The Cobra by Frederick Forsyth (2010)

‘Good information is vital, accidental misinformation is regrettable, but skilful disinformation deadly.’
The Cobra (p.400)

After a sequence of thrillers dealing with the Muslim world and Islamic terrorism, Forsyth makes an (apparently) clean break with a novel about cocaine smuggling from Latin America. In the event, we are soon introduced to characters from previous novels, which gives it a pleasing sense of continuity.

Forsyth appears to have begun by asking himself: if the President of the USA asked his people to STOP the cocaine trade, what would it involve? He sketched out all the steps and operations which would be required – and then placed them in the hands of a couple of tried & trusted characters from a previous novel, to implement.

The novel is divided into four sections, named with typically tongue-in-cheek humour: Coil, Hiss, Strike, Venom.

1. Coil (pages 17 to 74)

The grandson of a servant of the US President dies of a cocaine overdose in a Washington slum. The old servant weeps at an important State dinner. The First Lady goes to comfort her. She and the Prez can’t sleep that night: ‘Is there nothing we can do about this curse of drugs?’ In the early hours, the Prez phones the head of the Drug Enforcement Agency: I want a briefing about cocaine in three days.

The narrative includes this briefing, a characteristically interesting summary of the production and sale of cocaine in the US and Europe (though obviously out of date if you Google the subject). The Prez asks the Director of Homeland Security, ‘Can we abolish the cocaine trade?’ DHS says, I’ll need a man who used to work for the CIA. They called him The Cobra, lol (of course they do).

This turns out to be Paul Devereaux, the highly educated Boston-born Catholic who we last saw masterminding a two-year project to assassinate Osama Bin Laden in the novel before last, Avenger. He was (unwittingly) foiled by one-man seize-and-kidnap operator, Cal Dexter, formerly a Tunnel Rat in Vietnam, now known as The Avenger.

So the head of Homeland Security calls Devereaux and asks if it can be done: Devereaux thinks about it for a month and then says, ‘Yes’,on the following conditions: $2 billion of funds, no record of the project, the recategorisation of cocaine as a terrorist threat, and if he can hire Cal Dexter. He then phones Dexter, who mulls over the offer before saying Yes. Reuniting these old characters is either a) lazy and unimaginative or b) has the same humorous impulse as reuniting the original cast of The A Team or Mission Impossible for one last mission. This is not Henry James; it is thrillerland.

Forsyth cuts and pastes entire paragraphs from the earlier book to describe first Devereaux then Dexter’s biographies. This also could be described as lazy – but it also has a slightly avant-garde feel.The exact repetition of previous text is like the re-use of the same conflicts and wars which recur as backdrops in Forsyth’s fiction. You could think of them like a pack of cards containing the same limited number of ‘characters’ and ‘conflicts’, which is cut and dealt out anew in each novel.

— To give a sense of the ubiquity of these illegal drugs, the text is interspersed throughout with descriptions of shipments of cocaine arriving in Hamburg, Portugal, California and Vancouver, and in West Africa, in different boats, using different smuggling methods – a steady drip of scenes designed to give a sense of the vast scale and the unrelenting nature of the cocaine smuggling, going on every day,day and night, as I write and you read this review.

2. Hiss (pages 77 to 255)

Forsyth claims that, after years of chaos following the death of Pablo Escobar, recent years have seen the emergence of a ‘super-cartel’, the Hermandad. As far as I can tell, this is entirely fictional. Part two commences with a summit meeting of the various members of this ‘Hermandad’, led by Don Diego Esteban, held at one of his vast haciendas, the Rancho de la Cucaracha.

Procedural We watch Esteban convening the members of the Brotherhood; cut to the British Prime Minister consulting with his chiefs of staff at his country house (Chequers) and asking whether the UK should join the US’s crusade (yes). Then go with Dexter round the City of London where Forsyth demonstrates his knowledge of merchant shipping to show how Dexter goes about buying two grain cargo ships which can be converted into anti-drugs boats. Also the purchase and building of a secret airstrip on the Cape Verde island of Fogo…

In fact, Forsyth sets quite a few strands running in parallel, enough to become a bit confusing:

  • The priesthood Devereaux meets the Father Provincial of the Jesuits in Colombia and suggests he distributes throwaway mobile phones to every priest in the land with the invitation to anonymously phone in any information about drug smuggling which they might learn in confession.
  • Guinea-Bissau Dexter flies to the failed state of Guinea-Bissau with two black SAS men to spy on cocaine being smuggled in by boat to the coastal region of the Bijagos (p.127)
  • Letizia Arenal Spanish police send the team full lists of people leaving and entering the country, and computers flag up oddities of behaviour. Thus the Cobra learns about a Colombian lawyer, Julio Luz, who makes monthly and unusually short visits to Madrid. Dexter flies in with a team of CIA spooks. They break into Luiz’s hotel room and ferret through his correspondence (p.140). They tail him and observe that on every trip Luz exchanges not only attaché cases (full of smuggling details) but meets a pretty young woman and exchanges letters. Dexter establishes she is Letizia Arenal and, by palming a cup with her saliva on, gets a DNA test and establishes she is the daughter of Roberto Cardenas, one of the Don’s inner circle. In a long sequence she is seduced by a handsome, art-loving young man into a love affair. They get engaged, then he says he has to return to New York, can she fly out to join him? Ignoring all her father’s orders, Letizia does and is promptly pulled over in Customs who find a brick of cocaine in her baggage, obviously put there by Dexter’s people. Tearfully, Letizia is hauled into court and faces 20 years in a state penitentiary. The handsome man disappears and she realises she’s been framed. At this point the Avenger smuggles a letter into Luz’s luggage to carry back to her father, Roberto Cardenas, in charge of the Brotherhood’s logistics, arranging a tense meeting in a hotel in Cartagena. Here Dexter confronts the evil, violent man and simply says: tell us what you know, and she goes free. Some weeks later a flashdrive arrives with names of corrupt officials across Europe and their bank accounts in the Cayman Islands etc. Dexter arranges for a fall guy to be caught in Spain (temporarily), who confesses to planting the cocaine in Letizia’s baggage. The court in New York dismisses charges. She is released and deported back to Spain. The Cobra has his List, the ‘Rat List’.
  • The two Q ships The two grain ships are extensively converted into anti-smuggling warships in a pestilential shipyard south of Goa, India. Each will contain a deck just big enough for a small helicopter and a brig to keep prisoners in. They are MV Balmoral, crewed by Royal Navy and Special Boat Squadron and MV Chesapeake crewed by US Navy SEALs.
  • Captain Francisco Pons flies a converted Beech King aircraft loaded with a tonne of cocaine from Brazil to an isolated airstrip in Guinea-Bissau.
  • Juan Cortez Father Isidro uses one of the throwaway phones to inform on one Juan Cortez, a master welder who creates smuggling places inside steel hulls. Dexter, using the Cobra’s limitless powers, co-opts a Hercules transport plane and six Green Berets who first stake out Cortez’s daily commute, then stage an elaborate mock road smash, kidnapping and chloroforming Cruz, putting a recent (American) corpse of an unknown drifter in his car dressed in his clothes, with his ring, watch and wallet, then set the car alight. Cruz is airlifted back to the States; his family are told through official channels that Cruz died in a car smash and is tearfully buried. Then, a few days later, Dexter turns up at their house with a tape recording and photos proving Cruz is still alive but can never return – the Cartel would murder him and his family. Faced with no alternative, his wife and kids pack up, leave a message saying they’ve decided to emigrate (!) and are secretly flown to rejoin Cruz in Miami. Now reassured as to the safety of his family, Cruz starts to ‘sing’, and gives the name of some 78 cargo ships which he helped adjust to create concealed smuggling places. The Cobra has his list of drug ships.
  • Forsyth continues his description of the route of the cocaine after it lands in Guinea-Bissau, being broken up into smaller packs and driven various routes north across the Sahara. From the north African coast it is shipped in knackered steamers like the Sidi Abbas to Calabria, under the control of the ‘Ndrangheta mafia, to be watered down and sold on the street.
  • The fighter pilot Dexter recruits Major João Mendoza, ex-Brazilian Air Force, to fly the vintage Buccaneer jet fighter he’s had re-engineered to become a drug buster. We meet the team of engineer enthusiasts who’ve carried out the retooling and his (woman) instructor, Commander Colleen Keck (p.193).
  • Global Hawks Dexter supervises the repurposing of two spy-in-the-sky flying probes, to watch shipping in the Caribbean and off the coast of Brazil. They operate BAMS – Broad Area Maritime Surveillance, and will monitor all shipping from the Latin American coast, either heading north to the States or East to Africa. Humorously, Dexter names them after the wives of the Prez and the UK Prime Minister – Michelle and Sam.

3. Strike (pages 259 to 354)

The Prez’s Chief of Staff, Jonathan Silver, phones the Cobra to say, You’ve had your nine months of planning: is everything good to go? ‘Yes,’ replies the Cobra. What follows is a sustained and co-ordinated attack on the Cartel’s activities, which Forsyth describes in documentary detail.

1. The spies in the sky identify all shipping heading north or east from Latin America. When they identify a ship on either Cortez or Cardenas’s lists, they flash the news back to the hi-tech project headquarters in Anacostia, a neighbourhood of Washington DC. The nearest of the two MV boats is dispatched. The small helicopter appears out of nowhere with a sniper pointing a rifle at the captain’s head. It is followed by fast dinghies containing the SEALS or SBS men. They board and hood the crew and locate the cocaine. By this time the big MV boat has arrived. Crew and coke are transferred to the brig/prison and hold, respectively. This is repeated scores of times, as Project Cobra clobbers the smuggling boats. Crews and coke are taken back to the Cape Verde island, then flown to the other base, Eagle Island, we saw being constructed in the middle of the Indian Ocean. There they will be held forever without trial.

2. At the same time, Dexter meets with Customs authorities across the States and Europe and shares the list of corrupt port officials. One by one these are caught in ‘sting’ operations, along with the deliverers and the receivers, thus trapping the maximum number of people along the chain.

3. In the third strand, Major Mendoza scrambles from his base in the Cape Verde islands, and flies his retooled Buccaneer to intercept suspicious planes, suspicious in that they’re unusually small to be making the trans-Atlantic flight (but are able to, as Forsyth explains, because of extra fuel tanks with fuel often pumped manually by Latino peons). Mendoza simply blows them out of the sky.

Thus, within a few weeks Don Esteban realises his operation is under co-ordinated assault. In usual style he tortures and murders a number of ‘suspects’ to find out who the ‘traitor’ is: various unfortunates along the pipelines – either in Colombia or Guinea-Bissau – are tortured to death, chopped up with chainsaws, decapitated, or have their noses, ears, fingers and genitals removed to make them talk. Forsyth doesn’t stint on describing the really super-brutal methods of the cartels. Eventually Esteban establishes Cardenas as one of the leaks, and he is gunned down in a mass raid on his remote jungle hideaway.

But the Cobra still has the Rat list and the ship list and the devastation of the Brotherhood’s operations proceeds apace. Eventually the gangs down the supply chain become restless with the Cartel. Black gangs in Africa, the mafias of Italy and Spain, all the suppliers in Mexico who pass on to the US, all these middle men gangs are suddenly not receiving wholesale shipments. They start complaining to the directors of the Cartel responsible for distribution, they start wondering if the Cartel is favouring other gangs, they start looking round for other suppliers. Forsyth, with his usual documentary authority, describes the visit of one Cartel rep to the gangs of North America, and one to Europe, in both giving breakdowns of the races and ethnicities of the gangs.

The sting Then we find out why the Cobra has been so careful to seize and not destroy the cocaine shipments. In elaborate sting operations, the Cobra arranges for some of the ‘missing’ coke to be bundled in with shipments which they do let through. Then organises police raids, carried out with the usual publicity and lots of photos in the newspapers. Photos which show the consignment numbers of the jute-wrapped packs (for everything in this highly organised industry is numbered and monitored). Then arranges for the raids to be given maximum publicity.

As intended, the information gets back to Don Esteban and his lieutenants: the information that some of the bales from the boats and planes which disappeared did in fact get through. The disinformation that this sends the Cartel is that someone, somewhere is betraying them on an industrial scale: ‘disappearing’ planes and boats then stealing the shipments. Vengeance will be awesome.

4. Venom (pages 397 to 447)

Having planted the suspicion in Don Esteban’s mind that he is being double crossed, the Cobra now manufactures evidence suggesting the culprits are some of the key gangs who control the trade in Mexico. The Don carries out punishments, which lead to revenge attacks, and soon the Cobra’s campaign of disinformation has sparked a massive and very bloody war among the Mexican drug gangs.

In fact this is just the opening of an extensive campaign of lies and deceptions – spearheaded by a blog the Cobra sets up, which carefully mixes accurate info about the drug seizures with inflammatory posts carefully assigning blame to the numerous heavy duty drug gangs in Europe and the US — until all these strategies have prompted a major outbreak of public violence in US cities second only to the street shootings of the Prohibition era. The public outcry, the newspaper headlines, politicians screaming, a groundswell of protest escalates up to the Senate and then the Prez himself.

The Cobra explains it all very clearly and cynically to Dexter. This is what he aimed for all along: for the only people who can ultimately defeat the drug gangs are the drug gangs themselves, fighting themselves to extinction, wiping out the infrastructure for a generation. The Cobra delivers what sounds very much like an Author’s Message – that the comfortable societies of the West are happy to dole out violence abroad (and Dexter’s career alone has given us eye-witness accounts of just fractions of the appalling bloodshed caused in Vietnam, Afghanistan and Iraq) but don’t like the reality when they see it on their own streets. (This sounds like the traditional soldier’s contempt for cosy civilians who have no idea what real combat is about – a timeless complaint).

The Prez is a democratic politician, coming up for re-election, and he asks his Chief of Staff to tell the Cobra to stand down the operation. Right on the brink of success. These final pages have a bitter flavour, as the elected politicians turn out not to have the balls to see the job through (and all because civilians are getting injured and killed in the epidemic of violence which has rampaged across the States.)

In a puzzling final section, the Cobra flies to Colombia to meet the Don, in a Catholic church. He candidly reveals that his country (the US) has betrayed him by cancelling the operation. He has 150 tonnes of cocaine hidden. He will deliver it to the Don in exchange for $1 billion, which will allow him to disappear and live out his life in luxury. I found this bewildering because the Cobra had up to this point been portrayed as a man of inflexible rectitude. He flies back to Washington and calls Dexter in to tell him:

a) The entire operation is being stood down: the two ships handed over to their respective navies, the soldiers and special forces returned to their units etc.

b) He orders Dexter to fly to a tiny coral atoll in the Bahamas, there to find and torch the 150 tonnes of cocaine. Dexter does so, arriving with instructions which are actually carried out by the Marines on the spot. But as they’re being splashed with petrol, Dexter cuts into a bale and takes a taste. It’s cooking soda. He allows the Marines to proceed, but asks them what ship brought the bales. He pieces together the evidence that there’s another steamer, which has been dumping these fake bales and keeping the real ones. Reacting fast, he calls the Project computer headquarters and quickly identifies the steamer which must be carrying the missing cocaine. Just as quickly, he gets through to Major Mendoza on Cape Verde and tells him there is one last job. He tells the Major (whose brother died of a cocaine overdose and so takes the mission deadly seriously) to fly out across the Atlantic, identify the steamer carrying the coke to Colombia as part of the Cobra’s deal with the Don, and sink it. Which – in a bravura passage giving documentary description of an air force strike – he does.

In the Epilogue Dexter returns to the sleepy New England town he left nine months earlier, to resume his quiet, unassuming existence as a small-town lawyer. And reads in his paper that locals found the body of Paul Devereaux in his Washington mansion. He and his housekeeper had been brutally murdered. The last words are, ‘Nobody treats the Don like this.’

This ending really puzzled me: I was expecting the fake cocaine ploy to be a subtle last cunning strike by the Cobra – like, maybe the cocaine he was sending back to Colombia would be poisoned or booby-trapped. But it seems not. So are we really to accept that the shining beacon, incorruptible good guy, Cobra, at the last minute made a sell-out deal with the head of the world’s cocaine industry? Really? And that Dexter’s spotting that the cocaine in the Bahamas was fake, then quickly dispatching Mendoza to blow up the real shipment, in effect condemned his boss and the man he’d come to respect so much, to certain assassination? Dexter doesn’t seem very upset when he reads the news in his paper. Is that because he has discarded Devereaux – despite the immense feat he pulled off of nearly ending the world’s cocaine trade – as a broken reed, as turning out-to-be-corrupted?

I’ve reread the last chapter twice and am still surprised and puzzled by what happened and what I’m meant to make of it.


Thoughts

This novel is a fantasy of what the existing forces of law and order (or FLO, as Forsyth calls them) could do if they abandoned ‘political correctness’ and ‘human rights’ and all the other namby-pamby concerns for legal process which, in Forsyth’s view, clearly hamper them. It is a ‘right-wing’ fantasy of how an upright and pure police force could stamp out this massive social problem.

Given the epic scale of the crime now associated with drug smuggling, it is a beguiling fantasy, not least because:

a) It’s not that serious. Like all Forsyth’s novels – despite the blizzard of factual research into recent conflicts and geopolitical history, into official and illegal organisations, the detailed accounts of ranks and structures of army, navy and air force and their precise weaponry, as well as factual backgrounds on international crime and terrorism, of organisations or technologies (preceding the text is a list of no fewer than 27 acronyms and abbreviations) – despite these mountains of research, there’s a simple-minded cartoon feel to the whole enterprise.

b) The serious question of to what extent civil liberties can be suspended in the war against terror or the war on drugs, is something that can be debated forever by moral philosophers and lawyers, politicians and columnists – and never reach an actual conclusion. But The Cobra is a fiction which, despite the weight of research behind it, in origin is similar to the creation of countless other fictional vigilantes and crimefighters-without-the-law, from Dirty Harry to Batman (b.1939). Gotham City/San Francisco/the Western world is overwhelmed by crime. The police are too corrupt or overwhelmed to cope. Into the breach steps a superhero – Dirty Harry/Batman/the Cobra, prepared to use unconventional methods to get the results we all deeply desire. Same stable.

Forsyth’s novels are crisply written, full of fascinating background information and the cardboard heroes – just like the heroes of a thousand movies and TV cop series – always get their man. We live, for the few days we read it, in a simpler, fairer world, a world of violence and immorality and illegality, where the good is unquestionably Good, and if it also behaves violently and immorally and illegally, behaves thus in a good cause and so we should cheer it on. Come on the good guys!

What more do you want for your £6.99?


Credit

The Cobra by Frederick Forsyth was published by Bantam Press in 2010. All quotes and references are from the 2011 Corgi paperback edition.

Related links

Forsyth’s books

1971 The Day of the Jackal – It is 1963. An international assassin is hired by right-wing paramilitary organisation, the OAS, to assassinate French President, Charles de Gaulle. The novel follows the meticulous preparations of the assassin, code-name Chacal, and the equally thorough attempts of the ‘best detective in France’, Commissaire Lebel, to track him down. Surely one of the most thoroughly researched and gripping thrillers ever written.
1972 The Odessa File – It is 1963. German journalist Peter Miller goes on a quest to track down an evil former SS commandant and gets caught up in a high-level Nazi plot to help Egypt manufacture long-range missiles to attack and destroy Israel.
1974 The Dogs of War – City magnate Sir James Manson hires seasoned mercenary Cat Shannon to overthrow the dictator of the (fictional) West African country of Zangaro, so that Manson’s mining company can get its hands on a mountain virtually made of platinum. This very long novel almost entirely amounts to a mind-bogglingly detailed manual on how to organise and fund a military coup.
1975 The Shepherd – A neat slick Christmas ghost story about a post-war RAF pilot whose instruments black out over the North Sea but who is guided to safety by an apparently phantom Mosquito, flown by a pilot who disappeared without trace during the war.
1979 The Devil’s Alternative – A Cold War, geopolitical thriller confidently describing machinations at the highest levels of the White House, Downing Street and a Soviet Politburo riven by murderous factions and which is plunged into emergency by a looming grain shortage in Russia. A plot to overthrow the reforming leader of the Soviet Union evolves into a nailbiting crisis when the unexpected hijacking of an oil supertanker by fanatical Ukrainian terrorists looks like it might lead to the victory of the hawks in the Politburo, who are seeking a Russian invasion of Western Europe.
1982 No Comebacks Ten short stories combining Forsyth’s strengths of gripping technical description and clear fluent prose, with his weaknesses of cardboard characters and improbable plots, but the big surprise is how many of them are clearly comic in intention.
1984 The Fourth Protocol – Handsome, former public schoolboy, Paratroop Regiment soldier and MI5 agent John Preston, first of all uncovers the ‘mole’ working in MI5, and then tracks down the fiendish Soviet swine who is assembling a tactical nuclear device in Suffolk with a view to vaporising a nearby US Air Force base. the baddies’ plan is to rally anti-nuclear opinion against the Conservatives in the forthcoming General Election, ensuring a Labour Party victory and then (part two of the plan) replace the moderate Labour leader with an (unspecified) hard-Left figure who would leave NATO and effectively hand the UK over to the Russians. A lunatic, right-wing fantasy turned into a ‘novel’.
1989 The Negotiator – Taciturn Clint Eastwood-lookalike Quinn (no first name, just ‘Quinn’) is the best negotiator in the business, so when the President’s son is kidnapped Quinn is pulled out of quiet retirement in a Spanish village and sent to negotiate his release. What he doesn’t realise is the kidnap is just the start of a bigger conspiracy to overthrow the President himself!
1991 The Deceiver – A set of four self-contained, long short stories relating exciting incidents in the career of Sam McCready, senior officer in the British Intelligence Service, as he approaches retirement. More gripping than the previous two novels, with the fourth and final story being genuinely funny, in the style of an Ealing comedy starring Alec Guinness.
1994 The Fist of God – A journalistic account of Saddam Hussein’s 1990 invasion of Kuwait and the ensuing US-led ‘Desert Storm’ operation to throw him out, complete with insider accounts of the Western military and intelligence services and lavish descriptions of scores of hi-tech weaponry. Against this backdrop is set the story of one man – dark-skinned, Arabic-speaking Mike Martin who goes undercover posing as an Arab, first in occupied Kuwait, then – even more perilously – in Baghdad itself, before undertaking a final mission to locate and assist the destruction of Saddam’s atom bomb (!) and the Supergun designed to fire it at the Allies. Simultaneously gripping in detail and preposterous in outline.
1996 Icon – Hot shot CIA agent Jason Monk is brought out of retirement to foil a fascist coup in post-communist Russia in a novel which starts out embedded in fascinating contemporary history of Russia but quickly escalates to heights of absurdity, capped by an ending in which the Russian people are persuaded to install a distant cousin of our very own Queen as the new Tsar of All The Russias! Sure.
2001 The Veteran – Five very readable short stories: The Veteran, The Art of the Matter, The Miracle, The Citizen, and Whispering Wind – well engineered, sleek and almost devoid of real human psychology. Nonetheless, the vigilante twist of The Veteran is imaginatively powerful, and the long final story about a cowboy who wakes from a century-long magic sleep to be reunited with a reincarnation of his lost love has the eerie, primal power of a yarn by Rider Haggard.
2003 Avenger – A multi-stranded narrative which weaves together the Battle of Britain, the murder of a young American aid worker in Bosnia, the death of a young woman in America, before setting the tracking down of a Serbian war criminal to South America against a desperate plot to assassinate Osama bin Laden. The least far-fetched and most gripping Forsyth thriller for years.
2006 The Afghan – Ex-SAS man Colonel Mike Martin, hero of The Fist of God, is called out of retirement to impersonate an Afghan inmate of Guantanamo Bay in order to infiltrate Al Qaeda and prevent their next terrorist attack. Quite a gripping thriller with an amazing amount of detailed background information about Afghanistan, the Taliban, Al Qaeda, Islamic terrorism and so on.
2010 The Cobra – Two lead characters from Avenger, Paul Devereaux and Cal Dexter, are handed the task of wiping out the illegal cocaine trade on the authority of Barack Obama himself. Which leads to an awesome display of Forsyth’s trademark factual research, scores of pages building up a comprehensive picture of the drugs industry, and to the detailed description of the multi-stranded operation which almost succeeds, until lily-livered politicians step in to halt it.
2013 The Kill List – Another one about Islamic terrorism. The Preacher, who has been posting jihadi sermons online and inspiring a wave of terrorist assassinations, is tracked down and terminated by US marine Christopher Carson, aka The Tracker, with a fascinating side plot about Somali piracy thrown in. Like all Forsyth’s novels it’s packed with interesting background information but unlike many of his later novels it this one actually becomes genuinely gripping at the end.
2015 The Outsider – At age 76 Forsyth writes his autobiography in the form of a series of vignettes, anecdotes and tall tales displaying his characteristic briskness and dry humour. What an extraordinary life he’s led, and what simple, boyish fun this book is.

Avenger by Frederick Forsyth (2003)

I found this an absorbing and entertaining read for the following reasons:

1. The narrative interweaves the stories of a number of different characters, which start out in different countries, times and places. Their stories are interesting in themselves, but it is also entertaining to try and figure out how they will eventually all be tied together. It has a very wide variety of location, setting, narrative, and a large number of protagonists, in contrast to some of Forsyth’s other, more monothematic fictions focused on one hero.

2. One of Forsyth’s strengths is his snappy, journalistic summary of conflicts. His early experience was in the Biafran Civil War (1967-70), which laid the basis of his ability to not only grasp the essentials of a conflict but to convey it in clear, emphatic prose. Thus, in successive chapters, Forsyth gives us brisk, journalistic summaries of the Battle of Britain, the Vietnam War, the Yugoslav Civil War, the Iran-Iraq War, the Gulf War, and then Osama bin Laden and al-Qaeda’s various terrorist attacks.

3. Forsyth’s other characteristic trait as a novelist is his fascination with bureaucratic procedure and his ability to make it not only readable, but compelling. The character Cal Dexter eventually becomes a Legal Aid lawyer in New York and in the two cases of his which are important to the plot – the defence of a poor black boy accused of computer fraud, and the case of two Cambodian refugees seeking asylum – Forsyth explains the bureaucratic processes and introduces all the official personnel involved in the cases in what ought to be mind-numbing detail, but which I enjoyed, because I found the explanations so lucid and logical. I myself work in a government agency – if only our explanations of processes and procedures were so clear and authoritative!

4. So Forsyth’s ‘characters’ may be types and stereotypes – and anyone looking for the kind of depth of character or character development associated with the ‘literary’ novel, will be pretty scornful of Forsyth’s shallowness – but I am less interested in character than situation, and I find Forsyth’s swift, confident depiction of a number of modern conflict situations fascinating and thrilling. Early in my career I worked in international current affairs ie wars and conflicts, and I produced news items about the first Gulf War (August 2, 1990 – February 28, 1991). I find Forsyth’s use of contemporary conflicts make for a fascinating read, and his quick powerful summaries of events are enjoyably muscular and virile.

How many novels do you know set in the Yugoslav civil wars or against either of the Gulf Wars? Why aren’t there more? Why are more contemporary British novels set in the court of Henry VIII or in ancient Rome than in the recent conflicts where British troops have fought and died?

Maybe because the historical settings are so long ago and far away that you can pretty much make it up. Whereas there have been lots of factual accounts of our recent wars and so weaving fiction in among its well-known intricacies is trickier. So I find Forsyth’s confident, almost reckless ability to set his stories amid recent conflicts not just fascinating but admirable.

Plot strands

American Calvin Dexter comes from a tough background, child of an itinerant builder, who volunteers to fight in Vietnam and becomes one of only a handful of ‘Tunnel Rats’. These are the US special forces trained to go down into the Viet Cong’s vast network of underground tunnels, overcome a legion of gruesome booby traps, and kill the enemy. Forsyth’s chapters describing this in documentary detail are riveting and terrifying. Calvin and his partner tunnel rat (nicknamed the Badger and the Mole, respectively) may be clichéd Hollywood heroes, but it doesn’t matter: their role is not to explore the human psyche, but to be tokens, like the pieces in Monopoly or Risk – meaningless in themselves, but important because of the matrix of situations and places they give us imaginative entry into.

In fact having given the novel another of his short abstract titles (cf The Negotiator, The Deceiver) Forsyth goes whole hog and gives every one of the thirty-three chapters an abstract name eg The Lawyer, The Killer, The Geek, and so on. In a novel like this it is the very anonymity of the characters, precisely the way they play powerful types and predictable roles, which gives the narrative its force.

Cal returns to the States and uses his GI Bill money to study as a lawyer. Practicing as a Legal Aid lawyer in the mean streets of Manhattan, he covers thousands of hard luck cases, but two are singled out – he not only gets a poor black boy from the slums off a charge of hacking into a major bank and stealing a million dollars, he hassles the bank’s CEO into hiring the boy as a security adviser. And he takes pity on a middle-aged couple fleeing Cambodia, who stowed away on a ship to New York, persuading the immigration judge to take a kindly view and let them stay in the States – even though Calvin discovers they’re not Cambodian at all, but Vietnamese, and that the husband in fact fought against Cal’s own unit! With typical Forsythian manliness, Cal says, ‘It was long ago and far away and we were both soldiers’ and moves on.

The spring of the plot occurs early on, when an idealistic young American, Ricky Colenzo, who’s volunteered to go work for a small NGO in Yugoslavia during the brutal civil wars there, kindly agrees to drive one of the Muslim staff up into the mountains to his old village to check on his family. They run into a pack of Serbian psychopaths who have already massacred everyone in the village and who now kill Ricky and his companion, by forcing them into the village cesspit and pushing them under with staves and poles, ignoring their pleas for mercy, drowning them in liquid effluent.

Ricky’s grandfather is an influential Canadian billionaire of a type familiar with Forsyth’s fiction, one Stephen Edmonds, from Windsor Ontario, a man with high level contacts in the Senate and US Administration. (It is here that the early chapter featuring two fighter pilots during the Battle of Britain finally makes sense – one of them was Edmonds, the other a senior official in the Administration who he now asks a favour from). This contact has contacts who have contacts which eventually lead Edmonds to a British firm of mercenaries, in particular an ex-Paratrooper named Phil Gracey, who specialises in finding and retrieving people, for money. In line with Forsyth’s typological approach it is easy to forget Gracey’s name because he is referred to throughout the text as The Tracker.

There is then a long and persuasive account of how The Tracker travels to the Balkans to investigate Ricky’s disappearance. There is a lot of plausible detail about false identities, fake passports, maps and travelling through the wartorn landscape. Forsyth factually but powerfully conveys the topography of warzones, and the pitifulness of its survivors. He is blunt and no-nonsense when describing the gangsters and psychopaths who made up the so-called ‘paramilitaries’ and matter of fact about the way they murder, rape and torture their victims.

The Tracker establishes when Ricky went missing and that he was probably murdered, but the trail goes cold up in the mountains and he is forced to abandon the search, sending Edmonds a full report. The focus then switches to an account of the naive Serbian young man, Milan Rajak, raised in a nice middle-class Belgrade household. He is contacted out of the blue by a friend of a friend who’s in a Serbian paramilitary which needs a radio operator. Naively believing he is doing his patriotic duty, Rajak goes off and joins the gang of a dozen hard men who he soon realises are extremely hardened psychopaths and killers. He is an eye-witness to the sadistic killing of the young American aid worker and, after throwing up and crying, asks to leave the gang. Its psychopath leader, Zoran Zilic, agrees but says if he ever breathes a word of what he’s seen and been involved in, Zoran will find him, cut off his penis with a broken wineglass and stuff it down his throat.

Back home Rajak goes into a long depression marked by anxiety attacks and sweating nightmares. He eventually shocks his parents by asking to go into the (Serbian Orthodox) church. We are introduced to monastery life and a sympathetic abbot, but the point of this plotline is that, eventually, years later, Rajak writes a full confession of the events surrounding Ricky’s murder. It comes to the attention of the authorities and, eventually, to security services who tip off The Tracker. He returns to Serbia, interviews the boy, and establishes the name of the leader of the paramilitary – Zoran Zilic.

As usual with Forsyth, there is some interesting background on the leaders of different gangs, the Serbian warlords, as well as insight into the rise and fall of Slobodan Milosevic’s ugly regime. Through this we learn that Zilic, after acquiring a fortune as thug-in-chief to the regime, realised the end was nigh when the US started bombing Belgrade (March to June 1999), and disappeared. The Tracker establishes all this and, using Rajak’s account, is able to take doctors, police and forensic scientists to the ruined village in the mountains and to the septic tank, and to recover the remains of poor Ricky Colenso. These are cleaned, put in a casket and flown back to the States for burial. The Tracker has finished his task and is paid.

Going after Zoran Zilic

It is now that Edmonds launches part two of the novel by commissioning a different man to track down Zoran Zilic. He uses his contacts to discover the existence of a freelance American fixer, codenamed The Avenger, who specialises in ‘rendition’ ie illegally kidnapping and transporting wrongdoers to the States. The way to contact him is to leave details in an obscure magazine devoted to antique aircraft. Only now do we realise the significance of the opening scene where we were introduced to ex-Vietnam vet, Cal Dexter, jogging round the neighbourhood of his house in the country. Because when he got home, had a shower and squeezed some fresh orange juice, Cal opened a copy of this magazine and saw the ad.

Through a series of front companies, secret drops, fake names etc, The Avenger takes his instructions from Edmonds. Not to eliminate Zilic – that would be too easy, too merciful. To bring him back to the US to stand trial and be locked up forever. Now begins a long sequence where we observe Cal call in favours from the miscellaneous characters we met early in the story: for example, the black kid he got off the computer hacking charge, Washington Lee, is now a successful computer security consultant and Cal asks him to break into certain databases to help his search. It turns out the wife in the Vietnamese couple is an expert forger: Cal gets her to make various passports.

Cal tracks Zilic to the United Arab Emirates where he is seen consorting with various unsavoury types including, to his astonishment, a representative of the CIA. Puzzled but undeterred, Cal makes the breakthrough in his investigation, which is to establish that Zilic has spent his ill-gotten fortune building a James Bond-style impenetrable fortress-cum-farm, a self-sufficient colony almost, on the Caribbean coast of the fictional South American country of San Martin.

This section is both tense and meticulous as Forsyth characteristically devotes a great deal of attention to the multiple identities, fake passports and backup stories which The Avenger constructs in preparation for, flying to Amsterdam to create one. But Cal’s blood goes cold when he receives an anonymous phone call tipping him off that the authorities are on to his plans; the CIA knows he’s coming.

Project Peregrine

Because unknown to Edmonds or The Avenger, Zilic is at the centre of an extremely secret CIA plot to assassinate Osama bin Laden, Project Peregrine. We now have some more lengthy backstory describing the intelligence career of Paul Devereux III. Unlike his intelligence colleagues, he wasn’t deceived that the war was over when the Soviet Union collapsed and communist regimes around the world disappeared. He was an Arabist, familiar with the thoughts and rhetoric of the Islamic world and realised a new threat was arising in that area. Forsyth, once again, gives a useful, brisk and authoritative overview of the slowly rising tide of Islamic terrorism and, in particular, a potted biography of bin Laden and Al Qaeda.

This is the plausible historical background to the rather far-fetched plot. For in the ruins of Belgrade amid the chaos after Milosevic’s fall, was some weapons grade uranium. For years Al Qaeda have been trying to get their hands on some to fulfil their aim of striking a blow against the West. The plan is this: Zilic will play the part of a murderous Serbian warlord (easy enough), rich but greedy, who stole some of the uranium before he fled Belgrade. Now he is willing to sell it to the highest bidder. Through underworld contacts he will establish contact with Al Qaeda. Negotiations will lead to a meeting with senior AQ staff. At this meeting Zilic will suddenly and unreasonably double his price. Almost certainly this will prompt the AQ VIPs to make a phone call to their boss, bin Laden, who never leaves his Afghan hideout. High overhead US spy satellites will be primed to intercept the call and establish the location of the recipient. The split second it is established a Tomahawk cruise missile will be fired from a US warship stationed in the Gulf. Three minutes later the location which took the phone call and everything and everyone around it will be obliterated.

This elaborate (and pretty flaky) plan has been two years in the making, and now we see the whole thing from Devereaux’s point of view. All the chatter, all the word on the street, is that Al Qaeda are about to launch some major attack, a big one, against the US. Devereaux sees his mission as absolutely vital, to cut off the head of the organisation before some dreadful atrocity is carried out. So: Avenger or Devereaux: who are we rooting for?

Throughout the book Forsyth makes us constantly aware of the timeline of events: as the murder of young Ricky in 1995 led onto the Tracker’s return visit to Serbia in 1999, and then the commissioning of The Avenger. Now it is August 2001, just turning into September. Devereaux is frantic that Project Peregrine is not disrupted. For if Zilic feels he is being threatened in any way, he will abort his role for the CIA and the entire anti-AQ plot will collapse.

It is this which informs his panic-stricken orders to stop at nothing to prevent The Avenger finding or even spooking Zilic. But someone in his own organisation is leaking: hence the anonymous tip-off to Cal before he leaves the States.

Final act

Like a Jacobean tragedy, a set of players or tokens or ‘characters’, enmeshed in a whole matrix of plans and intentions, are now launched on collision course, and it makes for a gripping and thrilling read. The Tracker makes his way to San Martin – itself portrayed as a typical banana republic with a very evil head of secret police, well used to torture and, of course, friendly with the CIA. Devereaux sends his number two to work with this loathesome man to try and catch The Tracker, a decorated war hero.

Thus the final chapters pit Devereaux, his man on the spot and the San Martin police, against the solo mission of Cal Dexter: who will get to Zilic first? Will The Tracker even be able to smuggle himself into the country now all its border guards are alerted? Will he make it to Zilic’s coastal fortress and stand a chance of penetrating the awesome defences built for Zilic by his South African architect, with all its razor wire, Afrikaans security guards, Doberman guard dogs and so on? Will Devereaux be able to warn Zilic and so carry through his long-planned operation Peregrine, or will the Tracker bring the whole thing down in flames?

9/11

And all this is set against something the reader knows but the characters do not: for The Tracker’s entry into San Martin and final attempt on the fortress happens in the first days of September 2001. Ie Devereaux is correct, Al Qaeda are planning a terrorist ‘spectacular’ against the US, and it will occur on 9/11.

At moments I wondered whether it was kind of ‘blasphemous’ for Forsyth to use the grotesque tragedy of 9/11 as backdrop to a novel. But plenty of novels (and movies) use the Holocaust the same way, and all aspects of the Second World War, and 9/11 has itself been the setting for novels and movies so, logically, no…

Maybe it’s the bloodless, nerveless way Forsyth uses it as just another backdrop which rankled slightly, illogically. It isn’t given any special resonance or depth of horror. It is another in Forsyth’s gallery of atrocities.

Which prompts the thought that Forsyth’s fictions exist in a world of permanent war. In this world there is only conflict between cunning enemies and bonds forged between tough professional men. There are hardly any women in Forsyth’s novels and no romance (Cal’s teenage daughter is abducted and murdered by Hispanic sex slavers, who he pursues and executes, in a vivid sub-plot. When he returns some weeks later it is to find his wife has committed suicide. The net result, though is to make him, once again, a Man Alone.)

With no women or love interest, with no civilising or restraining forces, in Forsyth’s world there is just endless conflict, driven by evil men, causing appalling civilian casualties, which the intrinsically moral & decent Western nations struggle to combat and contain. The lack of psychology, the lack of women, the lack of realistic characters, the often preposterous plots, have led Forsyth to be widely ridiculed in literary circles. But three points:

1. Forsyth would always have said that we do live in a world of constant conflict and threat; it’s just that most people in the comfy West refuse to acknowledge or admit it. And – from my days in international affairs – I couldn’t agree more with him. Our way of life is faced with serious existential threats. Events of the past year or two have finally brought this to a lot more people’s attention, whether it’s the machine gun attacks in Paris or the escalating refugee crisis.

2. Forsyth used to be ridiculed for being an alarmist right-winger. Ironically, he has lived to see a lot of Western opinion move in his direction. When terrorists are massacring civilians in Paris or London, when a million refugees, terrorists and criminals among them, threaten to swamp European countries ie when push comes to shove, it turns out that many citizens of the comfy West are forced to make decisions about the actual world, the larger world beyond their comfortable lives, and those choices are the ones Forsyth was way ahead of us about. Yes, we do want strong security services; Yes, we do want increased funding for intelligence and surveillance work; Yes, we do want hard men from the Army and armed police to patrol the streets, if it is the only way to guarantee our security. It turns out that we do live in a world of permanent conflict which Forsyth has been portraying.

3. In a narrowly literary sense, Forsyth’s novels are so flat, so lacking in psychology or nuance, as almost to be avant-garde. In fact reading the next novel, The Afghan, I find many of the wars covered in this book also feature in that one. Of course this is because the same wars have occurred in the last 25 years, but within Forsyth’s fiction, they are used like familiar settings or landscapes, like the topographical features of, say, Hardy’s Wessex. A familiar and recurring and even repetitive backdrop against which the minutely detailed, carefully worked-out and somehow totally improbable narratives are set.


Credit

Avenger by Frederick Forsyth was published by Bantam Press in 2003. All quotes and references are from the 2003 Bantam paperback edition.

Related links

Forsyth’s books

1971 The Day of the Jackal – It is 1963. An international assassin is hired by right-wing paramilitary organisation, the OAS, to assassinate French President, Charles de Gaulle. The novel follows the meticulous preparations of the assassin, code-name Chacal, and the equally thorough attempts of the ‘best detective in France’, Commissaire Lebel, to track him down. Surely one of the most thoroughly researched and gripping thrillers ever written.
1972 The Odessa File – It is 1963. German journalist Peter Miller goes on a quest to track down an evil former SS commandant and gets caught up in a high-level Nazi plot to help Egypt manufacture long-range missiles to attack and destroy Israel.
1974 The Dogs of War – City magnate Sir James Manson hires seasoned mercenary Cat Shannon to overthrow the dictator of the (fictional) West African country of Zangaro, so that Manson’s mining company can get its hands on a mountain virtually made of platinum. This very long novel almost entirely amounts to a mind-bogglingly detailed manual on how to organise and fund a military coup.
1975 The Shepherd – A neat slick Christmas ghost story about a post-war RAF pilot whose instruments black out over the North Sea but who is guided to safety by an apparently phantom Mosquito, flown by a pilot who disappeared without trace during the war.
1979 The Devil’s Alternative – A Cold War, geopolitical thriller confidently describing machinations at the highest levels of the White House, Downing Street and a Soviet Politburo riven by murderous factions and which is plunged into emergency by a looming grain shortage in Russia. A plot to overthrow the reforming leader of the Soviet Union evolves into a nailbiting crisis when the unexpected hijacking of an oil supertanker by fanatical Ukrainian terrorists looks like it might lead to the victory of the hawks in the Politburo, who are seeking a Russian invasion of Western Europe.
1982 No Comebacks Ten short stories combining Forsyth’s strengths of gripping technical description and clear fluent prose, with his weaknesses of cardboard characters and improbable plots, but the big surprise is how many of them are clearly comic in intention.
1984 The Fourth Protocol – Handsome, former public schoolboy, Paratroop Regiment soldier and MI5 agent John Preston, first of all uncovers the ‘mole’ working in MI5, and then tracks down the fiendish Soviet swine who is assembling a tactical nuclear device in Suffolk with a view to vaporising a nearby US Air Force base. the baddies’ plan is to rally anti-nuclear opinion against the Conservatives in the forthcoming General Election, ensuring a Labour Party victory and then (part two of the plan) replace the moderate Labour leader with an (unspecified) hard-Left figure who would leave NATO and effectively hand the UK over to the Russians. A lunatic, right-wing fantasy turned into a ‘novel’.
1989 The Negotiator – Taciturn Clint Eastwood-lookalike Quinn (no first name, just ‘Quinn’) is the best negotiator in the business, so when the President’s son is kidnapped Quinn is pulled out of quiet retirement in a Spanish village and sent to negotiate his release. What he doesn’t realise is the kidnap is just the start of a bigger conspiracy to overthrow the President himself!
1991 The Deceiver – A set of four self-contained, long short stories relating exciting incidents in the career of Sam McCready, senior officer in the British Intelligence Service, as he approaches retirement. More gripping than the previous two novels, with the fourth and final story being genuinely funny, in the style of an Ealing comedy starring Alec Guinness.
1994 The Fist of God – A journalistic account of Saddam Hussein’s 1990 invasion of Kuwait and the ensuing US-led ‘Desert Storm’ operation to throw him out, complete with insider accounts of the Western military and intelligence services and lavish descriptions of scores of hi-tech weaponry. Against this backdrop is set the story of one man – dark-skinned, Arabic-speaking Mike Martin who goes undercover posing as an Arab, first in occupied Kuwait, then – even more perilously – in Baghdad itself, before undertaking a final mission to locate and assist the destruction of Saddam’s atom bomb (!) and the Supergun designed to fire it at the Allies. Simultaneously gripping in detail and preposterous in outline.
1996 Icon – Hot shot CIA agent Jason Monk is brought out of retirement to foil a fascist coup in post-communist Russia in a novel which starts out embedded in fascinating contemporary history of Russia but quickly escalates to heights of absurdity, capped by an ending in which the Russian people are persuaded to install a distant cousin of our very own Queen as the new Tsar of All The Russias! Sure.
2001 The Veteran – Five very readable short stories: The Veteran, The Art of the Matter, The Miracle, The Citizen, and Whispering Wind – well engineered, sleek and almost devoid of real human psychology. Nonetheless, the vigilante twist of The Veteran is imaginatively powerful, and the long final story about a cowboy who wakes from a century-long magic sleep to be reunited with a reincarnation of his lost love has the eerie, primal power of a yarn by Rider Haggard.
2003 Avenger – A multi-stranded narrative which weaves together the Battle of Britain, the murder of a young American aid worker in Bosnia, the death of a young woman in America, before setting the tracking down of a Serbian war criminal to South America against a desperate plot to assassinate Osama bin Laden. The least far-fetched and most gripping Forsyth thriller for years.
2006 The Afghan – Ex-SAS man Colonel Mike Martin, hero of The Fist of God, is called out of retirement to impersonate an Afghan inmate of Guantanamo Bay in order to infiltrate Al Qaeda and prevent their next terrorist attack. Quite a gripping thriller with an amazing amount of detailed background information about Afghanistan, the Taliban, Al Qaeda, Islamic terrorism and so on.
2010 The Cobra – Two lead characters from Avenger, Paul Devereaux and Cal Dexter, are handed the task of wiping out the illegal cocaine trade on the authority of Barack Obama himself. Which leads to an awesome display of Forsyth’s trademark factual research, scores of pages building up a comprehensive picture of the drugs industry, and to the detailed description of the multi-stranded operation which almost succeeds, until lily-livered politicians step in to halt it.
2013 The Kill List – Another one about Islamic terrorism. The Preacher, who has been posting jihadi sermons online and inspiring a wave of terrorist assassinations, is tracked down and terminated by US marine Christopher Carson, aka The Tracker, with a fascinating side plot about Somali piracy thrown in. Like all Forsyth’s novels it’s packed with interesting background information but unlike many of his later novels it this one actually becomes genuinely gripping at the end.
2015 The Outsider – At age 76 Forsyth writes his autobiography in the form of a series of vignettes, anecdotes and tall tales displaying his characteristic briskness and dry humour. What an extraordinary life he’s led, and what simple, boyish fun this book is.

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