Moses and Monotheism by Sigmund Freud (1938)

Note: to avoid misunderstanding, I believe Freud is a figure of huge cultural and historical importance, and I sympathise with his project of trying to devise a completely secular psychology building on Darwinian premises. Many of his ideas about sexuality as a central motive force, about the role of the unconscious in every aspect of mental life, how repressing instinctual drives can lie behind certain types of mental illness, his development of the talking cure, these and numerous other concepts have become part of the culture and underlie the way many people live and think about themselves today. However, I strongly disapprove of Freud’s gender stereotyping of men and women, his systematic sexism, his assumption of Western superiority over ‘primitive’ peoples, and so on. Despite the revolutionary impact of his thought, Freud carried a lot of Victorian assumptions over into his theory. He left a huge and complicated legacy which needs to be examined and picked through with care. My aim in these reviews is not to endorse his opinions but to summarise his writings, adding my own thoughts and comments as they arise.

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‘Moses and Monotheism’ was Freud’s last published work, written when he was wracked by painful cancer of the jaw, and anxiety about the Nazis who had taken over his native Austria in March 1938. This relatively short pamphlet (just 50 pages in the Pelican Freud Library edition) is characterised by much hesitancy, repetition and apologies, most unlike Freud and unlike the ‘Outline of Psychoanalysis’ (1940)’ written at the same time, which is a masterpiece of confidence and brevity.

1. Moses an Egyptian (10 pages)

The Bible tells us Moses was born the son of poor Israelites in bondage in Egypt who abandoned him in a basket and let him drift down the river where he was found by a princess of the Egyptian royal family and adopted by Pharaoh. Freud says Moses was an Egyptian for two reasons:

1) his name takes the same form as the Egyptian suffix for child, ‘mosis’, frequently added to parental forms, thus Tuth-Mosis or Ra-Mosis (Rameses) mean child of Tut and Ra.

2) The second reason is longer. Otto Rank, Freud’s faithful amanuensis, in 1909 wrote ‘The Myth of The Birth of The Hero’ which shows a surprising similarity between ancient myths of heroes. Sargon, Cyrus, Oedipus, Paris, Romulus, Gilgamesh – according to Rank, a hero is someone who has the courage to stand up to his father. Almost always the hero is made the child of an aristocratic couple – then oracles or prohibitions lead the father to decide to abandon him – he is found and reared by a lowly family (or even animal, in Romulus’s case) – and returns in glory to take revenge on his father and become the leader of the people.

Rank/Freud psychoanalyse all these stories as fictional reworkings of every child’s prehistory. The child’s earliest years are dominated by an enormous overvaluation of his parents – they are the king and queen of fairy tale. Later, disappointed by their banality and weakness, the child figures himself the real son of an aristocratic family who have for some reason abandoned him to these two losers. This pattern of fantasy, repeated by all children, Freud names the Family Romance. Thus the two families of myth are one. (Freud doesn’t mention it but also this myth helps ratify the power of whichever strong leader arises to rule the tribe by linking him in a subterranean way with the established royal line.)

Fine. But the Moses myth actually stands out from this pattern because the process is reversed: his first family are lowly Israelites, his second family, from which he must rebel, royal. Freud says the other way of considering this myth is to realise that the first family (i.e. the long-lost aristocratic family which the angry child constructs for itself in the Family Romance) is always a figment. Why not apply this to the Moses myth? Thus, the lowly Israelite family is a figment added by later chroniclers, to explain the embarrassing fact that their national leader was in fact an Egyptian aristocrat.

2. If Moses Was An Egyptian… (40 pages)

According to Freud, Moses was a follower of the reforming Pharaoh Akhenaten. As a result of the military exploits of the great pharaoh Tuthmosis III, hero of the Eighteenth Dynasty, Egypt ruled a vast empire stretching from Sudan in the south as far as Syria and Mesopotamia in the East. Around 1375 BC, towards the end of the Eighteenth Dynasty, the young Pharaoh Amenophis IV came to power. The Empire was dominated by a complicated theology involving hundreds of local gods – some of the most important of which were Ra, the sun god, Osiris, god of the afterlife, and Amon, god of life. Maybe no religion in history has been so obsessed with the afterlife and ensuring the safe passage of its leaders to Elysium (witness the Pyramids).

Amanhotep IV came to power and set about replacing the polytheism of his people with belief in one god, Aten. He changed his name to incorporate the new deity – Akhenaten. This is commonly held to be the first monotheistic religion in the world. But, as Freud dryly remarks, barely did you have monotheism before you had persecution. Akhenaten supervised the destruction of existing gods’ statues and struck the names of earlier gods off stelae.

The new emperor, obsessed with his religious reforms, ignored the state of the Empire which began to suffer from enemy incursions. The affronted priests, the frustrated generals and the common people angry at the loss of their traditional gods rose up and overthrew Akhenaten, whose end is obscure. He died in 1358 BC. Briefly his son-in-law ruled, a boy called Tutankhaten who was forced to change his name to remove the offending Aten-suffix and replace it with the name of the traditional god, Amun: Tutankhamen. The old gods returned and there was a time of civil war. Around 1350 BC the Eighteenth Dynasty ended. This much is historical fact. (cf Philip Glass’s opera, Akhenaten).

What we know of Akenhaten and his new religion is found at the ruins of the new capital he tried to establish around the new worship; after his fall this was sacked and plundered. But enough remains to give an indication of what his religion was like. Akhenaten’s was the first attempt at monotheism recorded anywhere in the world. It preached one sole god, creator of the universe. It proscribed magic and ritual; no visual imagery has been found of Aten. Lastly there is no mention of the dead, of an afterlife, of the all-powerful death god Osiris who dominates orthodox Egyptian worship. Suspiciously like what came to be called Judaism, eh?

In the Bible Moses is described as being a great Egyptian general before he discovers the truth about his Jewish lineage; surely it is clear, says Freud, that he was a great Egyptian general fighting for the new Pharoah, and that the chaos caused by the overthrow gave him the opportunity to take away a whole people and subject them to Akhenaten’s monotheism, now overthrown in the land of its birth. A clue is given by circumcision, a common Egyptian practice which Moses imposed on his new people.

But Moses’ beliefs never really caught on except among the narrow circle of his Egyptian soldiery. After years of tyrannical rule the Jews rose up and killed their leader, Moses (cf Freud’s fantasies about early human societies in ‘Totem and Taboo’, the Oedipus myth and the passion of Christ).

According to the historians Freud refers to, soon afterwards another part of the Jewish people, meeting at Kadesh near the Midianite kingdom, adopted belief in Yahweh, a volcano god from the Saudi peninsula.

(Freud observes the interesting correlation between Yahweh and Jove, ‘the thunderer’. A cult of the volcano god may have derived from the cataclysm which swept away ‘Atlantis’ i.e. the Minoan civilisation about 1300BC i.e. a generation or two after Akhenaten. Freud speculates that the cataclysm may also have swept away the prevailing matriarchies in favour of a powerful masculine thunder god.)

Some Jews, then, adopted the new religion of Yahweh; the others clung to the memory of their Egyptian exile and the great leader. At a further stage the two parts of the tribe became reunited. After negotiations it was decided to coalesce the two histories: the national liberator became a servant of Yahweh. This coalition explains discrepancies in the story, one Moses being violent and impatient (as you’d expect a great general to be) the other, the founder of the Yahweh cult, gentle and mild. Soon afterwards the Jews were ready to invade Canaan and set up a nation state.

The historical record is thus: The events of the Exodus c 1300 BC. Of the first four books of the Pentateuch the oldest part was written by J (since he refers to God as Yahweh or Jehovah) around 1000 BC; sometime later bits were added by E (so-called because he refers to God as Elohim). After the collapse of the Northern Kingdom in 722 BC a Jewish priest combined J and E and added some of his own material. In the seventh century the fifth book, Deuteronomy, is added. In the period after the destruction of the Temple, 586 BC, the revision known as the Priestly Code was made. The Jewish character and religion was finalised by the reforms of Ezra and Nehemiah in the fifth century before Christ.

It is during this process that the teachings of Judaism are formulated, that Moses and his monotheism are given an honourable prequel in the lives of the Patriarchs, all of whom are given initial contacts with Yahweh and the special covenant devised. That retrospective fabrication parallels the prospective history as the Prophets call the people of Israel back to the pure monotheism of Moses and that tradition becomes more central.

(Freud then rehearses his earlier theory: the human family, i.e. early communities, underwent a similar history to individual families: early trauma, repression, latency, puberty and return of the repressed. Thus some early trauma occurred in prehistory and its resultant neurosis is religion – ‘Totem and Taboo’, the exiled brothers band together to overthrow the father of the horde, kill him, eat him. This is the origin of law and morality; law because they realise they can’t all have what the father possessed; morality because they create a ban on incest. The tribe sets up a totem animal as a representative of the father’s authority and a guarantor of the new morality. In the course of time the animal totem is humanised into a god, maybe with animal parts or accompanied by an animal. This involves into polytheism where the gods jostle under civil constraint (as the sons do). And eventually to the return of the repressed Father as a single god of unlimited dominion.)

The uniquely monotheistic tradition of the Jews accounts for their uniquely concentrated guilt. Their idea of being the Chosen of God gave them a unique sense of coherence and high calling. And the high spirituality and concern with morality associated with Jews is connected with their Advance In Intellectuallity:

  • their prohibition of all graven images (so you can only think about God)
  • the embodiment of religion in texts which have to be guarded and interpreted by sophisticated schools of rabbis
  • their diaspora after the destruction of the second temple in 70 AD which made preservation of the texts and their right interpretation essential

Finally, the repressed guilt returns in the figure of Paul of Tarsus, a Roman Jew who sets out a theology around the figure of an obscure Nazarene preacher. The Good News is that the (repressed) historic guilt is atoned for, says Paul, and we have entered a new era of Love. The Son has atoned for the primal guilt all of us sons feel, having inherited the guilt of the primal crime. Christianity was able to reintroduce many elements of the old Atum religion, and incorporated elements from its time – a mother goddess, lesser gods (the angels), a dark spirit (Satan) much magic and spells, an afterlife with a heaven and hell. It represents a step back intellectually from Judaism but – in analytical terms, in terms of dealing with guilt and the unconscious – it is a step forward.

Antisemitism

Is due to specific historic reasons: 1) the Jews’ outsiderness and 2) their surprising success at intellectual activities for their numbers. Also 3) a deep resentment among their ‘host’ populations, of their supposed arrogance, of their thinking they are the ‘Chosen’ people. And also due, Freud thinks, to 4) their not having consciously acknowledged responsibility for killing the Father. The Christians can say we killed our Father-returned-as-the-Son, we acknowledge it, we live in a new era, redeemed by Christ’s sacrifice on behalf of all of us; but the Jews won’t face it. Paul reformed Judaism by re-enacting its repressed secret and in so doing made Judaism a fossil.

How does all this work?

Freud gives a resume of the topographical theory of the psyche: ego, id and the repressed. He then says analysis has shown that children appear to remember an archaic heritage, composed of memory traces of the childhood of the race ‘memory traces of the experiences of earlier generations!’ (volume 13, page 345)

If we assume the survival of these memory traces in the archaic heritage, we have bridged the gulf between individual and group psychology: we can deal with peoples as we do with an individual neurotic…Men have always known in this special way that they had a primal father and that they killed him.

The crucial premise is that these events are stored in the unconscious; because only unconscious forces are capable of generating the amount of irrational compulsion we see produced by religion. A rational response to clearly perceived events would lead to discussion etc. Only the unconscious can produce such forces. And after a period similar to the latency period in individuals, the Prophets mark a pubescent revival of the original fervour. Freud then goes on to explain the mechanism of pride associated with advances in intellectuality. Renouncing instinctive wishes is, in a sense, automatic for the ego. But it can bring definite affects from the superego. The superego of the Jews is the memory of Moses; with every renunciation of the life of the spirit, the Jews acquired more pride.

The superego is the successor and representative of the individual’s parents who supervised his actions in the first period of his life. It keeps the ego in a permanent state of dependence and exercises a constant pressure on it. Just as in childhood the ego is apprehensive about risking the love of its supreme master; it feels his approval as liberation and satisfaction and his reproaches as pangs of conscience. When the ego has brought the superego the sacrifice of an instinctual renunciation, it expects to be rewarded by receiving more love from it. The consciousness of deserving this love is felt as pride. (13:364)

So, according to Freud, the Jew’s pride is based on:

  1. renunciation of primitive wishes by the adoption of monotheism and becoming the Chosen people
  2. the evident growth in ethical and intellectual superiority this led to

Both achievements, alas, only generated more resentment of the Jews in the less psychologically advanced populations they found themselves living among, whether that was first century Romans, nineteenth century Russians or twentieth century Germans.

Thoughts

Freud was right to adopt a tentative and hesitant tone in this, his last published work, because pretty much every expert in ancient history, the history of the Jews or Egyptians, regards the book as a farrago of distortions, fantasy and wild speculations. I enjoyed the judgement of the former Archbishop of Canterbury, Rowan Williams, who described Freud’s theories about the origins of Judaism as ‘painfully absurd’.

Freud’s speculations about early history (Totem and Taboo, Moses), and to some extent his naive and obsessive attacks on religion, demonstrate what a fool a clever thinker can make of themselves when they stray well beyond their field of expertise, especially when they start dabbling in big cultural and historical speculations. Stick to what you know.


Credit

The history of the translation of Freud’s many works into English forms a complicated subject in its own right. ‘Moses and Monotheism’ was first translated into English by James Strachey in 1964 as part of The Standard Edition of the Complete Psychological Works of Sigmund Freud. My quotes are from the version included in volume 13 of the Pelican Freud Library, published in the 1985.

Related links

Freud and religion reading list

  • Three Essays on the Theory of Sexuality (1905)
  • Obsessive Actions and Religious Practices (1907)
  • Totem and Taboo (1913)
  • On Transience (1915)
  • A Seventeenth Century Demonological Neurosis (1923)
  • The Future of An Illusion (1927)
  • Civilisation and Its Discontents (1930)
  • Group Psychology (1930)
  • Question of a Weltanschauung (1933)
  • Moses and Monotheism (1939)

More Freud reviews

Elements of a Jack Reacher novel

Reading even a handful of Jack Reacher novels, you can’t help noticing the repeated threads, or tropes, or plot devices, or elements which recur over and again. These thoughts arise from reading The Hard Way but are true of all the others I’ve read.

Violence

Each Jack Reacher novel contains what you could call workaday American, cop thriller violence – fighting, shootouts and so on.

But each one also contains an element which pushes it to the next level of psychopathic cruelty. Hannibal Lector with his advanced and cynical sadism, made his debut appearance in 1986, instantly raising the stakes for any thriller writer who wanted to make an impact. Maybe pulp fiction has always been needlessly cruel, but it’s certainly a key element in the Reacher mix.

In The Hard Way there are two sadistic element:

  1. Hobart’s account of being held for five years in an African prison and, after the initial beatings and tortures, being selected once a year, on his birthday, to have one of his hands or feet amputated by machete and then the stump dipped in bubbling hot tar.
  2. Lane’s threats to his wives. We learn that he had threatened the second wife, Kate, that if she ever tried to leave him, he would break her daughter’s Jade’s hymen… with a potato peeler. The idea is to put him beyond the pale, to establish him as not just a bad man, but a monster. It also has the effect of making the reader feel physically sick.

Reacher’s revenge

I’ve read interviews where Child makes it quite clear that Reacher’s motivation in every book is always revenge. This means that the author always has to construct a plot in which someone reasonably innocent has been wronged, damaged or killed.

That’s the trigger Reacher needs to go into obsessive Search and Destroy mode i.e. the mode which most entertains the hunter-killer reader in all of us.

In the first book in the series, Killing Floor, Reacher’s brother is brutally killed by the counterfeiting ring he is investigating. That’s all it takes. From that point Reacher is on a mission to identify and kill them all, and the fact that one of them turns out to be psychopathically cruel, only bolsters the primitive righteousness of Reacher’s cause.

In The Hard Way, the tenth novel in the series, the Person To Be Avenged feels a little more forced. The ostensible hostages are Lane’s second wife and child, Kate and Jade Allen. When the kidnappers fail to return them after receiving payment, everyone assumes they’re dead and Reacher makes a point of telling several people on his team, several times, that he’s doing all this for them.

‘Kate and Jade are probably already dead.’
‘Then I’ll make someone pay.’ (p.169)

‘They’re dead. You said so yourself.’
‘Then they need a story. An explanation. The who, the where, the why. Everyone ought to know what happened to them. They shouldn’t be allowed to just go, quietly. Someone needs to stand up for them.’
‘And that’s you?’
‘I play the hand I’m dealt. No use whining about it.’
‘And?’
‘And they need to be avenged.’ (p.211)

Two hundred pages later, Lane’s second wife spells out the morality, or the psychological logic of the plots, even more clearly. We have, by this stage of the book, had ample evidence that her husband, Edward Lane, is a twisted sadist. So:

‘He deserves whatever he gets, Mr Reacher. He’s truly a monster.’ (p.439)

That is the sentiment which gives completely free rein to Reacher to use whatever force and violence is necessary, to abandon all scruples, the excuse that justifies the fiercest, Old Testament, unflinchingly brutal vengeance. It is the sentiment ‘he deserves what he gets’ – which provides the underpinning to all the books in the series.

The bad guys are not just crooks pulling a caper, ho ho, like in Ocean’s 11. They always include psychopaths and sadists whose extreme cruelty, in return, justifies Reacher’s use of unforgiving, maximum force.

Expertise

Weapons Reacher is master of all forms of combat and weaponry.

Strategy But also capable in all elements of strategic and tactical awareness. In The Hard Way he is working alongside – and then against – some very well-trained mercenaries, and we are continually reminded of their army training in terms of both strategy and combat.

Handbooks This rises to a climax in the final bloody shootout of the book, where a wealth of army training is invoked by Reacher and his antagonists. At moments like this Reacher novels become almost army textbooks in unarmed and/or armed combat. You wonder how closely Child refers to such handbooks.

That said, sometimes Reacher’s tough guy behaviour comes perilously close to clichés from a collection titled How To Be a Hard Man.

He never sat any other way than with his back to a wall. (p.179)

A to Z Reacher’s knowledge of the street layout, and traffic patterns, of Downtown and Mid-Town Manhattan is demonstrated in dazzling detail. You can’t help feeling that Child himself must have walked every inch of the routes which Reacher follows, and that all the buildings, shops and street furniture would be exactly as he describes.

The chocolatier The building where Lane is told by the kidnapper to drop off the keys to the cars which contain the bags of ransom money, is next to a chocolatier. Reacher and Pauling go through this shop and out into the back where the chocolate is made and moulded, on several occasions. The shop, and all the chocolate-making equipment out back, is described in minute detail. I’d be surprised if it doesn’t exist.

Knowing the time In this book more than the others I’ve read, it becomes a leitmotif that Reacher always knows the time without consulting a clock or watch. It becomes a running joke between him and this book’s Reacher Girl, Pauling.

‘I always know what time it is.’ (p.42)

Of course he does. Repeatedly, Reacher is shown the precise time better than mere watches or clocks, which generally turn out to be fast or slow or broken. Reacher is never broken.

Cars and guns

If you’re a real man you know guns and cars inside out. The car the ransom money is dropped off in is not just a Mercedes Benz. It is a:

‘Silver, four-door sedan, an S-420, New York vanity plates starting OSC, a lot of city miles on it. Dirty paint, scuffed tyres, dinged rims, dents and scrapes on both bumpers.’ (p.15)

And the guns? Don’t get Reacher started on guns.

After they finished their tea Jackson took Reacher into a small mudroom off the back of the kitchen and opened a double-door wall cupboard above a washing machine. In it were racked four Heckler & Koch G36 automatic rifles. The G36 was a very modern design that had shown up in service just before Reacher’s military career had ended…. It had a nineteen-inch barrel and an open folding stock and was basically fairly conventional apart from a huge superstructure that carried a bulky optical sight integrated into an oversized carrying handle. It was chambered for the standard 5.56mm NATO round and like most German weapons it looked very expensive and beautifully engineered.’ (p.440)

In the final firefight, more guns, knives, explosives and night vision goggles are used. Lots of kit, and all of it described in loving detail, and with the knowledge and insight of a true aficionado.

Expert vocabulary

A bit more subtly I was struck by the way Child – in the manner of American thriller writers – always knows the correct terminology for everything. He and his character never say ‘the thingummy, the wotsit’ like most of us. He always knows the correct word.

  • charging cradle – for a mobile phone
  • crosswalk – American term for pedestrian crossing
  • frost heave – uplift on a road surface caused by expansion of groundwater on freezing

Especially in kidnap situations:

  • demand call – from the kidnappers, specifying the amount
  • destination figure – final demand in a ransom
  • instruction call – from the kidnappers, specifying payment details

Reacher knows the name for everything because his author does. Child and his books impress with their confident familiarity with technical terms, military practice, arms and cars, and all aspects of common American phraseology.

  • squawk box – loudspeaker part of an intercom box, especially of a front door buzzer

Humour

I don’t think Reacher says anything funny in books 1 and 3 but numbers 9 and 10 are noticeable for a couple of bits of snappy repartee.

‘You got a name?’
‘Most people do.’ (p.18)

‘Tell me about your career,’ Lane said.
‘It’s been over a long time. That’s its main feature.’ (p.25)

On the move

Do you know the French comic strip Lucky Luke books? Set in the 1870s West, cowboy Luke rambles from town to town with his loyal horse, Jolly Jumper, in each book getting tangled up in a new adventure, defeating the bad guys, tipping his hat to the lady, and moving on.

Each book ends with a picture of Luke riding off into the sunset singing his theme song, ‘I’m a poor lonesome cowboy and a long way from home.’

It’s one of the central American myths, the mysterious, super-capable stranger who rides into town, gets tangled in other people’s troubles, helps out women and children, shoots the bad guys (after enough provocation to be ‘morally’ justified in doing so), then disappears as mysteriously as he came.

It goes back at least as far as James Fenimore Cooper’s novels about the tough capable frontiersman, Natty Bumppo, also known as Leatherstocking, The Pathfinder, Deerslayer, Long Rifle and Hawkeye, and stretches through to the man with no name in numerous Clint Eastwood movies.

Got nothing against women
But I wave them all goodbye…
My horse and me keep riding
We don’t like being tied.

This hoary trope is central to the Reacher stories. Almost every one commences with our hero stepping off a train, bus or plane into a new town, then getting drawn into a 500-page action adventure, then, when the last shot has finished echoing around the corral, tipping his hat to the ladies (particularly the one he has seduced and slept with during the course of the adventure) and ridin’ on out.

Child continually reminds us of this aspect of Reacher’s character, thus plugging him into a deep psychological and cultural archetype.

Reacher always arranged the smallest details in his life so he could move on at a split second’s notice. It was an obsessive habit. He owned nothing and carried nothing. Physically he was a big man, but he cast a small shadow and left very little in his wake. (p.12)

He cast a small shadow. Gee.

The Reacher Girl

Like a Bond girl, there’s a Reacher Girl in every novel. In The Hard Way it’s Private Investigator Lauren Pauling, ex-Special Agent for the Federal Bureau of Investigation. She was on the original FBI investigation of the kidnapping of Lane’s first wife and has felt oppressed by guilt for five years that she and her colleagues screwed up the investigation and allowed the first wife to be killed.

Once he’s been introduced to her, Reacher and Pauling spend a lot of time together pounding the streets of New York, finding Hobart and his sister, then sharing the stressful moment when Lane and his goons show up at the apartment and Pauling, Hobart and his sister hide in the bathroom while Reacher faces the others down and tries to throw them off the scent.

They spend a long night working through theories, Pauling using her contacts at the Pentagon to follow up leads. They become a very tight team. And then they go to bed. Inevitable. From the start she had that look.

Pauling had changed. She was wearing jeans and a t-shirt. She looked good. (p.284)

He stopped talking and watched her, silent. She looked great in the candlelight. Liquid eyes, soft skin… He could smell her fragrance. Subtle perfume, soap, clear skin, clean cotton. The shoulder-seams on her T-shirt stood up a little and made enticing shadowy tunnels. She was slim and toned, except where she shouldn’t be… (p306)

Pauling came out of the bedroom looking spectacular. Shoes, stockings, tight skirt, silk blouse, all in black. Brushed hair, light make-up. Great eyes, open, frank, intelligent. (p.320)

The ‘inevitably will get shagged’ look which is universal in Hollywood movies and thrillers like this. In the era of Me Too and militant feminism I find it a bit mind-boggling that so many books and movies still include the slender, busty, nubile young woman whose main purpose – alongside useful detective work and a bit of expert knowledge – is to get her clothes ripped off and be penetrated by the male hero.

In this respect, as in the wandering avenger trope, the stories feel as old as the hills.

The title

‘I’m going to have to do it the hard way,’ Reacher said.
‘What way is that?’
‘It’s what we call it in the service when we didn’t catch a break. When we actually had to work for a living. You know, start over at square one, re-examine everything, sweat the details, work the clues.’ (p.169)

‘What exactly is going on?’
‘We’re sweating the details and we’re working the clues. That’s what’s going on here. We’re doing it the hard way. One step at a time…’ (p.322)

So the title refers to Reacher’s modus operandi, which is the thorough, systematic application of logic and experience to work out complicated problems and situations.

At the same time, it also refers to the inevitable bursts of violence, particularly towards the end of each story.

There are always points where the sidekick says, ‘Shouldn’t we call the police or the FBI or someone?’ to which Reacher always replies, in effect, ‘No, they’d let the bad guys get away – the investigation would be long and drawn out – we know they’re psychopaths so we’re going to kill them. We’re going to do this my way. The hard way.’

Quite simply, forget the forces of law and order. You are in the presence of the masked avenger, the embodiment of vigilante law.

Epilogue

Unlike the other four Reacher books I’ve read, The Hard Way has an epilogue. A page and a half shows us how all the characters we’ve met are faring a year later, and it reads like a fairy tale.

The surviving bad guys get killed in Iraq. Patti, who had carried the cause of her murdered sister for so long, now has a good job and a boyfriend (after all, a woman isn’t complete without a man, right?).

Investigator Pauling is thriving. The severely crippled Hobart and his sister are benefiting from the money Reacher ended up getting from Lane, and handed straight on to them, to get him proper hospital treatment and decent prosthetic limbs.

The good guys are thriving. The bad guys got their just desserts. God is in his heaven.

And Reacher? Like the poor, lonesome cowboy, Reacher has disappeared into the sunset.

Until the next time…


Related links

Reviews of other Jack Reacher novels