Narrative of the Life of Frederick Douglass by Frederick Douglass (1845)

I have found that, to make a contented slave, it is necessary to make a thoughtless one. It is necessary to darken his moral and mental vision, and, as far as possible, to annihilate the power of reason. He must be able to detect no inconsistencies in slavery; he must be made to feel that slavery is right; and he can be brought to that only when he ceases to be a man.
(Narrative of the Life of Frederick Douglass, chapter X)

Brief bio

Frederick Douglass was born Frederick Augustus Washington Bailey to Harriet Bailey, a slave woman, and an unknown white father, probably in February 1818. He speculated that his father was the plantation master, but he never had any proof.

Fred Bailey, as everyone called him, was about seven years old when his mother died, and soon after that he was given to Lucretia Auld, who sent him to serve her brother-in-law, Hugh Auld in Baltimore and his wife, Sophia, who was the first to teach him to start to read and write, until her husband forbade her.

After seven years of relative good treatment as a domestic slave in Baltimore, Bailey was sent to a plantation to work in the fields and subjected to brutal treatment. He made good comrades among the other male slaves and helped organise a group escape of about 6 slaves in April 1836, but the conspiracy was discovered and Bailey was severely punished.

Two years later, in September 1838, aged 20, he finally managed to escape to the free North. In 1837, Bailey had met and fallen in love with Anna Murray, a free black woman in Baltimore about five years his senior. She encouraged his aspirations to be free, lent him money and helped his escape. The escape was quite elaborate, requiring Bailey to take a train north, then a steam ferry across the Susquehanna River, and then resume the train journey, to arrive at Philadelphia, Pennsylvania, an anti-slavery stronghold.

To do this he required a sailor’s uniform provided to him by Murray, who also gave him part of her savings to cover his travel costs and he needed to carry identification and protection papers certifying that he was free, which he had obtained from a free black seaman. Full details of the thrilling escape are given in the Wikipedia article.

Three points about this:

  1. Anna’s help was absolutely central to Bailey’s escape.
  2. Bailey gives no details whatsoever of the escape in this book: in this narrative he says that even hints about how he did it would close the escape route for any who wanted to follow him.
  3. It reads like one of the accounts of Allied airman escaping Nazi-occupied France, what with the need for a disguise and false papers. They are two very similar genres.

Bailey moved on from Philadelphia to New York where he was married to Anna Murray then, to be safe, they moved further north, to New Bedford, Massachusetts. Here he was welcomed by a network of  abolitionists who helped freed slaves. He wanted to change his name to establish a new identity and one of these white supporters suggested the name Douglass, the name of a character in Walter Scott’s novel The Lady of the Lake, which the supporter happened to be reading at the time (explained in chapter XI).

After the newly named Frederick Douglass made a speech at an anti-slavery meeting in Nantucket he was hired by the Massachusetts Anti-Slavery Society to lecture about his life as a slave. He was so eloquent that auditors doubted such an articulate man could ever have been a slave and that was the spur for him to write this autobiography, the Narrative, which became an international bestseller.

The publicity the Narrative brought made him made Douglass fear he might be tracked down and recaptured by his previous owner, so he fled to England. Here he became a free man when a group of supporters purchased his liberty for $700. In spring 1847 Douglass returned to America and launched his own newspaper. He published a second autobiography, My Bondage and My Freedom, in 1855.

Following the outbreak of the civil war in April 1861, Douglass lobbied President Lincoln to allow black men to enlist as soldiers in the Union cause and lobbied for the emancipation of slaves to become a Union war aim and so his joy when Lincoln finally makes the Emancipation Proclamation on 1 January 1863 is often quoted by historians. After the war he campaigned for the swift passage of the Fifteenth Amendment granting suffrage to freed slaves. It was finally ratified in 1870.

Douglass rose to hold a series of official positions, serving the US government as a Federal Marshall in the District of Columbia, as consul to Haiti and chargé d’affaires to the Dominican Republic. These experiences form the basis for his third autobiography, Life and Times of Frederick Douglass, published in 1881.

Douglass died in 1895 shortly after delivering a speech about women’s rights.

Narrative of the Life of Frederick Douglass

It’s a short text. In the Oxford University Press edition, it’s 92 pages. But a little like another short book, One Day In The Life of Ivan Denisovich, it manages to convey an entire world of suffering and humiliation in a short span.

The text is packed with examples of the wickedness and evil of slavery which appal and disgust the reader. But what really strikes home is the universal perversion of normal human relationships which slavery brings. He never knew his birthday, no-one told him. He was separated from his mother when he was months old; she was sent off to slave from dawn to dusk at another of his master’s holdings. On a handful of occasions, when her day’s work was done, she walked miles to see him and bed down with him for a few hours but she was always gone in the morning. When he was seven he learned, some time after the fact, that she had died.

He explains how frequent it is that a master impregnates one of his female slaves and goes on to raise the child, his own child, as another slave. On the one hand it is ‘cheaper’ than buying new slaves. But on the other, it leads to terrible perversions of human relations. Think about it: a man makes his own child a slave. If he shows any partiality for the child, his white children or wife and even the other slaves will resent it. And he looks on while overseers whip his own child, or watches his half-brothers whip his own child.

The slave narrative genre and its conventions

The notes in the OUP version I read mention the 1839 book, American Slavery as It Is: Testimony of a Thousand Witnesses. This was an anthology of documents assembled by the American abolitionist Theodore Dwight Weld, his wife Angelina Grimké, and her sister Sarah Grimké. They bought thousands of old newspapers from libraries and scoured them for all references to slavery, personal accounts, letters, articles and hundreds of adverts, especially for runaway slaves, written by slavers themselves.

When cut and pasted together the book formed a harrowing testimony to the brutality of the slave regime which completely contradicted the lying speeches of southern politicians and commentators.

But from a literary point of view, the important thing about American Slavery As It Is is how influential it was. Harriet Beecher Stowe used it as the direct inspiration for her novel, Uncle Tom’s Cabin, which itself influenced millions. Charles Dickens’s American Notes quotes whole ads from American Slavery. And  also Frederick Douglass quoted extensively from the book in the many speeches he gave.

My point is that the recycling and formatting of descriptions meant that anti-slavery books quickly became a genre with its own conventions and formats. Certain topics were expected. Certain arguments were repeated. As I read through the Narrative I was certainly horrified by Douglass’s experiences of the systematic heartlessness, cruelty and brutality of the American slave system. But I also began to notice that the narrative is artfully arranged to press its readers’ buttons.

Consider his audience. It was the educated, bien-pensant, North American nineteenth-century middle-classes, the same high-minded New England abolitionists who attended his lectures. What were their values? They believed in family, in home, in chastity and fidelity. They believed in religion, the ten commandments, we should love our neighbour as ourselves. They believed in the sanctity of the Sabbath, that men should use chaste and dignified language and refrain from swearing. They had a sentimental post-romantic ideology of fine feelings and romantic attachments. They disapproved of alcohol and many advocated complete abstention.

As I read Douglass’s Narrative it almost felt like he had a checklist of these Victorian values in front of him and went out of his way to show how slavery, slave owners and their overseers were the exact opposite of everything the Victorians held precious, and embodied the diabolical anti-type of every single Victorian value.

Chastity

Many male slave owners had sex with their female slaves. Female slaves were unable to maintain their chastity and there was no-one to protect them. All those fair damsels being rescued from dragons in sentimental Victorian art and literature were mocked by the reality of the systematic raping of millions of helpless black women.

Family values

Rape

Male slave owners completely inverted the idea of family values by siring multiple mulatto children with numerous slave women, obviously out of wedlock. Douglass himself thought his father was probably the white owner of the plantation he was born on. It is doubtful if his mother gave anything like what we mean by ‘consent’ to him raping her. Douglass must have gone through his life knowing he was the result of white master rape.

Destroying families

Not only that, but slave owners thought nothing of breaking up families, dividing husband and wife or parents from children, at the drop of a hat, with no warning, and forever. After Colonel Lloyd hears criticism of himself from a slave who didn’t even realise Lloyd was his master (Lloyd had some 1,000 slaves), he acts decisively and cruelly.

The poor man was then informed by his overseer that, for having found fault with his master, he was now to be sold to a Georgia trader. He was immediately chained and handcuffed; and thus, without a moment’s warning, he was snatched away, and forever sundered, from his family and friends, by a hand more unrelenting than death.

Douglass being separated from his mother while still a baby was no accident; it was an intrinsic part of a system which went out of its way to destroy all natural family feeling.

My mother and I were separated when I was but an infant—before I knew her as my mother. It is a common custom, in the part of Maryland from which I ran away, to part children from their mothers at a very early age. Frequently, before the child has reached its twelfth month, its mother is taken from it, and hired out on some farm a considerable distance off, and the child is placed under the care of an old woman, too old for field labour. For what this separation is done, I do not know, unless it be to hinder the development of the child’s affection toward its mother, and to blunt and destroy the natural affection of the mother for the child. This is the inevitable result.

Anti-fathers

The fathers of these half-breed slave children were happy to watch them be degraded, worked to death, punished and whipped to shreds. Pretty much the exact opposite of what the ideal, caring and loving Victorian paterfamilias ought to be. A diabolical inversion.

Truth telling and lies

Colonel Lloyd had met the slave about an errand on a road, asked him who he belonged to, was told ‘Colonel Lloyd’ and when he asked what kind of owner Lloyd was, the slave (not realising he was talking to the man himself) replied that he wasn’t treated well. Tearing him away from his family was the slave’s punishment.

OK, upsetting story: but, as is his way, Douglass then goes on to make a much wider sociological point, which is that it was this kind of event which taught all slaves never to tell the truth. Again, for the Victorians this was a much more important issue than it is to us today. Douglass was addressing the Victorian value which goes something like ‘a gentleman always tells the truth’. All Victorian mummies told their little boys and girls to always tell the truth. Well here, Douglass shows his reader, is a vast system which indoctrinates millions of slaves into never telling the truth, into hesitating to reply to any enquiry, of being afraid to tell the truth to anyone, in any situation, in case they are a spy for their owner trying to catch them out (which does, Douglass assures us, frequently happen).

Slavery was not only based on multiple lies about human nature but it created a culture of systematic lying. For God-fearing Victorian evangelists this was horrifying for who is the Father of Lies in the Bible? The Devil. Slavery does the Devil’s work by turning its wretched subjects into sinners.

Chivalry towards the fairer sex

As we all know Victorian ladies fainted at the sight of a grand piano’s legs and Victoria chaps were aroused by an exposed ankle. Slave culture drove a coach and horses through these fancy pretensions with slave women regularly stripped naked and degraded.

I have often been awakened at the dawn of day by the most heart-rending shrieks of an own aunt of mine, whom he used to tie up to a joist, and whip upon her naked back till she was literally covered with blood. No words, no tears, no prayers, from his gory victim, seemed to move his iron heart from its bloody purpose. The louder she screamed, the harder he whipped; and where the blood ran fastest, there he whipped longest. He would whip her to make her scream, and whip her to make her hush; and not until overcome by fatigue, would he cease to swing the blood-clotted cowskin.

Male slave owners could have sex with any slave they wanted to. Apart from anything else the system institutionalised rape on an industrial scale. He tells the story of his Aunt Hester, a good looking woman who he now realises his master was raping. When his master catches her in the company of a male slave from another property:

Before he commenced whipping Aunt Hester, he took her into the kitchen, and stripped her from neck to waist, leaving her neck, shoulders, and back, entirely naked. He then told her to cross her hands, calling her at the same time a d——d b——h. After crossing her hands, he tied them with a strong rope, and led her to a stool under a large hook in the joist, put in for the purpose. He made her get upon the stool, and tied her hands to the hook. She now stood fair for his infernal purpose. Her arms were stretched up at their full length, so that she stood upon the ends of her toes. He then said to her, ‘Now, you d——d b——h, I’ll learn you how to disobey my orders!’ and after rolling up his sleeves, he commenced to lay on the heavy cowskin, and soon the warm, red blood (amid heart-rending shrieks from her, and horrid oaths from him) came dripping to the floor.

If chivalry means something like respect towards and consideration for ‘the fairer sex’, then slavery was its diabolical antitype, combining systematic rape, stripping naked and degradation, along with the most violent and cruel physical punishment imaginable.

Decency

Not only were the women regularly raped and/or stripped and whipped, but most slaves had very few clothes to cover their bodies with, to maintain what the Victorians thought of as their ‘decency’, and then only of the poorest quality. These often degenerated to rags. Where Douglass grew up, the children weren’t given any underclothes or garments to his their privates, just one long shirt.

The children unable to work in the field had neither shoes, stockings, jackets, nor trousers, given to them; their clothing consisted of two coarse linen shirts per year. When these failed them, they went naked until the next allowance-day. Children from seven to ten years old, of both sexes, almost naked, might be seen at all seasons of the year.

This indecency would have scandalised Douglass’s high-minded, religious readers.

Christian values

Slave owners simply deny that slaves are human and therefore ineligible for the rights and respect preached by Christianity (see below). By direct contradiction, Douglass makes plain at various points in the narrative that he is a practising Christian who believes the series of incidents which led to his eventual freeing were the results of a special Providence. In fact he devotes the final section of the text, the Appendix, to making an unambiguous extended declaration of his profound Christian faith.

As to whether religion had a positive effect on slave owners, the answer is No. In 1832 Douglass was transferred to the ownership of young Master Thomas Auld who turns out to be a mean and cruel owner. In August 1832 his master attends a Methodist camp meeting and is converted to the new religion, and yet it in no way moderates his behaviour. He continues to whip and punish Douglass for  numerous infringements of his petty rules. In fact, Douglass states that conversion to more active Christian belief made his master’s behaviour worse:

I indulged a faint hope that his conversion would lead him to emancipate his slaves, and that, if he did not do this, it would, at any rate, make him more kind and humane. I was disappointed in both these respects. It neither made him to be humane to his slaves, nor to emancipate them. If it had any effect on his character, it made him more cruel and hateful in all his ways; for I believe him to have been a much worse man after his conversion than before. Prior to his conversion, he relied upon his own depravity to shield and sustain him in his savage barbarity; but after his conversion, he found religious sanction and support for his slaveholding cruelty.

Douglass routinely watches Auld whip a helpless young slave woman, Henny, and piously quote scripture to justify doing so: ‘“He that knoweth his master’s will, and doeth it not, shall be beaten with many stripes’ (Luke 12:47).

Not really up to managing slaves, Auld loans Douglass out to a Mr Covey, a notorious ‘nigger breaker’, even though he was a professor of religion—a pious soul—a member and a class-leader in the Methodist church. Once again this Mr Covey manages to be super-pious and extremely violent to his slaves. Covey whipped Douglass more than any other master. Later on Douglass is totally explicit on this issue:

I assert most unhesitatingly, that the religion of the south is a mere covering for the most horrid crimes,—a justifier of the most appalling barbarity,—a sanctifier of the most hateful frauds,—and a dark shelter under, which the darkest, foulest, grossest, and most infernal deeds of slaveholders find the strongest protection.

Were I to be again reduced to the chains of slavery, next to that enslavement, I should regard being the slave of a religious master the greatest calamity that could befall me. For of all slaveholders with whom I have ever met, religious slaveholders are the worst. I have ever found them the meanest and basest, the most cruel and cowardly, of all others.

It was my unhappy lot not only to belong to a religious slaveholder, but to live in a community of such religionists. Very near Mr. Freeland lived the Rev. Daniel Weeden, and in the same neighbourhood lived the Rev. Rigby Hopkins. These were members and ministers in the Reformed Methodist Church. Mr. Weeden owned, among others, a woman slave, whose name I have forgotten. This woman’s back, for weeks, was kept literally raw, made so by the lash of this merciless, ‘religious’ wretch.

For pious, religious Northern readers, what could be more horrifying than this hypocrisy and the devilish quoting of scripture to justify cruelty and sadism?

Bad language

The Victorians disapproved of bad language. D—n and b——h are spelled with the central letters omitted so as not to offend the gentle reader. By contrast, the overseers who managed their slaves on the owners behalves are consistently depicted as swearing their heads off and uttering all the worst oaths available.

This ‘profanity’ was far more offensive to Victorian readers than it is to us today. The height of this sin was blasphemy, to take the Lord’s name in vain, to use the name of God or Jesus in angry outbursts instead of contexts of veneration. Profanity had been a serious crime in early modern (Elizabethan and Restoration) times and was still highly frowned on in polite society in the nineteenth century. Whereas:

Mr. Severe [the overseer] was rightly named: he was a cruel man. I have seen him whip a woman, causing the blood to run half an hour at the time; and this, too, in the midst of her crying children, pleading for their mother’s release. He seemed to take pleasure in manifesting his fiendish barbarity. Added to his cruelty, he was a profane swearer. It was enough to chill the blood and stiffen the hair of an ordinary man to hear him talk. Scarce a sentence escaped him but that was commenced or concluded by some horrid oath. The field was the place to witness his cruelty and profanity. His presence made it both the field of blood and of blasphemy.

Mr. Plummer was a miserable drunkard, a profane swearer, and a savage monster. He always went armed with a cowskin and a heavy cudgel. I have known him to cut and slash the women’s heads so horribly, that even master would be enraged at his cruelty, and would threaten to whip him if he did not mind himself.

Drunkenness

Same with alcohol. Overseers are often depicted as the worse for wear, another value whose transgression meant much more to Victorians than to us. Drunkenness was seen as a vice, and one which degraded its practitioner.

In this respect, as so many others, Douglass goes out of his way to show how Southern slaveowner behaviour was the exact antitype of ‘true’ religion and civilised values.

Whipping and blows

So much for Douglass’s enumeration of the way the institution of slavery mocked and inverted traditional Christian and Victorian values.

At a kind of higher level, slavery mocked the very idea of a civilised society. The most obvious way is that, in a civilised society, men show respect and courtesy to each other, whereas slave society was drenched in wanton cruelty and, in particular, the universality of whipping.

It would astonish one, unaccustomed to a slaveholding life, to see with what wonderful ease a slaveholder can find things, of which to make occasion to whip a slave. A mere look, word, or motion,—a mistake, accident, or want of power,—are all matters for which a slave may be whipped at any time. Does a slave look dissatisfied? It is said, he has the devil in him, and it must be whipped out. Does he speak loudly when spoken to by his master? Then he is getting high-minded, and should be taken down a button-hole lower. Does he forget to pull off his hat at the approach of a white person? Then he is wanting in reverence, and should be whipped for it. Does he ever venture to vindicate his conduct, when censured for it? Then he is guilty of impudence,—one of the greatest crimes of which a slave can be guilty. Does he ever venture to suggest a different mode of doing things from that pointed out by his master? He is indeed presumptuous, and getting above himself; and nothing less than a flogging will do for him. Does he, while ploughing, break a plough,—or, while hoeing, break a hoe? It is owing to his carelessness, and for it a slave must always be whipped.

Douglass shows that pretty much all slaves are whipped, some to a hair-raising degree, whipped for half an hour solid till the overseer is exhausted and strips of skin hang off the slaves’ bloody backs.

I have seen Colonel Lloyd make old Barney, a man between fifty and sixty years of age, uncover his bald head, kneel down upon the cold, damp ground, and receive upon his naked and toil-worn shoulders more than thirty lashes at the time. Colonel Lloyd had three sons—Edward, Murray, and Daniel,—and three sons-in-law, Mr. Winder, Mr. Nicholson, and Mr. Lowndes. All of these lived at the Great House Farm, and enjoyed the luxury of whipping the servants when they pleased, from old Barney down to William Wilkes, the coach-driver. I have seen Winder make one of the house-servants stand off from him a suitable distance to be touched with the end of his whip, and at every stroke raise great ridges upon his back.

At the other end of the spectrum, less devastatingly violent but just as demoralising, are the frequent blows and cuffs and beatings which some slave owners handed out to their chattel, sometimes on a constant level, for almost all a slave’s waking hours. He evidences the household of Mrs Hamilton in Baltimore, who sat in the middle of her living room with a bullwhip by her side and:

Scarce an hour passed during the day but was marked by the blood of one of these slaves. The girls seldom passed her without her saying, ‘Move faster, you black gip!’ at the same time giving them a blow with the cowskin over the head or shoulders, often drawing the blood.

Compare and contrast with all those Victorian novels where the weak and fey female politely accepts the visitation of a charming young gentleman and they politely discourse over tea and cakes. The reality of slave society’s continual, constant violence makes a mockery of those scenes.

Injustice and murder

Obviously slavery was a vast system of injustice which gave rise to countless millions of daily instances of injustice. But Douglass is careful to include some instances of what he regards as murder, where a slave overseer simply murders a slave dead. Now entire mid-Victorian novels could rotate around just one murder, the newspapers went mad every time a salacious murder was committed and there were outcries against the heartless perpetrators or such heinous crimes. As long as the victims were white.

Douglass goes out of his way to describe the murders of several slaves, namely when the grave and serious overseer Mr Gore shoots dead Demby, a slave, for running away during a whipping and hiding in a creek. Mr Gore tells him to come out of the creek, says he’ll count to three, counts to three then shoots Demby through the head.

Or Mr Thomas Lanman of St Michael’s who murders two of his slaves, one of them by knocking his brains out with a hatchet.

The individual stories are upsetting, but the point Douglass is making is that both times the overseers got away with it. They were never charged or ‘brought to justice’. Even if the white ‘justice’ system made a few cursory attempts at an investigation it soon fizzled out, the whole thing was hushed up, and the overseers continued on their career of whipping and occasionally killing their slaves.

Slavery was a system which literally got away with murder, thus undermining the fundamental basis of all civilised society, which is the sanctity of human life.

Suicide

Nowadays we think of suicide as the result of mental illness or mental problems to which we must be sympathetic and supportive. But for the Victorians it was first and foremost a terrible sin which automatically condemned its practitioner to hell.

Which is the relevance of Douglass’s admission that it was only when he could read and began to read abolitionist tracts against slavery that the full force of the horrific iniquitous system in which he found himself became clear and he began to have suicidal thoughts. Reading had shown him the hellhole he was in but offered no escape. Anyone who has had suicidal feelings will recognise that mental condition, the feeling that you are trapped, in a box, in a cell, in a hole, with no way out except to do away with yourself.

Thus Douglass’s admission of his own suicidal ideas is an example of the double-sidedness of the narrative: it is a true and accurate first person description of his feelings. But at the same time makes a massive general point about the effect of the system on its victims, creating widespread feelings of hopelessness and despair, so frowned on by Victorians, and which often led to the actual act of suicide, which was an unambiguous sin which condemned its practitioner to hell.

In its way, suicide was more iniquitous and evil than murder, in which the victim, according to Victorian theology, at least stood the chance of going to heaven. Douglass shows that slavery was not just a system of universal violence, rape and sadistic punishment, but also spread the sin of suicidal thoughts and actions.

Are slaves human?

The fundamental crux of the issue was whether slaves were fully human. Southerners said no. They used a wide variety of arguments to support this position, but sooner or later all the arguments boil down to claiming slaves are a difference race, a different species: they were cursed to slavery in the Bible, they enjoy slavery, they were animals so they couldn’t be reasoned with and needed the firm discipline of slavery, they were congenitally unfit for freedom, and so on.

Whereas abolitionists argued that, yes, slaves are human, as human as all other humans, with the full set of human feelings, emotions, perceptions, thoughts and intellect, they are creatures of God like you and me, and so are due the entire panoply of human rights, freedom under the law, equal access to justice and so on.

It is to address the slaver accusation that slaves are somehow not fully human in their a) intellect and b) feelings that Douglass goes out of his way to prove the opposite.

Feelings

This motivation (to prove that slaves are capable of all the human emotions) underlies the passages in the first few chapters about his mother, Harriet Bailey, how they were separated when he was a baby but how she still made long pilgrimages to see her son. These passages are not only heart-breaking in their own right but are making a fundamental point: slaves have feelings, too. They are capable of just the same fine family sentiments as the most dignified of white people.

This is not a trivial issue. A key plank in the defence of slavery was that slaves were incapable of finer feelings and emotions. You could split up their family units as if they were livestock because they were incapable of feelings, you could whip them like you whipped a donkey because they didn’t feel it. Passages like the ones about his mother are at pains to utterly discredit this argument.

Intellect

As to intellect, slavers were able to use the circular argument that their slaves were ignorant, illiterate and stupid and so it was pointless trying to educate them. Douglass singles out the key moment in his escape from slavery as coming when his mistress in Baltimore, Mrs Sophia Auld, naively offered to teach him to read and write. In fact she didn’t get very far before her husband learned what she is doing and delivers a key speech:

‘If you give a nigger an inch, he will take an ell. A nigger should know nothing but to obey his master—to do as he is told to do. Learning would spoil the best nigger in the world. Now,’ said he, ‘if you teach that nigger (speaking of myself) how to read, there would be no keeping him. It would forever unfit him to be a slave. He would at once become unmanageable, and of no value to his master. As to himself, it could do him no good, but a great deal of harm. It would make him discontented and unhappy.’

Hearing this was like a thunderbolt to Douglass’s mind. It lay bare in a flash the key to the white man’s domination over the black. Education. Literacy. Those were the sources of the white man’s power:

These words sank deep into my heart, stirred up sentiments within that lay slumbering, and called into existence an entirely new train of thought. It was a new and special revelation, explaining dark and mysterious things, with which my youthful understanding had struggled, but struggled in vain. I now understood what had been to me a most perplexing difficulty—to wit, the white man’s power to enslave the black man…From that moment, I understood the pathway from slavery to freedom.

And although his mistress obeyed her husband and abruptly stopped teaching him his letters, the next few chapters give a moving account of how Douglass picked it up on the streets, doing favours for white boys and getting them to identify the different letters for him, picking them out in the dirt or on brick walls, slowly learning to spell out the words in adverts and shop signs, painfully teaching himself to read. Also his master’s son, Master Thomas, was attending junior school and so Douglass was able to sneak looks at his schoolbooks and even swipe his old ‘copy books’ and use them to teach himself to write out letters. And once he could read, it opened up the vast treasure house of knowledge, law and power.

So Douglass’s narrative not only describes the author’s slow, painful self-education and the path to empowerment which he undertook – but the narrative itself, its sheer existence, is a massive rebuttal and disproof of a central plank of the slaver argument that blacks are somehow intrinsically incapable of thought and intellect.

This book at a stroke demolished that argument forever. Give a black child the same education as a white one and he or she can go on to become easily the equal of any white person, arguably their superior because they have had to overcome so many obstacles in a white persons’ society.

A treasury of arguments and examples

Douglass’s narrative became such a central text in abolitionist literature not only because it is a vividly written, easily accessible and heart-breaking first-hand testimony to an evil system; but also because it was a cannily assembled series of counter-arguments to all the slavers’ justifications for their system.

It can be plundered for scenes which graphically depict the stomach-churning violence or the subtly corrupting effect of slave-owning on initially ‘good’ people. But it was also a goldmine of anti-slavery arguments which could, and would, be quoted extensively in abolitionist lectures, articles and speeches for decades to come.

P.S.

I had included some photos of slaves taken for Harvard zoologist Louis Agassiz in 1850 for a study in which he tried to prove that black people constituted a different and inferior race to whites. The ownership and purpose of these images is now highly contested, as is Agassiz’s reputation. I had included the photos as visual evidence of the abjection and humiliation to which slaves were subjected. But, on reflection, I think a) I was perpetuating that very objectification and humiliation by including them, and b) the people in the photos have living descendants who have complained to Harvard about the ownership and use of the images, and, to be blunt, how would I like to see photos of my great-great-great grandparents stripped naked and humiliated? So I’ve removed them.


Related links

Other posts about slavery and racism

Origins

Slavery

The civil war

20th century racism

Art

A Nation Without Borders: The United States and Its World in an Age of Civil Wars, 1830-1910 by Steven Hahn (2016)

My thinking about the concept of borderlands has been influenced by a growing body of literature interested in exploring the liminal spaces in which social relations, cultures and claims to sovereign authority make contact, struggle, and reshape one another. (p.525)

Executive summary

This is a long, turgid and demanding book. Plenty of times I nearly gave up reading it in disgust. If you want to find out what happened in America between about 1820 and 1865, read James McPherson’s outstanding volume, Battle Cry of Freedom. For the period from 1965 to 1910 I currently can’t recommend an alternative, but they must be out there in their hundreds.

Two types of history

There are probably countless ‘types’ of history book but, for the purposes of this review, they can be narrowed down to two types. One type provides a more or less detailed chronology of events laid out in sequence, with portraits of key players and plenty of backup information such as quotes from relevant documents – government paperwork, constitutions, manifestos, speeches, newspaper articles, diaries, letters – alongside photos, maps, graphics and diagrams explaining social or economic trends, and so on. You are bombarded with information, from which you can pick the main threads and choose the details which most inspire you.

The other type is what you could call meta-history, a type of history book which assumes that the reader is already familiar with the period under discussion – the people, dates and events – and proceeds to ask questions, propose new theories and put forward new interpretations of it.

Since this kind of book assumes that you are already familiar with the key events, people and places of the era, it won’t bother with biographical sketches, maps or photos – you know all that already – but will focus solely on laying out new ideas and interpretations.

A Nation Without Borders: The United States and Its World in an Age of Civil Wars, 1830-1910 by Steven Hahn is very much the second type of history. If you want to find out what happened in America between 1830 and 1910, with maps, pictures, diagrams etc – this is not the book for you. There are no maps at all. There are no pictures. There are no diagrams. Sure there’s still a lot of information, but what there mostly is, is lots of ‘reinterpretations’.

Reinterpretations

In the first paragraph of the introduction Hahn declares his intention to tell ‘a familiar story in an unfamiliar way’, and the front and back of his book are plastered with quotes from high-end journalists and fellow academics confirming that this is indeed what he has achieved – praising his achievement in ‘reconceptualising’ and ‘rethinking’ this crucial period in American history.

  • ‘a forthright challenge to old stereotypes’
  • ‘subtle and original conceptualisation’
  • ‘not a typical chronological survey of American history’
  • ‘conceptually challenging’
  • ‘breathtakingly original’
  • ‘a bold reinterpretation of the American nineteenth century’
  • ‘an ambitious rethinking of our history’

What this means in practice is spelled out in the introduction, where Hahn announces that:

  • Traditional history teaches that the United States started as a nation and turned into an empire. Hahn seeks to prove the reverse: to show that the United States inherited an imperial mindset from imperial Britain, with a weak centre only loosely ruling a far-flung collection of autonomous states, and was only slowly struggling to become ‘a nation’, until the War of the Rebellion. The war gave the ruling Republican Party unprecedented power to pass a welter of centralising legislation which for the first time made America a ‘nation’. In this respect it was comparable to Italy and Germany which only became unified nations at much the same time (the 1860s) and also as a result of wars.
  • Traditional history teaches that America was divided into a slave-free North and a slave-based South. Hahn insists that slavery was ubiquitous across the nation, with some of the fiercest anti-black violence taking place in New York, and that the principle struggle wasn’t between North and South but between the North-East and the Mississippi Valley for control of the new country and, possibly, of the entire hemisphere. A recurring thread of the first half is the way that southern slavers seriously envisaged conquering all of Mexico and Central America and the available Caribbean islands to create a vast slave-owning empire in which the ‘slave-free’ north-east would be reduced to a geographic stump.
  • Traditional history teaches that America is an exception to the rest of world history, a shining light on a hill. Recent decades have overthrown that view to show just how deeply involved America was with trade, exploration and slavery back and forth across the Atlantic (this is also the thrust of Alan Taylor’s brilliant account of early America, American Colonies). However, Hahn wants to overthrow not only American exceptionalism but even this newer, Atlantic, theory – he wants to shift the focus towards the Pacific, claiming that many key decisions of the period don’t make sense unless you realise that politicians of both free and slave states were looking for decisive control of the vast Californian coast in order to push on into Pacific trade with Asia.
  • Traditional history teaches that there was a civil war in American from 1861 to 1865. Hahn prefers to call this epic conflict ‘the War of the Rebellion’ – partly because the war was indeed prompted by the rebellion of the slave states, but also in order to place it among a whole host of other ‘rebellions’ of the period e.g. the Seminole War of the 1840s, the refusal of the Mormons to accept federal power in their state of Utah, the wish of some Texans to remain an independent state, the attempts by southern filibusters (the Yankee name for buccaneering adventurers) to invade Cuba and Nicaragua in defiance of federal law, numerous native American uprisings, and countless small rebellions by black slaves against their masters. Instead of being the era of One Big War, Hahn is trying to rethink the mid-nineteenth century as the era of almost constant ‘rebellions’, large and small, by southerners, by native Americans, by newly organising workers everywhere, by the Mormons, by women – against the federal government.
  • Traditional history teaches that capitalism spread across America from its East coast, which was deeply interconnected with the global capitalist economy pioneered by Britain. Hahn seeks to show that there were all kinds of regional resistances to this transformation – the South was committed to a slave economy which limited the growth of markets and industrialisation; the whole mid-West of the country was occupied by native Americans who had completely different values and means of production and exchange from the Europeans; much of newly-settled West preferred small local market economies, virtually barter economies, to the cash-based capitalism of the East.
  • Probably the biggest single idea in the book is that the Republican triumph in the War of the Rebellion went hand in hand with the triumph of a centralised capitalist nation-state. But the latter part of the book goes on to insist that, even after its apparent triumph, capitalism continued to face a welter of opposition from numerous sources, from the disobedience of the defeated South, from western cowboy economies, through to resistance from highly urbanised Socialist and trade union movements – ‘the United States had the most violent labour history of any society in the industrialising world’ in the 1880s and 1890s.

Put this succinctly, these are certainly interesting and stimulating ideas. If only they had been developed in an interesting and stimulating way in interesting and stimulating prose which included interesting and stimulating facts.

But too often the ‘ideas’ dominate at the expense of the evidence and the basic information. Too often Hahn argues the points in prose which is so muddy, and with snippets of information or quotes handled so unpersuasively, or in such an obviously selective, cherry-picking way, that the reader has the permanent sense of missing out on the actual history, while ploughing through the interpretation. Take the new terms he coins:

New Terms

Most people in the world refer to the conflict between the Union and the Confederacy between 1861 and 1865 as the American Civil War. Hahn’s attempt to ‘reconceptualise’ it and refer to it throughout as ‘the War of the Rebellion’ has a sort of appeal, especially if you can keep in mind the cohort of other rebellions he sees as surrounding it and feeding into it. But put the book down and start talking or writing to anyone else in the world and…they will be deeply puzzled. It will require quite a lot of explanation to convey why you’re using a different name from the rest of the world… and all the while you have the strong sense that it will never catch on…

To give another example: America saw rapid economic change in the 1830s and 1840s, as scattered farmsteads and distant agricultural regions began to be connected, first by canals and, in the 1840s, by railways. Raw materials and goods could be traded further than just the local market. Eastern investors became interested in money-making possibilities. Traditionally, this period has been referred to as ‘the market revolution‘. Characteristically, Hahn prefers to give it a different name, referring throughout to ‘market intensification‘.

He does this partly because – at this late date – there is, apparently, still widespread disagreement among historians about when the American industrial revolution began: was it the 1830s or 40s or 50s? Something was definitely changing about the scale of agricultural and semi-industrial production from the 1830s onwards – Hahn is suggesting a new term designed to more accurately convey the way existing structures of production and distribution didn’t fundamentally change, but became larger in scale and more linked up. More intensified.

It’s an interesting idea but it’s quite subtle and I felt a) it requires more evidence and information to really back it up than he provides, and b) I don’t, in the end, really care that much what it’s called: I’d just like to have understood it better.

Show or Tell

You could also think of think of the two types of history book I referred to earlier as ones which show, and ones which tell. James M. McPherson’s brilliant account of the civil war shows. He gives you all the facts, and the people, and quotes extensively from a wide range of sources. There are numerous maps, especially of all the key civil war battles, there are photographs which give you a strong feel for the era, there are diagrams and above all there are really extensive quotations from letters, speeches, articles and so on, so that you can read about the issues in the words of the people who were debating and arguing them.

As a result, McPherson’s account is rich and varied and highly memorable. You remember the people and what they did and said and achieved. As you follow his intricate account of the war, complete with maps and detailed descriptions of each battle, you get a real sense of what was at stake and how contingent human affairs are.

Hahn tells

By contrast, Hahn tells you what happened, with no reference to maps, no graphs or photographs, with minimum quotations. For example, he doesn’t give a single account of a civil war battle, and certainly no maps of them. All the evidence is subsumed to the need to make his case and put forward his theories.

But the risk of writing history in such a theory-heavy way is that your account might end up being more about yourself and your theories, than about the ‘history’; that you spend ages asking academic type questions…

What was the character of American governance? On what axes did American politics turn? How far did slavery’s reach extend, and what was its relation to American economic and political growth? How did the intensifying conflict over slavery turn into civil warfare, and in what ways did civil warfare transform the country? How integral was political violence and conquest to American development? How were relations of class, race and gender constructed, and what did they contribute to the dynamics of change? When did American industrialisation commence, and how rapidly did it unfold? How should we view popular radicalism of the late nineteenth century and its relationship to Progressivism? At what point could the United States be regarded as an empire, and how was empire constituted? (p.2)

… in order to devote the rest of the book to answering them in a similarly abstract, academic kind of way.

To give an example of the triumph of theory over detail, Hahn is heavily into modern identity politics and goes out of his way to discuss the history of women and of people of colour using the latest up-to-date sociological jargon.

Thus Hahn tells us that the nineteenth century family was a ‘patriarchal institution’ ruled by the ‘patriarchal father’ or the ‘patriarchal husband’. He explains that 19th century American society was profoundly ‘gendered’ (a favourite word of his), a society in which people have defined themselves by ‘gender stereotypes’, where people carried out ‘gendered divisions of labour’, according to ‘gendered norms’ and ‘gender conventions’ and ‘gender exclusions’. The more aggressive leaders of the era, such as presidents Andrew Jackson and Theodor Roosevelt, are both accused of ‘masculinism’.

Similarly, Hahn loses no opportunity to tell us the big news that Southern slaveowners and their newspapers and politicians often expressed ‘racist ideas’ and ‘racist conventions’ and ‘racist stereotypes’ in ‘racist’ language.

The thing is – this is not really news. It is not that useful to be told that 19th century American society was sexist and racist. The use of the latest terminology can’t hide the fact that this is pretty obvious stuff. Not only that, but it is deeply uninformative stuff.

Instead of giving specific, useful and memorable examples of the kind of behaviour he is deploring, there tend to be pages of the same, generalising, identity politics jargon.

Part of his attempt to overturn ‘received opinion’ is to attack the notion that slaves were the passive recipients of aid and help from well-meaning white abolitionists. Wherever he can, Hahn goes out of his way to show that it was the blacks themselves who organised resistance to slave-hunters, set up communications networks, who were aware of the political implications of the outbreak of the War of the Rebellion, who organised themselves into groups to flee their southern masters and make for the Union front line then, later, after the war, continued the struggle for equality, organised themselves into networks and groups at local and regional level, and won significant political and administrative posts across the South, before, eventually, an anti-black backlash set in during the 1870s.

In a similar spirit (that marginalised people weren’t passive victims but strong independent people with their own agency who have all-too-often been written out of the story but whose voices he is now going to  bravely present) Hahn refers a number of times to women organising as much political activity as they were then allowed to do, taking on domestic and cultural responsibilities, organising a Women’s Convention in 1848, campaigning for women’s suffrage throughout the later part of the century, fighting for admission to teaching and the professions, and so on.

Well and good, and interesting, in outline – but the way Hahn tells these stories is highly generalised, draped in politically correct phraseology, rather than illuminated by specific stories or incidents which really bring them to life.

McPherson shows

By contrast, McPherson shows us these forces in action. He devotes pages to giving the names and stories of specific women who helped transform the perception of women’s abilities. These include the passages he devotes to the role of nurses during the war, and as workers in key industries depleted of men because of the draft.

I was fascinated by his description of the way that, in the pre-war period, the movement of women from being cottage industry producers to the heads of nuclear households in which the male now went out to earn a wage, represented a big step up in power and autonomy for women. Interesting, because so counter-intuitive.

McPherson shows the important role of women in the 1840s in creating a new market for consumer goods, which made America a pioneer in all sorts of household conveniences for the next century or more.

McPherson devotes a passage to Harriet Beecher Stowe, author of the bestselling novel of the 19th century, Uncle Tom’s Cabin.

I was struck by McPherson’s account of how women, in the 1830s and 40s began their dominance of the teaching profession, which has never gone away (in 2017 77% of teachers in the USA were female). The conference to launch the women’s rights movement which Hahn gives one brief mention, McPherson devotes three pages to, with accounts of the women who organised it, and the debates it held (pp. 33-36).

Later on, McPherson has a section about medicine and nursing during the war where, in a nutshell, certain strong-willed women followed the example of Florence Nightingale and set up nursing homes and went into the field as nurses. These women nurses and organisers impressed the male medical establishment, the army and the politicians so much that it made many men revise their opinion of women’s toughness. Notable pioneers included Clara Barton and Mary-Anne Bickerdyke (p.483) and Elizabeth Blackwell who, in 1849, became the first American woman to earn an MD.

The same went for factories and agriculture, especially in the North, where women were called in to replace men drafted into the army, and permanently expanded cultural norms about what women were capable of. (pp.477-489)

All this is in the McPherson. You can see how it is all immediately more interesting, more enlightening, and more useful knowledge than any number of references to ‘gender stereotypes’, ‘gendered divisions of labour’, ‘gendered norms’, ‘gender conventions’ and ‘gender exclusions’.

And if you are a feminist or interested in what women did during this period, it is far more useful and empowering to be given specific names and events and stories, which you can then go and research further yourself, than bland generalisations. Being given the name and career of Mary-Anne Bickerdyke is more useful than being given another paragraph about ‘gender conventions’.

Other problems with the book

1. Poor style

Hahn’s prose style is awful. Pages go by full of anthropological and sociological jargon and utterly bereft of a single fact or name. Take this excerpt:

Although patrons expected favours and services from their office-holding clients, they had their own needs as well. Their power and prestige were enhanced by – often required – collections of followers who could offer loyalty, votes, skills, and readiness to intimidate foes, but all this came at the price of the rewards patrons had to make available: protection, work, credit, loans, assistance in times of trouble. (p.63)

Of what organised society is this not true? It could be describing power relations in ancient Rome, or Shogun Japan, or among the Aztecs.

Orotund Hahn’s core style is orotund American academese which combines:

  • preferring pompous to simple words
  • clichés
  • identity politics jargon

Pompous locutions Favourite words include ‘deem’ instead of ‘think’, and ‘avail’ instead of ‘take advantage of’ or just ‘use’. Hahn is particularly fond of ‘contested spaces’: America in the 19th century was thronged with ‘contested spaces’ and ‘contested narratives’ and ‘contested meanings’. All sorts of social forces ‘roil’ or are ‘roiled’. When he quotes speeches the speakers are always said to ‘intone’ the words. People never do something as a result of an event or development; he always say ‘thereby’ some great change took place.

Hahn has a habit of starting a sentence, then having second thoughts and inserting a long parenthesis before going on to finish the sentence – often combining two contradictory thoughts or ideas in one sentence, which forces you to stop and mentally disentangle them.

Cliché Given his bang up-to-date usage of latest PC jargon, it is a surprise that Hahn combines this with a fondness for really crass clichés. For example, early on tells us that General Antonio Lopez de Santa Anna initially supported the setting up of a monarchy in Mexico, then:

in a veritable flash, he sided with the liberals and constitutionalists

‘In a veritable flash’. a) That’s not very impressive English and b) it’s rather poor as historical explanation. Instead of serious analysis of Santa Anna’s motives for this (apparently sudden) change of mind, he is treated like a character in a fairy story. Hahn’s sense of human psychology is often disappointingly shallow. On the same page we are told that:

Santa Anna was haughty, temperamental, and guided chiefly by personal ambitions for power and adulation.

A political leader guided by a personal ambition for power. Fancy that. On page 24:

Napoleon, in his audacity, planned to reverse the wheels of history.

On page 29, President Andrew Jackson (who served for two terms, 1829 to 1837, and I think is seen as a bogeyman by liberals because he aggressively opened up the West to expansion by the slave states and capitalists, though it’s difficult to tell from Hahn’s book) is quoted in order to demonstrate the amorality of his expansionist vision:

‘I assure you,’ he boasted to the secretary of war, his imperial hunger not yet satisfied, ‘Cuba will be ours in a day.’

‘His imperial hunger not yet satisfied’. He sounds like a character in a fairy tale. Instead of stopping to convincingly explain to the reader why Jackson was such a Bad Bad Wolf, Hahn writes sentences like this about him:

In 1828, in an election that empowered white settlers west of the Appalachians and especially in the South, Andrew Jackson won the presidency, and the bell of doom began to toll.

Ah, ‘the bell of doom’. That well-known tool of historical analysis. What is he talking about?

The spread of the abolitionist movement in the 1830s prompted pro-slavery counter-attacks on black churches or schools:

as the fires of hatred were fanned to a searing heat. (p.61)

Ah, the fires of hatred. Half a dozen times ‘the writing is on the wall’ for this or that person or movement. Indians, or blacks, or women, or strikers ‘throw themselves into the fight against’ the army or Southern racism or the patriarchy or capitalism. Oppositions ‘dig in their heels’ against governments.

Wrong usage Not only does he use surprisingly banal clichés, but Hahn is continually verging in the edge of ‘malapropism’, defined as: ‘the mistaken use of a word in place of a similar-sounding one, often with an amusing effect’. Here is a paragraph of Hahn which seems to me to combine cliché with phrases where he’s using words with slightly the wrong meaning.

Nearly one quarter of Santa Anna’s troops fell at the Alamo… and the slaughters he authorised there and at Goliad touched a raw nerve of vengeance among those left to keep the Texas rebellion alive. Believing that he verged on total victory, Santa Anna planned a multi-pronged attack on Houston and divided his army to carry it out. But the winds of fortune (in this case a captured courier) enabled Houston to learn of Santa Anna’s moves… (p.41)

‘He verged on total victory’ – can a person verge on anything? I thought only nouns could ‘verge on’ something, like the example given in an online dictionary: ‘a country on the verge of destruction’. Maybe this is correct American usage, but it sounds to me like an example of malapropism, something which sounds almost correct but is somehow, subtly, comically, wrong.

Elsewhere I was brought up short when I read that:

The militant posture on the Oregon question helped the democrats and their candidate, James P. Polk from Tennessee… eke out a tight election. (p.122)

The dictionary definition of ‘eke out’ is ‘to make (a living) or support (existence) laboriously’. Can it be applied to narrowly winning an election?

As for ‘the winds of fortune’ in the Santa Anna paragraph, that is just an awful cliché, isn’t it? Surely any historian – any writer – who uses phrases like ‘the winds of fortune’ or ‘the wheels of history’ or ‘the bell of doom’ or ‘the fires of hatred’ to explain anything, can’t be taken completely seriously.

2. Glossing over key events

Whereas McPherson dedicates a section of his book to a particular event, explains what led up to it, explains who the people were, gives extensive quotes explaining what they thought or planned to do, and then gives thorough descriptions of what happened – Hahn more often than not asks a sociological or anthropological question and then answers his own question at great length, only incorporating the subset of facts, events, people or quotes which suit his argument.

With the result that the book gives a very strong feeling that is it skipping over and omitting whole chunks of history because they don’t suit his agenda.

To give an example, early on in the book there are a couple of fleeting references to ‘the Alamo’. They come in the context of his discussion of the independence of Texas. Texas was initially a vast state or department of Mexico: the Mexicans invited or allowed American settlers to settle bits of it. Eventually these settlers decided they wanted to declare it a white American state. They were strongly encouraged by slave plantation owners in the Deep South who hoped they could export slavery to Texas.

Now this aim was itself only part of the wider ‘imperial’ aims of Southern slave owners who, in the 1830s and 1840s, envisioned creating a vast slave empire which stretched through Texas to the whole of California in the West, which would reach out to conquer Cuba for America, and which also would take control of some, or all, of Central America.

In this context, some notable American cowboys and adventurers took control of the Alamo and, when a Mexican army surrounded it, insisted on holding out till it was finally taken and everyone killed. From a macro perspective it was just one of the numerous clashes between American rebels and Mexican army from the period.

The point of explaining all this is that I know that The Alamo is part of American frontier legend. I know there’s an expression: ‘Remember the Alamo!’ I know a big Hollywood movie was made about it starring John Wayne. I hoped that, by reading this book, I would discover just why it’s so important in American folk mythology, what happened, who Jim Boone and the other ‘heroes’ of the Alamo were, and so on. I’m perfectly prepared to have the whole Hollywood ‘myth’ of the Alamo debunked, and to learn all kinds of squalid or disillusioning things about it, but I wanted to know more.

Not in this book I didn’t. I didn’t even get the debunking option. Instead Hahn more or less ignores ‘the Alamo’ because his focus in that particular chapter is on ‘reconceptualising’ that part of American history in terms of his broad meta-theme – the imperial fantasies of the southern slave-owners.

To find out more about the Alamo, I had to look it up online. Just like I ended up googling ‘the Comancheria’, ‘the Indian Wars’, the ‘robber barons’ and ‘Reconstruction’.

The entire era from the 1870s to about 1900 in America is often referred to as ‘the Gilded Age’ (because really rich Americans began to ape the houses and lifestyles of aristocratic Europe) but Hahn uses this phrase only once, in passing, only at the very end of the book, and doesn’t explain it. So once again I had to go off to the internet to really learn about the period.

Reading the book for information is an intensely frustrating experience.

3. No maps

The history of the United States in the 19th century is the story of its relentless geographical expansion – westwards across the continent, taking whatever territory it could by force, seizing Florida from Spain, seizing Texas and California from Mexico (in the 1846 Mexico War), doing its damnedest to conquer Canada but being held at bay by the British (in the war of 1812) – attempting to conquer islands in the Caribbean such as Cuba (in the 1850s), and stretching the long arm of its empire across the Pacific to seize little Hawaii in the 1870s, even creating a short-lived American regime in Nicaragua (in 1856-7).

To understand any of this at all – to see what was at stake, where places were, the route of invasions, the site of battles and so on – you need maps, lots of maps, but – THIS BOOK HAS NO MAPS.

Whoever took the decision not to commission clear, relevant, modern maps deeply damaged the usefulness of this book. In just the first fifty pages, Hahn describes the extent of Commanche land, the shape of 1830s Mexico, discusses the status of East and West Florida, describes the debates about the precise territory included in the Louisiana Purchase of 1803, follows the march of Mexican General Santa Anna to locations in East Texas. WITH NO MAPS.

So, in order to understand any of these discussions, and any of the hundreds of discussions of geographical issues, places, conflicts packed throughout the book – you need to have an Atlas handy or, better still, read the book with a laptop or tablet next to you, so you can Google the maps of where he’s talking about.

In fact, on page 33 I discovered that the book does contain maps, but that they are poor-quality reproductions of contemporary nineteenth-century maps which are, for all intents and purposes, impossible to read. Take this example, ‘A Map of North America by Palairet’, which doesn’t even give you a date. The print is so tiny you can’t make out a single place name except ATLANTIC OCEAN.

Map of North America by J. Palairet

Map of North America by J. Palairet

I’m not often moved to get on a high horse about anything, but this is disgraceful. This volume is part of Penguin’s multi-volume history of the United States. It was published in 2016. It’s meant at some level to be a definitive history of the period. The decision not to commission a single clear modern map, and not to use any contemporary photographs, or diagrams or graphs, is inexcusable.

Here’s another example, Bacon’s Military Map of America from 1862, showing America’s ports and fortifications. Can you read any of the place names? No. Can you see any of the ports and fortifications? No. Is this map of any use whatsoever? No. It’s a token gesture, and almost an insulting one at that.

Bacon's Military Map of America, 1862

Bacon’s Military Map of America, 1862

Part two 1865-1910

I’ve read several accounts of the civil war but know next to nothing about the period which followed it. That’s why I bought this book and I certainly learned a lot, though all the time having to struggle through a) Hahn’s unfriendly prose style b) with the constant feeling that I wasn’t being told the full story of events but only what Hahn wanted to tell me in order to make his points with and c) without any maps, diagrams of photographs to refer to.

The key points of the period which I took away are:

  • The administrative centralisation begun during the War of the Rebellion continued at accelerating pace for the rest of the century and into the 20th century, though not without all kinds of opposition.
  • ‘Reconstruction’ is the name given to the period immediately following the War of the Rebellion, when the North tried to rebuild the South in its own image. Abraham Lincoln was shot on 15 April 1865. He was succeeded by vice-president Andrew Johnson who, unlike Lincoln and the Republican party which had dominated the Congress and Senate during the war, was a Democrat. For a fatal year Johnson was fantastically lenient to Southern soldiers and leaders, letting them return home with their weapons, and return to their former positions of power. Congress, however, saw that the Southerners were simply reinstituting their racist rule over the blacks and so superseded Johnson, implementing a new, more military phase of Reconstruction, by sending the chief Northern generals to administer the South under what amounted to martial law. Thus there are two periods: Presidential Reconstruction 1865-67, and Congressional Reconstruction 1867 to 77.
  • Some of the colonels and generals who had risen to prominence in the War of the Rebellion were sent West to quell risings by native Indians, for example the Sioux Rebellion of 1862. There then followed about 20 years in which the U.S. government and army broke every agreement with the Indians, harried and pursued them, bribed and bullied them onto ever-shrinking ‘reservations’. Some administrators and military men openly stating that they aimed to ‘exterminate’ the Indians. (General Sheridan called for a ‘campaign of annihilation, obliteration, and complete destruction’, p.379). It is ironic that Americans in the 20th century were so quick to criticise the British Empire and its colonial grip over native peoples, given that America did its damnedest to exterminate its own native peoples.
  • Describing what happened in the South from 1865 to 1910 is long and complex. But basically, there was ten years or so of Reconstruction, when the Republican government freed the slaves, gave them the vote, and tried to encourage their integration into economic life. This period ended around 1876 as the Republican Party lost its radical edge and became increasingly associated with northern capitalism. More to the point, the U.S. Army was withdrawn and the southern, racist Democrat party took over. They quickly began passing a whole raft of laws which brought about institutionalised ‘Segregation’. For example, during Reconstruction the number of black voters was huge, 80% or more of all adult black men, with the result that an astonishing number of local officials, judges and even governors were black. With the revival of the Democrats into the 1880s, all the southern states, starting with Mississippi in 1890, passed voter registration laws requiring voters to demonstrate specified levels of literacy, live in fixed abodes or even pay a small fee ($2) – with the result that voter levels fell to something like 5%! (pp.470-473).

This was one of the biggest things I learned from the book. Realising that it wasn’t slavery, or the Reconstruction period – it was this backlash during the 1870s and 1880s which instituted the Jim Crow legislation, the official segregation, the systemic impoverishment of black people, which was to last until the Civil Rights movements of the 1960s.

This is quite mind-boggling, a massive stain right the way through American history. It made me rethink my attitude towards slavery: I’ve read numerous books about slavery, seen movies and TV series about slavery, stood in front of statues against slavery, visited exhibitions about slavery.

But reading these pages made me realise that slavery isn’t at all the problem; that slavery is now so distant in time as to be almost irrelevant. It was this institutional racial Segregation, instituted across the Deep South of America, and whose ideology – if not its laws – spread to the North and West, infected all of American life – which is the real issue.

It was the deliberate trapping of black people in the lowliest, poorest-paid jobs, and their systematic exclusion from voting and public life, the division of parks and public places, theatres and toilets and buses into black areas and white areas – this is the thing to understand better because, as far as I can see, it continues to this day, albeit more subtly. #BlackLivesMatter.

In a way, then, the emphasis which is still given by schools and exhibitions to slavery is misleading. Slavery was abolished 180 years ago in the British Empire and 155 years ago in America. This book made me realise that understanding the philosophy and practice of Racial Segregation is much more important and much more relevant to our ongoing problems today.

Capitalism and its enemies

What feels like the lion’s share of the last 100 pages of the book is devoted to the consolidation of capitalism, and its enemies. There are detailed passages describing the rise of the ‘corporation’, as a new legal and commercial entity, quite different from the companies and partnerships which had preceded it (pp.454-464). I didn’t understand the legal and commercial details and will need to study them elsewhere.

Hahn is at pains to describe the way successive federal administrations, although equivocal about the massive cartels and monopolies which came to prominence in the 1890s, nonetheless took them as almost natural agencies which the government could use and work through – as potential extensions of state power. By the 1890s everyone on left and right thought that these huge monopolies (of railways, gold, silver, copper, iron, steel) a) were here for good b) that the reach and effectiveness of these huge transcontinental corporations or agencies could be a model for modern government.

Behind all this is the Rise of the Nation-State, the grand theme Hahn has been tracing since the 1830s. But although the various aspects of its rise is the central development, Hahn’s focus is much more about the multitude of forces which resisted the rise of the state, criticised, questioned, critiqued it, from both left and right.

So these last hundred pages devote a lot of time to the confusing multitude of opposition parties which rose up against the, by now, time-honoured duopoly of Republicans and Democrats.

We learn about greenbackism, anti-monopolism, the Populist party, the Progressive Party, the rise of mass trade unions, the Knights of Labour and the first socialist parties – and then descend into the jungle of disagreements and bickering among working class parties – socialist, syndicalist, anarchist, gradualist, evolutionary, revolutionary.

There is a lot about the strikes – kicked off by the Great Railroad Strike of 1877 – which blighted American industry in the 1880s and 1890s, all a revelation to me.

A softer, liberal version of resistance to monopoly capitalism came to be termed the Progressive movement, the idea that progressive politicians should use the levers of the state to combat alcoholism, illiteracy, corruption, infectious disease, prostitution, greed and labour exploitation (p.454). This movement laid the basis of what would later become the American welfare state (such as it is).

Some tried to bring the opposing blocs together. Liberal capitalists formed the National Civic Federation (NCF) in 1900, which brought together chosen representatives of big business and organized labour, as well as consumer advocates, in an attempt to resolve labour disputes and champion moderate reform.

The final pages describe how the whole American imperial mindset was then exported, just at the turn of the century, to Cuba and the Philippines, which America won off Spain as a result of victory in the following Spain’s defeat in the 1898 Spanish–American War, along with Guam and Puerto Rico, and also to Hawaii which, after decades of slowly taking over, America completely annexed in 1898.

Hahn shows how the same military leaders who had crushed the Indians were now sent to impose ‘civilisation’ on the Cubans and Filipinos, and with much the same mindset.

By now we are very familiar with American racist and segregationist thinking and so are not surprised when Hahn quotes racist comments by soldiers and administrators, or the speeches of politicians back in Washington, who thought people from inferior races i.e. the multicultural populations of Cuba, the Philippines and so on – simply weren’t capable of governing themselves, and needed the steady hand and civilising influence of the white man.

By the end of this book, I really hated America.


Old for us, new to the Yanks

I can’t get over the fact that so much of this seems to be new to the book’s reviewers. Back when I was a kid in school in the 1970s, I’m sure we all knew about American slavery. I remember the stir caused by the TV series Roots when it came out in 1977, over 40 years ago. All of us knew about the American Civil War, and maybe even had confederate flags or union caps among the various cowboy and Indian and army costumes we wore when we were ten. When I was a student, a friend of mine bought me Bury My Heart At Wounded Knee, the classic 1970 account of how America betrayed, bullied, and massacred its native peoples.

I’m sure all educated people knew about this history and these issues decades ago. The people around me in the Labour Party of the 1970s, the party of Tony Benn and Michael Foot, were very well aware of America’s history of imperialism, its origins in brutal slavery which it didn’t abolish until the 1860s, how it exterminated its native peoples, reached out to seize islands in the Pacific, in the Caribbean, and to dominate the nations to Central America, before going on to its long history of supporting military dictators, torture and assassination (in my youth these included the Shah of Iran, General Pinochet in Chile, General Franco in Spain, the military Junta in Greece, Ferdinand Marcos in the Philippines and so on.)

In the 1980s I hung around the communist bookshop in Brixton which was absolutely plastered with posters about American racism and the legacy of slavery, Martin Luther King, Malcolm X, protests against American imperialism and American multinational corporations and the CIA. Entrenched anti-Americanism was an absolutely basic, entry-level element of left-wing political awareness.

Yet somehow, in these books by Hahn and Alan Taylor, a lot of these things – the brutality of southern slavery, the genocide of the Indians – are presented as if they are new and seismic discoveries.

think what is happening here is that American academic history writing has finally caught up with how the rest of the world has seen America for generations – a hypocritical bully bragging about ‘liberty’ while keeping the descendants of the slaves locked up in drug-riddled ghettos, the last native Americans stuck in alcohol-soaked reservations, and propping up dictatorships around the world.

I think part of what’s going on in books like Taylor’s and Hahn’s is that, since the end of the Cold War, American academia has finally become free to portray the brutal realities of American history for what they were – and that, for American readers and students, a lot of this comes as a massive, horrifying shock. But to educated, and especially left-of-centre people throughout the rest of the world – yawn.

So if so much of the content has been so well known for so long, what was it that impressed the reviewers? I think it’s the unrelenting consistency with which he does two things:

One is the thorough-going application of a politically correct, identity-politics attitude which says right from the start that he is going to ignore a number of ‘famous’ events or movements or names (goodbye civil war, hello war of rebellion), in order to give more prominence to the role of native Americans, women and, especially, to blacks, than they have received in ‘previous’ histories.

But as I’ve commented above, very often Hahn’s widespread use of politically correct terminology like ‘patriarchy’ and ‘gender stereotypes’ and ‘racism’ and ‘masculinism’ in the passages where he does this, tends (paradoxically) to obscure a lot of these voices, to bury them beneath a shiny sociological jargon which removes specificity – names, places, events and even words – from many of the groups he’s supposedly championing. In this simple respect, I’ve found much older accounts to be far more enlightening.

In fact, it is possible to argue that Hahn and all the other politically correct historians who nowadays use terms like ‘patriarchy’ and ‘gender’ and ‘people of colour’ do so because these terms in fact fend off real acceptance of the blood and horror of those times. These sterile, clinical and detached terms in a way help to drain accounts of the period of their emotion and outrage. You could argue that the language of identity politics, the jargon of sociology and anthropology which recurs throughout the book, despite his explicit intention to bring uncomfortable facts and ignored voices into the light – in fact, through its sheer repetitiveness and its unspecific generalisation – works to neutralise and blunt the impact of a lot of what he’s describing.

For example, Hahn gives facts and figures and sociological explanations for the rise of slave fugitives following the passage of the Fugitive Slave Law of 1850. But McPherson, writing thirty one years ago, and without using any jargon, tells the specific story of the slave woman who escaped with her children to the North, but was tracked down. As the slave-hunters, with their dogs and guns, beat on the door of the cabin where she was hiding, this woman cut the throats of her small children so they wouldn’t be taken back into slavery, and then tried to cut her own.

You can see which approach leaves you most stunned, horrified and angry at the unspeakable horror of slavery, and it isn’t Hahn’s.

This is because the second thing going on in the book is what really garnered the praise, and that is Hahn’s high-level, intellectual and often bloodless ‘rethinking’ and ‘reconceptualising’ of the era in the terms I outlined at the start of the review.

He is interested in suggesting to highly educated readers already familiar with most elements of the period some new ways of thinking about it. Throughout, he downplays the voices of the white politicians who (I’m guessing) dominated earlier narratives, he really downplays the War of the Rebellion (maybe because there are already tens of thousands of other accounts of it), and instead plays up the notion that the increasingly centralised American state faced a whole slew of rebellions from multiples sources, devoting his time to describing and theorising this riot of rebellions.

And so he ignores what I’m assuming is the old-fashioned type of history which celebrated the rise of American freedom and capitalism and wealth and included lots of dazzling images from the ‘Gilded Age’, and he focuses instead on the wide range of oppositions which the state (and rich monopolists) faced from women, Indians, blacks, alternative political parties, the trade unions, socialists and so on.

But I find it difficult to believe that all previous histories of this period utterly failed to mention the movement for women’s suffrage, that there aren’t hundreds of books about the Indians, and thousands about Segregation, that nobody noticed the epidemic of strikes in the 1890s, or that numerous commentators at the time (and ever since) haven’t criticised America’s interventions in Cuba and Hawaii and the Philippines as being as blatantly imperialist as the European Empires her politicians liked to piously denounce.

Maybe some of Hahn’s high-level reconceptualising is new and interesting, but to the average educated reader the actual events of this era remain unchanged and the main feature of Hahn’s book is that he doesn’t tell them as fully or as imaginatively as other versions do.

In a word

Don’t read this book unless you are already master enough of the period to appreciate Hahn’s reconceptualising of it. If you want vivid detail, maps, extensive quotes and a deep understanding of the period from 1820 to 1865, read Battle Cry of Freedom: The Civil War Era by James M. McPherson: so gripping, so packed with information and ideas, that I had to write five separate blog posts about it.

For the period after the Civil War – I have still to find a satisfactory history. Reading this book suggests I may have to track down separate books devoted to specific areas such as the Indian Wars, the Gilded Age with its labour militancy underside, segregation and its long-term consequences, and the imperial conquests at the end of the century.


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Battle Cry of Freedom: The Civil War Era (2) by James M. McPherson (1987)

In mid-19th century America there was a cohort of people who were professional slave hunters. Let’s just reflect on that fact… people whose full-time job it was to reclaim the lost ‘property’ of southern slave owners. How did this come about?

1854 advert for a runaway slave

1854 advert for a runaway slave

The Fugitive Slave Act

In 1850 the US Congress passed the Fugitive Slave Act as part of the Compromise of 1850 between Southern slave-holding interests and Northern Free-Soilers (a short-lived political party which took part in the 1848 and 1852 presidential races with the sole aim of preventing slavery being expanded into the new western states).

The law required that all escaped slaves, upon recapture, be returned to their masters, and that the officials and citizens of free states had to cooperate with this. Many northern states opposed the law and passed personal liberty laws which used various strategies to try and to block the Fugitive Slave Act – by insisting that captured suspects get a fair trial, or by forbidding state authorities from collaborating with the federal agents tasked with recapturing runaway slaves.

Almost every case brought under the new act caused explosions of outrage on both sides of the argument. Many northern states took advantage of jury ‘nullifications’, where a jury refused to convict because they believed the entire basis of a federal law was unjust.

Northern cities set up Vigilance Committees which could mobilise lawyers to defend a captured runaway, and/or mobs to surround gaols where they were being held. On numerous occasions this resulted in fighting, often with guns, as northern mobs stormed gaols to free slaves held by Federal authorities.

Southerners believed northerners wanted to abolish the entire notion of property, which was a founding concept of American freedom (a circular definition in which freedom is defined as the ability to own property, and the ownership of property equals the independence from poverty which underlies the notion of personal freedom).

The clash between the pro-slavery Federal law and the anti-slavery strategies taken by various northern states made almost every case of a runaway slave being recaptured into a show trial.

Imagine being a freed black person, going about your business in Boston or New York, and suddenly being set upon by a gang of men and hustled along to a gaol. And then – if you’re lucky – standing in the dock while lawyers argue whether you are a human being or a piece of property!

Impact of the law

The law had a noticeable cultural impact. For northerners, the country’s law for the first time made them accomplices in the institution of slavery – forced them at the risk of a hefty fine or possible imprisonment, to aid federal marshals in arresting, imprisoning and returning runaway slaves to the south, no matter how much they didn’t want to.

It was a flavour of slavery and the slave state, forced right into northerners’ faces. And it forced the more conscientious of them to choose between obeying an unjust law or their consciences. It created martyrs not only among the poor captured runaway blacks, but among their white supporters, especially in the church. McPherson quotes a number of clergy who wrote publicly announcing that they were prepared to go to gaol to defend the liberty of runaway slaves.

The intrusion of slave violence into the free north inspired Harriet Beecher Stowe, the ‘daughter, sister and wife of Congregational churchmen’, to write Uncle Tom’s Cabin, an anti-slavery story told with moral passion. The book was published in monthly serials in an antislavery magazine before being published in book form in 1852. It went on to become the most popular novel of the 19th century, second only to the Bible in book sales in the States and abroad. Extraordinarily, Stowe wrote it in the evenings after completing all the household chores and putting her six children to bed. I wish I had that much energy.

The underground railway

Implementation of the Fugitive Slave Act reinforced the importance of the so-called Underground Railway, escape routes of safe houses and sympathetic helpers who could ferry blacks north through the free states and on, ultimately, to Canada – much like the networks which shot-down Allied airmen used in Nazi-occupied Europe a century later.

An estimated three thousand blacks fled to Canada in the last three months of 1850 alone. During the 1850s the black population of Ontario doubled.

There are records of slaves committing suicide rather than be caught. McPherson quotes the story of a runaway slave mother who tried to cut the throats of her own children as the slave catchers broke into the house where they were hiding, rather than let them be taken back to a lifetime of servitude and abuse. Stories like that really bring home the horror and the despair of slavery.

Leap of the Fugitive Slave

Leap of the Fugitive Slave

And yet, during the entire decade of the 1850s, as a result of the law only some 332 escaped slaves were returned and only 11 declared free. Odd that such a relatively small number had such a seismic cultural impact on both the north (disgusted) and the south (outraged that the north tried to steal their ‘property’), when you set it against the fact that there were some four million slaves in the south.

Meditating on the stories McPherson prints, it’s hard to see how anyone brought up in these communities, and in the USA, could recover from such a deeply embedded trauma. And it’s easy to imagine the aftershock of such a colossal wound lasting down through generations and never, really, being healed…


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