Elements of a Jack Reacher novel

Reading even a handful of Jack Reacher novels, you can’t help noticing the repeated threads, or tropes, or plot devices, or elements which recur over and again. These thoughts arise from reading The Hard Way but are true of all the others I’ve read.

Violence

Each Jack Reacher novel contains what you could call workaday American, cop thriller violence – fighting, shootouts and so on.

But each one also contains an element which pushes it to the next level of psychopathic cruelty. Hannibal Lector with his advanced and cynical sadism, made his debut appearance in 1986, instantly raising the stakes for any thriller writer who wanted to make an impact. Maybe pulp fiction has always been needlessly cruel, but it’s certainly a key element in the Reacher mix.

In The Hard Way there are two sadistic element:

  1. Hobart’s account of being held for five years in an African prison and, after the initial beatings and tortures, being selected once a year, on his birthday, to have one of his hands or feet amputated by machete and then the stump dipped in bubbling hot tar.
  2. Lane’s threats to his wives. We learn that he had threatened the second wife, Kate, that if she ever tried to leave him, he would break her daughter’s Jade’s hymen… with a potato peeler. The idea is to put him beyond the pale, to establish him as not just a bad man, but a monster. It also has the effect of making the reader feel physically sick.

Reacher’s revenge

I’ve read interviews where Child makes it quite clear that Reacher’s motivation in every book is always revenge. This means that the author always has to construct a plot in which someone reasonably innocent has been wronged, damaged or killed.

That’s the trigger Reacher needs to go into obsessive Search and Destroy mode i.e. the mode which most entertains the hunter-killer reader in all of us.

In the first book in the series, Killing Floor, Reacher’s brother is brutally killed by the counterfeiting ring he is investigating. That’s all it takes. From that point Reacher is on a mission to identify and kill them all, and the fact that one of them turns out to be psychopathically cruel, only bolsters the primitive righteousness of Reacher’s cause.

In The Hard Way, the tenth novel in the series, the Person To Be Avenged feels a little more forced. The ostensible hostages are Lane’s second wife and child, Kate and Jade Allen. When the kidnappers fail to return them after receiving payment, everyone assumes they’re dead and Reacher makes a point of telling several people on his team, several times, that he’s doing all this for them.

‘Kate and Jade are probably already dead.’
‘Then I’ll make someone pay.’ (p.169)

‘They’re dead. You said so yourself.’
‘Then they need a story. An explanation. The who, the where, the why. Everyone ought to know what happened to them. They shouldn’t be allowed to just go, quietly. Someone needs to stand up for them.’
‘And that’s you?’
‘I play the hand I’m dealt. No use whining about it.’
‘And?’
‘And they need to be avenged.’ (p.211)

Two hundred pages later, Lane’s second wife spells out the morality, or the psychological logic of the plots, even more clearly. We have, by this stage of the book, had ample evidence that her husband, Edward Lane, is a twisted sadist. So:

‘He deserves whatever he gets, Mr Reacher. He’s truly a monster.’ (p.439)

That is the sentiment which gives completely free rein to Reacher to use whatever force and violence is necessary, to abandon all scruples, the excuse that justifies the fiercest, Old Testament, unflinchingly brutal vengeance. It is the sentiment ‘he deserves what he gets’ – which provides the underpinning to all the books in the series.

The bad guys are not just crooks pulling a caper, ho ho, like in Ocean’s 11. They always include psychopaths and sadists whose extreme cruelty, in return, justifies Reacher’s use of unforgiving, maximum force.

Expertise

Weapons Reacher is master of all forms of combat and weaponry.

Strategy But also capable in all elements of strategic and tactical awareness. In The Hard Way he is working alongside – and then against – some very well-trained mercenaries, and we are continually reminded of their army training in terms of both strategy and combat.

Handbooks This rises to a climax in the final bloody shootout of the book, where a wealth of army training is invoked by Reacher and his antagonists. At moments like this Reacher novels become almost army textbooks in unarmed and/or armed combat. You wonder how closely Child refers to such handbooks.

That said, sometimes Reacher’s tough guy behaviour comes perilously close to clichés from a collection titled How To Be a Hard Man.

He never sat any other way than with his back to a wall. (p.179)

A to Z Reacher’s knowledge of the street layout, and traffic patterns, of Downtown and Mid-Town Manhattan is demonstrated in dazzling detail. You can’t help feeling that Child himself must have walked every inch of the routes which Reacher follows, and that all the buildings, shops and street furniture would be exactly as he describes.

The chocolatier The building where Lane is told by the kidnapper to drop off the keys to the cars which contain the bags of ransom money, is next to a chocolatier. Reacher and Pauling go through this shop and out into the back where the chocolate is made and moulded, on several occasions. The shop, and all the chocolate-making equipment out back, is described in minute detail. I’d be surprised if it doesn’t exist.

Knowing the time In this book more than the others I’ve read, it becomes a leitmotif that Reacher always knows the time without consulting a clock or watch. It becomes a running joke between him and this book’s Reacher Girl, Pauling.

‘I always know what time it is.’ (p.42)

Of course he does. Repeatedly, Reacher is shown the precise time better than mere watches or clocks, which generally turn out to be fast or slow or broken. Reacher is never broken.

Cars and guns

If you’re a real man you know guns and cars inside out. The car the ransom money is dropped off in is not just a Mercedes Benz. It is a:

‘Silver, four-door sedan, an S-420, New York vanity plates starting OSC, a lot of city miles on it. Dirty paint, scuffed tyres, dinged rims, dents and scrapes on both bumpers.’ (p.15)

And the guns? Don’t get Reacher started on guns.

After they finished their tea Jackson took Reacher into a small mudroom off the back of the kitchen and opened a double-door wall cupboard above a washing machine. In it were racked four Heckler & Koch G36 automatic rifles. The G36 was a very modern design that had shown up in service just before Reacher’s military career had ended…. It had a nineteen-inch barrel and an open folding stock and was basically fairly conventional apart from a huge superstructure that carried a bulky optical sight integrated into an oversized carrying handle. It was chambered for the standard 5.56mm NATO round and like most German weapons it looked very expensive and beautifully engineered.’ (p.440)

In the final firefight, more guns, knives, explosives and night vision goggles are used. Lots of kit, and all of it described in loving detail, and with the knowledge and insight of a true aficionado.

Expert vocabulary

A bit more subtly I was struck by the way Child – in the manner of American thriller writers – always knows the correct terminology for everything. He and his character never say ‘the thingummy, the wotsit’ like most of us. He always knows the correct word.

  • charging cradle – for a mobile phone
  • crosswalk – American term for pedestrian crossing
  • frost heave – uplift on a road surface caused by expansion of groundwater on freezing

Especially in kidnap situations:

  • demand call – from the kidnappers, specifying the amount
  • destination figure – final demand in a ransom
  • instruction call – from the kidnappers, specifying payment details

Reacher knows the name for everything because his author does. Child and his books impress with their confident familiarity with technical terms, military practice, arms and cars, and all aspects of common American phraseology.

  • squawk box – loudspeaker part of an intercom box, especially of a front door buzzer

Humour

I don’t think Reacher says anything funny in books 1 and 3 but numbers 9 and 10 are noticeable for a couple of bits of snappy repartee.

‘You got a name?’
‘Most people do.’ (p.18)

‘Tell me about your career,’ Lane said.
‘It’s been over a long time. That’s its main feature.’ (p.25)

On the move

Do you know the French comic strip Lucky Luke books? Set in the 1870s West, cowboy Luke rambles from town to town with his loyal horse, Jolly Jumper, in each book getting tangled up in a new adventure, defeating the bad guys, tipping his hat to the lady, and moving on.

Each book ends with a picture of Luke riding off into the sunset singing his theme song, ‘I’m a poor lonesome cowboy and a long way from home.’

It’s one of the central American myths, the mysterious, super-capable stranger who rides into town, gets tangled in other people’s troubles, helps out women and children, shoots the bad guys (after enough provocation to be ‘morally’ justified in doing so), then disappears as mysteriously as he came.

It goes back at least as far as James Fenimore Cooper’s novels about the tough capable frontiersman, Natty Bumppo, also known as Leatherstocking, The Pathfinder, Deerslayer, Long Rifle and Hawkeye, and stretches through to the man with no name in numerous Clint Eastwood movies.

Got nothing against women
But I wave them all goodbye…
My horse and me keep riding
We don’t like being tied.

This hoary trope is central to the Reacher stories. Almost every one commences with our hero stepping off a train, bus or plane into a new town, then getting drawn into a 500-page action adventure, then, when the last shot has finished echoing around the corral, tipping his hat to the ladies (particularly the one he has seduced and slept with during the course of the adventure) and ridin’ on out.

Child continually reminds us of this aspect of Reacher’s character, thus plugging him into a deep psychological and cultural archetype.

Reacher always arranged the smallest details in his life so he could move on at a split second’s notice. It was an obsessive habit. He owned nothing and carried nothing. Physically he was a big man, but he cast a small shadow and left very little in his wake. (p.12)

He cast a small shadow. Gee.

The Reacher Girl

Like a Bond girl, there’s a Reacher Girl in every novel. In The Hard Way it’s Private Investigator Lauren Pauling, ex-Special Agent for the Federal Bureau of Investigation. She was on the original FBI investigation of the kidnapping of Lane’s first wife and has felt oppressed by guilt for five years that she and her colleagues screwed up the investigation and allowed the first wife to be killed.

Once he’s been introduced to her, Reacher and Pauling spend a lot of time together pounding the streets of New York, finding Hobart and his sister, then sharing the stressful moment when Lane and his goons show up at the apartment and Pauling, Hobart and his sister hide in the bathroom while Reacher faces the others down and tries to throw them off the scent.

They spend a long night working through theories, Pauling using her contacts at the Pentagon to follow up leads. They become a very tight team. And then they go to bed. Inevitable. From the start she had that look.

Pauling had changed. She was wearing jeans and a t-shirt. She looked good. (p.284)

He stopped talking and watched her, silent. She looked great in the candlelight. Liquid eyes, soft skin… He could smell her fragrance. Subtle perfume, soap, clear skin, clean cotton. The shoulder-seams on her T-shirt stood up a little and made enticing shadowy tunnels. She was slim and toned, except where she shouldn’t be… (p306)

Pauling came out of the bedroom looking spectacular. Shoes, stockings, tight skirt, silk blouse, all in black. Brushed hair, light make-up. Great eyes, open, frank, intelligent. (p.320)

The ‘inevitably will get shagged’ look which is universal in Hollywood movies and thrillers like this. In the era of Me Too and militant feminism I find it a bit mind-boggling that so many books and movies still include the slender, busty, nubile young woman whose main purpose – alongside useful detective work and a bit of expert knowledge – is to get her clothes ripped off and be penetrated by the male hero.

In this respect, as in the wandering avenger trope, the stories feel as old as the hills.

The title

‘I’m going to have to do it the hard way,’ Reacher said.
‘What way is that?’
‘It’s what we call it in the service when we didn’t catch a break. When we actually had to work for a living. You know, start over at square one, re-examine everything, sweat the details, work the clues.’ (p.169)

‘What exactly is going on?’
‘We’re sweating the details and we’re working the clues. That’s what’s going on here. We’re doing it the hard way. One step at a time…’ (p.322)

So the title refers to Reacher’s modus operandi, which is the thorough, systematic application of logic and experience to work out complicated problems and situations.

At the same time, it also refers to the inevitable bursts of violence, particularly towards the end of each story.

There are always points where the sidekick says, ‘Shouldn’t we call the police or the FBI or someone?’ to which Reacher always replies, in effect, ‘No, they’d let the bad guys get away – the investigation would be long and drawn out – we know they’re psychopaths so we’re going to kill them. We’re going to do this my way. The hard way.’

Quite simply, forget the forces of law and order. You are in the presence of the masked avenger, the embodiment of vigilante law.

Epilogue

Unlike the other four Reacher books I’ve read, The Hard Way has an epilogue. A page and a half shows us how all the characters we’ve met are faring a year later, and it reads like a fairy tale.

The surviving bad guys get killed in Iraq. Patti, who had carried the cause of her murdered sister for so long, now has a good job and a boyfriend (after all, a woman isn’t complete without a man, right?).

Investigator Pauling is thriving. The severely crippled Hobart and his sister are benefiting from the money Reacher ended up getting from Lane, and handed straight on to them, to get him proper hospital treatment and decent prosthetic limbs.

The good guys are thriving. The bad guys got their just desserts. God is in his heaven.

And Reacher? Like the poor, lonesome cowboy, Reacher has disappeared into the sunset.

Until the next time…


Related links

Reviews of other Jack Reacher novels

Killing Floor by Lee Child (1997)

‘He seemed like a capable guy to me. Tell the truth, you remind me of him. You seem like a capable guy to me, too.’
(Hubble to Reacher, page 112)

After reading the 20th Jack Reacher novel I went back to the first novel in the series to see how it all started. Violently, is the answer.

I was arrested in Eno’s diner.

is the opening sentence which commences Jack Reacher’s first adventure and inaugurates the series of 22 bestselling crime thrillers in which he features.

Margrave Reacher asks the driver of a Greyhound bus to stop at the little town of Margrave, in Georgia, purely on a whim because he’d had a postcard from his brother Joe, saying the famous blues singer Blind Blake lived or played here.

Arrested But instead of moseying about town and talking music with the locals, he finds himself locked up and interrogated by the (Harvard-educated and fairly reasonable, and black) homicide detective Farley. Why? Because a body has been found at the warehouses Reacher must have walked past on the way into town. The corpse had been shot in the head twice, his face blown off, and then the body frenziedly kicked so that every bone in his body had been smashed.

Hubble Reacher is fingerprinted and photographed by the good-looking, relaxed woman police officer Roscoe. Then questioned by detective Farley. During this process, it emerges that the name of a local businessman was scribbled on a piece of paper scrunched up in the dead man’s shoe, one Paul Hubble. When he is brought in for questioning, to everyone’s amazement he enthusiastically confesses to doing the murder himself, even though there is all kinds of evidence that he didn’t, such as that he was at a party where loads of witnesses saw him.

Farley Over the course of questioning, the relationship between Farley and Reacher softens and becomes a sort of collaboration, because Reacher was himself a Military Policeman in the U.S. Army for 14 years and has carried out lots of investigations himself. He is able to provide a stone cold alibi – he was 400 miles away on the Greyhound at the time of the murder – and begins to help a sceptical Farley think through the various oddities and possibilities of the case.

Prison Despite starting to think Reacher is not guilty, Farley sends both him and Hubble to the local prison for the weekend, where he is meant to be held in the transient, custody cells. However, the head of the prison accidentally on purpose has them put in the main, long-term prison area.

Attacks Here not one but two violent attacks are made on Hubble and Reacher. The first is led by the enormous, terrifying head of the black gang in the prison. The leader is intimidating feeble rich guy Hubble into kneeling and giving him a blow job when Reacher, with a sigh, realises he has to intervene in order to maintain respect and kudos. So Reacher confronts and then nuts the man, smashing most of his face.

Strangling Later, in the showers, the pair are attacked by a posse of white Aryan supremacists. One tries to strangle him but Reacher breaks his fingers before gouging out one of his eyes, while kicking in the larynx of another one, at which point the black gang arrive to attack the Aryans and a general prison riot ensues, during which Reacher and Hubble are evacuated back to the holding cells where they should have been all along.

Capable man So far so violent. But also, so far, so incredibly capable of six-foot-five Reacher, ex-U.S. Military Police and a man with a lifetime’s experience of winning super-violent brawls. Taking down the hardest black guy in the prison. And then three of the hardest whites. Wow.

Hubble talks Saving Hubble’s life gives Reacher power over Hubble who proceeds to talk, or at least to admit that there is something big, really big, going on in Margrave. It involves about ten people and Hubble admits he plays a key part. But ‘they’ have threatened that if he talks, to anyone, they will nail him to the wall of his house, cut off his balls and make his wife eat them, and then perform unspeakable acts on his two little children. Hence Hubble’s catatonic fear. This is why, as soon as Farley told him about the murdered man with his name and number in his shoe, Hubble confessed in such a hurry. He (mistakenly) thought he would be safe in prison. Er, no.

The investigator Hubble admits that the Big Scam and the frighteners ‘they’ were putting on him had prompted him to hire an investigator, anonymously, to help him find a way out. When Farley told him about the corpse at the warehouse, Hubble realised it was the investigator who the gang must have murdered. And so Hubble panicked, because of the threat to his family.

Reacher realises it wasn’t a mistake that he and Hubble were put in the permanent part of the prison rather than the milder and safer custody cells. Someone fixed it up with the prison supervisor, who then tipped off the Aryan Supremacists in particular, to kill him. Why? What has he done to anyone?

Released Reacher is finally released because his alibi, that he only got off the Greyhound bus eight hours after the murder was committed, pans out, with eye witness testimony from the bus driver and other passengers. By this time Reacher has struck up an edgy relationship with the black detective, Farley. Called in for a debrief Reacher shares  his thoughts on what is really going on.

Joe Reacher So Reacher is in the police office when the identification of the fingerprints of the faceless body in the warehouse arrive. Reacher’s life – and the whole book – takes a big lurch when he learns that the dead man is… his brother, his only kin in the world (both parents being dead), Joe his older brother that he used to stick by through thick and thin throughout their long, peripatetic childhood, as sons of a U.S. soldier, continually moving from one military base to another around the world.

His whole life they had looked out for each other and now… Joe is dead. That’s right, dead.

And to a man like Reacher (a six-foot-five inch, ex-Military Policeman with a taste for clear, logical thinking and the capacity for seriously hurting anyone who gets in his way) this can only mean one thing.

Finding the guys who did it, and taking his revenge. Looking out for Joe one last time. A man’s gotta do what a man’s gotta do (or, more precisely, a man’s gotta kill who a man’s gotta kill).

The rest of the novel follows the intricate sequence of clues and discoveries by which Reacher, now working closely with detective Farley, and with the sexy Police Officer Roscoe, protect Hubble and his family from ‘them’, and realise that ‘they’ have representatives within the police force who are shadowing and reporting on all their discoveries.

The revelation of the big scam is nicely paced. There are plenty of surprises and unexpected shocks. The violence gets extreme, particularly when the corrupt, fat, old head of the police department gets the Hubble treatment i.e. gets nailed to the wall, his balls cut off, his wife forced to eat them, yuk.

Justified revenge Reacher identifies the glaring, threatening son of the old man who ‘owns’ half the town as the psychopath who carried out these gruesome acts and – in a tense scene – disposes of him and his three accomplices when they arrive at the (now empty) Hubble family home, to murder them.

Instead Reacher is waiting for them and takes them out, one by one, in a display of unstoppable physical supremacy reminiscent of other male heroes played by the likes of Clint Eastwood or Bruce Willis or Jason Bourne.

Factual information

As so often with thrillers, at the book’s core is a whole load of factual information which is interesting in its own right.

Counterfeiting The Big Scam turns out to be an enormous money counterfeiting operation, which explains Reacher’s brother’s involvement. Joe had risen to be the head of the FBI’s anti-counterfeiting unit, as we learn when Reacher visits some of the counterfeiting experts he worked with.

Through their mouths we learn a lot about the history of counterfeiting. We learn that the academics worked as young men during World War Two on a plan to bankrupt the Nazi economy by dropping billions of fake Deutschmarks into Germany.

There is then quite a lengthy explanation of how U.S. currency is designed and manufactured.

Assuming it’s true, this all makes for very interesting reading.

The unexpected plot twists, reversals and betrayals continue virtually up to the last page. It is a very impressive updating of the basic thriller genre for our times (well, the 1990s) and you can see why Reacher, with his size, physical competence, military experience and calm logical thinking made, and continues to make, such an impression on fans of the genre.


Broken sentences

The twentieth novel was told in short punchy sentences by a third-person narrator. This, the first book in the series, is told in short, punchy sentences in the first person.

In fact the nature of the narrator is irrelevant: first person or third person, everyone in Reacherworld thinks and speaks the same way, laconic, to the point, logical, tough.

‘They killed him,’ she said. Just a simple statement. ‘Like they killed Joe. I think I know how you must be feeling.’
I nodded.
‘They’ll pay for it,’ I said. ‘For both of them.’
‘You bet your ass,’ she said. (p.346)

More noticeable in this one than in number 20 is Child’s habit of breaking up what could be one long-ish sentence describing people performing consecutive actions, into a sequence of short sentences, each one describing just one specific action, with the subject of each verb carried over by implication.

He stood still for a moment then took out the key and unlocked them. Clipped them back on his belt. Looked at me. (p.18)

I used the john and rinsed my face in the sink. Pulled myself up into the bed. Took off my shoes. Left them on the foot of the bed. (p.79)

We drove for miles. Found the right terminal. Missed a lane change and passed the short-term parking. Came around again and lined up to the barrier. (p.312)

There are hundreds of examples, some extending for five or six consecutive pronoun-less clauses, each of which has been turned into a short, snappy, freestanding sentence.

He took out the tape machine. Dragged out the cords. Positioned the microphone between us. Tested it with his fingernail. Rolled the tape back. Ready. (p.38)

There are plenty of three-word-long sentences. Some two. Or one. All working to the same end, conveying a no-nonsense, tough guy, to the point, no fat on the bone, macho mindset.

Finlay and I hitched ourselves into the barber chairs. Put our feet up on the chrome rests. Started reading. (p.326)

The tone says, ‘Of course he’s been interviewed before. Held in police custody. Put in handcuffs. Locked in a cell. He’s a Real Man. Had plenty of fights. Outstared plenty of cops. Toughed out many a gaol cell. All par for the course. Meat and drink.’

Analysis

But Reacher is not just a fighting machine. He is a computer. He analyses and assesses. Repeatedly Reacher tells us that his military training and, specifically his long years of work in the Military Police, have taught him to process information, to work through it methodically. Many of the breakthroughs come from anomalies planted earlier in the narrative, little things someone said or did which, on reflection, Reacher realises stand out, don’t make sense, are clues.

Evaluate. Long experience had taught me to evaluate and assess. When the unexpected gets dumped on you, don’t waste time. Don’t figure out how or why it happened. Don’t recriminate. Don’t figure out whose fault it is. Don’t work out how to avoid the same mistake next time. All of that you can do later. If you survive. First of all you evaluate. Analyse the situation. Identify the downside. Assess the upside. Plan accordingly. Do all that and you give yourself a better chance of getting through to the other stuff later. (p.83)

The novel is larded with little homilies like this, advice on how to handle situations. Reacher says much of it stems from his military training, so I wonder how much of it is derived from the no doubt numerous and copious handbooks for soldiers and the military police which Child must have used in his research. How much from police training. How much Child has made up.

This habit of sharing his life wisdom with us is a leading characteristic of the books. In Tripwire we learn that Reacher’s mentor, Leon Garber, had various rules for living, which Reacher usefully quotes as he applies them to the perilous situations he finds himself. Similarly, One Shot has a great scene where Reacher tackles five rednecks in a bar and shares with us Reacher’s Nine Rules for Bar Fights.

It comes as in surprise to learn that 21 years after this first book, and 22 novels into the series, Child has written enough text like this – life advice, how to think through problems, how to survive confrontations – that it has been cut and pasted into a stand-alone book, Reacher’s Rules: Life Lessons From Jack Reacher, which was published in 2012.

And all the characters are like this. They all spend a lot of time whirring and clicking like computers. They all have their own agendas (make money, run a crime outfit, assassinate anyone who gets in the way, or solve crimes, find the suspect, collect evidence etc). Everyone has projects and agendas and, in Reacherworld, you can watch them processing every new development into their thinking and adjusting their plans accordingly.

He was thinking hard… I had never seen someone think so visibly. His mouth was working soundlessly and he was fiddling with his fingers. Like he was checking off positives and negatives. Weighing things up. I watched him. I saw him make his decision. He turned and looked over at me. (p.92)

There are regular spurts of violence – fights, brawls, taking down armed men – and each novel includes at least one scene of really gruesome, sadistic bloodshed. And it’s this which, inevitably, readers often remember. Not least because of the cold-blooded efficiency with which Reacher – once provoked – kills the bad guys.

He dropped the shotgun. It thudded into the carpet. I pulled him backward and turned him and ran him out through the door. Into the downpour. Dug my fingers deeper into his eyes. Hauled his head back. Cut his throat. You don’t do it with one elegant swipe. Not like in the movies. No knife is sharp enough for that. There’s all sorts of tough gristle in the human throat. You have to saw back and forth with a lot of strength. Takes a while. But it works. It works well. By the time you’ve sawed back to the bone, the guy is dead. This guy was no exception. His blood hosed out and mixed with the rain. He sagged against my grip. Two down. (p.407)

But even the violence is highly thought about and planned. The fight scenes are notable for the care Child takes to explain how Reacher assesses every situation, estimates the angles, uses all his training to calculate how to win.

I was trained by experts. Guys who traced their own training back to World War Two, Korea, Vietnam. People who had survived things I had only read about in books. They taught me methods, details, skills. Most of all they taught me attitude. They taught me that inhibitions would kill me. Hit early, hit hard. Kill with the first blow. Get your retaliation in first. Cheat. The gentlemen who behaved decently weren’t there to train anybody. They were already dead. (p.85)

In summary, the majority of the text is made up of people planning, thinking and assessing. The books are a lot more about ratiocination and thinking through problems – combat situations, strategic planning, problem analysis, plan-making – than you might expect.

I looked all over the place. Looked at where Teale was sitting, looked at the office inner door, checked Kliner’s line of fire, guessed where Roscoe and Charlie might end up. I calculated angles and estimated distances. I came up with one definite conclusion. (p.503)

Reacher girls

Of course there’s a girl, by which I mean young woman, who fancies Reacher from the get-go and on page 163 of this 523-page-long novel they finally have the wild passionate sex the reader has seen on the cards for some time. Tear each other’s clothes off. She rides him till they collapse in a sweaty heap, spent and sated. Shower then do it all over again, etc. Championship sex.

If James Bond has ‘Bond girls’ then Jack Reacher appears to have ‘Reacher girls’, and every bit as improbable.

This one, Officer Roscoe, is part of the Margrave Police Department. When Reacher is first brought in, she gets him a cup of coffee. She is friendly. She leans her breasts against the desk when she takes his fingerprints, with a dazzling smile on her face. She is there to collect Reacher when he gets out of prison after his eventful few days inside. She drives him to Hubble’s house to interview him, though Hubble has gone missing. When Reacher is there at the police department when the news comes through the fax that the dead man is his brother, Roscoe holds his hand.

And then back to her place for wild sex.

Roscoe put on the clothes she’d brought from her place in the morning. Jeans, shirt, jacket. Looked wonderful. Very feminine, but very tough. She had a lot of spirit. (p.284)

I’m sure we have all met woman police officers just like Officer Roscoe.


Related links

Reviews of other Jack Reacher novels

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