same kinds of scenes we’ve seen in the photos, devastation, waste and pollution everywhere.

It starts with four or five minutes of a static shot in an unspoiled northern forest (as captured in the photo above), all moss-covered trees and hovering insects, calming the viewer and lulling us into a false sense of security (it was actually shot in a place called Avatar Grove on Vancouver island, British Columbia, Canada).

But then the destruction commences, with shots of forests much like this being logged and reduced to muddy bare hillsides; vast numbers of logs being floated downriver to huge lumber yards; and on to open cast mining; dynamiting rocks in quarries; oil spills rainbowing rivers; vast dumps of rusting oil cans, plastic phones, used tyres; terrifyingly huge inhuman factories; oil production; vast megacities criss-crossed by urban freeways choked with traffic – a bombardment of images of human destructiveness.

The promotional material makes much of the fact that the film and music were created with the help of ‘legendary’ Canadian music producer Bob Ezrin. I thought this phrasing was a tad counter-productive and made it sound like a self-congratulatory speech at the Oscars (‘And now ladies and gentleman,  the one and only, the legendary music producer, Boooob Ezrin!‘). The wall label also explains that the haunting wordless vocals which thread through the soundtrack are by ‘award-winning Cree Métis artist iskwē’, which is interesting enough, I suppose.

But the single most obvious thing about ‘In the Wake of Progress’ is how very similar it is, in visual themes and in even the repetitive, arpeggio-heavy soundtrack, to the great 1982 film Koyaanisqatsi, by ‘legendary’ director Godfrey Reggio, with music by ‘legendary’ minimalist composer Philip Glass. All it needed was the slow-motion sequence of Las Vegas casino workers and it would have become virtually the same film.

My point is nothing about plagiarism or anything like that, in fact I have two points. 1) What the similarity of both films suggest is that if you set off with the aim of depicting mankind’s destruction of the natural world, you’re going to end up shooting the same kinds of sequences (open cast mining, oil production, hyper-highways in mega-cities) i.e. there will be an inevitable sameyness about films like this because they are covering the same subject.

Secondly 2) the two films were produced and released exactly forty years apart (1982, 2022). Me and my like-minded liberal friends were obsessed with Koyaanisqatsi – I went to see it in the cinema at least five times when it came out. Being young, we thought immensely powerful cultural products like this would change the world and bring its rulers to their senses. Now, being old, I know that’s never going to happen. Films like this are nice to look at, trigger strong emotions, and change absolutely nothing.

Burtynsky the technological innovator

For photography buffs there’s a section of the show devoted to listing and explaining Burtynsky’s technical innovations. It turns out that he has not only adapted to the huge changes which have taken place in the technical side of photography over the past 40 years (the arrival of digital technology revolutionising everything) but has often been at the forefront of that innovation – working with the technical teams who accompany him on his projects to develop engineering and design solutions to the challenges of creating such huge photos, often taken from a great height.

This latter fact (height) explains the presence of not one but several drones in the display case, along with interesting explanations of how his engineers have changed and adapted them to fly stably and horizontally, while carrying ever-more powerful digital cameras.

Installation view of ‘Burtynsky: Extraction/Abstraction’ showing the display case of cameras and drones used by Burtynsky over the years. Photo © Justin Piperger (2024) Image courtesy of the Saatchi Gallery, London

In the photo above, on the wall on the right you can see a timeline of Burtynsky’s projects, starting with the earliest while he was still at Ryerson Polytechnic (1979 to 1981) and then listing each of his major projects and publications, year by year, with a paragraph or so detailing what technical innovations he brought to each of them.

Self overcoming

Years ago I read half a dozen books by the German philosopher Friedrich Nietzsche. I wouldn’t pretend to be any kind of expert but my understanding is that a fundamental principle of Nietzsche’s philosophy is the notion of ‘self overcoming’. It’s the idea that in order to become who you want to be, you first need to overcome who you are. In order to realise your full potential, you must consciously conquer the aspects of your character and mind which limit and hold you back.

So far, so much like a Californian self-help video. Where Nietzsche pushes on is in holding the view that most of us are held back from a full understanding of the world we live in by a whole network of conventional thinking, commonplace morality, sentimental attitudes, wishful thinking, moral cowardice and intellectual weakness. In a thousand ways we hide from the truth of who we are and what we are doing.

Nietzsche said we should face the truth about ourselves and embrace it no matter how negative and destructive it may appear. Only by embracing the totality of our real natures can we live in truth.

Well, OK, then. All the facts indicate that we are destroying the planet, wrecking every ecosystem we’ve ever encountered and exterminating our fellow life forms at an unprecedented rate – and, following Nietzsche, I think we should embrace the fact. We should fully admit to being world killers and planet destroyers. We should own it and admit to being the nature-hating, species-exterminating, habitat-trashing creatures that all the evidence suggests we are.

In my opinion most people, especially in the pampered West, live in complete denial about what monsters the human race are – as my recent reviews of modern African or Middle Eastern history show time and time again, or the situation in Ukraine or Gaza demonstrate beyond dispute – we are planet-destroying locusts but locusts with machine guns and nukes, committed to the devastation of the planet and the mass killing of our own species.

I would rather it isn’t so, but it is so and any attempt to deal with the situation must start by acknowledging this truth. This position explains why, for me, the only weak point in the exhibition was where Burtynsky, disappointingly, joined in with the chorus of trite truisms, the sentimental bromides, and the wilful optimism of the wishy-washy liberal who still has hope:

‘I have spent over 40 years bearing witness to how modern civilization has dramatically transformed our planet. At this time, the awareness of these issues presented by my large format images has never felt more urgent… I hope the exhibition experience will continue to provide inflection points for diverse conversations on these issues and move us all to a place of positive action.’

‘Diverse conversations’ – does he really think ‘diverse conversations’, at dinner parties, down the pub or on social media, even at high-level gatherings like the COP conferences, are going to make a blind bit of difference to anything, because they absolutely aren’t and it’s disappointing that an artist who’s made such original art out of the disaster, still holds such weakly conventional opinions about it.

‘Add your thoughts to the conversation’

In the spirit of sentimental optimism which I’ve just explained why I despise, the exhibition contains two big blackboards with cups of white chalk sticks, and encourages us to write uplifting messages on the boards and ‘add your thoughts to the conversation’. Examples included: ‘Turn your phone off now’, ‘It’s easy to be green,’ ‘Be nice to the environment’ and other such gift card slogans. True to my blunt Nietzschean approach, I wrote ‘Exterminate all the brutes’.

To anybody who doesn’t get the reference, these are the words scrawled at the end of the high-minded missionary pamphlet written by the deranged colonial ivory agent, Kurtz, in Joseph Conrad’s novella ‘Heart of Darkness’. I wrote it in a spirit of Swiftian satire, for in the novel Kurtz has been driven completely mad by the sub-human savagery he encountered in the heart of the Congo, which he has assimilated and then taken to a whole new level of nihilistic destructiveness. He started out with the highest aims of bringing ‘civilisation’ to the heart of Africa and ended up with a mad vision of killing every one of the local people.

Everything I’ve read about the Congo backs up Kurtz’s feelings about the human race. If in any doubt you should make a study the Rwanda genocide and its aftermath in the two Congo wars and the Great War of Africa, which, even after the loss of up to 5 million lives, in eastern Congo lingers on to this day. And what lay behind this series of disasters? Greed to rape Congo of its natural resources.

First it was white Europeans enslaving, mutilating and massacring Africans in order to extract Congo’s vast rubber production; but then it was Africans looting, impoverishing, massacring and murdering each other in order to loot Congo’s other, mineral, resources. The colours of the skin and the names of the rulers (Leopold, Lumumba, Mobutu, Kabila), the ideologies they used to justify themselves (Christianity, communism, pan-Africanism, capitalism), all changed with the passing decades, but one constant remained the same: the murderous, nature-killing intensity of human greed. Vast wars were fought, immense human suffering caused, and large areas of the country ravaged by man’s endless quest for the blood diamonds, copper, gold and the rare metals which the world needs to carry on its course of untrammeled consumption.

Which is why bromides like ‘Save Earth, Save Life!’, ‘Protect Our Planet, Preserve Our Future’ and ‘There is no planet B’ seem to me wholly inadequate to capture the brutal truth of the world we live in, the terrible violence man deals out to man every day (and worse to unprotected women and children), the appalling misery endured by the slaves who produce the components of our luxury goods, the daily murder of tens of millions of dumb animals so we can eat them, and the relentless degradation of every ecosystem on the planet.

Hence the saeva indignatio of my crayoned comment, scrawled across the blackboard in the same way that Kurtz, driven mad by seeing into the complete darkness of the human heart, ended his utopian pamphlet with the most nihilistic comment he could conceive of – ‘Exterminate all the brutes’ – a comment less on the natives of Congo than on the shallow, inadequate Christian ‘civilisation’ he was meant to be representing.

(The phrase saeva indignatio popped into my memory at this point and prompted me to look it up. It is Latin for ‘savage indignation’ and is a phrase used in the Latin epitaph of the great 18th century satirist Jonathan Swift, to denote his ‘intense feeling of contemptuous anger at human folly’.

So that’s what I wrote on the blackboard of this powerful, terrifying exhibition, and why – the last words of a deranged idealist, quoted to express my ‘intense feeling of contemptuous anger at human folly’.)

The merch irony

A last point about those exhibition blackboards: the way children, or those with a childlike understanding of the world, had covered them with infant-school slogans like ‘End consumerism’ and ‘Just stop buying stuff’ meant I couldn’t help laughing out loud when this breath-taking exhibition shunted me out, at the end, into the huge, clean and well-stocked Saatchi Gallery shop, a big room overflowing with classy merchandise and shiny products.

Here, as at all art exhibitions, you can find a range of posters and postcards and bags and books relating to the exhibition, which all lead up to a collectable box set of stylishly produced Burtynksy books and memorabilia. This will set back the well-heeled art fan a tidy £15,000.

As I reeled from the cognitive dissonance between everything I’d just been seeing and reading, between all those high-minded ‘green’ sentiments on the blackboards, and this riot of unashamed consumerism – a posh couple sauntered by and stopped at the pile of exhibition catalogues (a snip at £38). ‘Oh my God,’ gushed the young lady, flicking through the pictures of ruination made beautiful, ‘this would make such a fabulous coffee table book!’

And there, in a nutshell, you have it. Middle-class people queuing up to buy postcards, t-shirts, tote bags, fridge magnets, mobiles, videos and earnest books all advocating the end of the consumerism. Swift would be looking on, nodding and chuckling.

Thoughts

This is an awesome, amazing, must-see exhibition for at least four reasons:

1) Every single photo is a masterpiece. Each one of them is breath-takingly beautiful.

2) Each photo is accompanied by short but hugely informative wall captions which are all fascinating in their own right but also build up into an astonishingly encyclopedic overview of all types of human activity around the planet – hugely interesting and mercifully devoid of the moralistic hectoring you are subjected to at so many other exhibitions.

3) It is about the most important subject on earth, which is the way we humans are destroying it.

4) Unlike most art films, ‘In the Wake of Progress’, is a powerful, thrilling, devastating, hopeless, exhilarating watch.

I emerged reeling. I wanted to shake someone’s hand for organising such an overwhelming experience and bow down before Burtynsky’s awesome genius. ‘Extraction/Abstraction’ is quite brilliant.

Our hero at work on location in Belridge, California, site of hundreds of small oil wells (2003) Photo by Noah Weinzweig, courtesy of the Studio of Edward Burtynsky


Related links

Environment-related reviews

Exhibitions

Books

Africa’s World War: Congo, the Rwandan Genocide and the Making of a Continental Catastrophe by Gérard Prunier (2009)

The most murderous conflict since World War Two.
(Africa’s World War, page 352)

‘The incompetence of most [Congolese] politicians is only rivalled by their determination to keep their privileges.’
(French ambassador Raymond Césaire, describing the chaos of Congo-Brazzaville in 1995, page 169)

This is said to be the definitive book on the subject and it feels like it, a large-format, massive, heavy Oxford University Press edition, printed on beautiful high quality paper. It’s surrounded by impressive scholarly apparatus consisting of:

  • a glossary of African terms (49 entries)
  • 4 maps
  • an impressively long list of acronyms (11 pages, 161 entries)
  • extensive notes (99 pages)
  • a huge bibliography (45 pages including not only books and articles, but reports from numerous official bodies and charities, plus films and works of fiction)
  • a long index

The great war

I’ve summarised the war, with maps, in my review of the relevant section of David Van Reybrouck’s great book, Congo: the epic history of a people. This is the briefest I can get it:

  • Rwandan Tutsis driven by low-level pogroms had fled during the 1980s into neighbouring Uganda
  • some of these served in the insurgent army of Yoweri Museveni during the Ugandan Bush War and helped him overthrow the dictatorial rule of Milton Obote in 1985
  • emboldened by their experience, some of these Tutsi exiles set up the Rwandan Patriotic Front (RPF)
  • in 1990 the RPF began small-scale incursions into northern Rwanda, fighting the army of the Hutu-majority government of Juvénal Habyarimana
  • after 4 years of civil war the parties were brought to a peace accord which Habyarimana signed and was about to implement when a plane carrying him was shot down in mysterious circumstances; most people think it was shot down by elements in the Hutu army and government which a) rejected the peace deal with the RPF b) wanted to implement the genocidal policy of the so-called Hutu Power group, which said that Rwanda would never be at peace until the Tutsis (about 15% of the population) were exterminated
  • they organised the Rwanda genocide, 7 April to 15 July 1994
  • as soon as the genocide started, the RPF recommenced military action, and successfully defeated the Hutu government forces, driving them into the south and west of the country and then over the border into Zaire
  • but it wasn’t just the Hutu leaders who fled; as cover and part of their ideological program, they forced up to 2 million Hutu civilians to flee, too, terrifying them with rumours of Tutsi massacres
  • having completely failed to prevent the genocide or halt it as it was carried out, the international community now over-compensated by flooding the refugee camps with aid
  • however aid agencies, UN officials etc quickly realised these vast camps were completely in the control of the extremist Hutu leaders and génocidaires
  • the génocidaires used some of the western aid to rearm and regroup and, as soon as possible, began raids back across the border into Rwanda, killing Tutsis and Hutu they accused of being collaborators
  • they also attacked, and caused others to attack, the Banyamulenge, ethnic Tutsis living in eastern Congo, particularly the province of South Kivu
  • the new Rwandan government of national unity which had been set up after the RPF victory protested loud and long about this anti-Tutsi violence and asked ‘the international community’ to stop it and properly police the camps but to no avail
  • eventually, the RPF, along with forces from neighbouring Uganda, invaded Zaire and seized the camps; they a) forced the hundreds of thousands of Hutu refugees to return to Rwanda and b) pursued the génocidaires who, reasonably enough, fled deeper into Zaire, often taking large groups of refugees with them as cover
  • before the RPF embarked on their campaign they and their Ugandan allies realised ‘the international community’ would react badly to a straightforward invasion and so came up with the plan of covering their actions by using a native, Congolese rebel group and their leader, as a front man for the invasion, to make ‘a foreign invasion look like a national rebellion’ (p.115)
  • the figure they chose was Laurent-Désiré Kabila, not very effective leader of the People’s Revolutionary Party (PRP), who in reality spent most of his time smuggling gold and running a brothel
  • so the Alliance of Democratic Forces for the Liberation of Congo (AFDL) was invented, with Kabila as its supposed leader; Prunier remarks that Kabila’s subservience to ‘the tall ones’ (as everyone called the Tutsis) earned him the Swahili nickname Ndiyo bwana, meaning ‘yes sir’ (p.124) (cf David van Reybrouck’s account, ‘Congo: The Epic History of a People’, p.418)
  • as the RPF-led alliance forces experienced success which surprised even them, the idea developed to permanently cut off Zaire’s support for Hutu extremists by the simple expedient of overthrowing its long-standing President, Mobutu Sese Seko, who had been friends with Habyarimana and had supported the Hutu génocidaires running the camp
  • and so the border incursion developed into a full-scale march on the capital of Zaire, Kinshasa, which Mobutu and his cronies fled in panic (16 May 1997) and where Kabila, much to his own surprise, was installed as third president of independent Congo (which now changed its name back from Zaire to Democratic Republic of Congo)
  • Prunier says this incursion could be seen as the first postcolonial imperial conquest of one African country (Zaire) by another (Rwanda), ‘the first case of clear-cut African imperialism’ (p.333)
  • the period from the invasion to the new regime became known as the First Congo War (October 1996 to May 1997)
  • trouble was Kabila found himself in a tricky position: he had to please his Rwanda-Uganda masters who had put him in power, but he now had all the political factions and the general population of Congo to please as well
  • to please these new constituencies, in July 1998, Kabila ordered all Rwandan and Ugandan forces to leave Congo, they were widely perceived as an invading and occupying force (p.178)
  • but Kabila’s masters back in Kigali (capital of Rwanda) and Kampala (capital of Uganda) were understandably miffed at their puppet’s ingratitude and so they launched a second invasion, this time to overthrow Kabila
  • Prunier explains that it was support from Angola and Zimbabwe which saved Kabila’s ramshackle regime, along with some support from Sudan, Libya and Chad;
  • it was this second incursion which came to be known as the Second Congo War, which commenced in August 1998 but which then unravelled into a wider conflict, eventually drawing in forces from half a dozen other African countries, and degenerating into the armed chaos which came to be known as the Great War of Africa, which dragged on until (supposedly) ended by peace treaties in July 2003, a five-year war in which some 350,000 people died in fighting and as many as 5 million died from massacres, disease and famine
  • and it is this, the Great War of Africa, whose complex origins and tangled course that this book sets out to explain

Prunier’s critical attitude

I associate serious history with a serious, professional tone so I was surprised from the start by Prunier’s tone of blistering cynicism and withering criticism, above all of the ‘so-called’ international community, in particular of the West and the ‘so-called’ international community, which he sees as behaving with stunning ineptitude at every stage of the crisis:

  • ‘Western incompetence and vacillation’ (p.23)
  • western ‘guilt, ineptitude’
  • ‘the Western world reacted with stunned incompetence’
  • ‘the West…was caught napping at every turn’ (p.24)
  • ‘nobody in the international community had done anything to stop the genocide (p.33)
  • ‘the utter spinelessness of the international community before, during and after the genocide’ (p.35)
  • ‘the cowardice of the international community’ (p.35)
  • ‘stunned impotence of the international community in the face of violence’ (p.38)
  • ‘of course the international community remained totally passive’ (p.57)
  • ‘the international community did not understand the nature of the problem’ (p.225)
  • ‘the United Nations, that supposed repository of the world’s conscience…frantically doing nothing and avoiding any responsibility in the third and last genocide of the twentieth century…’ (p.331)

Humanitarian aid instead of political solutions

Prunier blames the spiral down to war on the international community’s failure to address the political causes of the Rwanda civil war, then the genocide in Rwanda, then the refugee crisis in Zaire, then the armed invasion of Congo. In all instances the West preferred to offer humanitarian solutions i.e. to send in the aid agencies and NGOs, but consistently ignored the political roots of the crisis. Sending loads of tents and emergency food is easier than trying to address the political problems. And so the fundamental political issues were left unresolved, festered and spread.

The international community rushed into humanitarian aid with guilty relief, never-too-late-to-do-good, thus greatly helping the perpetrators of the very crimes it had done nothing to stop. (p.30)

And:

‘The West treated what was essentially a political problem as a humanitarian crisis.’ (p.58)

cf p.347.

Critical of the RPF

Prunier is far more critical of Paul Kagame’s RPF than other accounts I’ve read, accusing the regime of developing into a dictatorship, and of its military wing, the Rwandan Patriotic Army (RPA) of carrying out numerous massacres of Hutus in Congo.

Prunier explains this by going back to the RPF’s origins in Uganda in the 1980s to describe the atmosphere of violence in which it was born and flourished a) fleeing anti-Tutsi pogroms in Rwanda and then b) getting caught up in Uganda’s Bush War. When the Rwandan exiles helped Museveni win this war and come to power, it clinched their experience that disciplined violence works.

Prunier goes on to describe the RPA’s violent ethos more unforgivingly than other accounts. In particular he is at pains to emphasise, right from the start, that as it fought its way across Rwanda during the genocide, the RPA a) carried out its own massacres of Hutus and b) didn’t plan its campaign in order to stop the violence i.e. target the worst areas, but was more focused on eliminated the Rwandan army and securing complete control of the country.

He discusses the report drawn up by Robert Gersony for the UN which conclusively proved the RPA was carrying out massacres of its own and claims this report was suppressed by the UN and western nations (pages 31 and 350) because of its accusations against a force the West was championing as a solution to the genocide. The report was suppressed and Gersony was instructed to never discuss the findings, and has kept silent to this day. We are in the world of conspiracy theory. Mind you, it fits Prunier’s withering view of the United Nations generally:

  • As to the UN human rights operation, it was a sad joke. (p.18)
  • [The United Nations Assistance Mission for Rwanda was] despised by everybody in Rwanda as the embodiment of arrogant powerlessness. (p.33)

A key event was the Kibeho massacre, April 1995, in which up to 4,000 refugees were killed by RPA soldiers. Prunier describes it in detail and how it led to the collapse of the government of national unity which had been running Rwanda since the RPF victory. He draws the same jaded conclusion which he applies to the genocide and then the invasion of Congo as a whole:

Non-treatment of the consequences of genocide, well-meaning but politically blind humanitarianism, RPF resolve to ‘solve the problem’ by force, stunned impotence of the international community in the face of violence, and, finally, a hypocritical denial that anything much had happened.

It was one of what Prunier calls ‘massive human rights violations’ by the RPA (p.126). Much worse were the mass killings in and around the refugee camps in November 1996. Prunier cites the report of Father Laurent Balas (p.124) and of Roberto Garreton, the UN Special Rapporteur on the situation of human rights whose work was blocked by Kigali (p.157). At the end of the chapter dealing with the Alliance’s swift advances through Congo, and accusations of widespread massacre, Prunier calculates that as many as 300,000 of the refugees disappeared, died of starvation, disease, lost in the jungle or were murdered by RPA forces (p.148).

(Cf David van Reybrouck’s account of the RPF carrying out ‘ethnic cleansing’ and ‘massive carnage’, ‘Congo: The Epic History of a People’, pages 423 to 425, where he estimates that between two to three hundred thousand Hutus were murdered.)

Very broadly speaking, the idea is that ‘the West’, specifically America but others too, tried to downplay the massacres out of a) guilt at letting the genocide take place and b) the wish to believe that a clean, democratic new regime existed in Kigali. The massacres were embarrassing. It left the UN and others on a hook, not knowing how to react: so they consistently downplayed them (p.159).

Prunier makes this point, that Western guilt over having stood by and done nothing to stop the genocide, explains why the West gave large amounts of aid to Rwanda even as it was fighting an extensive war, and obstinately overlooked all evidence that RPF forces were carrying out large-scale massacres of their own (e.g. pages 246, 273). Rwanda was able, for years, to ‘surf’ on western guilt (pages 266, 350, 351).

And Prunier details the internal developments in Rwanda, namely the persecution of critics and the inevitable rise to power of Paul Kagame at the head of ‘a dictatorial minority government’ (p.273), his:

ruthless determination, his capacity to fine-tune white guilt as a conductor directs an orchestra’ (p.332)

and his creation of ‘an airtight authoritarian state’ (p.294).

[The enthusiastic support of the West, and especially Western journalists, for an underdog rebel militia with a noble cause fighting a brutal stronger power reminds me of the decade I spent watching BBC and ITV journalists in Afghanistan with the mujahideen singing the praises of these plucky Davids fighting the Soviet Goliath. Only after the Soviets left and the country plunged into civil war from which arose the Taliban were those western journalists forced to change their tune. Moral of the story: don’t take sides in foreign wars; neither side is ever as squeaky clean as we childishly wish them to be. All sides in a war are compromised.]

Encyclopedic complexity

As early as page 40 the text has got so complicated that it becomes difficult to follow. Everything Prunier describes he does so in immense, encyclopedic detail. The events in Rwanda I have a rough handle on, having read half a dozen accounts. I found it more challenging to read his long, detailed explanation of the civil war in neighbouring Burundi, his examination of the political and ethnic roots going back to the colonial period, starting with the fact that there were four different Hutu guerrilla groups, moving through dense complexity to the killing of Burundi president (Hutu) Cyprien Ntaryamira by Tutsis soldiers in an attempted coup in April 1994.

A contemporary journalist summed up the resulting situation in a quote I include not so much to clarify but as an example of the sheer number of entities the reader has to get clear in their heads, along with their changing motivations and policies.

The present situation in Burundi is largely a result of Zairean support for PALI-PEHUTU and CNDD. The final attack on Burundi would be a catastrophe for Rwanda because the plan is to allow Nyangoma to take power in Bujumbura and to bring the Interahamwe back in Rwanda. (quoted page 68)

Even more so his hyper-detailed explanation of the complex ethnic situations in the eastern Congo provinces of North and South Kivu, which also have long, very complicated ethnic histories. You’d have thought it would be difficult for anyone else to ever go into as much detail or display such scary erudition as Prunier. The situation in the Kivus is important because they form Congo’s border with Rwanda and therefore played a key role in the escalating crisis which eventually led to the Rwandan invasion, but the histories of ethnic rivalries, conflict, massacres, numerous parties and militias – for example the key role played by the Banyamulenge – are mind boggling.

And then he has a chapter titled ‘The Congo basin, its interlopers and its onlookers’ (pages 73 to 112). This is where Prunier slowly and painstakingly goes round all the countries which border Congo and explains why many of them were already infiltrating armed forces across its borders or through its territory in order to achieve a kaleidoscope of military and political goals. Featured countries include Congo and Rwanda (obvz), Uganda, Sudan, Tanzania and Angola, each of which themselves hosted complex civil wars, generally going back decades, as far as independence.

A feature of all these conflicts is the extraordinary number of military groups they give rise to, all of which have grand titles and imposing acronyms, hence the 161 acronyms listed at the start of the book. I found myself referring back to it on every page. Just the 5-page backgrounder on Congo includes:

  • Mobutu’s Mouvement Populaire de la Révolution (MPR)
  • Étienne Tshisekedi’s Union for Democracy and Social Progress (UDPS)
  • the Conférence nationale souveraine (CNS) set up in 1990
  • replaced by the Haut Conseil de la République-Parlement de Transition (HCR-PT)
  • the FAZ or Forces Armées Zaïroises

By about page 75 the book was feeling less a history than a degree course in the history, politics, ethnography and sociology of half a continent. I think you’d have to read it at least twice, probably three or four times, stopping to consult histories of all the other countries mentioned, to stand a chance of getting your degree.

I particularly enjoyed the background sections on countries we don’t hear so much about in post-imperial Britain, such as Angola and, even more so, the Francophonie countries which you rarely read about, Central African Republic, Chad and Congo-Brazzaville.

Initially, I was surprised at the jaded bitterness of Prunier’s tone but after a while I began to realise that only the blackest of black humour can do justice to a continent whose rules have spent 60 years doing their damnedest to utterly destroy.

Angola is a much richer country than either the Sudan or Uganda, which allowed its process of national destruction to be carried out with an impressive array of military means quite unknown in other parts of the continent, apart from Ethiopia. (p.88)

The guts of the war are described in a chapter graphically titled ‘Sinking into the quagmire’. It’s challenging keeping track of all the state-backed militias and armed forces, but when these start splintering and fighting amongst themselves, it becomes almost too complex to understand. On page 201 Prunier humorously asks whether his exasperated reader is ready to give up, and he’s got a point:

Does the reader at this point want to throw in the towel and give up on the ethnopolitical complexities of the region? I would not blame him, although I can assure him that I am honestly trying to simplify the picture. (p.201)

The importance of Angola

The single biggest cause of the Great War of Africa is that Eduardo dos Santos’s MPLA government in Angola went to the defence of Laurent-Désiré Kabila’s regime in Kinshasa.

I’ve explained how Kabila was installed as a puppet ruler by the alliance of Rwanda and Uganda to replace Mobutu, who both countries wanted removed from power, but how, after a year, he then turned on his own backers and ordered all Rwandan and Ugandan forces out of the country. And how this triggered those two countries to make a second invasion and remove Kabila.

For a start, Prunier adds much more detail to the story by explaining that Kabila was a terrible leader, stuck in a Marxist timewarp from the 1960s, but also just shambolic, chaotic and unpredictable, managing to insult or irritate all the neighbouring regimes and running his own one in a deeply unpredictable way, arresting his own ministers on a whim etc. So when Rwanda-Uganda began their second incursion to remove him many were keen.

Kabila had sacked his (Rwandan) chief of the army staff, James Kabarebe, who returned to the east of the country and, in Goma, hijacked three commercial freight planes, filled them with RPA troops, and flew them to the government base of Kitona on the Atlantic coast where they quickly turned Kabila troops to their side. Towns around Kitona fell, as did the diamond centre of Kisangani. The rebels seized the Inga hydroelectric station that provided power to Kinshasa as well as the port of Matadi through which most of Kinshasa’s food passed. In other words, Kabila’s regime looked doomed.

Then Angola intervened to save it. Why? The answer has to do with conditions inside Angola. The Movimento Popular de Libertação de Angola (MPLA) government based the capital Luanda had been fighting a civil war against Jonas Savimbi’s UNITA (União Nacional para a Independência Total de Angola) since independence in 1975. In 1994 the Lusaka protocol tried to broker a ceasefire and in 1995 UN peacekeepers arrived. But Prunier explains in detail why, by 1998, the truce had broken down and fighting began again.

The point is that the MPLA had, originally, in the 1970s, been a Marxist movement and Savimbi had presented himself as a business-friendly ally of the West, meaning America. In the simple binary of the Cold War, the MPLA were supported by the Soviet Union and the Cubans, UNITA by America and South Africa. And because Mobutu, ruler of Zaire/Congo, was also a creature of the CIA, supported by America, Mobutu had, for 15 years or more, offered UNITA bases and sanctuary in south Congo/Zaire.

Therefore, as Rwandan forces and Congolese forces backed by Rwanda closed in on Kabila’s regime, the MPLA, after some delay, finally gambled that supporting Kabila and having the gratitude of his weak regime, would guarantee that he would not support the MPLA’s enemy, UNITA. Angola threw itself behind Kabila as part of its ongoing civil war. And the key fact? Angola had one of the largest economies in Africa, based on its huge oil wealth. It had lots of planes, helicopters and a well-trained battle-hardened army, which it now sent to start supporting Kabila. The MPLA’s support for Kabila ensured he would stay in power and that the war would continue for three long, bloody, increasingly chaotic years.

Five layers of conflict

Prunier suggests the war had five layers (pages 201 to 203):

Layer 1: Core conflict: the RPF regime in Rwanda trying, with partner Uganda, to overthrow the puppet ruler, Kabila, who they’d installed.

Layer 2: Powerful players: Angola, Zimbabwe, with Namibia along for the ride, who had no interest in the Hutu-Tutsi conflict but wanted Kabila to remain in power (for Angola, to prevent UNITA taking refuge in Congo; for Zimbabwe, to continue mineral contracts made with Kabila; Namibia just went along with its big powerful neighbour, Angola).

Layer 3: Secondary actors: Libya, Chad, the Sudan, no interest in Congo but it was a zone to sort out relations between themselves and core players, mostly Uganda, which was more or less at war with Sudan.

Layer 4: bordering countries: Burundi which sent a small number of soldiers into the conflict; Central African Republic which tried to stay out.

Layer 5: South Africa: had no military or political interest and never sent troops to the war, but had a strong economic motive in infiltrating the economy of collapsing Zimbabwe and consolidating its hold on Congo’s huge mineral reserves so, on the whole, supported the rebels as being more desperate to turn the assets (mines etc) into cash i.e. let South Africa get bargains. This changed when Joseph Kabila came to power and, unlike his father, let it be known that he was open to business. South African banks and mining corporations suddenly packed his diary (p.262).

From all this you can see why Prunier calls it:

a war fought among foreigners on Congolese territory for reasons of their own. (p.274)

The shift to economic motivation

Why did so many of the countries neighbouring Congo get involved in the conflict? Prunier explains the motivation in the chapter titled ‘The Congo basin, its interlopers and its onlookers’ (pages 73 to 112). This has the added benefit of giving fascinating brief profiles of the countries involved, from Congo itself, through Angola, Zimbabwe, Namibia, Congo-Brazzaville and so on.

Then there are the two increasingly mind-boggling chapters describing the chaotic conflict itself, ‘A continental war’ (181 to 226) and ‘Sinking into the quagmire’ (227 to 255).

He makes a vital point: the war might have started out from geopolitical considerations but as it went on it became increasingly economic i.e. about seizing Congo’s mineral resources:

What mattered more and more as the war went on were the economic interests. (p.234)

And this had a big military-strategic consequence. The first war had been fought to overthrow Mobutu and gain control of the country, so the key battlezone, the target, had been the capital, Kinshasa. But in the Great War the motivation increasingly became to seize Congo’s assets and so the target areas were provinces like Kasai and Katanga, in which the warring parties disintegrated into ever-smaller entities, sometimes fighting over just one mine. These had nominal ties with other groups in other areas, or with various outside parties, then again often went independent. Hence the unravelling complexity of the conflict which eventually nobody understood or could contain.

A useful recap

In the chapter describing the beginning of the end, ‘Not with a bang but with a whimper’, he gives a useful recap of why they got involved in 1998 and what had changed by 2001 to make many want to withdraw. In other words, why did the war ramify out so disastrously in 1998, and what allowed it to be dragged to an end in 2001/2? Here’s a list of key intervening countries, giving their initial motivation and what changed:

Kabila supporters

Angola supported Kabila to ensure Congo wouldn’t give safe havens for UNITA. In 1998 Savimbi was still a threat. But by 2001 he was a spent force, militarily and financially, struggling to survive. The MPLA had achieved its aims.

Zimbabwe had allied with Kabila in order to protect the investments and commercial deals it had made with him on his rise to power, and also to block South Africa’s slow rise to economic dominance of the whole of southern Africa. By 2001 Zimbabwe’s economic plight had significantly worsened while South Africa’s commercial ascent continued unhindered, and Mugabe was coming under increasing internal pressure. While peasants starved Mugabe was blowing tens of millions of dollars on an unpopular war. Time to pull out.

Namibia had supported Kabila at the bidding of South Africa and Zimbabwe, but the latter was pulling out and the former never committed men or resources.

Anti-Kabila

Burundi a minor player, had always been most concerned with securing its Congo border and never taken part in the wider invasions.

Uganda was under strong donor pressure to reduce its military budget if it wanted to continue receiving Western aid. Senior members of the army and the regime had done very well out of the war, not least from illegal smuggling of diamonds, gold etc. But Uganda never had the urgent internal political pressure to sort out the Hutu / génocidaire issue that Rwanda did.

In addition, one aspect of the general chaos was the slow falling-out of Uganda and Rwanda. Museveni came to really dislike Kagami’s ‘arrogance’ (p.241). Their forces ended up coming to blows, specifically in several different episodes of street fighting in Congo’s main north-eastern city, Kisangani (p.242). This queered the relationship between Uganda and Rwanda.

Rwanda By 2001 the international situation had changed. The Clinton administration, crippled with guilt, had passively supported Rwanda and been accused of fine rhetoric about a New Africa but no practical follow-through (p.338). However, George W. Bush’s new US administration commenced on 1 January 2001 and took a much tougher line on Rwanda, condemning its ‘grave human rights violations’ (p.266).

By the start of 2002 all the main parties had reached the same conclusion: withdrawal was a certainty, it was just a matter of agreeing schedules (p.267).

Laurent Kabila’s assassination

Arguably, the single most important event – certainly the easiest to grasp because one very specific event – was the assassination of the man at the centre of the conflict, Laurent Kabila, on 16 January 2001. He was shot at point blank range in his office by one of his bodyguards.

Now, since he was the man at the centre of a huge and ruinous war, conspiracy theories have abounded. It’s a kind of African version of Who Killed JFK? The (fairly) straightforward answer is that, while running his guerrilla group out east Kabila recruited lots of boys, young boys, thousands of them, called kodogo (‘little ones’). Kabila trained them to become fighters, and they in turn looked up to him as their Father or Mzee, Swahili for ‘elder’. But once in power he betrayed them. In lots of ways, which Prunier details. He let some be massacred, some ended up on opposing sides and fighting each other. The bodyguard was one of these former boy soldiers.

Then again, Prunier thoroughly describes all the other conspiracy theories, which wander off into huge conspiracies, involving enemy countries, the CIA, the Rwandans, or the dark and shadowy forces which lots of people like to think are behind any disaster or assassination. The likeliest is that Kabila had done a deal with the MPLA’s enemy, UNITA, to smuggle diamonds through northern Angola.

135 people were arrested, tried and convicted, some given the death penalty although no-one, in the end, was executed (pages 249 to 255).

(cf van Reybrouck’s account, ‘Congo: The Epic History of a People’, pages 465 to 466.)

The key point is that, after a few days of confusion, the senior figures in the administration decided a compromise candidate who everyone could agree on temporarily was Kabila’s son, Joseph, a shy taciturn man who had, however, been moved by his father through the ranks until he was number two in the Congo army, and had helped with various diplomatic and administrative tasks.

In the event Joseph Kabila was to prove a very shrewd operator, the complete opposite of his chaotic unpredictable father. He outwitted all his superiors and peers, serving as president of Congo from January 2001 to January 2019.

From the point of view of the Great War, he was open to savvy negotiations and deals, and it was this new spirit of compromise and negotiation, combined with the war weariness of the key allies, namely Angola, which allowed the war to stumble to an end, sort of. Well, certainly for a peace treaty to be signed in 2002.

Peace, or conflict control

Prunier gives a fascinating summary of the year-long negotiations which eventually, reluctantly, ended with the signing of an inclusive peace treaty on 17 December 2002. Prunier humorously quotes a commentator who wrote that the deal offered the Congolese people the show of a government which was really made up of:

‘a coalition of people who looted their own country, predatory rebels and corrupt civil servants.’ (quoted page 277)

By the time of the treaty maybe 3.5 million people had died, 90% from the collateral effects of war. Agriculture had collapsed. 64% of the population was underfed. Maybe 33% were malnourished (p.278).

Massacre

Three days after Kabila’s murder Ngiti and Lenu warriors attacked Bunia, killing about one hundred Hema. The next day the Hema militia took revenge on Lendu civilians, killing about 25. (p.281)

Hardest to keep track of is the number of Africans killed by Africans. Every one of the 364 pages records Africans murdering other Africans, generally armed men killing defenceless civilians. A continent-wide abattoir. Thus in Prunier’s fascinating background to Angola‘s involvement in the war (pages 88 to 99), he describes the failed democratic elections of 1992 which led to panic on the streets of Luanda where MPLA soldiers killed about 1,500 UNITA soldiers and cadres (p.96). When UNITA took the strategic oil town of Soyo, the fall of the city was blamed on the Bakongo tribe and so about 1,000 unarmed Bakongo civilians were massacred in the streets of Luanda, Bloody Friday (p.97).

There’s killing on every page. The suffering of the population of Congo is beyond words. For the most part Prunier lets the facts of massacre after massacre convey the enormity of the horror to the reader.

In the period October 1992 and December 1993 the UN estimated civilian deaths at 450,000 to 500,000. In mid-1993, the UN counted about 1,000 war-related deaths per day. (Tufts University mass atrocities website)

Towards the end of the book he cites research by the US International Rescue Committee which suggested that between August 1998 and April 2000 there were some 1.7 million excess deaths in Congo (p.242). Of these only around 200,000 were directly due to fighting, the rest being due to:

  • frequent forced population displacement
  • overexposure to the elements
  • near collapse of the health system
  • disease
  • impossibility to carrying out agriculture, obviously leading to starvation
  • plain despair

(p.242, cf p.338).

Your life in their hands. 2015 photo of Democratic Forces for the Liberation of Rwanda (FDLR) fighters. The FDLR is the latest iteration of Rwandan Hutu army and Iterahamwe militia génocidaires who fled Rwanda in 1994, plus other Hutus who’ve signed up since. Gang rape and mass murder a speciality.

The colonial borders

Prunier calls his final chapter ‘Groping for meaning’. You can draw all kinds of conclusions. The one that impressed itself on me was the old chestnut about Africa’s colonial borders. More than any other book about Africa this one shows how the borders the colonial powers drew had little or nothing to do with tribes on the ground and how most Africans’ sense of identity, especially in rural areas i.e. most of the continent, remained based on tribe, clan, religion and family, complex multi-levelled identities, with ‘nationality’ an evanescent Western invention (p.360).

This really reinforces Prunier’s criticism that western models don’t work on ‘nations’ which are nothing like the western concept of a ‘nation’. If the traditional definition of a ‘state’ is an entity which has a monopoly of legitimate violence over a defined territory, then Congo isn’t a state at all, as there were and still are areas where numerous other groups carry out systematic violence (p.305). As you read this:

‘There are more than 120 different armed groups active in the eastern Democratic Republic of Congo’ (Kivu conflict Wikipedia article)

Just because an African leader wears a suit and tie and has a ‘cabinet’ made of ‘ministers’, Western leaders and bankers shake his hand and think he’s like them, has the same mindset, comes from the same background, is managing the same kinds of problems. But they’re really not. African leaders are trying to run ‘states’ which often barely exist or only exist in patches, across territories which aren’t states in the way we in the West are used to them, lacking infrastructure, modern economies, integrated populations, a high level of education and so on.

Hence the repeated point Prunier makes about the ‘reality gap’ between the fine words of the international community – the lovingly worked-out details of various peace accords, with their withdrawal of forces and integration of troops and civil society and so on – and the generally chaotic, anarchic, often incomprehensible situations on the ground (p.225).

One aspect of this is the point I made at length in my reviews of books about the West’s attempts to impose ‘democracy’ in Iraq and Afghanistan, which is that the attempts revealed the complete lack of understanding, in the West, of what democracy actually is, where it came from, and what sustains it, in the advanced, economically developed nations.

Democracy as a form of government presupposes a certain degree of social integration, the existence of a political class with some concept of the national interest, and a minimum of economic development (p.xxxii)

All of which are as absent in a country like Congo as they are in Iraq and Afghanistan, probably most of the Middle East and Africa. Lacking the social and economic prerequisites for full democracy, undeveloped countries tend to adopt democratic window dressing, which conceals simple power grabs by ethnic or religious or tribal groups. Thus Prunier commenting that, ahead of the first free elections in Congo in 2006, dozens of new political parties sprang up across the country, but that:

These were parties in name only, since they were mostly tribal or regional gatherings around the name of one or two well-known local politicians. (p.309)

With the recurring result that as and when governments are formed, they are more often than not little more than:

a coagulation of groups operating out of completely mercenary interests (p.315)

(Prunier explains the arbitrary nature of the borders right at the start, pages xxix to xxx, and then gives a concentrated summary along with the characteristics of weak states and strong tribal identities which will plague Africa for the foreseeable future, on pages 360 to 362.)

The Kivus

Throughout the narrative it becomes ever clearer that the hotspot, the trouble spot, the recurring source of conflict, is the two small territories known as the Kivus, North and South Kivu, both of which have complex ethnic, political and military conflicts. This troubled little area turned out to be the hardest to fully pacify after the 2002 peace agreement, then trouble flared up all over again in the mid-2000s which had to be fought to a standstill by UN and government forces.

At the time of writing the Kivu conflict constitutes the largest UN peacekeeping mission anywhere in the world, deploying some 21,000 soldiers.

Will the war happen again?

No. The conditions were unique, being:

  • the flight of the génocidaires and the refugees into eastern Congo provided a one-off motivation for the RPF government to invade, repatriate the refugees and wipe out the remaining génocidaires
  • – that whole crisis situation has disappeared
  • instead it turned into a mission to overturn the decrepit dictator Mobutu and then, in the sequel, to overthrow the unpopular puppet ruler Kabila – but Congo has had much more stable and effective leaders for 20 years
  • guilt over their role in the Rwanda genocide meant the West and the UN turned a blind eye to the RPF’s abuses and massacres – that wouldn’t happen again, indeed already with the arrival of the George W. Bush administration in 2001 the RPF had to start moderating its behaviour
  • but the key thing that turned it into a continental war was the decision by Angola to intervene and support Laurent Kabila in order to prevent their enemy, Jonas Savimbi’s UNITA, from using southern Congo as a base: but Savimbi died 20 years ago and the civil war ended with him, all parties are concerned with maintaining their grip on power and corrupt money, and any kind of war would only jeopardise that

So Congo will, like most African nations, continue to be a weak state for the foreseeable future; and violence may flare up in some its territory, especially the ever-troublesome Kivus. But a war on the same scale is extremely unlikely to be repeated. it was the result of one-off geopolitical forces which won’t recur.

Further issues

France’s shame

France sees all foreign affairs as a conspiracy of the Anglophone countries (mostly America and Britain) to undermine French glory and the superiority of French culture. Therefore, the French government stood by the genocidal Hutu regime in Rwanda even as the genocide was underway because they spoke French and the incoming Tutu forces, the Rwandan Patriotic Front, having been raised in former British colony Uganda, spoke English. Simple as that. The French supported the third great genocide of the twentieth century because its perpetrators spoke French (pages 341 to 343).

Viewing the war through European paradigms i.e. the Holocaust

The West could understand the genocide because they viewed it through the prism of European history and the Holocaust. This led to the tendency to blindly support the RPF, to regard the Tutsi regime as black Israelis, as a people who had suffered an appalling crime and so could be forgiven any behaviour in retaliation. The West tended not to understand the Congo conflict in its own right, for what it was, an imperialist attack by one African country (Rwanda) on another (Congo) which drew in a range of neighbouring countries who used the Congo as a battleground to fight their own conflicts (predominantly Angola).

Genocide narrative easy; Congo war narrative hard, complicated, sometimes impenetrable. Hence a) prolonged support for Rwanda and Kagame, whatever they did, b) long, long delay getting to grips with the political issues underlying the war.

Good guys

As remarked in my reviews about Iraq and Afghanistan, American foreign policy is plagued by a Hollywood simple-mindedness or regarding all foreign situations in terms of the good guys and the bad guys, consistently failing to understand complexities and shades of grey (p.340). Prunier sees this tendency to simplify situations and players into good guys/bad guys as distinctively American (p.357).


Credit

Africa’s World War: Congo, the Rwandan Genocide and the Making of a Continental Catastrophe by Gérard Prunier was published by Oxford University Press in 2009. All references are to the 2010 OUP paperback edition.

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