Towards the Flame: Empire, War and the End of Tsarist Russia by Dominic Lieven (2015)

Towards the Flame is a diplomatic history of imperial Russia in the years 1905 to 1920. By diplomatic history, I mean a detailed – a really detailed – account of the men who ran Russia’s Foreign Ministry and its embassies (with sometimes a nod to the heads of the army, navy or other government ministers), their policies, debates and disagreements.

We are given pen portraits of Russia’s premiers, foreign and finance ministers, and key ambassadors to London, Paris, Berlin, Vienna and beyond and the guts of the book is a history of their diplomacy – the papers and memos they wrote laying out Russia’s strategies – the information they gathered about rival nations’ aims and goals – the assessments each nations’ military attaches made about their rivals’ readiness for war.

(For example, Lieven examines position papers like the brilliantly prescient memorandum the former head of secret police, Petr Durnovo, gave Tsar Nicholas in February 1914, which said that the biggest risk of a prolonged war was that it would trigger a massive social and political revolution (p.304).)

In intricate detail Lieven builds up a picture of the web of political and diplomatic intrigue which took place in the crucial run-up to the Great War, not only between nations, but within nations, as ruling elites were riven by conflicting strategies and visions, by political and personal rivalries, subjected to pressure from often rabidly nationalistic newspapers, and harassed by a series of international crises which repeatedly threatened to plunge the continent into war.

In Lieven’s account the question is not, ‘Why did the First World War happen’, but ‘How did they manage to put it off for so long?’

Like many historians of twentieth century Europe, Lieven tells us he has benefited enormously from the opening of Russian archives after the fall of the Soviet Union. He has obviously used the opportunity to track down pretty much every diplomatic telegraph and memo and report and study written by all the key ambassadors, Foreign Ministers, the Tsar and his prime ministers, during these fateful years, and his book presents an excellent summary and contextualising of them.

This is what gives the book its character and distinction. At every crux – for example, over the Bosnian Crisis of 1908 – Lieven briefly tells us what happened on the ground (his book deliberately skips over purely military details, just as it skips over detail of the assassination of Archduke Ferdinand – all this can be found in thousands of other sources) in order to analyse the attitude of the Russian Foreign Ministry.

Lieven details disagreements in overall strategy between the Foreign Minister, his Deputy, the Finance Minister, the Tsar and the Tsar’s unofficial advisers (like his uncle, Grand Duke Nicholas, leader of the so-called ‘Panslavic tendency’).

Lieven gives us summaries of the reports and recommendations coming in from the embassies in London, Paris, Berlin and Vienna, as well as opinions from the Russian officials on the ground in the Balkans: Count so-and-so reports back on a conversation with the King of Bulgaria, Prince such-and-such writes a long summary of the political situation in Serbia.

Lieven explains:

  • how each of these varying opinions fit in with their authors’ visions of what Russia is or could be (over the course of the book we get to know most of these diplomats and get a sense of their individual capacities and opinions)
  • how they fit in with conflicting views in the Russian elite about whether Russia should be allying with France and Britain, or with Austria and Germany
  • how the reports map onto the enduring belief in Russian elite opinion that Russia’s ‘history destiny’ was to conquer the Turks, take Constantinople and become leader of the world’s Slavic peoples
  • how they affect ongoing debates in the Russian government about whether Russia should be focusing its energies and resources to the East, to settle Siberia, or should cleave to its traditional role in the European balance of power

And so on. It is a deep, deep immersion into the small, densely populated and fiercely argued world of pre-war Russian government officials, and particularly the men of the Russian diplomatic service, who managed Russian foreign relations in the buildup to the war.

World War One an eastern war

Lieven opens his book with a bold claim: Contrary to all Western writing on the subject, the First World War was not a western but an east European war, triggered by events in eastern Europe, exacerbated by rivalries between east European empires, and with seismic consequences across east and central Europe.

So his focus in this book is on Russia and the East and his aim is to reorientate our thinking away from France and the Somme, towards the Eastern powers and the problems they faced, which he proceeds to describe in absorbing detail.

His core focus is Russian history 1905 to 1920, but to even begin to understand this period you have to range back in time by about a century, as well as comparing Russia’s imperial problems with the challenges faced by other countries further afield, as far away as America and Japan.

The balance of power

The backdrop to all this – the worldview of the time – is the diplomatic and military game which dominated the world for the century leading up the Great War, and the idea of a balance of power.

At the Congress of Vienna in 1815 the victorious Allies who had defeated Napoleon tried to parcel out Europe’s real estate to ensure that no one power could ever again secure domination over the continent (pp.120, 124).

The 1848 revolutions, the Crimean War (1853-6), the Franco-Prussian War (1870), unification of Germany (1870), the unification of Italy (1871), the spread of nationalism, the spread of the industrial revolution – all these events were processed by the leaders of every European nation insofar as they affected this will o’ the wisp, this fictional entity – the balance of power.

Every large nation was kept on constant tenterhooks about whether the latest little war in the Balkans, or the bids for independence by Hungary or Bulgaria or the Czechs, whether the Austrian alliance with Germany, or the Russian alliance with France, or Britain’s influence over Ottoman Turkey, would affect the balance of power.

And not only nations were concerned. Every nation contained factions, ruling parties, opposition parties and, increasingly, ‘public opinion’, which had to be taken into account.

(It is one of the many ironies of history that the spread of literacy, education and ‘civil society’ i.e. newspapers and a free press, which is so assiduously promoted by liberals, in actual fact, in the event, tended to encourage rabble-rousing nationalism. The press in Serbia comes in for special criticism for its ferociously nationalistic warmongering, but the panslavic Russian newspaper, Novoe Vremia, was so consistently anti-German that the authorities in Berlin singled it out as a prime cause of the poisoning of German-Russian relations, pp.215, 220, 289.)

One of the few critics of the entire balance of power idea was Baron Roman Rosen (Russian minister to Tokyo during the Russo-Japanese War, posted to Washington, then served on the Tsar’s Council of Ministers until 1917). Rosen thought that, far from creating a secure basis for peace, the so-called balance of power had merely created two armed camps which lived in constant fear of each other (p.138). As you read on in the book you can’t help agreeing with Rosen’s view. Lieven himself appears to agree, stating that the problem with the diplomacy of the 1900s was it was armed diplomacy, with the constant threat of violence behind it. This is what made it so inherently unstable – the slightest misunderstanding threatened to escalate into Armageddon (p.339).

Age of empires

It was an age of empires – the British empire, the French empire, the German Reich, the Austro-Hungarian empire, the Ottoman empire and the Russian empire. But Lieven’s book is at pains to make you put aside the traditional Anglophone notion of ’empire’ as power exerted over black and brown people far overseas in Africa and Asia. He is concerned with the great land empires of Austro-Hungary, the Ottomans and Russia, the empires which were mostly land-locked and had to expand, if at all, into territory contested by the other empires.

It was a zero sum game, meaning that Russia could only gain territory at the expense of the Ottomans or the Austrians; the Austrians, when they formally annexed Bosnia Herzegovina in 1908, did so at the cost of the humiliation of Russia, which considered itself to have a special leading role in the Balkans. And both Russia and Austria expected to seize or annex territory at the expense of the failing Ottoman Empire.

In fact it was almost an age of super-empires, for around 1900 there was a lot of chatter from journalists, writers, commentators and even politicians from the larger nations about consolidating themselves into ethno-religious power blocs.

What does that mean? An example is the way the hugely popular British politician Joseph Chamberlain proposed to create a new federation out of the white nations of the British Empire, bringing together Canada, Australia and New Zealand into a confederation with the UK, creating a free trade organisation, bringing their laws into harmony, to create a ‘British white empire-nation’ (p.21).

On an even bigger scale, some Brits and Yanks fantasised about bringing America into this union, to create a massive trading, political and military bloc – the Anglosphere.

(This is the background to a lot of Rudyard Kipling’s writings at the turn of the century, his marriage to an American, his friendship with America’s buccaneering Teddy Roosevelt, president from 1901 to 1909, his hopes for a union of white English-speaking peoples. This explains conservative support for the Boer War, because the Boers were seen as a backward people who were blocking Cecil Rhodes’ great vision of a corridor of white imperialist rule running the length of Africa, from Cape Town to Alexandria. They imperialists had a vision, not of power for its own sake, but for the union of white English-speaking peoples to bring economic development and liberal civilisation to the non-white world.)

For their part, diplomats and statesmen in both Germany and Austria continued to speculate about a merger between the two countries to create a Greater Germany, something which had been debated since Bismarck had wondered whether to bring Austria into, or leave it outside, his project for a United Germany in the 1860s. Gross-Deutschland would then, of course, want to reclaim the German-speaking populations of the Czech lands and of Poland.

The other continental powers were well aware that this tendency to expansion was a powerful strand in German political thought (and, of course, it was revived by the Nazis with their claim for Lebensraum which led them to invade first Poland, then the Soviet Union 25 years later).

The price of failure And all the empires were nervously aware of what happened if your empire failed. They had before them the woeful examples of the Ottoman empire and, further away, the Chinese Qing empire, both of which were visibly falling to pieces. (Interestingly, Lieven uses the phrase ‘scramble for China’, which I don’t think I’d heard before, saying that if the 1880s saw a scramble for Africa, the 1890s saw a ‘scramble for China’.)

So everyone could see what happened to a failing empire. The great powers imposed unequal trade treaties on you, humiliated your government, annexed the tastiest parts of your lands, dismissed your culture and traditions. Total humiliation. China was probably the most humiliated: Russia and Japan signed conventions in 1910 and again in 1912 agreeing to divide ‘spheres of interest’ in China’s north-east borderlands (p.195).

None of these rulers could see forward a hundred years to our happy European Union of liberal democracies. The only alternative they could see in their own time to building up strong, aggressive empires was total collapse, anarchy and humiliation.

In the age of high imperialism, there was nothing strange in Austrian arrogance towards lesser breeds. In this era, Anglo-American Protestants most confidently stood at the top of the ladder of civilisation and looked down on everyone. The Germans were climbing the ladder fast, but their sense of superiority still lacked the confidence of their British rivals and could be all the more bruising as a result. The Russians knew that they stood well down the ladder of civilisation in Western eyes, which helps to explain many undercurrents in Russian culture and society of the time.  By despising and measuring themselves off against the weak, barbarous and un-Christian Turks, they in turn asserted their membership in the world’s exclusive club of European, civilised great powers. (p.208)

Hence the stress, hence the anxiety in so many of their calculations. It was a dog-eat-dog world. It was win, or be eaten alive.

Russian rearmament reflected a desperate search for security and status born of a deep sense of weakness and humiliation. (p.226)

But then, running counter to all these trends to expand and build up empires, the latter half of the 19th century was also the age of nationalism. In his epic biography of Karl Marx, Gareth Stedman Jones shows in detail how the virus of nationalism was spread by the troops of Napoleon’s army to the Rhineland of Marx’s boyhood, and the rest of Germany. The French revolutionary armies took it everywhere as they tramped across Europe in the early 1800s, telling peoples and ethnic groups that they should be free.

The struggle for Greek independence in the 1820s was an early example of the trend which was eclipsed by the massive central European struggles for the unification of Germany and Italy which dominated the mid-century.

But it was only in the second half of the nineteenth century that the spread of industrial technology led to the dissemination of at least basic education and literacy to more remote populations, and that the growth of interest in folk stories, languages and traditions among newly educated intelligentsias helped to foment ‘independence’ and ‘nationalist’ movements among the smaller nationalities – the Czechs, the Bulgarians, the long-suffering Poles, the Ukrainians and, fatefully, among the squabbling peoples of the Balkans.

Nationalism was, to use the Marxist notion of the dialectic, the antithesis to the thesis of imperialism. One bred the other. Throughout the second half of the nineteenth century nationalisms popped up all across Europe as a result of the civilising impact of their imperial rulers, but which threatened to undermine the great land empires, continually jeopardising the famous balance of power.

So, the central political problem of the age for the administrators of empires was – how to handle the nationalist demands for independence which threatened to undermine the homelands of empire.

Ireland Lieven takes the unexpected but illuminating example of Ireland. Irish Home Rule from the 1880s onwards was so bitterly opposed by the British Conservative and Union Party because the British elite was well aware how relatively small and fragile the homeland of the global British empire – i.e. the four nations of the British Isles – really was. Knock away one of the four legs supporting the table and maybe the whole thing would collapse.

Austro-Hungary It is one of the many insights thrown up by Lieven’s book that he applies the same logic to the Austro-Hungarian Empire and the Balkans. In the late 19th century virtually all the European nations clambered on the bandwagon of empire building, seeing it as the only viable way to maintain economic and political equality with the leading nations, France and Britain. Hence the ‘scramble for Africa’ in which even little Italy and puny Spain took part (claiming Libya and the north of Morocco, respectively).

Thus even landlocked Germany managed to seize some choice parts of Africa (German South West Africa, Cameroon, German East Africa).

But Austro-Hungary was not only landlocked but – having lost territory in Italy and France in the 1870s – its rulers were struggling to hang on to what they’d got, struggling to manage the rising tide of Czech nationalism in the borderlands with Germany on the north, and the bickering of Balkan nationalities (Bosnians, Croats, Serbs) at the south-east fringe of Europe (p.205).

(Lieven quotes the opinion of Alexander Giers, ambassador to Montenegro, that there was little to choose between the Serbs, the Greeks, the Bulgarians and the Romanians: ‘They all hate each other’, quoted p.142).

Permanently anxious about her alliance with Germany, and permanently twitchy about the presence of the huge Russian Empire on her borders, the Austrians felt about the Serbs something like the British felt about the Irish. And reacted with just the same over-violence born out of prolonged stress and anxiety, as the British did to the Irish.

Serb nationalism Thus when Serb nationalists assassinated Archduke Ferdinand in July 1914, hawks in the Austrian government thought it would make an excellent opportunity to crush little Serbia’s bid for independence and put paid to bickering in the Balkans once and for all. Show them who’s boss. Make the Austrian empire secure for a generation.

This is just one of the many insights and fruitful comparisons thrown up Lieven’s deliberately non-Anglocentric perspective.


Russia

The majority of Lieven’s content is about Russia. He takes you swiftly by the hand through the highlights of the previous two hundred years of Russian history – Peter the Great (1682-1725), Catherine the Great (1762-96), Napoleon and 1812, Crimean War (1853-56), the emancipation of the serfs (1861) – Russia’s geographical resources and economic and political development – and shows how parties or factions naturally and logically arose from the specific Russian situation.

Court and country parties

For example, Lieven explains the fundamental fact that there were ‘court’ and ‘country’ parties in Russian government. The court party surrounded the young, inexperienced and shy Tsar Nicholas II. Sophisticated St Petersburg liberals, they thought Russia should welcome Western influences, Western industrialisation, Western technology and Western values. They promoted alliance with France and Britain. (p.106)

By contrast, the ‘country’ party despised Petersburg intellectuals, half of them had foreign (often German) names or Jewish ancestry, for God’s sake! The country party were based in Moscow, good old patriotic, heart-of-Russia Moscow (p.129). They thought the Tsar should reject western values. They thought Russia should ally with the most powerful nation in Europe, Germany, and her handmaiden, Austria. (p.70)

Some of the country party subscribed to various shades of ‘Slavophilia’ i.e. the notion that Russia was special, had a special Orthodox culture, a special social system, a special ruler etc, and so should emphatically reject all Western ideas and the Western route to ‘modernisation’, which were corrupt, decadent and irrelevant to Russia’s special traditions.

Another major thread of ‘Slavophilia’ was the notion that the Slavic Russians should support their Slav brothers in the Balkans, the peoples of Serbia or Bulgaria, defend and lead the noble Slavic inheritance.

Onwards to Constantinople

A complicated mix of motives kept the issue of Constantinople bubbling at the top of the agenda. One was religious-ethnic. Some Russian thinkers thought that Russia had a historic destiny to sweep through the Balkans and recapture Constantinople from the weak and failing Ottoman Turks. This would:

  1. Unite all the Slavic peoples of the Balkans, reviving and glorifying Slavic culture.
  2. Allow Constantinople to be reborn as a great Christian capital, as it had been until conquered by the Turks as recently as 1453. It would be a symbolic rebirth of the ‘second Rome’ of Byzantium to rank alongside the ‘third Rome’ of Moscow.

Less quixotic than these millennial religious fantasies, hard-headed military men also thought a lot about Constantinople. Russia possessed the largest territory in the world, with immense land, people and resources. And yet it was prevented from projecting that power outwards, unlike all the nations on the ocean e.g. Britain, France, Spain, Holland, and especially America, sitting astride the two great oceans.

(The importance of naval power was crystallised in the widely-read contemporary book by American theorist Alfred Mahan, summarised on page 160).

Russia possessed three big fleets and naval ports – in the Baltic, at Vladivostok in the far Pacific East, and at Crimea in the Black Sea – but all of them were problematic. The Baltic was nearest to homeland Europe but was frozen for half of the year, and egress was blocked by Germany and Denmark. Vladivostok was too far away from the European centres of power.

All thoughts were therefore focused on the Black Sea, where Russia’s main shipyards were, and on the Crimea, which was the base for a large, modern naval fleet.

Yet it was a permanent irritation to the Russian military that this fleet was blocked up in the Black Sea, prevented from sailing through the Dardanelles and into the Mediterranean. The subtle way round this perennial problem was to negotiate alliances and pacts with the other European powers to bring pressure to bear on the Ottoman controllers of the Dardanelles to allow the Russian fleet out to patrol the high seas and claim her rights as a Great Power.

The not-so-subtle approach was to launch the umpteenth Russo-Turkish War, march on Constantinople and seize the Straits, solving the problem once and for all. After all – as Lieven points out in a thought-provoking comparison, the British had bullied their way to seizing Egypt and the Suez Canal in 1882, and the Americans had created the country of Panama in 1903 solely in order to build a canal joining the Pacific and Atlantic, both empires acting in unashamed self-interest.

The only catch being that the major European nations would probably pile in to stop Russia – as they had during the disastrous Crimean War when Britain and France came to Turkey’s aid against aggressive Russian incursions into Ottoman territory.

All of these ‘country’ party ideas – Pan-Slavism, conquering Constantinople – were deprecated by the ‘court’ party, who thought they were:

  • low and vulgar, usually whipped up by rabble-rousing nationalist newspapers
  • contrary to Russia’s true interests – Russian peasants and workers couldn’t give a damn about Constantinople
  • and anyway, Russia’s course was best left to the professional, aristocratic diplomats like themselves, who knew best

Nonetheless, Russian leaders of all parties looked on with dismay as British ascendancy over the Turks, which had lasted into the 1880s, was slowly replaced by the influence of Germany, which sent soldiers to train the Turkish army and engineers to build a railway from Berlin to Baghdad. (As Lieven points out, the Germans were the only European power who had not at some stage tried to seize Ottoman territory – you can see how this might work in their favour in Istanbul.)

(And, of course, Turkey would end up joining the side of the Germans in the Great War. With the result that the Allies in 1915 themselves took up the Constantinople Question, floating the possibility that Russia would be encouraged to take the city. Prince Grigorii Trubetskoi was even named the future Russian commissar of the city. Wheels within wheels.)

West or East?

Another school of thought, and advisers, recommended leaving the complex problems of Europe to sort themselves out, and focusing on what Russia already possessed, namely the vast extent of Siberia and the East – a policy which, after the Revolution, would come to be known as ‘Eurasianism’ (p.143).

It was under Nicholas II that the great Trans-Siberian Railway was built. Proponents of an Eastern policy pointed out that Siberia had huge untapped natural resources, it just needed:

  • the infrastructure to join up the tens of thousands of settlements scattered across this vast waste of steppe and tundra
  • the emigration of settlers into the vast empty spaces
  • the creation of new towns and cities
  • the harvesting of the country’s natural and human potential

Given peace in the troublesome West, given enough time, the Eurasian party believed that Russia could develop its economy and resources enough to compete with Germany, even compete with America, to become a truly great power.

The Russo-Japanese War 1904-5

All of these hopes came crashing down when Russia came into conflict with the new, aggressive and confident Japanese Empire in 1904 and was badly beaten. Beaten for a number of reasons – their army was big but badly trained and under-equipped, the navy had to steam all the way from the Baltic to the Far East, by which time the major land battles had already been lost, and in any case it was then comprehensively trashed by the much better-led Japanese navy.

Defeat rocked all the traditional pillars of Russian society. The Tsar was personally blamed, the Army and Navy looked like fools, even the Orthodox Church which had blessed the war as a ‘crusade’ was made to look powerless and irrelevant.

The war gave rise to a revolution whose specific trigger was when troops fired on a protest march in Petersburg on 22 January 1905, which went down in folklore as ‘Bloody Sunday’, and rebellion, mutiny, strikes and insurrection spread like wildfire across the country.

The revolution was, in the end, only quelled when the Tsar issued the October Manifesto of 1905 which pledged major political reforms such as the creation of a parliament – called the Duma – with elected representatives, plus land and industrial reforms. The strikes ended, the agrarian disturbances subsided, the mutinies were crushed – but to many, even committed supporters of the Romanov Dynasty, the clock was ticking.

Towards the flame

Believe it or not, everything I’ve just summarised is all just the introduction to the book’s core and is covered off in just the first 100 pages or so. If you recall, the text’s main focus is on the period 1905 to 1920, i.e. beginning after the Russo-Japanese War and the 1905 revolution.

Having set the scene and established many of the enduring themes of Russian politics and diplomacy in the first hundred pages or so, Lieven now goes into very great detail about the personnel, the men who manned the key roles in the Russian government – Foreign Ministry, Finance Ministry, Army, Navy and so on. These men’s backgrounds, their families and family connections, their beliefs and the policies they pursued are all described in a long chapter titled The Decision Makers (pages 91 to 181).

Lieven gives pen portraits of the main diplomats, their careers and their views, including:

  • Count Vladimir Lambsdorff, Foreign Minister to 1906
  • Count Alexander Izvolsky, Foreign Minister 1906 to 1910, architect of the alliance with Britain
  • Sergey Sazonov, Foreign Minister from November 1910 to July 1916 i.e. during the crisis of 1914
  • Pyotr Stolypin, Prime Minister of Russia and Minister of Internal Affairs from 1906, who tried to counter revolutionary groups and pass agrarian reforms, until he was assassinated in 1911
  • Prince Vladimir Meshchersky, editor of the Monarchist newspaper, Grazhdanin, the only paper Tsar Nicholas read, an unpopular reactionary
  • Count Vladimir Kokovtsov, who replaced Stolypin as Prime Minister of Russia from 1911 to 1914
  • Count Sergei Witte, Finance Minister 1892 to 1903, Chairman of the Committee of Ministers 1903 to 1905, first Prime Minister of Russia 1905-6 during which he designed Russia’s first constitution – an intelligent businessman who thought Russia needed a generation of peace to blossom
  • Prince Grigorii Trubetskoi, epitome of liberal imperialists and the panslavic policy, head the Near Eastern Department of the Foreign Ministry, which was responsible for Balkan and Ottoman affairs 1912-14 i.e. at the heart of the 1914 crisis
  • Baron Roman Rosen, 1903 ambassador to Tokyo, ambassador to USA 1905, State Council of Imperial Russia 1911-17 – who believed Russia should forget Constantinople and the Balkans and focus on developing Siberia and the East
  • Alexander Giers, Consul General in Macedonia, Press Council 1906, who saw at first hand how unreliable and unpredictable the Balkan Slavs were and warned that the Serbs were manipulating Russia into backing them against Austria
  • Nikolai Hartwig, Russian ambassador to Persia (1906–1908) and Serbia (1909–1914), a strong pro-Slav, sometimes described as ‘more Serbian than the Serbs’

Lieven then gives similar treatment to the main military leaders of the period – heads of the army and navy, major military thinkers, their dates, relationships and the often bitter in-fighting between them for resources and about strategy.

Having established a) the deep themes or concerns of the Russian state and its ruling elite, and having b) described in some detail all the key personnel, all the ‘decision makers’ of the period – Lieven then takes us through the years leading up to Armageddon, with chapters devoted to:

  • the emergence of the Triple Entente 1904-9
  • the sequence of crises 1909-13, being:
    • The First Moroccan Crisis, 1905–06 – Germany challenged France’s control of Morocco – worsening German relations with both France and Britain
    • The Bosnian Crisis 1908 – Austro-Hungary annexed Bosnia and Herzegovina, which had been under its sovereignty since 1879 but which infuriated the Serbs and Pan-Slavic nationalism in the region
    • The Agadir crisis in Morocco, 1911 – the French sent troops into Morocco, angering the Germans who sent a gunboat to Agadir, eventually backing down but the crisis cemented the alliance between France and Britain
    • The Italo-Turkish War 1911–12 – Italy invaded what is today Libya but was then a province of the Ottoman Empire. Nobody came to Turkey’s aid, showing that Turkey was now friendless – which meant that land grabs in the Balkans would be unopposed – i.e. the delicate balance of power had vanished
    • The First Balkan War October 1912 to May 1913 in which the Balkan League (the kingdoms of Bulgaria, Serbia, Greece and Montenegro) defeated the Ottoman Empire and seized almost all of Turkey’s territory in Europe
    • The Second Balkan War June to August 1913, in which Bulgaria, dissatisfied with the settlement of the first war, attacked Greece and Serbia, and also managed to provoke neighbouring Romania, all of whom defeated Bulgarian forces, forcing it to concede territory to all of them
  • the crisis of 1914
  • The First World War and the Russian Revolution

Some thoughts

The backwardness and repressiveness of Russia bred a special kind of fanatic – extreme socialists or anarchists – who thought they could bring about change through strategic assassinations.

Russia was riddled by extremist political factions for the fifty years before the revolution, and plagued by the assassinations of high officials. As Lieven points out, it is no coincidence that the Russian aristocracy and gentry produced the two greatest anarchist thinkers of the nineteenth century, Prince Peter Kropotkin and Mikhail Bakunin (p.119)

But the entire strategy of assassination was almost always counter-productive. It is a great irony that the assassins who murdered Tsar Alexander II in 1881 did so just as he was about to authorise a set of liberal laws. His successor, Alexander III, was an old-style, clumsy, bearish, paternal reactionary who inaugurated thirty years of repression, thus condemning Russian radicals to decades of arrest, Siberian imprisonment and exile, and polarising the intelligentsia even further.

The view from the upper classes

Lieven is posh. From Wikipedia we learn that:

Dominic Lieven is the second son and third child (of five children) of Alexander Lieven (of the Baltic German princely family, tracing ancestry to Liv chieftain Kaupo) by his first wife, Irishwoman Veronica Monahan (d. 1979).

He is the elder brother of Anatol Lieven and Nathalie Lieven QC, and a brother of Elena Lieven and distantly related to the Christopher Lieven (1774–1839), who was Ambassador to the Court of St James from Imperial Russia over the period 1812 to 1834, and whose wife was Dorothea von Benckendorff, later Princess Lieven (1785–1857), a notable society hostess in Saint Petersburg.

Lieven is ‘a great-grandson of the Lord Chamberlain of the Imperial Court’ of Russia.

He was privately educated at Downside School, the famous Benedictine Roman Catholic boarding school.

Having just read Edmund Wilson’s long study of the communist tradition, and Engels’s powerful pamphlet Socialism: Utopian and Scientific, my head is full of revolutionary thoughts about the industrial proletariat and about the way the ruling classes everywhere use repressive ‘ideologies’ to keep the exploited in their place, ideas like ’empire’ and ‘tsar’ and ‘religion’, ‘honour’ and ‘duty’ and ‘fatherland’.

There is little of that Marxist sensibility present in Lieven’s book. Lieven takes it for granted that there were empires and that they were ruled by an extraordinarily privileged aristocratic elite. I’m not saying he’s naively in favour of them. But he takes them on their own terms. This became obvious during the long, sometimes pretty boring chapter, about the Decision Makers. Prince so-and-so of the court party was related to Count so-and-so who took a slavophile line, while his cousin, the archduke so-and-so was more a supporter of the policy of eastern expansion. And so on for a hundred pages.

In a way typical of prewar European diplomacy, the Foreign Ministry and Russian diplomacy were a nest of the aristocracy and gentry. The nest was very, very small: in 1914, there were fewer than two hundred men of all ages who had passed the diplomatic exam and in principle were eligible for mainstream posts. (p.119)

Later he points out the importance of notions of honour to the Russian aristocracy, and the vital importance of remaining a great power to the entire diplomatic, military and political leadership.

But to the ordinary Russian, these concepts were all but meaningless. The Russian ruling classes thought that, when push came to shove, the masses would demonstrate their love for the Tsar and for Mother Russia and the Great Pan-Slavic Cause, but they were wrong, so wrong.

Exciting the Russian masses about Constantinople or their Slave brothers proved an impossible task. In 1909, Grigorii Trubetskoy’s brother Prince Evgenii Trubetskoy wrote that only someone who believed Russia to be a ‘corpse’ could imagine that when it stood up for its honour and the Slav cause against Germany, there would not be a surge of ‘powerful and elemental patriotism’.

The First World War was to prove him wrong. (p.131)

What makes it puzzling is that the Russian elite had already had the test drive of the 1905 revolution in which they should have learned that far from rallying to the cause of Mother Russia, peasants and workers all across the country rose up against the court, the aristocracy, the police, the Church and everything the elite believed in.

For me the big question is, ‘How was the Russian ruling elite able to persist in their obtuse ignorance of the true nature of the country they were living in?’

Without doubt the tiny coterie of men Lieven describes made up the diplomatic and foreign policy elite, and their decisions counted, and it was the clash of their policies and ideas which made up ‘debate’ in the ruling elite and determined Russia’s strategy through the decade of crises leading up to 1914.

Without doubt this is precisely the point of Lieven’s book, to give an unprecedentedly detailed account of the sequence of events 1905 to 1920 from the Russian point of view, explaining the key personnel and their ruling ideas and concerns and how they reacted to, and created, events.

In this aim the book doubtless succeeds and can’t help impressing you with the depth of its research and the thoroughness of its analysis.

But it feels so airless, so claustrophobic, so oppressively upper class. Clever, well educated, sensitive and sophisticated though the Russian ruling class so obviously are, you can’t help cheering when the enraged workers storm their palaces and throw all their fancy paintings and porcelain out into the street.

To put it another way –  as Lieven himself does half way through the book – the Russian ruling élite believed its own ideology, defined itself in terms of its preposterously unreal, disconnected value system – forged its identity in terms of Russian dignity and nobility and honour and the need to remain an Empire and a Great Power.

So they were staggered when they discovered that the overwhelming majority of the Russian people didn’t give a toss about these fantasies, was incapable of defending them, and eventually rebelled against them.

In a nice detail, Lieven tells of a German officer during the Great War, whose job was to debrief Allied prisoners of war. He discovered that the French and British soldiers had a clear sense of what they were fighting for, but the Russian soldiers didn’t have a clue. Pan-Slavism – what was that? Controlling the Turkish Straits – what were they? Preserving the European Balance of Power – what on earth was that?

The over-educated, incestuous, airless narrowness of Russia’s elite condemned itself to extinction.


Related links

Other blog posts about Russia

Other blog posts about the First World War

The Just by Albert Camus (1949)

It is 1949. War-torn Europe lies in ruins. Across Soviet-controlled Eastern Europe communist regimes are intimidating and executing their way to power. The Cold War between America and Russia is well-entrenched, epitomised by the Berlin Airlift, which began in June 1948.

Which side should you choose to be on? American capitalism exploiting its workers, repressing its Black population at home and spreading its neo-imperialism abroad? Or the worldwide communist movement which, despite much evidence to the contrary, at least holds out the possibility of a fairer world, where workers are liberated from an exploitative system and the vast populations of the imperial colonies are freed?

But joining the communist movement means accepting the need to get your hands dirty, to join in with its culture of conspiracy, revolution and political murder. Is this acceptable?

In the late 1940s Camus was working through these issues in the long philosophical essay which would be published as L’Homme révolté in 1951. This book addresses head-on what Camus regarded as the big issue of the day, namely — Is it morally justifiable to commit political murder for what you regard as a just cause? Does the hope of achieving freedom for an entire society in some hypothetical future justify killing a handful of actual people in the here-and-now? To use the phrase so many intellectuals used throughout the communist period – Do the ends (the workers’ state, complete human freedom, utopia) justify the means (conspiracy, terror, murder)?

Alongside the politico-philosophical approach of L’Homme révolté, Camus set out to dramatise these questions in this five-act play. Its title can be translated as The Just, The Just Assassins or, maybe, The Righteous.

The play follows the activities and impassioned arguments of a small group of revolutionary socialists in Russia, in 1905, who are planning to assassinate the Grand Duke Sergei Alexandrovich, the fifth son of Tsar Alexander II of Russia. All but one of the characters are real historical personages and the events really took place as described. Camus based the play on Memoirs of a Terrorist by one of the group, Boris Savinkov. (In fact, Camus devotes several pages of L’Homme révolté to Savinkov’s book, giving thumbnail portraits of the group and quoting their reported conversations – a passage which sheds light on the play, and certainly on Camus’s fascination with this brand of ‘fastidious assassins’, as he calls them.)

Plot & characters

At the first attempt to throw a bomb in the Grand Duke’s carriage the would-be assassin Kaliayev at the last minute backs down, because he sees that there are children in the carriage (this is historical fact). On returning to the group and making the excuse that he wants to kill the ‘guilty’, but not the ‘innocent’, Kaliayev is rebuked by the unflinching revolutionary Stepan:

Not until the day comes when we stop being sentimental about children, will the revolution triumph and we be masters of the world. (p.136)

The only woman in the group is Dora who is as unbendingly revolutionary as the rest of them. In the middle of the play her role changes, though, as we see her developing ‘feelings’ for Kaliayev, until, in a central scene, she surprised me by suddenly dropping the revolutionary jargon and turning into a fully-fledged ‘love interest’, telling Kaliayev that she wants to be loved as a woman, asking whether he loves her, and asking why all of the group can’t they choose human happiness over murder? Possibly we are meant to be moved by this, although I saw it as just part of Camus’s programme of wringing every possible permutation of argument, moral, political and psychological, from his situation.

But Kaliayev ignores her please and summons up the determination, two days later, to be back in the street when the Arch Duke is on another carriage drive, and to throw a bomb which blows the old man to smithereens. (All this happens off stage; we only hear the sound effects and see the excited faces of the characters looking out a window onto the scene of the murder in the street below.)

In the final acts the play becomes increasingly schematic. Kaliayev was captured by the police after he threw the bomb and is now in prison. He has a brief, ironic dialogue with a fellow prisoner, who, it turns out, is actually the prison hangman and will be killing him.

And then in a long, excruciatingly pretentious scene, Kaliayev is confronted by the Grand Duchess, the wife of the man he blew to smithereens. She is, with heavy predictability, a devout Christian and she wants, of course, to forgive him, and for him to join her in prayer to the Lord of All.

This meeting of murderer and victim’s wife allows Camus to write a long Dostoyevskian dialogue contrasting divine love and earthly love, divine justice and human justice, sin and forgiveness, and so on.

KALIAYEV: When they’ve pronounced the sentence, and they’re all ready for the execution… then… at the foot of the scaffold… I shall turn away from you and this vile world… And at last my heart will be filled with love!… Can you understand?
GRAND DUCHESS: There is no love except with God.
KALIAYEV: Yes, there is… Love for people… Love for mankind! (p.161)

With every fresh text of Camus’s that I read I become more convinced that Christian theology was central to his worldview, in particular the Christian dichotomy of crime and punishment, sin and salvation, damnation and salvation, repentance and forgiveness. Although the play contains much rhetoric about revolutionary ‘freedom’, it is the fundamentally Christian dynamic of sin and forgiveness which underpins the text.

After Kaliayev has spurned the Grand Duchess’s offer of praying for forgiveness and she has left, the sleek Chief of Police Skouratov tries to blackmail Kaliayev. Skouratov says he will put it about that Kaliayev begged to see the Grand Duchess, begged for her forgiveness and renounced his revolutionary views – i.e. he will discredit him, unless Kaliayev admits the whereabouts of his fellow conspirators. End of act four.

In the last act we are back with the conspirators in their shabby apartment, setting of the first three acts. As in a Greek tragedy, a messenger/eye-witness arrives to describe Kaliayev’s last moments as he stepped up to the scaffold to be hanged. This is  how we learn that he rejected Skouratov’s offer to betray his comrades, he didn’t flicker in the face of death, and so on. A stern Roman virtue.

Then follows the climax of the play as Dora, Kaliayev’s lover, half-weeping, half-shrieking, announces that she wants to be reunited in sacrifice with her man and insists – against the group’s sexist code that no woman can actually take part in an act of terrorism – that she will be the one to throw the next bomb. Shamed by her ‘revolutionary’ intensity and ideological fervour, her colleagues acquiesce.

And so the torch is handed on. There will be more assassinations, more murders. The cycle will never end.

Schematic

What is most striking about the play is the starkly simplistic attitudes of the characters. They are like diagrams or caricatures. One is a poet who hates lies but is forced to lie in order to be a conspirator, and justifies it because once he has thrown his bomb ‘all lies will end’. One thinks they are ‘killing to build a world where there will be no more killing’. One thinks you can’t just talk about the revolution, you must be part of it. One thinks no individual can be free until all people in the world are free.

The turns of event mainly exist not to provide drama in the broad sense, but to introduce new topics of debate. Thus Kaliayev’s refusal to throw a bomb into a carriage containing the Arch Duke’s children introduces the issue: ‘Should you – are you permitted – to murder a few young innocents in order to bring about a Just Society in which all innocents will be protected?’

The trouble with such a schematic approach is that it sacrifices psychological depth or emotional plausibility. Thus Kaliayev’s ‘temptation’ by the head of the police to betray his comrades is a) very brief, amounting to a page or less of dialogue b) doesn’t lead anywhere at all – I was expecting it to have some kind of dramatic consequence in the final act but it is forgotten, eclipsed by the eye witness account of Kaliayev’s execution.

Compare and contrast its throwaway brevity with the searing psychological intensity of the interrogation scenes in Nineteen Eighty-Four or the prolonged breaking down of Rubashov in Darkness at Noon. Camus isn’t in the same league.

The heavy-handedness of the ‘debate’ with the Grand Duchess about God in Act Four alienated me from the play by its predictability and its superficiality; and when Dora, in Act Five, becomes the focus of the action with her distraught alternation between tearful love for her man and steely determination to strike the next blow for ‘freedom’, I had switched off.

If you had never thought about these issues before, the play might just about be a good 6th form or maybe undergraduate resource with which to prompt discussions about the morality of revolutionary violence – in the same way that Frankenstein might, at a pinch, be used to trigger discussion about the ethics of genetic engineering or Heart of Darkness about imperialism. But it’s neither a serious in-depth analysis, nor an emotionally believable one.

Terrorists may be at work all over Europe as I write, but I don’t think the guys we have to worry about think or talk like this nowadays.

The uselessness of morality

My son the Philosophy A-Level student tells me that, in terms of moral philosophy, I am a ‘consequentialist’. I had to look it up to find out what he meant. It means I don’t believe in grand moral or ethical principles (a position I sometimes provocatively express as, ‘I don’t believe in morality’). I don’t invoke general moral axioms or principles to help me decide whether to act this or that way. I judge by outcomes. I am interested in what works.

For me, there is no particular ‘moral’ principle involved in the question ‘Is political murder ever justified?’ The only criterion is, ‘Does it work?’ And all the historical evidence we have is that almost all political assassinations a) don’t change anything or b) make repression worse.

It doesn’t work, so don’t do it.

Holding this position explains why I found almost everything the characters say in this play superfluous and irrelevant. Their interminable debates over their conflicting moral codes, worrying about their sensitive scruples, their agonised discussion of ethical principles and so on seem to me either adolescent navel-gazing or windy metaphysics. They kill the Duke. They are arrested. There is no revolution. Tyranny is not overthrown. Freedom does not come for every person in Russia. They resolve to carry out another terrorist atrocity. And so on. And they will continue to carry out individualistic assassinations until their entire ‘revolutionary’ ideology is swept away by the grand state terrorism of the Bolsheviks.

In other words – Fail. It is a failed way of thinking.

Only in a declared state of war can killing a clearly-identified enemy be justified, because it stands some chance of success i.e. of winning the war. In all other circumstances, killing is just killing. The Baader-Meinhof group shooting German bankers and industrialists. The IRA blowing up pubs in England or murdering Protestant workers. ETA assassinating Spanish officials. ISIS machine gunning people at a rock concert. Did they achieve their stated aims of overthrowing the system, country or values they detest? No. They failed. In the end they were just killers.

And more often than not they found themselves trapped in the role of terrorists. Committed to a ’cause’ they couldn’t quit because they had already burned their bridges, psychologically and legally. Hard to return from the excitement of clandestine meetings, smuggling arms, and planning atrocities to working 9 to 5 in an office.

Moreover there is an unavoidable inflationary logic to terrorism. As small terrorist acts fail to achieve their ends, many terrorist groups find themselves forced to stage bigger and more destructive ‘spectaculars’ in order a) to get some kind of reaction and b) to justify their ’cause’, their existence, to themselves and their supporters and c) to justify their life decisions to themselves.

And all, in the end, for nothing.

The best explanation I’ve read of the grim logic of modern terrorism is the relevant sections of Gerard DeGroot’s popular history, The Seventies Unplugged.

Historical innocence

Back to the play – by setting it in 1905 Camus’s makes sure Les Justes is largely innocent of the history of bloodshed which followed the Russian Revolution of 1917. The characters exist in a kind of pre-lapsarian phase of political terrorism. Although Russia had had a healthy track record of terrorism for at least a generation previously – the Grand Duke’s father, Tsar Alexander II, survived no fewer than five assassination attempts before himself being blown up in 1881 by terrorists (like father, like son) – the grotesque, continent-wide super-violence of the Great War and its aftermath had not yet occurred. The thirty years of bloodshed, terror and state terrorism sprawling from 1917 to 1947 was undreamed of.

(It is, for example, interesting to learn that the real-life Grand Duchess was murdered in 1918 by revolutionaries during the Russian Civil War – but by that time we were used to mass murders and killing on an industrial scale: she was just one among millions who met a violent end. The play is set in an essentially bourgeois world where individual lives – where the complex moral dilemmas of individuals – still matter.)

Thus, by choosing 1905 Camus has stripped away the contemporary and complex historical context of his own time (1949) and returned to a much simpler, more innocent age, in order to bring out the ‘issues’ with greater clarity.

Maybe this is why Les Justes sometimes feels more like an excerpt from BBC Bitesize or an over-the-top school play than a drama for modern grown-ups. It is full of cardboard characters adopting histrionic and above all, very simple-minded poses. Take a characteristic outburst from the most unflinchingly revolutionary character, Stepan:

For us who don’t believe in God, there is nothing between total justice and utter despair. (p.148)

This is not only childishly, petulantly melodramatic, it is also plain wrong. There is no such thing as total justice or utter despair, these are tiresomely writerly abstractions. In fact there is a whole world of life and love for everyone to enjoy, whether they believe in God or not. Watch The Great British Bake-Off: are these people fussing about their soggy bottoms trapped between total justice and utter despair?

There is absolutely no need to live in this hysterical, Dostoyevskian state of mind unless you want to.

It’s their unrelentingly histrionic simple-mindedness and their wilful neglect of the real, actual world of happy people, which makes the characters in this taut little melodrama difficult to care for and a lot of Camus’s political writings so difficult to read.

Ivan Kalyayev, assassin of Grand Duke Sergei Alexandrovich of Russia

Ivan Kalyayev, real life assassin of Grand Duke Sergei Alexandrovich of Russia, and lead figure in Les Justes

But judging a play from just reading it is a dicey thing to do. Plays are not meant to be read cold on the page, but animated by flesh and blood actors, in real productions in front of live audiences in particular times and places.

All of these factors came together favourably in the first production of Les Justes, which opened in Paris in December 1949, was well received by the critics, and ran for over 400 performances. In that time and place this drama of ideas obviously spoke to a large audience who presumably a) enjoyed the moral debates b) found it dramatically satisfying.


Credit

Les Justes by Albert Camus was published in France in 1950. This translation by Henry Jones was published by Hamish Hamilton in 1965. The Just was brought together with the other plays, Caligula, Cross Purpose and The Possessed, in a Penguin edition in 1984. All quotes & references are to this Penguin paperback edition.

Related links

Reviews of other Camus books

Reviews of books by Jean-Paul Sartre

The Algerian war of independence