Fuck America, or why the British cultural elite’s subservience to all things American is a form of cultural and political betrayal

Polemic – a strong verbal or written attack on someone or something

WHY are progressive publications like the Guardian and Independent and New Statesman, all the BBC TV and radio channels, and most other radio and TV stations, and so many British-based culture websites, so in thrall to, so subservient to, so obsessed by the culture and politics of the United States of America – this shameful, ailing, failing, racist, global capitalist, violent, imperialist monster nation?

WHY are we subjected every year to the obsessive coverage of American movies and movie stars and the Golden Globes and the Oscars? WHY are so many progressive liberals slaves to American films and TV? American movies are consumer capitalism in its purest, most exploitative form.

WHY does British TV create endless programmes which send chefs, comedians and pop stars off on road trips to the same old destinations across America, or yet another tired documentary about the art scene or music or street life of New York or California?

WHY the endless American voices on radio and TV, on the news and in the papers?

WHY is it impossible to have any programmes or discussions about the internet or social media or artificial intelligence or the economy or globalisation which are not dominated by American experts and American gurus? Are there no experts on these subjects in Britain?

SURELY the efforts of the progressive Left should be on REJECTING American influence – rejecting its violence and gun culture and political extremism and military imperialism and drug wars and grotesque prison population – rejecting American influence at every level and trying to sustain and extend traditional European values of social democracy?


Fuck America (a poem to be shouted through a megaphone on the model of Howl by Allen Ginsberg)

Fuck America with its screwed-up race relations, its black men shot on a weekly basis by its racist police.

Fuck America, proud possessor of the largest prison population in the world (2.2 million), disproportionately blacks and Hispanics.

Fuck America with its ridiculous war on drugs. President Nixon declared that war in 1971, has it succeeded in wiping out cocaine and heroin use?

Fuck America, world leader in opioid addiction.

Fuck America and its urban decay, entire cities like Detroit, Birmingham and Flint abandoned in smouldering ruins, urban wastelands, blighted generations.

Fuck America with its out-of-control gun culture, its high school massacres and the daily death toll among its feral street gangs.

Fuck America with its shameful healthcare system which condemns tens of millions of citizens to misery, unnecessary pain and early death.

Fuck America with its endless imperialist wars. The war in Afghanistan began in 2003 and is still ongoing. It is estimated to have cost $2 trillion and failed in all its objectives. Kabul welcomes back its Taliban rulers!

Fuck America with its hypertrophic consumer capitalism, its creation of entirely false needs and wants, its marketing of junk food, junk music and junk movies to screw money out of a glamour-dazzled population of moronic drones.

Fuck America and the ever-deeper penetration of our private lives and identities and activities by its creepy social media, phone and internet giants. Fuck Amazon, Facebook, Twitter and Google and their grotesque evasion of tax in their host countries.

Fuck American universities with their promotion of woke culture, their extreme and angry versions of feminism, black and gay rights, which originate in the uniquely exaggerated hypermasculinity of their absurd Hollywood macho stereotypes and the horrors of American slavery – an extreme and polarising culture war which has generated a litany of abusive terms – ‘pale, male and stale’, ‘toxic masculinity’, ‘white male rage’, ‘the male gaze’, ‘mansplaining’, ‘whitesplaining’ – which have not brought about a peaceful happy society but serve solely to fuel the toxic animosities between the embittered minorities of an increasingly fragmented society.

Fuck America with its rotten political culture, the paralysing political polarisation which regularly brings the entire government to the brink of collapse, with its Tea Party and its Moral Majority and its President Trump. Nations get the leaders they deserve and so America has awarded itself a bullshit artist, a dumb-ass, know-nothing, braggart, pussy-grabbing bully-boy. Well, they deserve him but he’s nothing to do with me. I didn’t vote for him. He doesn’t rule me. Like all other Americans, he can fuck off.

Donald Trump is a fitting leader, emblem and symbols of a bloated, decadent, failing state.

So WHY ON EARTH are so many ‘progressive’ media outlets, artists, writers and gallery curators so in thrall to this monstrous, corrupt, violent and immoral rotting empire?


References

The American War on Terror

Joseph Stiglitz, former chief economist of the World Bank and winner of the Nobel Prize in Economics, and Linda Bilmes of Harvard University, have stated the total costs of the Iraq War on the US economy will be three trillion dollars and possibly more, in their book The Three Trillion Dollar War published in March 2008. This estimate does not include the cost to the rest of the world, or to Iraq. (Financial cost of the Iraq War)

Between 480,000 and 507,000 people have been killed in the United States’ post-9/11 wars in Iraq, Afghanistan, and Pakistan. (Human Cost of the Post-9/11 Wars)

The cost of nearly 18 years of war in Afghanistan will amount to more than $2 trillion. Was the money well spent? There is little to show for it. The Taliban control much of the country. Afghanistan remains one of the world’s largest sources of refugees and migrants. More than 2,400 American soldiers and more than 38,000 Afghan civilians have died. (What Did the U.S. Get for $2 trillion in Afghanistan?)

American Torture

‘After the U.S. dismissed United Nations concerns about torture in 2006, one UK judge observed, “America’s idea of what is torture … does not appear to coincide with that of most civilized nations.”‘ (Torture and the United States)

American Drone Attacks

The Intercept magazine reported, ‘Between January 2012 and February 2013, U.S. special operations airstrikes [in northeastern Afghanistan] killed more than 200 people. Of those, only 35 were the intended targets. During one five-month period of the operation, according to the documents, nearly 90 percent of the people killed in airstrikes were not the intended targets.’

During President Obama’s presidency, the use of drone strikes dramatically increased compared to their use under the Bush administration. This was the unforeseen result of Obama’s election pledges not to risk US servicemen’s lives, to reduce the costs of America’s terror wars, and to be more effective.

Black men shot by police in America

The American Prison Population

The United States represents about 4.4 percent of the world’s population but houses around 22 percent of the world’s prisoners, some 2.2 million prisoners, 60% of them black or Hispanic, giving it the highest incarceration rate, per head, of any country in the world. The Land of the Free is more accurately described as the Land of the Locked-Up. (Comparison of United States incarceration rate with other countries)

American Drug addiction

‘The number of people suffering from addiction in America is astounding.’ (Statistics on Drug Addiction)

The American Opioid epidemic

Every day, more than 130 people in the United States die after overdosing on opioids. (Opioid Overdose Crisis)

American Urban decay

Motor City Industrial Park

An abandoned car company plant known as Motor City Industrial Park, Detroit (2008)

Extreme poverty in America

An estimated 41 million Americans live in poverty. (A journey through a land of extreme poverty: welcome to America)

American Gun culture

‘The gun culture of the United States can be considered unique among developed countries in terms of the large number of firearms owned by civilians, generally permissive regulations, and high levels of gun violence.’ (Gun culture in the United States)

American Mass shootings

Mass shootings in the United States in 2019

Comparing deaths from terrorist attack with deaths from Americans shooting each other (and themselves)

‘For every one American killed by an act of terror in the United States or abroad in 2014, more than 1,049 died because of guns. Using numbers from the Centers for Disease Control and Prevention, we found that from 2001 to 2014, 440,095 people died by firearms on US soil… This data covered all manners of death, including homicide, accident and suicide. According to the US State Department, the number of US citizens killed overseas as a result of incidents of terrorism from 2001 to 2014 was 369. In addition, we compiled all terrorism incidents inside the United States and found that between 2001 and 2014, there were 3,043 people killed in domestic acts of terrorism. This brings the total to 3,412.’

So: from 2001 to 2014 3,412 deaths from terrorism (almost all in 9/11); over the same period, 440,095 gun-related deaths. (CNN: American deaths in terrorism vs. gun violence in one graph) Does America declare a three trillion dollar war on guns? Nope.

American Healthcare

‘About 44 million people in this country have no health insurance, and another 38 million have inadequate health insurance. This means that nearly one-third of Americans face each day without the security of knowing that, if and when they need it, medical care is available to them and their families.’ (Healthcare crisis)

‘Americans spend twice per capita what France spends on health care, but their life expectancy is four years shorter, their rates of maternal and infant death are almost twice as high, and, unlike the French, Americans leave 30 million people uninsured. The amount Americans spend unnecessarily on health care weighs more heavily on their economy, Case and Deaton write, than the Versailles Treaty reparations did on Germany’s in the 1920s.’ (Left Behind by Helen Epstein)

American Junk Food

‘Obesity rates in the United States are the highest in the world.’ (Obesity in the United States)


So

So WHY are British curators so slavishly in thrall to American painters, sculptures, artists, photographers, novelists, playwrights and – above all – film-makers?

Because they’re so much richer, more glamorous, more fun and more successful than the handful of British artists depicting the gloomy, shabby British scene?

In my experience, British film and documentary makers, writers and commentators, artists and curators, are all far more familiar with the geography, look and feel and issues and restaurants of New York and Los Angeles than they are with Nottingham or Luton.

Here’s an anecdote:

In the week commencing Monday 20 February 2017 I was listening to radio 4’s World At One News which was doing yet another item about Brexit. The presenter, Martha Kearney, introduced a piece from Middlesbrough, where a reporter had gone to interview people because it had one of the highest Leave voters in the country. Anyway, Kearney introduced Middlesbrough as being in the North-West of England. Then we listened to the piece. But when we came back to Kearney 3 minutes later, she made a hurried apology. She explained that she should, of course, have said that Middlesbrough is in the North-East of England

Think about it for a moment. The researcher who researched the piece and wrote the link to it must have thought Middlesbrough is in the North-West of England. Any sub-editor who reviewed and checked the piece must have thought Middlesbrough is in the North-West. The editor of the whole programme presumably had sight of the piece and its link before approving it and so also thought that Middlesbrough is in the North-West of England. And then Kearney read the link out live on air and didn’t notice anything wrong, until – during the broadcast of the actual item – someone somewhere finally realised they’d made a mistake. Martha Kearney also thought Middlesbrough is in the North-West of England.

So nobody working on one of Radio 4’s flagship news programmes knows where in England Middlesbrough is.

How do people in Middlesbrough feel about this? Do you think it confirms everything they already believe about Londoners and the people in charge of everything?

But there’s a sweet coda to this story. The following week, on 26 February 2017 the 89th Academy Awards ceremony was held in Los Angeles. There was an embarrassing cock-up over the announcement of the Best Picture Award, with host Warren Beatty initially reading out the wrong result (saying La La Land had won, when it was in fact Moonlight).

The point is that the following Monday, 27 February, Radio 4’s World At One had an item on the story and who did they get to talk about it? Martha Kearney! And why? Because Martha just happened to have been attending the Oscars ceremony and was sitting in the audience when the cock-up happened. Why? Because Martha’s husband works in films (inevitably) and was an executive producer of the Academy Awards nominated short documentary Watani: My Homeland (about Syrian refugees, naturally).

And Martha’s background?

Martha Kearney was brought up in an academic environment; her father, the historian Hugh Kearney, taught first at Sussex and later at Edinburgh universities. She was educated at St Joseph’s Catholic School, Burgess Hill, before attending the independent Brighton and Hove High School and completing her secondary education at George Watson’s Ladies College in Edinburgh (a private school with annual fees of £13,170.) From 1976 to 1980 she read classics at St Anne’s College, Oxford.

So: private school-educated BBC presenter Martha Kearney knows more about the Oscars and Los Angeles and the plight of Syrian refugees than she does about the geography of her own country.

For me this little nexus of events neatly crystalises the idea of a metropolitan, cultural and media élite. It combines an upper-middle-class, university-and-private school milieu – exactly the milieu John Gray and other analysts highlight as providing the core vote for the modern urban bourgeois Labour Party – with an everso earnest concern for fashionable ‘issues’ (Syrian refugees), a slavish adulation of American culture and awards and glamour and dazzle, and a chronic ignorance about the lives and experiences of people in the poorer provincial parts of her own country.

To summarise: in my opinion the British cultural élite’s slavish adulation of American life and values is intimately entwined with its ignorance of, and contempt for, the lives and opinions of the mass of their own countrymen and woman, and is a form of political and cultural betrayal.


Importing woke culture which is not appropriate to Britain

Obviously Britain has its own racism and sexism and homophobia which need to be addressed, but I want to make three points:

1. Britain is not America The two countries have very, very different histories. The history of American slavery, intrinsic to the development of the whole country and not abolished until 1865 and at the cost of one of the bloodiest wars of all time, is not the same as the history of black people in this country, who only began to arrive in significant numbers after the Second World War. The histories of masculinity and femininity in America were influenced after the war by the gross stereotypes promoted by Hollywood and American advertising and TV (John Wayne, Henry Fonda, Marilyn Monroe). These are not the same as the images of masculinity and femininity you find in British movies or popular of the same period (Dirk Bogarde, John Mills, Sylvia Sim).

These are just a handful of ways in which eliding the histories of these two very different countries leads to completely misleading results.

I’m not saying sexism, racism and homophobia don’t exist in Britain, Good God no. I’m trying to emphasise that addressing issues like sexism and racism and homophobia in Britain requires a detailed and accurate study of the specifically British circumstances under which they developed.

Trying to solve British problems with American solutions won’t work. Describing the British situation with American terminology won’t work. Which brings me to my second point:

2. American rhetoric inflames The wholesale importing of the extreme, angry and divisive woke rhetoric which has been invented and perfected on American university campuses inflames the situation in Britain without addressing the specifically British nature and the specifically British history of the problems.

3. Eliding American problems with British problems, and using American terminology and American political tropes to describe British history, British situations and British social problems leads inevitably to simplifying and stereotyping these problems.

For British feminists to say all British men in positions of power are like Harvey Weinstein is like me saying all women drivers are rubbish. It’s just a stupid stereotype. It doesn’t name names, or gather evidence, or begin court proceedings, or gain convictions, or lobby politicians, or draft legislation, or pass Acts of Parliament to address the issue. It’s just generalised abuse, and one more contribution to the sewer of toxic abuse which all public and political discourse is turning into, thanks to American social media.

Importing American social problems and American political rhetoric and American toxic abuse into the specifically British arena is not helping – it is only exacerbating the fragmentation of British society into an ever-growing number of permanently angry and aggrieved constituencies, a situation which is already at a toxic level in America, and getting steadily worse here.

What have all the efforts of a million woke American academics and writers and actors and film-makers and artists and photographers and feminists and black activists and LGBT+ campaigners led up to? A peaceful, liberated and enlightened land? No. To President Donald Trump.

WHY on earth would anyone think this is a culture to be touched with a long barge pole while wearing a hazchem suit, let alone imported wholesale and gleefully celebrated?

In my opinion it’s like importing the plague and saying, ‘Well they have it in America: we ought to have it here.’

Advertising posters on the tube today 27/2/2020

  • TINA: The Tina Turner musical
  • THE LION KING musical
  • 9 TO 5 the musical
  • THE BOOK OF MORMON musical
  • THRILLER the musical
  • WICKED the musical
  • PRETTY WOMAN the musical
  • TATE membership, promoted by an Andy Warhol silkscreen of Marilyn

Which is why, in this context and amid this company, when the curators of the Masculinities exhibition at the Barbican choose to promote it with a photo of a black man they may think they’re being radical and diverse: but all I notice is that their poster is featuring one more American man photographed by an American photographer to promote an exhibition stuffed with American cultural products, which takes its place alongside all the other American cultural imports which saturate our culture.

Think I’m exaggerating?

Recent British exhibitions celebrating American artists and photographers


Related blog posts

The Seventies Unplugged by Gerard DeGroot (2010)

This is a popular history of an unpopular decade. It doesn’t attempt to be a comprehensive overview but instead looks at the years from 1970 to 1979 through 50 representative stories, told in short sections – hence the sub-title ‘A kaleidoscopic look at a violent decade‘.

It’s a light, easy read, like a sequence of interesting magazine articles. DeGroot has an appealingly open, lucid style. He tells his stories quickly and effectively and doesn’t hold back on frequently pungent comments.

The three opening stories each in their way epitomise the end of the utopian dreams of pop culture of the 1960s:

  • the Charlie Manson killings (overnight hippies became scary)
  • the death of Jimi Hendrix (after four short years of amazing success and innovation, Hendrix admitted to feeling played out, with nowhere new to take his music)
  • the marriage of Mick Jagger to Bianca Pérez-Mora Macias (the street-fighting man turns into a leading member of the jet set, hobnobbing with Princess Margaret in Antibes etc)

These eye-catching and rather tired items are obviously aimed at a baby boomer, pop and rock audience and I wondered whether it would all be at this level…

70s terrorism

But it gets more meaty as soon as DeGroot begins an analysis of what he considers the 1970s’ distinguishing feature: political violence. In almost every industrialised country small groups of Marxists, visionaries or misfits coalesced around the idea that the ‘system’ was in crisis, and all it needed was a nudge, just one or two violent events, to push it over into complete collapse and to provoke the Glorious Revolution. They included:

  • The Angry Brigade (UK) – bombed the fashionable boutique BIBA on May Day 1971 and went on to carry out 25 bombings between 1970 and 1972.
  • The Weather Underground (US) 1969-77, carry out various violent attacks, while living on the run.
  • The Baader-Meinhof Gang / Red Army Faction carried out a series of violent bombings, shootings and assassinations across Germany, peaking in its May Offensive of 1972.
  • ETA – between 1973 and 1982 responsible for 371 deaths, 542 injuries, 50 kidnappings and hundreds of other explosions in their quest for independence for Spain’s Basque country.
  • The dire events of Bloody Sunday when British paratroopers shot dead 13 unarmed protesters, a decisive recruiting sergeant for the IRA, which embarked on a 20-year campaign of bombings and shootings, euphemistically referred to as The Troubles leavnig some 3,500 dead and nearly 50,000 injured.
  • Palestinian terrorists (the Black September Organisation) kidnapped then murdered 11 Israeli athletes at the Munich Olympics in September 1972.
  • The May 1978 murder of former Italian Prime Minister, Aldo Moro, by the Red Brigades. During the 1970s Italy suffered over 8,000 terrorist incidents, kidnappings, bombings and shootings.

These Marxist groups:

  • concluded that, after the failure of the student movements and the May 1968 events in France, non-violent revolution was doomed to failure; therefore, only violence could overthrow the system
  • modelled themselves on Third World liberation movements, on Mao’s peasant philosophy or Che Guevara’s jungle notes – neither remotely relevant to advanced industrialised nations
  • were disgusted with the shallowness of Western consumerist society, they thought violent spectacles would ‘awaken’ a proletariat drugged with fashion and pop music, awaken them to the true reality of their servitude and exploitation and prompt the Revolution:
    • partly because it would make the people realise the system is not all-encompassing, does not have all the answers, is not monolithic, is in fact very vulnerable
    • partly because violent acts would goad the authorities to violent counter-measures which would radicalise the population, forcing them to choose – Reaction or Revolution
  • also thought that violent action would purify its protagonists, liberating them from their petit bourgeois hang-ups, transforming them into ‘new men and women’ ie lots of the terrorists were seeking escape from very personal problems

BUT, as DeGroot so cogently puts it – after detailed analyses of these movements – they all discovered the same bitter truth: that political violence only works in the context of a general social revolt (p.29). Terrorist violence can catalyse and focus a broad movement of unrest, but it cannot bring that movement into being. A few bombings are no replacement for the hard work of creating large-scale political movements.

The terrorists thought a few bombs and assassinations would provide the vital catalyst needed to ‘smash the system’, the dashing example of a few leather-jacketed desperadoes with machine guns would be all that the deluded proletariat required to wake them from their consumerist slumber, rise up and throw off their chains.

But the great mass of the people didn’t share the terrorists’ millenarian delusions and so these gangs ended up simply creating fear, killing and maiming people, in Ireland, Italy, Germany and Spain, for no gain at all.

  • The terrorists were not personally transformed; more often than not they felt guilt – it is quite moving to read the clips from the interviews and memoirs of surviving gang members which DeGroot liberally quotes – some obstinate millenarians to the end, but quite a few overcome with regret and remorse for their actions.
  • The proletariat did NOT suddenly wake from their slumber and realise the police state was its oppressor, quite the reverse: the people turned to the police state to protect them from what seemed (and often was) arbitrary and pointless acts of violence.
  • Worst of all, the gangs found themselves trapped on a treadmill of violence, for a terrorist organisation cannot go ‘soft’ or it loses its raison d’etre: ‘an organisation defined by terror needs to kill in order to keep mediocrity at bay.’ (p.155) Often they kept on killing long after realising it was pointless.

It’s 40 years later and none of the terrorist groups listed above achieved their goals. The opposite. They wanted to provoke a reaction from the Right and they did. Along with the broader political and cultural movements of the Left, they did provoke a profound counter-response from the Right, epitomised (in the Anglo-Saxon countries) by the elections of Ronald Reagan and Margaret Thatcher, leading to and/or reflecting a profound and permanent shift to the right in all the economically advanced countries.


State terror

All that said, terrorist violence was dwarfed by state violence during the period.

  • I had never read an account of the Bangladesh Liberation War of 1971: ie West Pakistan sending its army into East Pakistan/Bangladesh with the explicit purpose of slaughtering as many civilians as it could. It beggars belief that the head of the Pakistan Army said, If we kill three million the rest will do whatever we want. In the event, well over a million Bangladeshis were murdered. 10 million fled to India, before Mrs Gandhi was forced to intervene to put an end to the massacres, and out of this abattoir emerged the new nation of Bangladesh.
  • On 11 September 1973 in Chile General Pinochet overthrew the communist government of Salvador Allende, who was strafed by planes from his own air force inside the presidential palace, before committing suicide. Pinochet’s dictatorship (1973-90) was characterised by suspension of human rights with thousands being murdered, and hundreds of thousands imprisoned and tortured.
  • The Vietnam War dragged on and on, the Americans incapable of ‘winning’ but the North Vietnamese not strong enough to ‘win’. Anywhere between 1.5 and 3 million died, hundreds of thousands in America’s savage bombing campaigns. Nixon finally withdrew all US forces in 1974, leaving the South to collapse into chaos and corruption before being overrun and conquered by the communist North in 1975, leaving scars which haunt America to this day. And Vietnam.
  • Up to 500,000 people were murdered during the brutal eight-year rule of Ugandan dictator, Idi Amin (1971-79).
  • The brutal military dictatorship of the Colonels in Greece lasted from 1967 to 1974, supported by America while it suppressed democracy, human rights and a free press. The dictatorship only ended when it supported the military coup of Nikos Sampson on Cyprus, designed to unite the island with mainland Greece but which prompted the disastrous invasion of the north of the island by the Turkish Army, leading to the partition of Cyprus which continues to this day.
  • Between 1975 and 1979 the Khmer Rouge regime in Cambodia (which the Khmers renamed Kampuchea) murdered some 2 million of its own citizens, a quarter of the country’s population, in its demented drive to return the country to pre-industrial, pre-western peasant purity.
  • The June 16 Soweto uprising in 1976 saw tens of thousands of black South African schoolchildren protesting against Afrikaans, the language of their white oppressors, being made the compulsory language of education. The apartheid authorities responded by unleashing their dogs and shooting into the crowds, killing 176 and wounding around 1,000. When anti-apartheid campaigner Steve Biko was murdered in the custody of the SA police, a crime which galvanised opinion in South Africa and abroad, leading to the book and film about his life, and an intensification of sanctions against South Africa.

Social issues

Racism Vast subject. DeGroot concentrates on the UK and mentions Enoch Powell’s River of Blood speech in April 1968. I hadn’t realised Powell remained quite so popular for quite so long afterwards, well into the 1970s he polled as the most popular British politician, and DeGroot points out the regrettable rise of racism in the 1970s, from David Bowie and Eric Clapton to the founding of the National Front (est. 1967), which prompted the response of Rock Against Racism (est. 1976) and the Anti-Nazi League (est. 1977). A lot of marching, chanting and street fighting.

Drugs Year on year, heroin killed more young Americans than the war in Vietnam. Marijuana use had become widespread by the mid-1970s, with one estimate that 40% of teens smoked it at least once a month. DeGroot’s article describes the way all the government agencies overlooked the fact that cocaine was becoming the big issue: because it was predominantly a white middle-class drug, it was neglected until it was too late, until the later 1970s when they woke up to the fact that Colombian cartels had set up a massive production and supply infrastructure and were dealing in billions of dollars. ‘While Reagan strutted, Americans snorted’ (p.271)

Feminism Another vast subject, which DeGroot illuminates with snapshots, generating oblique insights from some of the peripheral stories in this huge social movement:

  • The high profile ‘Battle of the Sexes’ tennis match between the 55-year-old former world number one and male chauvinist, Bobby Riggs, and 29-year-old women’s number one Billie Jean King. King won and to this day meets women who were young at the time, and who tell her that her example made them determined not to be put off by men, but to go for their dreams.
  • I had never heard of Marabel Morgan and her hugely bestselling book, Total Woman, which takes a devoutly Christian basis for arguing that the path to married bliss is for a woman to completely submit herself to her husband’s wishes. DeGroot makes the far-reaching point that the weak spot in feminism is that a lot of women don’t want to be high-powered executives or politicians, but are reasonably happy becoming mothers and housewives. Moreover, feminists who routinely describe being a mother as some kind of slavery, seriously undervalue the importance, and creativity, and fulfilment to be gained from motherhood.

The silent majority

This leads nicely into his consideration of the rise of the ‘silent majority’ and then the Moral Majority. The phrase ‘the silent majority’ had been around since the 19th century (when it referred to the legions of the dead). It was Richard Nixon’s use of it in a speech in 1969 that prompted newspaper and magazine articles and its widespread popularisation. Nixon was trying to rally support from everyone fed up with student protests, campus unrest, long-haired layabouts, the spread of drugs, revolutionary violence and the rest of it.

The Moral Majority was founded as a movement as late as 1979, from various right-wing Christian fundamentalist organisations. If you’re young or left-wing it’s easy to assume your beliefs will triumph because they’re self-evidently right. I found this section of DeGroot’s book particularly interesting as a reminder (it is after all only a few short, but thought-provoking articles, not a book-length analysis) of the power and numerical supremacy of the people who didn’t want a violent revolution, didn’t want the overthrow of existing gender roles, didn’t want the destruction of business in the name of some dope-smoking utopia, who largely enjoyed and benefited from capitalism, from a stable society, an effective police force, the rule of law and notions of property which allowed them to save up to own their own home, a large fridge-freezer and two cars.


Science and technology

Space race I was galvanised when I read JG Ballard’s remark, decades ago, that the Space Age only lasted a few years, from the moon landing (Apollo 11, July 20 1969) to the final Apollo mission (Apollo 17, December 1972). As a teenager besotted with science fiction, I assumed space exploration would go on forever, the Moon, Mars, and then other solar systems! DeGroot’s account rams home the notion that it was all a delusion. He is critical of NASA’s insistence on manned space flights which cost hugely more than unmanned missions. The retirement of the Space Shuttle in 2011 was another nail in the coffin into which fantasies of interplanetary flight have been laid.

Environment Through the prisms of the dioxin disaster at Seveso and the major nuclear incident at Three Mile Island, DeGroot makes the point that environmentalism (along with feminism, anti-racism and gay rights) was one of the big causes of the 1970s, virtually non-existent at the start of the decade, enshrined in law across most industrialised countries by the end.


The economy and industry

This is the big, big gap in this book: it’s entertaining enough to read articles about Mohammed Ali or Billie Jean King or the early computer game, Pong – but it’s a major omission in a history of the 1970s not to have sections about the 1973 oil crisis, the resulting three-day week, the extraordinarily high level of strikes throughout the decade, leading up to what many people thought was the actual collapse of society in the Winter of Discontent (1978/79) and, beneath it all, the slow relentless shift in western nations from being heavily-industrialised, heavily-unionised economies to becoming post-industrial, service economies.

Big shame that DeGroot didn’t bring to these heavyweight topics the combination of deftly-chosen anecdote with pithy analysis which he applies to other, far less important, subjects.


The end of the world

I grew up in the 1970s, into awareness that the world could be destroyed at any moment, the world and all life forms on it, destroyed many times over if the old men with their fingers on the button made a mistake. DeGroot goes into detail about the effectiveness of the doctrine of Mutually Assured Destruction and the sequence of meetings and agreements between America and the USSR – the Strategic Arms Limitation Talks and Anti-Ballistic Missile Treaties – which were reported with breathless excitement throughout the decade.

What he doesn’t convey is the moral climate this created, or rather the immoral climate, of living in a world where you, all your loved ones, and everything you held dear could, potentially, at any moment, be turned to glowing dust.

The threat of complete global destruction provided the grim backdrop against which a steady stream of horrific news about dictators and tyrants, about massacres and holocausts, was garishly lit by the smaller-scale murders and bombings of the IRA or ETA, all creating a climate of violence and futility. Mix in the oil crises of 1973 and 1978, the widespread and endless strikes, the high unemployment and the fundamental economic crises which afflicted all Western countries throughout the 70s, and you have a decade of despair.


Music of anger

My biggest disagreement with DeGroot is about the significance of punk rock (1976-78). For a start, he mixes up the American and British versions, which reflect completely different societies, mentioning Blondie and the Clash in the same breath. The British version was genuinely nihilistic and despairing. Television or the Ramones always had the redemptive glamour of coming from New York; the English bands always knew they came from Bolton or Bromley, but turned their origins in dead-end, derelict post-industrial shitholes into something to be angry or depressed, but always honest about.

Like so many wise elders at the time, DeGroot loftily points out how musically inept most of the self-taught punk bands were – as if rock music should only be produced by classically-trained musicians. He completely fails to see that the music, the look and the attitude were the angry and entirely logical result of growing up into the violently hopeless society which our parents had created and which, ironically, he has done such a good job of portraying in his long, readable, and often desperately depressing book.

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