Sir Quentin Blake is arguably the UK’s most famous book illustrator, as well as a fine artist, designer and writer in his own right. He was a leading spirit behind the establishment of the House of Illustration, the only gallery in the UK devoted entirely to the work of illustrators, which opened in 2014, and is housed in a restored Victorian building spitting distance from King’s Cross station.
The House has three galleries. In the main one (three rooms and a small video room) at the moment is a retrospective of work by cartoonist and graphic novelist Posy Simmonds. In the second gallery (one biggish room) is an exhibition of works by the Taiwanese artist YiMiao Shih. In between these two is a really small, L-shaped room. This is the permanent Quentin Blake gallery, tribute to the nation’s most popular illustrator and a pay-off we presume for leading the campaign to set up the gallery.
The Quentin Blake gallery hosts a changing display of works by the great man on different themes, for example last Valentine’s Day it featured a set of twenty or so very funny cartoons on the theme of love and cupid’s arrow.
The current exhibition is titled ‘From the studio’ which allows Blake to tell us a little about his working practices. He tells us that for the past forty years most of his works have been produced in a room overlooking a tree-lined London square. He stands with his back to the French windows and balcony, pen in hand. The room contains four ‘plan chests’ and two tables and a litter of drawings.
The exhibition allows him to share with us some works in progress, first drafts of illustrations which he is currently working on.
Sheffield Children’s Hospital
Sheffield Children’s Hospital opened a new wing opened last year, containing has four wards which, alongside beds also offers therapy and treatment rooms, a patient dining room, a parents’ relaxation room, a social room for teenagers, and a ‘play tower’ installation, for younger children.
Blake was commissioned to create artworks for the walls of corridors in three of the wing’s wards, and as larger-scale murals in communal areas. The designs were drawn on paper, then scanned, enlarged and printed in large scale onto washable wall coverings.
The King of the Golden River
In 1841 the critic John Ruskin published this children’s story as a parable about the impact of human actions on the environment. This year the book was republished by Thames and Hudson with illustrations by Blake. Blake tells us that he went about illustrating it ‘the old-fashioned way’, cutting up the text to stick it into position, then drawing in rough illustrations around it.
Moonlight travellers
Blake’s series of paintings of people travelling through bleak moonlit landscapes began as a personal project in 2017, as an experiment in pure imagination. Later this year they will be published alongside a ‘response’ by author Will Self. He is quoted as saying ‘made them up as I went along, almost like a performance’.
Mouse on a Tricycle
This wordless book opens with a tiny picture of a mouse on a tricycle. It imagines the public’s response to the fact of a cycling rodent. Some cheer it on, some are outraged, some are scared, some deliver hectoring sermons. I loved this picture. It says so much about human nature.
It is incredible how just a handful of drawings and paintings can fill your heart with happiness and delight!
Related links
- Quentin Blake: From the Studio continues at the House of Illustration until December 2019
- Sheffield Children’s Hospital fills new wing with Quentin Blake artwork