Made in North Korea @ the House of Illustration

The House of Illustration

The House of Illustration is the UK’s only public gallery dedicated solely to illustration and graphic art. It’s a charity, and was set up by a group of illustrators led by Quentin Blake, in 2002.

In July 2014 they opened their permanent home in a converted warehouse just north of King’s Cross train station, an area which has been comprehensively regenerated and filled with shops, boutiques and the new campus of Central St Martin’s Art school – all bisected by the cleaned-up Regent’s Canal.

The House of Illustration’s aim is to explore historic and contemporary illustration and to promote the work of emerging illustrators. It hosts frequent talks and events, and runs a learning programme for children, young people, adults and families, delivered by professional illustrators.

North Korea

As anyone who reads the papers or listens to the news should know by now, North Korea is probably the most secretive and closed society on earth, dominated by the Cult of the Great Leader, tubby Kim Jong-un.

Kim Jong-un, supreme leader of North Korea since 17 December 2011

Kim Jong-un, supreme leader of North Korea since 17 December 2011

A hundred years of Korean history

The exhibition offers a free A3 handout packed with information – among other things explaining the iconography used on North Korean products, miniature reproductions of all the posters and comic book covers featured in the exhibition, And it also includes a handy timeline of the troubled history of North Korea:

1910-45 – The Korean peninsula is occupied by Japan. Various resistance movements.

1945 – Japan, defeated by America, withdraws its troops from Korea leaving a potential power vacuum. Russia and the U.S.A. (still wartime allies) agree to administer the northern half and southern half of the peninsula, respectively. They set the border at the 38th parallel i.e. 38 degrees north of the equator. This decision is the basis for the division of Korea which lasts to this day.

1948 – Separate governments are formed in each half of partitioned Korea – the Democratic People’s Republic of Korea (DPRK) in the north, the Republic of Korea in the south. The Workers’ Party becomes the ruling party of North Korea, led by Kim il Sung.

1949 Communists finally seize control of China at the end of a prolonged civil war with nationalists. Naturally, they form supportive relations with communist Korea on their border.

1950 North Korea launches a surprise attack on South Korea and succeeds in pushing the South Korean Army and American troops deep into the south. At which point General MacArthur launches a surprise amphibious invasion at Incheon, half way up the peninsula, threatening to cut North Korean supply lines. The North Koreans are pushed right back up to the border with China, at which point China intervenes, sending 200,000 troops to support the North Koreans. They push the allies, by now fighting under the flag of the United Nations, back towards the original border, and fighting then continues around the 38th parallel for a further grisly two years, until an armistice is signed in 1953. Technically, the war has never ended.

1953 to 1994 Kim Il Sung rules North Korea as a communist dictator.

1994 Kim Il Sung dies and his son, Kim Jong Il takes leadership of the DPRK.

2011 Kim Jong Il dies and his son Kim Jong-un takes leadership of the DPRK.

Made in North Korea: Everyday Graphics from the DPRK

This is the UK’s first ever exhibition of graphic design from North Korea. It brings together a fascinating cross-section of commercial products and ephemera from this most secretive of societies – over 100 common objects including food packaging, ticket stubs and stamps together with stunning hand-painted posters and comics.

This wealth of objects is all part of the collection of Nicholas Bonner, who has been visiting North Korea and leading tours of the country for over 20 years. Bonner has also been involved in three documentaries and a feature film about the country.

The Main Gallery of the House of Illustration is made up of three rooms of the size you might expect to find in an average house, and a fourth much smaller one, a sort of annex.

Room 1 – Posters

Room one is covered with about 30 wonderfully bright, clear propaganda posters showing happy, healthy, smiling North Korean men and women promoting their country’s fabulously successful economy and wealth of goods and products. Look! Look how rich we are!

Hand-painted poster saying 'More consumer goods for the people' - collection of Nicholas Bonner. Photograph by Justin Piperger

Hand-painted poster saying ‘More consumer goods for the people’ – collection of Nicholas Bonner. Photograph by Justin Piperger

Since there is no private enterprise in this communist country, all posters – indeed all objects whatsoever – are state-designed and state-approved. These posters are made in state-run collective studios. The largest is the Mansudae Art Studio in Pyongyang, which employs over 1,000 artists.

It’s surprising to learn that almost all of these posters are hand painted. Difficult to believe, but the proof is there – if you look close enough, you can see brushstrokes and flaking paint.

I learned one big thing: In the West we make posters to promote consumption; in communist countries public art is designed to promote production. Hence almost all the posters in this room show a smiling Korean worker gesturing towards huge piles of cotton, medicines, fish, food, straw, coal, milk, meat – you name it, North Korea is overflowing with it!

Hand-painted poster saying 'Everything for the full achievement of the 1979 People's economic plan'. Collection of Nicholas Bonner. Photograph by Justin Piperger

Hand-painted poster saying ‘Everything for the full achievement of the 1979 People’s economic plan’. Collection of Nicholas Bonner. Photograph by Justin Piperger

Key features of the posters include:

– Outstretched arms and open hands are a vital part of the image’s dynamic impact. Reaching, stretching, showing, betokening optimism and energy.

– So is the Korean script. This is itself pretty geometric and so lends itself to being incorporated into images which are basically naturalistic, but stylised, hyped-up, super-realistic, and which often feature straight lines and idealised shapes. In the poster, above, the converging lines of the coal conveyor, the rails, the quayside and the ship have an almost Art Deco quality.

– And, of course, there is the actual contents of the messages – these are mostly abstract design elements to us, but to Koreans they blare encouragements and exhortations. Here are some of the texts from the 30 or so posters on display:

  • Let’s do more sheltered-water aqua cultivation!
  • Let’s build more factories to produce more consumer goods!
  • Let’s innovate the fish industry!
  • Let’s fully carry out the Party’s foreign trade policy!

and my favourite:

  • Let’s all rear more goats!

– And, my goodness, all these happy people have perfect teeth, as stylised as blocks of dazzling white marble! There’s a chair in this first room which I needed to sit in to soak up all the bright colours, the wealth of consumer products – and the dazzling dental perfection!

Installation view of the poster room at Made in North Korea: Everyday Graphics from the DPRK at the House of Illustration

Installation view of the poster room at Made in North Korea: Everyday Graphics from the DPRK at the House of Illustration

Room 2 – consumer goods and movie

This is a fairly small space, which contains a display case holding 22 small consumer products and a screen showing a short time-lapse movie about Pyongyang.

Kind of makes you want to go, doesn’t it? After all the scare stories you hear, the people look remarkably like us and their underground, roads and buildings pretty similar. Only much, much cleaner.

The products in the display case are things like fizzy drinks cans, water bottles, packets of boiled sweets or noodles, packs of chewing gum, a biscuit tin. The commentary says that all these common or garden products feature the ‘flat block colour and smooth vector graphics’ seen in other Asian countries, and it’s true that I associate these violent acidic colours with products in India, which I’ve visited a few times.

Box of biscuits from North Korea. Collection of Nicholas Bonner. Photograph courtesy of Phaidon

Box of biscuits from North Korea. Collection of Nicholas Bonner. Photograph courtesy of Phaidon

To really understand  the uniqueness of the coloration and design of the objects on display, I imagine you’d have to be a graphic designer. Clearly the posters in particular are a combination of:

  • Russian Socialist Realism as filtered through Chinese Socialist Realism
  • with added Korean motifs
  • and a distinctive Korean colour palette

Room 3 – Public performances

Colour is explored a bit more in the next room where there’s a all label explaining the existence of a distinctive Korean colour palette. Apparently the main colours are white, black, yellow and red, with secondary colours green, turquoise, light pink, sulphur yellow and violet.

I think it’s these secondary colours which make all these products look so distinctive. Not blue, turquoise. Not just green, but a bright acid green. And pink, lots of pink.

The main subject of this room is public entertainments, namely the state-run cinema, theatre, circus and gymnastic – lots of gymnastics. Large-scale, state-sponsored gymnastics. Apparently the 2007 ‘Mass Gymnastics and Artistic Performance’ was the biggest gymnastic display every held anywhere in the world.

There’s also a display case explaining North Korean opera. Apparently there are five major revolutionary operas, which were written during the Japanese invasion and then the Korean War. Korean opera incorporates traditional folk dance and an entire wall of the room has been covered with a blown-up image of a chorus of women folk dancers.

Installation view of Made in North Korea: Everyday Graphics from the DPRK at the House of Illustration

Installation view of ‘Made in North Korea: Everyday Graphics from the DPRK’ at the House of Illustration

Next to it (visible in the photo above, on the left) is a display case showing no fewer than 82 lenticular postcards. New word to me, ‘lenticular’ is the term to describe that kind of postcard which looks oddly pixilated and when you turn it, you get a slight three dimensional effect, as bits of background emerge from behind foreground objects, as some of the objects appear to ‘move’.

A little tacky to our taste, these are apparently very popular in the Democratic People’s Republic. Subjects included dancers, both folk and ballet, horses realistic or leaping into the sky, landscapes and notable buildings in Pyongyang, flowers and birds – all done with the bright-to-garish coloration which the note on palette had made me appreciate more. Only one was remotely warlike, a poster-like cartoon figure of a wounded Korean soldier heroically attacking an American tank armed only with a grenade.

Room 4 – Comic books and ephemera

Room four makes a bigger impact than all the others because all four walls are covered in wallpaper made up of repeated iterations of some of the ephemera on display, namely the gaudy wrappers of canned food, bottles of water, packets of all sorts of consumer products.

'Installation view of room four of 'Made in North Korea: Everyday Graphics from the DPRK' at the House of Illustration

Installation view of room four of ‘Made in North Korea: Everyday Graphics from the DPRK’ at the House of Illustration

This room is really a car boot sale of all kinds of bric-a-brac from North Korean everyday life, a veritable ‘cabinet of Korean curiosities’. There are display cases devoted to:

  • tourist maps, tickets and souvenirs
  • labels of food products
  • New Year cards
  • pin badges
  • stationery and stamps
  • cigarette packs
  • sweet boxes
  • beer, water and fizzy pop bottles and cans

In among lots of North Korean trivia I learned that Juche is the Korean word for ‘Self Reliance’, which has been official state policy since the communist party came to power, i.e. having little or no contact or trade with the outside world. Official propaganda at every level drums home the idea that they don’t need it because North Korea is, quite simply, the most perfect, happiest society on earth. Hence all the dazzling smiles!

The New Year’s cards are a traditional Korean tradition, but given a communist twist ever since the state introduced the notion of redating the entire calendar from the birth of the first Great Leader, Kim Il Sung in 1912 – or Juche 1.

I liked the lapel badges or pins, with a variety of logos symbolising North Korea’s sporting prowess in – well, you name it, they’re the best at it – football, gymnastics, even cricket. All adults wear two lapel pins showing the two Kims (as you can see Kim Jong-Un doing, in the photo at the top of this review).

I particularly liked the way the food labels of meat products show not just the finished food product, but the animal it came from. Just to be clear.

Tinned food label for pork from North Korea. Collection of Nicholas Bonner. Photograph courtesy of Phaidon

Tinned food label for pork from North Korea. Collection of Nicholas Bonner. Photograph courtesy of Phaidon

And note the use of English in this, as in many, labels. Apparently, this implies class and quality.

Being a boy, I also enjoyed the massive display of pocket comic books, mostly war and spy stories, the North Korean equivalent of the Commando war comics which I grew up with 40 years ago.

That free A3 handout I mentioned earlier, includes thumbnails of all 97 of these comic book covers. Some have generic titles which could come from any culture, such as ‘The Star of Glory’ or ‘No Turning Back’. Others are more comically communist like ‘Taking up the torch of our comrade’s will’ and ‘The heart of a member of the young communist league’ and, my favourite: ‘He was very intelligent and courageous in every battle’.

I was struck by the number of covers which featured snow, and heroes wearing winter uniforms, reminding me that Korea has bitter winters, something which features in many memoirs of the Korean War.

Installation view of North Korean comic books in room four of 'Made in North Korea: Everyday Graphics from the DPRK' at the house of Illustration

Installation view of North Korean comic books in room four of ‘Made in North Korea: Everyday Graphics from the DPRK’ at the House of Illustration

Images and society

One of the wall labels in this room makes the simple but profound point that all of these artefacts, objects, products and ephemera, superficially bright and varied though they seem, in fact use a relatively limited set of images and icons.

This iconography of agricultural and industrial plenty, accompanied by stylised bodily gestures (the outstretched arm and hand demonstrating the bounty of communism) and smiling faces, is obvious in the big posters.

Less obvious, until it’s pointed out to you, is the use of a standardised set of official icons. That A3 handout I keep mentioning also includes a guide to 32 of these icons, which range from symbols of the party (red star, red flag, hammer and sickle) to images of Pyongyang’s enormous, iconic buildings (the May Stadium, Arc de Triomphe, Koryo Hotel, Juche Tower and so on) to sanitised versions of Korean national icons (the pine tree representing longevity, the white tiger a symbol of Korean history, the crane representing good fortune, and so on).

The point is the sheer repetition of this finite set of symbols on everything. Seeing images of the Grand People’s Study House or the Worker’s Party emblem on fag packets, tin cans, fizzy drinks, water bottles, stamps and postcards, is designed to ram home the fact that North Korea is the whole world – its buildings and food and technology and athletes and sports, its national symbols and, above all, the communist party which rules over it, is the best in the world, is all the country needs; reinforcing the fundamental idea of North Korea’s glorious self-sufficiency or Juche.

Living in Western societies which are super-saturated with a bewildering array of constantly changing imagery, it is difficult to imagine what it must be like to live in a society where there is a very limited amount of visual imagery, and what there is, is tightly controlled by the state.

Who knows what the North Korean graphic designers who made all these posters and designed all the other objects in the show think about their own society or the wider world. But the exhibition makes you come to admire the inventiveness and sheer skill of artists forced to work within an extremely tight set of parameters, who still manage to infuse their work with colour and life.

Peace

If we want to stop killing each other we have to realise the other side are people just like us. Shame we can’t make Donald Trump visit this exhibition. We mustn’t underestimate our differences and think the population of Syria or Burma can be changed into Hampstead liberals overnight by a free election or a handful of tweets – but you have to start somewhere.

This exhibition provides the immense public service of taking us out of our Western comfort zones, away from Western media and art – and introducing us to a completely different visual, political and cultural world. It’s also great fun. Go see it.


Related links

Related reviews

The Korean War by Max Hastings (1987)

This book

This account of the Korean War (1950-53) is thirty years old this year, and so dates from before the collapse of the Soviet Union and the end of the Cold War. Nevertheless, although there are several shorter accounts on the market, this seems to be the only lengthy, in-depth, narrative history of the Korean War in print – an indication of the general lack of interest in the war, both at the time and since (compare and contrast the number of books which come out every year about WW2 or Vietnam).

Why the neglect? The Korean War lacked the scale of the Second World War, so only a relatively small number of soldiers’ families were involved. Around 100,000 British troops were posted to Korea in total, but the British population was more concerned with its own problems – ongoing food rationing, a general election – or the Soviet threat on the continent of Europe. Who cared whether Korea was partitioned along this line or that line?

a) The war was on the other side of the world and
b) After the dramatic reverses of the first year of the conflict, the latter two years dwindled down to a grinding stalemate, demoralising and inglorious. In the end there was no Allied victory (as in WW2), merely a ceasefire which created a border not very much different from the pre-war line. So it turned out to have been a boring, faraway war which achieved nothing.

Background to the partition of Korea

A newcomer to the subject might ask, Why was Korea partitioned between north and south at the 38th parallel in the first place?

To go back a bit, Japan had interfered in Korea’s affairs since the late 19th century. In 1905 Japan made Korea a protectorate; in 1907 the Japanese took control of Korean domestic affairs and disbanded their army; and in 1910 Japan formally annexed Korea.

In the following decades Japan forced some 100,000 Koreans to join the Imperial Japanese Army, and up to 200,000 Korean women were forced into sexual slavery to service Japanese soldiers in Korea and Japanese-occupied China.

Then in 1931 Japan invaded Manchuria, the huge block of territory between northern China and Russia, and in 1937 attacked the rest of the coastal regions of China (as well as into Indochina, Malaya, Burma and so on). Korea was the earliest conquest of Japan’s Far Eastern empire.

Korea became an armed camp, in which mass executions  and wholesale imprisonment were commonplace, and all dissent forbidden. (p.16)

When the Second World War broke out in Europe, Stalin was careful to remain at peace with Japan. When Nazi Germany invaded the Soviet Union in June 1941, the Japanese did not declare war on Russia or attack in Siberia, which they could easily have done from their base in Manchuria. Stalin, for his part, maintained Russian neutrality even after Japan attacked Pearl Harbour in December 1941 thus provoking war with America, and Japan and Russia remained at peace right up to the closing days of the war.

In February 1945, at the Yalta conference, Stalin promised Roosevelt and Churchill that he would enter the war against Japan but he delayed till the last minute. (This, among other things, meant that the Japanese government held out the vain hope right into August 1945 that ‘neutral’ Russia would somehow stand up for them and negotiate good surrender terms with the Allies – a delusion.) So Stalin’s Soviet Union only abandoned its policy of neutrality and declared war on Japan on 9 August 1945. A huge Soviet army crossed the border from Siberia into Japanese-occupied Manchuria and swept south.

A glance at the map shows that the southern border of Manchuria is mostly sea, the Sea of Japan to the east and the Yellow Sea to the west of the Korean peninsula, which dangles down from the Chinese mainland like an Asian Scandinavia. So, with the goal of attacking the Japanese wherever they found them, it was natural that the invading Soviet army crossed the Chinese-Korea border (formed by the Yalu river) and headed south into the peninsula, defeating Japanese forces as they went.

‘Suddenly’ the Americans who, according to Hastings hadn’t really considered the strategic significance of Korea, realised they didn’t want Stalin to occupy the entire peninsula create a communist stronghold so close to soon-to-be-defeated Japan. So the Americans requested Stalin to halt his forces and informed him that American forces would invade Korea from the south.

Two American officers were put in charge of figuring out where the dividing line should be between the uneasy allies. Poring over a map, they reached the ‘hasty’ decision that the 38th parallel was a handy dividing line: it more or less divided the country in two, with the capital Seoul, the best agriculture and industry, and most of the population, to the south i.e. in the American sector.

President Roosevelt duly contacted Stalin with the request that he stop his forces at the 38th parallel and, to the Americans’ surprise, Stalin readily agreed. Stalin didn’t want to risk confrontation with the ally he was working so closely with in Europe, and was also very aware of the atom bombs the Americans had just dropped on Japan. Yeah, sure, you can keep half of Korea.

(There is a nice irony here, that the Americans from Roosevelt down were vehement opponents of the European empires, and actively tried to sabotage the return to European imperial rule of Burma, Malaya or Indochina. But quite quickly they found themselves dragged into drawing precisely the kind of arbitrary lines and borders which they had criticised the Europeans for making in Africa and the Middle East. The existence of separate states of North and South Korea and the fates, the life chances and premature deaths of tens of millions of Koreans, were determined by this hurried decision made in the last gasp of the Second World War.)

North and South Korea

So Stalin stopped his troops at the 38th parallel, when he could easily have pressed on and seized the entire peninsula. American forces landed at Incheon on September 8 and liberated southern Korea from their Japanese occupiers. In time both countries put their own regimes in place in their sector, the Soviets basing their government in the northern city of Pyongyang, the Americans in the traditional capital, Seoul, permanently crystallising the distinction between communist North Korea and capitalist South Korea.

While the Russians proceeded with their standard process of step-by-step managing the local communists into government and then picking off the opposition one by one to create a mini Stalinist state, Hastings describes the Americans as making a number of important mistakes in the South.

For a start, the Americans found the native Koreans completely unused to governing their own country. Thus, against their intentions, in the early days they ended up being forced to work closely with the now-defeated Japanese authorities, for the simple reason that the Japs had the experienced men in place to carry on carrying out the function of the state. Only slowly were these replaced by native Koreans, and then the Americans had the devil of a time selecting which of the many groups of clamouring Korean politicians to choose to run things.

As the threat from Soviet communism became more palpable into 1946, the Americans found themselves setting up a government run by the smooth-talking, right-wing émigré Syngman Rhee. Hastings recounts how left-of-centre Korean groups were too quickly marginalised because of the taint of communism and how the Americans, despite their best intentions, found themselves installing Rhee, and then coming to regret the choice of such a corrupt, brutal figure. Rhee ended up being president of South Korea from 1948 to 1960 and was an early example of the kind of brutal, repressive and corrupt right-wing regime which the Americans would find themselves supporting again and again throughout the Cold War.

This had the result of fuelling left-wing and communist agitation against his government, which led to a spiral of repression, and left many Americans feeling ambivalent and uneasy in their support for Rhee. This was epitomised by a reluctance to arm his air force, artillery and infantry with more than a token minimum of equipment, since there was good evidence that arms were mainly used against his own civilian population.

Meanwhile, throughout the late 1940s North Korea kept up a steady stream of propaganda broadcasts to the south, designed to appeal to all Korean patriots, calling for the reunification of the country, as well as predictable calls for the overthrow of Rhee and his unlikeable clique. In the spring of 1950 this rhetoric became steadily more heated and experts in the U.S. State Department warned of the growing threat of some kind of attack by the North on the South. The American government, under President Harry Truman, had its hands full coping with crises in the more obvious cockpit of the Cold War, Europe, beset by a sequence of crises including the Berlin Airlift from June 1948 to May 1949, the communist coup in Czechoslovakia in 1948, and so on.

The Korean War

1. The North invades Thus it came as a complete surprise to the world when Kim Il-Sung’s North Korean army invaded South Korea on 25 June 1950. The United Nations immediately voted it an illegal act and sent forces to stop the advance. These were at first mostly American, but in time came to consist of a coalition including other Western countries and eventually 20 nations from round the world. But before this could be organised, the North Koreans succeeded in storming through the south, pushing the under-equipped demoralised Republic of Korea’s army back until it and its American support were, by September 1950, pinned into a pocket in the south-east of the peninsula, the Pusan area.

2. Landing at Inchon Not only did the Americans reinforce their troops who fought bravely to hold the line at Pusan but General MacArthur, the hero of the Pacific War, who had been ruling post-war Japan as American Vice-Consul, now conceived his last great strategic coup, which was to organise a massive American amphibious landing at Inchon in mid-September 1950, on the coast near Seoul, thus attacking the North Koreans in their rear, and threatening their supply lines.

The Americans broke out of the Pusan pocket and drove north, pushing back the demoralised and exhausted North Koreans, back across the 38th parallel and further north. At this point Hastings’ account dwells on the massive disagreements within the American administration on whether or not the Allies should halt at the parallel or press on to take the entire peninsula. This latter view prevailed and the American, ROK and other UN national forces (British and Commonwealth as well as a large contingent from Turkey) pressed north.

3. China enters the war Allied forces had come within sight of the Yalu river which forms the border between Korea and China when they were horrified to learn that a vast contingent of the People’s Republic of China had crossed the border and was attacking along the line. Briefly, sheer weight of numbers overran Allied positions, creating confusion and panic, and it is chastening to read accounts of Allied troops dropping their guns and equipment and running in panic fear. The Chinese routed the Allies, pushing them relentlessly southwards back towards the 38th parallel.

Hastings excels, in this book as in his later one about the War in the Pacific, at combining at least three levels of analysis:

  • Carefully chosen eye witness accounts (from letters, diaries and reports made at the time along with highlights of the scores of interviews with veterans which he conducts for each book).
  • Detailed descriptions, with maps, of specific battles and the broader military situation.
  • But what I enjoyed most is Hasting’s ability to pull out of this narrow focus to explain in detail the strategic and geopolitical issues behind the war. Thus there is a lot of analysis throughout the book of the conflicting aims and strategies of the Allies, and particularly within the US administration and armed forces. It is riveting to read how war aims a) can be so contradictory and fiercely debated within a set of allies b) change over time according to all sorts of pressures, like domestic opposition, political attacks from opponents, looming elections, threats elsewhere.

4. Shall we bomb China? The largest issue raised by the Chinese victories and our troops’ humiliating defeats was whether to broaden the war to attack China itself i.e. why only fight the Chinese forces inside Korea, why not bomb mainland China, as we did Germany and Japan? 1. The scattered terrain of hilly Korea, lacking main roads and railways, and the methodology of the communists, moving across country, made it difficult to attack enemy formations in Korea. 2. All their supplies were coming from factories in China, and Chinese MiG jets were flying from airfields in China – why not attack those?

The highpoint of this point of view, strongly espoused by senior figures in the US army and air force, was MacArthur’s request that the Allies use the atom bomb against Chinese forces not only in Korea, but against Chinese cities. The army drew up a list of twenty possible targets. Imagine!

Within Truman’s own cabinet there were – as always – hawks and doves, with some supporting broadening the war, others strongly against. In the event, Truman took the cautious line, and posterity has to agree. If both sides, by tacit consent, limited their confrontation to within the peninsula, it was containable and manageable. In February 1950 Russia and China had signed a defensive alliance committing each to go to war if the other party was attacked, so if the UN forces had bombed Chinese cities, would Russia have been forced to come to China’s defense? Would it have triggered World War III? Was it worth taking the risk?

Hastings brings out how US hawks saw the conflict in terms of the global Cold War against communism. The gruesome way Soviet-backed regimes were established across Europe and the victory of Mao Zedong’s communists in China in 1949, gave a very real sense that communism was advancing on all fronts. The North Korean attack fitted right in with that view of the democratic West being under sustained attack, and revelations of the extent of Soviet spies inside the atom bomb programme and throughout the US establishment, go a long way to explaining the mounting hysteria epitomised by the rise of Senator Joseph McCarthy and his House Unamerican Activities Committee. Truman had to stand up against a great deal of pressure, within the military establishment, from the McCarthyites, from some sections of the media and public opinion, in refusing to widen the war. 60 years later we pay him credit.

Only very slowly, did some parts of the US administration come to realise that China’s motives stemmed at least from simple nationalism as from world communist conspiracies. A captured Chinese soldier is quoted as saying, ‘How would you like your enemies armies, complete with atom bombs, parked just across your 450-mile-long border?’ If the Americans hadn’t pushed on north beyond the parallel, maybe the Chinese wouldn’t have been prompted to invade. Maybe a lot of lives could have been saved.

5. Stalemate Of course, the decision not to widen the war i.e. attack the Chinese mainland – condemned a lot of American, British Commonwealth and UN troops to ongoing slog, battle, injury and death. In December 1950 Lieutenant-General Matthew B. Ridgway took over command of the US Eighth Army and began to turn it around. Retrained, re-equipped and remotivated, his forces held the Chinese and then began to press northwards, retaking Seoul in March 1951, and pressing forward to the parallel.

Throughout this period General MacArthur, in overall command of US forces in the Far East, had given interviews and communicated to representatives of other governments his wish to expand the war, often in direct conflict to the stated aims of the US administration. Eventually, President Truman felt compelled to relieve him of his command on 10 April 1951. This caused a storm of protest within the military, in Congress and among the general public, for whom MacArthur was a great American hero. Truman’s popularity fell to the lowest ever recorded for a US President. And without it being the immediate intention, MacArthur’s sacking sent out a strong message to America’s allies, to China and Russia, that the United States did not intend to attack China, did not even intend to seize the whole Korean peninsula, but would settle for the much more limited aim of returning to the status quo ante.

As spring 1951 turned to summer, the front line advanced and receded around the parallel, slowly settling into a stalemate. A year after the initial invasion, the armies were back more or less where they had started. The North Koreans reluctantly agreed to open ceasefire talks and protracted armistice negotiations began on 10 July 1951 at Kaesong, before moving to the neighbouring village of Panmunjom. Due to the intransigence of the North and the Chinese, these talks dragged on for two long years, while on the ground there was a steady stream of offensives and counter-offensives, none of which really changed the strategic picture, but in which a lot of soldiers died pointlessly on both sides.

The narrative pauses at this point for a series of chapters looking at specific aspects of the war:

  • The war in the air, where the West learned for the first time the limits of air power – something which was to be repeated in Vietnam – and for the first time jet fighter fought jet fighter, Soviet MiGs against US Sabres.
  • The creation more or less from scratch of a U.S. intelligence operation, which featured a number of gung-ho operations behind the lines but precious little usable intelligence. I was tickled to read that the CIA’s Seoul station had 200 officers, but not a single speaker of Korean, an attitude of uninterest in local cultures and languages which the Americans repeated later in Vietnam and the Middle East.
  • The issue of communist prisoners of war, whose numbers had risen to some 130,000 by the end of the war and whose repatriation back to the North became one of the big stumbling blocks of the peace negotiations.

The mounting frustration at having to fight and die in bloody, futile engagements while the diplomats at Panmunjom, just a few miles away, drew the peace negotiations out with unbearable delays, is well depicted in this 1959 movie, Pork Chop Hill. It illustrates the brutality and heavy losses incurred for insignificant hilltops, the effectiveness of Chinese propaganda broadcast to Allied troops by loudspeaker across the front line, and the widespread demoralisation of the American soldiers with many, perhaps most, of them expressing intense doubt about what they were fighting for and whether it was worth it.

Hard not to see foreshadowings of the irresolution and crushing sense of futility which were to bedevil the Vietnam War.

6. Ceasefire Josef Stalin died in March 1953 and Soviet policy went into a shadowy period of uncertainty. Meanwhile, Republican President Eisenhower replaced Democrat President Truman. Part of his campaign had included the pledge to bring the war to an end. These final stages include the unnerving plans made by the new administration to: massively boost South Korean armed forces; bomb China north of the Yalu; deploy the new artillery-fired nuclear weapons the US had developed; and to transport Chinese Nationalist fighters from Formosa to the Chinese mainland to carry out guerrilla operations (p.473). These aims were communicated to the Soviets and Chinese and at last broke the logjam. In April the communist delegates at Panmunjom began to respond to suggestions.

Ironically, the final stumbling block turned out to be the obstinate dictator of South Korea, Syngman Rhee, who was refused by America’s decision to ‘abandon’ his nation and refused to agree to a ceasefire or sign the agreement. The Americans, not for the last time, found themselves struggling to contain a right-wing leader of their own creation, but by immense pressure managed to prevent Rhee actively sabotaging the negotiations. It is rather staggering to learn that they developed a plan for kidnapping Rhee and overthrowing his government if he refused to play ball (plan EVER-READY p.479).

On 27 July 1953 a ceasefire was finally declared and a demilitarised zone (DMZ) created either side of the ceasefire line. Legally, the war has never ended and this, along with the belligerent rhetoric which has continued to pour out of Pyongyang, along with the occasional terrorist atrocity and a trickle of shooting incidents across the DMZ, explains why South Koreans have lived in a state of tension and high alert for the past 64 years.

And now that Kim Il-sung’s son and successor as Great Leader, Kim Jong-il, has developed nuclear weapons and is testing long-range missiles to deliver them, who knows what further trouble this barren peninsula might cause.

Stats

  • 1,319,000 Americans served in Korea, of whom 33,629 were killed and 105,785 wounded
  • The South Korean army lost 415,000 killed and 429,000 wounded
  • The Commonwealth lost 1,263 killed and 4,817 wounded
  • The Americans estimate that 1.5 million Chinese and North Koreans died, but this is an educated guess
  • Wikipedia reports that some 2.5 million Koreans, north and south, were killed or wounded

This huge loss of civilian and military lives is captured in Taegukgi: The Brotherhood of War from 2004, a phenomenally violent Korean film directed by Kang Je-gyu, and saturated with blood-spattering special effects.

The lessons of history

The Korean War is interesting for a number of reasons:

  1. as a dramatic and very hard-fought war in and of itself
  2. as the first armed confrontation between two superpowers in the Cold War
  3. as a template for the Vietnam War

It’s the latter which is, at this distance of time, maybe the most resonant. Their convincing win against Japan gave the Americans the sense that overwhelming might on land and sea and in the air guaranteed victory. Korea disabused them of this confidence. In Korea the Americans stumbled upon issues which were to plague them 15 years later in Vietnam:

  • the difficulty of supporting an unpopular native regime
  • the problems of creating a native army to support an unpopular regime, in a corrupt and inefficient society
  • the cost of underestimating an Asian army
  • the difficulty of using air power, no matter how overwhelming, against a peasant army with no identifiable infrastructure – this wasn’t like bombing German or Japanese factories
  • the difficulty of deploying a highly mechanised army in broken country against a lightly armed, highly mobile enemy (p.xvi)

This is an excellent, thorough, well-written and gratifyingly intelligent account of an important war which, paradoxically, makes it clear why it has been so often overlooked by historians in the Allied countries which fought in it, namely America and Britain. It powerfully explains why fighting a pointless war in a faraway country for an ugly regime was so unpopular at the time and has been neglected ever since.

P.S. Japan

Big strategic history like this is full of ironies. I was delighted to learn that the Korean War helped to set Japan on its feet again and kick-started its astonishing post-war economic recovery, helped along by the vast amounts of money poured into the country which served as ‘aircraft carrier, repair base, store depot, commissariat, hospital, headquarters and recreation centre’ for the UN forces in the Far East (p.444). Every cloud has a silver lining.


Credit

The Korean War by Max Hastings was published in 1987 by Michael Joseph. All quotes and references are to the 2010 Pan Macmillan paperback.

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