The restoration of Charles II

Introduction to the restoration of Charles II

When Oliver Cromwell died on 3 September 1658 there was no immediate sense that the Commonwealth would collapse and the king be restored. Rule passed smoothly to Oliver’s son, Richard – but things quickly started to unravel.

Cromwell’s rule had never reconciled the ever-increasing number of conflicting constituencies or parties or groups within not only England, but the other kingdoms of Scotland and Ireland. His rule rested ultimately on his control of the army, and the loyalty to him of (most) of the army generals. From this secure base he made attempts throughout the Protectorate, 1653-58, to reach out to:

  • in religion, episcopalians, moderate Anglicans, Presbyterians and independents
  • in politics, to moderate Royalists, to republicans and to the revolutionaries who had denounced his regime after the regicide
  • in Scotland and Ireland to moderate leaders prepared to accept his authority and work with him

These two central elements a) military authority and b) the intricate skein of negotiated settlements with all these constituencies, often based on personal acquaintance – vanished with his death.

The actual sequence of constitutional, parliamentary and political events following Cromwell’s death are extremely complex, but a high-level summary is that the general in Cromwell’s army tasked with running Scotland, General Monck, got in touch with representatives of the king and offered his services to broker a restoration.

Monck’s main concern was the material demands of the army:

  • there was to be a general pardon for actions carried out under orders
  • arrears of pay were to be fully met
  • titles to former Crown and Church lands bought during the Interregnum were to be confirmed
  • religious toleration for moderate sectarians was to be guaranteed

Charles and his advisers prepared a conciliatory declaration that offered a free pardon and amnesty to everyone who would swear loyalty to the Crown within forty day of the King’s return. However, Charles was canny enough to avoid the main points of contention, saying he’d put them off to be agreed by the first Parliament elected.

The result of these negotiations was the Declaration of Breda, signed by Charles on 4 April 1660, Breda being a town in the southern part of the Netherlands, where Charles had relocated for the negotiations.

Copies of the Declaration were sent to the House of Lords, the House of Commons, the army, the fleet and the City of London. A new Parliament had been elected in April 1660, and when Sir John Grenville delivered the Declaration to it on 1 May, both Houses unanimously voted for the Restoration.

Timeline of the Restoration

The timeline below gives some sense of the confusion and potential anarchy which spread after Richard Cromwell was forced to abdicate and then nobody knew what was happening or what to expect.


May 7 – Richard Cromwell forced by the Council of Officers to reinstate the Rump Parliament.
May 24 – Resignation of Richard Cromwell after Parliament refuses to recognise the Protectorate.
June 7 – Parliament commissions Charles Fleetwood commander-in-chief of the armies in England and Scotland but retains the power to appoint or promote officers.
July 3 – Viscount Mordaunt arrives in England to co-ordinate a general Royalist insurrection.
August 5-19 – Booth’s Uprising: Royalist revolt in Cheshire, suppressed by Colonel John Lambert.
September – Officers of Lambert’s army meet at Derby and draw up a petition setting out their demands for the government of the nation.
September 22-3 – Parliament forbids any further petitioning by soldiers. Sir Arthur Hesilrige calls for Lambert’s arrest.
October 12 – Parliament revokes the commissions of Lambert and eight other senior officers.
October 13 – Lambert’s troops occupy Westminster and prevent Parliament from sitting.
October 15 – The Council of Officers appoints a ten-member Committee of Safety to consider how to carry on the government.
October 20 – General Monck sends a declaration from Scotland demanding the return of Parliament.
October 25 – The Council of State dissolved; the Committee of Safety re-appointed by Army leaders.
November 3 – Lambert marches north from London with 12,000 troops to block Monck’s route into England.
November 12 – Monck’s representatives arrive in London for talks with the Council of Officers.
November 24 – Former members of the Council of State appoint Monck commander of all military units in England and Scotland and empower him to take military action against the enemies of Parliament if necessary.
December 3 – Sir Arthur Hesilrige secures Portsmouth for Parliament.
December 5 – Riots in London for the return of Parliament.
December 8 – Monck crosses the border and establishes his headquarters at Coldstream.
December 14 – Vice-Admiral John Lawson sails for the Thames, threatening to blockade London in support of Parliament.
December 26 – Fleetwood forced to recall the Rump Parliament.


January 1 – General Monck marches from Coldstream for London.
January 9 – Sir Henry Vane expelled from Parliament for having sided with the military junta.
January 11 – Lord Fairfax meets Monck at York and urges him to restore the Monarchy.
February 3 – Monck’s army arrives in London.
February 9 – Parliament orders Monck to remove the City gates and portcullises after citizens of London demand the reinstatement of Presbyterian MPs purged in 1648.
February 11 – Monck demands the re-admission of the purged MPs and apologises for his actions in removing the City gates.
February 21 – The Long Parliament restored: surviving MPs purged in 1648 re-admitted to Parliament under Monck’s protection.
March 5 – John Lambert imprisoned in the Tower of London.
March 16 – The Long Parliament calls free elections and votes for its own dissolution.
April 10 – Lambert escapes from the Tower and tries to rally resistance to the Restoration.
April 22 – Lambert and his followers defeated at Daventry; Lambert returned to London as a prisoner.
April 25 – The Convention Parliament assembles.
May 1 – Charles II’s manifesto the Declaration of Breda read in Parliament.
May 8 – The Convention Parliament declares Charles II to have been King since 30th January 1649.
May 14 – Parliament orders the arrest of all surviving regicides.
May 25 – Charles II lands at Dover.
May 29 – Charles II makes a triumphal entry into London.

The reign of Charles II, the 1660s

Charles’s reign breaks up into a number of periods and is dominated by a few key themes.

First, was how to deal with the legacy of the Civil War. Charles was in favour of forgiveness and tried to steer the first Parliament of his reign, the Convention Parliament, in that direction. However, the second Parliament, which came to be known as the Cavalier Parliament, not to mention the newly restored House of Lords, contained many who had suffered severely, lost land and family to the Roundheads. They were determined to push the clock back, to recover their lost land and money, to savagely punish all those responsible for the wars and the regicide, and to re-establish a rigid conformity in religion.

Convention Parliament

The Convention Parliament sat until the end of 1660. It was responsible for implementing the terms for the initial Restoration settlement under which Charles II established his administration.

The Convention passed the Bill of Indemnity and Oblivion, which was intended to reunite the nation under the restored monarchy by pardoning the majority of those who had opposed the Crown during the civil wars and Interregnum. It also undertook the task of disbanding the army which had underpinned the Commonwealth and Protectorate régimes. First steps were taken towards settling disputes over lands which had been sold off during the Interregnum, and initial legislation to provide revenue for the restored monarchy was set out. Charles dissolved the Convention Parliament on 29 December 1660.

The Clarendon Code

The Restoration religious settlement comprised four acts of Parliament known collectively as the Clarendon Code. The name derived from Sir Edward Hyde, Earl of Clarendon, who served as Charles II’s lord chancellor – though Clarendon was not the chief instigator of the acts and even argued against some of the more severe aspects.

The Corporation Act (1661)

This required all office holders in towns and cities to take oaths of allegiance to the Crown, to renounce the Solemn League and Covenant and to take the sacrament in accordance with the doctrines of the Church of England.

The Act of Uniformity (1662)

This brought all ordained clergymen under the doctrines and liturgy of the established Church. Candidates for the ministry had to be ordained by a bishop according to the rites of the Church of England. They were required to renounce the Solemn League and Covenant and to declare their acceptance of the revised Book of Common Prayer and all doctrinal articles sanctioned by the Church. Hundreds of Presbyterian and non-conformist clergymen were expelled from their livings on St Bartholomew’s Day (24 August) 1662 for refusing to comply with the Act of Uniformity.

The Conventicle Act (1664)

This was intended to prevent clergymen ejected by the Act of Uniformity from forming their own congregations. Fines or imprisonment were imposed on anyone attending an independent prayer meeting or act of worship (a so-called ‘conventicle) that was not in accordance with the Anglican liturgy.

The Five-Mile Act (1665)

This was intended to curb the influence of dissenting clergymen by prohibiting them from residing within five miles of any living they had held before the Act was passed. Furthermore, they were required to take an oath of non-resistance to royal authority before accepting any appointment as tutor or schoolmaster.


Once again a Stuart king let himself become poor, spending a fortune on the two stupid Dutch wars and frittering it away on mistresses and favourites at home.

A timeline of the 1660s

1661 Corporation Act – aimed at Presbyterians, the Act provided that no person could be legally elected to any office relating to the government of a city or corporation, unless he had within the previous twelve months received the sacrament of ‘the Lord’s Supper’ according to the rites of the Church of England. He was also commanded to take the Oaths of Allegiance and the Oath of Supremacy, to swear belief in the Doctrine of Passive Obedience, and to renounce the Covenant.
1662 Act of Uniformity compels Puritans to accept the doctrines of the Church of England or leave the church.
1662 Royal Society for the improvement of science founded

Catherine of Braganza

Charles married Catherine of the Portuguese royal house of Braganza. He married her for money but her dowry was quickly spent and then Britain found itself drawn into Portugal’s war against Spain. And, crucially, Catherine turned out to be ‘barren’ or incapable of conceiving children. Charles wasn’t. He was to acknowledge fatherhood of eighteen bastards (the most famous being the Duke of Monmouth, born as early as 1649, when Charles himself was only 19).

The lack of a male heir from the Braganza marriage meant the throne would pass to his brother James who was an overt Catholic i.e. more or less condemned the Stuart line to come to an end. As with Henry VIII, the infertility of a royal marriage was to have seismic consequences for the British.

1664 England seizes the Dutch settlement of New Amsterdam, changing its name to New York.
1665 Outbreak of the Second Anglo-Dutch War
1665 The Great Plague strikes London and over 60,000 die.
1666 The Great Fire of London rages for four days and three nights. Two thirds of central London is destroyed and 65,000 are left homeless

1667 As part of The Second Dutch War A Dutch fleet sails up the River Medway captures the English flagship The Royal Charles and sinks three other great ships. This humiliation provided Charles with a pretext to blame and thus get rid of the Earl of Clarendon, the statesman who had guided and mentored him in exile and dominated the first seven years of his rule.

Fall of Clarendon

Clarendon was replaced by a set of five statesmen or advisers who come to be known as The Cabal and held power from 1668 to 1674.

The Cabal

The linchpin of the Cabal was probably George Villiers, Duke of Buckingham. Although he only held the household office of Master of the Horse, with responsibility for overseeing the King’s travel arrangements, Buckingham was a long and close associate of King Charles II. They had practically been raised together since they were children, during the close association of their fathers, Charles I and the first Duke of Buckingham, a relationship they consciously compared themselves to in adulthood, and might have replicated, had the younger Buckingham possessed the skills of his father. Nonetheless, Buckingham was in constant contact and a clear favourite of the king, and the centre of the Cabal’s grip on power. Gilbert Burnet, who knew some of its members personally, said that Buckingham stood apart from the rest of the Cabal, hating them and being hated in return.

The Lord High Treasurer Wriothesley having died just before Clarendon’s departure, the Treasury came under the nominal chairmanship of George Monck (Duke of Albermarle). But as Monck was practically retired from public life, control of the Treasury commission was taken up by Sir Thomas Clifford (Comptroller and soon Treasurer of the Household) and Anthony Ashley Cooper (Chancellor of the Exchequer). With the assistance of their close associates John Duncombe (Ashley’s deputy at the Exchequer), Stephen Fox (the Paymaster of the Forces) and Sir George Downing, the secretary to the Treasury commission, Clifford and Ashley overhauled the monarchical finances, placing them in a much more solvent state than before.

Foreign affairs was directed by Henry Bennet, Earl of Arlington (Secretary of the South), with occasional assistance from George Villiers, Duke of Buckingham. (Although foreign affairs were notionally in the purview of the Secretary of the North, the Cabal bullied Sir William Morice into selling the seat to Sir John Trevor, and then sidelined the latter.)

John Maitland, Earl of Lauderdale (Secretary of State for Scotland) had already consolidated his position in 1663 by securing the dismissal of his principal rival, John Middleton (Lord High Commissioner to the Parliament of Scotland) and his replacement by the more pliable John Leslie, Earl of Rothes. In 1669, Lauderdale went one step further, and got Leslie dismissed and the Lord High Commissioner position for himself, consolidating his hold and ruling Scotland as a virtual autocrat for the remainder of his career.

Sir Orlando Bridgeman, the Royalist lawyer who had prosecuted the Regicides, and who took over Clarendon’s duties as Lord Keeper of the Great Seal in 1667, was outside of this inner circle, although cooperated with their goals.

Despite their comparative energy and efficiency, the Cabal was a fractious and unpopular group. Although perceived as a secretive and unsavoury junta, they rarely formed a united front, and their internal quarrels often spilled over into the public arena.

J. P. Kenyon suggests that the King actually encouraged the Cabal members to quarrel, in the belief that this made them easier to control. They in turn, never trusted him not to bring them down as he had brought down Clarendon, and as Kenyon remarks, they hardly dared turn their backs on him for fear of sudden dismissal.

It was said that the King treated his ministers very much as he did his mistresses: ‘He used them, but he was not in love with them, and was tied to them no more than they to him, which implies sufficient liberty on either side’.

Sir William Coventry, the Secretary to the Admiralty, resigned from office following a duel challenge from the Duke of Buckingham, and re-emerged in the House of Commons at the head of a group of MPs known as the ‘Country Party’, which loudly opposed the Cabal and its policies.

Charles II acceded to the Cabal’s recommendation to prorogue parliament repeatedly, keeping it out of session for as long as he could, and leaving the Cabal to run the country on their own. When he found himself in financial difficulties following the Great Stop of the Exchequer in 1672 and the outbreak of the Third Anglo-Dutch War, Charles was obliged to re-convene parliament in 1673 and the parliamentarians were bent on revenge.

Fall of the Cabal

The Cabal began to split in 1672, particularly over the autocratic nature of the King’s Royal Declaration of Indulgence, the financing of the Third Anglo-Dutch War, and Britain’s relationship with France.

Personal rivalries and a conflict over foreign policy between Buckingham and Arlington escalated. The Ministry became very unpopular. The public saw them as ‘untrustworthy, venal and self-seeking, their eyes always on the main chance”.

Towards the end of the year, Ashley, now the Earl of Shaftesbury, became Lord Chancellor, leaving Treasury matters to Clifford and the Exchequer to Duncombe. He pressed publicly for greater reform of government, taking the side of the Opposition against his colleagues and the King.

Clifford resigned over the in-fighting and retired from public life: as an open Roman Catholic he would in any case have been debarred by the Test Act of 1673 from holding office in the future. Shaftesbury was replaced by Viscount Osborne, soon to become Earl of Danby, in the summer of 1673, on the recommendation of Buckingham and Clifford.

Danby immediately established his authority over the remaining members of the Cabal. Buckingham’s feud with Arlington saw him leak the details of the Treaty of Dover and fall from favour in 1674. Arlington survived as Southern Secretary until September of that year. Lauderdale retained his position and his relatively autonomous power in Scotland, becoming an enemy of Shaftesbury.

Shaftesbury began to agitate against Charles and his brother, the Duke of York, later James II. He briefly returned to government in the Privy Council Ministry and took a lead in forming the partisan group that would eventually become known as the Whigs.

Reign of Charles II, the 1670s

1670 – Charles signs the secret Treaty of Dover, by which Charles agrees to declare himself a Catholic, suspend penal laws against Catholics in England in return for secret subsidies from Louis XIV of France.
1670 – Second Conventicle Act
1670 – Hudson Bay Company founded in North America

1672 – Charles issues the Declaration of Indulgence, allowing dissenters and Catholics to practice their religion in private
1672 – Outbreak of the Third Dutch War as part of the secret treaty with France, the French invading the Spanish Netherlands while the British fleet engaged the Dutch fleet. The Dutch defeated the British fleet at Sole Bay and repelled a land invasion by France by flooding their dykes.
1672 James Duke of York’s wife, Anne Hyde (daughter of the disgraced Earl of Clarendon) died in childbirth, having delivered him two daughters, Mary (b.1662) and Anne, both of whom were brought up as Protestants. Who suspected, then, that they would both reign as queens of England?

1673 – James, Duke of York remarried, taking as his second wife Mary of Modena, a Catholic who was only four years older than his daughter, Mary. James came out publicly as a Catholic which caused a scandal.

1673 – When Charles allowed the Cavalier Parliament to sit again in 1673, it was inflamed by rumours of Charles’s deals with the King of France and Catholic influence in British statecraft, and so the vengeful Anglicans passed a Test Act which required everybody holding public office to take Anglican communion and swear an oath against a belief in transubstantiation – that the wafer of bread and the wine administered during communion actually and literally become the blood of Christ, a central premise of Roman Catholicism. In other words, the Act was expressly designed to keep Roman Catholics out of political office. The Catholic Treasurer Lord Clifford resigned his office then took his life. Charles’s brother, James Duke of York, resigned as High Admiral of the Navy.

In 1677 the Earl of Danby, who had emerged as Charles’s most capable minister, persuaded both Charles and James to let him make a strategic alliance by marrying James’s daughter Mary to her cousin, the Protestant Stadtholder of Holland, William III of Orange. William was the son of the King’s late sister, Mary, Princess Royal, and thus fourth in the line of succession after James, Mary, and Ann. When James told Mary that she was to marry her cousin, ‘she wept all that afternoon and all the following day’. She was 15.

Reign of Charles II, the Popish Plot and after

1678 – The fantasist Titus Oates concocted the Popish Plot, the notion of a complex, far-reaching plot to murder Charles and convert Britain to a Catholic dictatorship. His initial claims were passed up the chain of command to Charles himself who handed them to Danby to investigate, and with each telling they became more fantastic and baroque. They played into the sense that Britain was being sold into Catholic influence which had haunted the 1670s, what with James’s overt Catholicism, his marriage to a Catholic princess, with Charles repeatedly allying with Catholic France against the Protestant Dutch. Oates’s fabrications helped create a McCarthy witch-hunt atmosphere. Even when he accused the Queen of being a member of the plot to assassinate her own husband, he was widely believed.

A second Test Act (1678) was passed which excluded all known Catholics from both Houses of Parliament. Known Catholics were ordered to leave London and many Protestants in the city openly carried weapons to defend themselves against the impending Catholic ‘onslaught’. Shops in London were boarded up, chains were stretched across major roadways, ferry passengers were detained for questioning, a fleet of lesser crooks and narks emerged to inform on their neighbours and rivals. Some twenty-four utterly innocent people were tried and executed, while Oates was awarded rooms in Whitehall and a pension.

The hysteria lasted from 1678 to 1681. A new Parliament was elected in March 1679 which presented a bill seeking to prevent the succession of the Catholic James. Charles worked on numerous fronts to address concerns, taking opponents into his Privy Council, sending James out of the kingdom, being prepared to sign a bill limiting the power of a Catholic monarch. But he would not concede the right to determine the royal succession to Parliament and so he dissolved this Parliament and called a second one. The second Parliament of 1679 was called amid mounting hysteria and opposition was orchestrated by the Earl of Shaftesbury amid press campaigns and petitions.

The coalition of allies which Shaftesbury put together around this central anti-Catholic approach was arguably the first political party in Britain and became known as the Whigs. The king’s supporters quickly copied the new organisational tactics of the Whigs and began to be known as the Tories. Charles refused to let the second Parliament sit, proroguing it seven times over the course of a year. Whig propagandists played on fears of Catholic tyranny; Tories revived memories of 1641 and the way a Parliament trying to seize the king’s prerogatives had led to 20 years of chaos.

Whigs and Tories

The term Whig was originally short for whiggamor, a term meaning ‘cattle driver’ used to describe western Scots who came to Leith for corn. In the reign of Charles I the term was used during the Wars of the Three Kingdoms to refer derisively to a radical faction of the Scottish Covenanters who called themselves the Kirk Party (see the Whiggamore Raid). It was then applied to Scottish Presbyterian rebels who were against the King’s Episcopalian order in Scotland.

The term Whig entered English political discourse during the Exclusion Bill crisis of 1678–1681 when there was controversy about whether or not King Charles II’s brother, James, should be allowed to succeed to the throne on Charles’s death. Whig was a term of abuse applied to those who wanted to exclude James on the grounds that he was a Roman Catholic. The fervent Tory Samuel Johnson often joked that ‘the first Whig was the Devil’.

In his six-volume history of England, David Hume wrote:

The court party reproached their antagonists with their affinity to the fanatical conventiclers in Scotland, who were known by the name of Whigs: The country party found a resemblance between the courtiers and the popish banditti in Ireland, to whom the appellation of Tory was affixed. And after this manner, these foolish terms of reproach came into public and general use; and even at present seem not nearer their end than when they were first invented

In response, King Charles prorogued Parliament and then dissolved it, but the subsequent elections in August and September saw the Whigs’ strength increase. This new parliament did not meet for thirteen months but when it did in October 1680, an Exclusion Bill was introduced and passed in the Commons without major resistance, but Charles was in attendance when it was rejected in the Lords and Charles dissolved Parliament in January 1681.

As Mark Kishlansky summarises, ‘the governing class was now irredeemably divided.’

The next attempt at a Parliament met in March at Oxford, but when it also determined on the Exclusion Bill, Charles dissolved it after only a few days. He then he made an appeal to the country against the Whigs and ruled for the rest of his reign without Parliament.

In February, Charles had made a deal with the French King Louis XIV, who promised to support him against the Whigs. Without Parliament, the Whigs gradually crumbled, mainly due to government repression following the discovery of the Rye House Plot, which directly implicated many of them.

1683 The Rye House Plot a conspiracy to kill Charles and his brother James and return to parliamentary rule is uncovered. The Rye House Plot of 1683 was a plan to assassinate King Charles II of England and his brother (and heir to the throne) James, Duke of York. The royal party went from Westminster to Newmarket to see horse races and were expected to make the return journey on 1 April 1683, but because there was a major fire in Newmarket on 22 March (which destroyed half the town), the races were cancelled, and the King and the Duke returned to London early. As a result, the planned attack never took place.

There seems to have been disagreement among the plotters on almost every aspect, including whether there even would be an assassination or whether it should be a kidnapping, and exactly how the subsequent uprising would be started and managed.

Once information about it was leaked, the plotters incriminated each other and letters and diaries were discovered which spread the net wider and wider.

Unlike the Popish Plot, Rye House was a genuine conspiracy involving an extended network of Whigs, politicians and non-conformists. Twelve were executed including William Lord Russell and Algernon Sidney, two condemned to death but pardoned, 10 imprisoned including the ageing Leveller John Wildman, 10 fled into exile including the noted philosopher John Locke and, most importantly, the Earl of Shaftesbury, who had been the effective leader of the Whig party. These formed a core of Whig opposition in exile, in the Netherlands.

As Anglican pledges of support flooded in from round the country, the authorities took the opportunity to crack down in dissenters and over 1,300 Quakers were imprisoned over the next 12 months.

Charles undertook a policy of reincorporation, systematically placing loyalist country officers around the country.

Death of Charles II

Charles died on 5 February 1685, aged just 54, only barely outmatching his father, who died aged 48. On his deathbed he was received into the Roman Catholic Church. In the absence of any legitimate male heirs, the crown passed to his younger brother, who became King James II.

Related links

Restoration art

Restoration comedies

The Constant Wife by Somerset Maugham (1927)

CONSTANCE: I’m tired of being the modern wife.
MARTHA: What do you mean by the modern wife?
CONSTANCE: A prostitute who doesn’t deliver the goods.

Another spiffing comedy of manners in three acts. As usual it is a cynical-amoral-witty take on modern marriage making comic capital from the way the professional upper-middle classes talk lightly about fidelity and infidelity and make sweeping comic generalisations about husbands and wives; but The Constant Wife is distinguished from the other two Maugham plays I’ve read by the surprisingly blunt and unillusioned viewpoint of the central character.

Act One

Constance is married to the successful surgeon John Middleton. After 15 years of marriage he is as attentive and loving as ever but often absent at work. Constance’s mother (Mrs Culver) and sister (Martha), come to visit her, both of them bursting with the news that Constance’s husband is having an affair with her best friend, Marie-Louise.

Also visiting is Constance’s friend Barbara, a successful businesswoman, head of an interior design consultancy, who is offering to take Constance into partnership.

Both Mrs Culver and Martha ask Constance probing questions about her relationship with John, with Barbara chipping in. This adds up to a quartet of women all making sweeping and witty generalisations about men, women and marriage designed to prompt knowing chuckles from the audience. Maugham is never as sparkling as Wilde but his ‘sophisticated’ drawing room banter, and the jaded air with which the women discuss men, men’s nature, men’s simplicity, men’s guilelessness and so on, is often quite funny.

‘Do you really think that men are mysterious? They’re like children.’

‘They’re like little boys, men. Sometimes of course they’re rather naughty and you have to pretend to be angry with them. They attach importance to such entirely unimportant things that it’s really touching… I think they’re sweet but it’s absurd to take them seriously.’

‘Men go off so dreadfully, don’t they? He may be bald and fat by now.’

And much more in the same vein.

More striking to me was the moment when Constance dismisses one of her mother’s generalisations about women with, ‘You are not what they call a feminist, mother, are you?’

I knew we had the New Woman in the 1880s and 90s, that the Edwardian era was the Age of the Suffragettes, the 20s the decade of the Flapper – in other words women have been in process of rising up and speaking out in more or less every decade since the 1880s – but I was surprised to learn that our contemporary word ‘feminist’ was in sufficiently widespread use that Maugham could deploy it in what is designed to be an accessible, middle-brow comedy to raise a laugh.

Similarly, I was very struck by the way Barbara is portrayed quite simply as a no-nonsense businesswoman who approaches her friend to join the firm (seeing as Constance has a good sense of interior decoration and design). Struck that here on the popular stage in 1927 – 91 years ago – women are presented as perfectly capable businesswomen with no irony or humour:

CONSTANCE: I don’t think John would like it. After all, it would look as though he couldn’t afford to support me.
BARBARA: Oh, not nowadays, surely. There’s no reason why a woman shouldn’t have a career as much as a man.

Modern feminism gives the impression that pioneering women only broke into the world of business in the last few decades and are still struggling for equal pay and senior positions. (On the same theme, it’s notable that the wife of Charles Strickland, the painter who runs off to Paris then the South Seas in Maugham’s novel, The Moon and Sixpence, in order to support herself sets up her own typing agency which becomes a great financial success – all this sometime in the Edwardian decade.)

Anyway, the four women discussing how awful men are, and husbands in particular, with lots of hints about the state of John and Constance’s marriage, are interrupted by the arrival of the very same John and – by a coincidence – of pretty little Marie-Louise. There’s polite chat for a bit, then Marie-Louise complains of a knee injury and John invites her into his consulting room to ‘examine’ it. The other women all look at each other. I think we are pretty much meant to realise that John is having a fling with Constance’s best friend. The other women depart.

Having established the framework of Constance’s friends, and the main issue – John’s adultery – the second part of Act One introduces an old flame of Constance’s, Bernard Kersal, who has just arrived back from Japan, where he runs a business.

There is some preliminary comedy – Constance had kept her mother with her in case Bernard turned out to be fat and awful, so she could quickly dispense with him; but since he turns out to be tall with a good figure, Constance bustles her mother out of the room so she can recline graciously on the divan and listen to his charming compliments.

Bernard says he has always loved her and that is why he never married. ‘Really, darling, how frightfully sweet of you,’ Constance drawls. After she’s enjoyed Bernard’s adulation for a while, John re-enters the room to say he’s just off to his club. Constance introduces him to Bernard and John suggests Bernard come round that evening to keep his wife company for dinner, while he’s out, unintentionally setting them up for further romantic dalliance…

Act Two

Two weeks later in the same setting, in the same room at Constance’s house.

Martha is alone with Bernard and takes the opportunity to tell him that Constance’s husband, John, is having an affair with Marie-Louise. Bernard can’t believe it, they seem like the perfect couple, John is such a gentleman etc.

Martha leaves as Constance comes in and Bernard tells her he loves her with all his heart while Constance puts him off with amused witticisms.

Bernard and Constance exit as Marie-Louise arrives in a tizzy to see John. She is in a panic because she thinks her husband, Mortimer, suspects their affair, John tells her to calm down.

Martha and Bernard return, then Constance and Mrs Culver (Martha and Constance’s mother) so that the cast is pretty much all there when Marie-Louise’s husband – and John’s best friend – Mortimer Durham bursts into the room red in the face with anger. In front of everyone he accuses Marie-Louise of having an affair with John, on the basis of finding his cigarette case under her pillow.

At which point Constance, gripping Marie-Louise’s hand and looking meaningfully at John to stop him saying anything, performs an absolute tour de force of creative lying, swearing to Mortimer that it is her cigarette case, that it is there because Marie-Louise came round for dinner with her and John last night, then she (Constance) accompanied her on the walk back to her (Marie-Louise’s) house, went up to her rooms to chat while Marie-Louise got ready for bed, then sat chatting to her for a while: she’d been wondering where the dratted cigarette case had got to. Her explanation is a lot longer than this, but this is the gist, along with offering to call in her servants to confirm the whole story.

Very slowly Mortimer is talked out of his fury until he ends up puffing and gasping and eventually meekly apologises to Constance and to Marie-Louise for making this baseless assertion. Marie-Louise now speaks for the first time and finds herself having to act the Aggrieved Wife, dissolving in floods of tears and saying what a beast Mortimer has been, humiliating her in front of all her friends etc. Eventually Mortimer begs to make it all up to her, and goes off with Constance’s strong recommendation that he buys his wronged wife the fine pearl necklace at Cartier’s which she’s been pining for.

So Mortimer leaves and the assembled cast breathe a great sigh of relief. Then all the follow-ups take place, most notably both John and Marie-Louise are forced to confess that they have in fact been having an affair. Constance calmly and adroitly deals with John and Marie-Louise in turn, then with her sister and her mother.

Constance puzzles all of them by being so matter of fact about it. In fact she shocks husband and mother by bluntly stating her rather cynical position: being a modern wife in the upper classes means being a kept woman, supported in a life of luxury in return for sex and running a disciplined and respectable household.

She stuns John by telling him what a great relief it was to her when, ten years ago, at the same time that she realised she had stopped loving him, she realised that he had stopped loving her too. Since then she has kept up all appearances but has no illusions about men; if John wants to have his little dalliances, well, why not?

‘But he’s having an affair with your best friend!!’ squeals her mother. All the better replies Constance. She knows Marie-Louise is a woman of good character who won’t corrupt her husband; comes from a good home, so won’t want to steal him; and has lots of money, so won’t bankrupt him – she is the Perfect Mistress.

Many of the ways Constance phrases her rather breath-taking cynicism are very funny and have something like the real Wildean bite.

CONSTANCE: I think most married couples tell each other far too much.

I particularly liked the way Constance complains about how she’s had to spend six months fighting off the hints her mother, sister and other friends have been dropping like crazy about John’s affair in order to give the appearance that she didn’t know. ‘It really is so tiring trying to keep oneself in the dark, you know!’

One by one the others leave, until she is alone with her old boyfriend, Bernard. He too is stunned by the stark cynicism of her beliefs:

CONSTANCE: When the average woman who has been married for fifteen years discovers her husband’s infidelity it is not her heart that is wounded but her vanity. If she had any sense, she would regard it merely as one of the necessary inconveniences of an otherwise pleasant profession.


CONSTANCE: Even if I did [love you], so long as John provides me with all the necessities of existence I wouldn’t be unfaithful. it all comes down to the economic situation. He has bought my fidelity and I should be worse than a harlot if I took the price he paid and did not deliver the goods.

The Act ends with everyone having left the stage except Constance, who phones her friend Barbara to say that, Yes, she would like to go into business with her.

Act Three

Exactly the same setting, one year later. Martha and Barbara bring us up to date, explaining that immediately after the scene we just saw in Act Two, Marie-Louise persuaded Mortimer to take her on a year-long holiday round the world. Now Constance announces to them that she is taking a six-week holiday in Italy. She’s been working hard for her friend Barbara’s company, and is now taking a well-earned break.

There is then a sequence of broad comedy: John learns that Marie-Louise is on her way round to see her oldest bestest friend (Constance) and so hesitantly asks Constance if she could tell Marie-Louise that their affair is absolutely positively over. Alright says Constance. He exits. Then Marie-Louise arrives, all smiles and gifts from round the world and stories about how she quite made it all up with Mortimer (‘For a man, he’s really quite clever’) before hesitantly asking Constance if she thinks she could possibly tell John that their affair is positively definitely over. Constance promises to break it to him gently, while the audience chortles at the way both lovers are saying the same thing to Constance.

But knowing her best friend pretty well, Constance knows this can only mean one thing: sure enough, Marie-Louise confesses that she and her husband met a simply charming colonial officer on the ship back and she’s now madly in love with him. Which is where Constance gives another demonstration of her point-blank unsentimental honesty, which upsets Marie-Louise and still has the power to unnerve a modern audience. She calls Marie-Louis a tramp to her face.

CONSTANCE: You take everything from your husband and give him nothing that he pays for. You are no better than a vulgar cheat… I think you a liar, a humbug and a parasite… but I like you.

Marie-Louise departs understandably miffed. John re-enters and asks whether Constance told her what he asked her to. Oh yes, she told her alright.


Now commences the most surprising part of the play, for it turns into a bit of a feminist tract. Constance explains to John why she has been working really very hard in her friend’s business. It’s not because she was bored, it was to earn money. Why? Because only money can make women really free.

CONSTANCE: There is only one freedom that is really important and that is economic freedom.

And now she drops the bombshell: she is going away on holiday, yes, but she is going with Bernard. Why? Because she wants to feel loved again, one last time before she becomes middle-aged. She forces John to concede that she and he don’t really love each other any more, they just live in companionable partnership. Why shouldn’t she enjoy her prime while it lasts?

John is understandably miffed but Constance keeps wryly pointing out how understanding, indulgent and forgiving she was of his affair with Marie-Louise, so why can’t he be as tolerant of her little peccadillo. And this is where her financial independence comes in:

JOHN: What makes you think that I am going to allow you to go?
CONSTANCE [good-humouredly]: Chiefly the fact that you can’t prevent me.

At this point Mrs Culver (Constance’s mother) enters, is apprised of the situation, and delivers the social wisdom of the older generation, namely that men are biologically made to be unfaithful and women just have to put up with it:

MRS CULVER: Men are naturally polygamous and sensible women have always made allowances for their occasional lapse from a condition which modern civilisation has forced on them. Women are monogamous. They do not naturally desire more than one man and that is why the common sense of the world has heaped obloquy upon them when they have overstepped the natural limitations of their sex.

And much more in the same vein. Constance is equally cynical but in a new, improved, liberated way. She replies that modern wifedom is a form of parasitism and prostitution. A wife exchanges her freedom for room and board. Well, she has just paid John for her estimated room and board for the previous year and so is morally in the clear.

CONSTANCE: [Women in the past] were dishonest [if unfaithful] because they were giving away something that wasn’t theirs to give. They had sold themselves for board, lodging and protection. They were chattel. They were dependent on their husbands and when they were unfaithful to them they were liars and thieves. I’m not dependent on John. I am economically independent and therefore I claim my sexual independence.

I dare say the West End audience was meant to exit the theatre and discuss and argue about these ideas all the way home. I don’t really understand the Daily Telegraph critic when he called Maugham a misogynist: for the third play in a row it is a woman who comes out on top as the cleverest, shrewdest, free-est agent in the play, while the men appear – and are explicitly described as – vain, narcissistic, emotionally shallow and easy to manipulate.

Constance [to John]: A man thinks it is quite natural that he should fall out of love with a woman, but it never strikes him for a moment that a woman could do anything so unnatural as to fall out of love with him. Don’t be upset at that, darling, it is one of the charming limitations of your sex.

Comic climax

The final scene reverts from this rather serious debate to a more obvious comedy of manners: John becomes more outraged the more Constance calmly describes her intention to spend six weeks with her old flame touring Italy, but Constance has a clever riposte to each of his protestations and underlying all of them the threat that she will reveal to ‘society’ everything about his fling with Marie-Louise. This would ruin his reputation and jeopardise his career (demonstrating that it wasn’t only women who were oppressed by the social mores of the times).

Instead, Constance forces John to grit his teeth and greet Bernard who now arrives to collect her. At this point Maugham squeezes more comic potential out of the scene, because Constance hasn’t told Bernard that she’s told John everything. Bernard thinks that he and Constance going away together is a great big secret and so he makes a big thing of saying an elaborate and fake Goodbye to Constance, purely for John’s consumption, even though we – the audience – know that John knows everything.

Why? Constance had explained to John that it would hurt Bernard’s sense of ‘honour’ if he felt John knew he was spending six adulterous weeks with his wife: therefore, to salve his ‘manly’ sense of ‘honour’ both Constance and John must pretend to Bernard that she hasn’t told John anything.

Thus Constance plays a final game on her lover, making him appear foolish, and on her husband, making him appear and feel even more foolish. Men are so silly, aren’t they?

And so it is that when he is shown into the room by the butler, Bernard makes a big show of asking whether Constance is definitely travelling alone (she says yes) and then casually remarks that he, too, has planned a little trip abroad – maybe they’ll bump into each other in Naples, which is where he’ll have to catch his ship back to Japan? ‘Yes, perhaps,’ Constance says, pretending to be surprised.

Throughout which John, her husband, is forced to nod and smile and say ‘Yes dear’ to this gruesome charade, all the time knowing she has him wrapped round her little finger!

The Constant Wife has the last laugh.

Related links

Somerset Maugham’s books

This is nowhere near a complete bibliography. Maugham also wrote countless articles and reviews, quite a few travel books, two books of reminiscence, as well as some 25 successful stage plays and editing numerous anthologies. This is a list of the novels, short story collections, and the five plays in the Pan Selected Plays volume.

1897 Liza of Lambeth
1898 The Making of a Saint (historical novel)
1899 Orientations (short story collection)
1901 The Hero
1902 Mrs Craddock
1904 The Merry-go-round
1906 The Bishop’s Apron
1908 The Explorer
1908 The Magician (horror novel)
1915 Of Human Bondage
1919 The Moon and Sixpence

1921 The Trembling of a Leaf: Little Stories of the South Sea Islands (short story collection)
1921 The Circle (play)
1922 On a Chinese Screen (travel book)
1923 Our Betters (play)
1925 The Painted Veil (novel)
1926 The Casuarina Tree: Six Stories
1927 The Constant Wife (play)
1928 Ashenden: Or the British Agent (short story collection)
1929 The Sacred Flame (play)

1930 Cakes and Ale: or, the Skeleton in the Cupboard
1930 The Gentleman in the Parlour: A Record of a Journey From Rangoon to Haiphong
1931 Six Stories Written in the First Person Singular (short story collection)
1932 The Narrow Corner
1933 Ah King (short story collection)
1933 Sheppey (play)
1935 Don Fernando (travel book)
1936 Cosmopolitans (29 x two-page-long short stories)
1937 Theatre (romantic novel)
1938 The Summing Up (autobiography)
1939 Christmas Holiday (novel)

1940 The Mixture as Before (short story collection)
1941 Up at the Villa (crime novella)
1942 The Hour Before the Dawn (novel)
1944 The Razor’s Edge (novel)
1946 Then and Now (historical novel)
1947 Creatures of Circumstance (short story collection)
1948 Catalina (historical novel)
1948 Quartet (portmanteau film using four short stories –The Facts of Life, The Alien Corn, The Kite and The Colonel’s Lady)
1949 A Writer’s Notebook

1950 Trio (film follow-up to Quartet, featuring The Verger, Mr. Know-All and Sanatorium)
1951 The Complete Short Stories in three volumes
1952 Encore (film follow-up to Quartet and Trio featuring The Ant and the GrasshopperWinter Cruise and Gigolo and Gigolette)

1963 Collected short stories volume one (30 stories: Rain, The Fall of Edward Barnard, Honolulu, The Luncheon, The Ant and the Grasshopper, Home, The Pool, Mackintosh, Appearance and Reality, The Three Fat Women of Antibes, The Facts of Life, Gigolo and Gigolette, The Happy Couple, The Voice of the Turtle, The Lion’s Skin, The Unconquered, The Escape, The Judgement Seat, Mr. Know-All, The Happy Man, The Romantic Young Lady, The Point of Honour, The Poet, The Mother, A Man from Glasgow, Before the Party, Louise, The Promise, A String of Beads, The Yellow Streak)
1963 Collected short stories volume two (24 stories: The Vessel of Wrath, The Force of Circumstance, Flotsam and Jetsam, The Alien Corn, The Creative Impulse, The Man with the Scar, Virtue, The Closed Shop, The Bum, The Dream, The Treasure, The Colonel’s Lady, Lord Mountdrago, The Social Sense, The Verger, In A Strange Land, The Taipan, The Consul, A Friend in Need, The Round Dozen, The Human Element, Jane, Footprints in the Jungle, The Door of Opportunity)
1963 Collected short stories volume three (17 stories: A Domiciliary Visit, Miss King, The Hairless Mexican, The Dark Woman, The Greek, A Trip to Paris, Giulia Lazzari, The Traitor, Gustav, His Excellency, Behind the Scenes, Mr Harrington’s Washing, A Chance Acquaintance, Love and Russian Literature, Sanatorium)
1963 Collected short stories volume four (30 stories: The Book-Bag, French Joe, German Harry, The Four Dutchmen, The Back Of Beyond, P. & O., Episode, The Kite, A Woman Of Fifty, Mayhew, The Lotus Eater, Salvatore, The Wash-Tub, A Man With A Conscience, An Official Position, Winter Cruise, Mabel, Masterson, Princess September, A Marriage Of Convenience, Mirage, The Letter, The Outstation, The Portrait Of A Gentleman, Raw Material, Straight Flush, The End Of The Flight, A Casual Affair, Red, Neil Macadam)

2009 The Secret Lives of Somerset Maugham by Selina Hastings

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