Tatiana by Martin Cruz Smith (2013)

‘All I know is that we don’t have a government anymore, just thieves.’ (p.269)

Joseph

Joseph cycles out to the beach. He’s a cool, well-paid freelance translator. The current job has gone well and he’s cycled here to Kaliningrad strand on his priceless bicycle to take the sea air and feel the sand between his toes. Onto the empty beach rolls an odd-looking van, a butcher’s van with a model pig on the top. A thug gets out, comes over and starts talking to Joseph, then hassling him. Finally, he bundles him into the back of his van and the gulls flying overhead hear a single shot.

Moscow

Senior Investigator Arkady Renko and Detective Sergeant Victor Orlov attend the funeral of a Moscow gangster, Grisha Grigorenko, bantering with his thuggish son Alexi, observing the other mafia bosses in attendance – ‘Ape’ Beledon, Abdul Khan the ‘rap artist’, Isaac and Valentina Shagelman – before the hoods go off for a wake aboard the old crook’s luxury yacht, the Natalya Gocharova, moored in the Moscow river.

Renko and Orlov are distracted by a noisy demonstration marching by. It’s the readers and fans of the ‘fearless’ investigative journalist, Tatiana Petrovna, who recently fell to her death from her 6th floor apartment in Moscow. They’re protesting at the lack of investigation of her death and at the suspicious way her body has gone missing from the morgue.

Arkady joins the protest marchers, noting the presence of Tatiana’s editor Sergei Obolensky, the fashionable poet Maxim Dal, and other intelligentsia, among the crowd. Arkady also spots his occasional bed partner, Anya Rudenko, also a journalist, who lives in the same apartment block as him. Barely have the rag-tag marchers arrived outside Tatiana’s apartment building than a gang of skinheads attack them with steel-capped boots and metal pipes.

When the police turn up they are – as so often in these Arkady novels – much more scary than the criminals and start attacking the protesters. Arkady had been knocked to the floor by some skinheads, and was taking a serious kicking when the militia arrived. He manages to fight his way back to his feet, and then make his identity known to the militia, and tries to protect Anya from arrest.

When Arkady makes it away from the scene he discovers he has a black eye and cracked ribs, in fact one of his ribs has punctured a lung. Several days of bed rest are prescribed, with a pipe inserted in his chest which will help reinflate the lung.

He is tended by Dr Korsakova, the sardonic doctor who nursed him through being shot in the head in the Stalin’s Ghost, with much entertaining banter on both sides. She points out that, according to X-rays, shell fragments seem to be moving round inside his brain. They could rupture at any moment. ‘Might as well smoke, then’, says Arkady, with typical bloody-mindedness.

Arkady ignores the medical advice and starts making enquiries about the ‘suicide’. He visits Tatiana’s flat in a soon-to-be-demolished block, and finds it has been ransacked. He visits Svetlana, the young woman Tatiana took off the streets and fixed up in the flat opposite her, along with her six cats. He visits Tatiana’s editor, Obolensky, who says they’d both seen a TV report about a body washed up on the shore off Kaliningrad, and Tatiana had set off to find out more. Nobody had identified the short skinny corpse (the corpse of Joseph who we met in the opening chapter), but Tatiana had tracked down the kids who found the body on the beach and discovered that they had found Joseph’s notebooks. She bought themoff the kids and found they were full of notes made in an eccentric and idiosyncratic style, using personalised hieroglyphs and symbols.

In the usual style of the Renko books, the plot ramifies out into a number of threads:

  • The poet Maxim Dal is unusually interested in Tatiana because, he claims, they had an affair years earlier.
  • Arkady is surprised to come across his own, admittedly occasional, girlfriend, Anya, hanging out with Alexi, the crime boss’s son (more or less what happened in Stalin’s Ghost, when Arkady’s girlfriend deserted him for the bad guy in that novel).
  • Arkady visits Professor Kunin at Moscow University (p.89), an expert on language and ciphers, whose lungs are ruined and so who drags around an oxygen tank and breathing tube. Some interesting light is shed on translators’ codes in general, but Kunin can’t decipher these ones.

Zhenya

Arkady examines the notebook carefully and notes the recurrence of bicycle pictures and cats. When he rings them, the authorities in Kaliningrad, namely one Lieutenant Stasov, are monumentally unhelpful (hiding something? or just standard Russian obstructiveness?).

Zhenya, the street kid we first met aged 8 in Wolves Eat Dogs, is now a shabby-looking 17-year-old and appals Arkady by announcing he wants to join the army. (This gives Cruz Smith the opportunity to refer to the terrible ‘hazing’ ie systematic cruelty, to which new recruits are routinely subjected, and so he refuses to sign the paper allowing him to enlist.) But Zhenya complicates the plot by breaking into Arkady’s apartment and stealing the notebook. He’ll only give it back if Arkady signs the form.

Panther bicycles

Arkady has a beer at a genuine ‘Irish’ bar where the bartender, unexpectedly, turns out to be an expert on bicycles. He makes the connection between the bike frames doodled in the notebook and the images of cats. The latter must, in fact, be panthers. And Panther is a range of hand-built and extremely expensive bicycles made in Italy by a firm named Bicicletta Ercolo (p.109). So Arkady tracks down the firm’s phone number and makes some long distance phone calls to the owner of the firm in Italy.

These calls, with their confusions and misunderstandings, are partly played for laughs, but the owner eventually comes up with the name of a purchaser from Russia who more or less fits the corpse’s description – one Joseph Bonnafos (p.154).

Bad memories

Interleaved through the novel are Arkady’s memories of his brutal Red Army general father – especially the time the General nearly shot Arkady when the boy sneaked into his study and hid behind the thick curtains. Eventually his father killed himself (as his mother had, in the events traumatically described in Wolves Eat Dogs).

Arkady also remembers the events surrounding the tragic and futile death of his wife, Irina, mistakenly given an injection of penicillin to which she was allergic.

In this melancholy vein Arkady finds himself drawn to listening, in the haunted early hours, to the trove of tapes he found scattered over Tatiana’s floor. They are records of her investigations and amount to a summary of recent Russian scandals, which Tatiana either attended or investigated:

You can see why the authorities wanted her shut up. But what was her involvement with organised crime? To find out, Arkady goes the rounds of some of the gang leaders or godfathers he and Victor noted at Grisha’s funeral, notable Abdul Khan, ‘Ape’ Beledon, Valentina Shagelman.

In the middle of the night Arkady’s car alarm goes off and when he trudges down to the garage, he is knocked unconscious. Coming to, he finds himself on a barge on the river, being tortured by Alexi Grigorenko who, to his surprise, wants to find out what Arkady knows about Kaliningrad and to get him to hand over the notebook.

Alexi’s eyes were slightly hooded. Hands quick and delicate as a croupier’s. Under his jacket the hitch of a gun. (p.119)

Just as Arkady’s wondering whether he’ll die, Alexi makes a slip which allows Arkady to grab his arm, pull him down, dislocate his shoulder and punch him quite a few times in the face before walking free, in the casual insouciant manner we’ve become accustomed to.

Arkady learns from his friend, Willy the pathologist, that Tatiana’s body has gone from ‘missing’ to ‘found and cremated’ in one fell swoop. Nothing to see but ashes. Apparently, her sister, Ludmila, identified the body over the phone using photographs faxed to her. The sister lives in Kaliningrad. Aha.

Kaliningrad

As in Stalin’s Ghost a lot of the plot strands point towards a specific location outside Moscow, thus giving the author an opportunity to send the ostensibly Moscow-based investigator to a new and interesting location. In Stalin’s Ghost it was the town of Tver, scene of major battles in the Second World War. Here it is Kaliningrad, where Arkady flies to be met by the poet Dal, in his swanky ZIL, the Russian version of a limousine.

Dal claims he had to be in Kaliningrad anyway to promote some Moscow-to-Kaliningrad rally. He tells Arkady he wants to know more about Tatiana’s fate because he’s up for a sizeable poetry prize from the United States ($50,000) and, if her death turns out to be murder, the fact of his old relationship with her might jeopardise the award. They sound like excuses to Renko.

Arkady and Maxim go to visit the sister, who doesn’t even let them into the house but wears dark glasses and yells out the window. She is more concerned about her vegetables than her dead sister. Yes, she identified her sister’s body from the photos she was sent, what does she care? ‘Now please leave.’

This isn’t the result Arkady spent the time and money flying here to find out to get. Back at Maxim’s flat the poet gets hopelessly drunk. Arkady carries him to his bed and sleeps on the couch.

Moscow Meanwhile, back in Moscow, Zhenya takes part in a ‘Blitz’ chess championship among university students and finds himself losing to an attractive red-head named Lotte, the first time he’s lost a game of chess in years. Intrigued, he lets her take him home to meet her grandfather, who made a career painting nothing but portraits of Stalin back in the day.

Then Zhenya takes Lotte to Arkady’s empty apartment, the only place he has to go. They’re sharing a beer and playing a game of chess when Alexi walks in with a gun and a big bruise under his eye (where Arkady hit him). Alexi threatens Lotte and Zhenya with the gun, demanding to know where the notebook is. Zhenya feigns ignorance and angrily says he’s got hundreds of notebooks of chess games, but not the notebook Alexi wants. Alexi leaves, pissed off. But Zhenya does have the notebook. It was lying on the coffee table throughout the whole confrontation.

Pig man and amber

Kaliningrad Arkady insists Maxim drives him out to the sandy spit where Joseph’s body was found. Apparently, this is where Tatiana bought the notebook from the children. They see a few children in the sea, playing with rakes except Maxim explains they’re actually raking for amber, which they can sell for a good price. The butcher’s van with a model pig atop it, which we met in the first chapter, turns up and the driver watches the kids for a while. Ominous.

On the drive back from the spit, Maxim takes a detour to an open pit mine and tells Arkady that Kaliningrad produces 90% of the world’s amber. Until recently the mafiosi Grisha Grigorenko owned the whole operation. Until someone shot him in the head, that is. Grisha’s front company was named Curonian Amber, the Curonian Spit being the long, thin, curved sand-dune spit that separates the Curonian Lagoon from the Baltic Sea coast.

So it looks more than ever as if the murder of Joseph the interpreter, the suicide of Tatiana the journalist, and the clumsy threats by Grisha Grigorenko, the gangster’s son, are somehow linked – and have something to do with control of Kaliningrad’s amber.

Maxim then takes Arkady on a car tour of the city, taking in Kant’s tomb and also the mock old town. It is going to be heavily invested in, apparently. Money is flooding into the area. They’re going to open casinos. Whoever owns it will make a fortune. So that explains the gangland connection…

Just as they arrive at the quaint quayside, a 4×4 looms out of nowhere, rams the ZIL to a standstill and two heavies get out with Uzis, which they proceed to empty into the side of Maxim’s car. But Maxim’s car is an old Kremlin ZIL, completely armour plated and, when Maxim goes to ram the other car, it reverses and takes off. Angry, Arkady extracts from Maxim the fact that he promised to help Alexi, and promised to be parked down at the quay at this time. Why? Because he was scared. Because Alexi threatened to kill him.

Moscow Meanwhile, back in Moscow, Alexi returns to Arkady’s flat to catch Zhenya and Lotte red-handed, trying to decode the notebook. They have barely made any sort of start but Alexi threatens that he’ll be back in 10 hours and, if they haven’t decoded it, he will torture Lotte. He takes the kids’ mobile phones. He cuts the cable of the apartment’s phone. He stations one of his men on the door with a gun.

Kaliningrad Back in Kaliningrad, Arkady returns to the spit of land and finds one of the boys who was playing there. He is called Vovo. He and his sister saw the pig man murder Joseph, then search through his clothes looking for something, before throwing them away. When he’d gone, the kids found the notebook and a card with a phone number scribbled on it. When they rang it, Tatiana answered, and told them to keep the notebook till she arrived and could pay them $50. Which is what happened. And so she passed it on to her editor for safekeeping. And he gave it to Arakdy. And then Zhenya stole it. And now Alexi is threatening to torture Lotte unless she and Zhenya decipher it.

A twist

Leaving a forlorn and broken Maxim, Arkady hires his own car and drives back to Ludmila’s cottage. Now she is not wearing dark glasses and her little pug dog bounces out the front door. Ludmila says, ‘So you’re back.’ Arkady says, ‘And you are Tatiana.’ And she admits it, yes. Her sister, almost identical to look at, was visiting her in Moscow. Someone lay in wait and bundled her over the balcony rail. Max rang her at the magazine to tell her someone had murdered her sister thinking it was her, came to pick her up, and they drove through the night to Kaliningrad where they agreed Tatiana’s best hope of surviving was to impersonate the sister.

Arkady understand. ‘Will she be safe here?’ she asks Arkady. ‘No’, he replies. Especially when he points out that there’s an unmarked police car parked opposite her cottage, keeping an eye on her.

So they devise a scam. Arkady takes her dog for a walk past the car and rolls its toy ball under the car. The cop in it turns out to be the obstructive Lieutenant Stasov, who yells at him to piss off, while Arkady makes a big song and dance about getting the ball back for his dog. By the time this noisy charade has been played out, Tatiana has slipped out of the side door and mingled with the passing pedestrians.

Moscow Back in Moscow, the ten hours Alexi gave Lotte and Zheny to decipher toe notebooks are up, and the man guarding the door of Arkady’s apartment goes to push it open to shoot Zhenya and Lotte, to the latters’ horror. But there are the sounds of a scuffle, and the door eventually opens to reveal stalwart old Victor banging the hood’s head against the wall, before throwing him down the stairs. Hooray! Lotte and Zhenya are saved!

Victor handcuffs the hood – named Fedorov – and allows Zhenya to menace him with Arkady’s pistol, till he admits that Alexi is in Kaliningrad, along with the heads of the mafia families we met at his dad’s funeral. But why?

Kaliningrad Back in Kaliningrad, Arkady meets up with Tatiana at a bicycle shop and they sign up to one of the all-day, all-night bicycle outings he’d seen advertised. Soon they are anonymous among a pack of cyclists leaving the city. That night they camp in the countryside, sing songs round a campfire, and are surprised to watch a small orgy get underway among the cyclists. Takes all sorts. They sleep chastely in a tent till dawn, then cycle off along the coast to Tatiana’s childhood seaside house, full of family memories.

Here Tatiana explains that the government of crooks, dedicated to embezzling vast amounts for the state, has made a massive cock-up with its latest nuclear submarine, which cost hundreds of billions of rubles but is still not seaworthy.

The meeting of gangsters seems to be about a plan to get the submarine refurbished and cream off vast profits from the project. Joseph had been a translator at an initial meeting of those involved in the conspiracy, Tatiana had heard of him through her multiple contacts, and was going to ask Joseph to explain the details, but he was killed before he could meet her.

Tatiana explains that all the cases of corruption she’s dealt with over the past decades build to a climax with this one. It’s the lynch pin to the entire Russian system of official corruption – which is why everyone wants it.

Suddenly a searchlight cuts through the window of the cottage. It’s Alexi in a sleek, designer speedboat. He shouts threats through a loudhailer. He asks Tatiana if she wants to know what happened to her sister, Arkady if he wants to know what happened to Zhenya (implying he’s killed him). Tatiana, bravely or foolishly, walks into the open doorway and Alexi fires wildly at her, missing, but sending splinters pinging, then swings the boat around and roars away. Arkady was winged by some of the splinters. Tatiana cleans and dresses the wound, their hands touch, they kiss, they make love.

‘Afterward was an overused word, Arkady thought. It meant so much. A shifting of planets. A million years. A new sea. (p.276)

Now lovers, the couple go on the run, cycling up the coast in the dark. They encounter armed security guards who turn a searchlight on them and fire with automatics; but in the fog, they escape amid a herd of elk and cycle back to the resort town of Zeleogradsk and try to blend in as tourists.

From an internet cafe, they skype with Zhenya, Lotte and Victor in Arkady’s flat and both groups share the information they’ve discovered – Zhenya confirming the interpretation that the notebook was the record of conference, various parties spoke, it’s something to do with the sea, maybe a submarine, that the final meeting will be aboard the luxury yacht, the Natalya Gocharova, which has moored at Kaliningrad.

So getting out to the yacht and intervening in the meeting now becomes the plan.

The Natalya Gocharovas

In an odd scene Maxim, Arkady and Tatiana argue over which of them will be wired for sound and go out to the yacht, and who will stay in the flat recording whatever happens, onto a tape recorder.

In the event, Maxim insists that he goes instead of Tatiana, insisting on steering a dinghy out to the yacht moored in the harbour, on the basis that he’s a local and knows the seaways. It’s a very spooky and atmospheric trip…

But when they get there, the Natalya Gocharova is dark and unpopulated. What’s going on? Maxim turns nasty and claims the whole thing is a set-up so that Arkady could get him alone and kill him. Ridiculous, but the old drunk pulls out a pistol and is about to shoot Arkady when the latter’s mobile phone rings. It is Zhenya – he has somehow found out that there are two Natalya Gocharovas – the other one is an oil tanker, also moored in the harbour.

So Maxim grugingly puts his gun away and they putter on into the industrial section of the port, and discover that the other Natalya Gocharova is a ‘stubby coastal tanker’. Maxim and Arkady chunter up to it and ascend the rusty ladder to find a champagne party taking place. Overseeing it is old ‘Ape’ Beledon, along with Abdul the ‘rap artist’, Isaac and Valentina Shagelman, Alexi, along with a number of naval officers and two Chinese representatives from the Red Dawn shipyard.

There is a tense stand-off in which Arkady gets ‘Ape’ to confess details of the scam – the Russian government will sub-contract the refurbishment of the nuclear submarine to a Chinese shipyard, at a cost of billions of rubles (hence the presence of the Chinese delegates). But Russian crooks will work with corrupt government officials, going as high as the Kremlin, to cream half the sum into private pockets. It is a vast corruption conspiracy and explains the murders and assassinations which have surrounded it.

Arkady, initially outnumbered, does the classic thing of sowing disunity among his foes by pointing out:

a) that it was ‘Ape’s own sons who shot up the ZIL he and Maxim were in – not at Ape’s bidding, so someone else must have ordered them, probably Alexi – ‘aren’t you even in control of your own sons?’
b) that whoever killed someone as savvy as Grisha, must have been very close to him to get away with it – who else but his nearest and dearest son, Alexi?

At this very tense moment, Tatiana appears on deck, having rowed out to the tanker, and cries out to Alexi that he killed her sister.

She pulls a gun and fires on him but it jams and Alexi fires back at her. Maxim steps into the path of the bullet and is shot in the shoulder. ‘Ape’ – now convinced that Alexi shot his own father and suborned his, ‘Ape’s, sons, – shoots Alexi in the face, then twice in the back as he lies on deck. The naval officers have disappeared. The Chinese are long gone. ‘Ape’ suavely places the pistol in Maxim’s hands.

‘Congratulations. By the evidence you have just shot your first man.’ (p.312)

Being a reasonably civilised mafiosi – and realising there’s nothing to be gained by harming them – ‘Ape’ lets Arkady and Tatiana and Maxim go back to their boat and leave.

Death of the pig man

Now Arkady and Tatiana are free to share idyllic days in her family cabin by the sea. The shifting dunes, the sound of the waves breaking, the salt in the air – are all painted by Cruz Smith with characteristic prose poetry.

But Arkady wakes one night to hear footsteps prowling. It is the pig man, the psycho who killed Joseph in the opening scene. So Arkady is relieved when Tatiana announces that her editor, Obolensky, has commissioned her to write a long piece about Kremlin corruption, with the Natalya Gocharova story as its centrepiece. She has to go to Moscow to research and write it.

Off she goes and Arkady prepares for a shootout with the pig man. He rummages around in Tatiana’s father’s old tool shed and finds lots of cabling. He wraps this round himself and slips a poncho over. That night the pig van with the glowing model of a pig on top comes rumbling over the dunes. It parks and the pig man throws the three children Arkady met weeks ago, onto the sand, trussed and tied up. He threatens to shoot them unless Arkady shows himself. Arkady stands and walks towards piggy who, after some insults, shoots him. Arkady is knocked backwards but rises and walks forward. Pig man shoots again, and again Arkady staggers but carries on walking (as in a thousand movies), finally raising Tatiana’s little peashooter of a pistol and killing pig man at almost point blank range.

All threats are over.

Cleaning the bike

With the kids’ help Arkady and Tatiana find the lost Pantera bicycle. They take it back to Arkady’s flat in Moscow, strip it down and rebuild it. Zhenya gets involved. Tatiana is off collecting international prizes for journalism. Lotte, Zhenya’s ‘friend’, is playing at an international chess tournament in Cairo. His ex, Anya, is happily covering fashion. Maxim has recovered and has published a new poem.

All loose ends are tidied up and everyone is happy. Thus ends the 8th and most recent Arkady Renko novel.

Having read all eight, my favourites are Polar Star and Wolves Eat Dogs because their settings give full rein to Cruz Smith’s spectacular abilities as a prose poet. But all of them are immensely enjoyable and rewarding reads.


Credit

Tatiana by Martin Cruz Smith was published by Simon and Schuster in 2013. All quotes and references are to the 2013 Simon and Schuster paperback edition.

Related links

Arkady Renko novels

Smith is a prolific writer. Under his own name or pseudonyms, he has written some 28 novels to date. The eight novels featuring Russian investigator Arkady Renko make up the longest series based on one character:

1981 Gorky Park – Introducing Arkady Renko and the case of the three faceless corpses found in Gorky Park, in the heart of Moscow, who turn out to be victims of John Osborne, the slick American smuggler of priceless live sables.
1989 Polar Star – In the first novel, Renko had clashed with his own superiors in Moscow. Now he is forced to flee across Russia, turning up some years later, working on a Soviet fish factory ship in the Bering Sea. Here, once his former profession becomes known, he is called on by the captain to solve the mystery of a female crew member whose body is caught in one of the ship’s own fishing nets. Who murdered her? And why?
1992 Red Square – After inadvertently helping the Russian security services in the previous book, Arkady is restored to his job as investigator in Moscow. It is 1991 and the Soviet Union is on the brink of dissolution so his bosses are happy to despatch the ever-troublesome Arkady to Munich, then on to Berlin, to pursue his investigations into an art-smuggling operation – to be reunited with Irina (who he fell in love with in Gorky Park) – before returning for a bloody climax in Moscow set against the backdrop of the August 1991 military coup.
1999 Havana Bay – Some years later, depressed by the accidental death of his wife, Irina, Arkady is ssent to Havana, Cuba, to investigate the apparent death of his old adversary, ex-KGB officer Colonel Pribluda. He finds himself at the centre of a murderous conspiracy, in an alien society full of colourful music by day and prostitution and voodoo ceremonies by night, and forced to work closely with a tough local black policewoman, Ofelia Orosio, to uncover the conspiracy at the heart of the novel.
2004 Wolves Eat Dogs The apparent suicide of a New Russian millionaire leads Arkady to Chernobyl, the village and countryside devastated by the world’s worst nuclear accident – and it is in this bleak, haunting landscape that Arkady finds a new love and the poisonous secret behind a sequence of grisly murders.
2007 Stalin’s Ghost The odd claim that Stalin has been sighted at a Moscow metro station leads Arkady to cross swords with fellow investigator Nikolai Isakov, whose murky past as a special forces soldier in Chechnya and current bid for political office come to dominate a novel which broadens out to become an wide-ranging exploration of the toxic legacy of Russia’s dark history.
2010 Three Stations In the shortest novel in the series, Arkady solves the mystery of a ballet-obsessed serial killer, while the orphan boy he’s found himself adopting, Zhenya, has various adventures in the rundown district around Moscow’s notorious Three Stations district.
2013 Tatiana – is Tatiana Petrovna, an investigative journalist who appears to have jumped to her death from the 6th floor of her apartment block. When Arkady investigates her death he discovers a trail leading to Kaliningrad on the Baltic Coast and a huge corruption scandal which will involve him in love and death amid the sand dunes of the atmospheric ‘Curonian Split’.

Three Stations by Martin Cruz Smith (2010)

She crossed the road to look at the bus shelter. It had been built during a period of optimism, and although the pain had faded and holes had been mysteriously punched through the wall, Maya could still make out the faint outline of a rocket ship lifting off the ground, aspiring to more. The bus route had been closed for years. The shelter was mainly used now as a pissoir and message centre: GO FUCK YOURSELF, I FUCKED YOUR MOTHER, HEIL HITLER, OLEG SUCKS COCK.(p.118)

Three Stations is the nickname Muscovites give to Komsomol Square because of the proximity of three mainline railway stations, as well as the intersection of two metro lines and ten lanes of traffic, ‘a Circus Maximus with cars’ (p.12). Into its vortex are swept the worst scum of Moscow.

Men with vague intentions idled in small groups, beers in hand, watching prostitutes grind by. The women walked with a predatory eye and looked as likely to eat their clients as have sex with them. (p.13)

This is the shortest (277 pages) and most Muscovite of the Arkady Renko novels, as it uses its characters and plot to explore the dingy surrounds, the violent underworld, and the moneyed corruption of Arkady’s home town. Its 36 chapters are short and punchy, making it feel fast-moving and edgy.

Arkady

Senior Moscow crime investigator Arkady Renko is in deep poo with his boss, prosecutor Zurin, despite solving the mystery of ‘Stalin’s ghost’ and nailing two colleagues who turned out to be murderers in the previous novel, Stalin’s Ghost.

Zurin has forbidden him to work on any case. Typically, Arkady gets round this ban by simply tagging along with his assistant, the trying-to-give-up-alcohol detective Viktor Orlov. The novel opens with the pair standing over the body of a murdered prostitute in a shabby trailer near the three Stations. She seems to have been poisoned then her skirt hitched up around her waist and her legs carefully arranged so one ankle is touching the other heel. Why?

They follow a power cable from the one naked bulb in the trailer, through rubbish outside, to the nearest militia office: i.e. the police appear to have been pimping her out. This comes as no surprise since successive Renko novels have taught us that Russian police are often worse than the criminals they supposedly pursue; someone who’s been burgled often finds the militia removing any valuables the burglars missed.

Arkady names the corpse ‘Olga’ and gets an old schoolfriend, fat Willi Pazenko, to do an autopsy. She was given knock-out pills then poisoned with ether, which has remained in her asphyxiated lungs.

Zhenya

For the last couple of novels Arkady’s life has been enlivened by the occasional presence of Zhenya, a street kid who flops in his apartment sometimes, but also goes missing for stretches. Zhenya is a larger presence in this book than usual, as we see him fitting in with the hundreds if not thousands of street kids who infest the squalid Three Stations area. Cruz Smith repeats the stunning fact, first mentioned in Stalin’s Ghost, that there are anything up to 50,000 children living wild on the streets of Moscow, having run away from the traditional Russian, alcoholic, abusive home, and who have contributed to an epidemic of petty crime, mugging, arson and vandalism (p.102).

Zhenya differs from most of the kids in that he is a chess genius, rarely seen nott clutching his precious board. In the previous novel we learn that his father, Osip Lysenko, spotted his talent from an early age and used him to lure unwary passengers on trains or in waiting rooms into chess games which Zhenya was briefed to lose until the gull could be persuaded to bet big money on a game – at which point Zhenya wiped the floor with him. If Zhenya made any mistakes, let alone lost, his father beat him. That’s why he ran away when he was about 8 and Arkady first met him at one of Moscow’s many refuges for children.

Zhenya is 15 now and playing chess for money is the only life skill he has. Thus, throughout the novel there are scenes where he persuades unwary travellers between the three stations to bet on a match with him, with variable results, including violence.

Maya

The novel actually opens by introducing us to a simple-minded young woman, Maya Pospelova, aged 16. She is on a train to Moscow with her very small baby, Katya. When she goes outside the carriage to breast feed it she is confronted by a drunken soldier who threatens her for a blowjob. She is rescued by a sweet old lady, calling herself Auntie Lenya, who smacks the soldier and sends him off, before helping Maya back to her seat, giving her some of Auntie Lenya’s nice tea etc, generally fussing over her and telling her to get some rest while she looks after the baby.

When Maya wakes up the train is in Moscow station and Auntie Lenya and the baby are gone. Distraught, she searches all over the train, asks the guard, the driver, any station official she can find, and then the police. Nada. Nothing.

It is now that she is spotted by Zhenya who gets talking to her. He takes pity on her and takes her back to his secret base, a luxury casino near the station, named after Peter the Great, which has recently been closed down and mothballed, but which Zhenya is the only one to have figured out how to break into. Thus he – and she, now – have free run of a big, eerily empty building, giving Cruz Smith scope for some typically atmospheric descriptions.

Eva

Fans of the previous books in the series will be impatient to find out what happened to Dr Eva Kazka, the doctor Arkady hooked up with two novels previously, and who was – shockingly and unexpectedly – seriously wounded in a knife attack in the very last pages of the previous novel, Stalin’s Ghost.

We have to wait until page 70 before she’s even mentioned whereupon we find out, rather disappointingly, that she recovered from her injuries, that their relationship staggered on a bit, and then she left him. She simply declared she didn’t want to wait around for him to be executed by criminals; she didn’t want to be the grieving widow at the graveside. Boom. She’s out of his life. Shame, She was a sparky, recalcitrant element in the novels.

The Nijinsky Fair

At the scene of Olga’s death, Arkady found an invitation to a glitzy, high society charity event called the Nijinsky Fair, so he uses it to go along. He looks woefully out of place, a skinny, lank, badly-dressed cop trying to mingle with super-rich mafia types and skinny supermodels in a huge ballroom festooned with luxury brands, flashing lights, waiters serving champagne cocktails and so on. Arkady catches sight himself in a room full of mirrors.

With so many mirrors reflecting each other, he seemed to share the room with multiple desperate men with lank hair and eyes deep as drains, the sort of figure who might wander the streets on a rainy night and cause people to roll up their car windows and jump the traffic light. (p.126)

Not, in other words, a desperately reassuring presence. To his surprise he bumps into Anya Rudikova, his new neighbour in his apartment building, a rather self-dramatising journalist. She is drinking with Sasha Vaksberg, a characteristically semi-criminal New Russian multi-millionaire who was running a set of casinos among other things, until ‘our friend in the Kremlin’ decided to cut the oligarchs down to size and closed them all down. His casinos include the Peter the Great casino in Three Stations, which we have seen Zhenya making his hideout. Aha. The reader has the familiar sensation of threads and storylines beginning to pull together.

This party is actually a charity event, given by nice Mr Vaksberg to raise money for the very street kids we’ve seen as we follow Maya and Zhenya. It leads up to a big stage show, part of which features ballet dancers, not actually dancing but adopting the numbered postures and positions they use in training. For some reason number 4 is missing, so Vaksberg surprises us all by running down onto the stage and nimbly adopting the posture himself. Laughter from his super-rich audience. More cocktails. Gaiety as a trapeze artist pulls cunning stunts and then there is another tableau, this time of the dwarfs from Snow White. And so the show rambles on while Arkady watches, dazed by all the bling on display.

The trapeze arsonist

Poking around, as is his habit, Arkady finds himself backstage and climbs to the gallery to look down on the stage. Here he finds the trapeze artist who was part of the show, crouched on his almost invisible wire. As Arkady asks him questions, the artist dementedly lights matches for each question and drops them down into the flies below. He could easily start a fire which would cause mayhem in the club, is he mad? Scratch, another match dropped. Arkady makes his excuses and leaves…

Maya the child prostitute

We get an incredibly bleak flashback of Maya’s childhood in some God-forsaken dump miles from Moscow and civilisation, working from as early as she can remember, since before puberty, as a child prostitute in a room decorated as a little girl’s room, all in pink complete with teddy bears.

She remembers all the fat, middle-aged clients who want to fuck Daddy’s little girl but end up on the side of the bed crying. Matti, her Finnish pimp, tells her she’s been sold into prostitution by her parents, presumably to buy more vodka, that noble drink for, as Arkady points out, ‘Four out of every five violent crimes involved vodka’ (p.20).

It is a portrait of a society in complete moral and social collapse.

‘Girls flock to Moscow with romantic ambitions of being models or dancers and Moscow turns them into escorts and whores. We wax them and pluck them and inflate their breasts like balloons. In short, we turn them into freaks of beauty.’ (p.138)

Eventually, Maya becomes pregnant, which causes trouble with the brothel’s owners who make Matti look like Father Christmas. Soon as she’s had the baby, two of the ‘Catchers’, as they’re known, come to visit, intending to take Maya away and make an example of her as they have of previous girls who in any way rebelled – burn her face off with acid or break every bone in her body, that kind of thing. Foolishly, they let her sit in the derelict bus shelter out front of the brothel while they crank up with some of Matti’s vodka.

Unexpectedly, an Army bus is passing from the nearby barracks and to everyone’s surprise stops when Maya sticks her hand out. She quickly boards to the cheers of the soldiers and although the Catchers come running out brandishing pistols, the bus has pulled off and Maya is safe. It drops her at the local train station and she uses all her pitiful savings to buy a train ticket to Moscow. It was on this journey that the kindly old lady stole her baby.

Shootout on the freeway

Back in the present, Vaksberg offers Arkady and Anya a lift home in his huge armour-plated, bullet-proof Mercedes. As it starts to rain, Vaksberg sits snugly inside patting the Adidas bag filled with the takings from the charity event, bitterly complaining how ‘the judo master in the Kremlin’ (p.138) ie Putin, has screwed the oligarchs.

The car drives up onto a stretch of freeway flyover which was never completed and the car stops at the edge of the road, yawning into space as thunder and lightning erupt. Vaksberg gets out to pace under an umbrella and is in mid-rant when the trunk of the Mercedes unexpectedly pops open and a figure opens up with a gun. Vaksberg’s bodyguard fires back and is mown down by sheets of submachine gun bullets, same with the driver, as Vaksberg drops to the floor and Anya hides inside the car. Meanwhile, Arkady grabs the bodyguard’s gun and walks calmly towards the boot and, as the assailant pauses to reload, shoots him dead.

To everyone’s surprise the shooter turns out to be the man who played Dopey from the Seven Dwarfs in the gala show earlier that evening.

Maya in the underground

Maya falls into the unhealthy orbit of a bully boy among the street kids, Yegor, who promises to find her baby for her if she becomes his whore. Zhenya tries to dissuade her but he can’t out-gun Yegor and his gang. Yegor’s mere name inspires terror.

Yegor’s name was a drop of ink in water. Everything took a darker shade. (p.62)

In fact, we now learn how and why the baby was stolen. After leaving the train holding Maya’s baby, Auntie Lenya emerges from the toilets in her true identity of Magdalena, and joins up with the drunken soldier who turns out to be her partner in crime, Vadim. They take the baby back to their flat and then on to an apartment overlooking the Three Stations. Here, in a crappy Soviet-era tower block, lives Colonel Kassim and his wife, who is always nagging him for a baby.

Now Kassim pays off Magdalena and presents his wife with a real baby. But it is crying for its milk and refuses to take formula. After twelve hours of non-stop crying Kassim’s wife is begging him to get rid of the horrible little brat.

He packs it in a box with airholes punched in it, puts it in a carrier bag and sets off through the drizzle to the chaos of Three Stations. On one of the concourses he finds nowhere good to ditch a whimpering baby and is wondering what to do next, when he realises – he’s been robbed. He put the bag down for a second and – it’s gone! Oh well. Job done, he returns to his apartment where his wife resumes her nagging.

The catchers

The two angry Catchers arrive in Moscow in pursuit of the girl who got away. They show people in the Three Stations crowds photos of Maya. One of the people they show is Zhenya, who feigns ignorance but realises Maya is in deadly danger and is wondering how to get word to her, but one of the other street kids has already been shown the photo and immediately told the bad guys Maya is holed up with the street kid, Yegor. Off they go to find her.

Angry Anya

The journalist Anya turns up on Arkady’s doorstep, soaking wet and furious. Arkady left her and Vaksberg at the scene of the shooting waiting for the militia who, of course, stole the Adidas bag with the cash in it and gave them both a grilling. Some friend he turns out to be! Anya sleeps on his sofa, carrying on giving him a hard time until Arkady rather angrily shows her the letter he’s just received from his boss, Zurin.

Arkady has been officially fired for disobeying the clear order not to take part in any further investigations. So he has no influence with the cops any more, that’s why he left the shooting scene, advising Vaksberg to take the credit for shooting the assassin.

Itsy’s gang

Now the novel introduces us to a new set of characters, the barely pubescent members of Itsy’s street gang. Turns out it’s they who stole Colonel Kassim’s bag and are astonished to find it contains a crying baby. The narrative gives us several half-comic descriptions of owners of shops around Three Stations being ‘steamed’ by a gang of children storming through their shop, causing havoc but, when the dust settles, only having lost nappies, wipes and milk formula. Aha. That’ll be Itsy’s gang deciding they are going to raise the baby as their own and stealing the necessary kit.

We get Itsy’s backstory, too. Like Maya’s parents selling her into prostitution and Zhenya’s dad beating him until he became a chess huckster or Arkady’s own dad bullying him until he can strip and rebuild a pistol, Itsy’s childhood was one of unmitigated misery. Her father was a dog breeder, often drunk, who forced Itsy to feed and tend his dogs. One day he went too far and began knocking her about inside the dog pen and the dogs, who had come to think of Itsy as their feeder, savaged him to death. She left for Moscow with the fiercest dog, Tito, and quickly carved out a space in the street gangs.

In the morgue

Inevitably disobeying his boss’s instructions, Arkady accompanies Viktor to the morgue to see Dopey’s body. Stripped bare it is covered with amateur tattoos. Viktor expains to Arkady (and the reader) that Russian criminal tattoos give an elaborate account of the owner’s criminal career. Dopey was no amateur; he was a hard-core professional criminal.

Arkady notices the crop of other corpses on ice in the morgue includes a young man who has committed suicide.

Viktor has been doing some research at Arkady’s suggestion, and found a number of other murdered young women from the past few years, all found without panties, with their dresses hitched up around their waists and their legs arranged in funny postures. In a flash Arkady realises all the murdered women have been posed in the classical postures of ballet training, the ones he saw at the Nijinsky Club!

Ballet dancers

Arkady sets out to interview the inhabitants of the tower block which overlooks the trailer where ‘Olga’ was found. He meets he choreographer of the Nijinsky Club, Madame Isa Spiridona, fascinating survivor from happier times, with her b&w photos of the greats.

With a shock Arkady recognises the photo of her son on the mantelpiece – Roman Spiridon – as the corpse he saw in the morgue. Madame Spiridona explains that she got a message to say he was going on a long trip, passed on to her by his old friend Sergei Borodin. And from another photograph he identifies the trapeze artist behind the scenes at the Nijinsky Club, the one who behaved as if he was mad, as the ‘friend’, Borodin. Could he… have murdered M. Spiridona’s son? Is he the killer?

When Arkady leaves, Madame S lets him take a coffee table book which has taken his fancy, about the great dancer Nijinsky, since ballet seems to be the thing and the club was named after him…

The catchers

Maya is plying her new trade under the supervision of young Yegor. She is in the middle of being screwed by a middle-aged Pakistani trader, Ali, who has broken off to go for a pee, when the two Catchers burst into the seedy hotel room. Ali returns to find them waiting for him. ‘Where’s the girl?’ they ask. They torture him but he doesn’t know. In fact Maya had heard a sound outside, hidden from the Catchers, then slipped into the hall and out while they attack Ali.

She steps over the body of Yegor, who has had his pool cue broken and stuffed down his throat before the Catchers then killed him. For his part, before he dies Ali mentions Zhenya, whose name he’s heard being mentioned by the girl and Yegor. Oops.

Anya attacked

When Maya finds Zhenya and tells him what she saw, Zhenya knows bad trouble is coming and phones Arkady. Our hero picks him and Maya up and bring them back to his apartment, where he interviews the terrified girl, along with trusty (if alcoholic sidekick) Viktor.

Half way through Arkady senses rather than hears something and goes cautiously into the next door apartment, the one recently leased by the pain-in-the-neck journalist, Anya.

He and Viktor discover Anya in a crumpled heap against the wall, no knickers and her skirt pushed up around her waist, her legs posed in ballet posture number 5, blue and not breathing.

Arkady realises she is suffering from anaphylactic shock, having mentioned something about being allergic to milk. He saves her life by finding her EPI pen in her fridge, and injecting her with a full dose in the thigh. Above her body, ‘God is shit’ has been sprayed in big words on the wall.

Anya starts and begins breathing. Soon she is conscious again. Arkady wraps her in blankets, feeds her, settles her on his bed, packs Viktor off to his long-suffering wife and settles down to read the book Madame Spiridona leant him. But it isn’t a book about Nijinsky, it is an edition of his notorious diary, which chronicles his descent into madness, and it falls open at one of his rants.

God is dog, Dog is God, Dog is shit, God is shit, I am shit, I am God. (p.218)

So Arkady realises: he is dealing with a Nijinsky-channeling, ballet-obsessed serial killer.

Itsy’s gang

In a weird scene Itsy takes some of her gang of kids shoplifting leaving the two boys, Leo, Peter and Emma to guard their camp and look after the baby. The two boys immediately sniff air freshener and have a trip. They see a brightly caparisoned Mongol from the Golden Horde approaching, jangling his bridle. In fact it is a street cleaning machine driven by a Tajik (although Muscovites call anyone who comes from one of the central Asian republics a ‘Tajik’, regardless of their ethnic identity).

The driver sees that the boards of several crates near the kids’ base have been broken off to make firewood. What they don’t know is that the crates contain a big consignment of Afghan heroin which is being stored here in the scruffy backstreets before being distributed.

The ‘Tajik’ is not happy at the discovery. He pulls Peter’s head back and is about to slash his throat, when the baby starts crying. Emma, who has seen all this, scuttles to the furthest end of the container, and watches as the ‘Tajik’ approaches the baby’s makeshift cot.

She – and the reader – fear the absolute worst and steel our nerves. But when Emma pokes her head out from cover, the ‘Tajik’ has left, and she discovers the baby alive and kicking, having been given an amulet with Koranic script on it to suck on. Thank God there is some humanity in this God-forsaken wasteland.

Anya apologises

It’s a few days later and Anya is well enough to be up and doing her part time charity work, distributing condoms to the street children. We see her being hassled by the militia who try to blackmail out of her box till they realise what’s in it. Back in the apartment block she knocks on Arkady’s door to thank him and apologise again. She has found out from contacts that Vaksberg is virtually bankrupt and has been creaming the money from his own charities. The whole incident with Dopey was staged by him. Dopey was meant to steal the bag of cash and make off, later giving it to Vaksberg (minus a fee) but he got carried away with the gun and sparked a bloodbath.

Anya carefully establishes that Eva has definitely left, and that Arkady is definitely a single man – before abruptly consenting to have sex with him. Arkady isn’t complaining.

The catchers

Itsy returns from the shoplifting trip and Emma tells her what happened with the ‘Tajik’. Itsy realises they have to leave this base. She hussles her gang into packing up and moving out, whipping them on ahead of her, but Peter and Leo are lagging behind. When she goes back to find them, she discovers they have both been shot dead by the Catchers, their little bodies lying in the mechanics trench next to the trailer.

Then Itsy herself is shot dead by Ilya, one of the Catchers. He crouches over her body and is not at all expecting Tito the wolf to attack him, knocking him onto the trench and, while his partner tries to get a clear shot, ripping open his carotid artery so he is dead in seconds. Tito then bounds out of the trench to kill the second Catcher, but he empties his magazine into the beast which falls dead.

Christ, he thinks, what a mess. How is he going to move his partner’s body? Then he realises there’s a laser red mark on his own body, and he himself is shot by the ‘Tajik’. Carnage.

Sergei Borodin

Arkady is fairly sure the trapeze artist, Sergei Borodin, is the killer so he rings him, and implies he has the evidence to convict him, and invites him to his apartment for a chat. Then Arkady sets up two separate tape recorders to capture everything.

Eerily, Sergei is accompanied by his mother, who clearly dominates and dictates his life (distant echoes of Norman Bates in Psycho). Realising he really thinks he is Nijinsky reincarnated, Arkady plays on his delusions and extracts a spectacular confession from Borodin. All helped when he stage manages for the supposedly dead Anya to enter Arkady’s kitchen dressed in the nightgown she was wearing when Sergei tried to murder her, at just the right psychological moment. Confronted by a ghost, Borodin screams his confession.

Sasha at the races

Arkady visits Vaksberg at a racetrack outside Moscow where the millionaire is hosting a bizarre party. When Arkady had left the scene of the shooting of Dopey, he had told Anya and Sasha to omit mention of his presence and claim that it was Sasha who foiled a daring attack on a respectable businessman.

This has had the unexpected consequence of turning Vaksberg into a popular hero and, even more improbably, he has been rehabilitated with the Kremlin, had his passport returned, and his ability to do business restored.

Hence he is getting back into the swing of things with a new business venture. Although the stands at the racecourse are empty, the loudspeakers blare out the sounds of cheering crowds, as the relatively small number of VIP guests quaff champagne and let them be persuaded by Sasha to get involved in his next enterprise, buying and breeding elite racehorses.

This isn’t the first time Arkady sees Moscow’s hyper-rich in action and each time it gets harder to bear.

On his mobile Arkady gets a call from Viktor identifying Dopey as a regular at the racetrack, Pavel Petrovich Maksimov. Without even being questioned, Sasha suavely admits to Arkady that the dwarf attack was staged, and confirms Anya’s story that, yes, he was, at that point, skimming money from his own charities. But now everything has turned out well – ‘more champagne, detective?’

Madame Furtseva

In his questioning of characters in the apartment block overlooking Three Stations Arkady had met Madame Furtseva, a world famous photographer, her rooms adorned with b&w photos of the mid-century greats, Hemingway, Malraux etc. Out of nowhere, she appears next to the startled Emma in one of the alleyways around the Square, and offers to take her in.

Old and infirm, Madame Furtseva explains that, although she can barely move nowadays, still she likes to spend her time staring out the window, observing the human wildlife prowling around the waterholes of the Three Stations. She has seen a lot of Emma’s story play out and offers to protect her and the baby.

Car chase with Sergei

To his astonishment Arkady’s solid gold confession from Sergei Borodin is rejected by Arkady’s vindictive boss, Zurin, because it was obtained while Arkady was not technically employed as an investigator. Borodin is released from custody to kill again.

Driving back from police headquarters in Viktor’s knackered Lada, Arkady finds himself terrorised by a shining black Hummer. There is a high tension car chase around the snowy, midnight-black streets of Moscow and when the Hummer draws level the automatic window slips slickly down and Sergei points a pistol at Arkady’s head, smiling like the psycho he is.

But all the time Arkady has been driving towards his own rundown neighbourhood, and in particular towards the pothole which has been causing him grief intermittently throughout the novel and which we have observed various squads of unhappy workman trying and failing to fill.

Now, as Sergei goes to pull the trigger, the Hummer hits the big pothole at 150 kph, upending into it so that Borodin mother and son go flying through the windscreen at speed. End of the Borodins.

The final catcher

In a final sequence the sort-of family of Arkady, Anya, Victor and Zhenya take a break at his father the General’s old dacha out in the country by a lake.

But – with wild improbability – Arkady has been ‘befriended’ by the second of the Catchers. Turns out he wasn’t shot dead by the ‘Tajik’ as we thought, just shot through the shoulder.

Now recovered, the Catcher makes efforts to adopt an (implausible) disguise, pretending to be a bookish intellectual who bumps into Arkady at libraries. He follows the ‘family’ to Arkady’s dacha and makes elaborate plans to swim across the lake in a wetsuit, emerge silently and kill them all in their beds.

Instead, as he emerges slickly from the black water, Arkady who had long ago rumbled his disguise, is waiting, and cuts him open from sternum to balls, then watches him writhe and die in the lake water, in clouds of his own blood.

This whole sequence feels like it comes from a different novel, even a different type of novel, a more straightforward action hero novel.

Maya’s baby returned

And in another scene which doesn’t quite match the tone of the book, the reader is surprised to encounter a fairy tale happy ending.

Arkady, Anya, Victor and Zhenya put on a little carnival in one of the squares around Three Stations, hiring a number of child-friendly acts, balloons and entertainers, jugglers and fire eaters.

Lured from her hideyhole up in the veteran photographer’s apartment, Emma wanders open-eyed among the marvels and, when Arkady asks her to, very gently hands little baby Katya back to her mother, Maya.

Against all probability, plausibility or reason, this made me burst into tears. Thank God that something good and innocent and pure is capable of coming out of the moral, physical, spiritual, economic and cultural desolation which is modern Russia.

Comment

Three Stations is the shortest of the Renko novels and feels like a chamber symphony, with all the same instruments and elements, but on a more domestic scale, based on tighter, tauter, more integrated plotlines and themes – especially the locale of Three Stations with its hookers, street kids and street crime.

The waiting hall at Kazansky station put Zhenya in mind of the nocturnal habitat at the zoo, a place where things stirred indistinctly and species were difficult to identify. (p.41)

Russia is depicted as a lost, doomed civilisation. Is it really as woeful, as impoverished, violent and corrupt as depicted in these novels? Are there really so many Russian prostitutes in Italy that the new slang word for prostitute is ‘Natasha’? (p.18)

Mind you, in 2009 when this novel was being written, the entire global financial system was nearly brought to its knees by clever bankers in London and New York, and Cruz Smith makes the point that, in many ways, we in the West are no better, having the New Russian billionaire crook Vaksberg drily comment:

‘A year ago we had over a hundred billionaires in Moscow. Today there are less than thirty. So it’s the best of times, the worst of times and sometimes it’s just the shits. It turns out we don’t know how to run capitalism. That’s to be expected. As it happens, nobody knows how to run capitalism. That was a bad surprise. Cigarette?’ (p.97)

Maybe because it’s shorter and tauter, there were fewer really breath-taking turns of phrase in this novel than in its predecessors, though there are still some crackers:

The Lada’s exhaust pipe and muffler hung low and occasionally dragged a rooster tail of sparks. (p.8)

He tried to sleep but his anger was a match struck before a mirror and he saw what a fool he’d been. (p.160)

As a footnote, I annotated for the first time something I’ve noticed in the past few Cruz Smith novels, a particular verbal formula which helps express Arkady’s sense of whatevere-ness, a kind of verbal shrug of the shoulders: his or the narrator’s habit of saying or thinking that, if something is not x, then what is?

The director of the children’s shelter that Zhenya originally came from claimed that the boy and Arkady had a special relationship. Zhenya’s father had shot Arkady. If that wasn’t special, what was? (p.9)

‘A healthy young woman was dead. If that doesn’t make you suspicious, what does?’ (p.89)

I like it. I like pretty much everything about these wonderful books.


Credit

Three Stations by Martin Cruz Smith was published by Mantle in 2011. All quotes and references to the 2011 Pan paperback edition.

Related links

Arkady Renko novels

Smith is a prolific writer. Under his own name or pseudonyms, he has written some 28 novels to date. The eight novels featuring Russian investigator Arkady Renko make up the longest series based on one character:

1981 Gorky Park – Introducing Arkady Renko and the case of the three faceless corpses found in Gorky Park, in the heart of Moscow, who turn out to be victims of John Osborne, the slick American smuggler of priceless live sables.
1989 Polar Star – In the first novel, Renko had clashed with his own superiors in Moscow. Now he is forced to flee across Russia, turning up some years later, working on a Soviet fish factory ship in the Bering Sea. Here, once his former profession becomes known, he is called on by the captain to solve the mystery of a female crew member whose body is caught in one of the ship’s own fishing nets. Who murdered her? And why?
1992 Red Square – After inadvertently helping the Russian security services in the previous book, Arkady is restored to his job as investigator in Moscow. It is 1991 and the Soviet Union is on the brink of dissolution so his bosses are happy to despatch the ever-troublesome Arkady to Munich, then on to Berlin, to pursue his investigations into an art-smuggling operation – to be reunited with Irina (who he fell in love with in Gorky Park) – before returning for a bloody climax in Moscow set against the backdrop of the August 1991 military coup.
1999 Havana Bay – Some years later, depressed by the accidental death of his wife, Irina, Arkady is ssent to Havana, Cuba, to investigate the apparent death of his old adversary, ex-KGB officer Colonel Pribluda. He finds himself at the centre of a murderous conspiracy, in an alien society full of colourful music by day and prostitution and voodoo ceremonies by night, and forced to work closely with a tough local black policewoman, Ofelia Orosio, to uncover the conspiracy at the heart of the novel.
2004 Wolves Eat Dogs The apparent suicide of a New Russian millionaire leads Arkady to Chernobyl, the village and countryside devastated by the world’s worst nuclear accident – and it is in this bleak, haunting landscape that Arkady finds a new love and the poisonous secret behind a sequence of grisly murders.
2007 Stalin’s Ghost The odd claim that Stalin has been sighted at a Moscow metro station leads Arkady to cross swords with fellow investigator Nikolai Isakov, whose murky past as a special forces soldier in Chechnya and current bid for political office come to dominate a novel which broadens out to become an wide-ranging exploration of the toxic legacy of Russia’s dark history.
2010 Three Stations In the shortest novel in the series, Arkady solves the mystery of a ballet-obsessed serial killer, while the orphan boy he’s found himself adopting, Zhenya, has various adventures in the rundown district around Moscow’s notorious Three Stations district.
2013 Tatiana – is Tatiana Petrovna, an investigative journalist who appears to have jumped to her death from the 6th floor of her apartment block. When Arkady investigates her death he discovers a trail leading to Kaliningrad on the Baltic Coast and a huge corruption scandal which will involve him in love and death amid the sand dunes of the atmospheric ‘Curonian Split’.

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