On Friendship by Cicero (44 BC)

‘Friendship is the noblest and most delightful of all the gifts the gods have given to mankind.’
(On Friendship, section 5)

On Friendship is a treatise or long essay by Marcus Tullius Cicero, 50 pages long in the Penguin volume titled On The Good Life. The setting is a little convoluted. It is set in the year 129 BC a few days after the death of Publius Cornelius Scipio Africanus Aemilianus, also known as Scipio Aemilianus or Scipio Africanus the Younger, and referred to in the text simply as Scipio.

This is the same Scipio who is the lead character in Cicero’s dialogue De republica. He was one of the leading figures of mid-second century BC Rome, twice consul, and the victorious general who destroyed Carthage in 146 and then crushed anti-Roman resistance in Spain in 133.

This is all relevant because, in the fiction of the dialogue, his death has prompted some visitors to the house of Gaius Laelius, Scipio’s great good friend, to ask about Scipio’s character and their friendship. This relaxed conversation – between Laelius (the older man) and his two son-in-laws, Quintus Mucius Scaevola the augur and Gaius Fannius – makes up the main body of the text.

But the narrator actually opens the text by telling us that he himself used to frequent the house of Quintus Mucius Scaevola the augur, and that the latter used to tell stories about his father-in-law, Gaius Laelius and that’s where he first heard about this long discussion.

So the text is – according to this frame narrative – actually the record of the narrator’s memory of Scaevola’s describing to him his memory of the original conversation the latter took part in.

All this takes quite a few pages during which the reader is wondering why Cicero is bothering with this elaborate framing. Is it an artful indication of the multiple distance from ‘the real world’ which all texts imply? Or is it just Cicero being characteristically long-winded? Or is it an indication that we are still in the very early days of coping with the problem of narratives and who tells them and how much they can  realistically know or remember, and that Cicero is handling the issue with unnecessary complication? Is is long winded and clumsy or slyly adroit?

None of the summaries of this dialogue even mention this elaborate setup but, in a way, it’s the most teasing and thought-provoking part of the text.

Anyway, after a few pages of sorting all this out, the dialogue proper opens with Fannius asking Laelius how he is coping with the recent death of his old friend (Scipio) which prompts Laelius into delivering a couple of pages of eulogy on what a Perfect Man he (Scipio) was:

There was no better man than Africanus, and no one more illustrious.

Wordy

The opening pages relating Laelius’s eulogy to the great Scipio are very proper and fitting for a pious Roman work, showing due respect to the glorious dead, but to a modern reader are wordy and verbose. The text includes not only the eulogy to Scipio but references to umpteen other great and worthy Romans from history, before we finally arrive at the dialogue proper.

(None of this surprises me because, having just read The Republic and The Laws, which purport to be objective investigations of the ideal constitution and the ideal laws and end up discovering that Rome is the Ideal State and Roman laws are the Perfect Laws, I am newly alert to the rich vein of Roman patriotism, to the profound piety and respect for the illustrious forebears, which runs very deep in Cicero.)

True friendship must be based on moral excellence or goodness

When the treatise does finally get going, the fundamental ideas are simple and typical of Cicero the ‘philosopher’:

  • true friendship is only possible between good men
  • friendship is more likely between fellow countrymen than foreigners, and between relatives than strangers
  • friendship is a following of nature and emerges naturally from human nature

Then a definition:

Friendship may be defined as a complete identity of feeling about all things on heaven and earth: an identity which is strengthened by mutual goodwill and affection. With the single exception of wisdom, I am inclined to regard it as the greatest gift the gods bestowed upon mankind…A school of thought believes that the supreme blessing is moral goodness, and this is the right view. Moreover, this is the quality to which friendship owes its entire origin and character. Without goodness, it cannot even exist. (6)

Central to the idea is the Stoic belief that Goodness is the ultimate Virtue, the only foundation for happiness and a Good Life:

Goodness is the strongest resource a man can command. (14)

And that true friendship consists of Good Souls attracting other Good Souls in a perfect bond. This is because Goodness inspires and attracts:

Goodness exercises an altogether exceptional appeal and incentive towards the establishment of affection. (8)

So that:

Only good men have the capacity to become good friends. (18)

And:

What unites friends in the first place…and what keeps them friends is goodness and character. All harmony and permanence and fidelity come from that. (26)

And:

No one can be a friend unless he is a good man. (27)

So. Quite a heavy emphasis on Goodness, and an insistence that True Friendship can only exist between Good Men. Would you agree?

The philosopher’s fault (seeking perfection)

Reading the opening section my heart sank. Cicero’s text only tangentially sheds light on friendship as it exists among normal people in the real world. Instead it very clearly demonstrates the way Cicero, and the Greek philosophers he copied, turned every subject under the sun into a vehicle to promote their same old hobby horses: human reason is a gift from the gods; therefore, of all the human virtues, the correct use of this divine reason i.e. wisdom, is supreme; and so cultivating this divine reason in order to attain its maximum potential / wisdom, is the noblest human aim; and managing your life so as to put wisdom into action i.e. implement moral virtue (goodness) is the highest goal to aspire to in life; and all this shouldn’t be a strain because it is following nature i.e. our minds are made that way.

The tendency in all this is always to ignore the chaotic real world experience of ordinary, far-from-perfect people, and the unexpected friendships many of us experience in a world full of flawed strangers, in order to focus on the exceptional, ‘the pure and faultless kind’:

I am not now speaking of the ordinary and commonplace friendship — delightful and profitable as it is — but of that pure and faultless kind, such as was that of the few whose friendships are known to fame.

Although he makes scattered concessions to the ‘ordinary’ friendships of the likes of you and me, Laelius/Cicero really focuses on the super friendship of a moral elite.

Friendship built on shared values

The essence of friendship is sharing experience:

It is the most satisfying experience in the world to have someone you can speak to as freely as your own self about any and every subject upon earth.

Other things we aim at give only one pleasure – the pursuit of wealth gives us money, of power to secure obedience, of public office to gain prestige. Friendship, by contrast, brings a host of different rewards, rewarding all levels of our minds and characters.

Friendship isn’t contingent on day to day events; it is available at every moment; no barriers keep it out.

Friendship adds a glow to success and relieves adversity by sharing the burden. A friend is like a mirror of the self. Even when absent he is present. Even when dead he is still here. Knowledge of him raises and ennobles life.

Reference to the De republica

At this point Laelius is made to take a break in his exposition. Interestingly, Scaevola is made to refer to the colloquy held recently at Scipio’s own house in which the latter held forth about state affairs and Laelius and Philus debated the role of justice in politics and the reader realises Cicero is referring to his own book, De republica which, in the fictional world of these dialogues, appears to have taken place only a little time before this one i.e. while Scipio was still alive.

Amicitia and amor

The the dialogue resumes and it’s back to friendship. Laelius goes on to say the Latin word for friendship, amicitia, is clearly derived from the word for love, amor. Both are selfless. Friendship is not calculating, it does not seek to repair deficiencies in a person by extracting services and favours: it is an overflowing, a surplus of affection.

He compares the love between parents and children, natural and deep; sometimes this can be replicated between friends. Sometimes we find a person whose habits and character attract us so much that we look upon him as ‘a shining light of goodness and excellence’.

The positive effects of goodness

Goodness is always attractive. When we hear about a good act we feel better. When we think of people famous for their goodness, we feel better. How much better do we feel when we meet and get to know someone who demonstrates goodness in their lives. We share in it. Their goodness elevates us too. Another source of friendship is simply seeing a lot of someone in everyday life.

Friendship has no ulterior motives, is not out for gain. We do not behave kindly in expectation of gain. Acting kindly is the natural thing to do. The expression of kindness is a good in itself requiring no return or profit.

Feelings of affection and attachment to other people are entirely natural, and inspired by the other person’s fine qualities. Because true friendship is based on nature, and nature is everlasting, a true friendship is everlasting too.

How friendships end

Friendships may end for a number of reasons: you may end up competing for something only one can have, such as a wife or political position. People’s political views change. ‘Altered tastes are what bring friendships to an end’ (20). A person’s character changes, due to misfortune or age. The most destructive force which ends friendships is falling out over money. Or, if friendship is based on goodness, if one or other friend falls off into vice, behaves badly, then the friendship must end. (11).

Thus if your friend asks you to do something dishonourable, turn him down flat. In fact Laelius turns this into The First Law of Friendship:

Never ask your friends for anything that is not right, and never do anything for them yourself unless it is right. But then do it without even waiting to be asked! Always be ready to help; never hang back. Offer advice, too, willingly and without hesitation, just as you yourself, if you have a friend whose advice is good, should always pay attention to what he says. But when you are the adviser, use your influence, as a friend, to speak frankly, and even, if the occasion demands, severely. And if you are the recipient of equally stern advice, listen to it and act on it. (12)

Cicero’s patriotism

It is characteristic of Cicero that he demonstrates this point by using examples of patriotic and unpatriotic behaviour among their Roman forebears. His example of a bad person who his friends ought to have abandoned is the reformer Tiberius Gracchus.

To excuse oneself for committing a misdemeanour on the grounds that it was done for the sake of a friend is entirely unacceptable. Such an excuse is no justification for any offence whatever, and least of all for offences against our country. (12)

This is the peg for a lengthy digression on how Gracchus led a number of followers astray, into populist, crowd-pleasing policies (the redistribution of land to Rome’s poor) which led to street violence and serious schisms in the Roman political class. And this itself leads onto references to leaders who turned against their own countries, Coriolanus the Roman and Themistocles the Greek. And all this to make the rather obvious point that one shouldn’t let friendship lead you into treason and betrayal.

It is, on the face of it, an odd digression, but a vivid reminder of the highly embattled worldview which underpinned Cicero’s patriotic conservatism. Throughout his life, in all his writings, he acts on the belief that the Republic is in mortal danger which explains why he has Laelius say at one point: ‘I am no less concerned for what the condition of the commonwealth will be after my death, than I am for its condition today.’

Anti Epicurus

It is just as revealing that the text then moves on from addressing one set of bogeymen (populists and traitors) to another, familiar, enemy – the Epicureans. Laelius is made to attack the Epicurean notion that the Wise Man should hold aloof from all passions and therefore all ties with any other human being.

Cicero has Laelius say that the Epicurean ideal of complete detachment is impossible because any man with values must hurt to see those values breached and trampled and will be prompted by nature to intervene.

Any good act implies involvement, helping someone, charity. It is difficult to imagine a life where we don’t involve ourselves to try and alleviate others’ pain or suffering or discomfort or help their situations. Therefore, even the wisest man cannot possibly avoid feelings.

To remove friendship from our lives just because it might bring us worries would be the greatest mistake.

Friendship is sensitive. It is, by definition, an involvement with another. Precisely insofar as we share our friend’s ups and downs, do we vicariously experience their emotions, of triumph or abjectness. Therefore the Epicurean ideal of non-involvement renders friendship, one of the greatest gifts of the gods, inoperable. So yah boo to Epicureanism.

Rules

The final third of the text more on from the theoretical to suggest some practical rules of friendship:

  • friendship is based on trust so friends should always be open and candid
  • friends should be amiable and congenial, good humoured, pleasant with one another
  • when a new friendship beckons one should be cautious and sound out the person in order to discover whether you really do share enough in common to qualify for friendship (‘Become devoted to your friend only after you have tried him out’)
  • if one friend is notably superior in rank or wealth, if he is a true friend then the superior one will support the lowlier one and encourage his best interests
  • but you only ought to support a friend to the limit of their capacity to receive help i.e. not be showy or drown them in generosity
  • if a friendship comes to an end try to do it gently, not by tearing but slowly detaching oneself
  • do anything to avoid an old friend becoming a bitter enemy

Laelius links these rules to the actual life and sayings of Scipio. He ends his presentation by repeating how much he loved Scipio, how they shared a perfect union, how the memory of his goodness doesn’t make him sad but inspires him every day. Next to moral excellence / goodness / virtue, friendship is the best thing in the world. (27)

Thoughts

As mentioned, it feels that, rather than being a genuinely objective investigation of friendship, this is more like a shoe-horning of Cicero’s familiar concerns (with the primacy of wisdom, virtue and the need to ‘follow nature’ in everything, on the one hand; and his anxieties about the welfare of the Republic, on the other) into the subject.

Admittedly, many of the things Laelius says do shed light on the ideal friendship, and the essay as a whole forces you to reflect on your own friendships, their origins and histories, and you may find yourself agreeing with many of his formulations. Wouldn’t it be nice if life was as pure and simple as these high-minded sayings indicate.

Psychological simplicity

Nonetheless, it comes from a world 2,000 years before Freud introduced much more subtle and complicated notions of human nature, human needs and the complex interactions between all of us, which characterise the intellectual and cultural world we now live in.

This psychological simple-mindedness explains the childlike feel of the entire text, because it deals in such monolithic, unexamined terms – friendship, nature, wisdom, virtue, love. It’s like a painting made entirely with primary colours, with no subtlety of shading or design.

As always with Cicero, quite a few phrases or sentences stick out and are very quotable, would look good on t-shirts or mugs.

Nature abhors solitude and and always demands that everything should have some support to rely on. For any human being, the best support is a good friend. (23)

But overall, the impression is of an odd superficiality, and the entire thing, like the proverbial Chinese meal, seems to disappear from your memory half an hour after you’ve consumed it.

Logical inconsistencies

There are also logical flaws or inconsistencies in his presentation. In some places Laelius says he will not describe the impossible perfection demanded by some philosophers; and yet for the majority of the discourse he does precisely that, as quoted above and here:

Friendships are formed when an exemplar of shining goodness makes itself manifest and when some congenial spirit feels the desire to fasten onto this model.

This super high-minded model contrasts with the different tone, more prosaic tone when, for example, he acknowledges that the soundest basis for friendship is shared interests:

Our tastes and aims and views were identical and that is where the essence of a friendship must always lie. (4)

So sometimes he describes a Platonic ultra-perfection:

Friendship may be identified as a complete identity of feeling about all things in heaven and earth.

Since nature is the originator [of friendship] and nature is everlasting, authentic friendship is permanent too.

But at other times is much more frank and down-to-earth:

The greatest of all possible incentives to friendship remains congeniality of temperament.

In another onconsistency, sometimes he says, as in the quotation above, that authentic friendship is permanent or, later on, that ‘Friendship remains a firm and durable asset’. Yet he has a half page devoted to all the reasons which can cause a friendship to end.

I think this unevenness, these apparent contradictions, point to Cicero’s inability to fully reconcile the many different Greek sources he was copying. He takes the best bits from his sources and stitches them together and if they don’t perfectly dovetail, so be it. There is an overarching unity in his concerns and he repeats the same ideas quite a lot, but nonetheless, this eclecticism renders his own text ‘bitty’.

On the plus side, it leads to all these quotable quotes which can be cherry-picked, pasted onto photos of vibrant young people, and turned into sweet internet memes (and who cares if you spell his name wroing – pedant!)

On the down side, these inconsistencies leave the text wanting if you’re looking for a really logical and precise exposition; it makes it more of an amiable ramble by a man who has a bit of an obsession with Divine Reason. but then his genial good-humoured ramblingness is what a lot of Cicero’s devotees enjoy about him.

Cicero’s mono-mindedness

To come at it from this angle, you could argue that the presentation is not inconsistent enough, in the sense that the inconsistences are only about a very narrow range of topics. For example the way in one place Laelius says friendship is based on shared interests, but in other places sticks more to the Stoic line that friendship is based on the moral goodness of the friend. Mulling over the difference between these premises open doors in the text which momentarily suggest escape from than Cicero’s hyper-idealised world into the actual, flesh and blood, difficult-to-understand and navigate world which most of us live in.

In my critique of On the Republic I became increasingly aware of its tremendously reductive worldview – Cicero’s repeated insistence that there is One God, with One Divine Mind, who created One World, in which only One Species (Mankind) can rule over all the other animals because He Alone is blessed with Right Reason, and so into a train of thought which leads up to the conclusion that there can be only One Ideal State with One Ideal Constitution and that this state, happily enough, turns out to be the ancient Rome of Cicero’s time! Reading it I felt highly coerced towards this rather absurd conclusion.

What makes the Stoic philosophy Cicero espoused so boring is the way it is quite literally monotonous, mono-toned, in the sense that it is always looking for the One Thing which is best and unique – the best species (Man), the best human attribute (Reason), the best mental quality (Virtue), the Ideal Statesman, the Ideal State, the Ideal Laws and now, in this text, the One, Ideal, Friendship.

Hence the umpteen repetitions throughout the exposition of the Spock-like, logical but bloodless axiom that true friendship can only exist between morally good i.e. wise men.

It is a narrow-minded and ultimately coercive worldview, which tends to erase the diversity, weirdness, and unpredictability of human beings, human cultures and human life. For me life is about the strange and unpredictable and tangential aspects of human nature and human relationships, fleeting moments or unexpected friendships which flourish between the most unlikely people. And that’s why I studied literature and not philosophy, because it is wild and anarchic and unexpected and all kinds of illogical, irrational, immoral and inexplicable things happen in it – as in real life.

As a teenager I realised I was more interested in literature with its endless celebration of diversity than in philosophy with its underlying drive towards joyless uniformities and bloodless abstractions. I find Cicero’s relentless attempts to reduce the world of unpredictable human interactions down to One Thing – to The Good, The Virtuous, The True – have an airless, asphyxiating and ultimately unreal quality.


Credit

I read the translation of On Friendship by Michael Grant included in the Penguin volume On The Good Life, published in 1971.

Related link

Roman reviews

De republica by Cicero (54 BC)

The best possible political constitution represents a judicious blend of these three types: monarchy, aristocracy and democracy.
(De republica by Cicero, fragment of Book 2)

De republica was written by the Roman lawyer, orator, politician and philosophical populariser Marcus Tullius Cicero between 54 and 51 BC. It is variously translated into English as The Republic, A Treatise on the Commonwealth, On the state or On government.

Cicero was not himself a philosopher or political theorist of note. This work was one among nearly twenty in which he translated the best of Greek philosophy into Latin, pulling various Greek theories together into new texts and introducing or inventing Latin terms to translate Greek ideas. Because of the purity and eloquence of his Latin many of these texts were preserved throughout the Middle Ages as teaching aids, and were revived during the Renaissance. In this way Cicero’s works played a central role in preserving the philosophical, moral and political ideas of the ancient world into the modern era and shaping their revival.

The Republic is cast as a dialogue, the form immortalised by Plato (427 to 327 BC). Unlike a manifesto or treatise a dialogue isn’t a straightforward statement of views. Having a number of people debate various opinions makes it more of a teaching or heuristic form. Students can be asked to study the work, then to describe which viewpoint they support and why.

As with Cicero’s other dialogues, The Republic studiously avoided controversy by being set in the past among long dead characters. It is set in the country villa of Publius Cornelius Scipio Africanus Aemilianus (185 to 129 BC), known as Scipio Aemilianus or Scipio Africanus the Younger. Scipio was a Roman general and statesman who led the third and final war against Carthage, personally overseeing its siege, capture and utter destruction, as vividly described in Richard Miles’s history of Carthage. Scipio also restored order after assassination of Tiberius Gracchus in 133 BC and mediated between the political factions.

The Republic takes place in Scipio’s estate over three consecutive days. Each day is described in two books, with an introduction by Cicero preceding the dialogue of each book, making six books in all.

  • Book 1 – Scipio outlines the three types of government (monarchy, aristocracy, democracy) and asserts the best type is a mix of all three
  • Book 2 – Scipio gives quite a detailed outline of early Roman history in order to show the evolution of the Roman constitution
  • Book 3 – Philus and Laelius engage in a set-piece debate about whether pragmatic injustice (Philus) or ideal justice (Laelius) are intrinsic to politics
  • Book 4 – is a discussion of education
  • Book 5 – considers the qualities of the ideal citizen in government
  • Book 6 – considers the character of the ideal ruler

The Republic survives only in fragments. Large parts of the text are missing. Books one to 3 survive in significant chunks, but the from the fourth and fifth books only minor fragments survive, and all the other books have a distressing number of missing passages.

The only part of the sixth book which survives is the final section, a relatively short passage in which Scipio tells his guests about a dream in which he was whirled up into space and shown the structure of the universe. This has survived because it was the subject of a commentary by the neoplatonist philosopher Macrobius and this part of the text, along with Macrobius’s commentary, became very popular during the Middle Ages and the Renaissance, with their profound interest in astrology and astronomy.

The best preserved parts of the text discuss constitutions and political theory but it is important to realise that this was only part of Cicero’s aim. The discussion of constitutions fills only a third of the book. For Cicero ‘politics’ wasn’t a narrow profession but a branch of philosophy which dealt in a broader way with human nature and ethics as demonstrated in societies. This explains why the treatise deals with different types of constitution early on in order to get on to the more important subjects of what kind of citizen and what kind of ruler are required to create a perfect state. The best kind of state is not a dry technical question, comparable to modern debates about different voting procedures: the best kind of state produces the best kinds of citizens and the best kinds of rulers (optimus civis) and so must be considered in the broadest context.

The characters

The discussions take place between no fewer than nine named individuals who are given speaking parts.

Scipio was maybe the most pre-eminent figure in mid-second century BC Rome, a very successful general who, however, a) did not abuse his power as later generals such as Marius, Sulla, Pompey and Caesar did and b) was a noted patron of artists and writers such as the Greek historian Polybius. You can see why Cicero hero worshiped him.

Other characters

  • Gaius Laelius: close friend and associate of Scipio, consul in 140 BC, promoter of the study of literature and philosophy, practical and down to earth.
  • Lucius Furius Philus: consul 136 BC, orator, a man of great personal rectitude who takes on the defence of injustice, in book 3, for the sake of the debate
  • Manius Manilius: consul in 149 BC, a venerable legal expert.
  • Quintus Mucius Scaevola: Laelius’s son-in-law, a legal scholar and patron of the young Cicero.
  • Spurius Mummius: conservative and anti-democrat.
  • Quintus Aelius Tubero: Scipio’s nephew, tribune c. 129 BC. Legal scholar dedicated to Stoicism.
  • Gaius Fannius: consul in 122 BC, follower of Stoicism, historian and orator. Son-in-law to Laelius.
  • Publius Rutilius Rufus: a politician admired for his honesty, dedicated to Stoicism.

Book One

Missing its preface, the text we have starts in mid sentence and mid argument. Cicero is arguing against the Epicurean belief that the educated man should hold aloof from politics in order to preserve his calm. On the contrary, Cicero argues that the highest form of moral activity and of virtue consists of the practical application of morality in the practice of statecraft.

Then Cicero the narrator hands over to the supposed discussion held at Scipio’s house where his guests ask Scipio’s opinions.

The conversation starts with one of his visitors talking about the rare phenomenon of two suns being seen in the sky. But Scipio repeats the Greek idea (Aristotle) that there is little we can know about the workings of the cosmos whereas we very much can study human beings, how they behave, morality, epistemology and so on, and that’s what we ought to do.

Scipio follows his Greek predecessors in claiming that human beings seem to have an innate compulsion to live together in communities i.e. we are not a solitary species (Book I, section 39). When this happens there are three ways communities of humans organise their power: monarchy, aristocracy and democracy. Each has its merits:

Kings attract us by affection, aristocracies by good sense, and democracies by freedom. (I, 55)

Each has a dark side, when it becomes corrupt. Monarchy becomes despotism, aristocracy becomes oligarchy and democracy becomes mob rule (I, 44).

Personally, Scipio thinks a careful mixture of all three is best (I, 69), but if he had to pick just one it would be monarchy. This is because there is only one king god in heaven, Jupiter (I, 57). Every family has only one father and a king is like the father of his subjects (I, 54). There can be only one ruling element in the human mind, which is sovereign over all the other passions, and this is Reason (I, 60). Only one person can run a household, only one person can be in charge of a ship, only one person can treat us for illness. And when people are deprived of a just king they are like orphans.

But the weakness of rule by a king is that when they go wrong, they go really wrong and become tyrants. Therefore the most stable and also the most ‘just’ form of government is one which permits a balance of power between the different classes and so is ‘equally just to all ranks of society’ (II, 55). He thinks this has best been achieved by the Roman constitution with its balance between the powers of a king (vested for one year only in the role of the consuls), the moderating influence of the aristocracy (embodied by the wisdom and experience of the senate and a voting system heavily skewed towards the rich and ‘best’ in society) and the voice of the people (expressed in the office of tribune of the plebs and the voting power of the people’s assemblies).

Book two

Scipio/Cicero come to the bold conclusion that the best possible political constitution in the world is the one created by their Roman forebears and handed down to himself and his contemporaries, the inheritance of Rome, ‘the greatest State of all’!

This is as laughably self-centred as the great German philosopher Hegel pondering deeply and concluding that the best possible way to organise a society was…the constitution of the Prussian state of his day! Or the booming confidence of late Victorians that the British Empire with its constitutional monarchy was the best imaginable form of government.

He gives a deeply traditional and patriotic account of the founding of Rome by the wise and godlike Romulus and the cumulative constitutional innovations of the traditional and legendary seven kings of Rome, dwelling on each of them at some length and the great virtues of the Roman people:

The Roman people became strong, not by chance, but through their own good sense and their firm system of values… (II, 30)

The underlying point of book two is that the Roman constitution wasn’t created by one wise lawgiver (cf Lycurgus of Sparta or Solon of Athens) but developed and evolved over a long period, with successive rules adding processes, creating the complex voting procedures, organising the population into tribes but also, for voting purposes, into centuries, and setting up assemblies where they could debate. What struck me is how close this is to the justification of English traditionalists for the English constitution, which is nowhere written down but amounts to a tangle of precedents and traditions.

This is sort of interesting but it is history not philosophy or political theory, history with occasional comments. The notes to the Oxford University Press translation point out where Scipio differs from the more comprehensive account given by Titus Livius (Livy) in his history of Rome written 10 or 15 years later, which is indicative of the way the account of sort of interesting but mainly of academic interest.

At the same time as the thinking is fairly simplistic there’s also something hyperbolical and exaggerated about Scipio’s diction:

As soon as this king turned to a mastery less just than before, he instantly became a tyrant, and no creature more vile or horrible than a tyrant, or more hateful to gods and men, can be imagined ; for, though he bears a human form, yet he surpasses the most monstrous of the wild beasts in the cruelty of his nature. (II, 49)

The underlying thought is as simple minded as a fairy story, but the language has the vehemence of a rabble-rousing political speech. Either way, it often has neither the depth or sober objective language you might expect from ‘philosophy’.

In section 54 Scipio makes explicit why he is reviewing early Roman constitutional history in such detail: it is to point to examples of the wise men who created new and useful innovations. Publius Valerius emerges as a notable example, the man who demonstrated his wisdom by: moving house from the top of the Velian Hill where the kings had lived; passing a law forbidding a Roman citizen from being flogged or put to death without appeal; had a colleague elected as co-ruler, to be called consuls, and decided that they would rule on alternate months and be guarded by lictors only for that month.

This brings out something he’d mentioned earlier which is the aim of this discourse is not to debate the theoretical nature of an ideal state, as Plato did in his Republic, but to describe the practical reality of such a state and, especially, the qualities required of the Ideal Stateman to run it.

Towards the end of book 2 Scipio recapitulates:

I defined the three commendable types of States and the three bad types which are their opposites. Next I demonstrated that no single one of these types is the ideal, but that a form of government which is an equal mixture of the three good forms is superior to any of them by itself. As for my using our own State as a pattern, I did so, not to help me to define the ideal constitution (for that could be done without using any pattern at all), but in order to show, by illustrations from the actual history of the greatest State of all, what it was that reason and speech were striving to make clear.

The ideal statesman:

He should be given almost no other duties than this one (for it comprises most of the others) – of improving and examining himself continually, urging others to imitate him, and by the splendour of his mind and conduct offering himself as a mirror to his fellow citizens. (II, 69)

Here you can see how, lacking any knowledge of economics or class or social or technological developments, no financial theory and no knowledge of the vast amounts of data we have been collecting about ‘society’ since the industrial revolution and which underpin all modern politics – in this huge vacuum of knowledge Cicero, like Sallust and Plutarch, conceives of politics as being predominantly about individuals and, this being so, overly obsess about the character of the Ideal Statesman, completely omitting the proficiency in economics, law, and statistics which modern politics call for, and the way the huge structure of the state bureaucracy measures outcomes by data: inflation, unemployment, GDP, health outcomes and so on.

By contrast with the vast complexity of the modern state, Cicero’s image of the Ideal Ruler is closer to fairy tale than modern political theory: ‘…by the splendour of his mind and conduct offering himself as a mirror to his fellow citizens.’

I suppose it represents an enormous shift from a theory based on morality and ethics to one based entirely on utilitarian values: does it work, is it good for the economy, for most people, is it good for my core voters, these are the questions a modern politicians asks.

And the absence of the huge body of theory and statistical information which forms the basis of modern politics explains why political ‘philosophy’ from Plato, through the Dark Ages, Middle Ages, Renaissance and well into the modern era relied on analogies rather than data. They had nothing else to go on. So they compared the ideal state to a well-ordered mind, or to the human body where all the parts have to co-operate, or to the harmonious movements of the celestial bodies through the heaves; or compared Reason’s control over the mind to a father’s control over his sons or a master’s control over his slaves (III, 37) etc etc. Analogy rather than data.

All this is sweet and lovely but like a child’s colouring book compared to the complex technocracy of the modern state. Immersing yourself in a text like this continually reminds the reader of children’s books and fairy tales.

Book three

Fragments in which Cicero explains that despite our failings, humans have inside us the divine fire of Reason. He briefly sketches the invention of language (interesting) and maths before moving onto teachers or truth and moral excellence blah blah which, when put into practice, leads to the art of governing.

Comparison of philosophers, who teach moral excellence and best conduct through words alone, and statesmen, who promote moral excellence and best conduct through actions and laws. Clearly the latter are more effective and important (III, 7).

The 12 or so pages of fragments we have of book 3 indicate that it was conceived as a debate between Laelius and Philus about whether injustice is a necessary part of political rule, whether it is inevitable and unavoidable. What gives ancient books like this their flavour is the inclusion of myths and legends and fanciful imagery which, to repeat myself, are more like fairy tales than political analysis. Thus Philus kicks off his presentation of the case that injustice is an inevitable and necessary part of politics by asking his audience to imagine they are flying in a chariot of winged snakes:

If one could visit many diverse nations and cities and examine them, travelling about in Pacuvius’ famous ‘chariot of winged snakes’ one would see first of all in Egypt, a land which has escaped change more successfully than any other, and which preserves in written records the events of countless centuries, a bull, which the Egyptians call Apis, is deemed a god, and many other monsters and animals of every sort are held sacred as divine. (III, 14)

When he gets going, Philus makes a persuasive argument that there is no such thing as natural justice, nature does not implant justice in the human mind, there are no universal laws. On the contrary, the point of his metaphor of flying over the countries of the Mediterranean is to survey just how varied and irreconcilable all their laws, and customs and religions are with each other. QED: there is no one universal law or notion of justice.

No fewer than 80 leaves of book 3 are missing. From references and summaries in other, later authors we know some of the contents. Apparently Philus makes the anti-Roman point that empire is nothing but stealing other people’s lands and goods. Romans hold aggressive generals to be epitomes of valour and excellence (‘He advanced the bounds of empire’ is their highest compliment) when they are, of course, the same as all other aggressive conquerors of all other nations. The fact that the Romans have priests formally declare war just shows their hypocrisy in dressing up greed and criminality in fancy words.

When we come back to the actual text Philus makes the simple (and, to the modern mind, sympathetic) argument that the kind of mixed constitution supported by Scipio doesn’t derive from Virtue and Wisdom but from the simple fact that each rank (or class) fears the power of the others and so seeks to check it (a proto-Hobbesian view, maybe). The mother or justice is not nature or virtue but weakness and fear.

The good life is based, not on virtue, justice and selflessness, but on looking out for yourself and your family, on practical assessments of what will bring you most benefit. And as with families so with states: dress it up how you like, statecraft and international affairs are based on brute assessments of power and self interest. And they should be (III, 28).

This is thrilling stuff and the editor of the OUP edition (Niall Rudd) notes that, once Philus has finished his case, Laelius, who follows and argues the contrary case, can’t really rebut his analysis and so ignores his points to argue something slightly different, which is the importance of the notion of justice for the administration of a state.

It is symptomatic of the conservatism and narrow-mindedness of Roman thought that this negative, cynical and so unpopular point of view is attributed to a foreigner, a Greek, the philosopher Carneades and that when Laelius speaks, he roundly attacks it for its immorality and calls Carneades ‘a filthy scoundrel’ (III, 32).

Laelius proceeds to give a positive but very naive definition of law as a Platonic fact of nature, eternal and unchanging, which all men must obey, which sounds magnificent and is obvious tripe:

True law is right reason in agreement with nature. It is of universal application, unchanging and everlasting. It summons to duty by its commands, and averts from wrongdoing by its prohibitions… It is a sin to try to alter this law, nor is it allowable to attempt to repeal any part of it, and it is impossible to abolish it… We cannot be freed from its obligations by senate or people, and we need not look outside ourselves for an expounder or interpreter of it. And there will not be different laws at Rome and at Athens, or different laws now and in the future, but one eternal and unchangeable law will be valid for all nations and all times, and there will be one master and ruler, that is, God who is the author, proposer and interpreter of that law. (III, 33)

Laelius appears to go on to describe how this eternal law was embodied and followed by specific Romans from history, but we have only fragments.

Then Scipio comes back in as the main speaker, recapitulating his idea of the three types of government, asking which one is the ‘true’ meaning of a republic. The text breaks off abruptly just as the speakers were going to address the merits of the uncorrupted versions of the three types.

Book four

The subject of book four is clearly intended to be Education and address the question: what kind of education is best for citizens of the ideal state? As with the other books, Cicero does not proceed from philosophical first principles, as per Plato, but ranges far and wide through Roman and Greek history, comparing practices and laws. But the book is in, to quote Rudd’s words, ‘a pitiful state’, barely four pages of fragments. The longest fragment is where a speaker is made to explain at length why poets and playwrights should not be allowed to pillory statesmen and generals (IV, 11 to 12).

This, in my opinion, is the problem with all theories which start out by defining Virtue and Morality and The Good and so on – they always lead to strict definitions, which themselves inevitably lead to very strict rules about encouraging said Virtue and Suppressing Vice or anything which demeans or criticises Virtue or encourages Vice.

And so, by a few easy steps, these arguments all-too-often arrive, with the ‘noblest’ of intentions, at state censorship: the censorship of Cromwell’s England, revolutionary France, Stalin’s Russia, Hitler’s Germany, Taliban Afghanistan and any number of authoritarian regimes in between. Anyone who sets out to define or justify Absolute Values ends up defending absolutist states. (Discuss)

Book five

This was evidently meant to address the character of the Ideal Statesman but is even more fragmentary than book four, with only sections 3, 5, 6 and 7 surviving (each book originally had up to 100 sections) and a handful of scraps barely making up 3 pages of a modern book.

What we have is a lament that in the olden days Rome was ruled by Great Men, Excellent Men, Men of Virtue who knew how to rule wisely, but the present age is ruled by the selfish and greedy who have let the excellent institutions they inherited decay and collapse.

What we have is a lament that in the olden days Rome was ruled by Great Men, Excellent Men, Men of Virtue who knew how to rule wisely, but the present age is ruled by the selfish and greedy who have let the excellent institutions they inherited decay and collapse. Where are the great men of yesteryear? This developed into a stereotyped genre or topic during the Middle Ages which was given its own name, the ubi sunt (‘where are they?’) topos.

Long before living memory our ancestral way of life produced outstanding men, and those excellent men preserved the old way of life and the institutions of our forefathers. (V, 1)

But:

What remains of those ancient customs on which he said the state of Rome stood firm? We see them so ruined by neglect that not only do they go unobserved, they are no longer known. (V, 2)

Oh woe. But then every generation feels it is living in a uniquely degraded era when the great institutions it inherited from the past are collapsing and where are the Great Leaders of yesteryear and the end times are upon us. But they never are. We muddle through and 20 years later people look back to that time as a golden age.

I spent most of the 1990s ashamed of living under the government of the bumbling poltroon John Major – and yet now I regularly read articles which look back to the 90s as a golden age. Plus ca change…

Book six

In even worse state than book 5, with barely a page and a half of disconnected fragments. What does survive intact is the passage which was intended to conclude the entire book. In current editions this is numbered sections 9 to 29. It is the concluding passage in which the main speaker, Scipio, tells his companions about a dream he had. In this dream he is whirled up into heaven and sees a) the structure of the solar system and the universe and b) the smallness of the earth and the littleness of human existence. This passage has survived because the 4th century AD Roman grammarian and philosopher Macrobius wrote an extensive commentary about it. This commentary became very popular during the Middle Ages, helping to define the medieval view of the cosmos and surviving in multiple copies. So, in this roundabout manner, these 20 sections of Cicero’s book survive.

In the Dream Scipio describes how his adoptive grandfather comes to him and predicts the future, namely that he will be elected consul, destroy Carthage and be given a triumph in Rome, before being sent to end the war in Spain and serving as consul a second time.

But this is just the beginning. He is introduced to the spirit of his father, Paulus, who explains how souls are derived from the stars (they are now standing in the middle of the sky among the stars) before being consigned to a body down there on earth. How can you escape from the body and join the other spirits? Here is the point of the vision and the climax of the book’s entire consideration of political theory: you get to heaven by doing your patriotic duty.

Respect justice and do your duty. That is important in the case of parents and relatives, and paramount in the case of one’s country. That is the way of life which leads to heaven and to the company, here, of those who have already completed their lives. (VI, 16)

Cicero shows his difference from the Greek philosophers he copied in his very Roman emphasis on the practical. After all the fine talk about constitutions and justice and the character of the statesman, what matters is doing your patriotic duty.

There is a kind of path for noble patriots leading to the gate of heaven… (VI, 26)

The true part of a man is his mind, not his body. The mind is immortal, godlike. The best way to employ this godlike mind is in activity for the safety of one’s country. Minds which have devoted themselves to this cause will fly more quickly to heaven (VI, 29). If Cicero was standing to attention saluting the flag with tears running down his face while the national anthem played, the intended conclusion of his book could hardly be more sentimentally patriotic.

Which makes sense because this is precisely how the entire book opens. The very first sentence reads: ‘Had it not been for his sense of patriotic duty […] would not have delivered our country…’ (I, 1) and goes on to assert:

I simply state this as a basic fact: nature has given to mankind such a compulsion to do good, and such a desire to defend the well-being of the community, that this force prevails over all the temptations of pleasure and ease. (I, 1)

So it might rope in a number of other subjects along the way, but De republica is fundamentally a work of Roman patriotism.

Thoughts

I found The Republic hard to read for two reasons. It really is very fragmented – the text is continually breaking off mid-sentence with parentheses telling you that 2 or 4 or 80 (!) pages are missing, so that you resume reading a lot further along in the original text, when the characters are discussing a completely different subject. It’s like listening to an old-style LP of a classical symphony that is so scratched that you barely get 20 seconds of melody before it skips 20 seconds or several minutes. Very disconnected. Snippets.

But there’s a deeper problem with the book which is its lack of sophistication, which makes it, ultimately, boring. The best preserved passage in Book One tells us there are three forms of government and each has a debased version, which makes for a neat, schematic table but is, ultimately, useless for our current needs, in Britain, in 2022.

When Scipio argues that monarchy is the best of the three types because there’s only one king of the gods, only one person can be in charge of a household, and only one element, Reason, which controls the mind…well, these are quaint ways of thinking – using child-like analogies rather than data, as I explained above – which have a sort of historical interest, but they’re not ideas anyone alive today would waste their time espousing.

And most of the contents are like that. Of antiquarian interest but nothing much to make you sit up and think. The actual history of the late republic, when Cicero was writing, is much more thought-provoking than this essay.

I appreciate that Cicero was writing a kind of abstract, a pedagogical text designed to raise the standard of political discourse in his own time – but in actual fact, nothing he wrote affected the fate of the Roman Republic in the slightest, and it is highly symbolic that the head that conceived these highfalutin ideas and the hands that wrote them were chopped off by Mark Antony’s bounty hunters. That was the utterly unscrupulous, deeply, immoral and justice-free reality of Roman politics.

A list of analogies

Once I’d realised that Cicero’s thought is guided more by analogies than data or statistics (of which he has almost no concept, apart from election results and the size of armies), it amused me to collect analogies from the last few books, although too late to compile a definitive list.

The mind rules over the body like a king over his subjects or a father over his children. The mind rules over its desires like a master over his slaves. (III, 37)

The sun is the mind and regulator of the universe. (VI, 17)

As the god who moves the universe is immortal, so the soul which moves the body is immortal (VI, 26)

Niall Rudd’s translation

A word of praise for this Oxford University Press edition. I described, probably at too much length, how strongly I disliked the prose styles and odd attitudes of A.J. Woodman, who translated Sallust, and Carolyn Hammond, who translated Caesar’s Gallic War, both for OUP, so that I abandoned reading both their translations. This edition restored my faith in OUP editions of the classics.

The introduction, mostly written by Jonathan Powell, is a model of lucidity, useful and to the point, as are the extensive notes, scholarly and interesting. There is a useful list of names and also an appendix giving a handy summary of the sometimes confusing Roman constitution.

The translation is by Professor Niall Rudd (1927 to 2015) and was first published in 1998. It is clear and unaffected – you feel you are engaging directly with the text. I cannot judge its fidelity to the source Latin, but it makes for a lucid, engaging read, as I hope you can tell from the many quotations I take from it. All round, it is a gold standard edition.


Credit

The Republic and The Laws by Cicero, translated by Niall Rudd with introduction and notes by Jonathan Powell and Niall Rudd, was published by Oxford University Press in 1998. All references are to the 2008 paperback edition.

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Roman reviews

Terence

Homo sum, humani nihil a me alienum puto*

Terence’s texts

Publius Terentius Afer, generally known as Terence (185 to 160 BC), died at the very young age of 25, having written just 6 plays which, however, are preserved in numerous manuscripts. So, unlike Plautus (who wrote 120 plays of which only 20 survive) a) his oeuvre is very small and b) we have it all.

Not only that but some of the manuscripts contain unprecedented detail for ancient texts – a prologue by the author plus notes giving the date of the play’s composition and notes on its first production. (These notes were written in the mid second century AD by Gaius Sulpicius Apollinaris of Carthage.)

We also have a short life of Terence by the noted historian Suetonius, written about 100 AD i.e. about 250 years after Terence died, with some later additions; plus a set of comprehensive notes on the plays by a later grammarian (the Commentum Terenti of Aelius Donatus). In other words, as ancient authors go, we have an unprecedented wealth of information about Terence and his work.

Biography

Publius Terentius Afer is said to have been born in 185 BC (or 195, accounts vary). He was born either in Carthage or south Italy to a slave woman from Carthage. Romans had three names. Terence’s last name or cognomen, Afer, in Latin meant ‘from Africa’, a term which Romans applied very broadly to all the lands on the south shore of the Mediterranean, generally meaning modern Tunisia and Libya.

Terentius was a slave belonging to the senator Publius Terentius Lucanus, who brought him to Rome, gave him his forenames, a good education and his freedom. Whatever his mother or family may have called him, Terence entered Roman society bearing the first two names of his owner and a cognomen denoting his origin.

The circle of Scipio Aemilius

As a young adult Terence is said to have been a member of ‘the Scipionic circle’, a group of intellectuals who met under the patronage of Publius Cornelius Scipio Africanus Aemilianus (185 to 129 BC), known as Scipio Aemilianus, the Roman general who supervised the final destruction of Carthage in 146 BC.

The existence of such a circle is attested solely by two works of Cicero written a hundred years later in the 50s BC, and is now questioned by some scholars. If it did exist, young Terence would have been mixing with leading Roman intellectuals and philhellenes of the day, including the noted historian of the Punic Wars, Polybius.

Cicero records the circulation of scurrilous rumours that Terence’s plays were far too good for an ex-slave to have written and so must have been written by others in Scipio circle, and we also know this from the remarkable prefaces to the plays which he himself appears to have written and which cite and refute this rumour. The modern scholarly view is that Terence did write all the plays attributed to him.

Terence compared with his predecessor, Plautus

Terence adapted Greek plays from the late phases of Attic comedy, also known as the New Comedy, written by Greek playwrights such as Menander and his contemporaries. This genre of adaptation had a name of its own, fabulae palliatae (‘adaptations of Hellenistic comedies played in Greek dress’).

In this Terence was much like his famous forebear, the comic playwright Plautus (254 to 184) but with importance differences. Plautus’s plays are characterised by:

  • extensive use of complex verse forms, often intended to be sung, a little like operetta (‘the high spots of his plays are often his musical cantica‘)
  • dancing to music
  • clever comic wordplay
  • fast-moving, often slapstick plots

Plautus’s plays are loosely comparable to modern pantomime, in their zany slapdash humour and frequent speeches directly to the audience. By contrast, Terence’s six plays:

  • use simple, conversational Latin rather than elaborate wordplay for its own sake
  • have more plausible plots i.e. the characters aren’t made to do improbable things just for the momentary lols
  • place more emphasis on consistency of character, less on zany slapstick moments

More sophisticated, more philhellenic

In her introduction to the Penguin paperback edition of Terence’s complete plays, the translator Betty Radice points out that the shift from Plautus to Terence was not just a generational one (if Terence was born in 185 that was more or less the same year that Plautus died). It was a cultural shift away from the broad farce which had its roots in Italian peasant life (lots of farms are referred to in Plautus) to a much more refined and intellectual and consciously philhellene culture shared by an urban, cultural elite.

Radice emphasises the sophistication and attention which Terence plays demand of their audience. They tread a line between, on the one hand, the lowbrow, rustic humour of Italian peasant life and, on the other, the deeply conservative, puritanical values based on a reverence for family tradition exemplified by a conservative spokesman like Cato the Censor.

Terence was equidistant from both, promoting the values of an aesthetic circle which valued the merits of the Greek originals but wanted them combined with a more sophisticated reading of character and more believable plots, all conveyed in a refined and purified Latin style.

The double plot and other characteristics

Radice says that Terence’s main contribution to drama was the double plot, and that this allowed him to pursue his chief interest, which was the impact of plot on character. By having a double plot he could experiment with the contrasting impact on differing characters of the same situation. On this reading, plot isn’t something cobbled together to create as many farcical situations and lols as possible, as per Plautus; but a device to explore different types of character through a new kind of clear, expressive Latin verse. Terence:

  • created a simpler, purer Latin style than anything written before
  • made his plays more ‘realistic’ by removing the discursive explanatory prologues of Plautus – instead you have to infer the backstory from the characters’ dialogue alone
  • dispensed with divine intervention, setting his plays entirely in the human world
  • moved away from caricaturing minor characters (think of all those grumpy cooks in Plautus)
  • gave more respect to the older generation who are no longer just fuddy-duddies standing in the way of young lovers
  • was more respectful of women – for example, The Mother in Law is almost entirely a woman’s play

Stage conventions

As with Plautus, Terence’s stage sets showed the front doors of two (occasionally three) buildings. It was the convention of the day that characters exiting left were heading to the countryside or the city harbour, while exiting right was to go to the town centre or forum.

The acting style was declamatory i.e. loud and formalised, as were gestures and movements. It’s probable that, as in Greek comedy, the actors wore masks to indicate typical characters. These included the character types Terence himself mentions in a throwaway remark in his prologue to Heauton Timorumenos:

  • the running slave
  • the angry old man
  • the greedy sponger
  • the shameless imposter
  • the rapacious slave trader

Although Terence didn’t use the sung aria which was one of Plautus’s most notable features, nonetheless his spoken dialogue was entirely in verse which was rhythmically recited to the music of a pipe player. (Because of the survival of the production notes we even know the names of the composers: for example, the pipe music for Andria was composed by one ‘Flaccus, slave of Claudius.’)

The occasional aria is thought to have been mimed by the actor and performed by a professional singer who stood to one side of the stage next to the pipe player. Possibly this was the same person as the cantor who ended every play by inviting the audience to applaud.

It’s hard to think of an approach to theatre more different from our modern style of microscopic realism, where exposure to countless movies and TV dramas has taught us to look for the slightest frown or smile or movement to convey meaning. These guys wore heavy masks, stood still and bellowed at the audience, or broke into song or dance.

Terence’s huge legacy

Terence has a claim to have created ‘problem’ comedy i.e. light-hearted plays which address fairly serious issues. He is routinely described as ‘a major influence on European drama’.

The purity of his Latin quite quickly made him a model for students learning the language, in the ancient world and beyond, which helps to explain the survival of all his texts through the long Middle Ages in numerous copies. Radice gives a long, detailed and fascinating summary of the afterlife of Terence’s plays, through Late Antiquity and into the Middle Ages when they were valued enough to be extensively copied – the scholar Claudia Villa estimated that 650 manuscripts containing Terence’s work date from after AD 800.

Due to his clear and entertaining language, Terence’s works were heavily used by monasteries and convents during the Middle Ages and the Renaissance. Scribes often learned Latin through the meticulous copying of Terence’s texts. Priests and nuns often learned to speak Latin through re-enactment of Terence’s plays. (Wikipedia)

The dawn of the Renaissance in Italy saw the extensive revival, translation and new performances of his plays. The Renaissance humanist Erasmus included no fewer than 250 references to and quotes from Terence in his Adages, which were designed to prove that the best values of Antiquity were perfectly aligned with Christian morality. The German church reformer Martin Luther not only quoted Terence frequently but recommended his comedies for the instruction of children in school. Terence was translated by numerous eminent Renaissance authors, including Machiavelli.

* Homo sum, humani nihil a me alienum puto

This is Terence’s most famous quote, from the play Heauton Timorumenos. It means literally:

  • I am a human being; of that which is human, I think nothing estranged from me.

More smoothly as:

  • I am human, and think nothing human is alien to me.

I prefer the implications of the latter because it reinforces one of my core principles, which is a frank acceptance of human nature in all its gruesomeness. We are, after all, only animals which, through a quirk of evolution, happen to be able to ‘think’, sort of, sometimes.

Most history is horrific, most humans are disappointing, many are terrifying. We must make the best of life based on a realistic assessment of human history and behaviour. Denying these realities distorts our understanding of human nature, human history and human society, and undermines assessments of what realistic change and reform we can hope to effect.

Therefore I accept it, accept it all, all human behaviour, the killers and rapists, the paedophiles and génocidaires, the greedy billionaires and the drug addict muggers, alongside the sugar and spice and all things nice which the sentimental, naive and wilfully blind want human nature to consist of – and the huge territory between these extremes, where people are confused, uncertain, generally nice, sometimes stressed, angry or inexplicable and unpredictable. And that is what this quote means to me. It signifies a complete, Nietzschean acceptance of the gritty reality.

Radice, on the other hand, translates it as:

  • I am human myself, so I think every human affair is my concern.

Which may be a true translation but whose last few words seems to me to drastically expand the thought, making it far more pro-active and empathetic than my preferred version. Radice’s translation implies that all human affairs are my concern i.e. that I ought to be actively involved in them. Turns it from the detached and rather analytical acceptance of my version into a motto for Amnesty International.

I prefer the second translation, which implies that I should take note of and take account of all human affairs – but not be so foolish as to get caught up in them.


Credit

All page references are to the 1976 Penguin paperback edition of Terence: The Comedies.

Roman reviews

  • Terence
  • Andria (The Girl from Andros) by Terence (166 BC)
  • Hecyra (The Mother-in-Law) by Terence (165 BC)
  • Heauton Timorumenos (The Self-Tormentor) by Terence (163 BC)
  • Phormio by Terence (161 BC)
  • Eunuchus by Terence (161 BC)
  • Adelphoe (The Brothers) by Terence (160 BC)
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