Munich by Robert Harris (2017)

Both men fell silent, watching him, and Legat had a peculiar sense of – what was it, he wondered afterwards? – not of déjà vu exactly, but of inevitability: that he had always known Munich was not done with him; that however far he might travel from that place and time he was forever caught in its gravitational pull and would be dragged back towards it eventually. (p.188)

This is another Robert Harris historical thriller, set during the four nailbiting days of the Munich Crisis of September 1938.

In the Acknowledgements section at the end of the book Harris discloses that the crisis had been an obsession with him even before he collaborated on a BBC documentary about it, to mark the 50th anniversary, in 1988, and he hasn’t stopped being obsessed by it. The acknowledgements go on to list no fewer than 54 volumes of history, diaries and memoirs which were consulted in the writing of this book.

And this depth of research certainly shines out from every page right from the start. Even before the text proper begins, the book has an architect’s plan of the Führerbau in Munich where the climactic scenes of the book take place, because it was here that the four key European leaders – Neville Chamberlain, Prime Minister of Britain, Daladier, Premier of France, Mussolini, the Duce of Italy and Adolf Hitler, the Führer of Germany – met to resolve the crisis and here that the various backstairs shenanigans of Harris’s thriller take place.

The Munich Crisis

Hitler came to power in 1933 with promises to end reparations to the Allies (France, Britain, America) for Germany’s responsibility for World War One, and to repeal or turn back the provisions of the Versailles Treaty which had stripped Germany of some of her territory and people.

True to his word, Hitler reoccupied the Rhineland (until then a neutral zone) in March 1936. Two years later in March 1938, he sent German troops to annex Austria, thus creating a Greater Germany.

Next on the list were the ethnic Germans who lived in a strip of territory along the periphery of Czechoslovakia, a ‘new’ country which had only been created by Versailles in 1918. Hitler created a mounting sense of crisis through the summer of 1938 by making evermore feverish claims to the land, and then arranging incidents which ‘proved’ that the Czechs were attacking and victimising the ethnic Germans, blaming the Czechs for their aggression and bullying.

Now France had made formal legal obligations to guarantee Czechoslovakia’s safety, and Britain had pledged to come to France’s aid if she was attacked, so everyone in Europe could see how an assault in Czechoslovakia might lead France to mobilise, Britain to mobilise to defend here, the Poles and Russians to pile in, and it would be exactly how the Great War started – with a series of toppling dominoes plunging the continent into armageddon.

Determined to avoid this outcome at any cost, British Prime Minister Neville Chamberlain flew twice to Germany to meet Hitler, on the 15th and 22nd of September. On the second occasion he conceded that Hitler could have the Sudetenland with the full agreement of Britain and France – but Hitler moved the goalposts, now demanding the full dismemberment of Czechoslovakia and the redivision of its territory among Germany and Hungary and Poland (who also shared borders with Czechoslovakia and had mobilised their armies to seize what territory they could.)

On 26 September Hitler made a speech to a vast crowd at the Sportspalast in Berlin setting Czechoslovakia the deadline of 2pm on 28 September to cede the Sudetenland to Germany or face war. In secret, Hitler and the Wehrmacht had a fully-worked-out plan of invasion and expected to carry it out.

However, in a fast-moving sequence of events, Chamberlain sent a message via diplomatic channels to the Fascist leader of Italy, Mussolini, asking him to enter the negotiations and use his moderating influence on the Führer. Mussolini agreed, and sent a message to Hitler saying he was totally on his side but suggesting a 24 hour delay in the deadline in order to further study the problem.

Thus it came about that a conference was arranged in Munich, to be hosted by Hitler and attended by Mussolini, Chamberlain and the increasingly sidelined French premiere, Daladier.

And thus Chamberlain and his staff flew for a third time to Germany, this time to Munich, destination the Führerbau building, and here it was that over a series of closed-door meetings the four leaders and their staffs thrashed out an agreement.

It was signed by the four leaders the next day at 1.30pm. As one of Harris’s characters makes clear, the final agreement, although ostensibly submitted by the Italians, was in fact a German creation which they had given the Italians to present. The main terms were that the German army was to peacefully complete the occupation of the Sudetenland by 10 October, and an international commission would decide the future of other disputed areas.

One of the most famous aspects of the summit meeting was that the Czech leaders were physically there, but were prevented by Hitler’s orders from attending any of the actual negotiations. They were simply forced by France and Britain to accept all the terms and hand over their border area to Germany. Since this was where all their fortifications were built it left the rest of the country defenceless and, sure enough, the German army invaded and occupied the rest of Czechoslovakia just six months later, in March 1939.

Map of Czechoslovakia showing the Sudeten territory given to Germany in September 1938 in dark brown

Map of Czechoslovakia showing the Sudeten territory given to Germany in September 1938 in dark brown

All of Europe had held its breath in case the incident sparked the outbreak of another European war. Chamberlain is quoted in the book, in private and then in a famous speech to the House of Commons, saying how unbelievable it is that they all seemed to be galloping towards the apocalyptic disaster so many of them could still remember (the Great War). It was this attitude – avoiding war at all costs – that underpinned Chamberlain’s strategy. And so when he flew to Munich, and even more when he emerged with a face-saving treaty, scores of millions of people all across Europe greeted the avoidance of war with enormous relief, and Chamberlain was feted as a hero.

Of course, in hindsight, we can see that nothing was going to stop Hitler and his maniacal dreams of European domination, and Chamberlain’s policy of ‘appeasement’ grew to have an entirely negative connotation of weakness and cowardice, a policy failure which only ended up encouraging the dictator. And there were plenty of politicians and intellectuals at the time who thought Hitler needed to be stood up to, instead of cravenly given in to, and that Chamberlain had made a great mistake.

That said, there are other historians who point out that neither Britain nor France were militarily prepared for war in September 1938 and that the deal, whatever its precise morality, and despite the unforgiveable abandoning of the Czechs, did give both France but particularly Britain a crucial further year in which to re-arm and, in particular, build up an air force, the air force which went on to win the Battle of Britain in the summer of 1940. It was only by a sliver that we won the Battle of Britain, thus maintaining the island of Britain as a launchpad for what eventually came the D-Day invasions.

If war had broken out in 1938, Britain might have lost and been invaded (doubtful but possible), America would never have entered the war, and Europe might have become an impenetrable Nazi fortress. Chamberlain certainly didn’t achieve the ‘peace in our time’ which he so hoped for; but maybe he did secure a vital breathing space for democracy. Historians will discuss these and other possible variations for generations…

The thriller

Whatever the rights and wrongs of the real-life, historical diplomacy, it is these hectic days leading up to 30 September, which Harris describes in minute and fascinating detail, and from both sides.

Because the book is made up of alternating chapters, following the parallel experiences of two well-placed if junior civil service figures, one on the Nazi side, one in Chamberlain’s staff.

In London we follow the working routine and then increasingly hectic preparations for flying to the conference of Hugh Legat, Oxford-educated Third Secretary in Chamberlain’s staff, very much the bottom of an elaborate hierarchy of civil servants. Through his eyes we see the bureaucracy of Number Ten Downing Street in action, as Legat interacts with his civil service bosses and Chamberlain himself (and his wife), fetching and carrying papers, writing up notes to meetings and so on.

In all these passages you can sense the intense research Harris has put in to document with meticulous accurately the layout of the buildings, the furnishing of each room, who attended which meeting, what they looked like, their personal quirks and nicknames, what was said, etc, in immense detail.

On the German side, we meet Paul von Hartmann, a junior official in the Foreign Ministry, as he, too, goes about various bureaucratic tasks, again gradually giving us insider knowledge of every personage in the German government, with pen portraits of senior civil servants, military figures as well as glimpses of the Führer himself.

Why these two protagonists? Because Harris places them at the heart of the thriller plot he has woven into the real historical events. We now know that during the Munich Crisis a group of senior figures in the Nazi regime and army met to discuss overthrowing Hitler, if the crisis blew up into full-scale war. Hartmann is one of these conspirators and so, through his eyes, we witness one of their meetings and are party to various panic-stricken phone calls among them as the crisis escalates.

None of the conspirators were western liberals. They hated reparations just as much as Hitler, they wanted to unravel the Versailles treaty, they wanted a strong Greater Germany and they were in favour of annexing the Sudetenland. They just disagreed with Hitler’s approach. They thought his brinkmanship would plunge Germany into a war it wasn’t yet militarily ready to win. And so, if the talks failed and war was declared, they were prepared to overthrow the Nazi regime and assassinate Hitler.

To this end they steal secret documents which show that Hitler had planned not only the Sudeten Crisis, and the full-blown invasion of all Czechoslovakia, but has a deeper plan to invade eastwards in order to expand Germany’s Lebensraum. This ‘incriminating’ document is a memo of a meeting Hitler held with his chiefs of staff back in November 1937. It conclusively shows that the Sudetenland is not the end, but only the start of Hitler’s territorial ambitions.

The documents are handed to Hartmann by his lover in the Ministry, Frau Winter, who is part of the plot and stole it from a Ministry safe. At a meeting of the conspirators Hartmann realises he must pass this document on to the British delegation at the conference, and his fellow conspirators agree.

Thriller tropes

It’s at this point that you enter what could be called ‘thrillerland’ i.e a whole series of familiar thriller plotlines and tropes.

  • First tension is raised as Hartmann takes a train out to a Berlin suburb for the meeting of conspirators, convinced he is being followed or watched.
  • Later he makes a copy of a top secret Nazi document and then bumps into people who, he thinks, are watching him too closely, asking too many questions. Do they suspect?

It is, after all, Nazi Germany, which comes with a ready-made atmosphere of guilt and paranoia.

Hartmann then has to wangle his way into the delegation travelling with Hitler by train from Berlin to Munich for the conference. He manages to do this but at the price of raising the suspicions of his superior, an SS Sturmbahnfūhrer, Sauer, a senior figure in the delegation who from that point onwards keeps a very close watch on Hartmann. When Hartmann takes advantage of a short stop he phones his office in Berlin to make sure that Legat is on the British delegation. His paranoia forces him to find hiding places for both the document and the pistol he has brought with him, leading to heart-thumping moments when he returns to check his hiding places and see if they’re still there.

Why is Hartmann so concerned that Legat be on the British delegation. Because they had been friends once, when Hartmann was on a Rhodes Scholarship to Oxford, where Legat was a student. Now he hopes to use Legat as a conduit to the British Prime Minister.

To this end, back in London and a few days earlier, Hartmann had used contacts in England to anonymously drop off less important but still secret Nazi documents at Legat’s flat in Westminster. Legat hears something coming through his letterbox but by the time he’s gone into the hall, the car with the deliverymen is long gone.

When Legat hands these documents into the authorities, he is called to the office of Foreign Office mandarin Sir Alexander Cadogan where he is introduced to a secret service colonel, Menzies. Menzies questions him and Legat reveals his friendship with Hartmann from their carefree Oxford days back at Balliol College in 1932. They had been very close friends and Legat had gone over to Munich that summer to go on a walking holiday with Hartmann in the mountains.

Menzies judges that Hartmann is obviously a member of the German ‘opposition’ (which British security have heard rumours about) and may wish to communicate with Legat in Munich. Therefore he gets Legat’s immediate superior, Cecil Syers (Chamberlain’s Private Secretary) bumped off the British delegation – much to his anger – and Legat replaces him. But with a mission – to be professional and discreet and do nothing to undermine this vital diplomatic mission – but to be alert to an approach from his old friend and to report back on its contents and intentions. Without wishing to, he has in effect been recruited as a spy.

Legat’s presence enables Harris to give the reader a first-hand account of the Chamberlain entire trip, from packing bags at Number 10, the taxi to Heston airport, the flight, the landing, the official greeting, taxis to the hotel, and then on to the Führerbau for the official reception and then meetings with Il Duce and Der Führer.

The descriptions of all these scenes reek of decades of in-depth research. Which kind of plane, the layout inside it, the sound of take-off, what refreshments were served – all of it is utterly believable but also smells a bit of the study, of the careful poring over dry old memoirs and diaries to recreate every aspect of the scene.

Those 54 books listed in the acknowledgments underpin the detailed descriptions of who was wearing what at the diplomatic reception party which precedes the actual talks, who Mussolini was talking to, what Goering was wearing, even down to the expression on Hitler’s face as he first walks down the grand staircase into the assembled diplomats.

All of it reeks of authenticity and former journalist who has done his research to a T, and all of it makes the book a fascinating account of events – right down to the way that Legat literally stumbles upon the Czech delegation (Foreign Office official Masarik and Czech Minister to Berlin Mastny) being kept in virtual house arrest by SS guards directly under Hitler’s orders – a fact he passes on to his own superiors who filter it up to the PM.

So all these descriptions make it feel like you are there. But as to the thriller plot… for once a Harris thriller failed to really catch light for me. It contains umpteen thriller tropes and moments – we share Hartmann’s stress and anxiety as he hides the incriminating document from the SS man who suspects him – and then tries to give this man the slip once everyone is at the Führerbau, the anonymous men who drop the document through Legat’s letterbox and make off in a car in the dark.

Similarly, from the moment Legat is given his spying mission by Colonel Menzies he certainly feels stiff and self-conscious. A big stumbling block comes when his superiors (not knowing about the mission Menzies has given him) instruct him to stay at the British delegations’s hotel and keep the phone line open to London to report developments, thus stymying his intention of going to the Führerbau and searching for Hartmann. Another uptick in the sense of tension.

But in the end Legat evades this order on a pretext, gets to the big Nazi building, almost immediately sees Hartmann, follows him down backstairs to the basement, out into the car park and then through local streets to a busy Bierkeller and out into the garden where they can talk in secret and that talk… is strangely inconsequential. As in, it doesn’t reveal any really big or new facts.

The crux of their conversation is this: Hartmann and his people want war to break out, so that they can recruit as many high-level German officials as possible to their plan to mount a coup and overthrow the irresponsible warmonger Hitler. This is why Hartmann hands Legat the Nazi memo dating from November 1937 which clearly states that Czechoslovakia is only the beginning of Hitler’s plans. It must be given to Chamberlain in order to make him realise that Hitler is a mad warmonger, and the final invasion of Czechoslovakia and much more will happen regardless of agreement in Munich. Chamberlain must see the memo in order to stiffen his resolve to stand up to Hitler, even if it prompts a crisis, even if it prompts war. Good. That is what the conspirators want. Or, as Hartmann puts it:

‘If Chamberlain refuses tonight to continue to negotiate under duress, then Hitler will invade Czechoslovakia tomorrow. And the moment he issues that order, everything will change, and we in the opposition, in the Army and elsewhere, will take care of Hitler.’

Chamberlain mustn’t sign a peace. If he signs a peace treaty then Hitler will be immensely popular inside Germany as the man who created a Greater Germany without firing a shot: all the waverers Hartmann and the conspirators hope to recruit will fall in line behind him. Hitler will become unstoppable. But, Legat points out, this is all hugely speculative:

Legat folded his arms and shook his head. ‘It is at this point that I’m afraid you lose me. You want my country to go to war to prevent three million Germans joining Germany, on the off chance that you and your friends can then get rid of Hitler?’ (p.297-98)

Which Hartmann has to concede, does sum up his position. And when it is stated like that, not only Hartmann and Legat realise how unlikely the position is… but so does the reader. This could never happen, the reader thinks, with the added dampener that the reader of course knows that it did not happen. At the heart of the book is a little cloak and dagger adventure among a handful of men, boiling down to these two old friends, which doesn’t amount to a hill of beans and doesn’t change anything.

So the old ‘friends’ have met, exchanged the document, and Hartmann has laid his proposition on the line. What happens in the final hundred pages?

Chamberlain refuses the Nazi memo

Both men return to their delegations and tasks which are described with documentary accuracy. But overnight Hartmann sees no sign of change in the British position and he suddenly decides to abandon diplomacy and care for his cover. He shoulders his way into the British delegation, confronts Legat and forces him to take him to Chamberlain’s room.

There Hartmann begs five minutes of Chamberlain’s time and presents him with the 1937 Nazi war plan. Chamberlain reads it and his reaction is interesting, in a way the most interesting part of the book. Chamberlain says it is entirely inappropriate for Hartmann to have pushed in like this; it breaks the chain of command on both sides, and it undermines the present negotiations; because Chamberlain is interested in the present, not what Hitler may or may not have said 6 months, or a year or five years ago. From the point of view of the professional negotiator, all that matters is what your opposite number says in the room, now. What he says and signs up to now supersedes all previous declarations. I thought that was an interesting insight into negotiating tactics as a whole.

Chamberlain reads the stolen memo but rejects it and its contents and asks Hartmann to leave, and then instructs Legat to burn it. It has no bearing on the present.

This is a very interesting scene in terms of being an education in how actual diplomacy and negotiation works, but it militates the entire basis of the thriller. the Big Secret is out. The Key Document has been shown to the Prime Minister. The Secret men and women risked their lives for, cloak and dagger letter drops in London took place for, which Legat was subbed onto the British Legation for and Hartmann played sweaty cat and mouse with his SS boss for – has finally been delivered and… nothing happens. Chamberlain says: I am ignoring it. Burn it.

Oh. OK. Hard not to feel the tension Harris has built up with all the backstairs meetings and SS searches suddenly leak away like the air from a punctured balloon.

Leyna

Throughout the narrative Legat has dropped occasional hints about a woman named Leyna, who made up the third element in his friendship with Hartmann. Only now, towards the end of the book, do we find out more.

A few hours after they’ve both been turfed out of Chamberlain’s office, Legat is fast asleep in his room at the hotel being used by the British, when there’s a knock and it’s Hartmann who tells him to get dressed. Hartmann takes him outside to car he’s (conveniently) borrowed and then drives Legat out of Munich into the countryside, to a village called Dachau and stops outside the barbed wire fence of the concentration camp there.

To my surprise, Legat is not impressed, and says officials in Britain know all about these camps, Stalin has as many if not more but they have to deal with him, too. Hartmann points out that within weeks, if the Nazis annex the Sudetenland, some Sudeten Germans, now free – communists and Jews and homosexuals – will be behind the wire being worked to death at Dachau. Yes, replies Legat, but then how many would survive the aerial bombing and street fighting which will occur if Chamberlain refuses a settlement and prompts war, which will end up with Czechoslovakia still being occupied and victims still being carted off by the SS.

This is an interesting debate but it has now lost the element of being a thriller. For me this felt like a purely cerebral, intellectual debate about what was at stake at Munich.

Anyway, it turns out this isn’t what Hartmann wanted to show him. Some Dachau guards notice the pair bickering in the car and turn the floodlights on them, so our guys beat a hasty retreat and Hartmann then drives Legat on for a further hour until they arrive at a remote mansion in the country with, Legat notices, the windows barred, no notices on the noticeboard in the cold hallway which smells of antiseptic.

Now we learn two things. Harris gives us a flashback to that summer of 1932, when, after walking in the woods, the three friends drove back into Munich and Leyna insisted on going to the apartment block where Hitler lived, surrounded by Nazi bodyguards.

As the would-be Führer (he was famous but had still not been made German Chancellor) leaves the building Leyna shouts loudly ‘NIECE-FUCKER’ at him. This was based on the rumours that Hitler had had an affair with his niece, Geli Raubel, who he forced to live with him in this apartment block and kept a maniacal watch over. In his absence, on 18 September 1931, Gaubl apparently shot herself dead with Hitler’s pistol. Was he having an affair with her? Was she pregnant with his child? Did she kill herself, or was it a put-up job by party apparatchiks who realised her existence threatened the Führer’s career. Whatever the truth (and historians argue about it to this day) there were enough lurid rumours around to allow Leyna to shout this insult at the future Führer as he emerged from his apartment, and to anger his SA guards, some of whom turn from protecting their boss and give chase to Leyna, Hartmann and Legat. The SA guards chase after our threesome who split up in a warren of alleyways.

Legat finds his way back to Hartmann and Leyna’s apartment. In the melee outside the apartment, someone had punched him in the eye and now it is swollen closed. Layna leans over Legat to apply a poultice, and he pulls her head down and kisses her. They make love. It wasn’t crystal clear to me earlier but now the text makes clear that Leyna was Hartmann’s girlfriend. So she has ‘betrayed’ him, and so has his best friend. Thus there is an emotional and sexual ‘betrayal’ at the heart of this plot which is about numerous betrayals, or betrayal on many levels: Hartmann betraying his Führer; Chamberlain betraying the Czechs, and now friend betraying friend. And so on.

This, frankly, felt a lot too ‘pat’ and convenient to me. Formulaic. It had the thumping inevitability of a cheap made-for-TV movie (which is how the book might well end up, since it has none of the really big action scenes required by a modern movie).

Now, in another development which seemed to me equally clichéd, it turns out that Leyna has ended up here in this mournful, isolated care home for the mentally defective. We now learn that: a) Hartmann found out about Leyna’s ‘betrayal’ and they split up b) she got more heavily into communist politics and married a communist who was subsequently killed in the Spanish Civil War, but c) she continued being an organiser of an underground communist newspaper till she was arrested by the Gestapo and badly beaten. Hartmann points out that Leyna was of Jewish heritage (which I don’t think anybody had mentioned earlier). With the result that the SS beat her unconscious, before or after carving a star of David into her back, and then threw her out of a third floor window. She survived in body, but was permanently brain damaged. Hartmann found out, and used his contacts to get her a place here in this out-of-the-way hospice.

This plot development, coming late on in the story, did three things for me:

1. It is a gross and characteristic example of the brutality of the Third Reich i.e. it has the effect of undermining all the diplomats fussing about precedence back in Munich. I think that is its intention, to show you the brutality behind the diplomatic veneer. But it has the unintended consequence, fictionally, imaginatively of making all the rest of the text, with its precise observations of diplomatic procedure, seem pale and irrelevant.

2. Indeed Hartmann picks up this idea, and makes an impassioned speech explaining that this is what he and Legat didn’t realise when they airily debated national Socialism back at Oxford, what their lofty Oxford education didn’t at all prepare them for: for the sheer bestial irrationality of the regime, its violence, which no diplomatic niceties can contain (‘This is what I have learned these past six years, as opposed to what is taught at Oxford: the power of unreason.’ p.374)

3. But I also couldn’t help the feminist in me rising up a bit and thinking – why does this point have to be made over the mute, unspeaking body of a tortured and disfigured woman – for Leyna is brain-damaged and recognises neither Hartmann nor Legat (p.373)?

Why is the central woman in their menage reduced to silence? Is it, in itself, a sort of feminist point, that the entire diplomatic circus, Hitler’s blusterings and Chamberlain’s prissy precisionism and French cowardice, all this describes the world of men, the men who would soon plunge the entire world into a war in which millions more totally innocent women and children would be murdered?

Back in Munich

Hartmann drives Legat back to his hotel in Munich as the last day of the Munich conference, and the novel, dawns.

Legat is shaving when he hears a noise in his bedroom and gets in just in time to see a man exiting by the door into the corridor. This scene reminded me of numerous Tintin books where the hero gives chase to the ‘strange man’ who turns a corner and disappears, leaving our hero to trudge back to his room half-dressed, bumping into a startled member of the delegation on the way.

Back in his room, Legat discovers that he has, of course, been burgled and that the incriminating Nazi memorandum from November 1937, the one which had been stolen and given to Hartmann to show to Chamberlain, who rejected it and told Legat to destroy – well, Legat like a fool hadn’t destroyed it, and he now discovers that whoever was searching his room found it. What an idiot he’s been. He has jeopardised his friend’s life – and all for nothing!

So Legat finishes dressing and goes along to the Prime Minister’s room where he just about persuades Chamberlain to let him (Legat) accompany Chamberlain to his last meeting with Hitler.

Chamberlain has had the bright idea of requesting a one-on-one meeting with Hitler in order to present him with the text of a speech he (Hitler) made a week earlier, in which he had pledged eternal friendship between Germany and Britain. Chamberlain has had his officials convert this speech into a pledge, a declaration, a binding document. He hopes to persuade Hitler to sign it and thus secure ‘peace in our time’.

And now, thanks to Harris’s clever interleaving of historical fact with spy fiction, Legat gets to witness this meeting at first hand, and so do we. We are given the entire scene in which a translator translates into German the couple of paragraphs in which Chamberlain has recast Hitler’s pledge of friendship between Britain and Germany and, to his slight surprise, Hitler signs it.

And now the delegation packs up, catches its taxis to the airport and flies home. It is only as they land that one of the pair of female typists who have accompanied the delegation, to type up the various notes and memos, corners Legat.

As Chamberlain gets out of the plane and holds an impromptu press conference, waving the little piece of paper with Hitler’s signature on it, this secretary tells Legat that she is also a recruit of British Security, tasked with keeping an eye on Legat. And that she had earlier broken into Legat’s bedroom, professionally searched it, found the incriminating memo and removed it; so that the burglar who Legat disturbed, and who ran off down the corridor, did not have the incriminating memo after all. Hartmann is in the clear.

And indeed in the last couple of pages we learn that Hartmann was not arrested by his hyper-suspicious boss, Sauer, and continued to serve the Nazi regime until he was involved in the 20 July 1944 bomb plot against Hitler, at which point he was arrested, interrogated and hanged.

Comment

This is a fascinating and deeply researched description of the Munich Crisis which opened my eyes about the details of the actual negotiations and the issues at stake. But despite early promise, the thriller element never caught fire for me. If you come to the book with the mindset that the whole future of Europe is at stake, then maybe you can make every one of the small tense incidents (secret documents, secret meetings) have a vast world-shattering importance.

But I came to it knowing what came afterwards (i.e. the entire conspiracy fails, is completely inconsequential) which continually poured cold water on attempts to get me excited. Even if both the protagonists had been arrested, tortured and bumped off, it wouldn’t ultimately have made any difference, not if you bear in mind what was about to follow i.e. the deaths of tens of millions of people.

For a thriller to work you have to believe the fate of the protagonists is of total, nailbiting importance. But nice enough though these two young chaps seemed to be, the book failed to make me care very much about them.

Shit and fuck

Part of this was because the characters just seemed too modern to me. They seemed contemporary, not creatures from what is becoming a remote past. Legat and Hartmann and many of the other characters completely lacked, for me, the old trappings, the genuinely old and remote mindset of that period – not only its embedded sexism and racism, but the entire imperial and class assumptions of their time and class. When you read fiction written at that time (late 1930s) you are continually pulled up sort by all kinds of period assumptions, about race and sex and class, not to mention that actual vocabulary and phraseology and turns of speech. The ruling class really did say ‘Top hole’, and ‘I say’, and ‘old chap’, and was drenched in expectations of privilege and deference.

None of this really came over in Harris’s book. Instead the characters came over as entirely up-to-date modern thriller protagonists. They think logically and clearly, with no emotion, like computers, uninfluenced by ideology or the beliefs of their era. Hartmann says he is a German nationalist, but nowhere in his conversations with Legat, or in his thoughts which we are privy to throughout the book, does any of that come across. He is a good German nationalist and yet his attitude to the Nazis’ anti-Semitism could come from a Guardian editorial.

There is little sense that these people belonged to a different time, with its own, now long-lost values and assumptions.

A small but symptomatic indication of this was Harris’s use of the words shit and fuck. His characters think ‘shit’ and ‘fuck’ in a way you would never find in, say Graham Greene or Evelyn Waugh writing in 1938. Hartmann sees roadsweepers and thinks not that they are shovelling up horse droppings, but cleaning horse ‘shit’.

When Hartmann is lying in the bed of his mistress, Frau Winter, he notes the photo of her husband on her cabinet and wonder if she fantasises, when they make love, that she is ‘still fucking Captain Winter’.

The half a dozen times Harris uses the word ‘fuck’ completed the process of making his characters sound like post-1960s, brutally explicit, modern-day thriller protagonists. The use of ‘shit’ and ‘fuck’, for me, not only upset the register of the narrative but begged the bigger question of whether he was at all inhabiting the minds of the people of the day – or simply ventriloquising them from an irredeemably 21st century perspective.

Without a doubt the book is a fascinating account of the nitty-gritty of the Munich meeting, of the nuts and bolts of key events and main players – but it failed for me a) as a thriller, because the Big Secret which is meant to underpin a thriller in fact is revealed a hundred pages before the end and turns out not to matter at all – and b) as a fictional attempt to enter the minds and mindsets of these long-dead people.

All the people felt like they were just waiting to be turned into the characters of another film adaptation, an adaptation in which all the good guys will have impeccably #metoo and politically correct attitudes about everything, who will be fighting for decency as we define it in 2019 – instead of being the much more difficult and potentially unlikeable characters you’d expect to meet from that period.

Munich is an effectively written account of the events, with a clever but ultimately disappointing thriller plot slipped in – but not a very good fictional guide or insight into the lost values and psychology of that remote and ever-more-distant era.


Related links

Robert Harris’s thrillers

1992 Fatherland – Berlin 1964. Germany won the Second World War. Xavier March is a cop in Berlin, capital of the huge German Empire. The discovery of a corpse in a lake leads him on an increasingly nail-biting investigation into the dark heart of the Nazi regime and its most infamous secret which, in this terrifying parallel universe, has been completely buried.

1995 Enigma – Bletchley Park 1943, where a motley collection of maths, computer and coding geniuses are trying to crack the Germans’ Enigma codes. The hero – weedy geek Tom Jericho – discovers that the gorgeous, sexy woman who seduced him and then as casually dumped him a month later, is in fact a spy, stealing top secret intercepts from the base for her Polish lover. Or is she?

1998 Archangel – Dr Christopher ‘Fluke’ Kelso, a populist historian of contemporary Russia, stumbles across one of the secrets of the century – that the great dictator Josef Stalin had a son, brought up by communist fanatics in the forests of the frozen north, who is now ready to return to claim his rightful position as the ‘Great Leader’ and restore Russia to her former glory.

2007 The Ghost – The unnamed narrator is a ghost writer called in to complete the memoirs of former UK Prime Minister Adam Lang (a thinly disguised portrait of Tony Blair) after the previous writer died mysteriously. Marooned with the politico and his staff in a remote mansion on the coast of New England, the ghost writer slowly uncovers a shattering conspiracy.

2011 The Fear Index A series of bizarre incidents plague American physics professor-turned-multi-billionaire hedge fund manager, Alex Hoffmann. Slowly it becomes clear they are all related to the launch of the latest version of his artificial intelligence program – VIXEL-4 – designed to identify and manage anxiety and fear on the financial markets, but which has gone significantly, bewilderingly, beyond its money-making remit.

2013 An Officer and a Spy A long, absorbing fictional recreation of the Dreyfus Affair which divided France at the end of the 19th century, seen from the point of view of a French army officer who played a key role in the prosecution of Alfred Dreyfus as a German spy, and then slowly, to his horror, uncovers the evidence which proves that Dreyfus was innocent all along, and his trial one of the great miscarriages of justice in history.

2016 Conclave

2017 Munich A young German civil servant tries to smuggle a key document showing Hitler’s true intentions to his opposite number during the fateful Munich Conference of September 1939, complicated by the fact that the pair were once friends who shared a mistress until she met a terrible fate at the hands of the Gestapo.

The Quiller Memorandum by Adam Hall (1965)

The zip on the briefcase was the interlocking plastic flange type and opened silently. Inside was the folder with the black cover. It was the memorandum… It would contain all the information they could give me, all the names, suspects, dossiers, leads and theories they could cull from the whole of the Bureau files, a complete and exhaustive breakdown of the field. (p.20)

This is a cold-eyed, cold-hearted spy thriller about a non-Jewish concentration camp survivor tracking down former Nazis. The tone of the novel is dictated by his sporadic memories of the unspeakable atrocities carried out by the Germans against their Jewish prisoners. No laughs, no colour, no colleagues or clubs, no music or art or galleries – just a solitary man trudging the streets of Berlin, moving from hotel to hotel, and soon making the horrifying discover that he himself is being hunted by the very organisation he’s trying to expose.

Elleston Trevor

Elleston Trevor (1920 – 1995) was a British novelist and playwright who wrote prolifically under at least eight different pseudonyms. Under the name Adam Hall he wrote no fewer than 19 spy novels featuring the tough secret agent, Quiller, from Quiller’s début in 1965 to his final appearance in 1996.

The Quiller Memorandum

It is Berlin in the freezing winter, snow everywhere. Quiller isn’t his real name – we don’t find out what that is. He works for ‘the Bureau’ – we don’t really know what that is, either, though he explicitly denies that it’s MI6. He has a set of codewords which is the only way he has of identifying other agents, as well as a set of terminology not usually found in other spy books – ‘tags’ are people tailing him, ‘flushing’ is losing a tag, ‘doubling’ is double crossing.

We learn he was at Dachau concentration camp during the War. He saw Jews being murdered, he saw Nazi guards and officers at work, he has a scar on his leg picked up at Dachau, and somehow he set up a network smuggling Jewish prisoners out of the camp. He has been working undercover for nine months in modern Germany, tracking down ex-Nazis and delivering dossiers about them to the Z Commission which then arrests them and delivers them to the Nazi trials in Hanover.

A contact meets him to explain that one of the biggest names is back in Berlin – Heinrich Zossen, a leading Nazi who he last saw twenty years ago at the edge of an execution pit in Dachau. The contact, Pol, is from the Berlin office of ‘the Bureau’, otherwise known as Berlin Control. Pol gives him a list of other Nazis they’re looking for – a memorandum (the original title of the novel was The Berlin Memorandum). Quiller’s task is to track them down. Rather melodramatically, Pol says he is the sole man standing between two armies poised to go to war.

Quiller has a fortuitous encounter with a girl called Inga who, after inviting him back to her flat for a drink, tells him about her harrowing experiences of being a nine-year-old in Hitler’s bunker which has left her with lots of unresolved ‘issues’. She reveals she used to be a member of Phönix, an underground group of ex-Nazis.

A Jew Quiller knew from the camp, who now works in a germ warfare lab, Sol, contacts Quiller and is on his way to meet him when he is assassinated. Shortly afterwards Quiller is picked up by some of the Phönix group, led by the cold-eyed boss, Oktober. They inject him with various drugs and interrogate him.

(The use of drugs in interrogation reminds me of the similar scene in Len Deighton’s thriller, An Expensive Place To Die, where the unnamed spy narrator is injected with LSD.)

The Nazis want to know the location of Quiller’s superiors, the office of Berlin Control. Quiller knows they will raid it or bomb it, so he resists during a prolonged and hallucinatory scene, until he hears Oktober order him to be shot and dumped in the river. When Quiller comes to, wet, near the river, he realises it was a ploy. And it works because, once he has made it back to a hotel and cleaned up, he goes back to Inga’s flat seeking – as the narrator explains in brutally clinical language – the sexual release of the man who has escaped death. Only to find Oktober there and ready to torture the girl in front of him to get details of the Bureau, its code words and tradecraft etc.

Cold psychology

Though there are occasional flashes of colour, metaphor and simile in the writing, on the whole it is cold-eyed and factual. There is none of the humour of Len Deighton, the stylishness of Ian Fleming, none of the agonising theology of Graham Greene, none of the fast-moving excitement of Alistair MacLean, none of the subtle plot and counter-plot of 1960s John le Carré.

Instead the narrator is detached from everything around him, including himself and his plight, much given to analysing his physical and mental reactions to situations as if from a clinical distance. He liberally uses psychoanalytical terms to analyse his own and other people’s motivations.

I was helpless in a situation of rapidly increasing strain, and however much the ego and superego tried to rationalise and seek comfort or simple acceptance, the id knew I was in bad trouble and was ready to throw the switch and relieve the strain by blacking out. (p.117)

Everything is coolly analysed in this cold, detached manner. Even his return to Inga’s flat Quiller makes cold and detached by describing himself and her as mating animals. To say there is little or no feeling in a book which prides itself on its coldness is an understatement.

It was no good thinking, this is no prelude to love. There would be nothing of love. This was the prelude to something that we would each act out for our own reasons: the simple biological urge to impregnate and be impregnated, the needs of dominance, subjection, identification, a lot of things known and unknown, an act of catharsis to let the fiends come out and perhaps to let others in. The beast with two backs would lord the jungle for a time, then it would die, without knowing why it had lived. (p.108)

Twice Oktober captures Quiller and twice – after the drug interrogation, and after they’ve tortured Inga to try and get him to talk – they let him go without a scratch. Each time Quiller guesses that the Nazis hope he will lead then to Berlin Control – and so he goes wandering round Berlin refusing the temptation to ring his office or to post a message – but this blank and circular repetitiveness eventually stretches credulity. Basically he walks the streets for hours and hours with no purpose except not to contact his base.

A Modesty Blaise-style shootout would have lightened the mood and lifted the tension. And they’re Nazis, for God’s sake. Surely they could extract any the information they wanted from a helpless prisoner pretty damn quickly? The entire premise of the plot – that the Nazis have Quiller in the grip twice but fail to extract the simple information of where his Bureau office is – simply doesn’t convince. Why don’t they look it up in the phone book? Are we to believe that a network of Nazis based in Berlin is not capable of working out where the HQ of a Western spy network is based?

The novel features an elaborate double bluff where the Phönix organisation let Quiller into their base and let him see a big tabletop plan of a Nazi takeover of the new West German army. It is only when they release him that Quiller concludes the whole scene was an elaborate ruse to provoke him into contacting his Control, so they can find out where it is.

And yet, at the end of the novel, it appears that there actually was a Nazi plot to seize control of the army. And that the character Sol, who was shot on his way to meet Quiller, had in fact been working for the Nazis and been tasked with producing vials of fatal germ warfare bugs.

But, unfortunately, by this late stage of the story, I’d stopped caring…

Disconnect

There’s a radical disconnect between the majority of the plot – which consists of Quiller stumbling round Berlin trying to shake off his tails (or ‘tags’ as they’re called in this book) and getting picked up twice by the group and having sex once with Inga – between this very small set of rather dull and silly incidents – and the vastness of the supposed conspiracy to seize the German Army and then all Europe! The disproportion seems quite mad. There is none of the sense of a huge and monstrous conspiracy being slowly unveiled with a masterly sense of pacing which makes, for example, the early thrillers or Robert Harris (Fatherland and Archangel) so breath-takingly exciting. Excitement doesn’t seem to be Hall’s aim at all.

Memo style

The style often descends into memo or Powerpoint format. ‘Situation: Being followed. Decision: ditch tag at next junction.’

Quiller’s favourite phrase is ‘no go’, which is his stock response to umpteen calculations he coldly carries out on the odds of various course of action. ‘No go’ began to really get on my nerves.

Towards the end of the book, the prose reduces further and further to bullet points and lists of issues and actions.

Paramount consideration: protect the Bureau from risk. Worst eventuality: death and no signal sent, my people back where they began. (Who would replace me? Dewhurst? Disregard likelihood) Programme: send signal by direct phone if absolutely certain unobserved. If impossible, wait for the bullet in the neck and try to – (Disregard).

I suppose it’s an interesting experiment in style, and it obviously struck a chord in 1965 as The Quiller Memorandum became a popular bestseller – an exercise in alienation, an essay in a certain kind of masculine psychology, a modish assemblage of contemporary concerns in the era of Harold Wilson’s ‘white heat of technology’. But I found it a difficult and, for the most part, deeply unrewarding read.

Spy boom

The Berlin Memorandum was published in 1965, at the height of the 1960s spy movie boom. The same year saw the release of Thunderball – the decade’s most popular Bond film – as well as The Ipcress File and The Spy Who Came in from the Cold. Like them, Memorandum was swiftly turned into a movie, just a year after publication, in 1966, with a sparse repetitive screenplay by Harold Pinter, directed by Michael Anderson, and starring George Segal, Alec Guinness, Max von Sydow and Senta Berg. The movie accurately captures the blank and puzzling sense of dislocation of the book. I thought it was dire.

The TV series

Ten years after the Quiller novels began publication they were turned into a 13-part BBC TV series starring Michael Jayston, which transmitted from August to November 1975. I remember watching and loving this TV series, mainly for Jayston’s understated acting style, the same Michael Jayston who played the part of Peter Guillam so beautifully in the 1979 BBC adaptation of Tinker, Taylor, Soldier, Spy. Sadly, the series is not on YouTube or available on DVD, though someone has uploaded the funky jazz-fusion 1970s theme tune.


Related links

The Quiller novels

  • 1965 – The Berlin Memorandum Quiller tangles with a group of neo-Nazis led by Oktober, trying to get details of their organisation til the capture and interrogate him to get the details of his organisation.
  • 1966 – The 9th Directive Quiller is in Bangkok where he uncovers a plot to assassinate ‘a leading Royal’, which he incompetently fails to realise is really a disguised plot to kidnap the said VIP. After much shooting and a high-speed road chase, the Royal is exchanged for an enemy spy on the Chinese border.
  • 1968 – The Striker Portfolio Quiller investigates the unexplained crashes of NATO’s latest high-speed jet and uncovers a sinister conspiracy.