How wrong I was, as it turned out, in all my preconceived notions about this journey.
(Remote People, page 97)

Waugh is a wonderful writer, clear and smooth – admittedly with occasional old-fashioned locutions and sometimes antiquated word order which makes you realise he was closer to the Victorians than to us – but he is nonetheless a deep pleasure to read because of his calm, clear, quietly cynical, drily humorous attitude. For his sophistication and style. For his combination of super-civilised manners and bright heartlessness. For his permanent alertness to the absurdity of life.

We sat in the open under an orange-tree and drank chianti and gossiped about the coronation, while many hundreds of small red ants overran the table and fell onto our heads from above. (p.72)

We saw a bridge being built under the supervision, apparently, of a single small boy in gumboots. (p.153)

[Jinja golf course] is, I believe, the only course in the world which posts a special rule that the player may remove his ball by hand from hippopotamus footprints. (p.156)

Temporary correspondent

Waugh establishes his a) posh, country house party persona and b) all-important membership of the network of posh public schoolboys who ran everything in 1930s England, by telling us that he was travelling by train back to London from a splendid country house in Wales when he bumped into an old chum who worked for The Times and, by the time the train journey had ended, his chum had promised him a job as a temporary correspondent to cover the upcoming coronation of the new emperor of Ethiopia, scheduled for November 1930.

So that’s why the reader opens the book to discover Waugh aboard a steamship, the Azay le Rideau, which has sailed from Marseilles across the Mediterranean, through the Suez Canal and is now docking at Djibouti on the coast of French Somalia. The ship is packed with dignitaries, royal guests, diplomats, journalists and cameramen, plus a unit from the Foreign Legion down in 4th class, and even military bands, all heading for the coronation.

There is ample Carry On comedy about the behaviour of guests on the ship, fuss about porters and baggage, and endless complications about who’s going to get priority places on the very occasional train service which runs from Djibouti up to the capital of Ethiopia, Addis Ababa.

Haile Selassie

A few words about Haile Selassie. He didn’t inherit the ancient throne of Ethiopia in a straightforward manner, by being the eldest son of the previous emperor, it was much more complicated than that. His most notable forebear was the emperor Menelik II (ruled 1889 to 1913) who extended and consolidated Ethiopia’s imperial rule over its neighbouring territories and defeated the invading Italian forces at the Battle of Adowa in 1896. Menelik left no immediate male heir and was succeeded on his death in 1913 by young Lij Iyasu (Lej Yasu, in Waugh’s spelling), who was the son of Menelik’s eldest daughter.

However, Lij Iyasu quickly alienated the powerful Ethiopian aristocracy with his erratic behaviour and the last straw came when he abandoned the millenium-old Ethiopian Christianity for Islam. He was dethroned and replaced by his aunt, his mother’s half-sister, Zewditu (or Zauditu as Waugh spells it). (Waugh also mentions that many of Lij’s Muslim followers were massacred at the town of Harar, p.18.)

Zewditu is an interesting figure in her own right, the first female ruler of Ethiopia in its history, she ruled as empress till her death in 1930. However, long before that, she had appointed young Ras Tafari Makonnen her heir.

Ras is a traditional title in Ethiopia. It translates somewhere between ‘duke’ and ‘prince’, which explains why accounts of its history are full of people with ras in their names. Tafari is a personal name which means ‘one who is respected or feared’. Makonnen was his family name.

Tension arose between Empress Zewditu and Ras Tafari because she was a deeply conservative and devout Christian whereas the young Tafari thought Ethiopia needed to modernise. In 1928 conservative elements in the court tried to overthrow Tafari and have him exiled, but they were defeated by a majority of the more progressive aristocracy. Zewditu was forced to confer on him the title of Negus or king, confirming his position as regent and heir to the throne.

Renewing the feud, in 1930, Zewditu’s own husband Ras Gugsa Welle led a rebellion against Negus Tafari in Begemder, hoping to end the regency in spite of his wife’s repeated pleas and orders to desist. But Gugsa was defeated and killed in battle by the Ethiopian which Tafari had devoted the previous decade to modernising, at the Battle of Anchem in March 1930.

A few days later the empress died, whether as a result of long-term illness or from shock at the death of her husband remains a subject of speculation to this day. Either way the path was now clear for Ras Tafari to inherit the throne and he was officially recognised by his peers as Negusa Nagast which translates as ‘King of Kings’. It is this title which is usually translated into English as ‘Emperor’.

It took 6 months to arrange for the actual coronation to be organised. It took place on 2 November 1930. It was traditional that, upon his coronation, the emperor choose a regnal name and Tafari chose to retain the name given to him at his baptism, Selassie, and incorporate it into his full imperial name – Haile Selassie. In the ancient Ethiopian language of Ge’ez, Haile means ‘power of’ and ‘Selassie’ means Trinity – so Haile Selassie means ‘Power of the Trinity’.

So much for his names. They’re just one aspect of the way that, the more you study it, the more the history of Ethiopia and Selassie’s place in it, become complicated and flavoursome.

Waugh at the coronation

Ethiopia was, at the time, more or less Africa’s only independent country, untainted by colonial rule. Italy had tried to colonise it in the 1890s but the Italian army was massacred at the Battle of Adowa in 1896 and signed a peace treaty with Ethiopia recognising its borders and independence.

Once news of this grand imperial coronation became known, the European countries sent their own princes and dukes to attend the ceremony of a fellow royal. There were also ambassadors quietly jostling for position, and the Americans sent business representatives to try and do deals with the new ruler. Hence the presence of the Duke of Gloucester (King George V’s son), Marshal Louis Franchet d’Espèrey of France, Prince of Udine representing King Victor Emmanuel III of Italy and representatives of the United States, Egypt, Turkey, Sweden, Belgium and Japan.

This all explains the atmosphere of colourful and confused diplomatic parties and Ethiopian ceremonies which were held during the official week of celebrations leading up to the coronation and which Waugh reports with glee and satire.

He emphasises the surreal atmosphere of posh Westerners in top hats and monocles walking through streets full of white-robed locals riding mules and wearing bandoleers and antiquated rifles.

Every man in Abyssinia carries arms; that is to say, he wears a dagger and bandolier of cartridges around his waist and has a slave boy walking behind with a rifle.

The nearest thing he can compare the ‘galvanised and translated reality’ of Addis Ababa in coronation week to is Alice in Wonderland. In fact surreal details crop up throughout the narrative, making the reader gasp. I was particularly struck when, later in the story he goes for a stroll round the shabby town of Harar and discovers that a lion in a wooden cage is kept behind the courthouse (p.83).

The text continually teeters on the edge of fiction. I mean it is continually turning into a novel. Presumably most of what he reports actually happened but Waugh’s account dwells on characters and incidents which feel like they’re from a fiction. Thus (characteristically showing off his intimacy with the aristocratic Bright Young Things of his generation) he falls in with ‘old friend’ Irene Ravensdale, the fantastically posh Mary Irene Curzon, 2nd Baroness Ravensdale, Baroness Ravensdale of Kedleston, and they go on trips together to local attractions. They spend an afternoon scrambling through the forest of Jemjem ‘in hopeless pursuit of black-and-white monkeys’ (p.71).

He also becomes friendly with an American professor – Professor W. – who is depicted as a comic character because he is supposedly an expert on Ethiopian history and culture yet doesn’t speak the language and consistently misunderstands what is going on – particularly at the coronation service itself where he gives a running commentary on proceedings which turns out to be wrong in every detail.

Despite this Waugh decides to go on a mini expedition with the professor, to Debra Lebanos, a remote monastery which has for four centuries been at the heart of Ethiopia’s spiritual life. The chapter describing this little jaunt exemplifies many of Waugh’s strengths as a traveller, observer, writer and, dare one say it, thinker.

First of all there are the colourful characters: the Armenian taxi driver they hire to take them on the long, gruelling desert journey, with his no-nonsense attitude and catchphrase, repeated at every crisis: ‘Ça n’a pas d’importance.’ The professor, who’s brought along a crate of empty Vichy water bottles to fill with holy water from the sacred spring but which keep rolling underfoot or falling out the car every time they stop. Then, once they get to the ‘monastery’ there are extended descriptions of the priests who turn out to be a pretty shabby lot, though not as shabby as many of the ‘monks’ who are, in reality, the sick and the halt and the lame who came on pilgrimages and stayed on to populate the place.

One aspect of these blunt descriptions is Waugh’s lack of pretence. About two things he has sentimental blind spots – the Catholic faith and a shamelessly sentimental, William Rees-Mogg-style fantasy about an Old England of enlightened paternalistic squires. But about everything else he is pitilessly, inexorably accurate.

Thus he doesn’t hesitate to describe the sacred monastery as a filthy dump, full of shabby undisciplined ‘monks. Even when they deign to take him and the professor up to the sacred stream, their guide gives a good indication of their general level of piety by pausing the walk to shuffle off into the nearby rocks and have a crap.

The chapter makes a more general point about travelling, or about the kind of travelling Waugh is doing, to very out of the way places – which is he doesn’t hesitate to show that a lot of these ‘legendary’ places turn out to be nothing like they’re cracked up to be. It is refreshingly not the tourist brochure or movie version, but a pitiless gaze at the impoverished, scrappy reality. Same goes for the various coronation scenes and religious ceremonies he witnesses which are often chaotic and shabby.

Then there’s broad comedy, epitomised by the honey scene. Waugh and the professor have brought with them a hamper full of choice Western delicacies (jars of olives, tins of foie gras, crackers), but when the priests offer them food they can’t, of course, refuse.

At first the priests insist that they sacrifice a beast, either a sheep or a goat, despite our heroes’ protestations. It takes the Armenian driver to make them understand that the priests exist on a very scanty diet and so killing a goat for visitors is a big treat for them, the priests. It is typical sly satire that, even when he knows this, Professor W.’s high-minded Boston principles – he is a vegetarian – make him refuse the gift, to the priest’s obvious disappointment.

But what happens next is brilliant. The priests offer to put them up in the only spare room they have, which they describe as a great honour, so Waugh and the professor are horrified to discover it is a filthy shack full of lumber and junk and pullulating with fleas.

Worse is to follow for the priest then returns with some traditional food, namely some rounds of disgusting local soggy grey ‘bread’ and, worse still, a jar of local ‘honey’. This is not the honey you buy at Harrods; it is authentic Ethiopian honey collected the traditional way, scraped off the trees where wild bees have their nests. And so the jar of translucent gloop visibly contains bits of bark, dead insects and bird poo.

Our heroes are horrified but the priest hunkers down and then looks on expectantly, evidently waiting for his honoured visitors to tuck into the monks’ bounty. Stymied and refusing to touch the poisonous viands, our heroes are at a pass, until the professor overcomes his scruples and feigns an attack of severe stomach upset, holding his tummy, pretending to be faint, mimicking throwing up.

Suddenly all attentive, the priest goes to fetch some water, then makes sure they are comfortable for the night, condoling with the poor professor. As soon as he’s left the squalid little hut, our starving heroes tear open their hamper, pull out tins of grouse and bottles of beer and have a feast – being very careful to tidy every scrap of evidence back into the suitcase before the priest returns a few hours later (pages 63 to 64).

And the last point to be drawn from this chapter, is that on occasion Waugh rises to the level of really serious insight. Not allowed into the inner sanctum of the monastery to watch the priests perform their hidden rituals, Waugh has an epiphany. He realises the enormous contrast between the obscure, secret and hidden rites of the pagan East and the bright, open, public ceremonies of Western Christianity. He spends a page explaining how Roman Christianity performs its rituals in the open, in the light, for all to see and participate in and, the corollary of this, how its liturgies and theology give clear, hard-edged verbal definition to the hazy, murky intuitions, the holy terrors and ecstasies of the East.

Obviously whether this is precisely true is debatable, but it’s a big, thought-provoking idea and it arises naturally from the bed of pitiless observation and dry comedy which he creates for it. The unflinching gaze, the comedy and satire, are all based on deeper ideas, which you may or may not agree with, but which provide a serious, substantial foundation for the comedy.

Gentlemen of the press

Waugh is well aware he is masquerading as a foreign correspondent aware that he has no experience of such a role and nothing to qualify him except the self confidence inculcated at a jolly good public school and Oxford. He is alert to the ridiculousness of his own position but also to the farcical aspects of the job. For example, the assembled press cohort realise that the coronation itself is going to take place too late for their copy to make the first editions. Waugh gives a comic survey of the way the entire press corps responds by deciding to make up descriptions of the coronation and gives us choice excerpts of detailed descriptions of the exotic ceremony which were published in various British newspapers and which were entirely fictional. There are also grace notes, as it were, describing the unruly pushing and jostling of the cameramen, especially the one and only film crew in attendance (from America, of course).

The point for Waugh fans is this sets the tone for the even more farcical description of the press and foreign correspondents which he gives in the book’s sequel, Waugh in Abyssinia (1936) and which formed the basis for what is often described as the funniest satire ever written about the British press, the magnificent comic novel Scoop (1938).

Harar

The assignment to cover Selassie’s coronation forms the first part of the book but it is only the start of an odyssey in which Waugh takes the opportunity to visit a number of British colonies in East Africa. All in all, the trip was to take 6 months (p.84) and take in an impressive list of countries, namely Aden, Kenya, Zanzibar, the Belgian Congo and South Africa.

He explains how, once he had filed the requisite number of reports via telegraph back to The Times his contract came to an end and he was a free man. In London he had booked passage by boat from Djibouti to Zanzibar, but now finds he has ten days to kill and is uncertain what to do. Until, that is, the British Consul in Harar, Mr Plowman, kindly invites him to come and stay.

In fact the consul has to remain a few more days in Addis, so Waugh decides to make his own way overland to Harar, travelling by train and taxi. Harar was the first Ethiopian town visited by the famous Victorian explorer Sir Richard Burton and one of the first territories conquered by the warrior emperor Menelik II. It was the town where the caravans met between highlands and coastal lowlands; where Galla, Somali and Arab interbred to produce women of outstanding beauty.

Or so Waugh fantasised. In reality, he finds it to be a dingy medieval town. He is visited by the bishop of Harar and quizzes him about the French poet, the boy wonder Arthur Rimbaud, who lived here after he fled France and became a gun runner to the emperor Menelik II. He is disappointed to learn that the bishop remembers him only as a solemnly serious man, who took a native wife and had a gammy leg (p.79).

The owner of the hotel where he stays, the Leon d’Or, is ‘an Armenian of rare character’, Mr Bergebedgian, who has a wonderfully relaxed attitude to life. The Armenian takes him to all the shops in the town, where he incites himself in, has a coffee and chat with the owner, moves on, telling Waugh all the gossip of the town, shows him the town prison and courthouse (the one with a lion in a wooden cage behind it).

In an aside Waugh says he grew to really admire this man’s character: he thinks he is the most tolerant man he has ever met. Bergebedgian takes him to a hilarious local party at the governor’s house, and then on to a wedding party, which he only dares visit when fully armed and accompanied by two armed police.

Slavery

Last point about Ethiopia. When Haile Selassie ascended the throne, slavery was still legal and common in Ethiopia. An estimated 2 million of the population were slaves. As a modernising ruler the King of Kings moved quickly to abolish it but, inevitably, it lingered on in remote rural areas for decades.

First nightmare

This is the name Waugh gives a short 6-page section describing his unbearable tedium at missing a train connection and so being marooned in the dull dusty town of Dirre-Dowa and then, when he did manage to get a train to the coast, just missing the steamship to Zanzibar and so being marooned in Djibouti.

It is a dithyramb on the excruciating dullness of being stuck in a tropical town with nothing to do and no-one to visit. His attempts to alleviate the boredom are accurate and funny, including a painstaking attempt at reading the complete works of Alexander Pope which he has (for some reason) brought with him. When he gives up Pope, he is reduced to reading through a small French dictionary in alphabetical order. Then he sits staring out the window in a state of stupefaction. As he accurately notes, most travel books don’t honestly recount the amount of time that is spent in boredom and inanition and frustration and, occasional, depression.

This short chapter certainly rang a bell with me, reminding me of many moments of boredom and loneliness on my various foreign travels. It’s another aspect of Waugh’s unflinching truthfulness.

Aden

It is very surprising to discover the importance which politics assume the moment one begins to travel. (p.120)

His description of Aden as a shabby rundown dump is a masterpiece with many laugh-out-loud moments. He meets the usual cast of eccentrics, or people who, in his novelist’s hands, become eccentrics, such as the two enterprising young German engineers who are working their way round the world. He finds the bachelor world of chaps dining at their clubs very congenial. After all, he says, it’s the womenfolk who ruin colonies, insisting their menfolk stay at home in the evenings, indulging in ferocious snobbery and pooh-poohing the natives.

Waugh describes going to the open air cinema where, a few minutes into the black and white comedy he realises almost everyone around him has fallen fast asleep. He attends a scout meeting where the patient British scoutmaster hopelessly tries to teach Arab youths how to build a fire or the ten rules of scout law.

He attends a council of local Arab chiefs and goes into great detail about the social and political situation of Yemen and southern Arabia. It was barely ten years since the entire area was taken over by the British after the fall of the Ottoman Empire which had run it for centuries. There is a detailed analysis of the complicated rivalries among the tribes, exacerbated by Ottoman rule and now complicated by British attempts to bring peace between internecine feuds. The council is a jurga hosted by the Sultan of Lahej and attended by Sir Stewart Symes, Resident at Aden from 1928 to 1931. He gives detailed insight into the challenges of trying to manage such a fissiparous people.

The tendency of Arab communities is always towards the multiplication of political units.

Disintegration, tribalism, feuding, rivalry, enmity and war. Britain withdrew from South Yemen in 1967. Since September 2014 (seven years and 2 months) Yemen has been torn apart by a brutal civil war in which about 380,000 people have died, including some 85,000 children who have died of starvation. Still. Independent of the ghastly British.

Zanzibar

Zanzibar turns out to be an ordeal. Sweltering oppressive heat and the subterranean prevalence of black magic. December is the worst time of year to visit. He spends all day sweating, only achieving peace a few times a day for a few minutes under a cold shower.

The general point he makes about Zanzibar is that it was taken over by the British with the express aim of abolishing the long-standing East African slave trade run by Arabs, which had increased in volume after the Sultan of Oman relocated his court to Zanzibar in 1840.

Now, in 1930, Waugh sees all around him evidence of the decay of Arab rule and ownership and the steady buying up of everything by merchants and businessmen from India. Waugh overtly likes the old aristocratic Arab culture and deprecates the ascension of what he sees as the ‘mean and dirty’, lower middle class merchant culture of the Indians (p.128) (but then he dislikes the sharp-elbowed middle classes of every race).

Kenya

He has an unpleasant experience with two officious British passport control officials at Mombasa on arriving at the Kenya coast, but once he gets to Nairobi he starts to have a wonderful time. It is Race Week and he has letters of introduction to top chaps, such as the Governor’s aide-de-camp, and spots various chaps and chapesses he knows from school and London (the benefits of being part of that network of public schoolboys and their sisters, wives and girlfriends), and so is swept away in a whirl of race meetings, parties, gambling, cocktails and nightclubs. It is London’s Bright Young Things nightclub society recreated on the equator.

This chapter contains a long serious section about the race issue in Kenya, about race and imperialism and the problems of the white settlers. It is fascinating to read an account from the period, as he grapples with what, to him, are recent developments, such as the government White Paper on the future of Kenya published in 1923.

Basically, Waugh comes out strongly in favour of the colonial settlers. He thinks they acquired the land legitimately, by buying it at fair auction. He thinks most of the land was waste and uncultivated before white farmers invested their life savings to buy it, then reinvested their profits to develop it. He accepts at face value the idea that the whites have a special ‘love’ for the country and its people.

He brings in the broader argument that all of human history has been a record of mass migrations and so the white settlement of the best parts of Africa is just another form of migration and time will tell whether it works out or not.

And finally, he makes the case that many of the white settlers represent a model of the traditional English squirearchy which has died out in the motherland, that they represent something fine and noble, with a patriarchal concern for the natives who they are slowly lifting out of savagery and into civilisation.

More than that, he thinks the way the mindset of the white settlers is so at odds with the socialising ideology of the modern they live in that they have a sort of special connection with the figure of The Writer, who is also at odds with his time.

Hmm. He’s wrong and the settlers were wrong. They might have had legal right on their side, but it was a system of law imposed by the conquering empire, a system which, notoriously, took no account of the African natives.

Waugh’s account is valuable and interesting because it isn’t an out-and-out racist, white supremacist argument, it’s much more mixed and nuanced than that. He happily criticises the whites, saying Anglo-Saxons are peculiarly prone to paranoid fears of other races. He says the appropriation of Masai land was a great injustice. He dislikes incidents of overt anti-black racism when he sees them. But, at the same time, his depiction of the white settlers as country-loving squirearchy is laughably sentimental and rose-tinted.

His account is valuable because it takes you into the complex dynamic of the situation circa 1930. There are:

• the hard-working white settlers and farmers
• the white professionals living in Nairobi and the towns who have made a killing out of property speculation
• the distant government and civil service in Whitehall who all the settlers think don’t understand them and are gagging to sell them out
• the colonial government on the ground in Nairobi which tries to mediate between London and the settlers, while also taking into account the interests of the natives
• the native Africans who remain almost completely invisible and silent in Waugh’s account
• much more visible and vocal are the Indians, successful businessmen who outnumber the whites, are often richer and more successful than them, but are infuriated at the way they are excluded from all aspects of white colonial life by a solid colour bar

In this account it is the Indians who are subject to pronounced racist attitudes. Waugh gives a tendentious account of three Indians he has a conversation with in Mombassa who get very heated. They are angry that they have no rights in Kenya, no legal or political rights and are discriminated against. Then they get angry about Indian independence. Waugh clearly dislikes them.

But they’re in the right. And he acknowledges the fact when he spends half a page dwelling on the hysteria which perfectly ordinary Anglo-Saxon people are driven into when abroad, when part of this absurd empire and their white privilege is threatened. He finds it incredible that the merest speculation that the governor might amend the law to allow Indians a vote in the Kenyan government has hot-headed whites muttering in their clubs about kidnapping the Governor and staging an anti-London protest similar to the Boston Tea Party.

He concludes the 4 or 5 pages he devotes to the subject by saying the entire colonial thing is an experiment. It’s perfectly possible that in the next 25 years the whole thing will be swept away. And, of course, eerily enough, that is just what happened. The entire ants nest of squabbling interest groups was swept away in the great tide of African independence which reached Kenya just 30 years later in 1963, to be replaced by an entirely new dynamic of tribally based political parties and much more severe problems.

Race and class

It comes as no surprise that a public schoolboy travelling the British Empire in 1930 occasionally betrays a condescending and patronising tone towards the ‘natives’. The two obvious things to go on to say are:

1. That he regularly expresses more or less the same condescending criticism towards Europeans, royalty, the English middle classes, colonists and so on, in fact about the entire enterprise of Empire which, like so many of his generation, he finds endlessly ridiculous. When he has dinner with a Quaker doctor and his wife there was ‘no nonsense about stiff shirts and mess jackets’; they eat dinner outside in their pyjamas.

2. For every negative comment about this or that group or tribe, there are plenty of positive remarks about other groups or nations or races or tribes.

For example, he goes out of his way to remark that the two most impressive and congenial people he met in his entire 6-month trip were Armenians and gives extended descriptions of their characters.

When I came to consider the question I was surprised to realise that the two most accomplished men I met during this six months I was abroad, the chauffeur who took us to Debra Labanos and Mr Bergebedgian, should both have been Armenians. A race of rare competence and the most delicate sensibility. (p.84)

No white supremacy there. He is full of admiration for the beauty of the women of Harar. And what prompted me to write this little section was a remark he makes à propos of his time in Zanzibar.

The Arabs are by nature a hospitable and generous race… (p.128)

He very much enjoys the company of a Turk he met on the boat to Zanzibar, enjoys discussing history and hearing history from an intelligent man born and bred entirely from the Mohammedan point of view (p.124).

The dividing line for Waugh isn’t race, as such: it is the line between civilisation and barbarism. Black men who can read and write, are educated, or maybe neither but still have manners and decorum are, for him, civilised. The Arabs demonstrate tremendous courtesy and hospitality. His two favourites among the hundreds of people he met were Armenians for their tolerance and capability. So it’s not to do with race, it’s to do with culture and civilisation.

On the other side of the line are what he calls the savages, the uneducated, illiterate, filthy and threatening natives, the ‘savages with filed teeth’ with long hair glued together by rancid butter dressed in rags. And then the homicidal behaviour of natives remote from all townships, who murder strangers on sight, sometimes eating them. For Waugh it’s not about skin colour as such, but behaviour and values, and these can be shared by anyone regardless of skin colour or ethnicity.

There is a third category which is the pushy, angry, Indian merchants and the occasional Jewish entrepreneur he encounters, and who he takes an instinctive dislike to. But again this isn’t necessarily about race. He just dislikes money-minded merchants of any culture: he is reliably contemptuous of British businessmen, especially lower-middle-class shopkeepers, and deprecates the commercially minded Yanks who hang round the emperor’s coronation. It’s not racism, it’s snobbery.

Alert and malicious

One contemporary described the young Waugh as having the appearance of ‘an alert and malicious faun’. Exactly. He is always alert. He notices (or invents) details which give his descriptions and accounts a tremendous specificity.

But this alertness of observation only ‘exists’ because of the way it is embodied within the text by the preciseness of his vocabulary and the timing of his phrasing, which themselves enact the aloof, scrupulous, alertness of attitude.

After a profoundly indigestible dinner, Mr Bergebedgian joined us – the unsmiling clerk and myself – in a glass of a disturbing liqueur labelled ‘Koniak’. (p.80)

I’m not claiming Shakespearian mastery of the language for Waugh, but pointing out the accuracy of observation and description. The way he casually mentions that the dinner was ‘profoundly indigestible’ is funny, continuing a theme about the general poverty and dirtiness of most of the places he stayed in – the hotel kept by the affable Armenian Mr Bergebedgian is described in the only travel book of the region as one to be avoided at all costs.

But it’s the placement of the adjective ‘disturbing’ which made me burst out laughing. The unexpectedness but preciseness of the word.

It is also part of the stylised vocabulary of the public school Bright Young Things. It is part of the pose they are trained in to underplay disasters and setbacks. ‘Oh I say, how unfortunate / how regrettable / how simply ghastly’ they say as their plane falls out of the sky, canoe goes over the falls, or the roast beef is a trifle overdone.

‘Disturbing’ is typical of that public school understatement: why say something as crudely explicit as ‘disgusting’ or ‘unpalatable’ when you can achieve humour and mastery of the situation with English understatement? So this one word raises a host of connotations. It is a complex effect delivered with immaculate timing, and it is this combination of a) surreal detail described with b) English understatement c) with perfect timing, which is such a key part of Waugh’s reliably entertaining style.

On other occasions it is just the sheer beauty of his descriptions. On the ferry across Lake Tanganyika he is forced to make a rough bed on the deck, all the cabins having gone to the savvy passengers who had bribed the captain:

As we got up steam, brilliant showers of wood sparks rose from the funnel; soon after midnight we sailed into the lake; a gentle murmur of singing came from the bows. In a few minutes I was asleep. (p.170)

It’s not the most dramatic scene, but he describes it with such smoothness and style. Having taken a few overnight ferries I recognise the mood, I felt I was there. When it is appropriate to be simple and descriptive, he is.

At the other end of the spectrum, sometimes it is the extended caricatures of the people he meets:

Soon after five the captain appeared. No one looking at him would have connected him in any way with a ship; a very fat, very dirty man, a stained tunic open to his throat, unshaven, with a straggling moustache, crimson-faced, gummy-eyed, flat-footed. He would have seemed more at home as the proprietor of an estaminet. (p.168)

Variety and innocence

This leads into my last point which is that the book contains a great diversity of characters. Alright, there aren’t any speaking parts for Africans once he’s left Ethiopia; but this large caveat aside, I found it wonderful that wherever he went, there was this diversity of races and nationalities: the two Armenians stick out, but plenty of Italians, French, Belgians, Germans, the Indians in Zanzibar, the Arabs and Jews in Aden.

And it’s not just nationalities, but a florid variety of characters and types, ranging from the shabby ship’s captain mentioned above to the most correctly dressed Governors and ambassadors, via Quaker missionaries in pyjamas, the monks of Debra Labanos in their filthy tunics, Kikuyu serving ‘boys’, Abyssinian bandits dressed in white gowns and riding donkeys, the historically-minded Turk, any number of demoralised Greek hotel keepers.

It has the same abundant mix of nationalities and types all rubbing along together which you get in the Tintin books of the 1930s and 40s. One of the things I loved about Tintin when I was a boy was the way all the characters are so colourful, come from different countries, speak different languages, cook different cuisines, are so wonderfully varied. The argumentative sea captain, the dotty professor, the dignified butler, the unstoppable opera singer, her timid assistant, the piratical South American dictator, the nitwit detectives – how unlike the boring, samey suburban English people I grew up among, what a wonderful escape into a realm where everyone has a vivid and distinct character.

The same variety is evident right from the opening scenes of this book, on the cruise ship bringing Waugh to Djibouti with its colourful cast of passengers, from princes to Foreign Legionaries.

I’ve just read half a dozen books about African countries where, at independence, almost the entire European population fled (Congo, Angola) or, soon afterwards, was expelled and all their businesses nationalised (Zaire, Uganda).

Buried in the chaos of the Second World War were huge ethnic cleansings and attempted genocides. The Cold War saw ideological differences stop being entertaining and become murderous. In Africa (and South America and South-East Asia) communist guerrillas kidnapped and murdered foreigners, dictatorships ran death squads, the world became a much more dangerous place. In Africa, specifically, successive nationalist regimes nationalised all foreign businesses and expelled their owners. The Greek hotel owners, the Armenian taxi drivers, the Russian who runs a hide company in Addis Ababa, the other European oddballs who’d fetched up in remote corners and, of course, the large Indian business communities in many African countries – all expelled, all banished, all swept away. Replaced by much more homogeneous societies, 100% black, 100% African.

I think that’s what happened. By the time I went a-travelling in the late 1970s it felt like the colourful bricolage or personalities you regularly encounter in Tintin or pre-war travel books had vanished: in Egypt I met only Egyptians, in Thailand only Thais, in Turkey only Turks, in Greece only Greeks.

The colourful world in which you pulled into an Ethiopian or Ugandan town to find the only hotel run by a morose Greek and the only taxi in town driven by a cheerful Armenian taxi driver and got chatting with a jolly Turk happy who explained the Mohammedan view of history – that colourful world of variety and diversity had gone for good.

Credit

Remote People by Evelyn Waugh was published in 1931. All references are to the 1985 Penguin paperback edition.

• Remote People online

Evelyn Waugh reviews

• Decline and Fall (1928)
• Vile Bodies (1930)
• Remote People (1931)
• Black Mischief (1932)
• Ninety-Two Days (1934)
• A Handful of Dust (1934)
• Waugh in Abyssinia (1936)
• Scoop (1938)
• Work Suspended (1942)
• Put Out More Flags (1942)
• Brideshead Revisited (1945)
• Scott-King’s Modern Europe (1947)
• The Loved One (1948)
• Men at Arms (1952)
• Love Among the Ruins (1953)
• What is Waugh satirising in ‘Love Among The Ruins’?
• Officers and Gentlemen (1955)
• The Ordeal of Gilbert Pinfold (1957)
• Unconditional Surrender (1961)
• The Complete Short Stories of Evelyn Waugh
• Evelyn Waugh: A Biography by Selina Hastings (1994)

Africa-related reviews

History

• The Age of Capital: 1848 to 1875 by Eric Hobsbawm (1975)
• Another Day of Life by Ryszard Kapuściński (1976)
• The Crisis of Imperialism 1865 to 1915 by Richard Shannon (1976)
• A Savage War of Peace by Alistair Horne (1977)
• The Boer War 1899 to 1902 by Thomas Pakenham (1979)
• Ecological Imperialism: The Biological Expansion of Europe 900 to 1900 by Alfred W. Crosby (1986)
• The Age of Empire: 1875 to 1914 by Eric Hobsbawm (1987)
• The Scramble For Africa by Thomas Pakenham (1991)
• Hearts of Darkness: The European Exploration of Africa by Frank McLynn (1992) part one
• Hearts of Darkness: The European Exploration of Africa by Frank McLynn (1992) part two
• Guns, Germs and Steel by Jared Diamond (1997)
• King Leopold’s Ghost by Adam Hochschild (1999) – 1
• King Leopold’s Ghost by Adam Hochschild (1998) – 2
• King Leopold’s Ghost by Adam Hochschild (1998) – 3
• We Wish to Inform You That Tomorrow We Will Be Killed With Our Families: Stories from Rwanda by Philip Gourevitch (1998)
• In The Footsteps of Mr Kurz by Michaela Wrong (2000)
• Empire: How Britain Made the Modern World by Niall Ferguson (2003)
• Conspiracy to Murder: The Rwandan Genocide by Linda Melvern (2004)
• The State of Africa: A History of the Continent Since Independence by Martin Meredith (2005) – 1
• No One Can Stop The Rain: A Chronicle of Two Foreign Aid Workers during the Angolan Civil War by Karin Moorhouse and Wei Cheng (2005)
• Stanley: The Impossible Life of Africa’s Greatest Explorer by Tim Jeal (2007) – 1
• Stanley: The Impossible Life of Africa’s Greatest Explorer by Tim Jeal (2007) – 2
• Stanley: The Impossible Life of Africa’s Greatest Explorer by Tim Jeal (2007) – 3
• Congo: the epic history of a people by David Van Reybrouck (2010)
• Congolese soldiers in the world wars
• Congo: the epic history of a people by David Van Reybrouck (2010) – 2
• Congo: the epic history of a people by David Van Reybrouck (2010) – 3 The Great War of Africa
• Explorers of the Nile: the triumph and tragedy of a great Victorian adventure by Tim Jeal (2011) – 1
• Explorers of the Nile: the triumph and tragedy of a great Victorian adventure by Tim Jeal (2011) – 2
• Dancing in the Glory of Monsters: The Collapse of the Congo and the Great War of Africa by Jason K. Stearns (2011)
• Unfinished Empire by John Darwin (2012)
• Blue Dahlia, Black Gold: A Journey Into Angola by Daniel Metcalfe (2014)
• Conquerors: How Portugal Forged the First Global Empire by Roger Crowley (2015)

Fictions, memoirs and travel writing set wholly or partly in Africa

• Oroonoko, or the Royal Slave by Aphra Behn (1688)
• King Solomon’s Mines by Henry Rider Haggard (1885)
• Allan Quatermain by Henry Rider Haggard (1887)
• She by Henry Rider Haggard (1887)
• The Light That Failed by Rudyard Kipling (1891) [Sudan]
• Nada the Lily by Henry Rider Haggard (1892) [South Africa]
• Heart of Darkness by Joseph Conrad (1899) [Congo]
• The Unbearable Bassington by Saki (1912) [West Africa]
• Remote People by Evelyn Waugh (1931)
• The Outsider by Albert Camus (1942) [Algeria]
• The Plague by Albert Camus (1947) [Algeria]
• The Heart of The Matter by Graham Greene (1948) [Sierra Leone]
• The Strange Land by Hammond Innes (1954) [Morocco]
• Ice Cold In Alex by Christopher Landon (1957) [Egypt]
• A Burnt-Out Case by Graham Greene (1960) [Congo]
• The World In Winter by John Christopher (1962) [Nigeria]
• The Big Footprints by Hammond Innes (1977) [Kenya]
• Congo by Michael Crichton (1980) [Congo]
• The Day of Creation by J.G. Ballard (1987) [between Chad and Sudan]
• The Catastrophist by Ronan Bennett (1997) [Congo]

Exhibitions about Africa

• South Africa: The Art of a Nation @ the British Museum (2016)
• Artist and Empire: Facing Britain’s Imperial Past @ Tate Britain (2016)