Goldfinger by Ian Fleming (1959)

Murder in Mexico

Bond dislikes killing and it gives him a bad conscience. He tries to persuade himself it’s just part of the job, he does it then moves on, but in reality he broods and worries. Thus Goldfinger opens with Bond in the departure lounge of Miami airport, obsessively going over his most recent job in Mexico. Fleming gives a brief description of how an informal heroin smuggling circle was set up by a posh, amateur Brit which led from poppy fields in Mexico via a courier to Victoria Coach Station and then distribution via Soho. Bond tracks the pipeline to its source and blows up the heroin warehouse, but then is approached in the street that night by an assassin hired by the gang, and after a brief intense fight, kills him. But Bond broods.

What an extraordinary difference there was between a body full of person and a body that was empty! Now there is someone, now there is no one. This had been a Mexican with a name and an address, an employment card and perhaps a driving license. Then something had gone out of him, out of the envelope of flesh and cheap clothes, and had left him an empty paper bag waiting for a dustcart. And the difference, the thing that had gone out of the stinking Mexican bandit, was greater than all Mexico. (p.7)

This passage, especially its portentous final phrase, reminded me of Fleming’s contemporary, Graham Greene (b.1904). (This brooding over the mystery of death, the extinguishing of life, also reminds of the shock Bond feels at the death of Darko Kerim, the one-man life force, in From Russia with Love, p.277.) At the end of the novel Bond will feel the same way about the broken rag-doll body of Tilly Masterton.

Bond stood and looked down at the little empty tangle of limbs and clothes. He saw the bright, proud girl with the spotted handkerchief round her hair in the flying TR3. Now she had gone. (p.205)

Death is the great mystery, the real puzzle, at the heart of these books.

Goldfinger exposed

As he sits worrying, Bond hears the announcement that his flight to New York has been cancelled, and then is approached by a middle-aged American. He introduces himself as Junius Du Pont, one of the couple who were sitting next to Bond during his climactic card game which forms the centrepiece of Casino Royale. Briefly, he is a millionaire but has a problem: he’s been playing canasta with a fellow millionaire, strange guy called Goldfinger, Auric Goldfinger, and has consistently lost, far more than the odds would predict, losing some $25,000. Having seen Bond in action and knowing him for an expert, he invites Bond to stay over in Miami a night, all expenses paid, then pose as a businessman come to visit Du Pont and in reality figure out how Goldfinger is cheating.

Excellent! This is just the kind of relaxing, easy, no pressure break Bond needs to take his mind off death and destruction. He goes with Du Pont in his chauffeur-driven car to a luxury hotel and has the best meal of his life: crab in melted butter with toast, washed down by pint mugs of pink champagne.

So Bond goes along next day to the poolside table where Du Pont plays and meets Goldfinger. As with all the Bond villains he is distinctively misshapen and ugly, really a kind of cartoon. Goldfinger is just five foot tall, tubby, with no neck and an enormous round moon-shaped head, topped by a crew cut of bright red hair. He is very rich and very cool. Bond is introduced and sits idly reading his paper and half watching the game. He watches Goldfinger win hand after hand of canasta, fleecing Du Pont, and eliminates all the usual card sharping tricks. When Goldfinger says he never moves from his chair because he doesn’t like the view over the sea, it gives him agoraphobia, Bond gets a clue. He realises Du Pont is sitting with his back to the hotel so someone in an apartment could, in theory, look over his shoulder and see his cards.

He gets a camera from his apartment and the well-connected Du Pont gets a pass key from the hotel manager. Then, during the afternoon game, while Goldfinger is fleecing Du Pont again, Bond sneaks into Goldfinger’s room to discover a beautiful posh English woman wearing only bra and panties (p.34, and is first seen from the back, just like Tiffany Case in Diamonds). She is looking through binoculars down at Du Pont’s hand and giving Goldfinger detailed instructions. This is how he wins so consistently.

Bond startles the girl by taking a flashlight photo of the set-up, then chatting to the (obviously) alarmed and scared woman, who gives her name as Jill Masterton (p.39). She is Goldfinger’s private secretary. As they chat, and Bond explains he’s working for Du Pont and simply wanted to discover the scam, she relaxes and even begins to warm to Bond. Having not told him the winning cards for quite a few moments, Goldfinger has begun to lose. Now Bond decides to put the finishing touches: he takes the radio microphone from Jill, and dictates his terms to Goldfinger: he will send the photo and full details of his scam to the police and FBI unless Goldfinger a) admits to Du Pont he’s been cheating b) writes and gives him a check for $50,000, including all the money he’s won off him as well as a tidy fee for Bond. And then, to rub it in, Bond insists Goldfinger pays for a luxury train sleeper compartment for him and Jill to New York. Reluctantly, Goldfinger agrees and does these things.

Bond gets effusive thanks from Du Pont, then takes the sleeper to New York (all told in retrospect) where he makes passionate love to Masterton, five times, apparently (p.43 – almost as soon as they met, she was looking at him with a look of submissiveness and longing, and later says she will do anything if Bond doesn’t hurt Goldfinger: ie she is much more quickly submissive than either the feisty Tiffany Case or distant Gala Brand, falling more into the ‘immediately seduced’ category of Solitaire, who fancied him straight off). But when they get to New York, Jill insists on going back to Goldfinger, despite both their misgivings about how he might react to having been so systematically humiliated…

Back in London

Cut to Bond back in the Secret Service building overlooking Regent’s Park, where he has been assigned night duty and is logging calls from stations round the world. Fleming has just explained how much he actually enjoys being up through the night, when he is called in for a breakfast meeting with M. Surprise surprise, it concerns the man he just happens to have met on Miami, one Auric Goldfinger who, M tells him, is the richest man in England. (It has rather the same effect as the way Sir Hugo Drax is introduced in Moonraker as the most popular man in England.)

The Bank of England

His name is mentioned as M describes having dinner with the Governor of the Bank of England the previous night and listening to his concerns about the drain of gold from England. A certain Colonel Smithers is Head of the Bank’s research department and an expert on the subject. ‘Go and meet him 007.’ So off Bond goes and submits to a long, detailed history of gold, its use, importance and why the Bank is concerned it is being drained out of the country. Smithers gives us the backstory to Goldfinger: refugee from Riga before the war, set up a chain of pawn shops which now operates round the country, paying cash for small gold trinkets; these are melted down in his smelting works / factory near Reculver in Kent, which also deals in fertiliser and other chemical works. Goldfinger had been exporting fertiliser to India for years but when one of his ships was wrecked off Goodwin Sands, scientists found traces of gold in a chemically treated form had soaked into the hold. Smithers deduced Goldfinger has been converting the gold into a brown powder which passes customs as fertiliser, then having it restored to gold and selling at a big profit in India.

Bond reports back to M at 6 that evening, where M has more to tell him. They know Goldfinger marks his ingots (out of vanity) with a tiny incised ‘Z’. The most recent ingots the Service has come across thus marked have all been recovered from SMERSH operatives! Yes! From being some cheating millionaire, Goldfinger has suddenly been revealed as SMERSH’s banker! Bond is ordered to find him, confirm his activities and stop him, so he motors down to Kent in a work DB III, along the way filling in Goldfinger’s backstory, mainly from speculation: trained and briefed by SMERSH, despatched to Britain in 1937, told to lie low and set up a network of pawnbrokers as a front; while all the time he was given greater and greater responsibility as SMERSH’s overseas banker. Who knows how many deaths, assassinations and terror attacks he has helped organise and fund (pp.62-64).

As Umberto Eco points out, unlike Sherlock Holmes, Bond rarely has to detect anything and certainly never discovers a baddie behind a criminal activity: the baddies are always identified early on in the text, Le Chiffre, Mr Big, the Spangled Mob etc, the only interest is what form the confrontation and final struggle will take. (In this respect, From Russia With Love is an exception, since Bond is unaware of the conspiracy to entrap him and doesn’t know who his opponents are – Klebb and Grant – until very near the end: maybe it’s this element of genuine puzzlement and revelation (for Bond) which explains why many people think Russia is the best Bond book.)

A game of golf

In Miami, during the open social chitter chatter, Goldfinger and Bond had both admitted a fondness for golf, and even promised to play each other one day. Now Bond drives down to Goldfinger’s house in Kent and on to the famous golf course of Royal St Marks. Says hello to his old caddie and trainer, Blacking, and we learn that the teenage Bond was a golf prodigy who his trainer thought could have gone professional. While they’re chatting Goldfinger’s immense canary-yellow car comes rolling up the gravel drive, driven by the striking figure of a bowler-hatted Korean chauffeur. Bond makes like them bumping into each other is a happy accident and after some banter, Goldfinger challenges him to a round, with the stakes being the $10,000 he took off him in Miami.

Chapters eight and nine contain a very detailed description of each of the eighteen holes the two men play during the ensuing game of golf. Goldfinger has a good game so that it is very close, plus he cheats by a) putting Bond off his stroke b) tamping down the ground around his ball to make his shots easier. Eventually Bond and his caddy decide to cheat back and swap Goldfinger’s ball for a different make on the last hole. Thus at the moment that Goldfinger wins the round, Bond is able to reveal it is with the wrong ball thus, technically, losing the match. Goldfinger sputters with fury, almost declares Bond guilty of cheating, then contains his anger, and invites Bond to dinner at his house that evening.

Dinner at the Grange

1. Goldfinger welcomes Bond, but says he unfortunately just has to pop out to sort out some trouble one of his servants has got to in Thanet; back in 30 minutes. Bond sees this as a transparent invitation to go snooping round Goldfinger’s house. A doorway takes him into the overseer’s office of the factory, from where he looks down into a workshop and sees men fiddling with the door of Goldfinger’s Rolls. Back in the house he pokes around in the upper floors, coming across a male bedroom, all the way followed by a friendly ginger cat. Everything in the bedroom is pure and clean until he follows a whining sound to discover cine-camera film from three concealed cameras whirring round their spools in a concealed closet: obviously turned on when Goldfinger left, to monitor Bond’s movements. Bond deliberately exposes the film strips all to the light, then puts the cat into the container where the film had been spooled, as a feeble attempt to explain his sabotage.

2. Goldfinger returns and treats Bond to a quality dinner: curried shrimp and rice, with a Moselle, the Piesporter Goldtröpfchen ’53; roast duckling with Mouton Rothschild 1947; cheese soufflé and coffee.

3. Throughout the book there has been mention of Goldfinger’s Korean servants: he employs five of them. Now he gets his personal servant, Oddjob, to demonstrate his skills, and Oddjob proceeds to: slice through the wooden banister on the stairs with his bare hand; create a divot in the mantelpiece with a flying kick; destroy a wall fixture with his steel-rimmed bowler hat, thrown as a weapon.

Goldfinger explains that all five are Karate experts, Oddjob being one of the only three karate black belts in the world. (It is striking that Fleming feels he has to explain from scratch what karate is and give its history.) Goldfinger claims the Koreans are ‘the cruellest, most ruthless people in the world’. The cat which Bond left in the cinefilm basket? Goldfinger hands it to Oddjob and tells him he can eat it for his dinner.

Throughout there is the strong sense of menace and threat, while Bond plays his role of pretending he is fed up with Universal Exports and wants a way out, a way to make easy money. He even retells the story of the heroin business he foiled in the opening chapter, but casting himself as one of its organisers. Goldfinger listens impassively and hints that he may have a role for Bond in his organisation.

Across France

Goldfinger had mentioned that he was flying out of Lydd airport the next day, with his Rolls Royce Silver Ghost. Bond gets the Service to book him a ticket on the next flight following. He drives up to the airport before Goldfinger is due and tells the Customs people he’s with Scotland Yard. They let him inspect the Silver Shadow after Goldfinger and Oddjob have boarded the plane, giving Bond the opportunity to insert a primitive homing device into it.

Two hours later Bond’s flight carries him and his DB III over to Le Touquet where he picks up the trail of the Silver Ghost. There follows a long knowledgeable tour across northern France, down to the Loire and then East heading towards Switzerland. Fleming knows his French Routes Nationales and shows off his acquaintance with the best hotels and Michelin restaurants along the route. On the first night Goldfinger stops at Orleans where Bond checks into the Station Hotel and enjoys ‘one of his favourite meals’: two oeufs cocotte à la crème, a large seule meunière and an ‘adequate’ Camembert.

Next day Bond tracks Goldfinger south and east along the N73 when he stumbles across the car pulled over for a picnic by a river. Bond just has time to drive off down a cart track and isn’t noticed, but after Goldfinger and Oddjob finish their picnic and drive on, Bond goes to investigate and discovers, under some freshly disturbed turf, a big gold ingot (with the tell-tale ‘Z’ scratched into it). He takes it with him a) causing Goldfinger and SMERSH inconvenience b) maybe saving lives in whatever schemes it would have financed.

Slowly he realises that another car is tailing Goldfinger, a nifty little Triumph driven by a pretty woman wearing a pink head scarf. Now he thinks about it he realises the same car was at Lydd airport. In the busy streets of Mâcon he sees it behind him and deliberately reverses into it, writing off the bonnet and fan belt. He apologises profusely while the pretty woman gets out and is livid, saying she must get to Geneva to play in some golf tournament. Bond discovers her name – Tilly Masterton – aha! she is the sister of Jill Masterton, Goldfinger’s confidential secretary. Bond offers her a lift and so they share the rest of the journey to Geneva.

Bond drops her at a hotel on the outskirts of Geneva, then trails Goldfinger’s Silver Ghost to a large mansion behind high railings, with a sign reading ‘Enterprises Auric A.G.’. He parks in nearby woods and doubles back to a vantage point where he sees technicians come out of a factory-like building and start to disassemble Goldfinger’s car. Then he drives on into Geneva and contacts the Service’s man there. 1. He hands over the gold bar and tells him to send it with a message confirming Goldfinger’s role as SMERSH banker, back to London. 2. The Service man knows about Auric Enterprises: it makes metal-work products, most notably chairs for Mecca Charter Airways planes, a company Goldfinger part owns and which flies to India. Aha.

Everything clicks into place. After his boat was wrecked and investigated off the Kent coast, Goldfinger abandoned gold smuggling by sea: now he fits his ‘armour-plated’ Rolls Royce with gold panels, drives it across France to his factory in Switzerland, where the panels are extracted from the car, and remoulded, with alloy, as airplane seats, installed in planes which are flown to India, there melted back to gold and sold at a terrific profit.


That night, after checking into a Geneva hotel etc, Bond drives back out to the woods above the Goldfinger mansion. He is creeping towards a good vantage point when he sees a slender figure in black lying by a tree ahead of him: it is Tilly. He jumps her from behind, putting his hand over her mouth, then slowly freeing her once she knows it is him. Furious she tells him her story: Jill Masterton returned to Goldfinger after her train trip of passion with Bond in the early chapters, and Goldfinger killed her, in a typically macabre Fleming way: he had her body painted with gold paint all over so her pores couldn’t breathe, evacuate sweat etc, poisoning her. (Fleming adds the gruesome detail that Goldfinger likes sex once a month with prostitutes who Oddjob paints with gold, but leaving their backs free to ‘breathe’ before the furious animal act. Then Oddjob sluices them down in a chemical shower to retrieve the gold.)

Well, Tilly is Jill’s sister; so she has come here with a rifle to take revenge. While they’re still squabbling about who is getting in whose way a crossbow bolt thwacks into the tree above them. Oddjob and some other Korean guards. Bond tries to make light of it, claiming Tilly is his girlfriend and they’ll call in on Goldfinger tomorrow, but the Koreans shepherd them down through the fence and towards the house, through the front door and into the main room where Goldfinger is waiting. Now Goldfinger knows Bond is an enemy agent and spy, and after a bit of banter, orders him to be taken to ‘the Pressure Room’.

Bond throws himself across the table, head butting Goldfinger in the chest, and gets as far as throttling him with his bare hands, when Oddjob hits him very hard and the lights go out.

Sawn in half

Bond awakes to find himself tied to a large table with a circular saw designed to cut right across it, up between his legs and carve him in half. ‘Talk,’ says Goldfinger, ‘or you’ll be sawn in two; and then the girl will be handed over to the Koreans for their sport.’ Bond swears (he’s taken to swearing four letter words a lot in the last few books –  e.g. ‘You can go —— yourself’, p.149). As if the saw wasn’t enough, Bond is worked over by Oddjob who knows exactly how to hurt him very much. Fleming, as so often, takes us into Bond’s mind as he tries to master the pain, control the pain, rise above his body…

Next thing we know it’s a new chapter and Bond thinks he’s died and gone to heaven, complete with white lights, nice music, warm woozy feelings. Slowly he interprets the succession of lights and faces to mean he’s been doped up and flown somewhere, the American accents suggesting the USA. Eventually he regains consciousness in some kind of sealed accommodation, in a bed in a room with his clothes and case all carefully returned. Goldfinger enters with a handgun and explains: he was on the verge of wiping Bond out when he realised he may actually be of some small use in his next and final crime. Like all Bond villains Goldfinger has to unburden himself of his plans and so tells Bond that he plans to go down in history for pulling the biggest crime ever, and stealing the entire American supply of gold from Fort Knox! —Fleming always thinks with a kind of cartoon, bravura excess, egged on by his uninhibited villains.

The preparation

Briefly, Bond and Tilly have been kept alive to act as secretaries to the organisation of the job. The building they’re in is some kind of warehouse near the river in New York. At Goldfinger’s instruction, Bond types out and copies the agenda for a meeting with the six biggest organised crime gangs in America. When they arrive they are a suitably florid and ugly bunch, but the stand-out member is one Pussy Galore, leader of a lesbian gang in New York.

Goldfinger gives these men and Pussy a detailed explanation of  his plan: to slip sleeping powder into the water supply of Fort Knox; to put the word out that there’s been some kind of attack or medical emergency; to organise a special medical emergency train to go into the danger zone, staffed by his own Korean and German guards along with selected members from each gang; to secure the perimeter of the Knox building, then to blow open the stainless steel doors of the vault with a small nuclear device!

Nuclear device!!

At this point Bond realises Goldfinger is a megalomaniac genius, and the reader realises how preposterous the entire scheme is. This warhead has been bought through bribery and corruption from the US Army in Germany, and is – allegedly – one of a new generation of fallout-free weapons. Yes. So the first men in will need radiation suits but will be able to pass the gold safely out to the gangsters waiting in their long lines of lorries to take their share of the gold wherever they want to.

Five of the gangsters sign up for the deal on the spot. The fifth says he’s not interested and leaves. Moments later Goldfinger tells the assembled hoods, the leaver has met with an unfortunate accident, fallen down some stairs and is dead.

After the hoods have gone, Goldfinger reveals that a) it is not going to be sleeping chemicals his men slip into the dam, but a deadly nerve gas which will kill the entire 60,000 population of Fort Knox, b) he is in fact going to take his $5 billion of gold to the coast where it will ship onboard a Russian submarine. The money will be used to fund SMERSH operations for decades. (For some reason, for the first time, the way everything comes back to SMERSH seemed silly to me, and also very small-minded: oh it’s another SMERSH operation.)

Next day Goldfinger, Oddjob, Tilly, Bond and others take a charter jet to fly over Fort Knox and check everything is as per the detailed map he had displayed at the meeting. In fact this is a plot device to allow Bond to scrawl a very long detailed account of the plan, roll it into a tight tube, write a warning message on the outside, that anyone taking this document to Felix Leiter at the Pinkerton Agency in new York will get a reward of $5,000 on the spot, and sellotape it to the underside of the toilet seat.

For the rest of the flight, and then for the next few days, Bond is in an agony of uncertainty, not knowing whether the message will be found at all, whether it will be acted on, or whether it’ll be found by Goldfinger’s people and he can expect a bullet in the neck at any point.


In the event, on D-Day, the poison is put into the drinking water, news gets out and Goldfinger and his team man the rescue train into stricken zone posing as medical emergency team. As it enters Fort Knox they see cars which have crashed, people fallen across their lawns and washing lines, prone bodies everywhere, even with pinkish foam at the lips. Bond’s heart sinks. My God he is responsible for the deaths of 60,000 people; he should have murdered Goldfinger before this, even at the cost of his own life, done anything. (Bond is prone to a lot of self-doubt and worry and even guilt, throughout the books.)

The bluff

But it’s an immense con trick. A maroon warning flare is shot into the sky and thousands of people, including a lot of US Army troops spring to their feet and begin a terrific firefight with Goldfinger’s people and the assembled crooks. Bond jumps off the cab of the train which he had been viewing everything from, along with Tilly but they’re immediately pursued by Oddjob who has been tasked with keeping tabs on Bond throughout. Tilly turns to run back to Pussy but is immediately killed by Oddjob using his steel-rimmed bowler hat, and then throws himself into a flying karate kick at Bond, knocking him to the floor. He is moving in for what will no doubt be the kill when the train starts to pull out and Oddjob runs and jumps on to it. At that very moment Bond’s old pal Felix Leiter emerges with half a dozen soldiers and a bazooka which Bond seizes and fires at the escaping train, damaging the rear engine but not the front one and it steams over a river bridge and is gone.

Bond walks back down the track and looks down at the poor, huddled rags of the dead Tilly.

On the plane

Days later, after a full debriefing over the phone to M, then the FBI and then an embarrassing 15 minutes of thanks from the President himself (!), after a lot of joshing and ragging with Leiter, Bond is dropped at the BOAC terminal outside New York, checks in his bag etc but is then told he has to have a vaccination jab (!). No sooner is he injected than he passes out. When he awakes it is tied by the wrists and arms to the seat of an airliner which is airbound and next to the ever-vigilant Oddjob. Goldfinger comes strolling down the aisle: ‘Well, Mr Bond, I underestimated you’ etc.

Bond asks to be served Bourbon and ice to free his hands. To his surprise the coaster the drink arrives on has a message from Pussy reading ‘I’m on your side’. This gives him the courage for a desperate plan. He pretends to drowse and nod of and slowly Oddjob eases his supervision so that, with a sudden lunge, Bond leans across him and stabs the dagger concealed in the heel of his trick shoe, through the perspex window. It shatters and all hell breaks loose, the cabin depressurising, the plane going into a nose dive and Oddjob, sitting next to the window, is very gruesomely sucked into it and then squeezed through it like toothpaste.

When the plane has levelled out Bond undoes his seat belt and encounters Goldfinger in the aisle, for once in his life going into a complete berserker frenzy and strangling him to death in a hard-fought physical battle. He takes Goldfinger’s gun into the cabin of frightened pilots, gets the radio, establishes they don’t have enough fuel to get to any dry land, and contacts a radio ship in the north Atlantic, asking it to put out a flare landing path (?). It does this and an hour later the airliner hits the choppy sea, almost immediately breaks up, Bond and Pussy just having time to escape through an emergency exit with a life raft. The plane, with its cargo of $5 billion, and the crew, breaks up and sinks to the bottom of the Atlantic.

An hour later, picked up by the crew of the radio ship, Bond and Pussy are clean and in spare clothes. Pussy comes into his cabin wearing only a fisherman’s sweater. Get into bed, he orders, and she is meek and compliant. She explains she was a lesbian all her life because she was raped and abused by an uncle in the Deep South. Bond explains that all she needs is TLC (it is interesting that he has to explain that this stands for Tender Loving Care) and he commences his version of it by slipping his hand up over her flat belly to feel the curve of her breast and its hard nipple, then kissing her hard.

Lesbianism and lameness

Thus the novel ends on the ‘curing’ of Pussy’s lesbianism. Obviously, this is insulting to real life lesbians, then again Pussy is as realistic a character as Goldfinger, ie the entire thing is a preposterous fantasy. Nevertheless, even in its own terms, I think it is a shallow, lame ending.

You could possibly draw a graph showing the number of hours Bond puts into a relationship before he sleeps with a woman, in each of the novels. Thus Casino Royale invests a huge amount of time and energy in the relationship with Vesper Lynd which, unfortunately, ends up so tragically. We are in the company of Solitaire, Gala Brand or Tatiana Romanova for long stretches of their respective novels and we get to know them and share Bond’s thoughts and developing feeling for them over many chapters, before he gets anywhere near taking them to bed.

Goldfinger feels like the first novel which reflects the ‘easy-lay’ philosophy of the movies. Bond’s whirlwind romance with Jill Masterton feels shallow and porny, the way that, just five minutes after Bond bursts into her hotel bedroom to find her wearing only pants and bra, she is looking at him with need in her eyes, and offers to do anything for him – this insults, I think, both the reader and Bond as a character, when he is at his best and most feeling.

But the way a supposedly confirmed, hardened, man-hating lesbian crime leader like Pussy can – over the course of just half a dozen casual bantering exchanges in rooms full of other mobsters or Goldfinger and his gang – abruptly realise that Bond is ‘the first real man’ she’s met in her life, and therefore end up presenting herself on a plate for Bond and the reader’s pleasure, seems to me a forced and superficial ending to this book.

This is the first Bond novel which failed to convince me, even on its own pulp, comic-book level. For me the realistic descriptions of Jamaica, of meals and showers and scenery and settings, the prosaic details of Bond’s day-to-day living, along with a lot of his thought processes, in the earlier books, outweighed the silliness of the plots. This is the first one where the balance shifted and the preposterous, cartoon, wish-fulfilment elements outweighed the interesting and good descriptions.

And the ‘curing’ of Pussy stands as a fitting emblem of this tipping-over into the absurd.



The novel is divided into three distinct sections, taking a supposed saying of Goldfinger’s as an organising principle: ‘Once is happenstance, twice is coincidence, the third time it’s enemy action’ – and so the three parts are named Happenstance, Coincidence and Enemy Action, as Bond encounters Goldfinger three times, with mounting antagonism.

None of this is earth-shattering, but I admire Fleming’s restless drive to vary the format and structure of his fictions: sure, the fundamental narrative arc remains remarkably samey (baddie, girl, fight), but that makes it all the more interesting to note the themes and variations he plays on it.


  • Du Pont treats Bond to the most delicious meal he’s ever eaten (p.22): fresh stone crabs with melted butter and thick toast, washed down with two pints of pink champagne (Pommery 1950) served in silver tankards.
  • Next day for lunch Bond and Du Pont have shrimp cocktail, native snapper with tartare sauce, roast prime ribs of beef au jus, and pineapple surprise. (p.32)


A new element enters Fleming’s writing in this book, the use of personification ie giving inanimate objects intention and agency. As Colonel Smithers warms up to deliver his lecture about gold,

Bond felt boredom gathering in the corners of the room. (p.50)

In general Fleming’s style is blunt and factual. I think it works best this way though, of course, he has been criticised for this as for just about everything else in the books. For example, back in London after the Mexico trip, Bond is on night duty:

Bond stood at the open window of the seventh-floor office of the tall building in Regent’s Park that is the headquarters of the Secret Service. London lay asleep under a full moon that rode over the town through a shoal of herring-bone clouds. Big Ben sounded three. One of the telephones rang in the dark room. (p.40)

Admittedly this passage personifies London, but in a traditional way most readers don’t register. What counts is the diminuendo towards the short factual sentences, which mimic Bond’s cold, calculating decisive actions, when he is on his mettle. Compared with all that, the half dozen personifications in Goldfinger strike a new, almost Dickensian, note.

Bond got slowly out of the car and stood looking at the house. Its blank, well-washed eyes stared back at him. The house had a background noise, a heavy rhythmic pant like a huge animal with a rather quick pulse… The quiet watchful facade of the house seemed to be waiting for Bond to do something, make some offensive move to which there would be a quick reply… The silence, helped by the slow iron tick of a massively decorated grandfather clock, gathered and crept nearer. (pp.96-97

Bond facts

M wears a stiff white collar and a loosely-tied spotted bow tie (p.46).

The Secret Service employs 2,000 staff (p.54).

For the first time Bond drives a Service Aston Martin DB III. For the first time in the series there are gadgets: the front and back lights can change colour and appearance; reinforced steel bumpers in case of ramming; a long-barreled Colt .45 in a secret compartment; and plenty of concealed space (p.62).

Bond is bored so he is working on a book to be titled Stay Alive! about all the known methods of unarmed combat from around the world (p.42) though, interestingly, he is sickened by some of the things he reads, especially in the Russian manuals.


Goldfinger by Ian Fleming was published in 1959 by Jonathan Cape. All quotes and references are to the 1961 Pan paperback, 1964 edition (price: 3/6).

Related links

Other thrillers from 1959

The Bond novels

1953 Casino Royale Bond takes on Russian spy Le Chiffre at baccarat then is gutted to find the beautiful assistant sent by London to help him and who he falls in love with – Vesper Lynd – is herself a Russian double agent.
1954 Live and Let Die Bond is dispatched to find and defeat Mr Big, legendary king of America’s black underworld, who uses Voodoo beliefs to terrify his subordinates, and who is smuggling 17th century pirate treasure from an island off Jamaica to Florida and then on to New York, in fact to finance Soviet spying, for Mr Big is a SMERSH agent. Along the way Bond meets, falls in love with, and saves, the beautiful clairvoyant, Solitaire.
1955 Moonraker An innocent invitation to join M at his club and see whether the famous Sir Hugo Drax really is cheating at cards leads Bond to discover that Drax is in fact a fanatical Nazi determined on taking revenge for the Fatherland by targeting an atom-bomb-tipped missile – the Moonraker – at London.
1956 Diamonds Are Forever Bond’s mission is to trace the route of a diamond smuggling ‘pipeline’, which starts in Africa, comes to London and then to follow it on to New York, and further to the mob-controlled gambling town of Las Vegas, where he wipes out the gang, all the while falling in love with the delectable Tiffany Case.
1957 From Russia, with Love Bond is lured to Istanbul by the promise of a beautiful Russian agent who says she’ll defect and bring along one of the Soviets’ precious Spektor coding machines, but only for Bond in person. The whole thing is an improbable trap concocted by head of SMERSH’S execution department, Rosa Klebb, to not only kill Bond but humiliate him and the Service in a sex-and-murder scandal.
1958 Dr. No Bond is dispatched to Jamaica (again) to investigate the mysterious disappearance of the station head, which leads him to meet up with the fisherman Quarrel (again), do a week’s rigorous training (again) and set off for a mysterious island (Crab Key this time) where he meets the ravishing Honeychile Rider and the villainous Chinaman, Dr No, who sends him through a gruelling tunnel of pain which Bond barely survives, before killing No and triumphantly rescuing the girl.
1959 Goldfinger M tasks Bond with finding out more about Auric Goldfinger, the richest man in England. Bond confirms the Goldfinger is smuggling large amounts of gold out of the UK in his vintage Rolls Royce, to his factory in Switzerland, but then stumbles on a much larger conspiracy to steal the gold from the US Reserve at Fort Knox. Which, of course, Bond foils.
1960 For Your Eyes Only (short stories) Four stories which started life as treatments for a projected US TV series of Bond adventures and so feature exotic settings (Paris, Vermont, the Seychelles, Venice), ogre-ish villains, shootouts and assassinations and scantily-clad women – but the standout story is Quantum of Solace, a conscious homage to the older storytelling style of Somerset Maugham, in which there are none of the above, and which shows what Fleming could do if he gave himself the chance.
1961 Thunderball Introducing Ernst Blofeld and his SPECTRE organisation who have dreamed up a scheme to hijack an RAF plane carrying two atomic bombs, scuttle it in the Caribbean, then blackmail Western governments into coughing up $100,000,000 or get blown up. The full force of every Western security service is thrown into the hunt, but M has a hunch the missing plane headed south towards the Bahamas, so it’s there that he sends his best man, Bond, to hook up with his old pal Felix Leiter, and they are soon on the trail of SPECTRE operative Emilio Largo and his beautiful mistress, Domino.
1962 The Spy Who Loved Me An extraordinary experiment: an account of a Bond adventure told from the point of view of the Bond girl in it, Vivienne ‘Viv’ Michel, which opens with a long sequence devoted entirely to her childhood in Canada and young womanhood in London, before armed hoodlums burst into the motel where she’s working on her own, and then she is rescued by her knight in shining armour, Mr B himself.
1963 On Her Majesty’s Secret Service Back to third-person narrative, and Bond poses as a heraldry expert to penetrate Blofeld’s headquarters on a remote Alpine mountain top, where the swine is carrying out a fiendish plan to use germ warfare to decimate Britain’s agriculture sector. Bond smashes Blofeld’s set-up with the help of the head of the Corsican mafia, Marc-Ange Draco, whose wayward daughter, Tracy, he has fallen in love with, and in fact goes on to marry – making her the one great love of his life – before she is cruelly shot dead by Blofeld, who along with the vile Irma Bunt had managed to escape the destruction of his base.
1964 You Only Live Twice Shattered by the murder of his one-day wife, Bond goes to pieces with heavy drinking and erratic behaviour. After 8 months or so M sends him on a diplomatic mission to persuade the head of the Japanese Secret Service, ‘Tiger’ Tanaka to share top Jap secret info with us Brits. Tiger agrees on condition that Bond undertakes a freelance job for him, and eliminates a troublesome ‘Dr Shatterhand’ who has created a gruesome ‘Garden of Death’ at a remote spot on the Japanese coast. When Bond realises that ‘Shatterhand’ is none other than Blofeld, murderer of his wife, he accepts the mission with gusto.
1965 The Man With The Golden Gun Brainwashed by the KGB, Bond returns from Japan to make an attempt on M’s life. When it fails he is subjected to intense shock therapy at ‘The Park’ before returning fit for duty and being dispatched to the Caribbean to ‘eliminate’ a professional assassin, Scaramanga, who has killed half a dozen of our agents as well as being at the centre of a network of criminal and political subversion. The novel is set in Bond and Fleming’s old stomping ground, Jamaica, where he is helped by his old buddy, Felix Leiter, and his old secretary, Mary Goodnight, and the story hurtles to the old conclusion – Bond is bettered and bruised within inches of his life – but defeats the baddie and ends the book with a merry quip on his lips.
1966 Octopussy Three short stories in which Bond uses the auction of a valuable Fabergé egg to reveal the identity of the Russians’ spy master in London; shoots a Russian sniper before she can kill one of our agents escaping from East Berlin; and confronts a former Security Service officer who has been eaten up with guilt for a wartime murder of what turns out to be Bond’s pre-war ski instructor. This last short story, Octopussy, may be his best.

Golden Soak by Hammond Innes (1973)

Old mines, like old houses, have their own atmosphere – a feel, an aura compounded of many things , but chiefly of the way men have handled the problems of working underground. It’s there in the construction of the galleries, the cross-cuts, drifts and winzes, the way they have stoped and handled the ore. But down here, on the third level of Golden Soak, it was something different, as though the rock itself had absorbed such a radiation of human fear that it could still infect the atmosphere of the place. (p.97)

Hammond Innes has three great strengths:

  • He writes about ordinary men who didn’t go to public school and who aren’t writers and artists – real people with real jobs: miners and engineers, merchant seamen and Royal Navy sailors, soldiers and solicitors, whalers and railroad builders, oil prospectors and surveyors, captains and fishermen, bulldozer drivers and cafe owners.
  • He describes work, real work, hard physical work, designing and building and excavating and constructing and navigating and fishing and diving and drilling.

The rig was on exploratory work, drilling a test hole high up on Mount Whaleback. Across from where it was spudded in the view was of a mountainside being gnawed to destruction by blasting and giant shovels. And beyond the huge stepped gashes of industrial erosion stretched the ever-endless wastes of the Australian outback, iron hills throbbing through a miasma of ore dust so fine it hung like a haze that half-obscured the sun. They were adding a fresh rod when we arrived, Duhamel and his off-sider working in unison, both of them stripped to the waist and red with the grime of ore dust. (p.177)

  • And – when his heroes are not battling physical and psychological odds – there is a feeling in his descriptions, especially of anything touching on his beloved sailing, of real joy, excitement and exhiliration, delight at being alive in a beautiful world.

Coming to Innes after reading Graham Greene is like stepping from a pitch-black confessional where a suicidally depressed man has told you all his pornographic fantasies, out into the light of a beautiful spring morning. Though a morning which turns out to be not without its problems…

Golden Soak part 1

The book opens at a fast pace as we watch mining engineer and surveyor Alec Falls driving drunkenly away from the meeting of the board of the tin mine in Cornwall which he set up, having punched one of the directors and facing the fact the mine was finished, all played out. Back at his house he finds his ‘bitch’ of a wife has left him and so, on a drunken whim, he fakes his own death and sets fire to his home. Drives drunk along the coast to Southampton, abandons his car and takes ship for Australia. He had met a young woman, Janet Garrety, touring mines in England who came from mining country in Western Australia and she’d invited him to go visit. By the end of chapter one he has travelled all the way out to her and her father’s ranch in Jarra Jarra, Western Australia, only to discover it is bankrupt, their mine is played out, no rain has fallen for a year and the cattle are dying.

Thus, like many an Innes’ protagonist, Alec is in a desperate plight.

I got suddenly to my feet. I must be mad even to think of it. I was a stranger in a strange land, alone, with no money and nobody to help me. (p.48)

The rest of the plot describes his attempts to secure a living in his new country and how, slowly, he becomes caught up in a web of old vendettas and allegiances to do with abandoned mines and legendary discoveries, overlaid with sharp business deals which see him accepting cash offers and then bribes to falsify geological reports, getting deeper and deeper into trouble though he doesn’t realise it until it’s too late.


As with all his novels, Golden Soak is the result of Innes’ own extensive travels through the territory described, a fact emphasised by the Author’s Note at the end of the text which carefully distinguishes the fictional locations and characters from the real-life places and people who helped and guided him on his tours. Viewed from one angle, Innes’ novels are really extended travelogues with sometimes rather contrived plots, or sometimes not even plots – just situations – embedded in them.

Golden Soak is a classic example and contains scores of passages describing the bleak desert landscape of Western Australia: in the blistering heat of the day, at the mercifully cool dusk, in the chill hours before dawn. Because it is a novel about mining, special attention is paid to the geology of the region, with quite technical descriptions of geological formations, underlying rocks, the different types of dust, and to the sun-toughened flora which just about survive in this harsh environment.

We clambered the broken rock to the small trees at the top, taking our personal clouds of flies with us. The sun was already blazingly hot and away to the south-west a salt-white glimmer marked  the flat immensity of Lake Disappointment. All to the east now was nothing but desert, speckled with the golden yellow of spinifex, and the sandridges like a flat red swell coming in from the north-north-east. High overhead two wedge-tailed eagles worked the air currents, soaring on great wing spans, intent, searching for anything that still had life in that arid hell of drought-ridden sand. (p.215)

The book does demonstrate the full force of this weird Innes ability to describe oppressive and challenging landscapes, first and foremost the unrelenting descriptions of the desert in all its varieties, the different types of rock and dust and sand, the unforgiving heat, the buzz of the insects, the flights overhead of bright colourful birds, the dingoes crying at night, the sudden appearance of kangaroos one night – the whole book does very powerfully convey the strangeness of Australia.

(I guess Innes is not much read now: the fact that most of his novels are out of print suggests that. But a great anthology could be made of all the scores of stretches where he describes landscapes and scenery – and especially seascapes – in bold and striking colours.)

The human geography is described just as vividly (and presumably, as accurately): the rundown ranches, the abandoned mine workings, the hot metal shacks, the brick hotels, the dusty roadside diners. And the novel has a large number of incidental characters, of hard-pressed ranchers and embittered miners, who clump into the kitchens of their harassed wives after a long day of hard labour in the blistering sun, their faces and backs streaked with sweat and covered in the red dust, gagging for the first stubby of the day and some hot tucker.

Minor characters

Initially I thought the action would be confined to the Jarra Jarra ranch where Falls stays for a while with Janet Garrety, her tough old father, Ed Garrety, himself the son of local legend Big Bill Garrety who founded the ranch and homestead. But the father watches him getting closer to his daughter and doesn’t like it: there’s no work for Falls, the empty mine, Golden Soak, ruined his father and is long abandoned after a calamitous flood which killed seven men. And so Garrety none too politely suggest Falls leaves, and this kicks off his travels via harsh roadside cafes and tough pubs to raw frontier settlements like Nullagine, Meekathurra, Kalgoorlie and Ora Banda.

Which gives Innes the opportunity to depict different types of harsh Aussie terrain and to introduce us to a sizeable cast of vividly drawn minor characters.

  • Alec Falls: protagonist and narrator, embittered failed mining engineer and company owner
  • Rosa: his glamorous wife who never loved him and leaves him on the fateful night when he fights with his fellow directors and sets  his own house on fire
  • Ferdie Kaden: son of a Serbian immigrant who worked himself to death in the mines round Kalgoorlie. Ferdie vows not to be like his father and becomes a sharp businessman, a chancer, who also writes to Falls offering him a job in W. Australia, and then inveigles him into a number of dodgy financial deals
  • Janet Garrety: stocky snub-nosed young woman he meets in England, who tells him all about her ranch in Western Australia and sparks the fantasy of escaping there
  • Ed Garrety: her tough rancher father, who was captured and held prisoner by the Japanese during the war, and returns afterwards to a homestead ruined almost beyond recognition
  • Big Bill Garrety: grandfather, the legendary figure who founded the homestead in the 1890s then squandered the family money on the ill-fated Golden Soak mine
  • Henry Garrety: Janet’s brother, Ed’s son: joined the Australian Army to escape the barrenness of Jarra Jarra and was one of the first Australians to be killed in Vietnam, aged 18
  • Pat McIlroy: Garrety’s partner; when the ill-fated mine failed he took off into the interior and was never seen again, leaving behind the rumour of some legendary mineral discovery
  • Andie Andersen and his Italian wife, Maria, who keep a dusty roadside pasta restaurant at Lynn Peak
  • Wolli: drunk aborigine whose father was with McIlroy during his last ill-fated expedition and who, therefore, Falls tries to get the truth out of
  • Prophecy: fag-smoking card-playing owner of the bar in the flyblown settlement of Nullagine
  • Phil Westrop: ‘just an ordinary, hard-drinking, hard-driving, mind-your-own-bloody-business Australian’ (p.83)
  • George Duhamel, owner of a mining rig Falls meets in a pub, and then hires to drill on a bluff next to Golden Soak
  • Josh: plays the guitar with Duhamel’s drilling gang
  • Chris Culpin: tough embittered miner, working for Ferdie Kadek
  • Edith: Culpin’s thin unhappy wife
  • Kennie: Culpin’s son; after an argument with his father which comes to blows, he leaves home and heads back north with Falls, thereafter becoming his sidekick
  • Les Freeman: chaiman and MD of Lone Minerals, in partnership with Ferdie Kadek, who – it turns out – is conning him with the reluctant help of Falls
  • Petersen: head of Petersen Geophysics, a small geology and assaying company, characterful Swede always slapping people on the back
  • the old prostitute who was one of the last to see McIlroy before he disappeared

Mystery and stasis

Innes has many strengths, but his novels share one massive weakness, which is they don’t really have much plot. By plot I mean a sequence of events which reveal incidents from the past or which string together current events into a meaningful pattern. Instead Innes novels tend to focus around an obsessive figure who keeps to himself what, in the final analysis, is a very simple revelation, which many of the characters know or suspect, but which everyone refuses to express, articulate, spit out or share over several hundred pages of aborted conversations, shrugs and silences.

Thus, in this novel, the protagonist soon learns there are one or two ‘mysteries’ connected with the Garrety family – What happened in the Golden Soak mine to cause it to be abandoned after Big Bill Garrety had ruined his family by spending all his capital on it and borrowing more to develop it? What happened to Phil McIlroy who had told everyone in the local bars that he’d struck it rich and discovered ‘McIlroy’s Monster’, a big copper deposit, out in the desert somewhere – and then disappeared off the face of the earth? Both events happened in 1939, on the eve of war, and thirty years ago – are they connected?

A well-constructed thriller would plant these mysteries early on and then lead the narrator (and reader) through a cunning sequence of revelations to a final understanding of the ‘real events’ behind them. Innes, however, here as in almost all his other novels, uses a peculiar technique of Obstruction: the narrator talks to a wide range of people who don’t know, can’t shed light, clam up, hesitate and shrug. The text doesn’t proceed by dramatic or subtle revelations, it doesn’t proceed in a line, but circles around the central ‘mysteries’ via innumerable inconclusive and frustrating conversations where characters don’t reveal what they know, turn away, go silent and gaze into the distance. The narrator (and the reader) never gets any further forward for literally hundreds of pages – until suddenly it all comes tumbling out in the end.

This blockage, obstruction and frustrating stasis isn’t accidental or a minor feature: it is absolutely central to Innes’ conception of the novel, to his narrative methodology, and occurs on almost every page.

After that she didn’t say anything… I sat there at a loss for words, the silence growing… There was a sudden silence and I looked up to find her staring at me… He didn’t say anything for a moment, a stillness settling on the room… I hesitated… The silence deepened, his face frozen… The stillness was absolute then… He shrugged and got to his feet… He went out then, leaving me with questions still unanswered… She didn’t seem to know… she shook her head… She hesitated… ‘I can’t explain, I don’t really understand it myself’ … She shrugged turning quickly away…She shook her head… Again she shook her head… But she shook her head… But he didn’t answer… But Lenny shook his head… She knew no more than I did… But I couldn’t answer that… It seemed a lot longer with Culpin sitting morose and tense at the wheel, not saying a word… I just stood there, silent, wondering what sort of a man I was… Kadek didn’t say anything. Nor did Freeman… He didn’t know… I shrugged… I started to say something and then I turned away… We left immediately, Culpin driving in silence… Kennie sitting beside me, tight-lipped and silent… I didn’t answer… In the end I drove in silence… ‘I hope not, but I don’t know’… He didn’t answer… Nobody said anything… A silence settled on the room… He stared at me, the room suddenly deathly silent… I didn’t answer… Ed Garrety shook his head… ‘I don’t know’… There was a long silence… ‘He won’t say what he’s up to, won’t tell me anything’… ‘It’s something else, but he won’t say. He won’t tell me anything’… ‘It was something else, but I don’t know what. I just don’t know’… He didn’t answer… Kennie shrugged… He hesitated again, as though unwilling to put his thoughts into words…We didn’t talk. We just sat huddled there… I sat down beside him, both of us silent for a long time… There were questions I wanted to ask but I didn’t know how to begin… He didn’t finish, but continued staring down at the ground… he gave me a long slow look, the nodded and turned away… He didn’t say anything, his eyes glinting in the starlight… ‘All in good time. Don’t rush me.’ He stood for a moment in complete silence… His voice trailed off… After that he closed right up on me, wouldn’t say another word… He was silent then and I didn’t know what to say… He didn’t answer, the silence heavy between us… Silence still and I had to repeat the question… And after that he wouldn’t say any more… There was a long silence… So I kept my mouth shut, the two of us staring at each other in silence… I didn’t answer… I should have warned Kennie… but I didn’t… He hardly spoke, he seemed shut up inside himself… We didn’t talk much, both of us wrapped up in our own thoughts…

Falls tries to talk to Ed Garratty:

It was a closed look, the blank stare of a man on the defensive… He didn’t answer, the silence stretching uncomfortably between us… He relapsed into silence then… I didn’t say anything for a moment… He sat there for a moment, not saying anything… But Ed Garrety didn’t answer… I asked him where he was going but he didn’t seem to hear… I didn’t know, I just didn’t know what my motive was…

Falls tries to get answers out of Janet Garrety:

But she didn’t answer, just sat there, quite still as though she’d suddenly been struck dumb (156)…’I don’t know… I don’t know’… She shook her head, God knows’, she breathed… But Janet didn’t answer… She looked away towards the window. ‘I don’t know,’ she said… She hesitated, half-shaking her head…

Falls tries to get answers out of the aboriginal woman, Brighteyes:

She shook her head… She shook her head, ‘I don’t know’… I didn’t know what to say… She shook her head… She didn’t answer but her eyes moved, evasive, uneasy…

Falls tries to get answers from the barkeeper Prophecy:

After that there was silence… ‘I don’t know. Nobody knows.’… She didn’t answer… It seemed she knew no more than I did…

Falls tries to get answers from the aborigine, Wolli:

He shook his head… To all these questions he just shook his head…

Falls tries to get answers from Phil Westrop:

He didn’t say anything, standing there with his beer in his hand…

Falls meets Chris Culpin in Kalgoorlie

He was silent for a moment… He was silent after that… He didn’t say anything more, nursing his grievance in silence…

Falls tries to get answers from Chris Culpin’s wife, Edith:

Again that hesitation, as though she wanted to tell me something else… She was silent…

Golden Soak part 2

An early narrative climax comes when Golden Soak, precariously propped up as Falls discovers when he goes illicitly poking around in it, collapses with a boom and a lot of dust. Falls and Kennie were driving out towards it, chasing after Ed Garrety who had disappeared and, for a long ten minutes they think he must have been in it when it collapsed. Until he emerges covered in dust from the nearby workings…

Thereafter Falls goes touring round various townships in Western Australia, looking for work, having threatening conversations with various rough miners and prospectors and businessmen all looking after number one. Falls finds himself reluctantly taking money from the dodgy dealer, Kadek, in exchange for giving misleadingly optimistic information to the fairly honest businessman, Les Freeman. Falls then uses the money to hire the driller Duhamel and his crew to drill up at Golden Soak but is bitterly outwitted by the harsh, unforgiving Chris Culpin who has taken the trouble to get an official ‘claim’ made for the area: anything Falls finds will belong to Culpin. Falls ceases the drilling in disgust.

Defeated and depressed, Falls drives back to Jarra Jarra to discover Janet in hysterics because her father, Ed Garrety, has driven off into the desert.

Finally, after 200 pages of incommunicative peregrinations, this is the (typically Innes) climax of the novel. Falls grabs young Kennie and together they undertake a fifty-page adventure, loading the Land Rover with petrol and water and driving off with an old map and compass into the inhospitable Gibson desert. Really inhospitable. So blisteringly hot during the day you can’t drive or be outside, so they drive at night. The journey, and the extreme conditions, force Falls to review what he’s doing in Australia and what the hell he’s doing driving into the heart of one of its worst deserts to find an ageing, bitter, dying man who possibly has gone off to end it all. However, Falls also knows Garrety has a map showing the location of the McIlroy Monster: so he’s pursuing Garrety in order to save Janet’s father for her, and to try and redeem his damn fool decision to emigrate by finding the legendary hill of copper.

But he doesn’t. When he finally catches up with Garrety it turns out the dying old man has come all the way out into the desert to find the place where, back in 1939, he shot McIlroy dead. Aha. So that’s what happened. Why? Because somehow, it is implied, McIlroy had ruined his old man, deluded him with his damn fool plans and then lured Ed into a crazy expedition into the desert so that when Ed awakes one morning to find McIlroy shooting the camels to eat, Garrety flips, they fight over the gun and Garrety shoots McIlroy dead.

That’s it. That’s the bitter secret which Garrety has concealed for 30 years, which has eaten into his conscience, which has made him bitter and grouchy and led all the local gossips to speculate whether he killed McIlroy in the Golden Soak and arranged the flooding, or whether there really is a big hill of copper which he’s keeping from everybody. After this anti-climactic revelation, Falls passes out. Next morning he wakes to find Garrety has headed off in a raging sandstorm like Captain Oates deliberately seeking the oblivion of death.

Falls and Kennie turn round and their knackered Land Rover just about makes it back to civilisation where Falls is promptly arrested. We learn that this entire narrative has been written from prison.


The technicalities of his arrest and the charges are described with typical Innes thoroughness: courts martial and trials, dodgy business deals and boardroom manoeuvres feature in many of his novels. But, in summary, Falls is eventually released and, among other developments, persuades Kennie to return with him to the Gibson Desert. Here, after further suffering, they do at last, indeed, find McIlroy’s Monster, a great plateau of copper-bearing rock but again, only to seem to be frustrated. A helicopter lands and men start staking out the claim with professional pegs: it is Chris Culpin – Falls’s repeated nemesis, who foiled him when he was drilling up at Golden Soak. At this, the climax of the novel, Innes persuades us that Culpin’s son, Kennie, is wound up to such a state that he rushes forward – father and son argue, then fight, then Kennie grabs a rifle and shoots his father dead.

The men take Culpin’s body and Kennie into the chopper and fly off.

This leaves Falls free to stake out the claim himself, then spend ten days struggling back through the desert to Jarra Jarra. During this time – symbolically – it rains for the first time since his arrival in Australia, and when he arrives at Jarra Jarra it is to find the desert blooming, the herds of cattle thriving after Janet, Ed Garrety’s daughter, followed his suggestion of watering them at the new pool formed in the crater of the ruined collapsed Golden Soak mineworkings, and Janet herself running into his arms for a Hollywood ending.

In the last pages, he says they are now a pair, awaiting his divorce to come through from Britain, and Janet is pregnant. He has never worked so hard in his life, refencing the farm, drilling waterholes, and hopes that, if the child is a girl,

pray God she grows up with the same qualities as her mother, the same love of this harsh demanding place where I have now put down my roots. (p.285)

Fathers and sons

As with Levkas ManThe Doomed Oasis and others of his later novels, Golden Soak ends up being a tragedy about a son and a father in which the father dies. Sons and fathers run like a thread through the text. Big Bill Garrety, founder of the dynasty, who goes mad and his son Ed, who goes off into the desert to die, and his son Henry, who is killed in Vietnam. Culpin’s son Kennie, who kills his father.

There is a strong Gothic element in these doomed relationships of fathers and sons.

A tale of two women

Innes also goes out of his way to contrast between the two lead female characters in the novel.

Falls repeatedly describes his wife, Rosalind, Rosa, as being stunningly good looking: there’s a page or so mulling over his marriage as he comes to realise that he never loved her, he just wanted – in the heady days of his success when the tin mine in Cornwall was showering money – to ‘own’ her, to possess her like a flash sports car.

Two thirds of the way through the story Falls is horrified to learn that Rosa has figured out he never died in the fire and tracked him down all the way to the ranch at Jarra Jarra. Falls returns from a day out drilling to find Rosa in a tense stand-off with Janet, her polar opposite. After an edgy dinner, later that night when he’s in bed, Rosa quietly slips into his room and there’s quite a powerful description of how they have sex, even though he hates her and he knows she despises him, but she is just so damn erotic. Here, as in a number of the other novels (eg Air Bridge) Innes is very good at honestly depicting the way a man can simply be overcome with lust and be attracted to a woman he positively dislikes.

All this is deliberately and repeatedly contrasted with not so attractive, stocky Janet with her turned-up nose and freckles, with her agonised love for her troubled father and her daily struggle to keep the ranch alive.

Innes is making a deliberate contrast between beautiful heartlessness and not-so-beautiful honesty and truth and, after everything they’ve been through, it is Janet and Alec’s honest, open, homely declaration of love right at the end of the story which, to be honest, brought a tear to my eye.


It is fairly understated but at several points characters make the point that man has severely damaged the natural environment of Australia. Towards the end the opposition between Kennie Culpin and his father comes to represent the conflict between the older generation, grasping, selfish, only out to make a short-term profit from mining, and the younger generation who think their elders murdered the black aborigines and devastated the flora by over-farming it, until the place has become an inhospitable desert.

40 years later Australia is, of course, still inhabited, though I have read articles claiming that, with climate change, it might in the long term become unviable for human life.

Certainly Innes gives a sympathetic if unblinking portrayal of a number of aborigines, the original owners of the land who knew how to live in harmony with it, degraded by service to the white man and all too often addicted to white man’s alcohol, but many retaining their mysterious link to the soil, to their tribal languages and customs. And at one of the key moments, when Falls confronts Garrety out in the desert and he confesses his murder of McIlroy, the old man’s head is leant back against a rock covered in the strangely powerful geometric designs of the country’s long-dead aboriginal owners, as if this white man’s tragedy is unfolding against a much larger canvas of history and culture.

And the symbolic rainfall at the very end of the novel and the miraculous greening of the land, also represent an earnest, a glimmering gesture towards Garrety’s dying wish that the land not be raped for mineral deposits but that its human masters learn to use its resources more wisely to revive and restore it.


Golden Soak was made into a six part TV mini-series by Australian TV, which you can watch on YouTube, but only appears to be available in a version dubbed into German.

Related links

Fontanta paperback cover of Golden Soak

Fontanta paperback cover of Golden Soak

Hammond Innes’ novels

1937 The Doppelganger
1937 Air Disaster
1938 Sabotage Broadcast
1939 All Roads Lead to Friday
1940 The Trojan Horse – Barrister Andrew Kilmartin gets involved with an Austrian Jewish refugee engineer whose discovery of a new lightweight alloy which will make lighter, more powerful aircraft engines leads to him being hunted by an extensive and sinister Nazi network which reaches to the highest places in the land. The book features a nailbiting chase through the sewers of London and a last-minute shootout on the Nazi ship.
1940 Wreckers Must Breathe – Journalist Walter Craig stumbles across a secret Nazi submarine base built into a ruined tin mine on the Cornwall coast and, along with local miners and a tough woman journalist, fights his way out of captivity and defeats the Nazis.
1941 Attack Alarm – Gripping thriller based on Innes’ own experience as a Battle of Britain anti-aircraft gunner. Ex-journalist Barry Hanson uncovers a dastardly plan by Nazi fifth columnists to take over his airfield ahead of the big German invasion.

1946 Dead and Alive – David Cunningham, ex-Navy captain, hooks up with another demobbed naval officer to revamp a ship-wrecked landing craft. But their very first commercial trip to Italy goes disastrously wrong when his colleague, McCrae, offends the local mafia while Cunningham is off tracking down a girl who went missing during the war. A short but atmospheric and compelling thriller.
1947 The Killer Mine Army deserter Jim Pryce discovers dark family secrets at a ruined Cornish mine which is being used as a base by a father-and-son team of smugglers who blackmail him into doing some submarine rock blasting, with catastrophic results.
1947 The Lonely Skier Writer Neil Blair is hired to visit the Dolomite mountains in Italy, supposedly to write a script for film producer Derek Engles, in reality to tip him off when key players in a hunt for Nazi gold arrive at the ski hut in the mountains where – they all think – the missing treasure is buried.
1947 Maddon’s Rock Corporal Jim Vardin, convicted of mutiny at sea and imprisoned in Dartmoor, breaks out to clear his name and seek revenge on the captain and crew who pretended to sink their ship, the Trikkala, but in fact hid it at a remote island in the Arctic circle in order to steal its cargo of silver bullion.
1948 The Blue Ice Mineralogist and industrialist Bill Gansert sails to Norway to discover the truth about the disappearance of George Farnell, a friend of his who knew something about the discovery of a rare metal ore – an investigation which revives complex enmities forged in Norway’s war-time Nazi occupation.
1949 The White South Narrator Duncan Craig becomes mixed up in the disaster of the whaling ship Southern Star, witnessing at first hand the poisonous feuds and disagreements which lead a couple of its small whalecatcher boats to get caught in pack ice, fatally luring the vast factory ship to come to their rescue and also becoming trapped. It then has to evacuate over 400 men, women and children onto the pitiless Antarctic ice where Craig has to lead his strife-torn crew to safety.
1950 The Angry Mountain – Engineering salesman Dick Farrell’s wartime experiences come back to haunt him as he is caught up in a melodramatic yarn about a Czech spy smuggling industrial secrets to the West, with various people from his past pursuing him across Italy towards Naples and Mount Vesuvius, which erupts to form the dramatic climax to the story.
1951 Air Bridge – Bomber pilot fallen on hard times, Neil Fraser, gets mixed up with Bill Saeton and his obsession with building a new type of diesel aero-engine based on a prototype looted from wartime Germany. Saeton is helped by partner Tubby Carter, hindered by Tubby’s sex-mad wife Diana, and spied on by Else, the embittered daughter of the German who originated the designs. The story moves to Germany and the Berlin airlift where Saeton’s obsession crosses the line into betrayal and murder.
1952 Campbell’s Kingdom – Bruce Campbell, given only months to live by his doctors, packs in his boring job in London and emigrates to Canada to fulfil the dream of his eccentric grandfather, to find oil in the barren patch of the Canadian Rockies known as ‘Campbell’s Kingdom’.
1954 The Strange Land – Missionary Philip Latham is forced to conceal the identity of the man who replies to an advert to come and be doctor to a poor community in the south of Morocco. Instead of curing the sick, he finds himself caught up in a quest for an ancient silver mine, a quest which brings disaster to the impoverished community where it is set.
1956 The Wreck of the Mary Deare – Yacht skipper John Sands stumbles across the wreck of the decrepit steamer Mary Deare and into the life of its haggard, obsessive captain, Patch, who is determined to clear his reputation by revealing the owners’ conspiracy to sink his ship and claim the insurance.
1958 The Land God Gave To Cain – Engineer Ian Ferguson responds to a radio plea for help received by his amateur radio enthusiast father, and sets off to the wilds of Labrador, north-east Canada, to see if the survivors of a plane crash in this barren country are still alive – and what lies behind the conspiracy to try and hush the incident up.
1960 The Doomed Oasis – Solicitor George Grant helps young tearaway David Thomas travel to Arabia to find his biological father, the legendary adventurer and oilman Colonel Charles Whitaker, and becomes embroiled in a small Arab war which leads to a siege in an ancient fortress where the rivalry between father and son reaches a tragic conclusion.
1962 Atlantic Fury – Painter Duncan Ross is eyewitness to an appalling naval disaster on an island of the Outer Hebrides. But intertwined with this tragedy is the fraught story of his long-lost brother who has stolen another man’s identity. Both plotlines lead inexorably to the bleak windswept island of Laerg.
1965 The Strode Venturer – Ex-Merchant Navy captain Geoffrey Bailey finds himself drawn into the affairs of the Strode shipping company which aggressively took over his father’s shipping line, thereby ruining his family and driving his father to suicide. Now, 30 years later, he is hired to track down the rogue son of the family, Peter Strode, who has developed an obsession with a new volcanic atoll in the middle of the Indian Ocean, whose mineral wealth might be able to help the Maldive Islanders whose quest for independence he is championing.
1971 Levkas Man – Merchant seaman Paul goes to find his father, eccentric archaeologist Pieter Van der Voort, another typical Innes obsessive, this one convinced he can prove his eccentric and garbled theories about the origin of Man, changing Ice Age sea levels, the destruction of Atlantis and so on. Much sailing around the Aegean, feelingly described by Innes, before the climax in a vast subterranean cavern covered in prehistoric rock paintings, in an atmosphere heavy with timeless evil, where his father admits to being a murderer.
1973 Golden Soak – Alec Falls’ mining business in Cornwall goes bust so he fakes his own death and smuggles himself out to Australia to take up an invitation to visit a rancher’s daughter he’d met in England. He finds himself plunged into the mystery and intrigue which surrounds the struggling Jarra Jarra ranch and its failed mine, Golden Soak, a mystery which leads him on a wild chase out into the desolate hell of the Gibson desert where Alec discovers the truth about the mine and the rumours of a vast hill of copper, and witnesses archetypal tragedies of guilt and expiation, of revenge and parricide.
1974 North Star – One-time political agitator and seaman Michael Randall tries and fails to escape his treacherous past as he finds himself embroiled in a plot to blow up a North Sea oil rig, a plot which is led by the father he thought had died decades earlier.
1977 The Big Footprints – TV director Colin Tait finds himself caught up in the one-man war of grizzled African hunter and legendary bushman Cornelius van Delden against his old friend, Alex Kirby-Smith, who is now leading the Kenyan government’s drive to cull the country’s wildlife, especially its elephants, to feed a starving population and clear the way for farmers and their cattle. It’s all mixed up with Tait’s obsessive quest to find a remote mountain where neolithic man was said to have built the first city in the world.
1980 Solomon’s Seal – Property valuer Roy Slingsby prices the contents of an old farmhouse in the Essex countryside and is intrigued by two albums of stamps from the Solomon Islands. He takes up the offer of a valuing job in Australia and finds himself drawn into the tragic history of the colonial Holland family, whose last surviving son is running machine guns to be used in the coup and bid for independence of Bougainville Island. Though so much of the detail is calm, rational and business-like, the final impression is of an accursed family and a fated ancestral house which burns down at the novel’s climax.
1982 The Black Tide – When his wife dies blowing up an oil tanker which has hit the rocks near their Cornwall home, ex-merchant seaman Trevor Rodin goes searching for the crew he thinks deliberately ran her aground. His search takes him to Lloyds of London, to the Nantes home of the lead suspect and then on to the Persian Gulf, where he discovers several ‘missing’ tankers are in fact being repurposed by terrorists planning to create a devastating environmental disaster somewhere on the coast of Europe. With no money or resources behind him, and nobody believing his far-fetched tale, can Rodin prevent the catastrophe?
1985 The High Stand – When gold millionaire Tom Halliday and his wife Miriam go missing, their staid Sussex solicitor Philip Redfern finds himself drawn to the old gold mine in the Canadian Rockies which is the basis of the Halliday fortune, and discovers that the illegal felling of the timber planted around the mine is being used as a front for a gang of international drug smugglers, with violent consequences.
1988 Medusa – Former smuggler turned respectable ex-pat businessman, Mike Steele, finds his idyllic life on the pretty Mediterranean island of Minorca turning very nasty when he gets mixed up with mercenaries running guns onto the island to support a violent separatist movement and military coup.
1991 Isvik – Wood restorer Peter Kettil gets caught up in a crazy scheme to find an old Victorian frigate allegedly spotted locked in the Antarctic ice by a glaciologist before his death in a flying accident. His partners are the nymphomaniac Latino wife of the dead glaciologist, Iris Sunderby, a bizarre Scottish cripple, Iain Ward, and a mysterious Argentine who may or may not have been involved in atrocities under the military junta.
1993 Target Antarctica Sequel to Isvik. Booted out of the RAF for his maverick behaviour, pilot Michael ‘Ed’ Cruse is hired by Iain Ward, the larger-than-life character at the heart of the previous novel, Isvik, to fly a C-130 Hercules plane off a damaged runway on the Antarctic ice shelf. There are many twists, not least with a beautiful Thai woman who is pursued by the Khmer Rouge (!), before in the last few pages we realise the whole thing is Ward’s scheme to extract diamonds from the shallow seabed, whose existence was discovered by the sole survivor of the frigate found in the previous novel.
1996 Delta Connection An astonishing dog’s dinner of a novel, which starts out reasonably realistically following the adventures of Paul Cartwright, scrap metal consultant, in Romania on the very days that communist ruler Nicolae Ceaușescu is overthrown, before moving on to Pakistan and the Khyber Pass where things develop into a violent thriller, before jettisoning any attempt at realism and turning into a sort of homage to Rider Haggard’s adventure stories for boys as Cruse and his gay, ex-Army mentor, battle their way through blizzards into the idyllic valley of Nirvana, where they meet the secret underground descendants of Vikings who long ago settled this land, before almost immediately participating in the palace coup which overthrows the brutal ruler and puts on the throne the young woman who Paul fell in love with as a boy back in Romania, where the narrative started. A convoluted, compelling and bizarre finale to Innes’ long career.

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