The Age of Capital: 1848 to 1875 by Eric Hobsbawm (1975)

The astonishing world-wide expansion of capitalism in the third quarter of the [nineteenth] century…
(The Age of Capital, page 147)

Eric Hobsbawn (1917 to 2012) was one of Britain’s leading historians. A lifelong Marxist, his most famous books are the trilogy covering what he himself termed ‘the long 19th century’, i.e. from the outbreak of the French Revolution in 1789 to the Great War in 1914. These three books are:

  • The Age of Revolution: Europe 1789–1848 (1962)
  • The Age of Capital: 1848–1875 (1975)
  • The Age of Empire: 1875–1914 (1987)

To which he later appended his account of the ‘short’ 20th century, The Age of Extremes: The Short Twentieth Century, 1914 to 1991 (1994).

The Age of Capital: 1848 to 1875

The Age of Capital: 1848 to 1875 does what it says on the tin and provides a dazzlingly panoramic overview of the full economic, political and social events right across Europe and indeed around the world, from the famous year of revolutions (1848) through to his cutoff point 27 years later.

In his preface Hobsbawm says that the end of the era can be taken as 1873, which marked the start of what contemporaries came to call the Great Depression, a decades-long slump in trade and industry which is usually taken to have lasted from 1873 to 1896. Maybe he and the publishers chose the slightly later date of 1875 so as to end it precisely 100 years before the book’s publication date. Certainly nothing specifically important happened in 1875, it’s just a convenient marker.

General response

When I was a student in the 1980s I much preferred Hobsbawm’s rip-roaring and colourful trilogy to his dry economic volume, Industry and Empire: From 1750 to the Present Day (1968). Now the situation is reversed. I like the earlier book because it is more factual, which makes the central proposition of its first part – that the vital spur to the industrial revolution was Britain’s position at the centre of a complex global network of colonies which allowed it to import raw materials from some and export finished products to others at great profit – all the more powerful and persuasive.

By contrast, The Age of Capital is much more overtly a) Marxist and b) rhetorical and, after a while, both these aspects began to seriously detract from my enjoyment.

1. Very dated Marxism

Hobsbawm loses no opportunity to bang on about the bourgeoisie and the proletariat. These are both foreign words, French and German, respectively, and, for me, they began to really stick out from the text. I began to circle them in pencil, along with his other buzzwords, ‘capitalism’ and ‘revolution’, and this helped to visually confirm my sense that some passages of the book are entirely constructed from this dusty Marxist rhetoric. ‘The demands of the bourgeoisie…’, ‘The bourgeois market…’, ‘The business and domestic needs of the bourgeoisie…’, literally hundreds of times.

Back in the 1980s it didn’t stick out so much because a) as a humanities student I moved in an atmosphere permanently coloured with excitable student rhetoric about ‘the revolution’ and the overthrow of ‘capitalism’ and so on, and b) this reflected the rhetoric’s widespread use in the public domain, where you heard a lot more of this sort of terminology coming out of the 1980s Labour Party in the era of the Miners Strike and the Militant Tendency and so on.

But when the Soviet Union collapsed in 1991, all the steam went out of international socialism. Up till then the rhetoric of revolution had a genuine sense of threat or menace – not that there was necessarily going to be a revolution tomorrow, but there had been, and there could be again, and so it felt like some kind of communist revolution was, at the very least, a real, conceptual possibility. And this sense of possibility and threat was reinforced by the number of genuinely communist governments around the world, all 15 Soviet states, all of China, half of Europe, much of south-east Asia, as well as the various Marxist guerrilla groups across Africa and Latin America. It was a rhetoric, a set of ideas and a mindset you couldn’t help engaging with every day if you watched the news or read newspapers.

File:Communist countries 1979-1983.png

Communist countries 1979 to 1983. Source: Wikipedia

These terms had real-world presence and possibilities because they were the official rhetoric of half the governments of the world. The Soviet Union, Chinese or Cuban governments routinely made pronouncements condemning the ‘capitalist countries’, attacking ‘bourgeois liberalism’, criticising ‘western imperialists’ and so on.

Now, decades later, all this has disappeared. Gross injustice there still is, and sporadic outbreaks of left-wing-sounding movements for fairness. But they lack the intellectual cohesion and above all the sense of confidence (and funding) and threat which ‘revolutionary’ movements were given in the 1960s, 70s and 80s by the vast presence and threat of the Soviet Union and the Eastern bloc. John Le Carré’s thrillers had such an impact because behind the small number of spies battling it out there was the real sense that a war might break out, that espionage might play a role in the actual undermining of the West.

What I’m driving at is that Hobsbawm’s relentless focus on the political movements of the workers of his era, of the proletariat and radicals and socialists and so on of the 1860s and 1870s, now looks quaint and dated. Of course 1848 to 1875 was the era of the triumph of capitalism and the response of workers and workers parties and liberals and intellectuals all across Europe was often couched in terms of socialism and even communism, and Karl Marx and Friedrich Engels were alive and organising and writing, yes, of course.

But this book’s relentless focus on the plight of ‘the workers’ and the formation of ‘the proletariat’ is not only obviously biased and parti pris but now, in our post-communist era, comes over as dated and contrived. He was writing in the mid-1970s to a widespread acceptance of very left-wing politics which was common not only among academics but in trade unions and major political parties all across Europe and which has now… vanished.

And comes over as boring. I got bored of the way Hobsbawm casually labels the working classes or the populations of non-western countries as ‘victims’, as if absolutely everyone in 1860s China or Persia or Egypt or Africa were helpless children.

I’m just reading a passage where he lambasts the Victorian bourgeoisie for its ‘prejudices’ but his own worldview is just as riddled with prejudice, clichés and stereotypes – the ‘bourgeoisie’ is always 100% powerful exploiters; everyone else is always 100% helpless ‘victims’; only Karl Marx understood what was going on; the holy quest for ‘revolution’ went into abeyance during these years but was to revive and flourish in the 1880s, hurrah!

He repeats certain phrases, such as ‘bourgeois liberalism’, so many times that they eventually become empty of meaning, little more than slogans and boo words.

‘Here is the hypocrite bourgeois in the bosom of his smug family while the workers slave away in his factory’, BOO!

‘Here are the socialist intellectuals and more educated workers seeking to organise labour and planning for the revolutionary overthrow of bourgeois society and the seizure of the means of production by the workers’, HOORAY!

‘Here are the Great Thinkers of the period, Auguste Comte and Herbert Spencer, whose writings supported raw capitalism, racism and eugenics’, BOO!

‘Here are Karl Mark and Friedrich Engels, noble humanitarians who were the only ones to grasp the scale of the socio-economic changes the industrialised world was undergoing’, HOORAY!

2. Hobsbawm’s superficial treatment prevents understanding

This brings me to the other major flaw in the book which is that it reads to me, now, as so superficial on almost all the specific events it covers, as to be actively misleading.

As a starry-eyed and fairly uneducated student it came as a dazzling revelation to learn just how many huge and momentous events took place during this packed 25-year period. It was my first introduction to the 1848 revolutions and the Paris Commune, to the Taiping Rebellion and the American Civil War and so on, all of which stretched my historical understanding and broadened my perspectives on world history.

However, rereading it now, 30 years later, I think Hobsbawm’s presentation of many of these subjects is so brief and is so skewed by the way he forces everything into his Marxist worldview – everything is shoehorned into the same framework of capitalism and proletariat and bourgeoisie – as to be actively misleading.

Because every event he covers is described in terms of the triumph of the liberal-capitalist bourgeoisie over either their own proletariat or entire foreign nations (for example, China or India) everything ends up sounding very samey. He doesn’t distinguish between the enormous cultural, economic, legal and historical differences between nations – between, for example the ‘bourgeoisie’ of America, Britain and Germany, all very different things – he doesn’t pay attention to the complexities and unexpected turns and ironies which defy Marxism’s neat patterns and limited repertoire of concepts.

This generalising tendency makes a lot of the events of the era sound the same and this actively prevents a proper understanding of history’s complexities and strangeness. It was only when I read specific books on some of the events he describes that I came to really understand the complexity and specificity of events which Hobsbawm, for all his verve and rhetoric, often leaves badly unexplained.

For example, I’ve just read Hobsbawm’s description of the Paris Commune (pages 200 to 202) and am profoundly unimpressed. He skimps on the historical detail or the actual events of the Commune, preferring to give a shallow, teenage account of how much it scared the European bourgeoisie and how they took fright at the sight of workers running their own government etc.

Its [the Commune’s] actual history is overlaid by the enormously powerful myth it generated, both in France itself and (through Karl Marx) in the international socialist movement; a myth which reverberates to this day, notably in the Chinese People’s Republic… If it did not threaten the bourgeois order seriously, it frightened the wits out of it by its mere existence. Its life and death were surrounded by panic and hysteria, especially in the international press, which accused it of instituting communism, expropriating the rich and sharing their wives, terror, wholesale massacre, chaos, anarchy and whatever else haunted the nightmares of the respectable classes – all, needless to say, deliberately plotted by the International. (p.201)

See what I mean by rhetoric? Heavy on rhetoric and references to Marx, the International, communist China, revolution, bourgeois order and so on. But where are the facts in that passage? There aren’t any.

Hobsbawm fails to explain the context of the Franco-Prussian War or the complex sequence of events which led to the declaration of the Commune. He glosses over the way the workers’ government came into being, the disagreements among various factions, the executions of hostages which introduced a note of terror and violence into the situation, which was then amply repaid by the French government forces when they retook Paris arrondissement by arrondissement and the mass executions of communards which followed. I only came to properly appreciate the Commune’s grim complexity when, many decades later, I read The Fall of Paris by Alistair Horne (1965)

Same with the Crimean War, which Hobsbawm dismisses as a notorious fiasco and more or less leaves at that (p.96). It wasn’t until I read The Crimean War by Orlando Figes (2010) a few years ago that I for the first time understood the long-term geopolitical forces at work (namely the Ottoman Empire’s decay and the fierce ambition of Russia to seize the Straits and extend their territory all the way to Constantinople), the complicated sequence of events which led up to the outbreak of war, and the multiple ways in which it was, indeed, a mismanaged disaster.

Same with the American Civil War (pages 170 to 173). Hobsbawn gives a breath-takingly superficial sketch (‘For four years the civil war raged’) and, surprisingly for such a left-wing writer, doesn’t really give slavery its due weight. He is more interested in the way victory for the North was victory for American capitalism, which was the view of Marx himself.

Anyway, it wasn’t until I read James McPherson’s epic history of the American Civil War, decades later, that I really understood the long-term causes of the war, the huge conceptual frameworks within which it took place (I’m still awed at the ambition of some of the southern slavers to create a new and completely separate nation which would include all the Caribbean and most of Central America), the terrible, appalling, mind-searing horrors of slavery, the strong case made by the southern states for secession, and the technological reasons (development of better guns) why it went on so long and caused such immense casualties (620,000 dead).

Here are books on specific events or figures from the period, which I would strongly in preference to Hobsbawm if you really want to fully understand key events from the period:

Same on the domestic front. By limiting his description of British society to concepts of capital, capitalists, bourgeoisie and proletariat, Hobsbawm, in his concern with identifying the structural and economic parallels between all the capitalist nations of the West, loses most of the details which make history, and life, interesting.

I came to this book immediately after reading Richard Shannon’s book, The Crisis of Imperialism, 1865 to 1915 which is a long, sometimes rather turgid, but nonetheless fascinating and detailed analysis of the high politics of Britain during the period, which views them almost entirely in terms of the complicated challenges faced by successive British leaders in trying to keep the various factions in their parties onside while they negotiated the minefields of domestic and international politics. Among other things, Shannon’s book brilliantly conveys the matrix of intellectual and political traditions which politicians like Gladstone and Disraeli sought to harness, and how they both were trying to preserve visions of a past equilibrium or social balance which probably never existed, while the world hurried them relentlessly onwards.

By contrast, Hobsbawm’s account gives you no idea at all of the characters and worldviews of the leading politicians of the day; they are all just representatives of the ‘bourgeoisie’, taken as, for all intents and purposes, identical, whether in America, Britain, France, Germany, Italy and so on. (The one possible exception is Bismarck, who emerges with a very clear political agenda, all of which he achieved, and so impresses Hobsbawm.)

The book’s strengths

Where the book does score, what made its reputation when it was published and has maintained it ever since, is the bravura confidence with which Hobsbawm leaps from one continent to another, mimicking in the structure of his text the phenomenal spread of the industrial revolution and the new capitalist ways of managing production, new social relations, a new economy, and new trading relations, new and unprecedented ways of doing things which spread like wildfire around the world. The first half of the book is crammed with raw facts and statistics about the West’s astonishing feats of industrialisation and engineering. Here are some highlights:

1848, the ‘springtime of peoples’

1848 saw political revolution across Europe. I have summarised these in a review of 1848: Year of Revolution by Mike Rapport (2008). The revolutions of 1848 generated a huge amount of rhetoric, primarily by middle class nationalists and liberals, but also from ideologists for the new ideas of socialism and communism.

But the key thing about the 1848 revolutions and the so-called ‘springtime of peoples’ is that they failed. Within a year, year and a half at most, they had all been crushed. Some political gains were made, serfdom was abolished in Hungary, but broadly speaking, within two years the kings and emperors were back in control.

All except in the most politically unstable country of Europe, France, which overthrew its king, endured three years of unstable democracy and then elected a buffoon, the nephew of Napoleon Bonaparte, to become their emperor, Napoleon III (Napoleon counted his father as Napoleon II, hence the way he named himself the third Napoleon). The French replaced an inept king with a populist buffoon. The left was decisively crushed for nearly 40 years, only reviving in the harsher environment of the 1880s.

The labour movement [across Europe] had not so much been destroyed as decapitated by the failure of the 1848 revolutions and the subsequent decades of economic expansion. (p.133)

Boom years of the 1850s

The 1848 revolutions were bitterly fought, there was a lot of bloodshed which amounted to civil war in some parts of Europe, but apart from the fact that they all failed in their aims of establishing liberal republics, the other key thing about them that Hobsbawm brings out is they were the end of a process, not the beginning.

The 1840s are often referred to as the Hungry Forties because of the malign impact of industrialisation on many populations, combined with a run of bad harvests. BUT 1850 saw all this change, with a sudden industrial boom which lasted most of the rest of the 1850s and a run of good harvests.

With the result that the ‘working class militancy’ so beloved of a Marxist like Hobsbawm fizzled out. Chartism, which had at one point threatened the state in Britain, disappeared and the same with the other movements across Europe. All except for the nationalist movements in Germany and Italy, which were by no means socialist or for the workers. The unification of Germany was brought about by Bismarck, the opposite of a socialist.

1848 gold rush

Much more important for the global economy was the discovery, in the same year, 1848, of gold in California. This is the kind of thing Hobsbawm is good at, because he has the figures at his fingertips to show how dramatically the gold rush drew the Pacific world closer together. An unprecedented number of Chinese crossed the sea to find their fortunes in California, part of the huge influx of migrants who boosted San Francisco’s population from 812 in 1848 to 35,000 just 4 years later (p.79).

Crews of ships docking in San Francisco regularly absconded in their entirety, leaving the wooden ships to rot, many of them eventually being torn up and used as building materials. Such was the pull of gold and the mushroom wealth it created, that fleets and food were attracted up the coast from faraway Chile.

The gold rush also acted as a financial incentive for the completion of the transcontinental railways being built at the time (the line right across America was completed in 1869). Previously California had been cut off by the huge Rocky mountains. Now there was the incentive of gold to complete a transport link to it, allowing the traffic of food from the mid-West.

Globalisation

The gold rush in California (shortly followed by one in Australia) is a good example of one of the overall themes of the book, which is that this era saw the advent of Globalisation.

The interdependence of the world economy could hardly be better demonstrated. (p.79)

Due to the railway, the steamer and the telegraph…the geographical size of the capitalist economy could suddenly multiply as the intensity of its business transactions increased. The entire globe became part of this economy. This creation of a single expanded world is probably the most significant development of our period…for practical purposes an entirely new economic world was added to the old and integrated into it. (p.48)

In this industrial capitalism became a genuine world economy and the globe was therefore transformed from a geographical expression into a constant operational reality. History from now on became world history. (p.63)

No wonder that observers saw the economic world not merely as a single interlocking complex, but as one where each part was sensitive to what happened elsewhere, and through which money, goods and men moved smoothly and with increasing rapidity, according to the irresistible stimuli of supply and demand, gain and loss and with the help of modern technology. (p.82)

…the ever-tightening network of global communications, whose most tangible result was a vast increase in the flow of international exchanges of goods and men… (p.85)

For the historian the great boom of the 1850s marks the foundation of a global industrial economy and a single world history. (p.88)

… the extraordinary widening and deepening  of the world economy which forms the basic theme of world history at this period. (p.207)

Second industrial revolution

There are varying opinions about how many industrial revolutions there were. From Hobsbawm’s accounts here and in Industry and Empire it seems clear the first industrial revolution centred on cotton production, took place in Lancashire, and relied on British dominance of international trade, since 100% of the raw material was imported (from the American South) and a huge percentage was then exported (to Africa and India).

There was a slump in the textile economy in the 1830s and Hobsbawm briefly entertains the counter-factual possibility that the process of industrialisation, which had, after all, only touched a relatively tiny part of the world’s surface, might have sputtered out and died altogether.

But it was saved by a second wave of renewed industrial activity leading to phenomenal growth in production of coal and iron, with accompanying technical innovations, which were catalysed by the new technology connected with the railway (which Hobsbawm tells us Karl Marx thought of as capitalism’s ‘crowning achievement’, p.48).

Railway mania

Hobsbawm explains how the railway mania, at first in Britain, then in other industrialising nations, was driven by financial factors, namely the need for capitalists who had acquired large amounts of capital for something to invest in.

Hobsbawm has some lyrical passages, the kind of thing most readers of this book long remember, describing the astonishing feats of finance and engineering and labour which flung huge lengths of iron railroad across the continents of the world between the 1840s and the 1870s, connecting coasts with hinterlands, linking the world together as never before. Many readers remember Hobsbawm’s awed descriptions of the astonishing achievements of individual railway entrepreneurs such as Thomas Brassey, who at one point was employing 80,000 men on five continents (pages 70 to 73).

Such men thought in continents and oceans. For them the world was a single unit, bound together with rails of iron and steam engines, because the horizons of business were like their dreams, world-wide. (p.74)

He points out that Jules Verne’s famous novel of 1873, Around the World in Eighty Days, was fantastically topical to its time. In effect its protagonist, Phileas Fogg, was testing and showcasing the spread of the new railway technology which had girdled the earth (p.69).

Map of the trip

Map of Philea Fogg’s route in Around the World in Eighty Days by Jules Verne (Map created by Roke. Source: Wikipedia)

The electric telegraph

Even more dramatic than railways was the development of the electric telegraph which Hobsbawm describes in detail on pages 75 to 78. It was the telegraph which created the first and definitive communications revolution. In 1848 you had to wait months for letters to arrive from another continent. By 1875 news could be telegraphed from England to America in minutes. It was a transformation in human relations, perception and psychology.

Hobsbawm goes on to make the interesting point that this globalisation was still very limited and focused on high profit areas and routes. Only a hundred miles from the railway and telegraph, billions of people still lived with more or less feudal technology, the fastest vehicle being the ox-cart.

Right from the beginning the process of globalisation created an even bigger zone of unglobalisation, what is now often called the ‘left behind’. So Phileas Fogg’s famous journey has this additional interpretation, that it was a journey along the frontier between the newly globalised and the still untouched. In the novel Phileas travels a kind of borderline between the deep past and the ever-accelerating future.

Production figures

Britain produced 2.5 million tons of iron in 1850, in 1870 6 million tons, or about half the world’s total. Over the same period world production of coal increased by two and a half times, world output of iron four times. Global steam power increased from an estimated 4 million horsepower in 1850 to 18.5 million HP by 1870. In 1859 2,000 million barrels of oil were produced in the USA, in 1874, 11 million barrels. The book ends with a dozen pages of tables conveying these and many other examples of the explosion in productivity and output, and maps showing the spread of trade routes and emigration movements around the world.

The industrialisation of the German Federation between 1850 and 1870 had major geopolitical implications, creating the industrial might which helped Bismarck win three wars in succession and create a united Germany, which has been a decisive force in Europe ever since (p.56).

World fairs

As their economic system, businesses and military might spread around the world, what Hobsbawm calls the ‘liberal bourgeoisie’ celebrated in a series of world’s fairs, starting with the famous Great Exhibition at the Crystal Palace in London at which no fewer than 14,000 firms exhibited (1851), followed by Paris 1855, London 1862, Paris 1867, Vienna 1873 and Philadelphia 1875 (p.47).

Mass migration

The third quarter of the nineteenth century saw the largest migrations in human history to that point. Between 1846 and 1875 more than 9 million people left Europe, mostly for America (p.228). Between 1851 and 1880 about 5.3 million people left the British Isles (3.5 million to the USA, 1 million to Australia, half a million to Canada).

More subtly, maybe, there was large scale inner migration from the countryside to the new mushroom towns and cities of the industrial revolution, creating vast acreages of appallingly squalid, over-crowded slums without any sanitation, water etc. These were to be the settings for the poverty literature and government reports of the 1880s and 1890s which brought about sweeping changes in town planning at the end of the century and into the 1900s.

The challenge to the developing world

The corollary of the notion that industrial ‘liberal capitalism’ spread its tentacles right around the world during this period, drawing all nations and peoples and places into its ravenous quest for profit, was the challenge this represented to all the non-Western nations and other cultures. Hobsbawn has sections describing the responses of the Ottoman Empire, the world of Islam, the Chinese Empire, the Persian Empire and the Japanese to the growing challenge from what he glibly calls ‘the West’.

His passages on these nations suffer from the same shortcomings I’ve listed above, namely that they are brief and superficial. To really understand what happened in China during this period, I would recommend The Penguin History of Modern China: The Fall and Rise of a Great Power, 1850 to the Present by Jonathan Fenby (2013). For an overview of why the non-Western empires and cultures proved incapable of matching the West’s dynamism, I recommend the outstanding After Tamerlane: The Rise and Fall of Global Empires 1400 to 2000 by John Darwin. For descriptions of the internal crises the transformation sparked, generally leading to the overthrow of the old regimes, in the Ottoman Empire, China, Japan in a controlled way, I would recommend you to find books specifically about those countries.

Wars

It was an era of wars. Which era hasn’t been?

  • The Second Carlist War (1846 to 1849) was a minor Catalan uprising
  • The Taiping Rebellion aka the Taiping Civil War or the Taiping Revolution, 1850 to 1864
  • The Crimean War, October 1853 to February 1856
  • American Civil War, 12 April 1861 to 9 April 1865
  • The Unification of Germany involved:
    • The Second Schleswig War aka Prusso-Danish War Feb to October 1864
    • The Austro-Prussian War or Seven Weeks’ War, June to July 1866
    • The Franco-Prussian War War, 19 July 1870 to 28 January 1871
  • The Unification of Italy involved:
    • The Second Italian War of Independence aka the Austro-Sardinian War, April to 12 July 1859
      (2 months, 2 weeks and 2 days)
    • The Third Italian War of Independence between the Kingdom of Italy and the Austrian Empire, June and August 1866
  • The Paraguayan War aka the War of the Triple Alliance, 1864 to 1870
  • The Third Carlist War, in Spain, 1872 to 1876

Famines

Less newsworthy than wars, less painted, less celebrated, producing fewer statues and medals, but many times more people died in famines than conflicts. As Hobsbawm points out, one of the fundamental differences between the ‘civilised world’ and the rest is that the industrial world can (by and large) feed its populations, whereas the undeveloped world is susceptible to failures of harvest and distribution.

  • 1848: Java ravaged by famine
  • 1849: maybe 14 million died in the Chinese famine
  • 1854 to 1864 as many as 20 million died in prolonged famine in China
  • 1856: one in ten of the population of Orissa died in the famine
  • 1861 to 1872: a fifth the population of Algeria died of starvation
  • 1868 to 1870: up to a third the population of Rajputana
  • 3 and a half million perished in Madras
  • 1871 to 1873: up to 2 million, a third the population of Persia, died of starvation
  • 1876 to 1878: 1 million in Mysore

Hobsbawm tries to reclaim human dignity i.e. give these catastrophes some semblance of meaning, by blaming some of this on the colonial powers (especially the British in India; as a British Marxist he is duty bound to reserve most of his scorn and contempt for the British authorities). But the effect of this list is not to make me ‘blame’ anyone, it just overwhelms me with the misery and suffering most of humanity have experienced throughout most of human history.

American states

In the post-civil war era, America continued to grow, adding states to its roster, having now settled the central issue of the war, which was whether they would be slave states of free states. The North’s victory in 1865 meant they would all be ‘free’ states.

  • Wisconsin became a state in 1848
  • California 1850
  • Minnesota 1858
  • Oregon 1859
  • Kansas 1861
  • West Virginia 1863
  • Nevada 1864
  • Nebraska 1867
  • Russia sold America Alaska 1867
  • Colorado 1876

Colonies

The original European colonial powers were Portugal and Spain. Spain lost control of its colonies in Central and South America in the early 1800s. Portugal hung on longer to a handful of territories in Latin America, a few coastal strips in Africa and Goa in India (p.145). The Dutch created a sizeable foreign empire in the 17th and 18th centuries. The French had ambitions to control North America and India but lost out during the 18th century to the British. So that the nineteenth century belonged to Britain, which ruled the world’s oceans and developed an unprecedented web of international, ocean-carried trade and this, Hobsbawm argues, was the bedrock reason for Britain pioneering the industrial revolution.

In a nutshell, the idea is that a fully developed capitalist system must be continually looking for new markets in order to maintain its growth. Where markets don’t exist in its native country, the system creates needs and markets through advertising. Or it conquers new parts of the world and new populations which it can drag into its mesh of trade and sales, extracting its raw materials at the cheapest cost, and turning them into manufactured items which it sells back to colonial peoples at the maximum profit.

Although there continued to be expeditions and territorial claims during this period, it was really a prelude to the frenzy of imperial conquest which characterised the final quarter of the nineteenth century, and which is the subject of the third book in the trilogy, the sequel to this one, Age of Empire.

In a word

Hobsbawm’s book impressed when it was published, and still does now, with its sheer range and scope, with its blizzard of facts and data, with its rhetorical conjuring of a world for the first time embraced and joined together by new technologies (railway, steamship, telegraph).

But its strength is its weakness, for its breadth means it sacrifices subtlety and insight for dogma, and becomes increasingly bogged down in sweeping generalisations about the wicked bourgeoisie and hypocritical capitalists (‘In general capitalists of the first generation were philistines…’, p.334).

By the end of the book I was sick to death of the sight of the word ‘bourgeois’. Hobsbawm sounds like a fairground toy: put a penny in the slot and watch it jerk to life and start spouting endless slogans about the vicious, hypocritical, exploitative ‘bourgeoisie’, especially in the long and profoundly dim final  sections of the book in which, God forgive us, an ageing Marxist historian shares with us his banal and  predictable views about the intellectual and artistic achievements of the period. For example:

  • The novel can be considered the one genre which found it possible to adapt itself to that bourgeois society….p.326
  • When one considers the orgy of building into which a prosperous bourgeois society threw itself…326
  • Few societies have cherished the works of creative genius… more than that of the nineteenth-century bourgeoisie. p.327
  • The demands of the bourgeoisie were individually more modest, collectively far greater. (p.330)
  • The business and domestic needs of the bourgeoisie made the fortunes of plenty of architects… (p.330)
  • The bourgeois market was new only insofar as it was now unusually large and increasingly prosperous. (p.330)
  • We can certainly discover those who, for various reasons, resisted or tried to shock a bourgeois public… (p.332)
  • For bourgeois society [the artist] represented ‘genius’…
  • Bourgeois tourists could now hardly avoid that endless and footsore pilgrimage to the shrines of the arts which is still in progress along the hard floors of the Louvre, Uffizi and San Marco. (p.335)
  • [Artists] did not have to conform to the mores of the normal bourgeois… (p.335)
  • Here again Richard Wagner showed a faultless appreciation of the bourgeois artist. (p.335)
  • Did the bourgeois actually enjoy the arts? (p.335)
  • Aestheticism did not become a bourgeois fashion until the late 1870s and 1880s. (p.336)
  • The bourgeoisie of the mid-nineteenth century was torn by a dilemma which its triumph made even more acute. (p.340)
  • At best the bourgeois version of ‘realism’ was a socially suitable selection… (p.340)
  • [Naturalism] normally implied a conscious political critique of bourgeois society… (p.340)
  • The insatiable demands of the bourgeoisie, and especially the petty-bourgeoisie, for cheap portraits provided the basis of [photography]’s success. (p.341)
  • Torn between the idealism and the realism of the bourgeois world, the realists also rejected photography… (p.342)
  • The Impressionists are important not for their popular subject matter – Sunday outings, popular dances, the townscapes and city scenes of cities, the theatres, race-courses and brothels of the bourgeois society’s half world – but for their innovation of method. (p.344)
  • If science was one basic value of bourgeois society, individualism and competition were others. (p.345)
  • [The birth of the avant-garde] represents the collapse of the attempt to produce an art intellectually consistent with (though often critical of) bourgeois society… (p.346)
  • This breakdown affected the marginal strata of the bourgeois world more than its central core: students and young intellectuals, aspiring writers and artists, the general boheme of those who refused to accept (however temporarily) to adopt the ways of bourgeois respectability… (p.347)
  • [French artists] were united, like the Romantics before 1848, only by a common dislike of the bourgeoisie… (p.348)
  • Until 1848 these spiritual Latin Quarters of bourgeois society had hope of a republic and social revolution…. (p.348)
  • Flaubert’s Sentimental Education (1869) is that story of the hope in the hearts of the world-storming young men of the 1840s and its double disappointment, by the 1848 revolution itself and by the subsequent era in which the bourgeoisie triumphed… (p.348)
  • With the collapse of the dream of 1848 and the victory of the reality of Second Empire France, Bismarckian Germany, Palmerstonian and Gladstonian Britain and the Italy of Victor Emmanuel, the western bourgeois arts starting with painting and poetry therefore bifurcated into those appealing to the mass public and those appealing to a self-defined minority. They were not quite as outlawed by bourgeois society as the mythological history of the avant-garde arts has it… (p.349)
  • [Music] could oppose the bourgeois world only from within, an easy task, since the bourgeois himself was unlikely to recognise when he was being criticised. (p.350)
  • Richard Wagner succeeded…in convincing the most financially solvent cultural authorities and members of the bourgeois public that they themselves belonged to the spiritual elite… (p.350)
  • Prose literature, and especially that characteristic art form of the bourgeois era, the novel, flourished for exactly the opposite reason. (p.350)
  • It would be unfair to confine the discussion of the arts in the age of bourgeois triumph to masters and masterpieces… (p.351)

Eventually, by dint of endless relentless repetition, the word ‘bourgeois’ becomes almost entirely emptied of meaning, and the endless conflating of everything bad, vicious, exploitative, hypocritical and philistine under this one mindless label eventually obliterates all Hobsbawm’s attempts to analyse and shed light. It does the opposite.

He nowhere makes clear that, since it is a French word implies, this venomous hatred of the ‘bourgeoisie’ had special French origins and significances in a politically unstable country which had a revolution more or less every generation throughout the century, which just weren’t the same and couldn’t be applied in the same way in Germany, Britain let alone America. Tennyson didn’t hate the English ‘bourgeoisie’, Dickens didn’t despise the English ‘bourgeoisie’, as much as their French counterparts, Baudelaire and Flaubert hated the French ‘bourgeoisie’. The hatred, the concept and the cultural context are all French and have never made nearly as much sense in Britain, let alone in America, as Marx learned to his bitter disappointment.

The passages describing the astonishing achievements of entrepreneurs, inventors, engineers and industrial innovators during this period remain thrilling and eye-opening, but they make up a minority of the text. Struggling through the long, doctrinaire Marxist and tediously banal second half is like being trapped in a corner of a party by a slobbering bore who asks you to hang on while he just tells you 20 more reasons why the Victorian bourgeoisie were so despicable. ‘Yes, grandad. I get it.’

The Age of Capital is arguably, in its overall tendency and rigidly doctrinaire interpretations, more a relic of its own time, the right-on, Marxisant 1970s, than a reliable guide to the era it claims to describe.

Ad hominem

On one occasion only have I been in a traditional London gentleman’s club, when a TV producer invited me to lunch at his club, the Garrick. He pointed out a few famous members in the packed dining room, including the distinctive features of the agèd and lanky Hobsbawm over at one of the tables.

It struck me how very English it was that this fire-breathing, ‘radical’, ‘Marxist’ historian enjoyed all the benefits of the English Establishment, membership of top clubs, numerous honours (Companion of Honour, Fellow of the Royal Society of Literature, Fellow of the British Academy and so on), enjoying a tasty lunch at the Garrick before strolling back to the library to pen another excoriating attack on the hypocrisy, philistinism, greed, ruthlessness and cruelty of the ancestors of the jolly chaps he’d just been sitting among, confident that his ‘bourgeois’ publishers would do a good job producing and promoting his next book, that the ‘bourgeois’ bookshops would display and sell it, that the ‘bourgeois’ press would give it glowing reviews, and he would be awarded another chestful of honours by a grateful monarch.

It’s not really even hypocrisy, it’s something odder: that academic communities across the Western world happily employed, paid and promoted humanities academics and writers who systematically castigated their employers, their nations and their histories, and cheerfully proclaimed their allegiance to foreign powers (the USSR, China) who made no secret of their intention to overthrow the West in violent revolution.

Well, history has had its revenge on the Marxist historians. As I slotted Age of Capital back onto my shelf I thought I heard the sound of distant laughter.


Credit

The Age of Capital: 1848 to 1875 by Eric Hobsbawm was published in 1975 by Weidenfeld and Nicholson. All references are to the 1985 Abacus paperback.

Hobsbawm reviews

Related reviews

To Hell and Back: Europe 1914-1949 by Ian Kershaw (2015)

This is volume seven in the eight-volume Penguin History of Europe and it is very good. It has to cover a lot of ground and Kershaw does it clearly and authoritatively. He does this more by focusing on broad themes and issues, than getting snarled up in details. It is a high-level overview.

Contents

The period

In Kershaw’s opinion the 20th century is characterised by wars, immense wars, and falls naturally into two halves – the period of the two world wars 1914 to 1945, and then the Cold War, 1945 to 1990.

The Cold War will be dealt with in the ninth and final volume of the series. This volume covers the earlier period but Kershaw makes the point that, as the violence and chaos of the Second War continued after its official end, and that it took a few years for its repercussions – and the shape of the post-war world – to fully emerge, so his account ends not on VE or VJ Day 1945, but goes on till 1949, the year the Berlin Airlift ended (12 May) and the Federal Republic of Germany was created (20 September).

The themes

In Kershaw’s view the 20th century to 1949 was characterised by four large themes or issues:

1. An explosion of ethno-racist nationalism

The collapse of the Austro-Hungarian, Ottoman and Russian Empires both ‘liberated’ a lot of peoples who now set up independent nations (Hungary, Czechoslovakia, Poland, Ukraine, Yugoslavia, Turkey) – but also confirmed the trend whereby these new nations defined themselves ethnically.

In the big rambling empires all sorts of religious and ethnic groups may have resented each other, but managed to live alongside each other, in part because they were all subjects of the emperor or sultan. Ethnic nationalism destroyed this tolerance. At a stroke, if you didn’t speak the national language of the national people who the new nation was set up for, you were an outsider and, by implication and sometimes even by law, a second-class citizen. The Jews were outcast everywhere.

2. Bitter and irreconcilable demands for territorial revisionism

Before he brought America into the war, Woodrow Wilson had declared certain principles, namely that America would be fighting for 1. a peace without conquest (i.e. in the final peace deals, conquerors wouldn’t get to keep the land they’d acquired) and that 2. oppressed peoples would be liberated and given their independence / own nations.

In practice this second one proved tricky because centuries of living under rambling empires had resulted in a tremendous mixing-up of populations. To give an example, a large area in the east of Anatolia was known as Armenia and was the traditional homeland of the Armenian people – but there were large Armenian populations scattered over the rest of the Ottoman Empire, not least in the area known as Cilicia, at the other end of Anatolia from Armenia proper: so what happens to them?

The victors in the war laboured long and hard over complicated treaties (Versailles, Trianon, Saint Germain), drawing lines on maps and creating new nations states. But it proved impossible not to include in almost all of them large ethnic minorities a) who resented not living in their nation b) who were resented by the majority population for not speaking the national language, having the correct type of name or religion.

And impossible not to do this without creating a burning sense of grievance on the part of the nations who lost territory: Germany lost 13% of its pre-war territory and 10% of its population (p.119); Russia lost control of the Baltic states and Finland; Bulgaria also lost some territory, but Hungary lost a whopping 75% of its former pre-WW1 territories so that some three and a half Hungarians found themselves living outside Hungary, many of them in the new enlarged Romania which became nearly twice the size of its 1914 embodiment.

Kershaw gives the chapter where he describes all this the title ‘The Carve-Up’.

3. A prolonged crisis of capitalism, which many thought was terminal, and needed to be replaced by new social structures

The First World War left economic wreckage at every level, from devastated agricultural land through ruined industrial sectors. This was a lot more true in the East where entire regions such as Ukraine, Belarus and Galicia were devastated, than in the relatively static West, where only a relatively small zone about 50 kilometers wide had been devastated by the trench warfare.

At a higher level, all the combatants had had to borrow vast sums to fund their war efforts, and this left many on the brink of bankruptcy. The Western nations had borrowed heavily from the USA. To repay its debt France insisted on huge reparations from Germany. When Germany defaulted on the payments in 1923, France occupied the industrial Ruhr area of Germany, the German government told the workers to go on strike in protest, and the fragile German economy collapsed leading to the famous hyperinflation where you needed a wheelbarrow full of cash to buy a cigarette.

This situation was sorted out at an international conference which enacted the Dawes Plan, a simple triangle whereby America lent money to Germany to rebuild her economy, the German government used the tax revenue generated from its growing economy to pay reparations to France, and France used the German reparations to pay back its immense war loans from America and pledged to buy American products.

This elegant plan underpinned the brittle prosperity of the later 1924-29, the Jazz Era, the Roaring Twenties, the Weimar Years. But, as we all know, it collapsed with the 1929 Wall Street Crash which not only led to prolonged Depression in the States, but collapsed the Dawes Plan and plunged Europe into depression, triggering the mounting unemployment and renewed inflation which set the scene for the rise of the Nazis.

Throughout the period, many thinkers and commentators thought the capitalist system was doomed. It seemed to be failing before their eyes, in America, Britain, France and Germany. Many thought Western civilisation could only survive by mutating into new forms, by evolving new social structures.

4. Acute class conflict, given new impetus by the advent of Bolshevik Russia

There had been class-based uprisings and revolutions throughout the 19th century (maybe the brutal Paris Commune is the most extreme and clearly class-based example) and a wealth of thinkers, not only Marx, had analysed the grotesque inequality between the new factory and business owners and the deeply impoverished industrial proletariat as a clash of classes.

But the Bolshevik seizure of power in Russia transformed the situation. The Bolshevik regime became a symbol and lightning rod for class antagonisms all round the world. It appeared to offer a real working example of a genuinely alternative social system, one in which the government sequestered all the means of production and distribution and ran them for the good of the entire people, not just a wealthy few.

But it had two baleful consequences:

1. The Russian Revolution split the Left From the establishment of the Communist International (or Comintern) in 1919 until the collapse of the Soviet Union, the forces of the Left in every country in the world would be divided between communist parties taking direct orders from Moscow, and all the other forces of the Left who, quite often, the communists undermined & sabotaged (see the Spanish Civil War). This was a fatal division of the forces opposing the Right and Fascism, which Kershaw describes occurring in country after country across the period.

2. The Russian Revolution was a galvanising force in the rise of the Right Right-wing parties everywhere reached out to the newly-enfranchised masses (all European nations expanded their voting based after the war, for the first time creating really mass democracies), especially the large numbers of middle and lower-middle-class voters, and terrified them with visions of blood-thirsty revolutionaries taking over their town or country, lining all ‘class enemies’ (i.e. them) up against the wall, confiscating their businesses and hard-won savings.

One way of looking at it was that, without the very real existence of the Bolshevik regime, and the threat from growing communist parties in every country in Europe, there would have been no rise of Fascism.

And the closer you were to Bolshevik Russia, the more pressing the conflict seemed – from Poland which was actually invaded by the Red Army in 1920, to countries like Romania, Bulgaria and Hungary where initial dalliances with left-wing governments quickly gave way to right-wing authoritarian governments (the Iron Guard in Romania, the royal authoritarian dictatorship of Tsar Boris III in Bulgaria, the right-wing administration of admiral Miklós Horthy in Hungary).

All exemplified, over a longer timeframe, by the central and most important European state, Germany, whose Weimar regime tried to follow Western norms of governance, but was undermined by the extreme social divisions sparked by recurrent economic crises, by the immense and widespread resentment created by the punitive Versailles Treaty, and by a culture of subversion and street violence which the Right, eventually, was to win.

Conclusion All four elements (nationalism, economic crises, left-wing politics, squabbling over territory) had of course pre-existed all across Europe. But they were driven to new heights of intensity by the First World War and the widespread chaos which followed. And then combined like toxic chemicals, catalysed by the series of political and economic crises, to create unprecedented levels of bitterness, hatred, anger and social division all across Europe between the wars.


The origins of the First World War

There are as many opinions about the origins of the First World War as there are grains of sand on a beach. Kershaw emphasises the folly of the German government sending Austro-Hungary, as it pondered how to punish Serbia for the assassination of Austrian Archduke Ferdinand, a ‘blank check’, promising to support them come-what-may. This encouraged the Dual Monarchy to outface the Russians, which of course prompted the Russkies to mobilise etc etc.

But reading his account what came over to me as the really decisive source of the crisis was the Austro-Hungarian slowness to act. Other heads of state had been assassinated in the decade leading up to 1914 without sparking a general crisis. The other powers expected Austria to attack Serbia and deliver a short sharp reprimand, maybe occupy Belgrade, demand some reparations before withdrawing.

But, as Kershaw says, the Austro-Hungarian Empire only had two speeds, very slow or stop, and it took them nearly four weeks to write and send their ultimatum to the Serbian government.

This appalling delay gave all the other European governments time to consider how they could use the crisis for their own ends, not least Germany, whose military leaders told the Kaiser this was a golden opportunity to thrash the Russians before the Russians completed their well-known plan to modernise and expand their army, which was due to be completed by 1917. The German High Command persuaded the Kaiser that it was now or never.

If Austro-Hungary had gone in hard and fast with a surprise attack into Serbia within days of the assassination, a conference would have been called among the powers – much as happened after the first and second Moroccan crises (1905 and 1911) or the two Balkan wars (1912 and 1913) – to sort the problem out, probably force Serbia to pay reparations, and defuse tensions among the powers.

So you could argue that it was the byzantine and elephantine bureaucracy of the unwieldy Austro-Hungarian state which caused the cataclysmic conflict which defined the entire 20th century.

This view gives edge to your reading of a novel like Robert Musil’s A Man Without Qualities with its sustained satire on the pompous ineffectiveness of the Austrian administration. Maybe not so funny after all…


Civilised Western and backward Eastern Europe

There’s a whole genre of books devoted to explaining ‘the Rise of the West’ i.e. how Western empires ended up by the early twentieth century ruling a lot of the rest of the world. Harder to find are books which investigate the simpler question: Why was Western Europe relatively ‘civilised’ whereas regimes got steadily more repressive, undemocratic and authoritarian the further East across Europe you travelled. Kershaw’s book suggests some answers.

1. Western Europe was more ethnically homogeneous than central or Eastern Europe. England, Scotland, Wales, Ireland, France, Belgium, the Netherlands, Denmark, Norway, Sweden – these were populated by homogeneous populations of people identifying with the nation, with only tiny, insignificant minorities (actually Belgium is the exception which prove this rule, with low-lying conflict between the Flemings and the Walloons). Therefore one of the key prompts of post-war social tension – ethnically jumbled populations with conflicting claims – simply didn’t exist.

A notable exception was Spain where two large ethnically distinct groups, the Catalans and the Basques, combined with a backward, poverty-stricken population to make ruling the country problematic, as its slide towards civil war was to highlight.

2. Nation states in the West were long established. The French could trace their nation back to Charlemagne and the British to Alfred the Great, certainly to Magna Carta in 1216. Both nations had parliaments by the 1200s. That gave them 700 years experience of evolving laws and customs and strategies to manage social conflict. Compare and contrast with Germany, which was only unified in 1871 and whose experiments with self-governance over the next 70 years were not, shall we say, particularly successful. It was only after the British and Americans taught them how to run a modern democracy in the post-war occupation that they finally got it. Or compare with any of the ‘successor’ states to the collapsed empires – Hungary, Yugoslavia, Poland, which had barely any experience managing themselves. Spain, though it had existed as a political entity since the Unification of the 1490s, had only just ceased to be a monarchy. Only in 1931 did they expel their king and declare themselves a republic.

So all these nations or administrations had very shallow roots and little experience of self-government.

To put the same thing another way, Kershaw explains that in Western European countries (and the USA) the state had, over time shaped the nation, the institutions of the state had created a national consciousness which identified with them, the institutions. The institutions of state had become part of the populations sense of nationhood e.g. in Britain, the Queen, the Houses of Parliament, Black Rod, the Leader of the Opposition and so on.

It was the opposite in the new nations central and eastern Europe. Here ethnically purist nationalisms predated any idea of what a nation was, and the new states were created in the name of ethnically limited nations: Poland for the Poles, Hungary for the Hungarians and so on. The precise political form the new states took was secondary; the aim was to promote the nation.

Thus the institutions of the new democratic states were mostly new and, as they proved themselves incapable of managing the political and economic crises of the 1930s, broad sections of the population had no qualms about overthrowing these institutions and replacing them with different ones. They didn’t have the national identification with Queen and Parliament or President and Congress that the British and Americans have. So they got rid of them and tried something new, almost always rule by the army or authoritarian figures.

Thus in the USA or Britain, most people thought of politics as a simple choice between Labour or Tory, or Republican or Democrat. Most people accepted ‘democracy’ and few people thought about overthrowing it. But the democratic state was such a new invention in the ten new countries of post-war Europe that plenty of politicians, intellectuals and activists could easily imagine overthrowing and replacing it with a different model, more appropriate to the times, and almost always more authoritarian.

3. The further East you went, the less industrialised i.e. the more ‘backward’ countries became. It appears to have been a simple gradient, a line you could draw on a graph. In Britain at the end of the First World War only 10% of the working population worked on the land whereas 72% of the Romanians worked on the land. Rural workers tended to be illiterate and easy to sway towards simplistic, nationalistic regimes in a way the highly educated population of, say, Britain, would have found laughable. Thus Oswald Mosley’s high-profile British Union of Fascists caused well-publicised public disorders, but never had more than 50,000 members, far fewer than the National Trust or the Women’s Institute.

Of course the most easterly European nation was Russia, which – following the West-East rule:

  • had the highest proportion – 80% – of illiterate peasants
  • no tradition of elective democracy – the Tsar only set up a sort of parliament, the Duma, in 1905, and he and the ruling classes made sure it had no power
  • few if any of the institutions of civic society
  • and a ‘culture of violence, brutality and scant regard for human life’ (p.113) as my reviews of some of its classic fiction tend to confirm (Dr Zhivago, Tales From the Don, Red Cavalry, One Day In the Life of Ivan Denisovich)

The weakness of inter-war democracy

Kershaw has a fascinating passage examining the post-war political systems of every country in Europe (pp.123-133) which shows exactly why ‘democracy’ had such thin roots. Later on, a similar survey explains why these weak democracies almost all collapsed into authoritarian regimes by the time of, or during the second war (pp.183-192). European democratic systems during this period:

1. Used electoral voting systems which encouraged weak government. Many used variations of proportional representation, which may, on the one hand, have led to general assemblies which were accurate reflections of national views, but also led to weak governments which followed each other with bewildering speed:

  • Spain had 34 governments between 1902 and 1923
  • Portugal 45 administrations between 1910 and 1926
  • Yugoslavia had 45 political parties
  • Italy had 6 changes of government between 1919 and 1922
  • France had six different governments in just over a year, April 1925 and July 1926

2. Disillusioned much of the population with their mixture of incompetence, endless squabbling, corruption, all too often giving the sense that politicians put party interest above national interest. This allowed extremists to tar all democratic politicians with neglecting the Nation, even accusations of treason.

3. This created what Kershaw calls a ‘political space’ in the newly-created countries – or countries with new political systems – into which broad sections of the populations were all-too-ready to let a Strong Man step and run the country properly:

  • Admiral Miklos Horthy in Hungary in 1920
  • Mussolini in Italy in 1922
  • General Primo de Rivera in Spain 1923
  • in Albania Ahmed Zogu seized power in 1924 and declared himself King Zog
  • General Pilsudski took control in Poland 1926
  • General Gomes de Costa took power in Portugal in 1926

On the eve of the Second World War only about eleven countries in Europe were functioning democracies and they were all located in the north and the west – Britain, Ireland, France, Switzerland, Belgium, the Netherlands, Denmark, Norway, Sweden, Finland and tiny Iceland; whereas about 60% of Europe lived in 16 countries under repressive, authoritarian rule with curtailed civil rights and minorities facing discrimination and persecution: in the south Spain, Portugal, Italy and Greece; in the East Hungary, Slovakia, Romania, Bulgaria, Albania, Yugoslavia, Poland, Lithuania, Latvia, Estonia, and slap-bang in the middle, the largest country in Germany, the nation that set the tone, Germany.


What is fascism and how does it take hold?

Kershaw is best known as a historian of Hitler and the Nazis and you can feel the depth of his knowledge when he comes to describe the situation in Germany after the war, during the boom years of the mid-1920s, during the Depression (1929-33), and as he explains the reason for the Nazis’ appeal and rise in each of these periods.

But all too often histories of the Nazis focus so exclusively on the uniqueness of the German context that the reader is hard-pressed to draw broader conclusions. An excellent thing about this book is that it is a conscious attempt to cover the history of all of Europe, so that in each of the micro-periods it’s divided into, Kershaw goes out of his way to explain the situation in most if not all of Europe’s 30 or so countries; how, for example, the onset of the Depression affected not only Britain, France and Germany (which you always get in the standard histories) but countries right across Europe, from Spain to Greece, Norway to Portugal.

This proves extremely useful when he gets to the rise of the Nazis and their successful seizure of power (Hitler became Chancellor of Germany in January 1933 and within 6 months had crushed all other rival sources of power, all other political parties, the parliament, trades unions, universities, professions, every aspect of a modern state had either been Nazified or abolished).

Useful because after explaining all this, he goes on to draw general conclusions, to define what Fascism is, to ask Why Fascism succeeded in Italy and Germany and Why Fascism failed everywhere else. This has all kinds of benefits, one is it allows him to draw a distinction between regimes which were right-wing and authoritarian but not actually Fascist.

1. What is Fascism?

Kershaw says that trying to define Fascism is like trying to nail jelly to a wall because its core attribute is hyper-nationalism i.e. glorification of the nation with its special language and history and traditions – and the precise details of each nation’s history and culture will vary according to circumstances.

Thus an attempt to hold a pan-Fascist Congress in Geneva in 1934 failed because a) Germany didn’t bother to turn up b) the other delegates couldn’t agree joint plans of action.

These caveats notwithstanding, Kershaw says Fascism includes:

  • hyper-nationalist emphasis on the unity of an integral nation which gains its identity from the cleansing of all who don’t belong – foreigners, ethnic minorities, undesirables
  • racial exclusiveness (though not necessarily biological racism of the Nazi type) with an insistence on the special, unique and superior quality of the nation
  • radical, violent commitment to the complete destruction of political enemies – communists, liberals, democrats, sometimes conservatives
  • emphasis on militarism and manliness, usually involving paramilitary organisations
  • belief in authoritarian leadership

Some also had irredentist goals i.e. reclaiming lost territory. Some were anti-capitalist, reorganising economies along corporatist lines, abolishing trade unions and directing the economy through corporations of industries.

All these elements can be present in authoritarian, right-wing governments which wanted to overthrow or dismantle the existing state and replace it with nationalist, authoritarian rule. What distinguishes Fascism is its insistence on total commitment to bend the collective will to the creation of an entirely new nation, expressed in ideas like the New Man, New Society.

Most right-wing authoritarian regimes (like all the South American dictatorships of the 1970s) essentially want to conserve the existing social order, and eliminate the left-communist, union elements which threaten it. Fascism goes much further. Fascism is a revolutionary movement because it seeks to sweep away the existing order and replace it with a new, totally unified society which will produce New Human Beings, a higher form of people who express the quintessence of the Nation, and of the epic national qualities

2. Why does Fascism succeed?

1. Elites lose faith in, and control of, democracy The most important factor in the rise of Fascism – of the extreme, radical Right – is whether the forces of conservatism – business, military, financial and social elites – believe they can get their way through the existing political and social order, or not. If these powers in society retain the belief they can work through the existing system they will support it. Only when they have completely lost faith in the existing system, or believe they have lost the ability to control it, will the elites help to, or acquiesce in, overthrowing it.

In this interpretation, the key to avoiding Fascism is ensuring that all or most elements of these powerful elites believe the existing (parliamentary, democratic) system is the best mechanism for getting their way, or some of it. Only when the existing system has been completely discredited, and the elites feel they are losing control of it and look around for alternatives, does the space open up for radical political change.

Rule 1: Keep the ruling elites invested in the parliamentary system

2. Fascists play up the threat of communism (and atheism) The second factor is the threat of communism as it affects two sectors of society, the elites and the middle classes.

The realistic prospect of a communist regime coming to power and implementing real communist policies (nationalising all industries, confiscating private property) obviously threatens the interests of the business, economic, class elites. If these interests feel that the existing parliamentary system really is going to allow hard-core Socialist or communist governments to administer Socialist policies, then they will intervene to prevent it.

But communism doesn’t just threaten the elite. It also directly threatens the jobs and livelihoods and cultural capital of a large part of the population, the so-called middle classes, which covers a wide range from the professions (doctors, lawyers) through small businessmen, shopkeepers, small craftsmen and artisans and so on.

Historically, the majority of Fascist supporters have not been from the aristocracy or elites (who often look down on fascist vulgarity) but from the threatened and pressurised middle classes.

The elites will have a large number of the population on their side if these people, too, feel threatened by radical socialist policies, and not only by their economic policies but by their attacks on traditional culture.

Spain 1936 is an example where the new aggressively socialist government threatened not only the property and livelihoods of the big landowners and big business, and a wide tranche of the middle classes, petit-bourgeoisie and so on. They also directly threatened the Catholic church and all its values, patriarchy, the traditional family, the sanctity of marriage and the family, and so on, not really having calculated how many traditionalists and believers that would antagonise. They created, in other words, an impressively powerful coalition of enemies.

Kershaw has a section specifically addressing the role of the Protestant churches and the Catholic church during the crisis years of the 1930s and the war. What comes over loud and clear is that the Pope and the Catholic Church, although horrified by the Nazis, thought the communists would be even worse.

Same in Spain. It’s well known that Hitler and Mussolini gave material aid to General Franco, flying his troops in from Africa and bombing Republican strongholds. Less well-known that Britain and France, after some hesitation, decided to adopt a policy of strict neutrality

Rule 2: Avoid the threat of genuinely socialist, let alone communist, policies

3. Widespread grievances, specially about lost wars or lost land Political parties don’t exist in a vacuum, they need supporters. Voters, populations, peoples don’t migrate to extreme parties without reason. Almost always it is because they feel threatened by loss or are aggrieved because they already have lost important aspects of their lives (jobs, money, status).

They believe they have something to lose from the way the current system is tending – status, property, livelihoods, jobs, money, cultural traditions and identity. A very large number of people in Weimar Germany felt they stood to lose, or already had lost, jobs or status. Classic Nazi members were white collar workers, small businessmen, former army officers or NCOs, shopkeepers, small craftsmen, farmers, a huge raft of people who had suffered monetary loss under the economic crisis, or loss of status (ex-army officers, unemployed white collar workers).

The entire German nation was united by a sense of grievance at the unfair provisions of the Treaty of Versailles, the loss of large parts of territory and the punitive reparations.

The Nazis played on the widespread grievances of disparate sectors of the population and claimed to speak for them against a corrupt system which they promised they would sweep away, and restore everyone’s losses (of jobs and status), and restore the losses of the entire nation.

Rule 3: Don’t give people and peoples long-running grievances

4. National pride and national enemies The easiest way to address people’s grievances is to bundle them up into all-encompassing calls for a revival of the nation. Pretty much all Germans felt humiliated by the terms of the Treaty of Versailles, so it wasn’t very rocket science for the Nazis to make one of the main planks a call for National Revival.

And the easiest way to rally national pride, national revival, national rebirth, is to identify some kind of internal enemy who stands in the way. For the Nazis it was their mad irrational hatred of Jews (who, it is always shocking to recall, made up just 0.76% of the German population). Around the same time Stalin was uniting the mass population behind him by attacking ‘kulak’s, ‘saboteur’s etc. All authoritarian regimes are quick to identify enemies and rally the majority of the population against them.

It’s tricky because calls for national revival are an extremely common tactic of all politicians, and many people are patriotic in a relatively harmless way. It obviously becomes toxic when it becomes mixed with calls to defeat ‘enemies’, either internal or external. ‘Make America Great Again’ is fine in itself, until you start blaming the Mexicans or the Chinese for everything. Or the Jews. Or the Liberals or the Socialists etc.

Rule 4: Be wary of calls to national pride, nationalism and national revival which rely on demonising an ‘enemy’ 

5. Economic crisis Implicit in the above is the context of the economic or social situation becoming so extreme and dire that a) the large percentage of the population cease to have faith in the system b) parties of the extreme Left or extreme Right can come into existence, get a purchase on the population, and get into the political system.

Rule 5: Avoid extreme economic or social failure

6. Unstable political systems Political systems like proportional representation, which cater to every political element in a society, allow the proliferation of small, often extreme parties. Once established, extreme parties have the potential to grow quickly and challenge the status quo. This is what the Nazis did in Germany.

This is less likely in ‘mature’ democracies with winner-takes-all systems like Britain and the USA. Our systems are dominated by two main parties, which are themselves flexible and changing coalitions of interests, which ensure that most views have a political ‘home’ and give a broad spectrum of beliefs at least the possibility of seeing their views and policies implemented.

Even in a stable democracy like Britain’s, it is still possible for new parties to erupt and threaten the status quo if the social movement/mood they reflect is powerful enough. This is what UKIP did to the British political system in the lead-up to the Brexit Referendum. What Boris Johnson then did was in line with the long tradition of mature Western democracies, he incorporated most of UKIP’s policies (‘Get Brexit Done’) into one of the two mainstream parties (the Conservatives) thus drawing its teeth, neutralising it, and maintaining the stability of the two-party system. If it resulted in the Conservatives moving to the right that in fact reflects the wishes of a large part of the UK population who voted for Brexit and voted for Boris.

Mature democracies incorporate and neutralise radical elements. Immature democracies allow radical elements to establish themselves and attract support.

Rule 6: Incorporate potentially disruptive movements into the existing system – don’t keep them outside to become a focal point for destabilisation

Kershaw summarises:

Fascism’s triumph depended upon the complete discrediting of state authority, weak political elites who could no longer ensure that a system would operate in their interests, the fragmentation of party politics, and the freedom to build a movement that promised a radical alternative. (p.232)

3. The difference between fascism and authoritarianism

Authoritarianism – authoritarian dictatorships – generally want to keep things as they are or turn the clock back. They all share a loathing and fear of socialism or communism not only because it’s a direct threat to their wealth and power but because it threatens change, threatens to sweep away old values and traditions. Authoritarians want to save the nation by preserving its (conservative) traditions from change.

Fascism, on the contrary, is a revolutionary and dynamic ideology which seeks to sweep away time-honoured and conservative institutions. It seeks a comprehensive rebirth of the nation, freed from the shackles of the past, liberated to fulfil its historic destiny (power, land, international respect), but also to create New People in a New Society.

Thus Kershaw is at pains to point out that, although most European nations became dictatorships on the brink of or during the Second World War – most of these were not fascist. They were military dictatorships first and foremost, which may have used this or that aspect of ‘fascist’ ideology or trappings as suited them, but without the fundamental fascist attribute of wanting to transform society.

  • When General Ioannis Metaxis established his dictatorship in Greece in 1936, his avowed intention was to save the nation from communism, and he tried to set up ‘fascist’ organisations but failed to secure anything like the total social control of a Hitler or Mussolini.
  • When General Edward Smigly-Ridz took control of Poland in 1937 as ‘Leader of the Nation’, the country became more nationalistic and more anti-semitic but ‘there was nothing dynamic about this form of authoritarianism. No major attempt was made to mobilise the population. The regime was content to control the society. It had no ambitions to change it’ (p.262).
  • Even General Franco, after his military coup of July 1936, took a year to sort out the political aspects of what was essentially a military project. He co-opted the ideology of the banned Falange Party and coerced all the other right-wing organisations into joining it (p.240), but the party was only ever a political aspect of what remained a military rule. This was the polar opposite Germany, where a fanatically organised, civilian political party controlled the military as just one of the many levers of its total control over society.

Another fairly obvious difference is that some of these authoritarian regimes locked up fascists as well as communists, socialist, liberals, journalists etc. For example the Polish and Portuguese dictatorships (pp.262, 264) or Admiral Horthy’s authoritarian regime in Hungary, which banned the genuinely fascist Hungarian National Socialist Party and imprisoned its leader, Ferenc Szálasi (p.263).

In other words, for many authoritarian dictatorships, real hard-core fascism was just one more subversive or disruptive element which needed to be controlled.

One way of thinking about this is the contrast between merely authoritarian regimes and totalitarian regimes. Totalitarian regimes want your soul as well as your body, your mind as well as your vote. They insist on total control of every aspect of their citizens lives in order to create a new type of human being.

Everything within the state, nothing outside the state, nothing against the state. (Mussolini)

Another way of thinking about the difference between authoritarian dictatorships and genuinely fascist regimes is that none of the dictatorships threatened the peace of Europe – the Western democracies didn’t lose any sleep about the foreign policy of Hungary, Bulgaria, Poland, Portugal. Even Spain, whose drawn-out civil war was violent and traumatic, never threatened to spill beyond its borders, never threatened the peace of Europe.

Unlike the irredentist and imperialist ambitions of the true fascist regimes, Italy and, most of all, Germany.


The rise of the Right and collapse of the Left in the 1930s

Putting the usual culprits Italy and Germany in the context of the wider, in fact of the complete European scene, brings out a fact I had never fully grasped before.

I suppose I knew that the 1930s were the era of The Dictator – although Kershaw’s review of every dictatorship in Europe really rams this fact home. The deeper point is that the catastrophic economic collapse of the early 1930s, which devastated nations, threw millions out of work, and led many to think capitalism was failing – did not produce a shift to the Left, in favour of thinkers and politicians who’d spent a lifetime criticising capitalism and supporting workers movements – it resulted, all across Europe, in a seismic shift to the Right.

The 1930s was the decade of the failure of the Left.

Why? Because despite its appeal to the kind of intellectuals whose works survive and are studied to this day, for the majority of the population the Left, in either its socialist or communist form, threatened the interests of:

  • most of the ruling class
  • most of the middle class
  • most if not all of the peasants – some may have heard rumours about Stalin’s forced collectivisation in Soviet Russia, all knew that the Left wanted to destroy the Church and traditional religion
  • even a portion of the skilled working class who stood to lose their perks and privileges
  • not to mention the large number of criminals and dossers who are generally left out of sociological calculations, the kind of people who fill the pages of novels like Alfred Döblin’s Berlin Alexanderplatz

In other words, the hard, radical Left always represents a minority of a society, and is always opposed by a majority in that society.

Which makes it all the more striking that such a disproportionate majority of the intellectuals of many of these societies moved to the Left. Kershaw has a chapter giving a tourist’s-eye view of the ‘intellectual life’ of Europe in the 30s and 40s (which jumps around superficially, as historians’ quick compliance with the need to mention something about ‘culture’ so often do) – but the general drift is that from Gramsci through Orwell, Sartre to the Frankfurt School, the majority of Europe’s significant intellectuals took a left-wing, often out-and-out communist, view of the continent’s problems.

In other words, a high proportion of the intellectual class of Europe was profoundly out of step with the majority of their populations.

That’s one rather crude interpretation, anyway. The deeper reasons for the shift to the Right bear investigating and pondering. A deep analysis would give insights into why, in our time, years of austerity, uncertainty and economic stagnation since the 2008 Crash have resulted not in a mass outpouring of socialist idealism but, once again, led to the rise of right-wing leaders around the world. At the same time the intellectual and academic classes remain securely embedded in their progressive and left-wing ghettos (universities), out of touch with the populations they claim to interpret, and blankly incredulous of the leaders who keep getting elected (Trump, Johnson).

To return to the period under consideration, Germany’s dynamic Nazi ideology is in fact the exception that proves the rule to most of Europe during the period. So much ink has been spilt about Hitler and the Nazis but they were the product of a very distinctive set of circumstances – to take two of them, the fact that they were in Europe’s largest and most powerful nation, and that the entire nation felt huge grievance over the Versailles Treaty.

Focusing so much on bloody Hitler and his Nazi Party, whose historical situation was unique and so whose precise brand of turbo-charged Fascism is never going to recur, has distracted historians from the much more practical task of analysing the reasons for the rise of right-wing authoritarian regimes in general – which do recur with worrying regularity, which were widespread during the 1930s and 40s, which dominated Latin America and southern Europe (Portugal, Spain, Greece and Turkey had military dictatorships in the 1970s) in my boyhood, and which people worry are now reappearing in the guise of various ‘populist’ leaders.

Historians’ focus on one unique event (the Nazis) is, in my opinion, a distraction from analysing and thinking about how to prevent the far more common (almost mundane) phenomenon of military coups and authoritarian dictatorships.

The accidental rise of Adolf Hitler

As anybody who’s read about the period knows, Hitler didn’t storm to power, he was appointed by political elites who thought they could manipulate and control him to get their way. They did so because in late 1932 the Nazis had secured the largest share of the election vote and so had to be included in whatever government was set up – but, when they finally decided to appoint the vulgar little corporal Chancellor, the behind-the-scenes wheeler-dealers made sure to pack Hitler’s ‘cabinet’ with members of other parties. They thought that would moderate his policies. None of them had any idea how utterly ruthless Hitler would turn out to be in eliminating all these restraints on his power.

So possibly the key fact about Hitler’s rise to power is that it was the result of a mistake in political strategy by Germany’s political elite which had, by late 1932, lost all confidence in the ability of the Weimar parliamentary democracy to deal with the country’s severe economic crisis.


Conclusions

Avoiding Fascism What these ideas suggest is that avoiding Fascism is nothing to do with the Left-wing obsession with promoting workers rights, womens rights, minority rights and so on. It involves ensuring that the powerful economic, social and military elites of a country continue to have faith in some form of parliamentary democracy as the best mechanism of protecting their interests.

Any political moves which threaten or jeopardise their interests, in effect, open the door to right-wing coups and worse.

Of course you probably require a number of other factors and preconditions, at the very least a) a political culture which accepts or has a tradition of coups, such as Spain’s with its long tradition of pronunciamentos b) a really severe economic or social crisis which the parliamentary system manifestly fails to manage.

Avoiding Europe If you were American or Chinese or anyone looking at Europe from the outside it would be hard to avoid the conclusion that a) Europe is incapable of governing itself b) Europe is the most savage, bestial continent on earth.

For all their instability, nothing on the scale of either the First or Second World Wars took place in Latin America, Africa or the Indian sub-continent.

One way of looking at the Cold War is that, at the same time as the Soviet Union acquired a deep buffer zone to protect its western border (i.e the Eastern Bloc countries) it was also taking control of the very region which contained the most ethnically mixed populations, had shown the most political instability, had been the location of terrible ethnic cleansing and enormous deaths.

In a sense the Soviet occupation of Eastern Europe liberated Western Europe from the burden dragging at its heel and, along with massive American financial and military aid, freed it (Western Europe) for the 30 years of economic growth and prosperity which followed.

It was Cecil Rhodes who made a speech in which he told his audience to remember that they were English and so had won first prize in the lottery of life. Obviously, at the time he was referring to our membership of the biggest empire the world had ever seen – but reading accounts of the twentieth century like this give the idea a whole new meaning.

Put simply, being born in England in the twentieth century meant you weren’t born on the continent of Europe which, as Kershaw vividly emphasises, between 1939 and 1945 descended into hell, real hell, the utter collapse of civilisation, mass slaughter, death camps, mass imprisonment and torture, gas chambers, the endless rape and murder of civilians, displacement and starvation.

In the entire catalogue of destruction, devastation and misery that made up the Second World War, the murder of Europe’s Jews was the lowest point of mankind’s descent into the abyss of inhumanity. The fires of the death-camp crematoria were almost literally the physical manifestation of hell on earth. (p.369)

Both my parents lived through the war as children, experiencing the Blitz and then the V-bombs, which wasn’t pleasant. But nonetheless they both had the immeasurable good fortune not to have been born on the Continent of Atrocity, and in the terrible middle years of the 20th century, that really was like winning a prize in the lottery of life.

Understanding Europe Which leads to a final thought, which I’ll keep brief: maybe it is impossible for an English person to understand Europe. We were never invaded, devastated, forced to collaborate with the conqueror, to round up and deport English Jews, to execute our own socialists and liberals, and then reduced to starvation and chaos amid the smoking ruins of our cities.

The extremity of the experiences of every other nation in continental Europe during the war years (and described by Kershaw in gruelling detail) are beyond our experience or imagining. And so we never experienced anything like the same cultural or political extremity which wartime conditions produced. In the first post-war election in France, the Communist Party won 26% of the vote, in Britain 0.4%, reflecting the two nations very very different recent experiences (p.488).

The great thoughts of Gramsci, Benjamin, Horkheimer, Adorno, Sartre and so on have dazzled generations of British students but bear no relationship at all to the history, culture and politics of the UK and its population. Which is why all those humanities students, drilled in their Benjamin and Lukacs, who voted for Jeremy Corbyn, helped him lead Labour to its most crushing electoral defeat in 50 years.

Brexit It also explains something about Brexit. The ideal of a European Union has a real meaning for hundreds of millions of Europeans, raised for generations to believe it is better to be politically and economically united than to fight each other to the death as their grand-parents and great-grand-parents did.

But Britain really was an exception to the history of this terrible period, and that ‘exceptionialism’, for better or worse, was, during the period Kershaw describes, and obviously still is, a strong thread in British culture and population.

(I’m not shoehorning Brexit and ‘Europe’ into this review: the last 20 pages of Kershaw’s book explicitly discuss these questions. He describes the descent of the Iron Curtain across Europe, the continent’s division into two blocs being crystallised by the Marshall Plan, announced in June 1947. He quotes several Americans involved in co-ordinating Western Europe’s response, not least George Marshall himself complaining that the British wanted to keep aloof from Europe, that the British wanted to benefit from a scheme designed to create an economically unified Europe ‘while at the same time maintaining the position of being not quite a European country’ – quoted page 516.)

I’m not approving or disapproving Brexit, just pointing out that a book like this, which doesn’t hold back when it comes to describing the terror, murder, torture, holocausts, purges, massacres, reprisals, ethnic cleansing, mass deportations, executions and rapes which took place all across continental Europe during these years, can’t help but make you reflect how lucky we were to escape almost all of it, and how the cultural and political consequences of that very real ‘exceptional’ destiny have shaped our politics right down to the present.

Random facts

The books is full of hundreds of facts, figures and anecdotes. A few grabbed my attention:

In Britain just short of 70,000 civilians were killed by German bombing. In one night the firebombing of Hamburg killed some 34,000 civilians. The Hiroshima atom bomb is estimated to have killed about 66,000 people on the day, from the blast and fires, although many more died in the weeks and months that followed.

At their core, both world wars were wars between Germany and Russia. I knew the German High Command in 1914 knew they had a window of opportunity to attack Russia before its army came up to full strength, therefore they had an incentive to attack Russia while they still could. I didn’t realise the Germany High Command felt exactly the same in the late 1930s. Thus in both world wars, a – if not the – fundamental factor was the German gamble to take on Russia, and do it in a hurry.

The Irish taoiseach, Éamon de Valera, was one of a very select few politicians, who sent the Germans a formal note of condolence on the death of Adolf Hitler, 30 April 1945 (p.387).

Hitler loved Disney movies. He was delighted when Goebbels gave him 18 Mickey Mouse cartoons for Christmas 1937 (p.465)

The Venice Film Festival was founded in 1932 in Mussolini’s Italy. Winners of Best Italian Film and Best Foreign Film were awarded ‘Mussolini Cups’ (p.466). I think they should revive that tradition.


Credit

To Hell and Back: Europe 1914-1939 by Ian Kershaw was published by Allen Lane in 2015. All references are to the Penguin paperback edition.

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Between the wars

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The Second World War

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After the Second World War

Impressionists by Antonia Cunningham (2001)

This is a small (4½” x 6″) but dense (256 high-gloss pages), handily pocket-sized little overview of the Impressionist movement.

The ten-page introduction  by Karen Hurrell is marred by some spectacular errors. In the second paragraph she tells us that Paris was ‘in the throes of the belle epoque‘ when the 19-year-old Monet arrived in town in 1859 – whereas the Belle Époque period is generally dated 1871 to 1914. She tells us that Napoleon Bonaparte had commissioned the extensive redesign of the city – when she means Louis-Napoléon Bonaparte, the great man’s nephew and heir, more commonly known as Napoleon III, who reigned as Emperor of the French from 1852 to 1870.

Thus cautioned to take any other facts in the introduction or the picture captions with a touch of scepticism, nonetheless we learn some basic background facts about the Impressionists:

  • Monet was inspired by the French landscape painter Eugène Boudin (1824-98)
  • Success in the art world was defined as acceptance of your work into the biannual exhibition of the Paris Salon
  • Reputable artists were expected to train at the Académie des Beaux-Arts which was dominated by the classical painter Jean-Auguste-Dominique Ingres (1780-1867), who insisted on training in draughtsmanship, copying the Old Masters, using a clear defined line.
  • Edgar Degas (1834-1917) enrolled in the Beaux-Arts as did Pissarro.
  • Monet attended the Académie Suisse where he met Pissarro, then entered the studio of Charles Gleyre: here he met Pierre-Auguste Renoir (1841-1919). Alfred Sisley (1839-99) and Frédéric Bazille (1841-70).
  • Older than the others and really from a different generation was their inspiration, Édouard Manet (1832-83). He sought academic success in the traditional style, attaining Salon success in 1861.
  • In 1863 the Salon refused so many contemporary painters that Napoleon III was asked to create a separate show for them, the Salon des Refusés. Manet stole the show with his The lunch on the grass showing a naked woman in the company of two fully dressed contemporary men.
  • The 1865 Salon show included works by Degas, Manet, Pissarro, Renoir, Berthe Morisot (1841-95).
  • From 1866 Manet began to frequent the Café Guerbois, and was soon joined by Renoir, Sisley, Caillebotte and Monet, with Degas, Henri Fantin-Latour (1836-1904), Paul Cézanne (1839-1906) and Pissarro also dropping by, when in town. They became known as the Batignolles Group after the area of Paris the cafe was in.
  • Paris life of all kinds was disrupted by the catastrophic Franco-Prussian War and then the disastrous rising of communists during the Paris Commune, which was only put down by the official government with great bloodshed and destruction (July 1870-May 1871). All the artists who could afford to fled the city, many to England and London – an event which was the basis of the Tate Britain exhibition, Impressionists in London.
  • From April to May 1874 this group held an independent art exhibition in the gallery of the photographer Nadar. The critic Louis Leroy took exception to Monet’s painting Impression: Sunrise (1872), satirising the group’s focus on capturing fleeting impressions of light instead of painting what was there, but the name was taken up by more sympathetic critics and soon became a catch-phrase the artists found themselves lumbered with.
  • It’s interesting to note that Degas was a driving force behind this and the subsequent Impressionist shows, single-handedly persuading artists to take part. He himself was not really an impressionist, much of his subject matter, for example, being indoors instead of painting out of doors, en plein air, as Impressionist doctrine demanded. Similarly, whereas the other experimented with creating form through colour i.e. using colour alone to suggest shape and form, Degas was to the end of his life a believer in extremely strong, clear, defining lines to create shape and form and texture.
  • In 1876 the group exhibited again, at the gallery of Paul Durand-Ruel. The role played by Durand-Ruel in sponsoring and financing the Impressionists was chronicled in the national Gallery exhibition, Inventing Impressionism.
  • There were eight Impressionist exhibitions in total: in 1874, 1876, 1877, 1879, 1880, 1881, 1882, 1886. The eight Impressionist exhibitions

From this point on we begin to follow the differing fortunes and styles of the group. Monet developed his mature style in the first half of the 1870s, letting go of any attempt to document reality, instead developing ‘a new vocabulary of painting’ in blobs and dashes of often unmixed primary colours in order to capture the essence of the scene. In 1880 Monet organised a solo show and submitted two works to the Salon. Degas called him a sell-out, but he was trying to distance himself from the group.

Renoir developed a unique style of portraying the gaiety of contemporary Parisian life in realistic depictions of people dancing and drinking at outdoor cafés, with broad smiles, the whole scene dappled with light. He was to become the most financially successful of the group and you can see why: his uplifting works are popular to this day. In the 1880s he took to nudes and portraits rather than landscapes. He was always interested in people.

Degas resisted being called an Impressionist – he painted mostly indoor scenes and never abandoned his hard outlines – but certainly was influenced by the Impressionist emphasis on the effect of light captured in loose brushstrokes. During the 1870s he began to produce the hundreds of oil paintings and pastels of ballet dancers which were to be a key subject.

The American artist Mary Cassatt (1844-1926) saw a Degas in a dealer’s window and realised these were her people. She lightened her palette, adopted the modern attitude towards light and exhibited at the successive Impressionist exhibitions.

Sisley became dependent on Durand-Ruel. When the latter fell on hard times, Sisley and his family led a tough, hard-up, peripatetic life. Arguably he is the only one who never developed but carried on working in the same, pure Impressionist way.

Pissarro and Cézanne became firm friends, painting the same scenes side by side.

Even at the time commentators could see the difference with Cézanne applying paint in broad, heavy brushstrokes, and becoming ever more interested, less by light than by the geometric forms buried in nature, increasingly seeing the world as made of blocks and chunks and rectangles and rhomboids of pure colour – paving the way for Cubism and much modern art. His style diverged from the group just as Impressionism was becoming more accepted, by critics and public. He resigned from the group in 1887.

Neo-impressionism is the name given to the post-impressionist work of Georges Seurat (1859-91), Paul Signac (1863-1935) and their followers who used contemporary optical theory to try to take Impressionism to the next level. Seurat developed a theory called Divisionism (which he called chromoluminarism) the notion of creating a painting not from fluid brush strokes but from thousands of individual dots of colour. Seurat used contemporary colour theory and detailed colour wheels to work out how to place dots of contrasting colour next to each other in order to create the maximum clarity and luminosity. The better-known technique of pointillism refers just to the use of dots to build up a picture, without the accompanying theory dictating how the dots should be of carefully contrasting colours.


There follow 120 very small, full colour reproductions of key paintings by the main members of the movement (and some more peripheral figures). Each picture is on the right hand page, with text about the title, date, painter and a one-page analysis on the page opposite. Supremely practical and useful to flick through. Here’s a list of the painters and the one or two most striking things I learned:

  • Eugène Boudin (1) The landscape painter Monet credited with inspiring him to paint landscapes.
  • Manet (15) I love Manet for his striking use of black, for his use of varying shades of white but he is not a totally convincing painter. His two or three masterpieces are exceptions. I struggle with the perspective or placing of figures in Dejeuner sur l’herbe, particularly the woman in the lake who seems bigger and closer than the figures in the foreground and is a giant compared to the rowing boat, and the way the lake water is tilting over to the left. He was awful at painting faces – Inside the cafe, Blonde woman with bare breasts. The body of the Olympia is sensational but her badly modelled head looks stuck on. In 1874 he began experimenting with the Impressionists’ technique i.e. lighter tones and out of doors, not that convincingly (The barge).
  • Frederic Bazille (2) studied with Monet, Renoir and Sisley but on this showing never quit a highly realistic style – Family reunion.
  • Monet (16) without a doubt the god of the movement and the core practitioner of Impressionism, produced hundreds of masterpieces while slowly fascinatingly changing and evolving his technique. The big surprise was an early work, Women in the garden (1867) which shows what a staggeringly good realistic artist he could have been: look at the detail on the dresses! Of all the impressionist works here I was most struck by the modest brilliance of the water and reflections in The bridge at Argenteuil (1874).
  • Alfred Sisley (6) was the English Impressionist. Always hard up, he persisted in the core Impressionist style. I was struck by Misty morning (1874) and Snow at Louveciennes (1878).
  • Camille Pissarro (14) Ten years older than Monet, he quickly took to the Impressionist style (an open-mindedness which led him, in the 1880s, to adopt Seurat’s new invention of pointillism). Pissarro is the only one of the group who exhibited at all 8 Impressionist exhibitions. I was bowled over by Hoar frost (1873). I too have walked muddy country lanes in winter where the ridges of churned up mud are coated with frost and the puddles are iced over, while a weak bright winter sun illuminates the landscape.
  • Renoir (15) Everyone knows the depictions of happy Parisians dancing at outdoor cafés under a dappled summer light. Set next to the landscapes of Monet, Sisley and Pissarro you can see straightaway that Renoir was fascinated by the human figure and was an enthusiastic portrayer of faces. I like Dance in the country (1883) for the extremely strong depiction of the man, an amazing depiction of all the shades of black to be found in a man’s black suit and shoes. I was startled to learn that, in the mid-1880s, dissatisfied with Impressionism, he took trips abroad and returned from Italy determined to paint in a more austere classical style. The plait (1884) anticipates 20th century neo-classicism, and is not at all what you associate with Renoir.
  • Armand Guillaumin (2) from a working class background, he met the others at art school, exhibited in the Salon des Refusés show, but never had a large output.
  • Edgar Degas (17) Having visited and revisited the Degas exhibition at the National Gallery, I am convinced Degas was a god of draughtsmanship. It’s interesting that he lobbied hard for the Impressionists and organised the critical first exhibition, but always denied he was one. Skipping over the obvious masterpieces I was struck by the faces, especially the far left face, of The orchestra at the opera (1868). It shows his characteristic bunching up of objects. And the quite fabulous Blue dancers (1897).
  • Gustave Caillebotte (3) a naval engineer turned artist. The only link with the Impressionist style I can make out is his frank depiction of contemporary life. But the dabs and rough brushwork, leaving blank canvas, obsession with sunlight and creating form out of colour alone – none of that seems on show here. Street in Paris in the rain (1877). Very striking and distinctive but I’m surprised to find him in the same pages as Sisley or Pissarro.
  • Berthe Morisot (6) on the evidence here, painted lots of women in quiet domestic poses. Young girl at the ball (1875)
  • Mary Cassatt (5) More scenes of quiet domestic life, some of which eerily prefigure the same kind of rather bland domestic style of the early 20th century. Young mother sewing (1900)
  • Paul Cézanne (16) Yesterday I visited the exhibition of Cézanne Portraits at the National Portrait Gallery, so those 50 or so portraits are ringing in my memory, along with knowledge of how he painted subjects in series, the style he developed of painting in kinds of blocks or slabs of colours, which bring out the geometric implications of his subjects, and his playing with perspective i.e. the three or four components of even a simple portrait will be depicted as if from different points of view, subtly upsetting the composition – The smoker (1890). Among the brown portraits and orangey still lifes, a dazzling riot of green stood out – Bridge over the pond (1896) though it, too, is made out of his characteristic blocks of (generally) diagonal brushstrokes, clustered into groups which suggest blocks or ‘chunks’, giving all his mature works that odd ‘monumental’ look, almost as if they’ve been sculpted out of colour more than painted smoothly.
  • Seurat (2) 19 years younger than Monet (born in 1859 to Monet’s 1840), Seurat was not an Impressionist, but exhibited with them in 1886. His highly intellectual theory of Divisionism divided the group, causing big arguments. Seurat produced some highly distinctive and classic images before dying tragically young, aged 31.

This is a very handy survey, a useful overview of 120 works which remind the reader a) how varied the Impressionists were b) who were the core flag-wavers (Monet, Sisley, Pissarro) c) who were the outriders (Manet, Degas) and above all, d) what scores and scores of wonderful, enduring masterpieces they created.


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