Reflections on The Age of Empire: 1875 to 1914 by Eric Hobsbawm (1987)

Critique of Hobsbawm’s Marxisant approach

In the third of his mighty trilogy of histories of the long nineteenth century, The Age of Empire: 1875 to 1914, as in its two predecessors, Hobsbawm makes no attempt to hide his strongly Marxist point of view. Every page shouts his contempt for the era’s ‘bourgeois’ men of business, its ‘capitalists’ and bankers, the despicable ‘liberal’ thinkers of the period and so on. From time to time his contempt for the bourgeoisie rises to the level of actual abuse.

The most that can be said of American capitalists is that some of them earned money so fast and in such astronomic quantities that they were forcibly brought up against the fact that mere accumulation in itself is not an adequate aim in life for human beings, even bourgeois ones. (p.186)

Replace that final phrase with ‘even Jewish ones’ or ‘even Muslim ones’ or ‘even black ones’ to get the full sense of how deliberately insulting it is intended to be and how unacceptable his invective would be if applied to any other group of people.

Hobsbawm loses no opportunity to quote Marx (who died in 1883, saddened by the failure of his communist millennium to arrive) or Lenin’s views on late capitalism and imperialism (Lenin published his first political work in 1893), and he loses absolutely no opportunity to say ‘bourgeoisie bourgeoisie bourgeoisie’ scores of times on every page till the reader is sick of the sight of the word.

Hobsbawm’s highly partisan and politicised approach has strengths and weaknesses.

Hobsbawm’s strengths

On the up side, using very simplistic binary oppositions like ‘the developed world’ and ‘the undeveloped world’, the ‘bourgeoisie’ and the ‘proletariat’, helps him to make great sweeping generalisations which give you the impression you are gaining secret access to the engine room of history. If you ignore the complexity of the histories and very different cultures of individual nations such as America, Britain, France and Germany, and lump them altogether as ‘the West’, then you can bring out the broad-brush historical and economic developments of the era, grouping together all the developments in science, chemistry, physics, technology, industry and consumer products into great blocks, into titanic trends and developments.

This gives the reader a tremendously powerful sense of bestriding the world, taking part in global trends and huge international developments. Just as in The Age of Capitalism, the first half or so of the book is thrilling. It makes you feel like you understand for the first time the titanic historical forces directing world history, and it’s this combination of factual (there are lots of facts and figures about industrial production) and imaginative excitement which garnered the trilogy so many positive reviews.

Hobsbawm’s obsession with capitalism’s contradictions

Hobsbawm makes obeisance to the Marxist convention that ‘bourgeois’ ideology was riddled with ‘contradictions’. The most obvious one was the contradiction between the wish of national politicians to define and delimit their nations and the desire of ‘bourgeois’ businessmen to ignore all boundaries and trade and invest wherever they wanted around the globe (p.40).

Another ‘contradiction’ was the way the spread of ‘Western ideology’ i.e. education and values, to developing countries, or at least to the elites within European colonies, often led to the creation of the very Western-educated elites who then helped to overthrow it (he gives the London-trained lawyer Gandhi as the classic example, p.77, though he could as easily have mentioned Jawaharlal Nehru, educated at Cambridge, trained at London’s Inner Temple as a barrister).

Another ‘contradiction’ was the between the way the mid-century ‘bourgeois’ industrial and economic triumph rested on a mechanical view of the universe, the mechanical laws of physics and heat and chemistry underpinning the great technological advances of the later nineteenth century. Hobsbawm then delights in the way that, at the end of the century, this entire mechanistic worldview was overturned in a welter of discoveries, including Einstein’s theory of relativity, the problematic nature of the sub-atomic world which gave rise to quantum physics, and deep discoveries about the bewildering non-rational basis of mathematics.

These are just some of the developments Hobsbawm defines as ‘contradictions’ with the aim of proving that Marx’s predictions that capitalism contained within itself deep structural contradictions which would undermine it and lead inevitably to its downfall.

Why Hobsbawm was wrong

Except that Marx was wrong and Hobsbawm is wrong. His continual mentioning Marx, quoting Lenin, harking back to the high hopes of the revolutionaries of 1848, invoking the memory of the Commune (redefined, in good Marxist style, as a heroic rising of the downtrodden working classes, rather than the internecine bloodbath that it actually was), his continual harking forward to the Bolshevik revolution as somehow the climax of all the trends he describes, his insistence that we, he and his readers, all now (in the mid-1980s when he wrote this book) still live in the forbidding shadow of the Russian revolution, still haunted by the spectre of communist revolution — every aspect of his attitude and approach now seems dated and irrelevant.

Now, in 2021, it is 30 years since the collapse of the Soviet Union and its satellites revealed:

  1. Their complete failure to build an economic and social system which could be a serious alternative to ‘capitalism’.
  2. The extraordinary extent to which communist regimes had to surveil, monitor and police every aspect of their populations’ behaviour, speech and thoughts, in order to prevent them relapsing into the ways of human nature – the prison camps, the psychiatric wards, the secret police. Look at China today, with its censorship of the internet and its hounding of dissidents, its suppression of Falun Gong and the Muslim Uighurs of Xinjiang.

Seen from our contemporary perspective, Hobsbawm tendentious habit of naming every clash in policies, every development in cultural thinking as some kind of seismic ‘contradiction’ which will bring global capitalism tumbling down, looks like what it is, a biased obeisance to Marxist ideas which have long ago proved to be untrue.

The misleading use of terms like ‘bourgeois’

To some extent his attitude is based on one particular logical or rhetorical trick which can be proved to be false.

In the later chapters of the book, about the arts, the hard and social sciences, Hobsbawm repeatedly claims that this or that aspect of ‘bourgeois ideology’ of the mid-nineteenth century came under strain, suffered insoluble contradictions, underwent a crisis, and collapsed.

I think this is the crux of the massive mistake he makes. It consists of several steps:

  1. identifying every element of mid-nineteenth century political and cultural theory as some universal thing called ‘bourgeois’
  2. identifying this ‘bourgeoisie’ as the central and necessary figure of the capitalist system
  3. and then claiming that, because in the last few decades of the nineteenth century this ‘bourgeois’ ideology came under strain and in many ways collapsed, that therefore this shows that capitalism itself, as a system, must come under strain caused by its internal contradictions and therefore must collapse

Surely anyone can see the logical error here. All you have to do is stop insistently repeating that mid-nineteenth century ideology was identical with some timeless ‘bourgeois’ ideology which necessarily and uniquely underpins all capitalism, and simply relabel it ‘mid-nineteenth century ideology’, and then all your sentences stop being so apocalyptic.

Instead of saying ‘bourgeois ideology was stricken by crisis’ as if The Great Revolution is at hand, all you need say is ‘mid-nineteenth century political and social beliefs underwent a period of rapid change at the end of the century’ and the portentous sense of impending doom hovering over the entire system vanishes in a puff of smoke – and you are left just describing a fairly banal historical process, namely that society’s ideas and beliefs change over time, sometimes in abrupt reversals resulting from new discoveries, sometimes as slow evolutionary adaptations to changing social circumstances.

Put another way, Hobsbawm identifies mid-nineteenth century liberal ideology as if it is the one and only shape capitalist thinking can possibly take and so excitedly proclaims that, by the end of the century, because mid-nineteenth century ‘bourgeois’ beliefs were quite visibly fraying and collapsing, therefore capitalism would collapse too.

But quite obviously the ‘capitalist system’ has survived all the ‘contradictions’ and ‘crises’ Hobsbawm attributes to it and many more. It is still going strong, very strong, well over a century after the period which Hobsbawm is describing and when, he implies, it was all but on its last knees.

In fact the basic idea of manufacturing products cheap and selling them for as much profit as you can, screwing the workers who make them and keeping the profits to a) enjoy yourself or b) invest in other business ventures, is probably more widespread than ever before in human history, seeing how it’s been taken up so enthusiastically in post-communist Russia but especially across hyper-modernising China.

In other words, Hobsbawm’s use of Marxist terms like ‘bourgeois’ and ‘proletarian’ may have a certain explanatory power for the era he’s describing, but after a certain point they are too simplistic and don’t describe or analyse the actual complexity of even one of the societies he describes, let alone the entire world.

At some point (which you can almost measure in Hobsbawm’s texts) they cease to be explanatory and become obfuscatory, hiding the differences which separate America, Britain and Germany much more than unite them. Use of the terms simply indicate that you have entered a certain worldview.

Imagine a Christian historian identifying mid-nineteenth century ideology as the one and only expression of ‘Christian’ ideology, an ideology which divided the population into ‘believers’ and ‘unbelievers’, into the ‘saved’ and the ‘damned’. Imagine this historian went on to describe how the widespread ‘crisis’ in Christian belief at the end of the century indicated that the entire world was passing out of the phase of Christian belief and into infidel unbelief.

If you read something like that you would immediately know you are inside the particular worldview of an author, something which clearly means a lot to them, might shed light on some aspects of the period – for example trends in religious belief – but which in no way is the interpretation of world history.

a) Plenty of other interpretations are available, and b) despite the widespread laments that Christianity was dying out in the later nineteenth century, contrary to all their pessimism, Christianity now has more adherents worldwide than ever before in human history. And ditto capitalism.

The dominance of the key terms Hobsbawm deploys with such monotonous obsessiveness (capitalism, bourgeoisie, proletariat, liberal ideology) don’t prove anything except that you have entered the worldview of a particular author.

The system with the real contradictions, contradictions between a) its utopian claims for equality and the reality of a hierarchical society which privileged party membership, b) between its promises to outproduce the West and the reality of permanent shortages of consumer goods and even food, c) between its rhetoric of ‘freedom’ and the reality of the harsh repression of any kind of political or artistic unorthodoxy – was communism, whose last pitiful remnants lie rusting in a thousand statue parks across Russia and Eastern Europe.

The fundamental sleight of hand in Hobsbawm’s argument

Because Hobsbawm identifies the mid-nineteenth century worldview with the ‘bourgeoisie’ and the ‘bourgeoisie’ as the indispensable foundation of ‘capitalism’, he tries to pull off the conjuring trick of claiming that, since the mid-nineteenth century worldview drastically changed in all kinds of ways in the last decade of the century, these change invalidate the ‘bourgeoisie’, and that this, in turn, invalidates ‘capitalism’. Proves it is wrong and doomed to collapse.

You can see how this is just a three-card trick which moves vague and indefinable words around on the table at speed to bamboozle the impressionable. For despite the trials and tribulations of the century of extremes which followed, ‘capitalism’ in various forms appears to have triumphed around almost the entire world, and the materialistic, conventional, liberal ‘bourgeoisie’ which Hobsbawm so despises… appears still to be very much with us, despite all Hobsbawm’s protestations about its terminal crises and death throes and contradictions and collapse.

Victimology tends to tyranny

To anyone familiar with the history of communist Russia, communist China and communist Eastern Europe, there is something unnerving and, eventually, worrying about Hobsbawm’s very broad-brush division of the entire world into victims and oppressors.

The first half of the twentieth century was the era of totalitarian governments seeking to gain total control over every aspect of their populations and mould them into better humans in a better society. The first thing all these regimes did was establish goodies and baddies, and rouse the population to be on perpetual guard against the enemy in whatever guise – ‘the bourgeoisie’, the ‘kulaks’, ‘capitalist roaders’, ‘reactionary elements’, ‘the Jews’, and so on.

Dividing the entire huge world and eight billion people into simple binaries like ‘oppressors’ and ‘victims’, ‘bourgeoisie’ and ‘workers’, ‘exploiters’ and ‘exploited’, ‘white’ masters and ‘black’ victims, is worryingly reminiscent of the simplistic, binary thinking which the twentieth century showed leads to genocides and mass killing.

Hobsbawm criticises the nationalist parties of the late-nineteenth century for dividing up populations into citizens and outsiders, members of the Volk or aliens, a process of which the Jews were notable victims. And yet he enacts the very same binary oppositioning, the same outsidering of a (large) group of society, by objectifying and insulting the ‘bourgeoisie’ at every opportunity.

It’s the same old mental slum: if only we could get rid of the gypsies / homos / lefties / commies / bourgeoisie / capitalists / Catholics / Protestants / Armenians / Jews / Croats / Serbs / Tutsis / Hutus / men / whites / blacks / immigrants / refugees, then society would be alright. I call it ‘If-only-ism’.

If capitalism and imperialism were inevitable, how can anyone be guilty?

In Age of Capital Hobsbawm describes how the industrial revolution amounted to a lucky fluke, a coming together of half a dozen circumstances (of which the most important was, in his view, Britain’s command of the waves and extensive trading network between colonies) and this helps you realise that some people were able to seize the opportunity and exploit it and become masters of small firms and then of factories etc. Clever, quick, resourceful or well-placed men leapt to take advantage of new opportunities. Any history of the industrial revolution names them and gives biographies of individuals central to the series of inventions or who then set up successful firms to exploit them.

However, the tendency of Hobsbawm’s very high-level Marxist approach, his sweeping surveys which pull together evidence from Austria, or France, from north Italy or New York, is, paradoxically, to remove all sense of agency from the humans involved. Hobsbawm makes it seem almost inevitable that the first industrial revolution (textiles) would give rise to a second (iron and coal) which in turn would give rise to a third (steel, organic chemistry, electrics, oil).

And he makes it seem inevitable that, once the world was fully mapped and explored, then the other ‘western powers’ which by 1890 had more or less caught up with Britain in terms of industrialisation, would join the competition to seize territories which contained valuable minerals or exotic produce (tea, coffee, bananas). That an acceleration of imperial rivalry was inevitable.

But if it had to pan out this way, how can you blame anyone? If, viewed from this lofty godlike perspective, it was inevitable that industrialisation broke out somewhere, that it would spread to all similar regions and states, that the now numerous industrial nations would find themselves in competition for the basic resources (food) and more arcane resources (rubber, oil, rare metals) required to drive the next stage of industrial development – can you blame them?

You could call it Hobsbawm’s paradox, or Hobsbawm’s Choice. The more inevitable you make the entire process sound, the less reason you have to be so cross at the ‘bourgeoisie’.

The reality is that you can, of course, hold the western nations accountable for their actions, but only if you descend to a lower level of historical discourse than Hobsbawm’s. Only if you begin to look at specific actions of specific governments and specific men in specific times and places an you begin to make assessments and apportion praise or blame.

Responsibility and guilt can’t really exist at the level Hobsbawm is operating on because he goes out of his way to avoid mentioning individuals (with only a few exceptions; Bismarck’s name crops up more than any other politician of the period) and instead emphasises that it all unfolded according to almost unavoidable historical laws, implicit in the logic of industrial development.

If humans couldn’t avoid it, then they can’t very well be blamed for it.

In light of Hobsbawm’s theory, is equality possible?

The same set of facts give rise to a parallel thought, which dogged me throughout reading this book, which is — if what Hobsbawm says is true, if industrial and technological developments tend to be restricted to just a handful of certain nations which have acquired the technology and capital resources to acquire ‘liftoff’ to industrialisation, and if, within those nations, the benefits of industrialisation accrue overwhelming to a small proportion of the population; and if this process is so stereotyped and inevitable and unstoppable — then, well… is it even possible to be fair? Is it possible to achieve anything like ‘equality’? Surely the entire trend of the history Hobsbawm describes with so much verve suggests not.

Putting aside the issue of fairness in one nation aside in order to adopt Hobsbawm’s global perspective, he often repeats the formula that countries in the ‘undeveloped’ or ‘developing’ or ‘Third World’ (whatever you want to call it) were forced by the demands of consumer capitalism or The Market to turn themselves into providers of raw materials or a handful of saleable commodities – after all, this was era which saw the birth of the banana republic. But, I thought as I ploughed through the book… what was the alternative?

Could undeveloped nations have turned their backs on ‘international capitalism’ and continued as agrarian peasant nations, or resisted the western imperative to become ‘nations’ at all and remained general territories ruled by congeries of local sheikhs or tribal elders or whatever?

At what stage would it have been possible to divert the general trend of colonial takeover of the developing world? How would it have happened? Which British leader would have stood up and said, ‘This is wrong; we renounce all our colonies and grant them independence today?’ in the1870s or 1880s or 1890s? What would have happened to the sub-continent or all those bits of Africa which Britain administered if Britain had simply packed up and left them in 1885?

As to all the wealth accumulating in Britain, among its sizeable cohort of ship-owners, traders, factory owners, bankers, stockbrokers and what not. On what basis would you have taken their wealth away, and how much? Half? All of it and shot them, as in Bolshevik Russia?

Having seized the wealth of the entire ‘bourgeoisie’, how would you then have redistributed it to the bedouin in the desert or the native peoples of Australia or the Amazon, to the workers on the rubber plantations, in the tin and gold mines, in the sugar fields, to squabbling tribes in central Africa? How could that have been done without a vast centralised redistribution system? Without, in fact, precisely the centralising, bureaucratic tendencies of the very capitalist system Hobsbawm was criticising?

And who would administer such a thing? Having worked in the civil service for over a decade I can tell you it would take hordes of consultants, program managers, project managers and so on, who would probably be recruited from the host country and make a packet out of the process?

And when was all this meant to happen? When, would you say, the awareness of the wrongs of the empire, or the wrongs done to the ‘undeveloped world’ became widespread enough to allow such policies to be enacted in a democracy where the government has to persuade the majority of the people to go along with its policies? In the 1860s, 70s, 80s?

Live Aid was held in 1985, just as Hobsbawm was writing this book, and which I imagine brought the issue of Third World poverty and famine to the attention of even the dimmest members of the population. But did that global event abolish poverty, did it end inequality and injustice in in the Third World? No, otherwise there would have been no need for the Live 8 concerts and related charity efforts 30 years later, in 2005. Or the ongoing efforts of all the industrialised nations to send hundreds of millions of dollars of support to the Third World every year (hence the furore surrounding the UK government cutting back on its foreign aid budget this year.) Not to mention the continuous work of thousands of charities all across the ‘developing world’.

When you look at the scale of activity and the amounts of money which have been sent to developing countries since the Second World War, it makes you wonder how much would be enough? Should every citizen of every industrialised nation give, say, half their annual earnings to people in the Third World? To which people? In which countries? To India, which has invested tens of billions in a space program? To China, which is carrying out semi-genocidal policy of incarceration and mass sterilisation in its Xinjiang province? Do we need to take money from the British public to give it to Narendra Modi or Xi Jinping? Who would manage that redistribution program, for whatever civil servants and consultants you hired to make it work would earn much, much more than the recipients of the aid.

Student excitement, adult disillusion with Hobsbawm

When I was a student, reading this trilogy educated me about the broad industrial, economic and social forces which created and drove forward the industrial revolution in the Western world throughout the nineteenth century, doing so in thrilling style, and for that I am very grateful. Hobsbawm’s books highlighted the way that, through the 1850s and 1860s, capitalism created an ever-richer class of ‘owners’ set against a rapidly growing number of impoverished workers; how the industrial and financial techniques pioneered in Britain spread to other Western nations; how the industrial system evolved in the 1880s and 1890s into a) a booming consumer society in the West and b) the consolidation of a system of colonial exploitation around the world.

I had never had the broad trends of history explained so clearly and powerfully and excitingly. It was a memorable experience.

But rereading the books 40 years later, I am now painfully aware that the simplistic Marxist concepts Hobsbawm uses to analyse his period may certainly help to elucidate it, but at the same time highlight their own ineffectiveness.

The confidence that a mass working class movement which will rise up to overthrow the inequalities of the West and liberate the developing world, that this great liberation is just around the corner – which is implicit in his numerous references to 1848 and Marx and the Commune and Lenin – and that all it needs is a few more books and pamphlets to spark it off….goes beyond boring to become sad. Although the historical facts he describes remain as relevant as ever, the entire ideology the books are drenched in feels terribly out of date.

Democracy not the blessing it is cracked up to be

In chapter 4 Hobsbawm discusses the politics of democracy. Throughout he takes it for granted that extending the franchise to all adults would result in the revolutionary change he supports. He starts his discussion by referencing the powerful German Social Democratic Party (founded back in 1863) and the British Labour Party (founded in 1900) and their campaigns for universal suffrage, as if giving the vote to ‘the working class’ would immediately lead to a social revolution, the end of inequality and exploitation.

Only in the chapters that follow does he slowly concede that new mass electorates also helped to create new mass, populist parties and that many of these catered not to the left at all, but to right-wing nationalist ideas of blood and Volk. For example, the notorious Karl Luger, mayor of Vienna from 1897 to 1910, whose Christian Social Party espoused populist and antisemitic politics which are sometimes viewed as a model for Adolf Hitler’s Nazism.

In fact it had already been shown that universal male suffrage not only didn’t lead to socialist revolution but the exact opposite, when, in the aftermath of the 1848 revolution which overthrew the French monarchy, the French granted universal male suffrage and held a presidential election in which the opera bouffe candidate, Louis-Napoléon Bonaparte, promptly won with 74% of the entire male adult vote, and then went on to win the plebiscite held after his 1851 anti-leftist coup with 76%.

So any educated person knew in the 1850s that extending the franchise did not, in and of itself, lead to red revolution. Often the opposite. (This is a point picked up in Richard Shannon’s book The Crisis of Imperialism 1865 to 1915 which quotes umpteen later Victorian politicians and commentators arguing against extending the franchise precisely because they’d seen what it led to in France, namely the election of a repressive, right wing autocrat.)

Hobsbawm’s excited description of the way the ‘scary’ working class were ‘threatening’ bourgeois hegemony, were on the brink of ‘seizing power’ and righting the world’s wrongs, underplays the extent to which universal suffrage led:

  1. directly to the rise of populist nationalist anti-left wing governments
  2. and to the fragmentation of the left into ‘reformists’, prepared to compromise their radical principles and ally with liberal parties in order to get into parliament, and the die-hards who held out for radical social change

In other words, extending the franchise led to the exact opposite of what Hobsbawm hopes. Something borne out after the Great War, when the franchise was drastically extended to almost all adults in most European countries and the majority of European governments promptly became either right-wing or out-and-out dictatorships. Mussolini won the 1924 Italian general election; Hitler won the largest share of the vote in the Weimar Republic’s last election. Or Hungary:

In January 1920, Hungarian men and women cast the first secret ballots in the country’s political history and elected a large counterrevolutionary and agrarian majority to a unicameral parliament. (Wikipedia)

Switching from Hobsbawm altogether to the present day, 2021, any reader of the English left-liberal English press must be struck how, since the Brexit vote, it has stopped being a taboo subject to suggest that quite possibly a large proportion of the British electorate is thick and uneducated (terms you frequently meet in the Guardian newspaper). You can nowadays read plenty of ‘progressive’ commentators pointing out that the great British electorate was persuaded, in voting for Brexit (2016) and Boris (2019), to vote for populist right-wing demagoguery and against their own best interests as working people. I have read so many commentators pointing out that it is the very conservative working class communities who voted for Brexit who are most likely going to suffer the prolonged consequences of economic dislocation and decline.

In other words, right now in 2021, you can read representatives of the left openly stating that universal franchise, one person one vote, not only doesn’t lead to the socialist paradise Hobsbawm implies it will, but the opposite – rule by right-wing populists.

As far as I can remember, thoughts like this would have been utterly taboo in the 1980s, or have immediately identified you as a right-wing conservative. But now I read comments like this every day in the Guardian or New Statesman.

So – this is the recent experience and current political discourse I bring to reading Hobsbawm’s chapter about democracy and which makes me think his assumption, his faith, his Marxist belief, that simply expanding the franchise to all adults would of itself bring about social revolution and justice and equality is too simplistic.

  • It doesn’t correlate with the historical fact that, as soon as the franchises of most European nations had been radically expanded (after the Great War), lots of them became very right-wing.
  • It doesn’t speak to our present situation where, it’s true that no-one is openly suggesting restricting the franchise, but many progressives are questioning whether the universal franchise produces the optimum results for a nation and its working class. Trump. Brexit.

The world is not as we would like it to be.

My opposition to Hobsbawm’s teleology

I am a Darwinian materialist. I believe there is no God and therefore no purpose or direction to human lives or events. There is no plan, divine or otherwise. Shit happens, people try to cope. Obviously shit happens within a complex web of frameworks and structures which we have inherited, it takes a lot of effort to disentangle and understand what is going on, or what we think is going on, and sometimes it may happen in ways some of which we can broadly predict. But ‘events, dear boy, events’ are the determining feature in human affairs. Take Afghanistan this past week. Who knew? Who expected such a sudden collapse?

This isn’t a very profound analysis but my aim is to contrast my preference for a theory of the unpredictable and chaotic nature of human affairs with Hobsbawm’s profound belief in Marxist teleology, meaning the very nineteenth century, rationalist, scientistic belief that there are laws of history and that human societies obey them and that they can be predicted and harnessed.

Teleology: the doctrine of design and purpose in the material world.

Teleology is the belief that if you shave away all the unfortunate details of history, and the peculiarities of culture, and the impact of charismatic individuals, in fact if you pare away enough of what makes people people and societies societies, you can drill down to Fundamental Laws of History. And that Karl Marx discovered them. And that these laws predict the coming collapse of capitalism and its replacement by a wonderful classless society. And that you, too, can be part of this future by joining the communist party today for the very reasonable online registration fee of just £12!

Anyway, the teleology (‘sense of direction, meaning or purpose’) which is a vital component of Marxism, the confidence in an inevitable advent of a future of justice and equality, which underpins every word Hobsbawm wrote, evaporated in 1991 and nothing has taken its place.

There will be no Revolution. The ‘capitalist system’ will not be overthrown. At most there will be pointless local revolts like the Arab Spring, revolts which, more than likely, end up with regimes more repressive or anarchic than the ones they overthrew (Syria, Libya, Egypt).

This sort of thing will occur repeatedly in countries which did not enjoy the early or middle benefits of the technological revolutions Hobsbawm describes, countries of the permanently developing world, which will always have largely peasant populations, which will always depend on the export of raw materials (oil being the obvious one), which will always have unstable political systems, liable to periodic upheavals.

The environmental perspective

If there is One Big Thing we do know about the future, it is something which isn’t mentioned anywhere in Hobsbawm’s book, which is that humanity is destroying the environments which support us.

My son is studying biology at university. He says it amounts to having world-leading experts explain the beauty and intricacy of various eco-systems in beautiful places around the planet – and then describing how we are destroying them.

As a result, my son thinks that human civilisation, in its present form, is doomed. Not because of global warming. But because we are killing the oceans, exterminating all the fish, destroying species diversity, wrecking agricultural land, using up all the fresh water, relying more on more on fragile monocultures, and generally devastating the complex web of ecosystems which make human existence possible.

Viewed from this perspective, human activity is, overall, fantastically destructive. And the massive ideological divide Hobsbawm makes between the tradition of the nineteenth century ‘bourgeoisie’, on the one hand, and the revolutionaries, Communards, Bolsheviks and communists he adulates, on the other, fades into insignificance.

We now know that polluting activity and environmental destruction were as bad or worse under communist regimes as they were under capitalist ones. It was the Soviet system which gave us Chernobyl and its extended cover-up. Capitalist ones are at least capable of reform in a way communist regimes turned out not to be. Green political movements are a feature of advanced ‘capitalist’ countries but were suppressed, along with every other form of deviance, under communist governments.

But then again, it really doesn’t matter from a global perspective. Looked at from the planet’s point of view, all human activity is destructive.

So this is why, looking at them from a really high-level perspective, as of aliens visiting earth and reviewing the last couple of centuries, these books no longer make me angry at the wicked ‘capitalist’ exploitation of its workers and entire colonial nations and the ‘heroic’ resistance of the proletariat and the exploited peoples of the colonial nations.

I just see a swarm of humans ruining their habitat and leading, inevitably, to their own downfall.

Hobsbawm’s style

Hobsbawm is very repetitive. He mentions bicycles and cars and so on representing new technologies at least three times. I swear he points out that imperialism was the result of increasing competition between the industrial nations at least half a dozen times. He tells us that a number of Germany’s most eminent revolutionaries came from Russia, namely Rosa Luxemburg, at least four times. He repeats President Porfirio Diaz’s famous lament, ‘Poor Mexico! So far from God, so close to the United States’ twice. He tells us twice that western governments were keen to invest in medical research into tropical fevers solely because the results promised to help their officers and administrators survive longer in colonial outposts several times. He repeatedly tells us that Bismarck was the master of maintaining peace between the powers (pp.312 and 318).

The impression this gives is of rambling, repetitive and circular arguments instead of linear, logical ones.

Hobsbawm’s discussions are often very gaseous in the sense that they go on at length, use lots of highbrow terminology, but at the end it’s hard to make out or remember what he’s said. The discussion of nationalism in Age of Capital was long and serious-sounding but I emerged at the end of it none the wiser. The long discussion of sociology in chapter 11 of this book left me none the wiser about sociology except for Hobsbawm’s weird suggestion that, as a social science, it was founded and encouraged in order to protect society against Marxism and revolution. Really?

In a similar spirit, although he uses the word ‘bourgeoisie’ intensively throughout both books, I emerged with no clearer sense of what ‘bourgeoisie’ really means than I went in with. He himself admits it to be a notoriously difficult word to define and then more or less fails to define it.

On a more serious level I didn’t understand his discussion of nationalism in Age of Capital or his discussion of the increasing democratisation in the 1890s in this volume, because they were vague and waffly. It seemed to me that as soon as he left his home turf of economic development, his ideas become foggy and repetitive.

And sometimes he comes over as a hilariously out of touch old buffer:

By 1914 the more unshackled youth in the western big cities and resorts was already familiar with sexually provocative rhythmic dances of dubious but exotic origin (the Argentinian tango, the syncopated steps of American blacks). (p.204)

‘The syncopated steps of American blacks’. No wonder American capitalism was doomed to collapse.

Overall conclusion

Hobsbawm’s books are thrilling because of their scope and range and the way he pulls together heterogenous material from around the world, presenting pages of awe-inspiring stats and facts, to paint a vivid, thrilling picture of a world moving through successive phases of industrialisation.

But he is eerily bereft of ideas. This comes over in the later chapters of both books in which he feels obligated, like so many historians before him, to write a chapter about The Arts. This is not his natural territory and the reader has to struggle through turgid pages of Hobsbawm dishing up absolutely conventional judgements (Van Gogh was an unrecognised genius; the arts and crafts movement was very influential), which are so lame and anodyne they are embarrassing.

I had noticed his penchant for commenting on everything using numbered points (‘The bourgeois century destabilised its periphery in two main ways…’; ‘Three major forces of resistance existed in China…’, ‘Three developments turned the alliance system into a time bomb…’, and many others). Eventually it dawned on me that he produces these nifty little sets of issues or causes or effects instead of having ideas. Lists beat insights.

Considering how fertile Marxist literary and art criticism has been in the twentieth century (cf György Lukács, Walter Benjamin, Theodor Adorno, Frederick Jameson) it is very disappointing how flat and untheoretical and banal Hobsbawm’s comments about the arts in both books are. In these later sections of each book it is amazing how much he can write without really saying anything. He is a good example of someone who knows all the names and terminology and dates and styles and has absolutely nothing interesting to say about them.


Credit

The Age of Empire: 1875 to 1914 by Eric Hobsbawm was published in 1975 by Weidenfeld and Nicholson. All references are to the 1985 Abacus paperback.

Hobsbawm reviews

Related reviews

Reviews about Marx and communism

Karl Marx

Communism in Russia

Communism in China

Communism in Vietnam

Communism in Germany

Communism in Poland

  • Warsaw 1920 by Adam Zamoyski (2008) How the Polish army stopped the Red Army’s advance into Poland in 1920 preventing them pushing on to support revolution in Germany.
  • The Captive Mind by Czesław Miłosz (1953) A devastating indictment of the initial appeal and then appalling consequences of communism in Poland: ‘Mass purges in which so many good communists died, the lowering of the living standard of the citizens, the reduction of artists and scholars to the status of yes-men, the extermination of entire national groups…’

Communism in Czechoslovakia

Communism in France

Communism in Spain

  • The Battle for Spain by Antony Beevor (2006) Comprehensive account of the Spanish civil war with much detail on how the Stalin-backed communist party put more energy into eliminating its opponents on the Left than fighting the fascists, with the result that Franco won.
  • Homage to Catalonia by George Orwell (1938) Orwell’s eye-witness account of how the Stalin-backed communist party turned on its left-wing allies, specifically the Workers’ Party of Marxist Unification which Orwell was fighting with, and how he only just managed to escape arrest, interrogation and probable execution during the communist purges.

Communism in England

Wolves Eat Dogs by Martin Cruz Smith (2004)

Fifth in the addictive series of novels about former Soviet (and now plain Russian) homicide investigator, Arkady Renko, who we first met in Cruz Smith’s 1981 international bestseller, Gorky Park. It’s 23 years later and a lot has happened in that time, namely the end of the Cold War, the collapse of the Soviet Union and the bewilderingly quick transformation of Russia into a criminal society, dominated by billionaire oligarchs and a ferocious mafia, just about held in place by Vladimir Putin’s authoritarian state.

Cruz Smith/Renko’s unique selling point is the way he uses routine police procedurals to delve into this murky society. (In fact, its two predecessors had varied the scene by being set in Germany and Cuba, respectively.) This one marks a return to Mother Russia for its beginning, before shifting scene to become a wonderfully haunting evocation of the devastated towns and villages around the nuclear power station at Chernobyl, in the Ukraine.

The corpse

Millionaire Pasha Ivanov has apparently killed himself by jumping out the tenth floor of his luxury apartment block. He was the president of a typical new Russian enterprise, NoviRus. The novel opens like a scene from Colombo or a thousand other American cop dramas with all the dead man’s business partners, mistresses etc gathered tearfully in the apartment as Arkady assesses them and asks the time-honoured question: Did he jump or was he pushed?

Assembled are Arkady’s boss, angry prosecutor Zurin; Arkady’s assistant, the burly alcoholic Victor; the dead man’s girlfriend-cum-interior designer Rina Shevchenko; a NoviRus vice-president Lev Timofeyev; and Ivanov’s fat American fixer, Bobby Hoffman. Not physically present, but looming in the background is the head of NoviRus security, the feared Colonel Ozhogin.

Arkady and co had in fact already been investigating Ivanov’s affairs but, with his death, Zurin is keen to get a quick decision that it was suicide and so close the case. The official reason is that we Zurin and his superiors don’t want to do anything which will spook foreign investors any more than necessary, Moscow has a bad enough reputation anyway, etc.

But Arkady, as is his way, refuses to move quickly. He ponders. Does Zurin has darker motives for his hurry to shut it down? Did their investigation prompt the suicide? Why, though – they hadn’t turned up anything incriminating – or were they on the verge of doing so… questions, questions.

The milieu the dead man moved in, the circle of Russia’s new super-rich, is vividly depicted when Arkady, in a later scene, crashes a party of the New Rich and is quietly appalled:

They saw themselves as the robber barons of the American Wild West, and didn’t someone say that every great fortune started with a crime? Russia already had over thirty billionaires, more than any other country. That was a lot of crime. (p.81)

A search of Ivanov’s apartment had turned up one standout peculiarity: his wardrobe was found to be full of salt, there was salt in several drawers and cupboards, there turns out to be salt in his gut and he was clutching a salt shaker when he jumped. Why?

Zhenya

In a separate strand, Arkady has been inveigled by a lady friend into visiting an orphanage and cheering up the kids, so that they end up taking one of them out for the day, the silent, traumatised 11-year-old Evgeny Lysenko aka ‘Zhenya’.

Next time Arkady turns up at the orphanage to discover the lady journalist hasn’t, and so Arkady finds himself, reluctantly, taking the totally silent boy out for another outing and then, despite himself, drawn into taking him on regular Sunday outings, the boy permanently silent and clutching his chess set and book of fairy tales while Arkady, as so often, questions himself, his action and his motives.

Moscow

The first hundred pages of this 400-page novel are set in Moscow, as Arkady pursues various leads in the Ivanov case, viewing and reviewing the CCTV footage from the dead man’s apartment building, meeting a notorious Mafia hardman, Anton Obodovsky, who phoned Ivanov in his last hours (Arkady has the ‘lucky’ break of finding the dead man’s phone kicked under his bed), wondering if there’s some underworld connection…

These scenes emphasise the thing about Arkady’s character which makes him so appealing. He is not stupid – he is honest, thorough, diligent. But most of the time he doesn’t know what is going on and is as puzzled as the reader. Which is what makes him so likeable.

Towards the end of this section he is searching Ivanov’s apartment for the umpteenth time when he comes across, right at the back of some drawers, more salt and then a dosimeter wrapped in a hankie. Arkady recognises it from his military training a long time ago, as the device you measure radiation with. ‘100’ is about a normal background measure. Arkady turns it on and pokes round the flat and in the wardrobe covered with salt, the reading is 50,000. Arkady’s mouth turns dry, his heart races. Someone was poisoning Ivanov with radioactivity – God, has he, Arkady, also received a fatal dose? (p.106)

Chernobyl

With no warning, without even the opening of a new ‘part’, the next chapter cuts to the abandoned towns and villages around the gutted Chernobyl power plant in Ukraine. What? Why did that happen? And it turns out the rest of the novel is devoted to describing the scenery, atmosphere and mood of this strange abandoned place, while Arkady gets to know the handful of locals who still live there and the scientists who are studying the disaster’s impact. How? Why?

Because NoviRus vice-president, Lev Timofeyev, who we met in the opening scene, has been found dead, murdered, in a graveyard in a village in the Chernobyl Exclusion Zone. Arkady’s boss, the prosecutor Zurov, angry at Arkady’s obstinate refusal to confirm Ivanov’s death as suicide, uses the mysterious death to get Arkady out of Moscow and far away from the Ivanov case.

Once again (as in the stunningly good Polar Star) Cruz Smith has come up with a brilliantly imaginative setting for his roaming, endlessly inquisitive hero to explore and investigate, and for his wonderfully evocative prose to paint.

Arkady is shown round the Zone by head of the local militia, Captain Marchenko, upset that his unblemished record has now been blotted with a murder. He introduces Arkady to denizens of the Dead Zone, including environmental scientists led by Alex Gerasimov and his estranged, intense, wife, Eva Kazka. It takes Arkady a long time to realise the odd love-hate relationship between them and only at the end is Alex revealed as a psychopath. Initially he had been courtesy itself, showing Arkady round the zone, introducing him to his fellow research scientists, and in one hair-raising scene, giving his own detailed account of the sequence of events which led to the nuclear disaster (p.214).

In fact Cruz Smith gives Alex a speech conveying a messianic vision of nature returning to claim its own, at a little party given by two old peasants who refuse to leave their village home, Roman and Maria Panasenko (p.219). Alex drunkenly shouts that it’s ‘normal human life’ which is killing nature – if only we could create Zones excluding human beings around the world – maybe every country should have a nuclear catastrophe! (p.164)

Arkady slowly pieces bits of a very confusing jigsaw together, tangling several times with the psychotic Woropay twins, Dymtrus and Taras, who patrol the streets of the ghost city, Pripyat, on roller skates armed with ice hockey bats and night vision goggles (!)

The novel raises and explores numerous dead-ends:

  • A shadowy figure, Hulak, phones Arkady requesting a rendezvous at the vast and eerie cooling lake in the shadow of the abandoned reactor. But when Arkady arrives it is to find locals pulling  his body out of the water, where they found it, shot through the head.
  • Lev Timofeyev’s body was found by a certain officer Karel Katamay, who has since gone missing. Arkady goes to visit Katamay’s father, a tough old construction worker in the city which was built to house evacuees from irradiated Pripyat after the disaster, Slavutych. Confined to a wheelchair by an accident, the angry old man stuffs wild animals and has taught his daughter, Katamay’s sister, Oksanato to hunt and shoot them for him.
  • Arkady is surprised to discover his ‘assistant’ Victor Orlov, is in Kiev (capital of the Ukraine, 140 km due south). He has been sent by Prosecutor Zurin to tail Anton Obodovsky – the hard man Arkady spoke to early on in the book – who now appears to be creating a new identity – new teeth, clothes and haircut, as if about to flee the country. Did he have something to do with Ivanov’s death? Why is he fleeing?
  • Arkady sees a hooded motorcyclist riding out of one of the abandoned villages with a sidecar stuffed with icons from the peasants’ houses. Next time he disturbs the motorcyclist in mid-theft and gives chase on his own motorbike, in an exciting ride through overgrown fields, across streams and swamps.
  • In the event, the phantom thief turns out to be Eva Kazka, Alex’s neurotic, chain-smoking ex-wife, a doctor who spent some time in Chechnya so has seen a lot of brutality, and hides the scar of an operation on her thyroid gland under the scarf. Arkady finds himself lured into an uncomfortable love triangle, not least as Eva tends to make love with a loaded gun either pointed at or alongside her lover. Alex ambushes Arkady and beats him up, a fight which also ends with Arkady having a loaded gun pointed at him. Tough loving.

As mentioned, what makes the Arkady character so attractive is the way he is caught up in situations he only partly understands. He is a sort of everyman figure, wandering through the chaos of post-communist Russia, clever, fit enough, curious, but endlessly on the back foot.

There is a powerful, random scene where Arkady is driving somewhere in Moscow and suddenly comes across rival gangs of skinheads and neo-fascists (supporting Spartak and Dynamo football clubs, respectively) having a riot at a traffic jam on the highway. Tattooed thugs are simply smashing the windscreens of stationary cars, dragging out their terrified occupants, and kicking seven bells out of anyone foreign-looking. Arkady weighs in to save a Vietnamese couple (who it turns out he knows), waving his police badge and pistol around. Only when he’s well into the melee of thugs does Arkady realise that he has in fact removed the bullets from the gun to make it safe for the occasions when he takes young Zhenya out. At which point he feels the sweat breaking on his skin, continuing to threaten the hordes of tattooed hooligans, but knowing any of them could call his bluff at any moment.

It’s a very Arkady scene, our hero a) well-intentioned but b) somehow cocking things up and c) beneath his personal plight, a deeper insight into, a snapshot of, the violent car crash which is contemporary Russian society.

The Jewish connection

Arkady is very surprised when the dead Ivanov’s fat American fixer Hoffman arrives in Chernobly, especially as he is accompanied by a short, but very tough Jewish security man, Yakov, ‘the oldest Jew in the Ukraine’ (p.230), who remembers the famine in the Ukraine, the Red Army and the Nazis – and survived them all.

There emerges a strong Jewish thread to the novel, which brings out the disastrous fate of the Jews of the region. When the Germans invaded in 1942 the people of Pripyat enthusiastically rounded up all their Jews, forced them into boats on the river and shot them up, picking off anyone who tried to swim to safety. (All this reminds me sickeningly of Tom Snyder’s horrifying history book, The Bloodlands.)

In Moscow Hoffman had tried to buy Arkady’s support. Now he has followed him to Chernobyl – but why? As the formal investigation dwindles down to a trickle and then sputters out amid the haunted scenery and strange post-apocalyptic characters of the Zone, Arkady finds himself drawn to Hoffman and Yakov. There are several weird evocative scenes at their camp out by the abandoned Chernobyl Yacht Club, a rusting quay with abandoned boats lining the muddy river.

When Arkady hears that hard-man Colonel Ozhogin is on his way south, he goes out of his way to persuade one of the Zone characters – Bela, a crook who owns a vast boneyard of radioactive cars, trucks, military vehicles and cuts them up and flogs them in the markets of Kiev and Moscow to unsuspecting punters – to smuggle the two Jews out of the dead lands.

It is entirely in keeping with the weird, static, trapped feel of the place and the novel that Arkady then discovers the two Jews changed his instructions and bribed Bela to drive in completely the wrong direction, right to the gates of the nuclear reactor, where Arkady discovers them bobbing their heads as they repeat the Kaddish, the Jewish prayer for the dead.

Only now does it emerge that Ivanov, himself a Jew, had sent Hoffman down here the previous year to pray for him, to seek forgiveness, to beg God’s mercy on his soul, but Hoffman was too sceptical, shy, too American and resistant, to do it. But after the poisoning and suicide of his boss he is at last prepared to make his small supplication in front of the looming concrete ‘sarcophagus’ built over the fatal reactor.

It doesn’t quite make sense as a storyline – like a lot of the plot – but its slight implausibility is dwarfed by the poetry and the imaginative power of the scenes it leads to.

Officer Katamay

Finally Arkady tracks down the security guard who found the body of Timofeyev at the remote graveyard, one Officer Karol Katamay (p.177). He had, suspiciously, gone missing immediately afterwards. Through a sequence of contacts Arkady tracks him down to the baroque setting of the abandoned theatre in the empty ghost town of Pripyat (p.309). Here, Katamay is revealed lying on a divan on the empty stage, his hair carefully beaded and tended, a blanket over him supported by comfy pillows but guarded and patrolled by the two psychotic ice skating twins. Like Pavov and Timofeyev before him, he is obviously stricken by severe radiation sickness, almost continuously bleeding from the nose. Arkady finds out that Alex the research scientist got to know Katamay and asked him to do a job in Moscow.

He was paid to sneak into Ivanov’s apartment, when Alex created a little outage in the security system, with lead-lined boxes, and to wear gloves as he scattered radioactive salt through the apartment. But it seems he wasn’t careful enough and himself became contaminated.

Shootout in Pripyat

The narrative takes Arkady away for further meetings with Eva, phone calls to Victor and so on, before being called back to visit Katamay again. This time he finds the sofa and the recumbent Katamay in the surreal setting of Pripyat’s abandoned funfair. But to Arkady’s disappointment, he has only very recently been stifled with a pillow which, as a result, is soaked in arterial blood. Arkady is holding the murder weapon looking down at the freshly dead man when a swishing sound announces the return of his friends and protectors, the Woropay brothers. They cry out in anguish at the death of their friend and Arkady can only run run run through the deserted streets and into a derelict building, up the stairs, throwing himself out the first floor window onto detritus below and running running running for his life until the brothers catch him, pummeling him to the ground and telling him they’re going to enjoy this as they start to hit him. Bang! One brother falls dead. The other turns to look around and bang! He is dead, too.

Groggily, Arkady looks up to see the blazing-eyed Alex, the visionary scientist who wants the whole world to be irradiated to save it for nature. He makes Arkady pick up one twin while he shoulders the other and they stagger back to the body of Katamay on the sofa. Here Alex turns and finally reveals the whole story.

Ivanov and Timofeyev were assistants at the Institute of Physics in Moscow, assisting Alex’s father, esteemed academician Felix Gerasimov (p.139). On the night of the disaster (26 April 1986) Gerasimov senior had drunk himself unconscious and so when the call came through to the Institute from the Chernobyl reactor, and then from the local authorities, asking what to do – it was Ivanov and Timofeyev who advised them to hush it up and do nothing. Thus poisoning maybe millions of local inhabitants unnecessarily, including the hundreds of thousands who turned out for the May Day parades in all the nearby towns and cities five days later. Including Eva, who had patiently explained to Arkady that her bitterness and anger stem from being irradiated as a teenager, by the stupidity of the authorities. All caused by the craven cowardice of Ivanov and Timofeyev.

On a personal level, when Gerasimov sobered up and realised the bad advice his underlings had given, he immediately ordered an evacuation, but it was this chopping and changing of scientific advice which fatally added to the administrative delays, exposing hundreds of thousands, maybe millions, to contamination. Gerasimov had been haunted for years and years by his personal failure, until he finally shot himself.

And his son, Alex, was consumed by bitterness at the whole shambles – the drunken father who eventually kills himself, the irradiated lover, the poisoned population. No wonder he had such edge and nerviness in him from the moment Arkady met him, no wonder he was ready to explode into a fierce fist fight when he found Arkady at Eva’s cottage (see above). No wonder he turns out to be an embittered killer.

The big reveal

Now, as he and Arkady drop the bodies of the Woropay twins by the body of the dead security guard Katamay, Alex does what all baddies do in standard crime and thriller novels – he explains the mystery. It was he, Alex, who began to persecute Ivanov and Timofeyev as punishment for that awful night. It was he who secured supplies of difficult-to-access radioactive Cesium 137, indistinguishable from the common or garden salt which he mixed it with and which he had delivered to Ivanov’s apartment, along with the dosimeter, so that Ivanov would realise what had been done to him, and why. By the time Ivanov figured out what was going on it was too late, he’d been too exposed and even eaten some of the radioactive salt.

Alex had arranged for the delivery to be made by a gullible security guard, Katamay, who he’d befriended in the Exclusion Zone and paid to go to Moscow – but the fool was careless and contaminated himself as much as the victims. Alex realised that the dying Katamay was on the verge of revealing everything to Arkady and so, just half an hour earlier, smothered him with his pillow. And now has killed the only other people who Katamay might have told, the Woropay twins.

All through this explanation Alex has been pointing his gun at Arkady. He explains that he’s going to arrange the bodies in just such a layout that it looks like they’ve all shot each other – and shot the intrusive Moscow investigator, too.

The local investigators are not up to Moscow standards (as the way they botched the investigation into Timofeyev’s death demonstrated) so it will be easy enough to fake the scene and make it look like they all shot each other. So he asks Arkady to move just a bit to his left, yes, this should be about the right angle, just about – BANG!

Arkady barely hears the shot before he realises Alex is crumpling to the ground. Out of the shadows emerges Katamay’s sister, Oksana, who we met in the apartment of her overbearing father in Slavutych, and who we now remember was taught how to use a hunting rifle since she was a little girl. She had come to see her brother. She found him dead. Then she overheard Alex’s admission of his murder. Now the rather simple girl asks, ‘Did I do right?’ Arkady, his heart barely pumping at his sudden reprieve, reassures her that yes she did, then tiptoes away from the scene of these multiple crimes, leaving her cradling the head of her dead brother…

Epilogue

It is some months later. Eva is living with Arkady in Moscow and they both now regularly take the silent orphan Zhenya for outings.

They get a post card from the ancient peasants Eva had introduced him to in the Exclusion Zone, Roman and Maria, inviting them back for a small village feast and and decide to drive back to the blighted land for a visit.

Here, in an unexpectedly moving conclusion, Eva and Arkady assist with the ritual slaughter of the village pig and – to everyone’s amazement – Zhenya talks, enthusiastically throwing himself into this gross, pagan, primitive action, something in it releasing his spring.

After the butchering and the ritual feast for the small number of locals, Zhenya, Eva and Arkady motor back to Moscow with hope in their hearts for the future.

While some of the plot devices are hackneyed or convenient, over-riding them is the attractiveness of the Arkady character, the inventiveness of the situations he finds himself, the sheer imaginative otherness which Cruz Smith captures so brilliantly. This is a fabulous marvellous book.


Wonderful prose style

Cruz Smith is a pleasure to read, not only because of the intelligent plots, and the winning character of Renko himself, but also because of his magic turns of phrase. Admittedly not on every page, rationed to a handful per chapter – but when they come they set the language alight.

The marble lobby was so brightly lit that everyone wore halos. (p.38)

Of the suicide’s body, as captured on CCTV:

Upper and lower body collapsed into a ring of dust that exploded from the pavement. (p.40)

Colonel Ozhogin menaces Arkady at NoviRus HQ:

Ozhogin leaned closer, a hammer taking aim on a nail. (p.56)

And generally, he has a way of making the language dance.

Evgeny Lysenko, nickname Zhenya, age eleven, looked like an old man waiting at a bus stop. (p.17)

There was something smug and miserly about Victor when he drove, as if he had figured out one bare-bones sexual position. (p.63)

The Chernobyl militia station was a brick building with a linden tree sprouting from a corner like a feather in a cap. (p.145)

Black smoke poured out of the tailpipe of the Moskvich like a bad temper. (p.154)

Bela picked a hair off his shoulder. In his dirty white suit he looked like a lily beginning to rot. (p.305)

When Eva and Arkady finally make love, it is described in spare clipped sentences and then an extraordinary image.

They were two starving people feeding from the same spoon. (p.279)

Cruz Smith is one of the best poets in prose I know of writing today.


Dramatis personae

Moscow

Arkady Renko – Tall, skinny hangdog Russian homicide detective, who starts out investigating the mysterious death of multi-millionaire Pasha Ivanov, but ends up exploring the eerily devastated landscape around Chernobyl in the Ukraine.
Prosecutor Zurin – Arkady’s boss who gets cross with him – like all his bosses do – for persisting with his questioning even after being told to stop.
Victor Orlov – Arkady’s alcoholic assistant detective.
Pasha Ivanov – New Russian multi-millionaire CEO of NoviRus whose apparent suicide kick starts the plot. Turns out he was dying of radiation poisoning, sent him in revenge for the role he played in the Chernobyl disaster.
Rina Shevchenko – Ivanov’s girlfriend-cum-interior designer.
Lev Timofeyev – NoviRus vice-president, also poisoned with radiation.
Colonel Ozhogi – head of NoviRus security, who comes gunning for Arkady in Chernobyl.
Bobby Hoffman – Ivanov’s fat Jewish assistant.
Yakov – The tough Jewish hired gun Hoffman picks up to protect him when he comes to the Ukraine.
Evgeny Lysenko aka ‘Zhenya’ – 11-year-old orphan who Arkady finds himself looking after.
Anton Obodovsky – Mafia hardman who phoned Ivanov hours before his death but has the excuse that he was in prison at the time. But when Victor reports seeing him in Kiev, apparently undergoing a change of identity, Arkady wonders if he somehow killed the millionaire and is now about to flee.

Chernobyl

Captain Marchenko – head of the local militia in the Excluded Zone around the abandoned Chernobyl power station, initially friendly to Arkady who manages to alienate him by disobeying advice and accumulating dead bodies wherever he goes, as usual.
Alex Gerasimov – chief environmental scientist in the Exclusion Zone, starts off courteous and considerate, but reveals his nutty side when he explains that there should be more nuclear accidents so that nature can return to the devastated zones, and beats Arkady up when the latter begins an affair with Eva, his ex-wife, before finally emerging as the murderer.
Eva Kazka – Alex’s estranged wife, a doctor, bitter at being unnecessarily irradiated because the authorities didn’t evacuate local inhabitants in time, she has served in Chechnya ie seen many horrors. She and Arkady end up having an edgy affair during which she more than once threatens him with a gun.
Felix Gerasimov – Alex’s father and one-time head of the Institute of Physics in Moscow, who was drunk and unconscious when news came through of the Chernobyl disaster, thus allowing his two subordinates Ivanov and Timofeyev to give the bad advice to the authorities to do nothing.
Roman and Maria Panasenko – two ancient peasants who’ve refused to leave the Zone and live in in their one-bedroom hovel, raising vegetables and livestock. It’s at a small party at their house that Alex makes his big speech about how nature would benefit from more nuclear disasters. And the novel closes with a moving account of Eva, Zhenya and Arkady invited back to their house to take part in the slaughter of their pig and accompanying fiesta.
Officer Karol Katamay – of the Chernobyl militia, Katamay finds the body of Timofeyev in the cemetery in the Excluded Zone with his throat cut. Turns out he was persuaded by Alex to deliver radioactive cesium mixed in with salt to Ivanov’s luxury apartment to poison him, but in the process Katamay contaminated himself and is now close to death.
Katamay senior – Katamay’s father, an overbearing construction worker, injured in an accident and now wheelchair-bound, assisted by his daughter, Katamay’s sister, Oksanato, who he has taught to hunt and shoot wild animals from an early age.
Oksanato Katamay – Karel Katamay’s sister, a rather simple-minded young woman, totally bald from radiation poisoning, who turns out to be the deus ex machina when she shoots and kills Alex Gerasimov just as he was about to murder Arkady. Phew.
The Woropay twins, Dymtrus and Taras – simple, stupid and very violent young men, good friends of the dying Katamay, they like skating round the empty streets of the ghost city of Pripyat brandishing ice hockey sticks and wearing night vision goggles. When the twins discover Arkady apparently red-handed in the act of smothering their friend at the climax of the novel, the twins chase him through the empty streets of the ghost town, catch and are about to finish him off, when they are both expertly shot by the psycho Alex Gerasimov.
Bela – Dodgy businessman who runs a huge scrapyard full of the vehicles abandoned after the Chernobyl disaster, who makes money by breaking them up for parts which he sells in Kiev and Moscow. Arkady persuades him to pack up and leave, taking Bobby and Yakov with him before the fearsome Colonel Ozhogin arrives to wreak havoc on anybody he thinks is threatening NoviRus. Bobby in fact pays Bela to drive them to the very gates of Chernobyl where Arkady finds him and Yakov, in a weirdly powerful scene, offering Kaddish, the Jewish prayer of the dead, to the vast radioactive sarcophagus.


Credit

Wolves Eat Dogs by Martin Cruz Smith was published by Simon & Schuster in 2004. All quotes and references to the 2005 Pan paperback edition.

Related links

Arkady Renko novels

Smith is a prolific writer. Under his own name or pseudonyms, he has written some 28 novels to date. The eight novels featuring Russian investigator Arkady Renko make up the longest series based on one character:

1981 Gorky Park – Introducing Arkady Renko and the case of the three faceless corpses found in Gorky Park, in the heart of Moscow, who turn out to be victims of John Osborne, the slick American smuggler of priceless live sables.
1989 Polar Star – In the first novel, Renko had clashed with his own superiors in Moscow. Now he is forced to flee across Russia, turning up some years later, working on a Soviet fish factory ship in the Bering Sea. Here, once his former profession becomes known, he is called on by the captain to solve the mystery of a female crew member whose body is caught in one of the ship’s own fishing nets. Who murdered her? And why?
1992 Red Square – After inadvertently helping the Russian security services in the previous book, Arkady is restored to his job as investigator in Moscow. It is 1991 and the Soviet Union is on the brink of dissolution so his bosses are happy to despatch the ever-troublesome Arkady to Munich, then on to Berlin, to pursue his investigations into an art-smuggling operation – to be reunited with Irina (who he fell in love with in Gorky Park) – before returning for a bloody climax in Moscow set against the backdrop of the August 1991 military coup.
1999 Havana Bay – Some years later, depressed by the accidental death of his wife, Irina, Arkady is ssent to Havana, Cuba, to investigate the apparent death of his old adversary, ex-KGB officer Colonel Pribluda. He finds himself at the centre of a murderous conspiracy, in an alien society full of colourful music by day and prostitution and voodoo ceremonies by night, and forced to work closely with a tough local black policewoman, Ofelia Orosio, to uncover the conspiracy at the heart of the novel.
2004 Wolves Eat Dogs The apparent suicide of a New Russian millionaire leads Arkady to Chernobyl, the village and countryside devastated by the world’s worst nuclear accident – and it is in this bleak, haunting landscape that Arkady finds a new love and the poisonous secret behind a sequence of grisly murders.
2007 Stalin’s Ghost The odd claim that Stalin has been sighted at a Moscow metro station leads Arkady to cross swords with fellow investigator Nikolai Isakov, whose murky past as a special forces soldier in Chechnya and current bid for political office come to dominate a novel which broadens out to become an wide-ranging exploration of the toxic legacy of Russia’s dark history.
2010 Three Stations In the shortest novel in the series, Arkady solves the mystery of a ballet-obsessed serial killer, while the orphan boy he’s found himself adopting, Zhenya, has various adventures in the rundown district around Moscow’s notorious Three Stations district.
2013 Tatiana – is Tatiana Petrovna, an investigative journalist who appears to have jumped to her death from the 6th floor of her apartment block. When Arkady investigates her death he discovers a trail leading to Kaliningrad on the Baltic Coast and a huge corruption scandal which will involve him in love and death amid the sand dunes of the atmospheric ‘Curonian Split’.

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