The Life of Domitian by Suetonius

A sub-edited version of the 1914 Loeb Classical Library translation of Suetonius’s Life of Domitian by J.C. Rolfe, with comments and clarifications.

Summary of Domitian’s life (from Wikipedia)

Domitianus (Domitian) lived from 51 to 96 AD and reigned as Roman emperor from 81 to 96. The son of Vespasian and the younger brother of Titus, his two predecessors on the throne, he was the third and final member of the Flavian dynasty. Domitian’s authoritarian style of ruling put him at odds with the senate, whose powers he drastically curtailed.

Domitian had an early moment of prominence in the Year of Four Emperors, 69 AD, aged just 18, after Vitellius was assassinated and before Vespasian arrived in Rome to take power, when he was acclaimed ‘Caesar’ and nominally ran the government. Once Vespasian arrived in Rome and was enthroned, though, Domitian reverted to playing a minor and largely ceremonial role during the reigns of his father and brother.

After Titus died on 13 September 81, Domitian was declared emperor by the Praetorian Guard. His 15-year reign was to be the longest since that of Tiberius. As emperor, Domitian:

  • strengthened the economy by revaluing the Roman coinage
  • expanded the border defences of the empire
  • initiated a massive building program to restore the damaged city of Rome

Significant wars were fought in Britain, where his general Agricola attempted to conquer Caledonia (Scotland), and in Dacia, where Domitian was unable to secure a decisive victory against King Decebalus.

Domitian’s government exhibited strong authoritarian characteristics. Religious, military, and cultural propaganda fostered a cult of personality. He nominated himself perpetual censor in an effort to control public and private morals.

As a result Domitian was popular with the people and the army but considered a tyrant by members of the senate. Domitian’s reign came to an end in 96 when he was assassinated by court officials. He was succeeded the same day by his advisor, Nerva.

After his death Domitian’s memory was condemned to oblivion by the Senate while senatorial and equestrian authors such as Tacitus, Pliny the Younger and Suetonius propagated the view of Domitian as a cruel and paranoid tyrant. The later part of his rule was regularly described as a ‘tyranny’. (In the Penguin translation of the Epigrams of Martial, Peter Howell says that in his day, 1964, Domitian had a reputation little short of Hitler’s for evil tyranny.)

Modern revisionists have characterised Domitian as a ruthless but efficient autocrat whose cultural, economic and political programs laid the foundation of the peaceful second century.

The Life of Domitian by Suetonius

(1) Domitian was born on the ninth day before the Kalends of November [24 October] of the year when his father was consul elect and was about to enter on the office in the following month [51 AD] in a street of the sixth region called ‘the Pomegranate’, in a house which he afterwards converted into a temple of the Flavian family.

Domitian is said to have passed the period of his boyhood and early youth in great poverty and infamy for it is said that he did not possess a single piece of plate.

It is a well-known fact that Claudius Pollio, a man of praetorian rank, against whom Nero’s poem ‘The One-eyed Man’ is directed, preserved a letter in Domitian’s handwriting and sometimes exhibited it, in which the future emperor promised him an assignation [i.e. sex]. And some people claim that Domitian was also debauched [i.e. abused] by Nerva, who succeeded him.

In the war with Vitellius Domitian took refuge in the Capitol with his paternal uncle, Sabinus, and a part of the forces under him. When Vitellius’s forces stormed the hill and the temple of Jupiter was set alight, Domitian hid during the night with the guardian of the shrine. In the morning, disguised in the tunic of a follower of Isis​ and mingling with the priests of that fickle superstition, he went across the Tiber with a single companion to the mother of one of his school-fellows. There he was so effectually concealed that, although he was closely followed he could not be found, in spite of a thorough search. [For more on this episode, see Tacitus’s Histories.]

It was only after the Flavian forces took Rome that Domitian ventured out. After being hailed as ‘Caesar’,​ he assumed the office of city praetor with consular powers, but only in name, turning over all the judicial business to his next colleague.

Domitian exercised all the tyranny of his high position​ (i.e. son of the emperor) so lawlessly that it was even then apparent what sort of a man he was going to be. For example, after making free with the wives of many men, he went so far as to marry Domitia Longina who was the wife of Aelius Lamia. And in a single day he assigned more than twenty positions in the city and in the provinces, which led Vespasian to say more than once that he was surprised that his son did not appoint the emperor’s successor along with the rest.

(2) Domitian began an expedition against Gaul and the Germanies which was uncalled for and from which his father’s friends dissuaded him, simply to make himself equal to his brother Titus in power and rank. For this he was reprimanded and, to give him a better realisation of his youth​ (aged 18) and position, he was made to live with his father. When they appeared in public Domitian followed the emperor’s chair and that of his brother in a litter. He also attended their triumph over Judaea riding on a white horse. Of his six consul­ships before he became emperor only one was a regular one,​ and he obtained that only because his brother gave place to him and recommended his appointment.

Domitian made a pretence of modesty and especially of an interest in poetry, an art which had previously been as unfamiliar to him as it was later despised and rejected, and he even gave readings in public.

Yet in spite of all this, when Vologaesus, king of the Parthians, had asked for auxiliaries against the Alani and for one of Vespasian’s sons as their leader, Domitian made every effort to have himself sent rather than Titus and, when the affair came to nothing, he tried by gifts and promises to induce other eastern kings to make the same request.

On the death of his father and his older brother, Titus, succeeding, Domitian hesitated for some time whether to offer a largess​ to the soldiers twice as large as the one his brother gave. He often said that he had been left a partner in the imperial power [i.e. alongside his brother] but that the will had been tampered with.​

And from that time on he never ceased to plot against his brother secretly and openly, until Titus was seized with a dangerous illness whereupon Domitian ordered that he be left for dead before he had actually drawn his last breath. And after Titus’s death Domitian bestowed no honour upon him, save that of deification, and he often attacked his memory in ambiguous phrases, both in his speeches and in his edicts.

(3) At the beginning of his reign Domitian used to spend hours in seclusion every day, doing nothing but catch flies and stab them with a keenly-sharpened stylus. Consequently, when someone once asked whether anyone was in there with Caesar, Vibius Crispus made the witty reply, ‘Not even a fly.’

He had his wife Domitia honoured with the title ‘Augusta’. He had had a son by her in his second consulship, whom he lost the second year after he became emperor. He divorced her because of her love for the actor, Paris, but could not bear the separation and soon took her back, alleging that the people demanded it. [It was for lampooning this actor, Paris, that the satirist Juvenal was, according to some biographies, exiled to Egypt.]

In his administration of the government Domitian for some time showed himself inconsistent, with about an equal number of virtues and vices, but eventually he turned the virtues into vices. For so far as one may guess, it was contrary to his natural disposition​ but he was made rapacious through need and cruel through fear.

(4) Domitian constantly gave grand costly entertainments, both in the amphitheatre​ and in the Circus, where in addition to the usual races between two-horse and four-horse chariots, he also exhibited two battles, one between forces of infantry and the other by horsemen, and he even gave a naval battle in the amphitheatre.

As well as these, he gave hunts of wild beasts, gladiatorial shows at night by the light of torches, and not only combats between men but between women as well. He was always present, too, at the games given by the quaestors, which he revived after they had been abandoned for some time, and invariably granted the people the privilege of calling for two pairs of gladiators from his own school, and brought them in last, in all the splendour of the court.

During the whole of every gladiatorial show there always stood at his feet a small boy clad in scarlet, with an abnormally small head, with whom he used to talk a great deal, and sometimes seriously. At any rate, he was overheard to ask him if he knew why he had decided at the last appointment day to make Mettius Rufus prefect of Egypt.

He often gave sea-fights almost with regular fleets, having dug a lake near the Tiber and surrounded it with seats. He continued to witness the contests even in heavy rains.

Domitian also celebrated the Secular games reckoning the time, not according to the year when Claudius had last given them, but by the previous calculation of Augustus. In the course of these, to make it possible to finish a hundred races on the day of contests in the Circus, he diminished the number of laps from seven to five.

Domitian also established a quinquennial contest in honour of Jupiter Capitolinus of a threefold character, comprising music, riding, and gymnastics, and with considerably more prizes than are awarded nowadays. For there were competitions in prose declamation​ both in Greek and in Latin, between lyre-players, between choruses of such players and in the lyre alone without singing. In the stadium there were races even between women.

Domitian presided at the competitions in half-boots, clad in a purple toga in the Greek fashion, and wearing upon his head a golden crown with figures of Jupiter, Juno, and Minerva. By his side sat the priest of Jupiter and the college of the Flaviales (established for the worship of the deified Flavian emperors) similarly dressed, except that their crowns bore his image as well.

Domitian celebrated the Quinquatria​ every year in honour of Minerva at his Alban villa, and established for her a college of priests, from which men were chosen by lot to act as officers and give splendid shows of wild beasts and stage plays, besides holding contests in oratory and poetry.

Domitian made a present to the people of three hundred sesterces each on three occasions, and in the course of one of his shows in celebration of the feast of the Seven Hills gave a plenti­ful banquet, distributing large baskets of victuals to the senate and knights and smaller ones to the commons, and he himself was the first to begin to eat. On the following day he scattered gifts of all sorts of things​ to be scrambled for, and since the greater part of these fell where the people sat, he had five hundred tickets thrown into each section occupied by the senatorial and equestrian orders.

(5) Domitian restored many splendid buildings which had been destroyed by fire, among them the Capitolium, which had again been burned [rebuilt after having been burned down in 69, the Capitoline temple was again burned down in 80]. In all cases he gave the new buildings the inscription of his own name only, with no mention of the original builder.

He also built a new temple on the Capitoline hill in honour of Jupiter Custos and the forum which now bears the name of Nerva [who finished and dedicated it]. He had built a temple to the Flavian family, a stadium, an Odeum [or music hall] and a pool for sea-fights.​ From the stone used in this last the Circus Maximus was afterwards rebuilt, when both sides of it had been destroyed by fire.

(6) Domitian’s campaigns he undertook partly without provocation and partly of necessity. That against the Chatti was uncalled for, while the one against the Sarmatians was justified by the destruction of a legion with its commander. He made two against the Dacians, the first when Oppius Sabinus an ex-consul was defeated, and the second on the overthrow of Cornelius Fuscus, prefect of the Praetorian Guard, to whom he had entrusted the conduct of the war. After several battles of varying success he celebrated a double triumph over the Chatti and the Dacians.​ [Tacitus says that Domitian’s unjustified triumph over the Germans (and the Dacians) was a laughing-stock; Agricola, chapter 39.] His victories over the Sarmatians he commemorated merely by the offering of a laurel crown to Jupiter of the Capitol.

A civil war which was set on foot by Lucius Antonius, governor of Upper Germany, was put down in the emperor’s absence by a remarkable stroke of good fortune; for at the very hour of battle the Rhine suddenly thawed and prevented his barbarian allies from crossing over to Antonius. Domitian learned of this victory through omens before he actually had news of it, for on the very day when the decisive battle was fought a magnificent eagle enfolded his statue at Rome with its wings, uttering exultant shrieks. Soon afterwards the report of Antony’s death became so current that several went so far as to claim that they had seen his head brought to Rome.

(7) Domitian made many innovations in common customs. He abolished the distribution of food to the people​ and revived the custom of holding formal dinners.​ He added two factions of drivers in the Circus, with gold and purple as their colours, to the four former ones.​ He forbade the appearance of actors on the stage, but allowed the practice of their art in private houses. He prohibited the castration of males, and kept down the price of the eunuchs that remained in the hands of the slave dealers.

Once, upon the occasion of a plenti­ful wine crop attended with a scarcity of grain, thinking that the fields were neglected through too much attention to the vineyards, he made an edict forbidding anyone to plant more vines in Italy and ordering that the vineyards in the provinces be cut down, or that only half of them should be left standing; but he did not persist in carrying out the measure.​

Domitian opened some of the most important offices of the court​ [i.e. those that had formerly been restricted to the senatorial order] to freedmen and Roman knights.

He prohibited the uniting of two legions in one camp and the deposit of more than 1,000 sesterces by any one soldier at headquarters because it was clear that Lucius Antonius had been especially led to attempt a revolution by the amount of such deposits in the combined winter quarters of two legions.

He increased the pay of the soldiers one fourth, by the addition of three gold pieces each year [i.e. raised the amount from nine to twelve aurei: an aureus contained 100 sesterces.]

(8) Domitian administered justice scrupulously and conscientiously, frequently holding special sittings on the tribunal in the Forum. He rescinded such decisions of the Hundred Judges as were made from interested motives [i.e. to curry favour with the rich or powerful]. He often warned the arbiters​ not to grant claims for freedom made under false pretences. He degraded jurors who accepted bribes, together with all their associates.​

He also induced the tribunes of the commons to prosecute a corrupt aedile for extortion, and to ask the senate to appoint jurors in the case. He took such care to exercise restraint over the city officials and the governors of the provinces, that at no time were they more honest or just, whereas after his time we have seen many of them charged with all manner of offences.

In his role as censor he undertook the correction of public morals. He:

  • put an end to the licence at the theatres, where the general public occupied the seats reserved for the knights
  • did away with the prevailing publication of scurrilous lampoons in which distinguished men and women were attacked, and imposed ignominious penalties on their authors
  • expelled an ex-quaestor from the senate because he was given to acting and dancing
  • deprived notorious women of the use of litters, as well as of the right to receive inheritances and legacies
  • struck the name of a Roman knight from the list of jurors because he had taken back his wife after divorcing her and charging her with adultery
  • condemned several men of both orders, offenders against the Scantinian law
  • the incest of Vestal virgins, condoned even by his father and his brother, he punished severely in divers ways, at first by capital punishment and afterwards in the ancient fashion

For while Domitian allowed the sisters Oculata and Varronilla free choice of the manner of their death and banished their lovers, he later ordered that Cornelia, a chief-vestal who had been acquitted once but after a long interval again arraigned and found guilty, be buried alive and her lovers were beaten to death with rods in the Comitium – with the exception of an ex-praetor whom he allowed to go into exile, because he admitted his guilt while the case was still unsettled and the examination and torture of the witnesses had led to no result.

To protect the gods from being dishonoured with impunity by any sacrilege, Domitian caused a tomb which one of his freedmen had built for his son from stones intended for the temple of Jupiter of the Capitol to be destroyed by the soldiers and the bones and ashes contained in it thrown into the sea.

(9) In the earlier part of his reign Domitian so shrank from any form of bloodshed that while his father was still absent from the city, he planned to issue an edict that no oxen should be offered up, recalling the line of Virgil:

‘Ever yet an impious race did slay and feast upon bullocks.’

He was equally free from any suspicion of love of gain or of avarice, both in private life and for some time after becoming emperor. On the contrary, he often gave strong proofs not merely of integrity, but even of liberality.

He treated all his intimates most generously and there was nothing which he urged them more frequently, or with greater insistence, than that they should be niggardly in none of their acts. He would not accept inheritances left him by those who had children. He even annulled a legacy in the will of Rustus Caepio, who had provided that his heir should yearly pay a specified sum to each of the senators on his entrance into the House.​

He cancelled the suits against those who had been posted as debtors to the public treasury for more than five years and would not allow a renewal except within a year and on the condition that an accuser who did not win his suit should be punished with exile.

Scribes of the quaestors who carried on business, which had become usual although contrary to the Clodian law,​ he pardoned for past offences.

Parcels of land which were left unoccupied here and there after the assignment of lands to the veterans he granted to their former owners as by right of possession. He checked false accusations designed for the profit of the privy purse​ and inflicted severe penalties on offenders, and a saying of his was current, that an emperor who does not punish informers hounds them on.

(10) But Domitian did not continue this course of mercy or integrity, although he turned to cruelty somewhat more speedily than to avarice. He put to death a pupil of the pantomimic actor Paris, who was still a beardless boy and ill at the time, because in his skill and his appearance he seemed not unlike his master [who he had had executed for having an affair with his wife].

He executed Hermogenes of Tarsus because of some allusions in his History, besides crucifying even the slaves who had written it out.

A householder who said that a Thracian gladiator was a match for the murmillo, but not for the giver of the games,​ he caused to be dragged from his seat and thrown into the arena to dogs, with this placard: ‘A favourer of the Thracians who spoke impiously.’

Domitian put to death many senators, among them several ex-consuls, including Civica Cerealis, at the very time when he was proconsul in Asia; Salvidienus Orfitus; Acilius Glabrio while he was in exile — these on the ground of plotting revolution, the rest on any charge, however trivial.

He slew Aelius Lamia for joking remarks, which were reflections on him, it is true, but made long before and harmless. For when Domitian had taken away Lamia’s wife,​ the latter replied to someone who praised his voice: ‘I practise continence’, and when Titus urged him to marry again, he replied: ‘Are you too looking for a wife?’

He put to death:

  • Salvius Cocceianus because he had kept the birthday of the emperor Otho, his paternal uncle
  • Mettius Pompusianus because it was commonly reported that he had an imperial nativity and carried about a map of the world on parchment and speeches of the kings and generals from Titus Livius, besides giving two of his slaves the names of Mago and Hannibal
  • Sallustius Lucullus, governor of Britain, for allowing some lances of a new pattern to be named ‘Lucullean’ after his own name
  • Junius Rusticus because he had published eulogies of Paetus Thrasea and Helvidius Priscus and called them the most upright of men – and on the occasion of this charge he banished all the philosophers from the city and from Italy

He also executed the younger Helvidius, alleging that in a farce composed for the stage he had under the characters of Paris and Oenone censured Domitian’s divorce from his wife. He executed Flavius Sabinus, too, one of his cousins, because on the day of the consular elections the crier had inadvertently announced him to the people as emperor elect, instead of consul.

After his victory in the civil war Domitian became even more cruel and to discover any conspirators who were in hiding, tortured many of the opposite party by a new form of inquisition, inserting fire in their privates, and he cut off the hands of some of them.

Of the more conspicuous only two were pardoned, a tribune of senatorial rank and a centurion, who the more clearly to prove their freedom from guilt, showed that they were of shameless unchastity and could therefore have had no influence with the general or with the soldiers.

(11) Domitian’s savage cruelty was not only excessive, but also cunning and sudden. He invited one of his stewards to his bed-chamber the day before crucifying him, made him sit beside him on his couch, and dismissed him in a secure and gay frame of mind, even deigning to send him a share of his dinner.

When he was on the point of condemning the ex-consul Arrecinius Clemens, one of his intimates and tools, he treated him with as great favour as before, if not greater, and finally, as he was taking a drive with him, catching sight of his accuser he said: ‘Pray, shall we hear this base slave to‑morrow?’

To abuse men’s patience the more insolently, he never pronounced an unusually dreadful sentence without a preliminary declaration of clemency, so that there came to be no more certain indication of a cruel death than the leniency of his preamble.

Domitian had brought some men charged with treason into the senate and when he had introduced the matter by saying that he would find out that day how dear he was to the members, he had no difficulty in causing them to be condemned to suffer the ancient method of punishment.​ Then, appalled at the cruelty of the penalty, he interposed a veto, to lessen the odium, in these words (for it will be of interest to know his exact language): ‘Allow me, Fathers of the senate, to prevail on you by your love for me to grant a favour which I know I shall obtain with difficulty, namely that you allow the condemned men free choice of the manner of their death; for thus you will spare your own eyes and all men will know that I was present at the meeting of the senate.’

(12) Reduced to financial straits by the cost of his buildings and shows, as well as by the additions which he had made to the pay of the soldiers, Domitian tried to lighten the military expenses by diminishing the number of his troops. But perceiving that in this way he exposed himself to the attacks of the barbarians, and nevertheless had difficulty in easing his burdens, he had no hesitation in resorting to every sort of robbery. The property of the living and the dead was seized everywhere on any charge brought by any accuser. It was enough to allege any action or word derogatory to the majesty of the prince.

Estates of those in no way connected with him were confiscated if but one man came forward to declare that he had heard from the deceased during his lifetime that Caesar was his heir.

Besides other taxes, that on the Jews​ [Titus had imposed a tax of two drachmas per head on Jews for permission to practise their religion] was levied with the utmost rigour, and people were prosecuted who, without publicly acknowledging that faith, yet lived as Jews [a possible reference to Christians who the Romans didn’t distinguish from the Jews], as well as those who concealed their origin and did not pay the tribute levied upon their people.​

I recall being present in my youth when the person of a man ninety years old was examined before the procurator and a very crowded court, to see whether he was circumcised.

From his youth Domitian was far from being of an affable disposition, but was on the contrary presumptuous and unbridled both in act and in word. When his father’s concubine Caenis​ returned from Histria and offered to kiss him as usual, he held out his hand to her.

(13) When he became emperor, Domitian did not hesitate to boast in the senate that he had conferred their power on both his father and his brother, and that they had but returned him his own; nor on taking back his wife after their divorce, that he had ‘recalled her to his divine couch’ [meaning the couch which held the household gods].

Domitian delighted to hear the people in the amphitheatre shout on his feast day:​ ‘Good Fortune attend our Lord​ and Mistress.’

Even more, in the Capitoline competition,​ when all the people begged him with great unanimity to restore Palfurius Sura who had been banished some time before from the senate, and on that occasion received the prize for oratory, he deigned no reply, but merely had a crier bid them be silent.

With no less arrogance he began a circular letter in the name of his procurators, ‘Our Master and our God bids that this be done.’ And so the custom arose of henceforth addressing him in no other way even in writing or in conversation.

​He allowed no statues to be set up in his honour in the Capitol, except of gold and silver and of a fixed weight. He erected so many and such huge vaulted passage-ways and arches in the various regions of Rome, adorned with chariots and triumphal emblems, that on one of them someone wrote in Greek: ‘It is enough’ [the Greek word for enough sounds like the Roman word for arch].

Domitian held the consul­ship seventeen times, more often than any of his predecessors. Of these the seven middle ones were in successive years, but all of them he filled in name only, continuing none beyond the first of May and few after the Ides of January. Having assumed the surname Germanicus after his two triumphs, he renamed the months of September and October from his own names, calling them ‘Germanicus’ and ‘Domitianus’, because in the former he had come to the throne and was born in the latter.​

(14) In this way Domitian became an object of terror and hatred to all, but he was overthrown at last by a conspiracy of his friends and favourite freedmen, to which his wife was also privy.

He had long since had a premonition of the last year and day of his life, and even of the very hour and manner of his death. In his youth astrologers had predicted all this to him, and his father once even openly ridiculed him at dinner for refusing mushrooms, saying that he showed himself unaware of his destiny in not rather fearing the sword. Therefore he was at all times timorous and worried, and was disquieted beyond measure by even the slightest suspicions. It is thought that nothing had more effect in inducing him to ignore his proclamation about cutting down the vineyards​ than the circulation of notes containing the following lines:

‘Gnaw at my root, an you will; even then shall I have juice in plenty
To pour upon thee, O goat, when at the altar you stand.’​ [a quote from Ovid’s Fasti]

It was because of this same timorousness that although he was most eager for all such honours, he refused a new one which the senate had devised and offered to him, a decree that whenever he held the consul­ship Roman knights selected by lot should precede him among his lictors and attendants, clad in the trabea​ and bearing lances.

As the time when he anticipated danger drew near, becoming still more anxious every day, he lined the walls of the colonnades in which he used to walk with phengite stone, to be able to see in its brilliant surface the reflection of all that went on behind his back. And he did not give a hearing to any prisoners except in private and alone, even holding their chains in his hands. Further, to convince his household that one must not venture to kill a patron even on good grounds, he condemned Epaphroditus, his confidential secretary, to death, because it was believed that after Nero was abandoned​ Epaphroditus had actually held the dagger with which Nero stabbed himself.

(15) Finally Domitian put to death his own cousin Flavius Clemens, suddenly and on a very slight suspicion, almost before the end of his consul­ship. And yet Flavius was a man of most contemptible laziness and Domitian had openly named his sons, who were then very young, as his successors, changing their former names and calling the one Vespasian and the other Domitian. And it was by this deed in particular that he hastened his own destruction.

For eight successive months so many strokes of lightning occurred and were reported that at last he cried: ‘Well, let him now strike whom they will.’ The temple of Jupiter of the Capitol was struck and that of the Flavian family, as well as the Palace and the emperor’s own bedroom. The inscription on the base of a triumphal statue of his was torn off in a violent tempest and fell upon a neighbouring tomb.​ The tree which had been overthrown when Vespasian was still a private citizen but had sprung up anew suddenly fell down again. Fortune of Praeneste​ had throughout his whole reign, when he commended the new year to her protection, given him a favourable omen and always in the same words. Now at last she returned a most direful omen, not without the mention of bloodshed.

Domitian dreamed that Minerva, whom he worshipped with superstitious veneration, came forth from her shrine and declared that she could no longer protect him since she had been disarmed by Jupiter.

But there was nothing by which he was so much disturbed as a prediction of the astrologer Ascletarion and what befell him. When this man was accused before the emperor and did not deny that he had spoken of certain things which he had foreseen through his art, he was asked what his own end would be. When Ascletarion replied that he would shortly be rent by dogs, Domitian ordered him killed at once but, to prove the fallibility of his art, he ordered that Ascletarion’s funeral be attended to with the greatest care.​ While this was being done, it chanced that the pyre was overset by a sudden storm and that the dogs mangled the corpse, which was only partly consumed. An actor of farces called Latinus, who happened to pass by and see the incident, told it to Domitian at the dinner table, with the rest of the day’s gossip.

(16) The day before he was killed Domitian gave orders to have some apples which were offered to him kept until the following day, and added: ‘If only I am spared to eat them’. Then, turning to his companions, he declared that on the following day the moon would be stained with blood in Aquarius and that a deed would be done of which men would talk all over the world. At about midnight he was so terrified that he leaped from his bed. The next morning he conducted the trial of a soothsayer sent from Germany who, when consulted about the lightning strokes, had foretold a change of rulers and condemned him to death.

While he was vigorously scratching a festered wart on his forehead and had drawn blood, he said: ‘May this be all.’

Then he asked the time, and by pre-arrangement the sixth hour was announced to him, instead of the fifth, which he feared. Filled with joy at this, and believing all danger now past, he was hastening to the bath, when his chamberlain Parthenius changed his purpose by announcing that someone had called about a matter of great moment and would not be put off. Then he dismissed all his attendants and went to his bedroom, where he was slain.

(17) Concerning the nature of the plot and the manner of his death, this is about all that became known. As the conspirators were deliberating when and how to attack him, whether at the bath or at dinner, Stephanus, steward of his niece, Domitilla, and at the time under accusation for embezzlement, offered his aid and counsel.

To avoid suspicion, he wrapped up his left arm in woollen bandages for some days, pretending that he had injured it, and concealed in them a dagger. Then pretending to betray a conspiracy and for that reason being given an audience, he stabbed the emperor in the groin as he was reading a paper which the assassin handed him and stood in a state of amazement.

As the wounded prince attempted to resist, he was slain with seven wounds by Clodianus, a subaltern, Maximus, a freedman of Parthenius, Satur, decurion of the chamberlains, and a gladiator from the imperial school.

A boy who was engaged in his usual duty of attending to the Lares in the bedroom and so was a witness of the murder, gave this additional information. He was bidden by Domitian, immediately after he was dealt the first blow, to hand him the dagger hidden under his pillow and to call the servants. But he found nothing at the head of the bed save the hilt and in any case all the doors were closed.

Meanwhile the emperor grappled with Stephanus and bore him to the ground, where they struggled for a long time, Domitian trying now to wrest the dagger from his assailant’s hands and now to gouge out his eyes with his lacerated fingers.

Domitian was slain on the fourteenth day before the Kalends of October (18 September) in the forty-fifth year of his age and the fifteenth of his reign (96 AD).

His corpse was carried out on a common bier by those who bury the poor, and his nurse Phyllis cremated it at her suburban estate on the Via Latina. But his ashes she secretly carried to the temple of the Flavian family and mingled them with those of Julia, daughter of Titus, whom she had also reared.

(18) Domitian was tall of stature, with a modest expression and a high colour.​ His eyes were large, but his sight was somewhat dim. He was handsome and graceful too, especially when a young man, and in his whole body with the exception of his feet, the toes of which were somewhat cramped. In later life he had the further disfigurement of baldness, a protruding belly, and spindling legs, though the latter had become thin from a long illness.

Domitian was so conscious that the modesty of his expression was in his favour that he once made this boast in the senate: ‘So far, at any rate, you have approved my heart and my countenance.’

He was so sensitive about his baldness that he regarded it as a personal insult if anyone else was twitted with that defect in jest or in earnest.

(19) Domitian was incapable of exertion and seldom went about the city on foot, while on his campaigns and journeys he rarely rode on horseback but was regularly carried in a litter.

He took no interest in arms, but was particularly devoted to archery.​ There are many who have more than once seen him slay a hundred wild beasts of different kinds on his Alban estate, and purposely kill some of them with two successive shots in such a way that the arrows gave the effect of horns. Sometimes he would have a slave stand at a distance and hold out the palm of his right hand for a mark, with the fingers spread; then he directed his arrows with such accuracy that they passed harmlessly between the fingers.

(20) At the beginning of his rule Domitian neglected liberal studies although he provided for having the libraries, which were destroyed by fire, renewed at very great expense, seeking everywhere for copies of the lost works, and sending scribes to Alexandria to transcribe and correct them.

Yet he never took any pains to become acquainted with history or poetry or even to acquire an ordinarily good style.

He read nothing except the memoirs and transactions of Tiberius Caesar. For his letters, speeches and proclamations he relied on others’ talents.

Yet his conversation was not inelegant and some of his sayings were even noteworthy.

‘How I wish that I were as fine looking as Maecius thinks he is.’

He declared too that the head of a certain man, whose hair had changed colour in such a way that it was partly reddish and partly grey, was like ‘snow on which mead had been poured.’

(21) Domitian used to say that the lot of princes was most unhappy, since when they discovered a conspiracy, no one believed them unless they had been killed.​

Whenever he had leisure he amused himself with playing at dice, even on working days and in the morning hours. He went to the bath before the end of the forenoon and lunched to the point of satiety, so that at dinner he rarely took anything except a Matian apple​ and a moderate amount of wine from a jug. He gave numerous and generous banquets, but usually ended them early; in no case did he protract them beyond sunset, or follow them by a drinking bout. In fact, he did nothing until the hour for retiring except walk alone in a retired place.

(22) Domitian was excessively lustful. His constant sexual intercourse he called ‘bed-wrestling’ as if it were a kind of exercise.

It was reported that he depilated his concubines with his own hand and swam with common prostitutes.

After persistently refusing his niece, who was offered him in marriage when she was still a maid, because he was entangled in an intrigue with Domitia, he seduced her shortly afterwards when she became the wife of another, and that too during the lifetime of Titus.

Later, when she was bereft of father and husband, he loved her ardently and without disguise, and even became the cause of her death by compelling her to get rid of a child of his by abortion.

(23) The people received the news of his death with indifference but the soldiers were greatly grieved and at once attempted to call him the Deified Domitian. They insisted on the execution of his murderers.

The senators, on the contrary, were so overjoyed that they raced to fill the House where they did not refrain from attacking the dead emperor with the most insulting and stinging reproaches. They even had ladders brought and his shields​ and images torn down before their eyes and smashed on the ground. Finally they passed a decree that his inscriptions should everywhere be erased and all record of him obliterated.​

A few months before he was killed, a raven perched on the Capitolium and cried ‘All will be well,’ an omen which some interpreted as follows:

‘High on the gable Tarpeian​ a raven but lately alighting,
Could not say “It is well,” only declared “It will be.”‘

Domitian himself, it is said, dreamed that a golden hump grew out on his back, and he regarded this as an infallible sign that the condition of the empire would be happier and more prosperous after his time. And this was soon shown to be true through the uprightness and moderate rule of the emperors who succeeded him.


Related links

Suetonius’s Lives of the Twelve Caesars

Roman reviews

De republica by Cicero (54 BC)

The best possible political constitution represents a judicious blend of these three types: monarchy, aristocracy and democracy.
(De republica by Cicero, fragment of Book 2)

De republica was written by the Roman lawyer, orator, politician and philosophical populariser Marcus Tullius Cicero between 54 and 51 BC. It is variously translated into English as The Republic, A Treatise on the Commonwealth, On the state or On government.

Cicero was not himself a philosopher or political theorist of note. This work was one among nearly twenty in which he translated the best of Greek philosophy into Latin, pulling various Greek theories together into new texts and introducing or inventing Latin terms to translate Greek ideas. Because of the purity and eloquence of his Latin many of these texts were preserved throughout the Middle Ages as teaching aids, and were revived during the Renaissance. In this way Cicero’s works played a central role in preserving the philosophical, moral and political ideas of the ancient world into the modern era and shaping their revival.

The Republic is cast as a dialogue, the form immortalised by Plato (427 to 327 BC). Unlike a manifesto or treatise a dialogue isn’t a straightforward statement of views. Having a number of people debate various opinions makes it more of a teaching or heuristic form. Students can be asked to study the work, then to describe which viewpoint they support and why.

As with Cicero’s other dialogues, The Republic studiously avoided controversy by being set in the past among long dead characters. It is set in the country villa of Publius Cornelius Scipio Africanus Aemilianus (185 to 129 BC), known as Scipio Aemilianus or Scipio Africanus the Younger. Scipio was a Roman general and statesman who led the third and final war against Carthage, personally overseeing its siege, capture and utter destruction, as vividly described in Richard Miles’s history of Carthage. Scipio also restored order after assassination of Tiberius Gracchus in 133 BC and mediated between the political factions.

The Republic takes place in Scipio’s estate over three consecutive days. Each day is described in two books, with an introduction by Cicero preceding the dialogue of each book, making six books in all.

  • Book 1 – Scipio outlines the three types of government (monarchy, aristocracy, democracy) and asserts the best type is a mix of all three
  • Book 2 – Scipio gives quite a detailed outline of early Roman history in order to show the evolution of the Roman constitution
  • Book 3 – Philus and Laelius engage in a set-piece debate about whether pragmatic injustice (Philus) or ideal justice (Laelius) are intrinsic to politics
  • Book 4 – is a discussion of education
  • Book 5 – considers the qualities of the ideal citizen in government
  • Book 6 – considers the character of the ideal ruler

The Republic survives only in fragments. Large parts of the text are missing. Books one to 3 survive in significant chunks, but the from the fourth and fifth books only minor fragments survive, and all the other books have a distressing number of missing passages.

The only part of the sixth book which survives is the final section, a relatively short passage in which Scipio tells his guests about a dream in which he was whirled up into space and shown the structure of the universe. This has survived because it was the subject of a commentary by the neoplatonist philosopher Macrobius and this part of the text, along with Macrobius’s commentary, became very popular during the Middle Ages and the Renaissance, with their profound interest in astrology and astronomy.

The best preserved parts of the text discuss constitutions and political theory but it is important to realise that this was only part of Cicero’s aim. The discussion of constitutions fills only a third of the book. For Cicero ‘politics’ wasn’t a narrow profession but a branch of philosophy which dealt in a broader way with human nature and ethics as demonstrated in societies. This explains why the treatise deals with different types of constitution early on in order to get on to the more important subjects of what kind of citizen and what kind of ruler are required to create a perfect state. The best kind of state is not a dry technical question, comparable to modern debates about different voting procedures: the best kind of state produces the best kinds of citizens and the best kinds of rulers (optimus civis) and so must be considered in the broadest context.

The characters

The discussions take place between no fewer than nine named individuals who are given speaking parts.

Scipio was maybe the most pre-eminent figure in mid-second century BC Rome, a very successful general who, however, a) did not abuse his power as later generals such as Marius, Sulla, Pompey and Caesar did and b) was a noted patron of artists and writers such as the Greek historian Polybius. You can see why Cicero hero worshiped him.

Other characters

  • Gaius Laelius: close friend and associate of Scipio, consul in 140 BC, promoter of the study of literature and philosophy, practical and down to earth.
  • Lucius Furius Philus: consul 136 BC, orator, a man of great personal rectitude who takes on the defence of injustice, in book 3, for the sake of the debate
  • Manius Manilius: consul in 149 BC, a venerable legal expert.
  • Quintus Mucius Scaevola: Laelius’s son-in-law, a legal scholar and patron of the young Cicero.
  • Spurius Mummius: conservative and anti-democrat.
  • Quintus Aelius Tubero: Scipio’s nephew, tribune c. 129 BC. Legal scholar dedicated to Stoicism.
  • Gaius Fannius: consul in 122 BC, follower of Stoicism, historian and orator. Son-in-law to Laelius.
  • Publius Rutilius Rufus: a politician admired for his honesty, dedicated to Stoicism.

Book One

Missing its preface, the text we have starts in mid sentence and mid argument. Cicero is arguing against the Epicurean belief that the educated man should hold aloof from politics in order to preserve his calm. On the contrary, Cicero argues that the highest form of moral activity and of virtue consists of the practical application of morality in the practice of statecraft.

Then Cicero the narrator hands over to the supposed discussion held at Scipio’s house where his guests ask Scipio’s opinions.

The conversation starts with one of his visitors talking about the rare phenomenon of two suns being seen in the sky. But Scipio repeats the Greek idea (Aristotle) that there is little we can know about the workings of the cosmos whereas we very much can study human beings, how they behave, morality, epistemology and so on, and that’s what we ought to do.

Scipio follows his Greek predecessors in claiming that human beings seem to have an innate compulsion to live together in communities i.e. we are not a solitary species (Book I, section 39). When this happens there are three ways communities of humans organise their power: monarchy, aristocracy and democracy. Each has its merits:

Kings attract us by affection, aristocracies by good sense, and democracies by freedom. (I, 55)

Each has a dark side, when it becomes corrupt. Monarchy becomes despotism, aristocracy becomes oligarchy and democracy becomes mob rule (I, 44).

Personally, Scipio thinks a careful mixture of all three is best (I, 69), but if he had to pick just one it would be monarchy. This is because there is only one king god in heaven, Jupiter (I, 57). Every family has only one father and a king is like the father of his subjects (I, 54). There can be only one ruling element in the human mind, which is sovereign over all the other passions, and this is Reason (I, 60). Only one person can run a household, only one person can be in charge of a ship, only one person can treat us for illness. And when people are deprived of a just king they are like orphans.

But the weakness of rule by a king is that when they go wrong, they go really wrong and become tyrants. Therefore the most stable and also the most ‘just’ form of government is one which permits a balance of power between the different classes and so is ‘equally just to all ranks of society’ (II, 55). He thinks this has best been achieved by the Roman constitution with its balance between the powers of a king (vested for one year only in the role of the consuls), the moderating influence of the aristocracy (embodied by the wisdom and experience of the senate and a voting system heavily skewed towards the rich and ‘best’ in society) and the voice of the people (expressed in the office of tribune of the plebs and the voting power of the people’s assemblies).

Book two

Scipio/Cicero come to the bold conclusion that the best possible political constitution in the world is the one created by their Roman forebears and handed down to himself and his contemporaries, the inheritance of Rome, ‘the greatest State of all’!

This is as laughably self-centred as the great German philosopher Hegel pondering deeply and concluding that the best possible way to organise a society was…the constitution of the Prussian state of his day! Or the booming confidence of late Victorians that the British Empire with its constitutional monarchy was the best imaginable form of government.

He gives a deeply traditional and patriotic account of the founding of Rome by the wise and godlike Romulus and the cumulative constitutional innovations of the traditional and legendary seven kings of Rome, dwelling on each of them at some length and the great virtues of the Roman people:

The Roman people became strong, not by chance, but through their own good sense and their firm system of values… (II, 30)

The underlying point of book two is that the Roman constitution wasn’t created by one wise lawgiver (cf Lycurgus of Sparta or Solon of Athens) but developed and evolved over a long period, with successive rules adding processes, creating the complex voting procedures, organising the population into tribes but also, for voting purposes, into centuries, and setting up assemblies where they could debate. What struck me is how close this is to the justification of English traditionalists for the English constitution, which is nowhere written down but amounts to a tangle of precedents and traditions.

This is sort of interesting but it is history not philosophy or political theory, history with occasional comments. The notes to the Oxford University Press translation point out where Scipio differs from the more comprehensive account given by Titus Livius (Livy) in his history of Rome written 10 or 15 years later, which is indicative of the way the account of sort of interesting but mainly of academic interest.

At the same time as the thinking is fairly simplistic there’s also something hyperbolical and exaggerated about Scipio’s diction:

As soon as this king turned to a mastery less just than before, he instantly became a tyrant, and no creature more vile or horrible than a tyrant, or more hateful to gods and men, can be imagined ; for, though he bears a human form, yet he surpasses the most monstrous of the wild beasts in the cruelty of his nature. (II, 49)

The underlying thought is as simple minded as a fairy story, but the language has the vehemence of a rabble-rousing political speech. Either way, it often has neither the depth or sober objective language you might expect from ‘philosophy’.

In section 54 Scipio makes explicit why he is reviewing early Roman constitutional history in such detail: it is to point to examples of the wise men who created new and useful innovations. Publius Valerius emerges as a notable example, the man who demonstrated his wisdom by: moving house from the top of the Velian Hill where the kings had lived; passing a law forbidding a Roman citizen from being flogged or put to death without appeal; had a colleague elected as co-ruler, to be called consuls, and decided that they would rule on alternate months and be guarded by lictors only for that month.

This brings out something he’d mentioned earlier which is the aim of this discourse is not to debate the theoretical nature of an ideal state, as Plato did in his Republic, but to describe the practical reality of such a state and, especially, the qualities required of the Ideal Stateman to run it.

Towards the end of book 2 Scipio recapitulates:

I defined the three commendable types of States and the three bad types which are their opposites. Next I demonstrated that no single one of these types is the ideal, but that a form of government which is an equal mixture of the three good forms is superior to any of them by itself. As for my using our own State as a pattern, I did so, not to help me to define the ideal constitution (for that could be done without using any pattern at all), but in order to show, by illustrations from the actual history of the greatest State of all, what it was that reason and speech were striving to make clear.

The ideal statesman:

He should be given almost no other duties than this one (for it comprises most of the others) – of improving and examining himself continually, urging others to imitate him, and by the splendour of his mind and conduct offering himself as a mirror to his fellow citizens. (II, 69)

Here you can see how, lacking any knowledge of economics or class or social or technological developments, no financial theory and no knowledge of the vast amounts of data we have been collecting about ‘society’ since the industrial revolution and which underpin all modern politics – in this huge vacuum of knowledge Cicero, like Sallust and Plutarch, conceives of politics as being predominantly about individuals and, this being so, overly obsess about the character of the Ideal Statesman, completely omitting the proficiency in economics, law, and statistics which modern politics call for, and the way the huge structure of the state bureaucracy measures outcomes by data: inflation, unemployment, GDP, health outcomes and so on.

By contrast with the vast complexity of the modern state, Cicero’s image of the Ideal Ruler is closer to fairy tale than modern political theory: ‘…by the splendour of his mind and conduct offering himself as a mirror to his fellow citizens.’

I suppose it represents an enormous shift from a theory based on morality and ethics to one based entirely on utilitarian values: does it work, is it good for the economy, for most people, is it good for my core voters, these are the questions a modern politicians asks.

And the absence of the huge body of theory and statistical information which forms the basis of modern politics explains why political ‘philosophy’ from Plato, through the Dark Ages, Middle Ages, Renaissance and well into the modern era relied on analogies rather than data. They had nothing else to go on. So they compared the ideal state to a well-ordered mind, or to the human body where all the parts have to co-operate, or to the harmonious movements of the celestial bodies through the heaves; or compared Reason’s control over the mind to a father’s control over his sons or a master’s control over his slaves (III, 37) etc etc. Analogy rather than data.

All this is sweet and lovely but like a child’s colouring book compared to the complex technocracy of the modern state. Immersing yourself in a text like this continually reminds the reader of children’s books and fairy tales.

Book three

Fragments in which Cicero explains that despite our failings, humans have inside us the divine fire of Reason. He briefly sketches the invention of language (interesting) and maths before moving onto teachers or truth and moral excellence blah blah which, when put into practice, leads to the art of governing.

Comparison of philosophers, who teach moral excellence and best conduct through words alone, and statesmen, who promote moral excellence and best conduct through actions and laws. Clearly the latter are more effective and important (III, 7).

The 12 or so pages of fragments we have of book 3 indicate that it was conceived as a debate between Laelius and Philus about whether injustice is a necessary part of political rule, whether it is inevitable and unavoidable. What gives ancient books like this their flavour is the inclusion of myths and legends and fanciful imagery which, to repeat myself, are more like fairy tales than political analysis. Thus Philus kicks off his presentation of the case that injustice is an inevitable and necessary part of politics by asking his audience to imagine they are flying in a chariot of winged snakes:

If one could visit many diverse nations and cities and examine them, travelling about in Pacuvius’ famous ‘chariot of winged snakes’ one would see first of all in Egypt, a land which has escaped change more successfully than any other, and which preserves in written records the events of countless centuries, a bull, which the Egyptians call Apis, is deemed a god, and many other monsters and animals of every sort are held sacred as divine. (III, 14)

When he gets going, Philus makes a persuasive argument that there is no such thing as natural justice, nature does not implant justice in the human mind, there are no universal laws. On the contrary, the point of his metaphor of flying over the countries of the Mediterranean is to survey just how varied and irreconcilable all their laws, and customs and religions are with each other. QED: there is no one universal law or notion of justice.

No fewer than 80 leaves of book 3 are missing. From references and summaries in other, later authors we know some of the contents. Apparently Philus makes the anti-Roman point that empire is nothing but stealing other people’s lands and goods. Romans hold aggressive generals to be epitomes of valour and excellence (‘He advanced the bounds of empire’ is their highest compliment) when they are, of course, the same as all other aggressive conquerors of all other nations. The fact that the Romans have priests formally declare war just shows their hypocrisy in dressing up greed and criminality in fancy words.

When we come back to the actual text Philus makes the simple (and, to the modern mind, sympathetic) argument that the kind of mixed constitution supported by Scipio doesn’t derive from Virtue and Wisdom but from the simple fact that each rank (or class) fears the power of the others and so seeks to check it (a proto-Hobbesian view, maybe). The mother or justice is not nature or virtue but weakness and fear.

The good life is based, not on virtue, justice and selflessness, but on looking out for yourself and your family, on practical assessments of what will bring you most benefit. And as with families so with states: dress it up how you like, statecraft and international affairs are based on brute assessments of power and self interest. And they should be (III, 28).

This is thrilling stuff and the editor of the OUP edition (Niall Rudd) notes that, once Philus has finished his case, Laelius, who follows and argues the contrary case, can’t really rebut his analysis and so ignores his points to argue something slightly different, which is the importance of the notion of justice for the administration of a state.

It is symptomatic of the conservatism and narrow-mindedness of Roman thought that this negative, cynical and so unpopular point of view is attributed to a foreigner, a Greek, the philosopher Carneades and that when Laelius speaks, he roundly attacks it for its immorality and calls Carneades ‘a filthy scoundrel’ (III, 32).

Laelius proceeds to give a positive but very naive definition of law as a Platonic fact of nature, eternal and unchanging, which all men must obey, which sounds magnificent and is obvious tripe:

True law is right reason in agreement with nature. It is of universal application, unchanging and everlasting. It summons to duty by its commands, and averts from wrongdoing by its prohibitions… It is a sin to try to alter this law, nor is it allowable to attempt to repeal any part of it, and it is impossible to abolish it… We cannot be freed from its obligations by senate or people, and we need not look outside ourselves for an expounder or interpreter of it. And there will not be different laws at Rome and at Athens, or different laws now and in the future, but one eternal and unchangeable law will be valid for all nations and all times, and there will be one master and ruler, that is, God who is the author, proposer and interpreter of that law. (III, 33)

Laelius appears to go on to describe how this eternal law was embodied and followed by specific Romans from history, but we have only fragments.

Then Scipio comes back in as the main speaker, recapitulating his idea of the three types of government, asking which one is the ‘true’ meaning of a republic. The text breaks off abruptly just as the speakers were going to address the merits of the uncorrupted versions of the three types.

Book four

The subject of book four is clearly intended to be Education and address the question: what kind of education is best for citizens of the ideal state? As with the other books, Cicero does not proceed from philosophical first principles, as per Plato, but ranges far and wide through Roman and Greek history, comparing practices and laws. But the book is in, to quote Rudd’s words, ‘a pitiful state’, barely four pages of fragments. The longest fragment is where a speaker is made to explain at length why poets and playwrights should not be allowed to pillory statesmen and generals (IV, 11 to 12).

This, in my opinion, is the problem with all theories which start out by defining Virtue and Morality and The Good and so on – they always lead to strict definitions, which themselves inevitably lead to very strict rules about encouraging said Virtue and Suppressing Vice or anything which demeans or criticises Virtue or encourages Vice.

And so, by a few easy steps, these arguments all-too-often arrive, with the ‘noblest’ of intentions, at state censorship: the censorship of Cromwell’s England, revolutionary France, Stalin’s Russia, Hitler’s Germany, Taliban Afghanistan and any number of authoritarian regimes in between. Anyone who sets out to define or justify Absolute Values ends up defending absolutist states. (Discuss)

Book five

This was evidently meant to address the character of the Ideal Statesman but is even more fragmentary than book four, with only sections 3, 5, 6 and 7 surviving (each book originally had up to 100 sections) and a handful of scraps barely making up 3 pages of a modern book.

What we have is a lament that in the olden days Rome was ruled by Great Men, Excellent Men, Men of Virtue who knew how to rule wisely, but the present age is ruled by the selfish and greedy who have let the excellent institutions they inherited decay and collapse.

What we have is a lament that in the olden days Rome was ruled by Great Men, Excellent Men, Men of Virtue who knew how to rule wisely, but the present age is ruled by the selfish and greedy who have let the excellent institutions they inherited decay and collapse. Where are the great men of yesteryear? This developed into a stereotyped genre or topic during the Middle Ages which was given its own name, the ubi sunt (‘where are they?’) topos.

Long before living memory our ancestral way of life produced outstanding men, and those excellent men preserved the old way of life and the institutions of our forefathers. (V, 1)

But:

What remains of those ancient customs on which he said the state of Rome stood firm? We see them so ruined by neglect that not only do they go unobserved, they are no longer known. (V, 2)

Oh woe. But then every generation feels it is living in a uniquely degraded era when the great institutions it inherited from the past are collapsing and where are the Great Leaders of yesteryear and the end times are upon us. But they never are. We muddle through and 20 years later people look back to that time as a golden age.

I spent most of the 1990s ashamed of living under the government of the bumbling poltroon John Major – and yet now I regularly read articles which look back to the 90s as a golden age. Plus ca change…

Book six

In even worse state than book 5, with barely a page and a half of disconnected fragments. What does survive intact is the passage which was intended to conclude the entire book. In current editions this is numbered sections 9 to 29. It is the concluding passage in which the main speaker, Scipio, tells his companions about a dream he had. In this dream he is whirled up into heaven and sees a) the structure of the solar system and the universe and b) the smallness of the earth and the littleness of human existence. This passage has survived because the 4th century AD Roman grammarian and philosopher Macrobius wrote an extensive commentary about it. This commentary became very popular during the Middle Ages, helping to define the medieval view of the cosmos and surviving in multiple copies. So, in this roundabout manner, these 20 sections of Cicero’s book survive.

In the Dream Scipio describes how his adoptive grandfather comes to him and predicts the future, namely that he will be elected consul, destroy Carthage and be given a triumph in Rome, before being sent to end the war in Spain and serving as consul a second time.

But this is just the beginning. He is introduced to the spirit of his father, Paulus, who explains how souls are derived from the stars (they are now standing in the middle of the sky among the stars) before being consigned to a body down there on earth. How can you escape from the body and join the other spirits? Here is the point of the vision and the climax of the book’s entire consideration of political theory: you get to heaven by doing your patriotic duty.

Respect justice and do your duty. That is important in the case of parents and relatives, and paramount in the case of one’s country. That is the way of life which leads to heaven and to the company, here, of those who have already completed their lives. (VI, 16)

Cicero shows his difference from the Greek philosophers he copied in his very Roman emphasis on the practical. After all the fine talk about constitutions and justice and the character of the statesman, what matters is doing your patriotic duty.

There is a kind of path for noble patriots leading to the gate of heaven… (VI, 26)

The true part of a man is his mind, not his body. The mind is immortal, godlike. The best way to employ this godlike mind is in activity for the safety of one’s country. Minds which have devoted themselves to this cause will fly more quickly to heaven (VI, 29). If Cicero was standing to attention saluting the flag with tears running down his face while the national anthem played, the intended conclusion of his book could hardly be more sentimentally patriotic.

Which makes sense because this is precisely how the entire book opens. The very first sentence reads: ‘Had it not been for his sense of patriotic duty […] would not have delivered our country…’ (I, 1) and goes on to assert:

I simply state this as a basic fact: nature has given to mankind such a compulsion to do good, and such a desire to defend the well-being of the community, that this force prevails over all the temptations of pleasure and ease. (I, 1)

So it might rope in a number of other subjects along the way, but De republica is fundamentally a work of Roman patriotism.

Thoughts

I found The Republic hard to read for two reasons. It really is very fragmented – the text is continually breaking off mid-sentence with parentheses telling you that 2 or 4 or 80 (!) pages are missing, so that you resume reading a lot further along in the original text, when the characters are discussing a completely different subject. It’s like listening to an old-style LP of a classical symphony that is so scratched that you barely get 20 seconds of melody before it skips 20 seconds or several minutes. Very disconnected. Snippets.

But there’s a deeper problem with the book which is its lack of sophistication, which makes it, ultimately, boring. The best preserved passage in Book One tells us there are three forms of government and each has a debased version, which makes for a neat, schematic table but is, ultimately, useless for our current needs, in Britain, in 2022.

When Scipio argues that monarchy is the best of the three types because there’s only one king of the gods, only one person can be in charge of a household, and only one element, Reason, which controls the mind…well, these are quaint ways of thinking – using child-like analogies rather than data, as I explained above – which have a sort of historical interest, but they’re not ideas anyone alive today would waste their time espousing.

And most of the contents are like that. Of antiquarian interest but nothing much to make you sit up and think. The actual history of the late republic, when Cicero was writing, is much more thought-provoking than this essay.

I appreciate that Cicero was writing a kind of abstract, a pedagogical text designed to raise the standard of political discourse in his own time – but in actual fact, nothing he wrote affected the fate of the Roman Republic in the slightest, and it is highly symbolic that the head that conceived these highfalutin ideas and the hands that wrote them were chopped off by Mark Antony’s bounty hunters. That was the utterly unscrupulous, deeply, immoral and justice-free reality of Roman politics.

A list of analogies

Once I’d realised that Cicero’s thought is guided more by analogies than data or statistics (of which he has almost no concept, apart from election results and the size of armies), it amused me to collect analogies from the last few books, although too late to compile a definitive list.

The mind rules over the body like a king over his subjects or a father over his children. The mind rules over its desires like a master over his slaves. (III, 37)

The sun is the mind and regulator of the universe. (VI, 17)

As the god who moves the universe is immortal, so the soul which moves the body is immortal (VI, 26)

Niall Rudd’s translation

A word of praise for this Oxford University Press edition. I described, probably at too much length, how strongly I disliked the prose styles and odd attitudes of A.J. Woodman, who translated Sallust, and Carolyn Hammond, who translated Caesar’s Gallic War, both for OUP, so that I abandoned reading both their translations. This edition restored my faith in OUP editions of the classics.

The introduction, mostly written by Jonathan Powell, is a model of lucidity, useful and to the point, as are the extensive notes, scholarly and interesting. There is a useful list of names and also an appendix giving a handy summary of the sometimes confusing Roman constitution.

The translation is by Professor Niall Rudd (1927 to 2015) and was first published in 1998. It is clear and unaffected – you feel you are engaging directly with the text. I cannot judge its fidelity to the source Latin, but it makes for a lucid, engaging read, as I hope you can tell from the many quotations I take from it. All round, it is a gold standard edition.


Credit

The Republic and The Laws by Cicero, translated by Niall Rudd with introduction and notes by Jonathan Powell and Niall Rudd, was published by Oxford University Press in 1998. All references are to the 2008 paperback edition.

Related links

Roman reviews

Roman writers

As well to remember that all Roman literature was written by an elite for an elite about an elite, and is overwhelmingly conservative and traditionalist in tone. Even when they’re writing about farmers or ordinary citizens or soldiers, Roman writers are doing it from the perspective of privileged members of the highly educated aristocratic classes. The only possible exceptions are the first two entries in the list, the comic playwrights Plautus and Terence, whose work features numerous slaves and tradesmen (often cooks) – though here again, we should be cautious about treating these characters and their views as documentary evidence, as they are clearly based on standardised stereotypes which owe their origins, in any case, to the Greek theatre.

This isn’t a comprehensive list of Roman authors, that would be much longer. These are the important Roman authors and this is by way of being an ideal or personal, reading list.

The Republic

Plautus (Titus Maccius Plautus, 254 to 184 BC) Plautus’s comedies are the earliest Latin literary works to survive in their entirety: Asinaria, Aulularia, Captivi, Casina, Curculio, Epidicus, Menaechmi, Mercator, Miles Gloriosus, Mostellaria, Persa, Poenulus, Pseudolus, Rudens, Stichus, Trinummus, Truculentus.

Terence (Publius Terentius Afer, 195 to 159 BC) Six plays: Andria (The Girl from Andros), Hecyra (The Mother-in-Law), Heauton Timorumenos (The Self-Tormentor), Phormio, Eunuchus, Adelphoe (The Brothers). Fanous for his t-shirt motto:

Homo sum, humani nihil a me alienum puto – I am human, and I think nothing human is alien to me

Cicero (Marcus Tullius Cicero, 106 to 43 BC) statesman, lawyer, scholar, philosopher. Cicero wrote more than 75% of the extant Latin literature that is known to have existed in his lifetime, including law court speeches, letters, treatises on rhetoric, philosophy and politics.

Julius Caesar (100 to 44 BC) author of accounts of his wars in Gaul, Egypt, Spain and Africa.

Lucretius (Titus Lucretius Carus, 99 to 55 BC) poet and philosopher whose only known work is the philosophical poem De rerum natura or ‘On the nature of things’, a poetic exposition of the philosophy of Epicureanism.

Sallust (Gaius Sallustius Crispus 86 to 35 BC) author of two historical monographs, on the Jugurthine War and the Catiline conspiracy.

Catullus (Gaius Valerius Catullus, 84 to 54 BC) known for an anthology of 116 carmina or poems which are divided into three parts according to their form: sixty short poems in varying meters, called polymetra, eight longer poems, and forty-eight epigrams.

Livy (Titus Livius, 59 BC to 17 AD) author of a monumental History of Rome titled Ab Urbe Condita Libri (‘Books from the Founding of the City’) which originally comprised 142 ‘books’, 35 of which still exist in reasonably complete form.

The Empire

Vergil (Publius Vergilius Maro, 70 to 19 BC) composed three of the most famous poems in Latin literature: the Eclogues, the Georgics and the epic poem, Aeneid.

Horace (Quintus Horatius Flaccus, 65 to 8 BC) the leading Roman lyric poet during the rule of the emperor Augustus: famous for his Odes, Satires, Epistles and Epodes.

Ovid (Publius Ovidius Naso, 43 BC to 18 AD) younger contemporary of Virgil and Horace, together considered the three canonical poets of Latin literature. His three three main works are the Metamorphoses, the Ars Amatoria (‘Art of Love’) and Fasti.

Seneca (Lucius Annaeus Seneca the Younger, 4 BC to AD 65) philosopher, statesman, dramatist and satirist: a dozen essays and 124 letters dealing with moral issues, 9 tragedies: Hercules furens (The Madness of Hercules), Troades (The Trojan Women), Phoenissae (The Phoenician Women), Medea, Phaedra, Oedipus, Agamemnon, Thyestes.

Lucan (Marcus Annaeus Lucanus, 39 BC to 65 AD) known for his epic Pharsalia or De Bello Civili (‘On the Civil War’) about the wars between Julius Caesar and Pompey.

Plutarch (46 to after 119 AD) Greek philosopher, historian, biographer, essayist, and priest, author, among many other works, of the Parallel Lives, biographies of 50 eminent Greeks and Romans.

Tacitus (Publius Cornelius Tacitus, 56 to 120 AD) widely regarded as one of the greatest Roman historians known for two incomplete works, the Annals and the Histories, covering the reigns of the emperors Tiberius, Claudius, Nero and the Year of the Four Emperors (69 AD) to 70 AD in the First Jewish–Roman War (66 to 73). Also a dialogue on oratory, the Germania or De origine et situ Germanorum and the life of his father-in-law, Agricola, the general responsible for much of the Roman conquest of Britain (De vita et moribus Iulii Agricolae). In the latter, a leader of the rebellious Scots is given a long speech criticising the Roman Empire which includes the famous quote:

ubi solitudinem faciunt pacem appellant – they create a desert and call it peace

Juvenal (Decimus Junius Juvenalis, 55? to 150? AD) author of 16 satires divided into five books.

Pliny the Younger (Gaius Plinius Caecilius Secundus, 61 to about 113) lawyer, author and magistrate famous because he wrote hundreds of letters, 247 of which survive: the most notable are the hundred or so in his correspondence with the emperor Trajan in his capacity of governor of the Roman province of Bithynia, one of which asks advice about how to treat the new sect of Christians (one of the earliest references to Christianity) and the exchange where his friend Tacitus asks him for his memories of the eruption of Mount Etna which Pliny witnessed.

Suetonius (Gaius Suetonius Tranquillus, 69 to 122 AD) historian whose most important surviving work is De vita Caesarum, a set of biographies of 12 successive Roman rulers, from Julius Caesar to Domitian.

Petronius (Gaius Petronius Arbiter, 27 to 66 AD) was a courtier to the emperor Nero and is believed to be the author of the scandalously satirical novel, the Satyricon.

Cassius Dio (Lucius Cassius Dio, 155 to 235) Roman historian and senator of Greek origin who published 80 volumes of the history of ancient Rome, from the arrival of Aeneas in Italy through to 229 AD, covering about 1,000 years of history.


Roman reviews

%d bloggers like this: