Nam June Paik at Tate Modern

Nam June Paik (1932 to 2006) was a Korean American artist. He worked with a variety of media and is considered the founder of video art. He is credited with an early usage (1974) of the term ‘electronic super highway’ in application to telecommunications. (Wikipedia)

This is a major retrospective exhibition of the work of Korean-American artist Nam June Paik, a collaboration between Tate Modern and San Francisco Museum of Modern Art.

It’s the most comprehensive survey of the artist’s work ever staged in the UK, bringing together over 200 works – from early compositions and performances, to sculptures, photos and paintings, magazines and drawings – through to rooms full of videos and large-scale television installations, and a final room which is a large scale, pulsating and very loud, multi-media rock installation.

Sistine Chapel (1993) Courtesy of the Estate of Nam June Paik

The Korean War ended in 1953 with South Korea saved from communist tyranny, and the country which saved it – at such cost in blood and money – the USA, proceeded to invest heavily in the South, fuelling a technology and consumer boom.

Paik developed as an artist during this boom and right from the start was interested in the incongruity of a still, in many ways undeveloped, traditional and Buddhist culture taking on the trappings of Middle American consumer capitalism. Hence his frequent images and assemblies playing with and highlighting the clash of these two cultures.

TV Buddha by Nam June Paik (1974) Stedelijk Museum, Amsterdam

When he, inevitably, traveled to America, he was put in touch with other opponents of the swamping consumer culture, the Beat poets like Allen Ginsberg, or the collection of artists musicians and performers at the Black Mountain College, North Carolina, which was home to all sorts of eminent artists and performers, notably the composer John Cage and the choreographer Merce Cunningham.

Cage had an explosive impact on young Paik – he showed him that art can be made out of anything, incorporate any technology, and use chance and randomness. A man on stage twiddling through radio stations can, in the right circumstances be a work of art. A television showing an endless loop of imagery, or weird incandescent patterns you’ve generated to be played through it… or a TV with a magnet on top which distorts the images, or a large magnetic loops around the front with a fluctuating current going through it which makes the images bend and distort.

Why can’t all or any of this be art? After all, this was the age of the atom bomb and the Cold War, when the entire world might be reduced to a smouldering cinder in half an hour if someone pressed the wrong button. How could you possibly go on painting like Rembrandt or Constable in a world like that?

You needed something that responded to the urgency and the crisis of the times. And television seemed to be the new medium, the one through which entertainment and government lies poured in equal measure. A medium which could potentially be used for education and to bring the world together. Or to promote lies and ideology which would tear the world apart.

Why not address its ever-growing centrality, deconstruct it, take it to bits, satirise it, parody it, build sculptures out of it?

TV robots by Nam June Paik

Room by room

This exhibition feels really comprehensive. It’s massive and feels packed with stuff, but still manages to be imaginatively spaced and staged. Its twelve big rooms contain:

Introduction

Paik travelled to work in the US, Germany and Japan. He always questioned not just national borders but professional demarcations – and liked working with collaborators, not just artists, but dancers and musicians, and also fleets of technicians who helped him build robots and experiment with TV technology.

Buddhism. Many of his inventions use Buddhist motifs, from the image of a Buddha statue relayed via a CCTV at the start, to the penultimate room which contains a single lit candle with a camera pointing at it, and the image of the flickering flame reproduced on screens and projected onto the wall.

TV Garden

‘A future landscape where technology is an integral part of the natural world.’ The idea is supposedly related to Paik’s Buddhist feel for the way everything and everyone is connected in the spirit world and, increasingly, in a world dominated by new technology. But it is in fact a load of rubber plants with TV monitors arranged among them.

TV Garden 1974 to 1977 (2002) Tate Modern 2019. Kunstsammlung Nordrhein-Westfalen, Dusseldorf

Googling images of this, you can see that in some places the plants were set among stones in what looks like an actual low-growing garden. Tell you where would be a good place for these – the greenhouse at the Barbican.

Global Groove

According to the wall label: ‘This colourful fast-paced video mixes high and popular cultures, with imagery from traditional and contemporary, Western and non-Western sources.’

Far out, man! Look at the crazy picture distortion and mirroring effects! Top of the Pops 1973!!

From quite early on you get the feeling that all of this – the obsession with TV, the notion of the global village, lumbering robots, pop music and pop videos – it all seems incredibly dated. When I saw that the magnets placed around TV sets were being used to distort speeches by Richard Nixon I realised were in that kind of art, art gallery, curatorial time loops which is obsessed with the 1960s and their crappy hangover in the 1970s. The Vietnam War, the Beatles, Allen Ginsberg chanting blues to his harmonium, Woodstock, Watergate – yeah, man, it was all one heavy trip.

Even in the massive multi-media ‘experience’ which climaxes the exhibition in which a disorientiating stream of intercut images and clips and sounds and music are projected onto the walls and ceiling of the final room, I was astonished when prolonged clips came up of Janis Joplin singing her heart out. She died of a heroin overdose in died 1970.

In one darkened room is a huge wall of TV sets with other big TV monitors on the other walls and it seems to be playing a kind of multinational, global mashup of videos from various cultures, all treated to look over-coloured, cut-up and treated and all playing to… a soundtrack of Beatles songs! – titled Video Commune (Beatles beginning To End) and dating from 1970. Old. Old, old, old.

It is all just about near enough to be sort of familiar, but also old enough to smell musty like grandad.

Electronic music

Paik actually studied to be a classical musician and was an extremely able pianist. Some of the clips of Beethoven featuring in various vidoes are played by him. But when he moved to Germany in 1956 and met Karlheinz Stockhausen and John Cage, it blew his mind daddy-oh.

In 1963 he hosted a one-man show at a villa converted into a gallery stuffed with immersive environments and sculptures which required audience involvement. There were musical instruments modified by the artist, three customised pianos in the Cage manner (Cage composed quite a lot of music for pianos which had had nuts and bolts and screws and elastic bands inserted between the keys or into the wires. They’re surprisingly listenable. Paik took this approach to the next level.

Zen for Wind took lots of random dangling objects which a breath of wind made brush against each other, jingle jangle. Visitors could record their own sounds and snippets on tape recorders and hear them reproduced at random through loudspeakers.

Paik’s friend the German artist Joseph Beuys destroyed one of the pianos and Paik liked it so much he left it on display. Ah, those were the days. Such rebels, back in a time when rebellion had meaning.

Some of Paik’s Cage-like music, some of the dangling objects and one of the pianos are on display here in this exhibition. It was ironic to read on all the wall labels how Paik wanted his visitors to interact with the pieces and then turn to them to find them all protected by plastic covers or behind tripwires which set off alarms.

Installation view of Nam June Paik at Tate Modern

No, children, you could play with these dusty old toys once upon a time, even smash them up for fun, but now times are very different and every scrap of paper and piece of old cable which was ever handled by a Great Artist is now a precious Work of Art, which would fetch millions on the current art market, and so must be protected, curated, catalogued and carefully stored away.

That’s what happens to avant-gardes – they fall into the hands of galleries and curators where their entire disruptive, anarchic charge is neutralised, surgically removed, and replaced by polite wall labels and security barriers.

Merce Cunningham

There’s a room devoted to Paik’s collaborations with and riffing off the work of Cage and choreographer Merce Cunningham, including the film Zen for Film a, blank film ‘exploring themes of emptiness, boredom and random interference’ – and Merce by Merce by Paik.

Charlotte Moorman

As a thoroughly trained classical musician Paik was well placed to make his comment that sex was everywhere in art and literature and yet almost completely absent from the classical canon.

Why is sex, a predominant theme in art and literature, prohibited ONLY in music?

(For a start that shows the extreme limits of his knowledge of contemporary and pop culture: I think even a casual examination would have shown him that popular songs, jazz, blues, rock’n’roll, pop and rock music is OBSESSED with sex.)

So he set out to address this glaring error in a collaboration with classical cellist Charlotte Moorman which lasted for nearly thirty years. Basically, these involved getting Moorman to play the cello in various states of undress, topless, bottomless, totally nude, or with various objects taped onto her boobs, for example mirrors, or what looked like little display cases.

This was such a 60s idea it made me giggle. What’s so funny about peace, love and understanding, man? A big quote from Moorman is printed on the wall of her saying that, in the age of nuclear weapons and Vietnam, you couldn’t expect artists to make art like in the old days. She became known as the Topless Cellist.

Thus there are films of performances which involved Charlotte playing the cello nude, or with mirrors or even small TV monitors taped to her breasts, or playing a TV monitor as if it was a cello, or playing a man sitting in front of her as if he was a cello and, most impressively, climbing topless into a column of oil drums filled with water then climbing out again.

The idea that having women strip off, taking their clothes off or taping things to their boobs, would somehow revolutionise music or put the sex back into classical music is so laughable as to be sweet and quaint.

If there’s one thing that Charlotte Moorman is not, it’s sexy. She looks like a nice young lady who’s decided to take her clothes off to make a statement. But just taking your clothes off does not make you sexy, as anyone who’s been in a gym or swimming pool changing room and looked around knows: it just makes you someone who’s taken their clothes off, often enough a rather pitiable sight. Here she is, combining Paik’s two themes, playing a cello made of television sets.

Charlotte Moorman with TV Cello and TV Eyeglasses (1971) Peter Wenzel Collection

Joseph Beuys

Paik encountered the Zero Group in Dusseldorf in 1961, which included the eccentric German artist Joseph Beuys. They remained close friends and made various collaborations. One of the later ones is a long video of Beuys on stage somewhere, standing wearing his trademark hat and army flak jacket and howling howling howling like a coyote into a microphone.

This room contains a full-sized Mongolian yurt, because Paik felt very in touch with the Mongolian part of his heritage. It’s an impressive object, easily big enough to bend slightly and walk into. It was Paik’s contribution to the German pavilion at the 1993 Venice Biennale.

Mongolian tent by Nam June Paik (1993)

The Sistine Chapel

As mentioned above, the penultimate room contains a flickering flame with a camera pointing at it, and projected on the walls. But this pales into comparison with the elaborate scaffolding which projects a mashup of footage onto the walls and ceiling of the final room all to a deafening rock and blues and classical splice track.

The sound is impressive and the images are sort of immersive, but what really impresses is how much bloody scaffolding and structure it took to project these images. I wonder if the same effect could be achieved nowadays with a fraction of the equipment… as in the nearby exhibition of contemporary immersive artist, Olafur Eliasson. And if so, the thing is impressive less for its effects, than for indicating how laborious and heavy and complicated it was back in 1993, to achieve something which can be done with a few hidden projectors nowadays…

Installation view of Nam June Paik at Tate Modern. Photo by the author

Nothing dates faster than old TV

Well, OK, some things do, bread for example. Or pop music. But not much dates faster and more completely than televison. Watching TV clips of Richard Nixon or John Cage or Janis Joplin or hearing tracks by the Beatles from the 1960s conveys a deep psychological sense that we have stepped back in time not just a few decades, but back into what, is now, a different century – a time which is fast becoming incomprehensible in its political and artistic naivety and optimism

I really enjoyed the exhibition because of its quaint sense of being dated and old. I liked the quaint old bakelite TV sets Paik made his television robots out of, or the extremely ancient tape recorders on which he made his cutting edge music compilations in the 1960s.

But nothing dates faster than old visions of the future. Paik’s wall of video monitors is wonderfully redolent of the 1980s, of MTV and the TV generation. But the future would turn out not to be about walls of TV screens, but screens which are so small you can put them in your pocket or possibly be projected onto your glasses (still waiting for that to be perfected).

This is a beautifully assembled and laid out and clearly explained exhibition, and it explains why Paik was clearly one of the early international art superstars but – Tate’s promotional video includes the slogan THE FUTURE IS NOW. But this exhibition is all about THEN, and quite an outdated THEN at that. To me it ranged from the dated, to the very dated, to the really antique.

Some ancient robots and gizmos by Nam June Paik at Tate Modern.

A fascinating look at the world of a pioneer of TV art, or art for the TV age – but really bringing home the fact that that era, the TV era, is long gone, and we are well into a completely new era, of boundless new communication technologies, bringing with them new social ideas and issues, and new geopolitical threats, which have as yet been very little explored by artists.

Paik appears to have been the grand-daddy to the modern world of video art, a granddad whose pioneering work more or less ended around the same time as the analogue era, sometime in the mid-1990s. He was the great pioneer of analogue visual technology, a revered ancestor. Let’s tap the temple bell, and make a bow to his cheeky, funny, loud and inventive achievements.


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More Tate Modern reviews

The Korean War by Max Hastings (1987)

This book

This account of the Korean War (1950-53) is thirty years old this year, and so dates from before the collapse of the Soviet Union and the end of the Cold War. Nevertheless, although there are several shorter accounts on the market, this seems to be the only lengthy, in-depth, narrative history of the Korean War in print – an indication of the general lack of interest in the war, both at the time and since (compare and contrast the number of books which come out every year about WW2 or Vietnam).

Why the neglect? The Korean War lacked the scale of the Second World War, so only a relatively small number of soldiers’ families were involved. Around 100,000 British troops were posted to Korea in total, but the British population was more concerned with its own problems – ongoing food rationing, a general election – or the Soviet threat on the continent of Europe. Who cared whether Korea was partitioned along this line or that line?

a) The war was on the other side of the world and
b) After the dramatic reverses of the first year of the conflict, the latter two years dwindled down to a grinding stalemate, demoralising and inglorious. In the end there was no Allied victory (as in WW2), merely a ceasefire which created a border not very much different from the pre-war line. So it turned out to have been a boring, faraway war which achieved nothing.

Background to the partition of Korea

A newcomer to the subject might ask, Why was Korea partitioned between north and south at the 38th parallel in the first place?

To go back a bit, Japan had interfered in Korea’s affairs since the late 19th century. In 1905 Japan made Korea a protectorate; in 1907 the Japanese took control of Korean domestic affairs and disbanded their army; and in 1910 Japan formally annexed Korea.

In the following decades Japan forced some 100,000 Koreans to join the Imperial Japanese Army, and up to 200,000 Korean women were forced into sexual slavery to service Japanese soldiers in Korea and Japanese-occupied China.

Then in 1931 Japan invaded Manchuria, the huge block of territory between northern China and Russia, and in 1937 attacked the rest of the coastal regions of China (as well as into Indochina, Malaya, Burma and so on). Korea was the earliest conquest of Japan’s Far Eastern empire.

Korea became an armed camp, in which mass executions  and wholesale imprisonment were commonplace, and all dissent forbidden. (p.16)

When the Second World War broke out in Europe, Stalin was careful to remain at peace with Japan. When Nazi Germany invaded the Soviet Union in June 1941, the Japanese did not declare war on Russia or attack in Siberia, which they could easily have done from their base in Manchuria. Stalin, for his part, maintained Russian neutrality even after Japan attacked Pearl Harbour in December 1941 thus provoking war with America, and Japan and Russia remained at peace right up to the closing days of the war.

In February 1945, at the Yalta conference, Stalin promised Roosevelt and Churchill that he would enter the war against Japan but he delayed till the last minute. (This, among other things, meant that the Japanese government held out the vain hope right into August 1945 that ‘neutral’ Russia would somehow stand up for them and negotiate good surrender terms with the Allies – a delusion.) So Stalin’s Soviet Union only abandoned its policy of neutrality and declared war on Japan on 9 August 1945. A huge Soviet army crossed the border from Siberia into Japanese-occupied Manchuria and swept south.

A glance at the map shows that the southern border of Manchuria is mostly sea, the Sea of Japan to the east and the Yellow Sea to the west of the Korean peninsula, which dangles down from the Chinese mainland like an Asian Scandinavia. So, with the goal of attacking the Japanese wherever they found them, it was natural that the invading Soviet army crossed the Chinese-Korea border (formed by the Yalu river) and headed south into the peninsula, defeating Japanese forces as they went.

‘Suddenly’ the Americans who, according to Hastings hadn’t really considered the strategic significance of Korea, realised they didn’t want Stalin to occupy the entire peninsula create a communist stronghold so close to soon-to-be-defeated Japan. So the Americans requested Stalin to halt his forces and informed him that American forces would invade Korea from the south.

Two American officers were put in charge of figuring out where the dividing line should be between the uneasy allies. Poring over a map, they reached the ‘hasty’ decision that the 38th parallel was a handy dividing line: it more or less divided the country in two, with the capital Seoul, the best agriculture and industry, and most of the population, to the south i.e. in the American sector.

President Roosevelt duly contacted Stalin with the request that he stop his forces at the 38th parallel and, to the Americans’ surprise, Stalin readily agreed. Stalin didn’t want to risk confrontation with the ally he was working so closely with in Europe, and was also very aware of the atom bombs the Americans had just dropped on Japan. Yeah, sure, you can keep half of Korea.

(There is a nice irony here, that the Americans from Roosevelt down were vehement opponents of the European empires, and actively tried to sabotage the return to European imperial rule of Burma, Malaya or Indochina. But quite quickly they found themselves dragged into drawing precisely the kind of arbitrary lines and borders which they had criticised the Europeans for making in Africa and the Middle East. The existence of separate states of North and South Korea and the fates, the life chances and premature deaths of tens of millions of Koreans, were determined by this hurried decision made in the last gasp of the Second World War.)

North and South Korea

So Stalin stopped his troops at the 38th parallel, when he could easily have pressed on and seized the entire peninsula. American forces landed at Incheon on September 8 and liberated southern Korea from their Japanese occupiers. In time both countries put their own regimes in place in their sector, the Soviets basing their government in the northern city of Pyongyang, the Americans in the traditional capital, Seoul, permanently crystallising the distinction between communist North Korea and capitalist South Korea.

While the Russians proceeded with their standard process of step-by-step managing the local communists into government and then picking off the opposition one by one to create a mini Stalinist state, Hastings describes the Americans as making a number of important mistakes in the South.

For a start, the Americans found the native Koreans completely unused to governing their own country. Thus, against their intentions, in the early days they ended up being forced to work closely with the now-defeated Japanese authorities, for the simple reason that the Japs had the experienced men in place to carry on carrying out the function of the state. Only slowly were these replaced by native Koreans, and then the Americans had the devil of a time selecting which of the many groups of clamouring Korean politicians to choose to run things.

As the threat from Soviet communism became more palpable into 1946, the Americans found themselves setting up a government run by the smooth-talking, right-wing émigré Syngman Rhee. Hastings recounts how left-of-centre Korean groups were too quickly marginalised because of the taint of communism and how the Americans, despite their best intentions, found themselves installing Rhee, and then coming to regret the choice of such a corrupt, brutal figure. Rhee ended up being president of South Korea from 1948 to 1960 and was an early example of the kind of brutal, repressive and corrupt right-wing regime which the Americans would find themselves supporting again and again throughout the Cold War.

This had the result of fuelling left-wing and communist agitation against his government, which led to a spiral of repression, and left many Americans feeling ambivalent and uneasy in their support for Rhee. This was epitomised by a reluctance to arm his air force, artillery and infantry with more than a token minimum of equipment, since there was good evidence that arms were mainly used against his own civilian population.

Meanwhile, throughout the late 1940s North Korea kept up a steady stream of propaganda broadcasts to the south, designed to appeal to all Korean patriots, calling for the reunification of the country, as well as predictable calls for the overthrow of Rhee and his unlikeable clique. In the spring of 1950 this rhetoric became steadily more heated and experts in the U.S. State Department warned of the growing threat of some kind of attack by the North on the South. The American government, under President Harry Truman, had its hands full coping with crises in the more obvious cockpit of the Cold War, Europe, beset by a sequence of crises including the Berlin Airlift from June 1948 to May 1949, the communist coup in Czechoslovakia in 1948, and so on.

The Korean War

1. The North invades Thus it came as a complete surprise to the world when Kim Il-Sung’s North Korean army invaded South Korea on 25 June 1950. The United Nations immediately voted it an illegal act and sent forces to stop the advance. These were at first mostly American, but in time came to consist of a coalition including other Western countries and eventually 20 nations from round the world. But before this could be organised, the North Koreans succeeded in storming through the south, pushing the under-equipped demoralised Republic of Korea’s army back until it and its American support were, by September 1950, pinned into a pocket in the south-east of the peninsula, the Pusan area.

2. Landing at Inchon Not only did the Americans reinforce their troops who fought bravely to hold the line at Pusan but General MacArthur, the hero of the Pacific War, who had been ruling post-war Japan as American Vice-Consul, now conceived his last great strategic coup, which was to organise a massive American amphibious landing at Inchon in mid-September 1950, on the coast near Seoul, thus attacking the North Koreans in their rear, and threatening their supply lines.

The Americans broke out of the Pusan pocket and drove north, pushing back the demoralised and exhausted North Koreans, back across the 38th parallel and further north. At this point Hastings’ account dwells on the massive disagreements within the American administration on whether or not the Allies should halt at the parallel or press on to take the entire peninsula. This latter view prevailed and the American, ROK and other UN national forces (British and Commonwealth as well as a large contingent from Turkey) pressed north.

3. China enters the war Allied forces had come within sight of the Yalu river which forms the border between Korea and China when they were horrified to learn that a vast contingent of the People’s Republic of China had crossed the border and was attacking along the line. Briefly, sheer weight of numbers overran Allied positions, creating confusion and panic, and it is chastening to read accounts of Allied troops dropping their guns and equipment and running in panic fear. The Chinese routed the Allies, pushing them relentlessly southwards back towards the 38th parallel.

Hastings excels, in this book as in his later one about the War in the Pacific, at combining at least three levels of analysis:

  • Carefully chosen eye witness accounts (from letters, diaries and reports made at the time along with highlights of the scores of interviews with veterans which he conducts for each book).
  • Detailed descriptions, with maps, of specific battles and the broader military situation.
  • But what I enjoyed most is Hasting’s ability to pull out of this narrow focus to explain in detail the strategic and geopolitical issues behind the war. Thus there is a lot of analysis throughout the book of the conflicting aims and strategies of the Allies, and particularly within the US administration and armed forces. It is riveting to read how war aims a) can be so contradictory and fiercely debated within a set of allies b) change over time according to all sorts of pressures, like domestic opposition, political attacks from opponents, looming elections, threats elsewhere.

4. Shall we bomb China? The largest issue raised by the Chinese victories and our troops’ humiliating defeats was whether to broaden the war to attack China itself i.e. why only fight the Chinese forces inside Korea, why not bomb mainland China, as we did Germany and Japan? 1. The scattered terrain of hilly Korea, lacking main roads and railways, and the methodology of the communists, moving across country, made it difficult to attack enemy formations in Korea. 2. All their supplies were coming from factories in China, and Chinese MiG jets were flying from airfields in China – why not attack those?

The highpoint of this point of view, strongly espoused by senior figures in the US army and air force, was MacArthur’s request that the Allies use the atom bomb against Chinese forces not only in Korea, but against Chinese cities. The army drew up a list of twenty possible targets. Imagine!

Within Truman’s own cabinet there were – as always – hawks and doves, with some supporting broadening the war, others strongly against. In the event, Truman took the cautious line, and posterity has to agree. If both sides, by tacit consent, limited their confrontation to within the peninsula, it was containable and manageable. In February 1950 Russia and China had signed a defensive alliance committing each to go to war if the other party was attacked, so if the UN forces had bombed Chinese cities, would Russia have been forced to come to China’s defense? Would it have triggered World War III? Was it worth taking the risk?

Hastings brings out how US hawks saw the conflict in terms of the global Cold War against communism. The gruesome way Soviet-backed regimes were established across Europe and the victory of Mao Zedong’s communists in China in 1949, gave a very real sense that communism was advancing on all fronts. The North Korean attack fitted right in with that view of the democratic West being under sustained attack, and revelations of the extent of Soviet spies inside the atom bomb programme and throughout the US establishment, go a long way to explaining the mounting hysteria epitomised by the rise of Senator Joseph McCarthy and his House Unamerican Activities Committee. Truman had to stand up against a great deal of pressure, within the military establishment, from the McCarthyites, from some sections of the media and public opinion, in refusing to widen the war. 60 years later we pay him credit.

Only very slowly, did some parts of the US administration come to realise that China’s motives stemmed at least from simple nationalism as from world communist conspiracies. A captured Chinese soldier is quoted as saying, ‘How would you like your enemies armies, complete with atom bombs, parked just across your 450-mile-long border?’ If the Americans hadn’t pushed on north beyond the parallel, maybe the Chinese wouldn’t have been prompted to invade. Maybe a lot of lives could have been saved.

5. Stalemate Of course, the decision not to widen the war i.e. attack the Chinese mainland – condemned a lot of American, British Commonwealth and UN troops to ongoing slog, battle, injury and death. In December 1950 Lieutenant-General Matthew B. Ridgway took over command of the US Eighth Army and began to turn it around. Retrained, re-equipped and remotivated, his forces held the Chinese and then began to press northwards, retaking Seoul in March 1951, and pressing forward to the parallel.

Throughout this period General MacArthur, in overall command of US forces in the Far East, had given interviews and communicated to representatives of other governments his wish to expand the war, often in direct conflict to the stated aims of the US administration. Eventually, President Truman felt compelled to relieve him of his command on 10 April 1951. This caused a storm of protest within the military, in Congress and among the general public, for whom MacArthur was a great American hero. Truman’s popularity fell to the lowest ever recorded for a US President. And without it being the immediate intention, MacArthur’s sacking sent out a strong message to America’s allies, to China and Russia, that the United States did not intend to attack China, did not even intend to seize the whole Korean peninsula, but would settle for the much more limited aim of returning to the status quo ante.

As spring 1951 turned to summer, the front line advanced and receded around the parallel, slowly settling into a stalemate. A year after the initial invasion, the armies were back more or less where they had started. The North Koreans reluctantly agreed to open ceasefire talks and protracted armistice negotiations began on 10 July 1951 at Kaesong, before moving to the neighbouring village of Panmunjom. Due to the intransigence of the North and the Chinese, these talks dragged on for two long years, while on the ground there was a steady stream of offensives and counter-offensives, none of which really changed the strategic picture, but in which a lot of soldiers died pointlessly on both sides.

The narrative pauses at this point for a series of chapters looking at specific aspects of the war:

  • The war in the air, where the West learned for the first time the limits of air power – something which was to be repeated in Vietnam – and for the first time jet fighter fought jet fighter, Soviet MiGs against US Sabres.
  • The creation more or less from scratch of a U.S. intelligence operation, which featured a number of gung-ho operations behind the lines but precious little usable intelligence. I was tickled to read that the CIA’s Seoul station had 200 officers, but not a single speaker of Korean, an attitude of uninterest in local cultures and languages which the Americans repeated later in Vietnam and the Middle East.
  • The issue of communist prisoners of war, whose numbers had risen to some 130,000 by the end of the war and whose repatriation back to the North became one of the big stumbling blocks of the peace negotiations.

The mounting frustration at having to fight and die in bloody, futile engagements while the diplomats at Panmunjom, just a few miles away, drew the peace negotiations out with unbearable delays, is well depicted in this 1959 movie, Pork Chop Hill. It illustrates the brutality and heavy losses incurred for insignificant hilltops, the effectiveness of Chinese propaganda broadcast to Allied troops by loudspeaker across the front line, and the widespread demoralisation of the American soldiers with many, perhaps most, of them expressing intense doubt about what they were fighting for and whether it was worth it.

Hard not to see foreshadowings of the irresolution and crushing sense of futility which were to bedevil the Vietnam War.

6. Ceasefire Josef Stalin died in March 1953 and Soviet policy went into a shadowy period of uncertainty. Meanwhile, Republican President Eisenhower replaced Democrat President Truman. Part of his campaign had included the pledge to bring the war to an end. These final stages include the unnerving plans made by the new administration to: massively boost South Korean armed forces; bomb China north of the Yalu; deploy the new artillery-fired nuclear weapons the US had developed; and to transport Chinese Nationalist fighters from Formosa to the Chinese mainland to carry out guerrilla operations (p.473). These aims were communicated to the Soviets and Chinese and at last broke the logjam. In April the communist delegates at Panmunjom began to respond to suggestions.

Ironically, the final stumbling block turned out to be the obstinate dictator of South Korea, Syngman Rhee, who was refused by America’s decision to ‘abandon’ his nation and refused to agree to a ceasefire or sign the agreement. The Americans, not for the last time, found themselves struggling to contain a right-wing leader of their own creation, but by immense pressure managed to prevent Rhee actively sabotaging the negotiations. It is rather staggering to learn that they developed a plan for kidnapping Rhee and overthrowing his government if he refused to play ball (plan EVER-READY p.479).

On 27 July 1953 a ceasefire was finally declared and a demilitarised zone (DMZ) created either side of the ceasefire line. Legally, the war has never ended and this, along with the belligerent rhetoric which has continued to pour out of Pyongyang, along with the occasional terrorist atrocity and a trickle of shooting incidents across the DMZ, explains why South Koreans have lived in a state of tension and high alert for the past 64 years.

And now that Kim Il-sung’s son and successor as Great Leader, Kim Jong-il, has developed nuclear weapons and is testing long-range missiles to deliver them, who knows what further trouble this barren peninsula might cause.

Stats

  • 1,319,000 Americans served in Korea, of whom 33,629 were killed and 105,785 wounded
  • The South Korean army lost 415,000 killed and 429,000 wounded
  • The Commonwealth lost 1,263 killed and 4,817 wounded
  • The Americans estimate that 1.5 million Chinese and North Koreans died, but this is an educated guess
  • Wikipedia reports that some 2.5 million Koreans, north and south, were killed or wounded

This huge loss of civilian and military lives is captured in Taegukgi: The Brotherhood of War from 2004, a phenomenally violent Korean film directed by Kang Je-gyu, and saturated with blood-spattering special effects.

The lessons of history

The Korean War is interesting for a number of reasons:

  1. as a dramatic and very hard-fought war in and of itself
  2. as the first armed confrontation between two superpowers in the Cold War
  3. as a template for the Vietnam War

It’s the latter which is, at this distance of time, maybe the most resonant. Their convincing win against Japan gave the Americans the sense that overwhelming might on land and sea and in the air guaranteed victory. Korea disabused them of this confidence. In Korea the Americans stumbled upon issues which were to plague them 15 years later in Vietnam:

  • the difficulty of supporting an unpopular native regime
  • the problems of creating a native army to support an unpopular regime, in a corrupt and inefficient society
  • the cost of underestimating an Asian army
  • the difficulty of using air power, no matter how overwhelming, against a peasant army with no identifiable infrastructure – this wasn’t like bombing German or Japanese factories
  • the difficulty of deploying a highly mechanised army in broken country against a lightly armed, highly mobile enemy (p.xvi)

This is an excellent, thorough, well-written and gratifyingly intelligent account of an important war which, paradoxically, makes it clear why it has been so often overlooked by historians in the Allied countries which fought in it, namely America and Britain. It powerfully explains why fighting a pointless war in a faraway country for an ugly regime was so unpopular at the time and has been neglected ever since.

P.S. Japan

Big strategic history like this is full of ironies. I was delighted to learn that the Korean War helped to set Japan on its feet again and kick-started its astonishing post-war economic recovery, helped along by the vast amounts of money poured into the country which served as ‘aircraft carrier, repair base, store depot, commissariat, hospital, headquarters and recreation centre’ for the UN forces in the Far East (p.444). Every cloud has a silver lining.


Credit

The Korean War by Max Hastings was published in 1987 by Michael Joseph. All quotes and references are to the 2010 Pan Macmillan paperback.

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Atomic by Jim Baggott (2009)

This is a brilliantly panoramic, thrilling and terrifying book.

The subtitle of this book is ‘The First War of Physics and the Secret History of the Atom Bomb 1939-49‘ and it delivers exactly what it says on the tin. At nearly 500 pages Atomic is a very thorough account of its subject – the race to develop a workable atomic bomb between the main warring nations of World War Two, America, Britain, France, Germany, Italy, Russia –  with the additional assets of a 22-page timeline, a 20-page list of key characters, 18 pages of notes and sources and a 6-page bibliography.

A cast of thousands

The need for a list of key characters is an indication of one of the main learnings from the book: it took a lot of people to convert theoretical physics into battlefield nuclear weapons. Every aspect of it came from theories and speculations published in numerous journals, and then from experiments devised by scores of teams of scientists working around the industrialised world, publishing results, meeting at conferences or informally, comparing and discussing and debating and trying again.

Having just read The Perfect Theory by Pedro Ferreira, a ‘biography’ of the theory of relativity, I had gotten used to the enormous number of teams and groups and institutes and university faculties involved in science – or this area of science – each containing numerous individual scientists, who collaborated and competed to devise, work through and test new theories relating to Einstein’s famous theory.

Baggott’s tale gives the same sense of a cast of hundreds of scientists – it feels like we are introduced to two or three new characters on every page, which can make it quite difficult to keep up. But whereas progress on the theory of relativity took place at a leisurely pace over the past 100 years, the opposite is true of the development of The Bomb.

This was kick-started when a research paper showing that nuclear fission of uranium might be possible was published in 1939, just as the world was on the brink of war (hence the start date for this book). From that point the story progresses at an increasing pace, dominated by a Great Fear – fear that the Nazis would develop The Bomb first and use it without any scruples to devastate Europe.

The first three parts of the book follow the way the two warring parties – the Allies and the Nazis – assembled their teams from civilian physicists, mathematicians and chemists at various institutions, bringing them together into teams which were assembled and worked with increasing franticness, as the Second World War became deeper and darker.

If the you thought the blizzard of names of theoretical and experimental physicists, mathematicians, chemists and so on in the first part was a bit confusing, this is as nothing compared to the tsunami of names of Army administrators, security chiefs, civil servants, bureaucrats and politicians who are roped in to create and administer the facilities which were established to research and build, first a nuclear reactor, then a nuclear bomb.

Baggott unfolds the story with a kind of unflinching factual pace which is extremely gripping. Each chapter is divided into sections, often only a page long, which explain contemporaneous events at research bases in Chicago, out in the desert at Los Alamos, in Britain, in German research centres, and among Stalin’s harassed scientific community. Each one of these narratives is fascinating, but intercutting them like this creates an almost filming effect of cutting from one exciting scene to another. Baggott’s prose is spare and effective, almost like good thriller writing.

The nuclear spies

And indeed the book strays into actual thriller territory because interwoven with the gripping accounts of the British, Russian, German and American scientists, and their respective military and political masters, is the story of the nuclear spies. I read Paul Simpson’s A Brief History of The Spy a few months ago and it gives good accounts of the activities of Soviet spies Klaus Fuchs, David Greengrass, Theodore Hall, as well as the Rosenbergs. But the story of their spying and the huge amounts of top secret information they handed over to the Russians is so much more intense and exciting when it is situated in the broader story of the nail-biting scientific, chemical, logistical and political races to build The Bomb.

German failure

As everyone knows, the Nazis were not able to construct a functioning bomb before they were militarily defeated in May 1945. But it wasn’t for want of trying, and the main impression from the book was the sense of vicarious horror from the thought of what they’d done if they had made a breakthrough in the final desperate months of spring 1945. London wouldn’t be here. I wouldn’t be here.

Baggott’s account of the German bomb is fascinating in numerous ways. Basically, once the leadership were told it wouldn’t be ready in the next few years, they didn’t make it a priority. Baggott follows the end of the war with a chapter on hos most of the German nuclear scientists were flown to England and interned in a farm outside Cambridge which was bugged. Their conversations were recorded in which they were at first smugly confident that they were being detained because they were so far in advance of the Allies. Thus they were all shocked when they heard the Allies had dropped an atom bomb on Japan in August 1945. At which point they began to develop a new line, one much promoted by German historians since, which is that they could have developed a bomb if they’d wanted to, but had morals and principles and so did all they could to undermine, stall and sabotage the Nazi attempt to build an A bomb.

They were in fact ‘good Germans’ who always hated the Nazis. Baggott treats this claim with the contempt it deserves.

Summary of the science

The neutron was discovered in 1932, giving a clearer picture of what atoms are made of i.e. a nucleus with at least one proton (with a positive electric charge) balancing at least one electron (with a negative charge) in orbit around it. Heavier elements have more than one neutron and electron (always the same number) as well as an increasing number of neutrons which give weight but have no electric charge. Hence the periodic table lists the elements in order of heaviness, starting with hydrogen with one proton and going all the way to organesson, with its 118 protons. Ernest Lawrence in California invented the cyclotron, a device for smashing sub-atomic particles into nuclei to see what happened. In 1934 Enrico Fermi’s team in Italy set out to bombard the nuclei of every known element with neutrons, starting with hydrogen (1) and going through the entire periodic table.

The assumption was that, by bombarding elements with neutrons they would dislodge one or two protons in each nucleus and ‘shift’ the element down the periodic table by one or two places. When the team came to bombard one of the heaviest elements, uranium, they were amazed to discover that the process seemed to produce barium, about half the weight of uranium. The bombardment process seemed to blast uranium nuclei in half. Physics theory, influenced by Einstein, suggested that a) this breakdown would result in the release of energy b) some of the neutrons within the uranium nucleus would not be required by the barium atoms and would themselves shoot out to hit other uranium nuclei, and so on.

  • The process would create a chain reaction.
  • Although the collapse of each individual atom would release a minuscule amount of energy, the number of atoms in such a dense element suggested a theoretically amazing release of energy. If every nucleus of uranium in a 1 kilogram lump was split in half, it would release the same energy as 22,000 tons of TNT explosive.

Otto Frisch, an Austrian Jewish physicist who had fled to Niels Bohr’s lab in Copenhagen after the Nazis came to power, heard about all this from his long-time collaborator, and aunt, Lise Meitner, who was with the German team replicating Fermi’s results. He told Bohr about the discovery. Frisch named it nuclear fission.

In early 1939 papers were published in a German science journal and Nature, while Bohr himself travelled to a conference in America. In the spring of that year fission research groups sprang up around the scientific world. In America Bohr realised anomalies in the experimental results were caused by the fact that uranium comes in two isotopes, U-235 and U-238. The numbers derive from the total number of neutrons and protons in an atom: U-238 has 92 protons and 146 neutrons; U-235 has three fewer neutrons. Slowly evidence emerged that it is the U-235 which breaks down. But it is much rarer than the stable U-238 and difficult to extract and purify. In March 1939 a French team summarised the evidence for nuclear chain reactions in a paper in Nature, specifying the number of particles released by disintegrated nuclei.

All the physicists involved realised that the massive release of energy implied by the experiments could theoretically be used to create an explosive device vastly more powerful than anything then existing. And so did the press. Newspaper articles began appearing about a ‘superbomb’. In April the head of physics at the German Reich Research Council assembled a group devoted to fission research, named the Uranverein, calling for the ban of all uranium exports, and for it to be stockpiled. British MP Winston Churchill asked a friend, Oxford physicist Frederick Lindemann, to prepare a report on the feasibility of a fission bomb. Soviet scientists replicated the results of their western colleagues but didn’t bring the issue to the attention of the authorities – yet. Three Hungarian physicists who were exiles from the Nazis in America grasped the military importance of the discoveries. They approached Einstein and persuaded him to write a warning letter to President Roosevelt, which was written in August 1939 though not delivered to the president until October. Meanwhile the Germans invaded Poland on 1 September and war in Europe began. At this point the Nazis approached the leading theoretical physicist in Germany, Werner Heisenberg, and he agreed to head the Uranverein, leading German research into an atomic bomb until the end of the war.

And so the race to build the first atomic bomb began! The major challenges were to:

  • isolate enough of the unstable isotope U-235 to sustain a chain reaction
  • to kick start the chain reaction somehow, not with the elaborate apparatus available in a lab, but with something which could be packed inside a contain (a bomb) and then triggered somehow
  • a material which could ‘damp’ the process enough so that it could be controlled in experimental conditions

From the start there was debate over the damping material, with the two strongest contenders being graphite – but it turned out to be difficult to get graphite which was pure enough – or ‘heavy water’, water produced with a heavier isotope of hydrogen, deuterium. Only one chemical plant in all of Europe produced heavy water, a fertiliser factory in Norway. The Germans invaded Norway in April 1940 and a spin-off was the ability to commandeer regular supplies from this factory. That is why the factory, and its shipments of heavy water, were targeted for the commando raid and then air raids dramatised in the war movie, The Heroes of Telemark. (Baggott gives a thorough and gripping account of the true, more complex, more terrifying story of the raids.)

Learnings

I never realised that:

  • In the end the Americans built the bomb because they were the only ones with enough resources. Although Hitler and Stalin were briefed about the potential, their scientists told them it would be three or four years before a workable bomb could be made and they both had more pressing concerns. The British had the know-how but not the money or resources. There is a kind of historical inevitability to America being the first to build a bomb.
  • But I never realised there were quite so many communist sympathisers in American society and that so many of them slipped across the line into passing information and/or secrets to the Soviets. The Manhattan Project was riddled with Soviet spies.
  • And I never knew that J. Robert Oppenheimer, the man put in charge of the facilities at Los Alamos and therefore widely known as the ‘father’ of the atom bomb, was himself was such a dubious character, from the security point of view. Well-known for his left-wing sympathies, attending meetings and donating money to crypto-communist causes, he was good friends with communist party members and was approached at least once by Soviet agents to pass on information about the bomb project. No wonder elements in the Army and the FBI wanted him banned from the very project which he was in fact running.

Hiroshima

The first three parts of the book follow in considerable detail the story from the crucial discoveries on the eve of the war, and then interweaves developments in Britain, America and the USSR up until the detonation of the two A-bombs over Hiroshima and Nagasaki on August 6 and 9, 1945.

  • I was shocked all over again to read the idea that, on the eve of the first so-called Trinity test, the scientists weren’t completely confident that the chain reaction might not spread to the nitrogen in the atmosphere and set the air on fire.
  • I was dazzled by the casual way military planners came up with a short list of cities to hit with the bombs. The historic and (by all accounts) picturesque city of Kyoto was on the list but it was decided it would be a cultural crime to incinerate it. Also US Secretary of War Henry Stimson had gone there on his honeymoon, so it was removed from the list. Thus, in this new age, were the fates, the lives and agonising deaths, of hundreds of thousands of civilians decided.
  • I never knew they only did one test – the Trinity test – before Hiroshima. So little preparation and knowledge.

The justification for the use of the bomb has caused argument from that day to this. Some have argued that the Japanese were on the verge of surrendering, though the evidence presented in Baggott’s account militates against this interpretation. My own view is based on two axioms: 1. the limits of human reason 2. a moral theory of complementarity.

Limits of reason When I was a young man I was very influenced by the existentialism of Jean-Paul Sartre and Albert Camus. Life is absurd and the absurdity is caused by the ludicrous mismatch between human claims and hopes of Reason and Justice and Freedom and all these other high-sounding words – and the chaotic shambles which people have made of the world, starting with the inability of most people to begin to live their own lives according to Reason and Logic.

People smoke too much, drink too much, eat too much, marry the wrong person, drive cars too fast, take the wrong jobs, make the wrong decisions, jump off bridges, declare war. We in the UK have just voted for Brexit and Donald Trump is about to become US President. Rational? The bigger picture is that we are destroying the earth through our pollution and wastefulness, and global warming may end up destroying our current civilisation.

Given all these obvious facts about human beings, I don’t see how anyone can accuse us of being rational and logical.

But in part this is because we evolved to live in small packs or groups or tribes, and to deal with fairly simple situations in small groups. Ever since the Neolithic revolution and the birth of agriculture led to stratified and much larger societies and set us on the path to ‘civilisation’, we have increasingly found ourselves in complex situations where there is no one obviously ‘correct’ choice or path; where the notion of a binary choice between Good and Evil breaks down. Most of the decisions I’ve taken personally and professionally aren’t covered by so-called ‘morality’ or ‘moral philosophy’, they present themselves – and I make the decisions – based purely on practical outcomes.

Complementarity Early in his account Baggott explains Niels Bohr’s insight into quantum physics, the way of ‘seeing’ fundamental particles which changed the way educated people think about ‘reality’ and won him a Nobel Prize.

In the 1920s it became clear that electrons, one of the handful of sub-atomic particles, behave like waves and like particles at the same time. In Newton’s world a thing is a thing, self-identical and consistent. In quantum physics this fixed attitude has to be abandoned because ‘reality’ just doesn’t seem to be like that. Eventually, the researchers arrived a notion of complementarity i.e. that we just have to accept that electrons could be particles and waves at the same time depending on how you chose to measure them. (I understand other elements of quantum theory also prove that particles can be in two places at the same time). Conceivably, there are other ways of measuring them which we don’t know about yet. Possibly the incompatible behaviour can be reconciled at some ‘deeper’ level of theory and understanding but, despite nearly a century of trying, nobody has come up with a grand unifying theory which does that.

Meanwhile we have to work with reality in contradictory bits and fragments, according to different theories which fit, or seem to fit, to explain, the particular phenomena under investigation: Newtonian mechanics for most ordinary scale phenomena; Einstein’s relativity at the extremes of scale, black holes and gravity where Newton’s theory breaks down; and quantum theory to explain the perplexing nature of sub-atomic ‘reality’.

In the same way I’d like to suggest that everyday human morality is itself limited in its application. In extreme situations it frays and breaks. Common or garden morality suggests there is one ‘reality’ in which readily identifiable ideas of Good and Bad always and everywhere apply. But delve only a little deeper – consider the decisions you actually have to make, in your real life – and you quickly realise that there are many situations and decisions you have to make about situations which aren’t simple, where none of the alternatives are black and white, where you have to feel your way to a solution often based in gut instinct.

A major part of the problem may be that you are trying to reconcile not two points of view within one system, but two or more incompatible ways of looking at the world – just like the three worldviews of theoretical physics.

The Hiroshima decision

Thus – with one part of my mind I am appalled off the scale by the thought of a hideous, searing, radioactive death appearing in the middle of your city for no reason without any warning, vaporising half the population and burning the other half to shreds, men, women and little children, the old and babies, all indiscriminately evaporated or burned alive. I am at one with John Hersey’s terrifying account, I am with CND, I am against this anti-human abomination.

But with another part of the calculating predatory brain I can assess the arguments which President Truman had to weigh up. Using the A-bomb would:

  1. End a war which had dragged on too long.
  2. Save scores of thousands of American lives, an argument bolstered as evidence mounted that the Japanese were mobilising for a fanatical defence to the death of their home islands. I didn’;t know that the invasion of the southern island of Japan was scheduled for December 1945 and the invasion of the main island and advance on Tokyo was provisionally set to start in march 1946. Given that it took the Allies a year to advance from Normandy to Berlin, this suggests a scenario where the war could have dragged on well into 1947, with the awesome destruction of the entire Japanese infrastructure through firebombing and house to house fighting as well, of course, of vast casualties, Japanese and American.
  3. As the US commander of strategic air operations against Japan, General Curtis LeMay pointed out, America had been waging a devastating campaign of firebombing against Japanese cities for months. According to one calculation some two-and-a-half million Japanese had been killed in these air attacks to date. He couldn’t see why people got so upset about the atom bombs.

Again, I was amazed at the intransigence of the Japanese military. Baggott reports the cabinet meetings attended by the Japanese Prime Minister, Foreign Minister and the heads of the Army and Navy, where the latter refused to surrender even after the second bomb was dropped on Nagasaki. In fact, when the Emperor finally overruled his generals and issued an order to surrender, the generals promptly launched a military coup and tried to confiscate the Emperor’s recorded message ordering the surrender before it could be broadcast. An indication of the fanaticism American troops would have faced if a traditional invasion had gone ahead.

The Cold War

And the other reason for using the bombs was to prepare for after the war, specifically to tell the Soviet Union who was boss. Roosevelt had asked Stalin to join the war on Japan and this he did in August, making a request to invade the north island (the Russians being notoriously less concerned about their own troop losses than the Allies). the book is fascinating on how Stalin ordered an invasion then three days later backed off, leaving all Japan to America. But this kind of brinkmanship and uneasiness which had appeared at Yalta became more and more the dominant issue of world politics once the war was won, and once the USSR began to put in place mini-me repressive communist regimes across Eastern Europe.

Baggott follows the story through the Berlin Airlift of 1949 and the outbreak of the Korean War (June 1950), while he describes the ‘second physics war’ i.e. the Russian push to build an atomic reactor and then a bomb to rival America’s. In this the Russians were hugely helped by the Allied spies who, ironically, now Soviet brutality was a bit more obvious to the world, began to have second thoughts. In fact Klaus Fuchs, the most important conduit of atomic secrets to the Russians, eventually confessed his role.

Baggott’s account in fact goes up to the Cuban Missile Crisis of October 1962 and it is so grippingly, thrillingly written I wished it had gone right up to the fall of the Soviet Union. Maybe he’ll write a sequel which covers the Cold War. Then again, most of the scientific innovation had been achieved and the basic principles established; now it was a question of engineering, of improving designs and outcomes. Of building bigger and better bombs and more and more of them.

The last section contains a running thread about the attempts by some of the scientists and politicians to prevent nuclear proliferation, and explains in detail why they came to nothing. The reason was the unavoidable new superpower rivalry between America and Russia, the geopolitical dynamic of mutually assured destruction which dominated the world for the next 45 years (until the fall of the USSR).

A new era in human history was inaugurated in which ‘traditional’ morality was drained of meaning. Or to put it another way (as I’ve suggested above) in which the traditional morality which just about makes sense in large complex societies, reached its limits, frayed and broke.

The nuclear era exposed the limitations of not only human morality but of human reason itself, showing that incompatible systems of values could apply to the same phenomena, in which nuclear truths could be good and evil, vital and obscene, at the same time. An era in which all attempts at rational thought about weapons of mass destruction seemed to lead only to inescapable paradox and absurdity.


Credit

Atomic: The First War of Physics and the Secret History of the Atom Bomb 1939-49 by Jim Baggott was published in 2009 by Icon Books. All quotes and references are to the 2015 Icon Books paperback edition.

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