Charity by Len Deighton (1996)

‘You don’t like any of your old friends these days, Bernie. What’s happened to you? Why are you so caustic? Why so suspicious of everything and everyone?’
‘Am I? Well I’m not the only one afflicted with that,’ I said. ‘There is an epidemic of suspicion and distrust. It’s contagious. We are all in its grip: you, me, Fiona, Gloria and the whole Department…’ (p.183)

This is the tenth and final novel in Deighton’s series about 40-something SIS agent, Bernard Samson, his wife and family and the small group of friends and colleagues who have shared his trials and tribulations for the previous nine novels and the 10 or so years they cover (1977 to 1988).

As usual for the series, the story is told in a straightforward chronological way by Bernard himself in a first-person narrative, very much from his (limited) point of view, and in his own dry, sardonic voice. It’s divided into roughly three subject areas: straightforward espionage or spy episodes; family matters; office politics.

Spy stories

The novel opens dramatically with Bernard accompanying a very ill colleague, Jim Prettyman, back from Moscow on the Moscow-to-Paris train, along with a qualified nurse. Bernard notices the nurse fondling a pretty brooch and asks to have a look; she says Prettyman gave it to her and Bernard recognises it as having belonged to his dead sister-in-law, Tessa.

As the train trundles over the shabby, frozen border into Poland, Bernard is taken aside by Polish Security Police for questioning, and mournfully watches the train pull off without him. For the next week he is kept in an unheated cell in a fortress-cum-barracks and intensively questioned about his role in the abduction of George Kosinski and the related shooting of Polish security agents. These events had formed the dramatic climax of the previous book, Hope and Bernard is guilty as hell of everything they accuse him of, but sticks to his cover story that he is a German businessman. Although he is quite badly beaten up, he knows it is nothing compared to what they could do and sure enough, after a week, he is driven back to the station and placed on the next Moscow to Paris express. They know he knows they know he did it; but someone somewhere has ordered his release. Why was he arrested? Why was he released? It is never explained. It is an example of the puzzling randomness of the way things work in the Communist bloc…

Family matters

The Samson books are as much about families as about spying. The central event of the entire series was the revelation that Bernard’s wife, clever Oxford-educated Fiona, was a double agent working for the KGB and her hurried flight to the East, with Bernard close on her tail. This fills the first three books. In the second trilogy Bernard slowly realises Fiona has in fact been working for us all along and, after her absence of three years working as a double agent in the East, Bernard plays a big part in helping her escape back to the West.

But a) during the escape Fiona’s sister, Tessa, is shot dead b) during her long absence Bernard has fallen in love with an SIS colleague half his age, Gloria Kent. Although Fiona’s mission was part of long-term plans to undermine the East German government by supporting dissident civil society groups, it is also, on another level, a story about a man whose wife betrays and deserts him. Thus the domestic and emotional impact of Fiona’s desertion, not only on Samson but on his children, her sister and brother-in-law and on her father, are all described at length and repeatedly, in long conversations, at lunches, drinks or dinners.

In fact, the novels contain hundreds of pages which are devoted to the dinner parties and drinks parties and Sunday lunches at Fiona and Bernard’s house or George and Tessa Kosinski’s flat, or at Dicky Cruyer’s place or at Leith Hill in Fiona’s father’s luxury pile, or out in the Cotswolds at the rambling old farmhouse, Whitelands, belonging to the Department’s creepy eminence grise, Silas Gaunt.

A lot of narrative time is spent admiring the fixtures and fittings of various abodes, complimenting the wine and the cooking, being shown holiday snaps or latest additions to collections of swords or antique cars or oil paintings or vintage wine. A LOT of time is spent discussing how Bernard’s two children, Billy and Sally, are getting on at their prep school, with their private tutors in French and Maths, in the school soccer team, what presents they’re being bought for Christmas or their birthdays, and so on.

And this cosy, companionable family-ness, its domesticity, is one of the appeals of the series. It extends beyond England to Germany where so much of the action is set, to the run-down hotel in Berlin kept by old Tante Lisl, where Bernard grew up as a boy and where the shabby attic room is always kept for him; it includes his chats, sometimes about work, sometimes about family matters, with his oldest school-friend, shady businessman and sometime Department contractor Werner Volkmann, and his trouble with women (his two wives, Ingrid or Zena).

Also there are endless repeats of the scene in the office of Frank Harrington, long-time Head of the Berlin Office of the SIS, who plays with his smelly old pipe or shuffles his collection of vintage jazz records, while Bernard tells him yet another far-fetched interpretation of the latest perplexing plot twists. Here’s Frank fiddling with his beloved Dunhill pipe, accompanied by a dash of Deightonian humour:

He was smoking happily now, poking at his pipe bowl with the blade of a penknife, and attending to every strand of burning tobacco with all the loving care of a locomotive engineer. Or a dedicated arsonist. (p.171)

Office politics

The third element is the endless jockeying for position, promotion and office which goes on inside ‘the Department’. On an almost continual basis the entire cast of characters can, at the drop of a hat, start speculating about who will replace the gaga old Director-General, who will get the Deputy DG job, is Fiona in with a chance? Will it be Bernard’s slick superficial boss, Dicky Cruyer? Or will he be blocked by the much smarter but older American, Bret Rensselaer? And so on.

Since both Fiona (once she’s returned) and even Samson, are qualified, in their different ways, for promotion, many of their conversations (once she’s returned to the West) move easily between discussion of family affairs, into details of various spy operations – especially as the central plot rotates about Bernard’s wife and then, after her escape, about the true fate of his sister-in-law, Tessa – and both bleed into the office politics, as the success or failure of various plans and operations boosts or hinders the key players’ various hopes for advancement and promotion.

Each of the novels contains a canny mix of these three threads which are each, in their different ways, equally absorbing though, for me, the distinctive feature of the entire series, is the time and attention paid to domestic arrangements. You don’t catch James Bond fussing about what’s for dinner tonight or who’s going to buy little Billy’s birthday present.

The plot

After being released by the Poles (why was he arrested and beaten, why was he released?) the scene cuts to Bernard (still rather bruised) and Fiona staying at her father’s luxury pile near Leith Hill, Surrey. It is just into the new year of 1988 (the previous novel, Hope ended on Christmas Eve 1987) so only a few weeks after Bernard had virtually kidnapped his brother-in-law (revealed as being a spy for the Polish secret police) out of Poland and smuggled him back to the UK to be interrogated and maybe charged with treason. At the end of the previous novel we had also seen Gloria and Bernard going to bed in what seemed to crystallise his choice of her over his wife, Fiona. Which makes this scene where he is docilely accompanying his wife to his father-in-law’s house a little puzzling. Bernard is seriously confused about which of these two beautiful women he really loves…

At Leith Hill the father-in-law, David Kimber-Hutchinson, holds a big dinner party where the guests discuss political developments of 1987-8 ie Chancellor Kohl inviting Honecker to the West, along with the political and economic situation in the East. Later, Fiona explains in some detail to Bernard the way money is being channeled into East Germany in numerous sophisticated attempts to undermine the regime. (These kind of geopolitical discussions are relatively rare in the books: when they occur it is pretty obviously to provide the rationale for the entire plot ie that Fiona ‘defected’ in order to establish contact with civil society groups in the East who could destabilise the regime, and that that plot is working. Ie they exist to justify all the time and effort spent on the Fiona Plot.)

To his astonishment, Fiona’s father broaches the ludicrous suggestion that George tried to kill him; he had a headache in Poland and George gave him some local headache tablets which David kept and then, back in England, fed to the family cat who promptly died. Bernard listens respectfully, thinking what a melodramatic old queen his father-in-law is. David goes on to explain his presence in a photo of George in Warsaw that so startled Bernard in the previous novel, when he was shown it, as simply being a result of having been invited out there to help George locate Tess, Fiona’s sister. (For a while this photo had been a loose thread, leaving us wondering whether the father-in-law was involved some scam, as almost everyone else in the family has been. But no. Shame, actually…)

Bernard is confirmed as deputy to Frank Harrington, Head of the Berlin Office. Frank knew Bernard’s dad and promised to look after young Bernie, so they’ve always had a close nephew-and-uncle relationship, with Bernard amused by Frank’s endless fussing with his pipe, his string of unsuitable affairs, and his canny way of avoiding trouble.

Bernard drives out to Whitelands, Silas Gaunt’s rambling farmhouse in the Cotswolds. Here he discovers Gaunt is packing up and moving into sheltered accommodation as he has recently been diagnosed as too ill to keep up the house. Bernard makes sympathetic noises but extracts from Silas a reluctant confession that he knew about the cock-up over Tessa’s shooting; but Silas insists he had out-sourced the whole thing to the Americans, it was their decision to hire Thurkettle, nothing to do with us, old chap etc. He provides the familiar rationalisation that we had to make the opposition think Fiona was dead, at whatever cost, otherwise they would immediately have changed all their codes and procedures and ‘Fiona’s years of courage and jeopardy would have been in vain.’ (p.82)

Bernard meets ‘the Swede’ downstairs in a second-hand bookshop in Charing Cross Road. The Swede is in fact a former Luftwaffe pilot (his back story is given with typical Deightonian thoroughness and historical detail on pages 90 and 91). We met him in the previous novel when he flew in to Poland and picked up Bernard and his brother-in-law George at the book’s exciting climax.

a) The Swede reveals he was on standby to fly Jim Prettyman out of Germany on the night of the famous Tessa shooting. He had been commissioned to bring in a secret box file, though Prettyman never turned up to collect it. b) Bernard asks him if he can do a mission for him, Bernard. The Swede guesses what it is. Bernard wants to kidnap his two children from the care of his smothering, smug father-in-law, collect dishy young Gloria and have the Swede fly them to Ireland, where Bernard will arrange flights on to South America, somewhere with no extradition treaty. The Swede says it is a bonkers idea but he’ll do it. The whole mad scheme shows us that, despite performing his spousal duties with Fiona, his heart is still with Gloria…

Bernard is panicked to receive a phone call from his son’s school saying his son’s school bus has overturned and there are some injuries. (In the previous novel a character had pointed out that the KGB always take revenge on those who betrayed them, giving the example of a double agent who was given a new identity in the States, but whose family the KGB tracked down and assassinated one by one. What if the same happens to Fiona, because of her super betrayal? Once this worry has been planted, it allows Deighton to scare us with of happenings like this, which make us think maybe the novel will be ‘about’ the KGB’s revenge.)

In the event his son Billy hadn’t even been on the bus. Bernard had driven down there with Gloria, who’d given him the message at work, and this gives her an opportunity to tell him a few home truths: that he doesn’t know his children any more, they’ve grown away from him; for her to pour scorn on his ludicrous proposal to run off with the kids; and they end the journey back to London with a blazing row. Hmm. His plan of starting a new life with her and the kids not going so well, then. As he gets out of her car he leans down to apologise but Gloria, very angry, drives off…

Next day Bernard drives to Berwick House where George Kosinski – Bernard’s brother-in-law who he had revealed to be a spy in the previous novel – is being kept and interrogated. The interrogation is getting nowhere and Bernard has been ordered down there to have a go himself. But a) he finds George feeling cocky enough to turn the tables and threaten Bernard, saying he has enough evidence to prove that Bernard wanted Tessa killed, which b) makes Bernard so angry he grabs George and shouts in his face. It also makes him realise, on the journey home, that George is small fry; he may have reported tittle-tattle back to the Polish security services but he wasn’t a planner or a doer. MI5, who are holding him, will probably release him on condition he scuttles back to Zurich and keeps stumm.

On the way back Bernard and his Special Branch driver stop at a pub for a drink. In the loos Bernard is attacked by two heavies and, because he happens to have a gun on him, first uses it to hit them hard in the face and arm, then steps back, brandishing it, to stop the fight. They say it wasn’t him, it’s the Swede they’re after. Bernard sends them packing and gives his Special Branch bodyguard, still sitting happily at the bar, a flea in the ear for completely failing to help him.

Later that night, at home with Fiona after discussing George’s likely fate, there’s a call and Bernard is summoned to jump into a waiting car and taken to a derelict house in south London. Here, in the garage, he finds the body of the Swede, dead, with his skull crudely staved in by a hammer. There is some colourful description of the Special Branch and MI5 officers attending, namely one ‘Squeaky’ King and the fractious relationship between ‘Five’ and the Department. No indication who murdered the Swede, and Bernard doesn’t know why anyone should. There goes his scheme of flying to Ireland. Gloria is angry with him and the Swede is dead…

Bernard is then summoned to a meeting with Bret Rensselaer (now acting Deputy Director-General), Dicky Cruyer, Head of Ops, and the D-G himself, fussing over his ancient Labrador and, in a running gag, never able to remember Bernard’s name, this time calling him Simson. But beyond the jokes they reveal they knew the Swede was going to be killed. It was done by a hitman from Dresden. They had to let it go ahead otherwise it would have blown the agent who informed them. Bernard is appalled. The reader is appalled.

Back in Berlin, Bernard is visited by Cindy Prettyman, Jim’s first wife. In an earlier novel she had been fairly innocent and inoffensive. Here she has been transformed into a harridan who swears at Bernard a lot and wants him to get rid of the security box her ex-husband dumped in her office and asked her to look after last year, at the time of the Tessa Fiasco. Bernard is left wondering: was Cindy involved in the murder? What is the significance of this security box? Has it got money in it, the payoff for Thurkettle, something valuable to Prettyman?

Once again in Frank’s office Bernard watches the old man tap the window and look out at the snow while Bernard tells him what he’s been doing for Dicky. There’s a fuss about some old uranium mines over in the East. It’s coming in a bit late in the story, but could this be what the novel’s ‘about’? Could there be a surprise twist where it all turns out to be about getting our hands on commie uranium or preventing them using it to make nuclear weapons?

Bernard meets Werner at the derelict Tegel airport on the edge of West Berlin to review the story so far. To his surprise he finds Werner going back over the night of the shooting and asking Bernard how he’s so certain of his memories: maybe, in all the confusion, he shot Tessa? What? It feels like every possible logical combination is being wrung from this one tragic event, which happened four whole books ago. The reader is becoming a bit impatient.

Bernard motors out to meet Jim Prettyman. Years ago Jim, his wife Cindy, Fiona and Bernard were friends, playing pool in a bar near the office. But Jim was into statistics and his skills got him a job in the States where he changed his name to Jay and got married to a new wife, Tabby, with useful State Department connections (divorcing the now-embittered Cindy). Now he’s terminally ill and Tabby’s looking after him in a house near Heathrow.

In his sick room there is a big confrontation scene where Bernard and Jim exchange conflicting versions of what happened the night Tessa died. Prettyman agrees that Thurkettle, the ex-CIA man, was hired by Silas Gaunt to do the hit. He even claims he arranged a meeting between Silas – who he describes as completely crazy – and Thurkettle in London the preceding week. That night it was Thurkettle who shot Tessa, cut off her head and switched it for the head containing dental work replicating Fiona’s, in order to fool the KGB, and then set fire to the car – this was all Gaunt’s plan, but Jim (like the reader) thinks it was pretty stupid – a car fire wouldn’t burn a body sufficiently to hide its essential features; they might just notice her head had been mysteriously cut off.

But Jim denies killing Thurkettle, saying he arrived at the meeting spot primed to pay him to find him already dead. The plan had been to take Thurkettle on to a plane and fly him back to England but when he found a corpse, he rifled its pockets, found the brooch (the brooch he later gave the nurse in chapter one) among other things, and left. Bernard goes off wondering how much of this is true.

— For the reader the point is that Bernard now more or less knows the truth of what happened. He doesn’t seem particularly upset about it and, because we readers learned all this three books ago, it doesn’t come as much surprise to us either. As we enter the last 75 pages of the entire series, I wondered whether there was going to be some final Twist and Surprise that would make us sit up and gasp.

Chapter 10 An Autobahn exit. The German Democratic Republic Bernard and Werner drive along the Autobahn to the exit where Prettyman told him he rendevoused with Thurkettle on the Fateful Night. They find two East German farmers working in a field and who, with a little Western money, remember the camper van being parked there for a few days on the night. When they’re shown to the exact spot, Bernard and Werner find the remains of a motorbike concealed in a ditch and then, a bit further along, Thurkettle’s corpse, rotted and eaten away. Bernard locates the bullet holes in Thurkettle’s coat and then the gun Thurkettle was shot with. Beneath the corpse is a bag of dollars, Thurkettle’s payment for the hit. Yes: all the evidence is here confirming the story he’s pieced together.

Werner hurries him along and back into the car – it is strictly illegal to drive off the Autobahn in the East, and being found in possession of a gun and corpse! They’d be locked away forever. As they drive back into the West in a sleet storm Bernard puts his last question to Werner: Was it him who supplied Prettyman with the gun he used to shoot Thurkettle? Werner refuses to answer in such a way that Bernard knows he’s correct.

Pretty much the whole secret is out now. Tessa is dead; she was killed by an ex-CIA hitman on orders from SIS high-ups, notably creepy Silas Gaunt; Prettyman was the middle man who organised logistics then shot Thurkettle to assure his silence (why? Thurkettle was a pro; he’d have kept stumm anyway); Werner played a small part in supplying the gun. ‘Well done, Bernard,’ says Werner. ‘You’ve pieced it all together with superhuman skill; now let it lie.’ But he can’t, of course.

Chapter 11 The SIS offices, Berlin Bret and Dicky and Gloria have flown into Berlin for a security conference. First of all Bernard accepts a report from a local officer, Larry Bowers, that proves the East German uranium mine we heard about earlier has only a minimum staff and is barely being kept open: so the novel is not going to turn out to be about that, after all. Shame, really.

— Most of this chapter is devoted to a big party Werner hosts at his new grand house out by the Wannsee. It is a really massive fancy-dress party with the theme of ‘gold’, featuring lots of diplomats, local businessmen and politicians, movers and shakers, with a live band playing 1930s dance tunes and a massive buffet feast. Bret and Dicky and Frank and Gloria and Werner and Zena are all there.

In the middle of the festivities Cindy Prettyman (who we’d learned earlier was staying with Werner) comes down the stairs, wearing only a slip, her hair dishevelled, distraught and brandishing a pistol. Bernard and Werner go slowly up the stairs towards her as she threatens first one then the other. She accuses them both of stealing the security box from her office, the security box she’d mentioned earlier to Bernard and was trying to either get rid of or possibly use as some kind of blackmail threat. Either way, it’s gone now and she is very cross about it.

Werner makes a move towards her and she shoots, winging him in the head. Bernard flings a glass at her but is beaten to it by an Army redcap who rugby tackles her, all of them falling to the bottom of the grand stairs in a big pile. Frank Harrington steps forward from the band podium to thank the Volkmanns for a novel and imaginative charade, ha ha ha, trying to present it all as a weird party entertainment, and while the spotlight is on him speaking soothing words, the bodies are swiftly cleared away.

A lot later that night Bernard is allowed into his hospital room to see Werner, who was more injured by the fall down the stairs than the shot. He admits Cindy was right to be cross; he, Werner, broke into her office earlier that day and stole the damn security box. Cindy had come to think it was valuable and the Department would either a) pay for it or b) it would be some kind of lever to help her get back into contact with her estranged husband. Now she’ll be charged with attempted murder.

Arriving back at Tante Lisl’s hotel, Bernard is handed a telegram from Prettyman’s second wife, Tabby. Jim has passed away, but before he did so he asked her to send him the message that Bernard had guessed everything correctly, that Prettyman did everything Bernard accused him of. Bernard is still not sure whether he is doing a last piece of lying to cover someone else…

Chapter 12 The SIS Residence, Berlin Bret Rensselaer chairs a meeting of Bernard, Frank and Dicky. With little preamble they go into discussing the events of the Fateful Night and integrating Bernard’s findings into what they already knew. The only new thing is that Bret is determined to blame Silas for everything; Silas became unhinged; Silas thought the Service should go beyond its traditional intelligence-gathering role into positive action, violent action if necessary. It was Silas who wanted to protect Fiona’s work by making the KGB think Fiona was dead. It was Silas who cooked up the whole cockamamie plan to make sure Thurkettle murdered Tessa, cut off her head etc, burned the car with her body in it, then motored off to meet his contact, Prettyman, who proceeded to execute him. Blame Silas. — Is that it? Is that the pay-off to the last three novels, and to the entire series?

And the security box which Werner stole from Cindy’s office? Bret says Frank’s handyman is even at this moment sawing it open in the workshop. What! No! shouts Bernard and hares off down the backstairs of Frank’s rambling house (banging into the Director-General himself who is in a secret passage listening to the meeting with headphones) running down the stairs, out into the garden, along to the workshop, seizing the handyman just as he begins drilling to the box, and pushing them both out, away and down onto the frozen ground as the workshop explodes. It was a bomb.

Bernard had suspected for some time this was the significance of the mysterious box file which had been one of the numerous threads in the novel: it was the way the Swede had confirmed it was on his plane, the one which was meant to carry Prettyman away from the Tessa Murder, which gave Bernard the clue. Thus Tessa would have been killed by Thurkettle. Thurkettle killed by Prettyman. Then Prettyman and the Swede blown up in mid-air as soon as they opened the box.

For this reader there are still a few loose ends, loose ends which could only be tied up by going back and reading the relevant section of Spy Sinker again which, to be honest, I can’t be bothered to do. Tessa’s dead. It was a dodgy plot. Palming it off on Silas just about explains it away. After a certain point – this point – I’ve stopped caring about the details.

With all the main strands of the spy plot finally resolved, there’s family life and office politics to tie up: Bret tells Bernard he has proposed to Gloria and she said Yes. (This is, to be honest, completely unbelievable. Bret, as Bernard points out, is old enough to be Gloria’s grandfather.)

Bret reminds Bernard of the personal debt Bret owes him; in one of the earlier novels Bret was suspected of himself being a mole and made his way to Berlin to the only man he knew he could trust, Bernard. Now he’ll repay the debt. Bernard will finally get a full-time contract with a pension and all the perks; Bret will do what he can to see Bernard is eventually made Head of the Berlin Office when Frank Harrington retires (which will be soon), a post which everyone has always felt he should have.

And Bret (like the fairy godmother in a nursery story) gives Bernard a third piece of news/wish come true: he gives him a long letter Fiona wrote during her recuperation which eloquently states how much she loves Bernard, that he is kinder and more sensitive than everyone realises etc. Bret explains that Fiona is only burying herself in her work because she feels rejected by Bernard. ‘Go tell her how you really feel, you schmuck.’ And so the novel ends with a decisive closing of the entire Gloria love affair and the promise of reconciliation with his beautiful, high-flying and loving wife, Fiona.

Thus the three strands – espionage, family matters and office politics – are all neatly wound up and dovetailed, with the espionage – nominally the subject of the whole series – here, as everywhere else, feeling like it’s actually the least important of the three.

Anti-climax

It is hard to resist a sense of anti-climax: endings are always difficult; it is better to travel hopefully than to arrive. Unlikely though it sounds, basing the three books of the first trilogy around the notion of a married spy discovering that his spouse is a double agent, does work and is gripping and interesting. Similarly, the first two novels of the second trilogy successfully plant the seed and then craftily reveal the fact that Fiona is a triple agent, pretending to work for ‘them’ but really working for ‘us’. Very clever.

But the murder of Tessa in the rainswept Autobahn roadworks on that fateful night is not, I think, an interesting enough subject to sustain this last trilogy. The second instalment, Hope, is the best of the three because it takes us to an entirely new location, Poland, which Deighton describes with trademark historical, cultural, linguistic and geographical thoroughness. And because for most of it the subject is not ‘Who killed Tessa?’ but ‘Where is George?’, which was a welcome new theme.

But this final novel is solely about ‘Who killed Tessa?’ and the crucial flaw is that in novel six – Spy Sinker – Deighton told us. We know who killed her and why. It wasn’t very convincing then and it has become even less convincing as we’ve read on. Spy Sinker is a powerful novel and works in an interesting way because it sheds wholly new light on the five books that preceded it, undermining all the previous narratives, recasting everything we and the narrator thought had happened, and that was a bold and really effective stroke.

But, unless something stunningly new was to be revealed, it also meant the succeeding trilogy couldn’t show us anything new. And, despite a few red herrings and false trails, Charity indeed adds almost nothing to what we knew before, throwing in a few new characters (the Swede, Prettyman’s involvement) but leaving the outline of the story exactly as we already knew it.

Weakest of all is the way Deighton ends up pinning the blame on Silas Gaunt, presented as a Machiavellian super-brain in the previous novels, who is now suddenly described as unbalanced, bonkers, who crossed the line, who went too far, and who we now see being packed off to sheltered accommodation for the mentally ill. It was all Silas’s fault. Oh. OK. So there are no twists, turns or surprises at all. It is hard to avoid a sense of anti-climax.

Charity

The religious connotations of the titles – faith, hope and charity – are almost completely ignored. Deighton is not, thank God, Graham Greene, with his reams of doggerel theology. The word faith is mentioned a few times in Faith – Bret gives Bernard a Bible to use as a code book for a handful of ‘secret’ messages he sends him. I don’t think hope is mentioned at all in Hope; if it was George Kosinski’s hope of finding his wife Tessa, alive, it is cruelly dashed.

And, in the kind of dry joke which takes us right back to the start of the Deighton’s career, reminding us of the sly jokiness of the Ipcress novels – it turns out that Charity has no profound symbolic or moral meaning at all. Charity is the name of the half-senile Director-General’s raddled black Labrador.

Charity is a knackered old beast which slobbers and drools and is on its last legs.


Related links

Len Deighton’s novels

1962 The IPCRESS File Through the thickets of bureaucracy and confusing misinformation which surround him, an unnamed British intelligence agent discovers that his boss, Dalby, is in cahoots with a racketeer who kidnaps and brainwashes British scientists.
1963 Horse Under Water Perplexing plot which is initially about diving into a wrecked U-boat off the Portuguese coast for Nazi counterfeit money, then changes into the exposure of an illegal heroin manufacturing operation, then touches on a top secret technology which can change ice to water instantly (ie useful for firing missiles from submarines under Arctic ice) and finally turns out to be about a list – the Weiss List – of powerful British people who offered to help run a Nazi government when the Germans invaded, and who are now being blackmailed. After numerous adventures, the Unnamed Narrator retrieves the list and consigns it to the Intelligence archive.
1964 Funeral in Berlin The Unnamed Narrator is in charge of smuggling a Russian scientist through the Berlin Wall, all managed by a Berlin middle-man Johnnie Vulkan who turns out to be a crook only interested in getting fake identity papers to claim the fortune of a long-dead concentration camp victim. The Russians double-cross the British by not smuggling the scientist; Vulkan double-crosses the British by selling the (non-existent) scientist on to Israeli Intelligence; the Narrator double-crosses the Israelis by giving them the corpse of Vulkan (who he has killed) instead of the scientist; and is himself almost double-crossed by a Home Office official who tries to assassinate him in the closing scenes, in order to retrieve the valuable documents. But our Teflon hero survives and laughs it all off with his boss.
1966 Billion-Dollar Brain The Unnamed Narrator is recruited into a potty organisation funded by an American billionaire, General Midwinter, and dedicated to overthrowing the Soviet Union. A character from Funeral In Berlin, Harvey Newbegin, inducts him into the organisation and shows him the Brain, the vast computer which is running everything, before absconding with loot and information, and then meeting a sticky end in Leningrad.
1967 An Expensive Place to Die A new departure, abandoning all the characters and much of the style of the first four novels for a more straightforward account of a secret agent in Paris who gets involved with a Monsieur Datt and his clinic-cum-brothel. After many diversions, including an induced LSD trip, he is ordered to hand over US nuclear secrets to a Chinese scientist, with a view to emphasising to the Chinese just how destructive a nuclear war would be and therefore discouraging them from even contemplating one.
1968 Only When I Larf Another departure, this is a comedy following the adventures of three con artists, Silas, Bob and Liz and their shifting, larky relationships as they manage (or fail) to pull off large-scale stings in New York, London and the Middle East.
1970 Bomber A drastic change of direction for Deighton, dropping spies and comedy to focus on 24 hours in the lives of British and German airmen, soldiers and civilians involved in a massive bombing raid on the Ruhr valley. 550 pages, enormous cast, documentary prose, terrifying death and destruction – a really devastating indictment of the horrors of war.
1971 Declarations of War Thirteen short stories, all about wars, mainly the first and second world wars, with a few detours to Vietnam, the American Civil war and Hannibal crossing the Alps. Three or four genuinely powerful ones.
1972 Close-Up Odd departure into Jackie Collins territory describing the trials and tribulations of fictional movie star Marshall Stone as he betrays his wife and early lovers to ‘make it’ in tinseltown, and the plight he currently finds himself in: embroiled in a loss-making production and under pressure from the scheming studio head to sign a lucrative but career-threatening TV deal.
1974 Spy Story The Unnamed Narrator of the Ipcress spy novels returns, in much tamer prose, to describe how, after escaping from the ‘Service’ to a steady job in a MoD war games unit, he is dragged back into ‘active service’ via a conspiracy of rogue right-wingers to help a Soviet Admiral defect. Our man nearly gets shot by the right-wingers and killed by Russians in the Arctic, before realising the whole thing was an elaborate scam by his old boss, Dawlish, and his new boss, the American marine General Schlegel, to scupper German reunification talks.
1975 Yesterday’s Spy Another first-person spy story wherein a different agent – though also working for the American Colonel Schlegel, introduced in Spy Story – is persuaded to spy on Steve Champion, the man who ran a successful spy ring in Nazi-occupied France, who recruited him to the agency and who saved his life back during the war. Via old contacts the narrator realises Champion is active again, but working for Arabs who are planning some kind of attack on Israel and which the narrator must foil.
1976 Twinkle, Twinkle, Little Spy (aka Catch a Falling Spy) The narrator and his CIA partner manage the defection of a Soviet scientist, only for a string of murder attempts and investigations to reveal that a senior US official they know is in fact a KGB agent, leading to a messy shootout at Washington airport, and then to an unlikely showdown in the Algerian desert.
1977 Fighter: The True Story of the Battle of Britain Abandoning fiction altogether, Deighton published this comprehensive, in-depth and compelling history, lavishly illustrated with photos and technical diagrams of the famous planes involved.
1978 SS-GB A storming return to fiction with a gripping alternative history thriller in which the Germans succeeded in invading and conquering England in 1941. We follow a senior detective at Scotland Yard, Douglas Archer, living in defeated dingy London, coping with his new Nazi superiors, and solving a murder mystery which unravels to reveal not one but several enormous conspiracies.
1979 Blitzkrieg: From the Rise of Hitler to the Fall of Dunkirk Another factual history of WWII: Deighton moves quickly over Hitler’s rise to power and the diplomatic bullying of the 1930s, to arrive at the core of the book: an analysis of the precise meaning of ‘Blitzkrieg’, complete with detailed notes on all the weapons, tanks, artillery and hardware involved, as well as the evolution of German strategic thinking; and then its application in the crucial battle for the river Meuse which determined the May 1940 Battle for France.
1980 Battle of Britain
1981 XPD SIS agent Boyd Stuart is one of about 20 characters caught up in the quest for the ‘Hitler Minutes’, records of a top secret meeting between Hitler and Churchill in May 1940 in which the latter was (shockingly) on the verge of capitulating, and which were ‘liberated’ by US soldiers, along with a load of Nazi gold, at the very end of the war. Convoluted, intermittently fascinating and sometimes moving, but not very gripping.
1982 Goodbye, Mickey Mouse Six months in the life of the 220th Fighter Group, an American Air Force group flying Mustangs in support of heavy bombers, based in East Anglia, from winter 1943 through spring 1944, as we get to know 20 or so officers and men, as well as the two women at the centre of the two ill-fated love affairs which dominate the story.
1983 Berlin Game First of the Bernard Samson spy novels in which this forty-something British Intelligence agent uses his detailed knowledge of Berlin and its spy networks to ascertain who is the high-level mole within his Department. With devastating consequences.
1984 Mexico Set Second of the first Bernard Samson trilogy (there are three trilogies ie 9 Samson books), in which our hero manages the defection of KGB agent Erich Stinnes from Mexico City, despite KGB attempts to frame him for the murder of one of his own operatives and a German businessman. All that is designed to make Bernard defect East and were probably masterminded by his traitor wife, Fiona.
1985 London Match Third of the first Bernard Samson spy trilogy in which a series of clues – not least information from the defector Erich Stinnes who was the central figure of the previous novel – suggest to Samson that there is another KGB mole in the Department – and all the evidence points towards smooth-talking American, Bret Rensselaer.
1987 Winter An epic (ie very long and dense) fictionalised account of German history from 1900 to 1945, focusing on the two Winter brothers, Peter and Paul, along with a large supporting cast of wives, friends, colleagues and enemies, following their fortunes through the Great War, the Weimar years, the rise of Hitler and on into the ruinous Second World War. It provides vital background information about nearly all of the characters who appear in the Bernard Samson novels, so is really part of that series.
1988 Spy Hook First of the second trilogy of Bernard Samson spy novels in which Bernie slowly uncovers what he thinks is a secret slush fund of millions run by his defector wife with Bret Rensaeller (thought to be dead, but who turns up recuperating in a California ranch). The plot involves reacquaintance with familiar characters like Werner Volkmann, Frau Lisl (and her sister), old Frank Harrington, tricky Dicky Cruyer, Bernie’s 23-year-old girlfriend Gloria Kent, and so on.
1989 Spy Line Through a typically tangled web of incidents and conversations Samson’s suspicions are confirmed: his wife is a double agent, she has been working for us all along, she only pretended to defect to the East. After numerous encounters with various old friends of his father and retired agents, Samson finds himself swept up in the brutal, bloody plan to secure Fiona’s escape from the East.
1990 Spy Sinker In the third of the second trilogy of Samson novels, Deighton switches from a first-person narrative by Samson himself, to an objective third-person narrator and systematically retells the entire sequence of events portrayed in the previous five Samson novels from an external point of view, shedding new and sometimes devastating light on almost everything we’ve read. The final impression is of a harrowing world where everyone is deceiving everyone else, on multiple levels.
1991 MAMista A complete departure from the Cold War and even from Europe. Australian doctor and ex-Vietnam War veteran Ralph Lucas finds himself caught up with Marxist guerrillas fighting the ruling government in the (fictional) South American country of Spanish Guiana and, after various violent escapades, inveigled into joining the long, gruelling and futile trek through the nightmareish jungle which dominates the second half of the novel.
1992 City of Gold A complex web of storylines set in wartime Cairo, as the city is threatened by Rommel’s advancing Afrika Korps forces in 1942. We meet crooks, gangsters, spies, émigrés, soldiers, detectives, nurses, deserters and heroes as they get caught up in gun smuggling, black marketeering and much more, in trying to track down the elusive ‘Rommel spy’ and, oh yes, fighting the Germans.
1993 Violent Ward Very entertaining, boisterous first-person narrative by Los Angeles shyster lawyer Mickey Murphy who gets bought out by his biggest client, menacing billionaire Zach Petrovitch, only to find himself caught up in Big Pete’s complex criminal activities and turbulent personal life. The novel comes to a climax against the violent backdrop of the Rodney King riots in Los Angeles in April 1992.
1993 Blood, Tears and Folly: An Objective Look at World War II
1994 Faith Return to Bernard Samson, the 40-something SIS agent, and the world of his friends and family, familiar to us from the previous six Samson novels. Most of the characters (and readers) are still reeling from the bloody shootout when his wife returned from her undercover mission to East Germany at the climax of the previous novel. This book re-acquaints us with all the well-loved characters from the previous stories, in a plot ostensibly about smuggling a KGB colonel out from the East, but is really about who knows the truth – and who is trying to cover up – the real cause of the Fiona-escape debacle.
1995 Hope 40-something SIS agent Bernard Samson continues trying to get to the bottom of the death of his sister-in-law, Tessa Kosinski and is soon on the trail of her husband, George, who has gone missing back in his native Poland.
1996 Charity Ninth and final Bernard Samson novel in which it takes Bernard 300 pages to piece together the mystery which we readers learned all about in the sixth novel of the series, ie that the plot to murder Fiona’s sister, Tessa, was concocted by Silas Gaunt. Silas commissioned Jim Prettyman to be the middle-man and instructed him to murder the actual assassin, Thurkettle. Now that is is openly acknowledged by the Department’s senior staff, the most striking thing about the whole event – its sheer amateurish cack-handedness – is dismissed by one and all as being due to Gaunt’s (conveniently sudden) mental illness. As for family affairs: It is Bret who ends up marrying Bernard’s one-time lover, the glamorous Gloria; Bernard is finally promised the job of running the Berlin Office, which everyone has always said he should have: and the novel ends with a promise of reconciliation with his beautiful, high-flying and loving wife, Fiona.

Hope by Len Deighton (1995)

‘There are more important things in life than money, Bernard,’ she said.
‘Prove it,’ I told her. (p.301)

This is a cracking book: by turns complex, puzzling, full of pungent local colour, humorous and touching.

Spying as soap opera / Espionage as sitcom

From the previous seven novels about the 40-something MI6 agent, Bernard Samson, his wife and kids and father-in-law and sister- and brother-in-law, and old friends in Berlin and the gang of eccentrics who (apparently) populate the European Department of MI6, we have become as familiar with the cast of these novels as with the characters in a favourite soap opera or sitcom.

In the first trilogy Samson realised his wife was a Soviet double agent, and the set climaxed with her bolting to East Germany. In shock he takes comfort in a new relationship with glamorous young Gloria, who also works at the Department. In the second trilogy Samson slowly realised that his wife was, after all, a triple agent, only pretending to work for the KGB while all along the plan was for her to ‘defect’, infiltrate the East German set-up at a high-level, report back solid gold intelligence and foment insurrection among East Germany’s churches and civil society.

This second trilogy climaxed with Fiona’s escape from the East once her mission was up – but the escape was badly bungled. In a rainswept layby on an Autobahn between East and West there is a very messy shootout in which several KGB agents were shot dead as well as Fiona’s own sister, Tessa, there, apparently by chance having clambered into Bernard’s pickup van drunk from a party. Samson does some of the shooting and they both witness Tessa being mown down before he sweeps Fiona into the pickup van, drives into the West, loads her into a waiting plane and they both fly out to California to recuperate and be debriefed at the luxury home of American MI6 agent, Bret Rensselaer.

The second trilogy added the twist that the third novel in the series was the first not to be told in the warm first-person persona of Samson, but narrated by a detached third-person narrator. This objective version of events takes us all the way back to 1977 to show the genesis and slow incubation of the Fiona Plan, codenamed Operation Sinker (hence the titles of the second trilogy, Spy Hook, Spy Line and Spy Sinker) seeing things mainly from Fiona’s point of view and showing how the plan was conceived by Bret and signed off by the doddery old Director-General and the wily éminence grise of the Department, old Silas Gaunt.

The impact of this sixth book, Spy Sinker, is devastating to the reader of the series, upsetting loads of our preconceptions. It shows Samson as a rather pitiful patsy, wholly unaware of the conspiracies going on around him, unaware that his wife is a double agent, let alone a triple agent, something almost everyone else knows about, even his best friend, Werner Volkmann. Most upsetting is the way the death of Fiona’s sister, Tessa, at the ill-fated shootout, is revealed to have been not a ghastly accident, but part of a horrible plan to try and convince the KGB that Tessa’s badly-burned body is really Fiona’s, so the Stasi/KGB will think that Fiona didn’t succeed in defecting and will carry on using the old codes and security protocols for a bit longer. The story is given out that Fiona was killed and that Bernard has run off with her sister Tessa.

This seemed, when I read it, grotesquely improbable and needlessly violent. It also seemed fundamentally stupid because sooner or later Fiona would resurface, the other side would know they’d been fooled – and Bernard would, presumably, eventually return to London, and everyone who’s been told the cover story of his elopement with Tessa would realise they’d been lied to and want to know by who and why. It seemed cack-handed, solved nothing and created untold problems for the callous nitwits who conceived it.

Deighton’s Secret Intelligence Service

In fact Deighton’s entire depiction of the SIS is very odd. It reads more like the staff room at Hogwarts or the Addams Family. At the top is the Director-General of the SIS, Sir Henry Clevemore, who is portrayed as a senile headmaster, cloistered in an incredibly cluttered, dingy office, littered with ancient books and forgotten paperwork, refusing to use a computer or allow his staff to, and accompanied by a filthy ancient Labrador who slobbers and growls under his desk (and which at one point bites Dicky, drawing blood).

The power behind the throne is Silas Gaunt, a canny old posh man who lives in a decaying mansion in the Cotswolds where the other characters regularly go for bracing country weekends, gossip and off-the-record briefings. He comes on as an uncle figure for Samson but in Spy Sinker we learn that he lied his head off to Samson for years about the Fiona Plan of which he was a prime mover.

Dicky Cruyer is the preposterously dim, flashy desk jockey who has manoeuvred his way to becoming Head of Operations, then Controller of Europe. Samson does nothing but take the mickey out of him, laughing at his ludicrous outfits (faded jeans and cowboy boots!), his taste in music (Elvis Presley played on a tinny cassette player) and his steady stream of tawdry affairs with younger women which are driving his sweet if pretentious wife, Daphne, to drink.

Off to one side is the ageing American, Bret Rensselaer, who was head of an Economics Unit in the early books but found his empire being sidelined, before being suspected of himself being a double agent, and then badly wounded in a shootout in Berlin. He disappeared off to the States, at first thought dead, then we are told he is recuperating. First of all, what the devil is a Yank doing in the SIS? Don’t they have their own intelligence services? Can’t we staff our own secret service? Number two, what is going on when, at the end of Faith, it is revealed that Bret – old, white-haired, wounded and you’d have thought, well past it – turns up and we learn he is moving back into the London office as temporary Deputy Director-General. This is funny insofar as it scuppers Dicky’s scheming for promotion. But surely the antics of all of these grotesques is some kind of comedy or satire?

For is the SIS really like this? Was it really like this in 1987, at the end of the Cold War? I can’t believe it. I’ve worked in UK government IT for some years, and the whole point about a bureaucracy is that it has hundreds, if not thousands of people, all drafting memos, reports and proposals and then having hundreds of meetings to discuss them. a) Deighton’s portrayal of the Department makes it sound as if there are only four or five notable people in it, and b) they spend all their time discussing each other and Samson’s private life and c) it makes these senior personnel sound like characters from a freak show. It chimes with neither le Carré’s sober depiction of cunningly scheming public schoolmen nor Frederick Forsyth’s depiction of super-slick modern professionals.

Thus the scenes featuring any of these characters, even when they’re discussing grown-up spy stuff, feel essentially comic in conception, with a cartoonish unreality. This, along with Samson’s steady stream of sarcastic but essentially affectionate commentary on them and his family and job, explain the friendly, sitcom feel of the books. They’re so quick and enjoyable to read that the occasional interruptions of some kind of violence – stabbings or shootouts – come as unexpected shocks, as if someone got shot dead in an episode of Friends.

Faith

In the first of this third and final trilogy, Bernard and Fiona return to London and resume their working and domestic lives almost as if nothing had happened. Tessa’s husband, George, has left the country for tax exile in Switzerland, letting them move into his luxury flat in Mayfair. They both go back to work in the MI6 building and are soon gossiping about the ups and downs in the bureaucracy which really boils down to how their boss, Dicky Cruyer, is faring in his schemes to become Deputy Director General. Both of them have to deal with the presence of Gloria, the gorgeous young woman half Samson’s age, who he took up with after Fiona’s ‘defection’ and now is struggling to drop and forget; a struggle made impossible by the fact that she, too, works for the Department, in the same building, even on the same floor.

The novel is ostensibly concerned with arranging the defection of a KGB colonel, code-named VERDI, who’s been instrumental in migrating all the KGB’s data to a new computer system and so would be able to provide a gold mine of information. After several hundred pages of false trails and dead ends, VERDI is successfully transported across the Wall and to freedom in the West. Samson and his long-time German buddy Werner Volkmann are given the job of protecting him and beginning his debriefing when, not unexpectedly, VERDI is assassinated by a sniper.

He is bumped off immediately after he’s told Bernard and Werner a completely different version of the Fiona shootout than the one we read in Spy Sinker, namely that Tessa was never killed, it was a woman KGB officer that was following Fiona who was shot, Tessa was in fact captured by the East German secret service and is currently being held in prison.

Really? But before anyone can interrogate VERDI further, bang! he’s shot dead by an assassin. Was he a plant? Was his sole function to sow the seed of an alternative narrative of Fiona’s escape and Tessa’s death? Who would benefit from such a thing? Well, Silas and Bret and the higher-ups in the Department who conceived the wicked plan to kill Tessa to facilitate her sister’s escape would be off the hook if this version is believed; and anything bad which subsequently happens to Tessa could be conveniently blamed on the KGB or Stasi.

Having been shown in Spy Sinker how completely ignorant Samson is of every important thing that was going on around him, it’s impossible to read his analysis of events with any confidence. No doubt that’s the aim, to create the dramatic irony that we the readers now know more about things than the narrator: in fact at one point there is an immense moment of dramatic irony, when Samson moans about why he always knows far more about what’s going on than anyone else:

What was wrong with me? I never made sufficient allowance for the slowness of people like Rupert, Dicky and Bret and the rest of them. They never understood what was really happening. (p.279)

As we now sadly know, nothing could be further from the truth, Bernard is completely deluded. And yet for all that we know this, the warmth of Samson’s narrating voice and the humour of the oddball cast of characters tend to outweigh the intended ironic situation. I find the comic scenes and dialogue more immediately engaging than the multiple levels of intrigue which may, or may not, be playing out. Even when I don’t fully understand what’s going on, I enjoy the voice.

Hope

Once again, according to Deighton the main focus of MI6 in the year 1987, as Gorbachev promoted perestroika and glasnost, as the Baltic republics became restive, as the Poles demonstrated in favour of Solidarity – was investigating the family affairs of Bernard Samson, namely trying to get to the bottom of the puzzle, Who Killed Tessa?

This novel, part two of the final trilogy, circles around the attempts by Tessa’s husband, George Kosinski, to get to the bottom of her death.

Chapters

1 Mayfair, October 1987 Opens dramatically with a man ringing the doorbell of the flat Bernard and Fiona have inherited from her dead sister, Tessa. Bernard answers and the man stumbles inside, badly stabbed and bleeding. Moments later Bernard’s brother-in-law George Kosinski arrives to take charge: the man is one of his more dodgy employees. George apologises, and takes him off to his car. The real purpose of this event is to establish George as the focal point of the novel. –At the office Bernard meets with his reliably flashy and superficial boss, Dicky Cruyer, and finds himself invited to fly with him to visit George at his lakefront house near Zurich. Why? George is reported to have been visited by some known Stasi goons. –Fiona and Bernard wake up on the night of the Great Storm, 15 October, finding themselves estranged and full of unspoken thoughts: maybe the storm is a symbol of their marriage. –In Zurich, at the house, Dicky is cavalier with the housekeeper and authorities but canny Bernard manages to wangle out of the housekeeper and some contacts that George appears to have smuggled himself back to his homeland, Poland. But not before George went to a jewellers with a ring. It is Tessa’s engagement ring. Dicky jumps to the conclusion: so the Stasi men came here with Tessa’s ring? What are they up to, Bernard?

2 Warsaw To find out Bernard and Dicky fly to Warsaw. Berlin dominated the first set of books. Here Deighton does an equally thorough job of describing Warsaw in the early snows of winter, the geography, the history, the sights and sounds and smells. An old contact of Samson’s, Sarah, comes to his hotel room to deliver some goods promised by her husband, Boris. There’s talk she prostitutes herself and that he beats her; she certainly has bad bruises. The package was meant to contain a gun but instead has two heavy tyre levels and some garrotting wire. Warsaw can be a tough town. –This is proved when they go to the notorious Rozyckiego market, looking to find a sniff of George. Instead they are picked up by two thugs pretending to be secret police who escort them not to a station, but to a squalid hovel above a pawn shop and into a room which is obviously an execution room. Here, in the split second as they lock the door, Bernard hits first one then the other with the silly umbrella Dicky’s been taking the mickey out of. He breaks the first one’s arm and just managed to smash the other one’s jaw as he’s raising his pistol. Bernard hits them some more, then kicks them for good measure. Inside the umbrella he had packed the tyre levers. Taking the goons’ guns, they scarper.

3 Masuria, Poland The market trip had paid off. Just before they were set on, one of Bernard’s contacts told him that George had been seen and is known to have set off for his family mansion in the country. Dicky and Samson hire a crappy East European car and drive along terrible roads into the snow-bound desolate countryside. They pass vast Russian barracks and get through two scary roadblocks before arriving at one peopled by a militia. I wondered if there was going to be a firefight, but they eventually agree to escort our boys up a windy track into the middle of nowhere where they reach the Kosinski mansion, situated by a lake. Here they are welcomed by a real Addams Family crew, skinny Uncle Nico who has been writing a book about Poland’s national saint for thirty years, his deaf wife Aunt Mary, the gaunt ancient (male) secretary, Karol, and the master of the house, the flamboyant actor and writer and self-proclaimed legend, Stefan Kosinski, brother of our George.

4 The Kosinski Mansion, Masuria, Poland We really get to marinade in the weird atmosphere of this shabby, rundown mansion in the middle of nowhere in the middle of high snowdrifts, with its silent children and invisible servants. At one point locals come to say they’ve found a body. Stefan takes Dicky and Samson to the place, a grave where just a leg has been found, mutilated, its big toe and other bits chewed off and what is undoubtedly one of George’s smart London shoes nearby. They are turfed out of the mansion while the local priest holds an exorcism. Bernard insists they sneak back in and they see it is another charade, his servants are in fact sounding for hidden secret police microphones, the whole thing put on by Stefan who melodramatises himself and the house in order to maintain kudos with the locals and with his devoted followers among the intelligentsia. Unsurprisingly, Bernard has come to the conclusion he is a prancing fraud. He also thinks the leg has got nothing to do with George. He and Dicky leave before the real snow hits and they get marooned in this madhouse.

5 Kent, England A short detour while Bernard goes to visit retired SIS man Harry Strang at his Kent home. Harry was a veteran of Spanish-speaking countries going back as far as Franco, with the scars to prove it. Just before retirement he was assistant to the Deputy Director-General. Bernard pushes him about the events of the fateful night: who ordered the ambulance; who made all the arrangements; who booked the RAF plane on standby? All that took lots of co-ordination. Harry is taciturn and tries to blow Bernard off with his poor memory, his dim recollection, not sure, can’t remember.

6 Mayfair, London Long conversation in their flat between Fiona and Bernard. He rubbishes the idea that it was George’s leg. He says George was whisked off to Poland by professionals; he’s in league with someone. Conversation moves on to the method Fiona was paid by during her double and triple agent period, by a fund set up by Bret and administered by one Jim Prettyman. And then onto office gossip and promotion possibilities: Bernard is on a five-year fixed-term contract which can be terminated at any time, with no pension or other perks. Fiona says Dicky wants to appoint Bernard as deputy in the Berlin Field Unit, the job he should always have had because of his Berlin childhood and flawless German. Is this a trick to get rid of him from London? Why is Fiona taking Dicky’s side, is it because she also wants him to change focus and out of the way, or does she think it is a genuine opportunity? Bernard, for his part, immediately grasps that, if he owes the job to Dicky, he will become Dicky’s creature and forced to spy on the present Head of the Berlin Office, Frank Harrington, his dad’s old friend. The books are full of long discussions of who’s up, who’s down, what various promotions mean or don’t mean, the office politics entangled with operational plans, with the lies and betrayal going on ‘out there’.

7 Fletcher House (SIS Annexe) London Gloria comes to visit Bernard in his shabby little room in an annexe building off Tottenham Court Road. She is explaining how devastated she is by the end of their relationship when Dicky arrives and gloatingly takes the mickey out of the ‘two love-birds’. The conversation is interrupted by the unexpected delivery of a package for Bernard which, when opened, turns out to be a medical jar containing preserving fluid and a human hand, one finger bearing a signet ring like George Kosinski’s. Dicky insists this is proof George is dead, Bernard is sceptical. While they’re arguing a bearded man who had been prowling the corridor outside the room unexpectedly runs into the room, grabs the jar and nips off down the corridor. While Bernard hesitates, Dicky pulls out a massive revolver and goes haring off after him, letting off pot shots. As Bernard catches up with them he sees Dicky let off a shot which sends the man sprawling and the jar flying to shatter against the wall, but the man must be wearing a bullet-proof jacket for he gets up, bursts through the emergency doors and into a waiting car which speeds off.

8 SIS Offices, Berlin Cut to Bernard in Berlin, in the house of the Head of the SIS Field Unit Frank Harrington, where he has, apparently, accepted the post as Frank’s number two. They review the man running off with the hand incident. Bernard insists they wanted us to see the hand long enough to confirm Dicky’s theory that George is dead, but not long enough to send it to a lab and get it analysed and discover it isn’t George’s hand. Was he Stasi? Yes, same as one of the four guys who visited George in Zurich. Frank tells him the latest news, that one of their networks in the East, DELIUS, has gone silent: it’s the same one Bernard used in the previous novel after he shot at the car following him after discovering VERDI’s dead body, the same pastor who protected him and young Robin in that episode fro the previous novel, Faith. As soon as Frank has departed to fly back to London on a family visit, Bernard requisitions a motorbike and crosses the border on a forged passport, swaps the bike for a car and drives to Allenstein bei Magdeburg. Here he first visits the wretched home of Theo Forster, a sick man who works in the local bicycle factory and who Bernard was at school with back in Berlin (as he was at school with so many of the novels’ characters). Theo explains that the pastor has been causing trouble but they’ll be able to deal with him. Bernard drives off to confront the pastor who initially recalls Fiona’s good work for them, encouraging the churches. But under bullying and provocation from Bernard, goes on to reveal himself to be a Stasi agent. But Bernard pushes him further, into an ambiguous psychological space where he proposes the pastor become a double agent working for us. As Bernard leaves, the pastor gets into his car as if to follow him but the car explodes dramatically. It was booby-trapped. Why? By Theo and the network? That was suicidal of them. Bernard drives like a maniac to the safe house, swaps the car for his motorbike and has crossed the border an hour later. — Next day Frank’s efficient secretary, Lida, begins bringing in radio intercepts of the DELIUS network being ‘rolled up’ ie arrested one by one. — Depressed Bernard goes to an all-night bar near the Witzleben S-Bahn. Here Theo’s devout communist son, Bruno, finds and confronts him. He is allowed out of the East because he is a Marxist zealot and so allowed to work on the overland railway which crosses the border. He rails at Bernard for bullying his father into joining the opposition and his stupid ‘network’ and now he’ll die in a labour camp. He throws at Bernard the parting gift Theo asked his son to give him, a Nazi medal, which Bernard collected as a boy and Theo knows he loves.

9 Hennig Hotel, West Berlin Bernard recovers from the Bruno encounter by chatting with ancient Aunt Lisl in her hotel. This is where Bernard’s dad based himself immediately after the war and where he has his earliest memories. (Liesl’s childhood and young adulthood, marriage and mature life are one among many lives described in the one-off epic background to the series, Winter). Bernard goes into the ballroom where Werner is decorating the Christmas tree. Werner steels himself and tells Bernard that he, Werner, was Fiona’s case officer during her period in the East. Not only that: Werner tells Bernard that Fiona had an affair before and during her mission, with a Canadian doctor who was himself a communist spy set to monitor her. Bernard is left reeling from ‘the knife-thrust of my wife’s betrayal’. His whole world is turned upside down. Again.

Throughout the book thus far we have seen him repressing his feelings for Gloria, being standoffish, insisting on being professional, avoiding even a polite peck on the cheek – all in the name of trying to stay faithful to Fiona, to re-orient his feelings towards her and a happy family life, despite the lies she told him and the hell she put him through, and despite the continual bickering or misunderstandings in their conversations. But now – now maybe he should follow his heart and express his feelings for Gloria…

10 Hennig Hotel, West Berlin Fiona wakes Bernard with a phone call from London, asking if it’s alright if Daddy takes the kids on a jamboree holiday to the Caribbean? ‘And if I go, too’? Bernard grits his teeth and agrees. Christmas alone in Berlin brooding on the news that his wife betrayed him. In every sense. Wonderful. The next morning he has a very thick head and feels dizzy. When he tries to get up he gets as far as dressing but, on the narrow attic landing, has a dizzy spell and ends up falling down the stairs. He regains consciousness to find Werner has called an Army doctor who now gives him a powerful sedative.

11 West Berlin After a day or so recovering Bernard manages to get up, shower and shave and make his way to the glamorous hotel where he knows Bret Rensselaer has come to stay along with Gloria. (It feels like a tiny, tiny, tiny world of the same half-dozen characters endlessly circulating and bumping into each other). After the usual expressions of how difficult she finds it to be working alongside him and Fiona (and while Bernard resists his longing to reach out and kiss her), Gloria tells him the latest speculation about when the D-G will retire and who will replace him (will it be Dicky or Fiona? probably not Dicky because Bret will try to block it) and so on. More usefully, she goes on to tell him signals section have intercepted lots of traffic between the Stasi and Warsaw about delivery of a package: could it be Tessa’s body? At which point Gloria walks through into the bedroom where the maids have been working and shrieks in horror: there in the bed is a bloodless corpse! Bernard realises it’s young Robin. Before Bernard took to his bed, he remembers now Lida saying something about Robin checking out the Unit’s motorbike and probably following Bernard’s trail to Alleinstein and the assassinated parson-cum-spy. The fool! The Stasi were, as he feared, waiting for him. Bernard has Lida call in an explosives and disposal team from the British Army (it turns out to include the same fix-it doctor who injected him in the previous chapter). Gloria and Bernard fly back to London on the next Army plane, and Bernard is met at the airfield and driven to a midnight meeting at Dicky Cruyer’s house. Here he finds Bret and a new character, Rupert Copper, our man in the Warsaw embassy. Our Warsaw people have spotted George. Turns out the Kosinski family have some kind of guest accommodation not far from the main mansion: George must have been hiding out there. The meeting ponders the possible meanings and discuss the Big Question: Is Tessa alive or not, while Bernard realises he’s the schmuck who’s going to be sent back to Poland to find his damn brother-in-law. Bret, the smart one, asks Bernard why the Stasi and Poland’s secret police, the Bezpieca, are helping George? Are they, replies Bernard. Maybe George has bought influence at every level; he is loaded, after all. And he is obsessed with being reunited with Tessa. Or maybe, says Bret, they are trying to turn him so they can use him against us? — Rupert gives him a lift back to the Mayfair flat and fills Bernard in a bit: Does he realise the story of his wife’s defection, her violent rescue and the Tessa affair, are the talk of the entire organisation? Does he realise he is in over his head? Does he realise that if he dropped dead tomorrow nobody would be very sorry? Bernard asks Rupert why he thinks George has gone to such trouble to whisk himself away from Zurich and then fake his own death? Doesn’t Rupert realise it’s because he’s scared that we – MI6, the SIS, the good guys – are out to kill him? In a concession, Rupert shows Bernard the photos his men took of George in the Warsaw market. Bernard is staggered but manages to hide it; for in the photos he sees, next to the blurry shape of what might or might not be George, the image of Fiona’s dad, his poncy old father-in-law!

12 Warsaw Rupert and Bret are picked up from the windswept freezing Vilnius Station by two tough guys in an old ambulance. Someone has been in contact to say they have information about George Kosinski. During the drive they’re not sure if they’re going to be gassed or shot at any moment, but after 25 nerve-racking moments they arrive at a large maternity hospital and are shown into the office of the podgy, auburn-haired blue-eyed Director, Dr Urban. He says the entire mystery is simple: Tessa is pregnant; she is being moved from Berlin to Warsaw to be reunited with her loving husband. George has taken Polish citizenship and Tessa will too. So their baby will be entirely Polish. Rupert in his naivete becomes quite cross, pointing out that by making the child Polish it will never be able to escape or travel and thus will keep its parents safely trapped here forever. Dr Urban doesn’t deny it, stands to signify the interview is over, and puts on his brown military jacket. Like everyone in a position of power in Poland, he is an Army placeman. — For a second time Rupert gives Bernard a lift, this time back to the seedy friend’s apartment he’s staying in, initially speculating about whether Tessa is alive, what George’s real motives are, and so on, before Bernard persuades him to delay making his report until Bernard can ‘confirm or deny it’; upsetting a good pen-pushing Embassy man like Rupert. Parked outside the flat, Rupert says he was instructed to give Bernard the following: and opens a bag containing rolls of local currency, dollars, pounds, a pistol and a sub-machinegun. Aha. That kind of ‘confirming or denying’. Bernard’s last words are, ‘Alert the Swede’. The Swede?

13 Masuria, Poland The final chapter is quick and violent. Bernard is talking to George. Doesn’t say where so we assume it’s the holiday home near the Mansion, which had been mentioned earlier, the ground around buried in metres of snow. Bernard is relentlessly interrogating George. He says he loved Tessa. He says he’s always been a Polish patriot. He says he’s a devout Catholic. He tells a long story of remembering where he was when he heard a Polish cardinal had been made Pope. And so when the Bezpieca first approached him he thought he’d be helping his country. All they wanted was gossip from the parties he attended and people he met. It wasn’t really spying. Now Bernard is telling him that Tessa is not pregnant and on her way to be with him, she’s not alive – she is dead. He’s saying the the Bezpieca lied to him, have used him. — Bernard controls his anger and explains that they will leave by plane that night: is he coming or not? — That night they drive in Bernard’s rented Fiat to the area of the Wolfschanze, the vast compound of bunkers, roads, checkpoints, railway line and airstrip built as Hitler’s forward command post during the invasion of Russia. They are followed by four figures in a battered old Volvo. Bernard tells George the plan: when he stops the car, George is to scrabble free and run off into the snow shouting as if for help. This is what happens. As the four followers get out of their car and pause wondering what’s going on, Bernard sets fire to the Fiat and, as it explodes, runs towards the Bezpieca men firing the machine gun. At least one falls and the others scatter as George runs back towards him and they both jump into the Volvo and drive on along the old runway by the lake, just as they hear the sound of airplane engines overhead. It is The Swede, a freelance pilot, one of the Department’s most reliable contractors. Bernard parks the Volvo at the other end of the runway and sets it, too alight. The Swede brings the plane down on the runway mapped out between the two burning cars, taxis to walking pace and Bernard stuffs George into the plane, which turns and begins its take-off as they hear the bullets of the surviving Bezpieca men bounce off the fuselage. — In the plane George complains about the violence, ‘Did you have to shoot those men?’ etc, until Bernard explodes in rage: ‘Yes I did, because those are the men who beat up protestors, run the prisons and the labour camps and have repressed this nation for 45 years. Those are the men you’ve been helping, you scumbag.’ Bernard has to restrain himself from throwing George out of the plane into the Baltic. — When they arrive at the little Swedish airfield, an Embassy official and doctor are waiting to take custody of George. He is under arrest. He will be interrogated and probably tried for treason. And Gloria is there. She claims under orders from her boss, Bret. The Embassy car sweeps off leaving them alone on the chilly airfield apart from the Embassy’s official Lear jet. It’s there in case George or Bernard had been injured and needed to be flown back to an English hospital. Now it is sitting there vacant. Bernard lets off steam to Gloria: Tessa is dead. The nonsense with the leg and the hand were to persuade London that George, also, was dead. He was just worried the truth about his spying would get out, and he genuinely believed the lies the Bezpieca told him. God knows how long he’s been betraying his country, feeding back to his communist paymasters the titbits he picked up from Bernard and Fiona and all the other SIS people he hobnobbed with.

You need a drink, says Gloria, and it’s freezing, let’s get aboard the plane. Oh isn’t it warm. And look at the galley, good food. And the bar. And through here, the beds! The big soft beds.

‘Goodness,’ said Gloria, looking at me and smiling demurely. (p.305)

Like so many comedies, from Shakespeare to James Bond, this one ends with a heterosexual bang, as the male lead and the female lead bring closure to the story with an act of union and completion.


Spy fiction and the fall of the wall

It’s worth pointing out that these had become historical fictions even as they were published. The third of the second trilogy, Spy Sinker, published in 1990, must have been completed over the period when the Berlin Wall came down – November 1989, and I’ve remarked that Deighton showed admirable ingenuity in making the true-life participation of the East German churches in the fall of the regime into one of the central planks of his story.

But he was then faced with the same problem all other spy novelists faced (le Carré, Forsyth, Cruz Smith to name just the ones I’ve been reading): whether to move with the times and set their adventures in the post-Soviet world, or whether to cling to the (fictional) certainties of the Cold War.

We’ve seen that after a farewell to the Cold War and to his legendary spy, George Smiley (in The Secret Pilgrim, 1990) le Carré moved with impressive alacrity into the New World Order, where he found a sufficiency of baddies in international drug smuggling and gun-running.

Forsyth similarly packaged up all his Cold War yarns into a retrospective collection (The Deceiver, 1991) before moving on to new subject matter, to novels about the Gulf War (The Fist of God) and the corruption of post-Soviet Russia (Icon).

Deighton, however, was working in a different situation. He knew he had to complete the story – and the umpteen plotlines – left hanging at the end of the previous trilogy. Maybe he had mapped out the complete storyline before 1990. And certainly, the way he’d set most of the action in the late 1980s, but with room to spare before the collapse of communism, gave him to the room to complete the entire story well before the actual collapse began in 1989.

Hence the importance of emphasising the datelines: summer 1987 is when Fiona and Bernard return from R&R in California to start Faith; October 1987 is where Hope begins and carries on to Christmas Eve 1987. Plenty of time to wind up the whole affair and be home in time for tea.

Credit

Hope by Len Deighton was published by Harper Collins in 1995. All quotes and page references are from the 1996 Harper Collins paperback edition.


Related links

Len Deighton’s novels

1962 The IPCRESS File Through the thickets of bureaucracy and confusing misinformation which surround him, an unnamed British intelligence agent discovers that his boss, Dalby, is in cahoots with a racketeer who kidnaps and brainwashes British scientists.
1963 Horse Under Water Perplexing plot which is initially about diving into a wrecked U-boat off the Portuguese coast for Nazi counterfeit money, then changes into the exposure of an illegal heroin manufacturing operation, then touches on a top secret technology which can change ice to water instantly (ie useful for firing missiles from submarines under Arctic ice) and finally turns out to be about a list – the Weiss List – of powerful British people who offered to help run a Nazi government when the Germans invaded, and who are now being blackmailed. After numerous adventures, the Unnamed Narrator retrieves the list and consigns it to the Intelligence archive.
1964 Funeral in Berlin The Unnamed Narrator is in charge of smuggling a Russian scientist through the Berlin Wall, all managed by a Berlin middle-man Johnnie Vulkan who turns out to be a crook only interested in getting fake identity papers to claim the fortune of a long-dead concentration camp victim. The Russians double-cross the British by not smuggling the scientist; Vulkan double-crosses the British by selling the (non-existent) scientist on to Israeli Intelligence; the Narrator double-crosses the Israelis by giving them the corpse of Vulkan (who he has killed) instead of the scientist; and is himself almost double-crossed by a Home Office official who tries to assassinate him in the closing scenes, in order to retrieve the valuable documents. But our Teflon hero survives and laughs it all off with his boss.
1966 Billion-Dollar Brain The Unnamed Narrator is recruited into a potty organisation funded by an American billionaire, General Midwinter, and dedicated to overthrowing the Soviet Union. A character from Funeral In Berlin, Harvey Newbegin, inducts him into the organisation and shows him the Brain, the vast computer which is running everything, before absconding with loot and information, and then meeting a sticky end in Leningrad.
1967 An Expensive Place to Die A new departure, abandoning all the characters and much of the style of the first four novels for a more straightforward account of a secret agent in Paris who gets involved with a Monsieur Datt and his clinic-cum-brothel. After many diversions, including an induced LSD trip, he is ordered to hand over US nuclear secrets to a Chinese scientist, with a view to emphasising to the Chinese just how destructive a nuclear war would be and therefore discouraging them from even contemplating one.
1968 Only When I Larf Another departure, this is a comedy following the adventures of three con artists, Silas, Bob and Liz and their shifting, larky relationships as they manage (or fail) to pull off large-scale stings in New York, London and the Middle East.
1970 Bomber A drastic change of direction for Deighton, dropping spies and comedy to focus on 24 hours in the lives of British and German airmen, soldiers and civilians involved in a massive bombing raid on the Ruhr valley. 550 pages, enormous cast, documentary prose, terrifying death and destruction – a really devastating indictment of the horrors of war.
1971 Declarations of War Thirteen short stories, all about wars, mainly the first and second world wars, with a few detours to Vietnam, the American Civil war and Hannibal crossing the Alps. Three or four genuinely powerful ones.
1972 Close-Up Odd departure into Jackie Collins territory describing the trials and tribulations of fictional movie star Marshall Stone as he betrays his wife and early lovers to ‘make it’ in tinseltown, and the plight he currently finds himself in: embroiled in a loss-making production and under pressure from the scheming studio head to sign a lucrative but career-threatening TV deal.
1974 Spy Story The Unnamed Narrator of the Ipcress spy novels returns, in much tamer prose, to describe how, after escaping from the ‘Service’ to a steady job in a MoD war games unit, he is dragged back into ‘active service’ via a conspiracy of rogue right-wingers to help a Soviet Admiral defect. Our man nearly gets shot by the right-wingers and killed by Russians in the Arctic, before realising the whole thing was an elaborate scam by his old boss, Dawlish, and his new boss, the American marine General Schlegel, to scupper German reunification talks.
1975 Yesterday’s Spy Another first-person spy story wherein a different agent – though also working for the American Colonel Schlegel, introduced in Spy Story – is persuaded to spy on Steve Champion, the man who ran a successful spy ring in Nazi-occupied France, who recruited him to the agency and who saved his life back during the war. Via old contacts the narrator realises Champion is active again, but working for Arabs who are planning some kind of attack on Israel and which the narrator must foil.
1976 Twinkle, Twinkle, Little Spy (aka Catch a Falling Spy) The narrator and his CIA partner manage the defection of a Soviet scientist, only for a string of murder attempts and investigations to reveal that a senior US official they know is in fact a KGB agent, leading to a messy shootout at Washington airport, and then to an unlikely showdown in the Algerian desert.
1977 Fighter: The True Story of the Battle of Britain Abandoning fiction altogether, Deighton published this comprehensive, in-depth and compelling history, lavishly illustrated with photos and technical diagrams of the famous planes involved.
1978 SS-GB A storming return to fiction with a gripping alternative history thriller in which the Germans succeeded in invading and conquering England in 1941. We follow a senior detective at Scotland Yard, Douglas Archer, living in defeated dingy London, coping with his new Nazi superiors, and solving a murder mystery which unravels to reveal not one but several enormous conspiracies.
1979 Blitzkrieg: From the Rise of Hitler to the Fall of Dunkirk Another factual history of WWII: Deighton moves quickly over Hitler’s rise to power and the diplomatic bullying of the 1930s, to arrive at the core of the book: an analysis of the precise meaning of ‘Blitzkrieg’, complete with detailed notes on all the weapons, tanks, artillery and hardware involved, as well as the evolution of German strategic thinking; and then its application in the crucial battle for the river Meuse which determined the May 1940 Battle for France.
1980 Battle of Britain
1981 XPD SIS agent Boyd Stuart is one of about 20 characters caught up in the quest for the ‘Hitler Minutes’, records of a top secret meeting between Hitler and Churchill in May 1940 in which the latter was (shockingly) on the verge of capitulating, and which were ‘liberated’ by US soldiers, along with a load of Nazi gold, at the very end of the war. Convoluted, intermittently fascinating and sometimes moving, but not very gripping.
1982 Goodbye, Mickey Mouse Six months in the life of the 220th Fighter Group, an American Air Force group flying Mustangs in support of heavy bombers, based in East Anglia, from winter 1943 through spring 1944, as we get to know 20 or so officers and men, as well as the two women at the centre of the two ill-fated love affairs which dominate the story.
1983 Berlin Game First of the Bernard Samson spy novels in which this forty-something British Intelligence agent uses his detailed knowledge of Berlin and its spy networks to ascertain who is the high-level mole within his Department. With devastating consequences.
1984 Mexico Set Second of the first Bernard Samson trilogy (there are three trilogies ie 9 Samson books), in which our hero manages the defection of KGB agent Erich Stinnes from Mexico City, despite KGB attempts to frame him for the murder of one of his own operatives and a German businessman. All that is designed to make Bernard defect East and were probably masterminded by his traitor wife, Fiona.
1985 London Match Third of the first Bernard Samson spy trilogy in which a series of clues – not least information from the defector Erich Stinnes who was the central figure of the previous novel – suggest to Samson that there is another KGB mole in the Department – and all the evidence points towards smooth-talking American, Bret Rensselaer.
1987 Winter An epic (ie very long and dense) fictionalised account of German history from 1900 to 1945, focusing on the two Winter brothers, Peter and Paul, along with a large supporting cast of wives, friends, colleagues and enemies, following their fortunes through the Great War, the Weimar years, the rise of Hitler and on into the ruinous Second World War. It provides vital background information about nearly all of the characters who appear in the Bernard Samson novels, so is really part of that series.
1988 Spy Hook First of the second trilogy of Bernard Samson spy novels in which Bernie slowly uncovers what he thinks is a secret slush fund of millions run by his defector wife with Bret Rensaeller (thought to be dead, but who turns up recuperating in a California ranch). The plot involves reacquaintance with familiar characters like Werner Volkmann, Frau Lisl (and her sister), old Frank Harrington, tricky Dicky Cruyer, Bernie’s 23-year-old girlfriend Gloria Kent, and so on.
1989 Spy Line Through a typically tangled web of incidents and conversations Samson’s suspicions are confirmed: his wife is a double agent, she has been working for us all along, she only pretended to defect to the East. After numerous encounters with various old friends of his father and retired agents, Samson finds himself swept up in the brutal, bloody plan to secure Fiona’s escape from the East.
1990 Spy Sinker In the third of the second trilogy of Samson novels, Deighton switches from a first-person narrative by Samson himself, to an objective third-person narrator and systematically retells the entire sequence of events portrayed in the previous five Samson novels from an external point of view, shedding new and sometimes devastating light on almost everything we’ve read. The final impression is of a harrowing world where everyone is deceiving everyone else, on multiple levels.
1991 MAMista A complete departure from the Cold War and even from Europe. Australian doctor and ex-Vietnam War veteran Ralph Lucas finds himself caught up with Marxist guerrillas fighting the ruling government in the (fictional) South American country of Spanish Guiana and, after various violent escapades, inveigled into joining the long, gruelling and futile trek through the nightmareish jungle which dominates the second half of the novel.
1992 City of Gold A complex web of storylines set in wartime Cairo, as the city is threatened by Rommel’s advancing Afrika Korps forces in 1942. We meet crooks, gangsters, spies, émigrés, soldiers, detectives, nurses, deserters and heroes as they get caught up in gun smuggling, black marketeering and much more, in trying to track down the elusive ‘Rommel spy’ and, oh yes, fighting the Germans.
1993 Violent Ward Very entertaining, boisterous first-person narrative by Los Angeles shyster lawyer Mickey Murphy who gets bought out by his biggest client, menacing billionaire Zach Petrovitch, only to find himself caught up in Big Pete’s complex criminal activities and turbulent personal life. The novel comes to a climax against the violent backdrop of the Rodney King riots in Los Angeles in April 1992.
1993 Blood, Tears and Folly: An Objective Look at World War II
1994 Faith Return to Bernard Samson, the 40-something SIS agent, and the world of his friends and family, familiar to us from the previous six Samson novels. Most of the characters (and readers) are still reeling from the bloody shootout when his wife returned from her undercover mission to East Germany at the climax of the previous novel. This book re-acquaints us with all the well-loved characters from the previous stories, in a plot ostensibly about smuggling a KGB colonel out from the East, but is really about who knows the truth – and who is trying to cover up – the real cause of the Fiona-escape debacle.
1995 Hope 40-something SIS agent Bernard Samson continues trying to get to the bottom of the death of his sister-in-law, Tessa Kosinski and is soon on the trail of her husband, George, who has gone missing back in his native Poland.
1996 Charity Ninth and final Bernard Samson novel in which it takes Bernard 300 pages to piece together the mystery which we readers learned all about in the sixth novel of the series, ie that the plot to murder Fiona’s sister, Tessa, was concocted by Silas Gaunt. Silas commissioned Jim Prettyman to be the middle-man and instructed him to murder the actual assassin, Thurkettle. Now that is is openly acknowledged by the Department’s senior staff, the most striking thing about the whole event – its sheer amateurish cack-handedness – is dismissed by one and all as being due to Gaunt’s (conveniently sudden) mental illness. As for family affairs: It is Bret who ends up marrying Bernard’s one-time lover, the glamorous Gloria; Bernard is finally promised the job of running the Berlin Office, which everyone has always said he should have: and the novel ends with a promise of reconciliation with his beautiful, high-flying and loving wife, Fiona.

Faith by Len Deighton (1994)

‘If there’s one thing I pride myself on, it’s being able to sort out complicated technical material so it can be understood by the layman.’
‘Yes, you have a mechanical mind, Dicky, I said.
‘So why don’t you wind it up this week? Yes, I’ve heard that joke, Bernard. It’s time you got some new ones.’
Naughty Bernard: no coffee for you today! (p.275)

Recapping the Bernard Samson novels

Deighton is happier in his first-person narratives. This book’s predecessor, Violent Ward, also a first-person narrative, was warm and funny, unlike the two before that, MAMista and City of Gold, which felt hard-hearted, cold and cruel.

This is the first of the third and final trilogy of novels starring 40-something British intelligence officer Bernard Samson and it is, as most of its predecessors in the series, told in the warm, friendly, ironic tones of Bernard himself.

Bernard lives in London and works for MI6. In the first trilogy (Berlin Game, Mexico Set, London Match) his gorgeous, clever wife Fiona was exposed as a high-level ‘mole’ in the Department and forced to flee in a hurry to East Berlin. He is understandably upset she has lied to him for so long and finds himself falling for a new, rather gorgeous young Department employee, Gloria.

In the first two novels of the second set (Spy Hook, Spy Line) Bernard began to suspect – and then had it abundantly confirmed – that Fiona was in fact a triple agent and had been working for us all along. Her defection, and all her ‘spying’ against us before it, had been stage-managed solely to allow her to go East posing as a hero of Socialism, adopt a high-level KGB role in East Berlin, and then spy for us. Although this revelation explains lots of things which have been puzzling Bernard, it in some ways makes her deceit and betrayal even worse. In the second trilogy young Gloria moves in with him and becomes a new mother to his two young children, Billy and Sally.

Eventually, after several hard draining years in East Berlin, Fiona’s mission there is concluded and the Department arranges for her return. But the rainswept night of her final escape back from the East to our side turns into a bloodbath: Samson and Fiona manage to escape but the young agent accompanying Bernard – and Fiona’s sister, Tessa, who had drunkenly tagged along for the ride – are shot dead in a confused shootout, as are the East German agent Stinnes and another bystander, Harry Kennedy.

After Bernard and Fiona have fled the scene, the ex-CIA psychopath-cum-hitman Thurkettle who, unknown to both of them, has been masterminding this carnage, burns Tessa’s body in one of the cars left at the scene, and throws the bodies of British agent, Stinnes and Harry into a deep ditch – part of the roadworks where the whole shambles took place – where they will be covered with concrete and never found. He then motorcycles off to meet the middle-man who is due to give him his money – only to be himself assassinated and his body hidden. The whole sequence is shockingly brutal and cynical.

Still reeling from this bloodbath, the reader progresses to the third book of this second trilogy, Spy Sinker, which abruptly departs the storyline altogether and a) is told in the third person b) goes all the way back to 1977 to recap the events which led to Fiona’s ‘defection’. In line with my theory about Deighton’s points of view, this third-person narrative is much more detached and harder-hearted than the previous five, warm and chatty first-person narratives. It reveals that just about everyone in his life has lied to and betrayed Samson, who emerges as an unwitting pawn in numerous scams and stratagems, and paints a very unpleasant picture of human nature.

Among many other revelations is that it was the head of the Department himself, the D-G, and nice old Silas Gaunt, who cooked up the plan to smuggle Fiona back out of the East and conceived the idea of murdering her sister, Tessa, in order to sever her head and replace it with a model of Fiona’s head containing a set of teeth which perfectly match Fiona’s (!) The intention is to make the East German security police, the Stasi, think their defector boss, Fiona, really had died in a tragic car smash and burn-out. They will thus be lulled into a false sense of security and carry on using the same codes etc, while our chaps debrief Fiona in a safe house in California, and so we can go on tapping the Ossies for a bit longer.

For this end, apparently, Fiona’s own sister was deliberately murdered, decapitated and burned. Call me old-fashioned, but the horror, the cruelty, as well as the stupidity and callousness of such a plan burned out of me all sympathy for the MI6 depicted in these pages. And the charming, humorous banter of the earlier books, Bernard’s droll first-person commentary on his bosses and colleagues in ‘the Department’, was irreparably undermined.

Damaged mood

So when we open this novel, the first in the third and final trilogy, to find Bernard’s narration picking up the story in late 1987 – cheerfully telling us he and Fiona have more or less recovered after a long period of recuperation and debriefing in California – and are now back in London, and back at work together – the reader cannot read his breezy tones in the same way as before. We now know his point of view is limited and plain wrong about numerous key issues. We know he is the victim of a terrible conspiracy. Moreover:

a) Even a reasonably gullible reader like me cannot really believe that a woman can see her own sister shot dead in front of her (some of Tessa’s blood spattered onto Fiona’s coat and face), know it’s partly her fault, and then soon be completely back in the swing of the old job, fussing about the furniture and the trivia of office politics. It doesn’t hang properly. She would be devastated.

b) We, the readers, are nervously aware that, sooner or later, the secret of what happened to Fiona’s sister will come out – and the consequences will be terrible for everyone, including us.

The Bernard Samson universe

It’s a longish book, 360 pages, but it flies by. For some reason Deighton seems at home in this story and his prose is warm and relaxed. It’s tempting to say that the cocky young narrator of the Ipcress novels has grown up, has a wife and kids, but still has the same dry sardonic attitude towards his bosses or his pompous old father-in-law, here showing off about his expensive new artist’s ‘studio’:

‘It’s a place I come when I have to think,’ said David
‘Do you spend much time here?’ I asked.
Fiona glared at me but it went right over David’s head. (p.170)

Bernard and Fiona have been left a swish, Mayfair apartment in Tessa’s will, her husband – George Kosinski, Bernard’s brother-in-law – having moved to Switzerland for tax reasons. They are reunited with their children who, during their sojourn in California, have been looked after by Fiona’s pompous but wealthy father down in Leith Hill, Surrey. And they immediately go back to work full-time, getting reinvolved in Departmental politics, notably lots of fussing about whether their boss, Dicky Cruyer, will get promoted from Head of Ops to Deputy DG of the ‘Department’, and fretting about which office the newly-promoted Fiona will get, and so on. When I was off work with stress, I was only allowed back in stages, initially working part-time, given careful increments of work to re-adapt, monitored and subject to weekly meetings with HR to make sure I could cope. None of that here. Everything is back to ‘normal’ in one leap.

For example, Dicky hosts an excruciatingly embarrassing dinner party where his wife, fed up of all his affairs, is drunk and sarcastic in front of the usual characters – Bernard, Fiona, Gloria, Bret. There is a similarly fraught social Sunday at the father-in-law’s, attended by old Silas Gaunt, the shaggy, overweight, retired but still very influential eminence grise of the Service who we know, but Bernard doesn’t, conceived and carried out the entire Operation Sinker to send Fiona to the East and the blood-curdling plan to bring her back.

Early on Bernard flies back to Berlin where he stays with old Tante Lisl who we last saw wheelchair-bound but who’s had hip replacements and is noticeably more mobile and sprightly. He visits the elderly Frank Harrington, head of the Berlin Field Unit, friend of Bernard’s dad, still hankering after a move back to London and a ‘gong’. Then he hitchhikes down to Zurich to visit his best friend from his Berlin childhood, Werner Volkmann, who has left Lisl’s niece, Ingrid, to take up again with his youthful, go-getting but deeply untrustworthy girlfriend, Zena.

In other words, the old gang’s all here. The plot feels mostly concerned with taking Bernard to all his familiar places and touching base with all the faces we’ve gotten to know so well from the previous six novels, so that we can sink back into the warm comfort zone of the Bernard Samson soap opera.

There is a plot about spies and stuff but really, rather than a spy story which shows us some of the agents’ private lives, these novels feel more like a soap opera about a circle of middle-class people, with homes in Mayfair and the Home Counties, who have Sunday lunches, dinner parties, evenings in cooking and moaning about the office – and ever so occasionally, go off and do some dodgy dealing behind the Iron Curtain. All swathed in, delivered with, Samson (and Deighton)’s trademark dry humour.

As I said it, a movement in the next row of machines revealed the inquisitive and unfriendly eyes of a man named Morgan peeping over the top of the bull-pen. Morgan was a malevolent denizen of the top floor who was working on a PhD in gossip. (p.134)

Gloria

And threaded throughout the book is the domestic difficulty Samson has with the fact that, not only did he shack up with the gorgeous Gloria after Fiona ‘betrayed’ and ‘abandoned’ him, and end up falling seriously in love with her; but that, now Fiona is back, both women are working for the same Department, in the same building, on the same floor. Samson has painful conversations with Fiona, who can’t forgive him for ‘betraying’ her with another woman (er, hang on); and even more painful conversations with Gloria, who can’t bear it that she’s suddenly been shut out of his life.

The Gloria-Fiona thread is another way in which the novels feel more like a soap opera, with lots of tearful accusations and bitter recriminations etc, than a straight spy thriller.

(And there is a Gloria sub-sub-plotline: She refers now and then to her father, who was an émigré from Hungary, came to London as a trained dentist and ended up as a contractor to the Department, for example doing dental work on deep undercover field agents so their teeth looked like they’d had bad Eastern Bloc dental work. She mentions here and there that, while Samson was recuperating in the States, her father’s contract with the Department was terminated, very aggressively; officers came and removed all of his dental equipment. Thus rendered unemployed he has taken up the offer of a job back in Hungary, even though it is still communist and he might be running some risks for ever having left. –Now we know something neither Bernard or Gloria know, which is that the key to the whole swap-Tessa’s-body-for-Fiona’s plan was to supply Tessa’s corpse with a young woman’s head (burned beyond recognition) which contained teeth identical to Fiona’s – and, I don’t think it was 100% confirmed, but the strong presumption in the earlier novels is that it was Gloria’s father who supplied the head with the fake dental work ie he was a crucial element in the conspiracy and this explains, to the alert reader, why he has been shut down and shuffled off abroad. Where, I wouldn’t be at all surprised if something bad does happen to him as Gloria frets to Bernard in their one or two conversations on the subject.)

The plot

Collecting VERDI

Samson is asked to go over the Wall to visit a senior KGB man who might want to defect, code name VERDI. So he goes across the Wall and is driven to the rendezvous by a callow new agent, Robin. When they arrive at the spooky silent house in an East German village the guy they’re due to meet is dead in an armchair, his head blown off. As they leave, they are tailed by a car, so Samson stops on a deserted country road, gets out in an initially friendly way but then shoots at the car, hitting one of ‘their’ men, before jumping back into his own and screeching off.

The Delius network

Samson and Robin drive to a friendly church, the base of one of the many ‘networks’ we ran over in the East (this one code-named Delius). They are welcomed and sheltered by the pastor and this enables Deighton to expand on, or refresh our memories about, the Fiona-defecting plotline. To recap: Bret Rensselaer had identified a decade earlier that the East German churches might form a perfect channel of resistance to the communist regime. So Fiona was chosen to volunteer to spy for the KGB to build up a cover here in the West, before ‘defecting’ to the East, where she could take up her double agent role. There, from her senior position in East German intelligence, she began her real work for us, networking with German churches and encouraging them to speak out against the regime.

Fiona’s mission

You can see what Deighton is doing here, tying his heroine to actual developments in the real world, for the East German churches genuinely were among the focal points for growing resistance to the régime in the late 1980s. But, also in the real world, all the unrest – from churches to other civic groups, intellectuals and opposition parties – was only allowable because of the example of perestroika set by Gorbachev in Russia. It was Gorbachev lifting the lid which led to the collapse of the Eastern bloc, not the subversive activities of nice, public-school-educated English ladies. Deighton’s sleight of hand works… up to a point.

On a practical point: wouldn’t Fiona’s KGB bosses have noticed her anti-KGB activities? Just a little? Wouldn’t she have been very closely monitored indeed, followed every hour of the day, by her touchy new employers? She probably couldn’t go to the loo without them knowing: how, then, could she possibly have arranged meetings with all the leading subversive forces in the country and given them support, money, advice, without the KGB knowing a thing about it, in fact all about it? — Best to put the implausibility of the whole plotline to one side, and enjoy the show.

Rendezvous with Werner

After getting safely back to the West, Samson hitchhikes down to Zurich to see his old mate, Werner Volkmann. For some reason, on the way he has a punishing fight with the trucker who picks him up, leaving him uncertain whether it was an assassination attempt or just a psycho trucker. And the lift after that is with a police inspector who menacingly warns Samson that he better not cause any trouble or get arrested, or else he will have a hard time in the cells. Maybe these two encounters are to establish the tough, manly world of the thriller, the ‘real’ world of crime and law enforcement, of beatings-up on dark rainy nights, which we are meant to be in…

In Zurich there’s some business about safe houses, and having to contact Werner via secretive émigrés and the like, all enjoyable spy hokum, which gives way quickly to the two old buddies meeting up and having long chats about women and life. Werner has been sidelined by London, again (even though we know Werner was Fiona’s case officer, or official liaison channel with London, through her years in the East and so was, at one point, central to the biggest operation in MI6’s history). It feels like that has been quietly forgotten in order to restore the buddies-against-authority vibe Samson and Werner had in the earlier books. Much of the plot has a strong sense of déjà vu, not in the details, just in the feel and recurring situations. In fact more than once Samson himself comments on it, saying he feels like he’s been at this dinner party, or had this conversation with Frank, before. And he has. But the reader doesn’t mind because it’s all done with good humour and intelligence. We like these dinner parties. We like these clever conversations.

Dicky Cruyer’s plan

It transpires that Dicky Cruyer wants to make his name and secure promotion by smuggling VERDI out of the East. VERDI is something to do with the KGB’s vast new computer database and so would be able to tell us all their secrets. However, he was also involved in the investigation into Fiona / Tessa’s death. Samson keeps telling people, especially Werner, that deep down Fiona is traumatised and will never be the same. (That’s what Deighton has to have him say to give the novel some kind of psychological plausibility, but it doesn’t actually show it much. In all the conversations at home, in the office, dinners at home, meeting the kids, dinner parties out and Sunday lunches at her father’s, Fiona comes over as an absolutely normal, pukkah, upper-middle-class gel without a shadow of trauma. Deighton tells but doesn’t show her alleged unravelling.)

Meanwhile, we learn that Fiona hired an American ex-agent and freelance snoop, Timmerman, to go looking for Tessa out East. And late on in the novel we discover it was his body that Samson found at the rendezvous, not VERDI’s. Was Timmerman murdered because he had discovered too much? What does ‘too much’ actually mean? Remember, Samson himself doesn’t know anything about the conspiracy to murder Tessa and try and con the other side that her body was Fiona’s. (Most of this novel seems to be about the way various different characters either know this murderous truth and are probably hiding it (Rennsaeler? Frank Hutchinson? The DG?) or are blissfully ignorant of it and groping to find out (Fiona, Tessa’s husband George, and Samson himself)).

VERDI’s version

Eventually VERDI ie Andrey Fedosov is successfully smuggled out of the East and Samson and Werner are charged with looking after him, though Samson is very unhappy that it has to be in a Departmental flat in Marylebone instead of the big country estate surrounded by CCTV and security guards which they usually employ for the purpose. The latter, Dicky tells him, is being refurbished due to ‘asbestos in the roof’.

In one of his first presentations to our boys, Fedosov tells Werner and Samson that Tessa was never killed! At the confused shootout by the Autobahn in the rain, it was the KGB woman officer charged with getting Fiona back and despatched to intercept her as soon as the KGB knew she’d done a bunk, it was this KGB woman who was shot! What? And that the drunk Tessa we saw climbing into Samson’s transit van as he left a hotel party to collect Fiona, and who we saw shot in the confused handover, was not shot at all but seized by the opposition in all the confusion and taken to a Stasi interrogation centre. What? This is completely against all the versions of events we’d previously read. Can it possibly be true?

Either Deighton is giving himself an ‘out’, a way of providing the happy end to the Tessa affair that we softer-hearted readers would like to see pulled out of a hat. Or, more true to thriller conventions,  Fedosov has been allowed to defect and to tell this story in order to put Samson off the grisly reality which Spy Sinker seemed to describe: that Tessa was deliberately murdered on the orders of people in his own Department. This way it looks like the woman killed was a baddy and Tessa is alive: this gets the Department higher-ups off the hook and, hopefully, will ease Fiona’s guilt. Then if Tessa proves irrecoverable or her body turns up, it can conveniently be blamed on the evil KGB instead of our own bad guys.

A family affair

And so, despite cursory nods in the direction of glasnost and the vast social and political changes affecting the world in 1987, the plot has turned into an entirely family affair. Again. Maybe the whole trilogy will circle round the question: Who killed Tessa? Was she actually killed at all? Will Fiona’s investigations uncover the truth? Will the bad guys in the Department manage to keep the real events a secret? Will Samson get to the bottom of things or will he continue to be the patsy for much larger, much cleverer forces, that he was revealed to be in Spy Sinker?

Having told his version of the Tessa affair with a big smile on his face, Fedosov settles back into an armchair in the safe house, and is promptly shot through the heart by a long range sniper bullet. Werner and Samson throw themselves to the floor and crawl across to check but… yep, he was killed instantly. It’s almost as if someone wanted him to come West, tell his fiction about Tessa and then… bang!

The novel ends with Werner and Samson awaiting being called into the official enquiry into why and how they let Fedosov be assassinated. There’s another strong sense of déjà vu as, once again, Samson and his pal are in the doghouse – but also a familiar feeling that the entire trilogy will be about unravelling just one ‘secret’, as the previous trilogies – despite all the local colour – boiled down to one question: Is Fiona really a Russian spy?

Will Deighton manage to pull it off, to supply enough twists and turns to keep us reading, and yet deliver an outcome which is both unexpected and emotionally satisfying? The only way to find out is to read on, which is what makes this, like all the novels in the series, so fiendishly complex, entertaining and compelling.

Credit

Faith by Len Deighton was published by Harper Collins 1994. All quotes and page references from the 1995 HarperCollins paperback edition.


Related links

Len Deighton’s novels

1962 The IPCRESS File Through the thickets of bureaucracy and confusing misinformation which surround him, an unnamed British intelligence agent discovers that his boss, Dalby, is in cahoots with a racketeer who kidnaps and brainwashes British scientists.
1963 Horse Under Water Perplexing plot which is initially about diving into a wrecked U-boat off the Portuguese coast for Nazi counterfeit money, then changes into the exposure of an illegal heroin manufacturing operation, then touches on a top secret technology which can change ice to water instantly (ie useful for firing missiles from submarines under Arctic ice) and finally turns out to be about a list – the Weiss List – of powerful British people who offered to help run a Nazi government when the Germans invaded, and who are now being blackmailed. After numerous adventures, the Unnamed Narrator retrieves the list and consigns it to the Intelligence archive.
1964 Funeral in Berlin The Unnamed Narrator is in charge of smuggling a Russian scientist through the Berlin Wall, all managed by a Berlin middle-man Johnnie Vulkan who turns out to be a crook only interested in getting fake identity papers to claim the fortune of a long-dead concentration camp victim. The Russians double-cross the British by not smuggling the scientist; Vulkan double-crosses the British by selling the (non-existent) scientist on to Israeli Intelligence; the Narrator double-crosses the Israelis by giving them the corpse of Vulkan (who he has killed) instead of the scientist; and is himself almost double-crossed by a Home Office official who tries to assassinate him in the closing scenes, in order to retrieve the valuable documents. But our Teflon hero survives and laughs it all off with his boss.
1966 Billion-Dollar Brain The Unnamed Narrator is recruited into a potty organisation funded by an American billionaire, General Midwinter, and dedicated to overthrowing the Soviet Union. A character from Funeral In Berlin, Harvey Newbegin, inducts him into the organisation and shows him the Brain, the vast computer which is running everything, before absconding with loot and information, and then meeting a sticky end in Leningrad.
1967 An Expensive Place to Die A new departure, abandoning all the characters and much of the style of the first four novels for a more straightforward account of a secret agent in Paris who gets involved with a Monsieur Datt and his clinic-cum-brothel. After many diversions, including an induced LSD trip, he is ordered to hand over US nuclear secrets to a Chinese scientist, with a view to emphasising to the Chinese just how destructive a nuclear war would be and therefore discouraging them from even contemplating one.
1968 Only When I Larf Another departure, this is a comedy following the adventures of three con artists, Silas, Bob and Liz and their shifting, larky relationships as they manage (or fail) to pull off large-scale stings in New York, London and the Middle East.
1970 Bomber A drastic change of direction for Deighton, dropping spies and comedy to focus on 24 hours in the lives of British and German airmen, soldiers and civilians involved in a massive bombing raid on the Ruhr valley. 550 pages, enormous cast, documentary prose, terrifying death and destruction – a really devastating indictment of the horrors of war.
1971 Declarations of War Thirteen short stories, all about wars, mainly the first and second world wars, with a few detours to Vietnam, the American Civil war and Hannibal crossing the Alps. Three or four genuinely powerful ones.
1972 Close-Up Odd departure into Jackie Collins territory describing the trials and tribulations of fictional movie star Marshall Stone as he betrays his wife and early lovers to ‘make it’ in tinseltown, and the plight he currently finds himself in: embroiled in a loss-making production and under pressure from the scheming studio head to sign a lucrative but career-threatening TV deal.
1974 Spy Story The Unnamed Narrator of the Ipcress spy novels returns, in much tamer prose, to describe how, after escaping from the ‘Service’ to a steady job in a MoD war games unit, he is dragged back into ‘active service’ via a conspiracy of rogue right-wingers to help a Soviet Admiral defect. Our man nearly gets shot by the right-wingers and killed by Russians in the Arctic, before realising the whole thing was an elaborate scam by his old boss, Dawlish, and his new boss, the American marine General Schlegel, to scupper German reunification talks.
1975 Yesterday’s Spy Another first-person spy story wherein a different agent – though also working for the American Colonel Schlegel, introduced in Spy Story – is persuaded to spy on Steve Champion, the man who ran a successful spy ring in Nazi-occupied France, who recruited him to the agency and who saved his life back during the war. Via old contacts the narrator realises Champion is active again, but working for Arabs who are planning some kind of attack on Israel and which the narrator must foil.
1976 Twinkle, Twinkle, Little Spy (aka Catch a Falling Spy) The narrator and his CIA partner manage the defection of a Soviet scientist, only for a string of murder attempts and investigations to reveal that a senior US official they know is in fact a KGB agent, leading to a messy shootout at Washington airport, and then to an unlikely showdown in the Algerian desert.
1977 Fighter: The True Story of the Battle of Britain Abandoning fiction altogether, Deighton published this comprehensive, in-depth and compelling history, lavishly illustrated with photos and technical diagrams of the famous planes involved.
1978 SS-GB A storming return to fiction with a gripping alternative history thriller in which the Germans succeeded in invading and conquering England in 1941. We follow a senior detective at Scotland Yard, Douglas Archer, living in defeated dingy London, coping with his new Nazi superiors, and solving a murder mystery which unravels to reveal not one but several enormous conspiracies.
1979 Blitzkrieg: From the Rise of Hitler to the Fall of Dunkirk Another factual history of WWII: Deighton moves quickly over Hitler’s rise to power and the diplomatic bullying of the 1930s, to arrive at the core of the book: an analysis of the precise meaning of ‘Blitzkrieg’, complete with detailed notes on all the weapons, tanks, artillery and hardware involved, as well as the evolution of German strategic thinking; and then its application in the crucial battle for the river Meuse which determined the May 1940 Battle for France.
1980 Battle of Britain
1981 XPD SIS agent Boyd Stuart is one of about 20 characters caught up in the quest for the ‘Hitler Minutes’, records of a top secret meeting between Hitler and Churchill in May 1940 in which the latter was (shockingly) on the verge of capitulating, and which were ‘liberated’ by US soldiers, along with a load of Nazi gold, at the very end of the war. Convoluted, intermittently fascinating and sometimes moving, but not very gripping.
1982 Goodbye, Mickey Mouse Six months in the life of the 220th Fighter Group, an American Air Force group flying Mustangs in support of heavy bombers, based in East Anglia, from winter 1943 through spring 1944, as we get to know 20 or so officers and men, as well as the two women at the centre of the two ill-fated love affairs which dominate the story.
1983 Berlin Game First of the Bernard Samson spy novels in which this forty-something British Intelligence agent uses his detailed knowledge of Berlin and its spy networks to ascertain who is the high-level mole within his Department. With devastating consequences.
1984 Mexico Set Second of the first Bernard Samson trilogy (there are three trilogies ie 9 Samson books), in which our hero manages the defection of KGB agent Erich Stinnes from Mexico City, despite KGB attempts to frame him for the murder of one of his own operatives and a German businessman. All that is designed to make Bernard defect East and were probably masterminded by his traitor wife, Fiona.
1985 London Match Third of the first Bernard Samson spy trilogy in which a series of clues – not least information from the defector Erich Stinnes who was the central figure of the previous novel – suggest to Samson that there is another KGB mole in the Department – and all the evidence points towards smooth-talking American, Bret Rensselaer.
1987 Winter An epic (ie very long and dense) fictionalised account of German history from 1900 to 1945, focusing on the two Winter brothers, Peter and Paul, along with a large supporting cast of wives, friends, colleagues and enemies, following their fortunes through the Great War, the Weimar years, the rise of Hitler and on into the ruinous Second World War. It provides vital background information about nearly all of the characters who appear in the Bernard Samson novels, so is really part of that series.
1988 Spy Hook First of the second trilogy of Bernard Samson spy novels in which Bernie slowly uncovers what he thinks is a secret slush fund of millions run by his defector wife with Bret Rensaeller (thought to be dead, but who turns up recuperating in a California ranch). The plot involves reacquaintance with familiar characters like Werner Volkmann, Frau Lisl (and her sister), old Frank Harrington, tricky Dicky Cruyer, Bernie’s 23-year-old girlfriend Gloria Kent, and so on.
1989 Spy Line Through a typically tangled web of incidents and conversations Samson’s suspicions are confirmed: his wife is a double agent, she has been working for us all along, she only pretended to defect to the East. After numerous encounters with various old friends of his father and retired agents, Samson finds himself swept up in the brutal, bloody plan to secure Fiona’s escape from the East.
1990 Spy Sinker In the third of the second trilogy of Samson novels, Deighton switches from a first-person narrative by Samson himself, to an objective third-person narrator and systematically retells the entire sequence of events portrayed in the previous five Samson novels from an external point of view, shedding new and sometimes devastating light on almost everything we’ve read. The final impression is of a harrowing world where everyone is deceiving everyone else, on multiple levels.
1991 MAMista A complete departure from the Cold War and even from Europe. Australian doctor and ex-Vietnam War veteran Ralph Lucas finds himself caught up with Marxist guerrillas fighting the ruling government in the (fictional) South American country of Spanish Guiana and, after various violent escapades, inveigled into joining the long, gruelling and futile trek through the nightmareish jungle which dominates the second half of the novel.
1992 City of Gold A complex web of storylines set in wartime Cairo, as the city is threatened by Rommel’s advancing Afrika Korps forces in 1942. We meet crooks, gangsters, spies, émigrés, soldiers, detectives, nurses, deserters and heroes as they get caught up in gun smuggling, black marketeering and much more, in trying to track down the elusive ‘Rommel spy’ and, oh yes, fighting the Germans.
1993 Violent Ward Very entertaining, boisterous first-person narrative by Los Angeles shyster lawyer Mickey Murphy who gets bought out by his biggest client, menacing billionaire Zach Petrovitch, only to find himself caught up in Big Pete’s complex criminal activities and turbulent personal life. The novel comes to a climax against the violent backdrop of the Rodney King riots in Los Angeles in April 1992.
1993 Blood, Tears and Folly: An Objective Look at World War II
1994 Faith Return to Bernard Samson, the 40-something SIS agent, and the world of his friends and family, familiar to us from the previous six Samson novels. Most of the characters (and readers) are still reeling from the bloody shootout when his wife returned from her undercover mission to East Germany at the climax of the previous novel. This book re-acquaints us with all the well-loved characters from the previous stories, in a plot ostensibly about smuggling a KGB colonel out from the East, but is really about who knows the truth – and who is trying to cover up – the real cause of the Fiona-escape debacle.
1995 Hope 40-something SIS agent Bernard Samson continues trying to get to the bottom of the death of his sister-in-law, Tessa Kosinski and is soon on the trail of her husband, George, who has gone missing back in his native Poland.
1996 Charity Ninth and final Bernard Samson novel in which it takes Bernard 300 pages to piece together the mystery which we readers learned all about in the sixth novel of the series, ie that the plot to murder Fiona’s sister, Tessa, was concocted by Silas Gaunt. Silas commissioned Jim Prettyman to be the middle-man and instructed him to murder the actual assassin, Thurkettle. Now that is is openly acknowledged by the Department’s senior staff, the most striking thing about the whole event – its sheer amateurish cack-handedness – is dismissed by one and all as being due to Gaunt’s (conveniently sudden) mental illness. As for family affairs: It is Bret who ends up marrying Bernard’s one-time lover, the glamorous Gloria; Bernard is finally promised the job of running the Berlin Office, which everyone has always said he should have: and the novel ends with a promise of reconciliation with his beautiful, high-flying and loving wife, Fiona.

Spy Sinker by Len Deighton (1990)

This the third and final novel in the second trilogy of books about 40-something British intelligence officer Bernard Samson.

In the first trilogy (Berlin Game, Mexico Set, London Match) his gorgeous, clever wife Fiona was exposed as a high-level ‘mole’ in the Department and forced to flee in a hurry to East Berlin.

In the first two novels of this set Bernard began to suspect – and then had it abundantly confirmed – that Fiona was in fact a double agent and had been working for us all along.

But the rainswept night of her final escape back from East Berlin to our side turned into a bloodbath: Samson and Fiona manage to escape but the agent accompanying Bernard – and Fiona’s sister, Tessa – are shot dead, as are the East German agent Stinnes and another man, Harry Kennedy.

The ex-CIA hitman masterminding this carnage burns Tessa’s body in the car, and throws the British agent, Stinnes and Harry into a deep ditch – part of the roadworks where the whole shambles took place – and where they will be covered with concrete and never found… Leaving the reader in shock.

What next?

Up until this bloody shootout the main appeal for me of the Samson stories was the generally light, mocking tone of the first person narrative and the relaxed, almost sitcom, feel to Samson’s generally humdrum round of work, meetings, files and reports, and his similarly mundane domestic life, hanging with his kids, with the girlfriend Gloria he took up with after his wife defected, and the numerous drinks parties and dinner parties where we meet and remeet the cast of recurring characters who populate the novels in an almost Dickensian teeming.

I found this social scene far more convincing and solidly imagined than the often far-fetched and abruptly violent elements of the ‘spy stories’. Especially as the spy stories boil down to such a simple narrative arc:

  1. Fiona defects (Berlin Game)
  2. Interlude while a KGB officer we thought was defecting, Erich Stinnes, turned out to be a spy so we sent him back (Mexico SetLondon Match)
  3. But Fiona isn’t a traitor after all, but a triple agent (Spy Hook, Spy Line).

In the last few pages of Spy Line we see Bernard and Fiona flown to Bret Rensselaer’s luxury safe house in California for Fiona to be debriefed at length. The Department has accounted for Fiona’s disappearance by making it look as if she died in the car conflagration (though I still don’t understand why the opposition are going to believe the car burst into flames; specially since it was a night of heavy rain).

But she saw her sister murdered in front of her and realises that was done to protect her. How can she avoid having a massive nervous breakdown? How can she ever go back to her ‘normal’ life? And the Department has put word out that Bernard has run off with Tessa, to explain their joint disappearance. How can that ever let Bernard return to London, where his mere presence will expose the falsehood? I really like the character of George Kosinski, the rough-and-ready East End used car salesman Tessa was married to. He will be devastated Tessa has run off with Bernard.

How can any of these people return to their happy-go-lucky lives or the novels return to their amiable, chatty tone?

Third person narrator

Deighton deftly sidesteps all the problems he had created for himself with the biggest surprise of the series so far – by switching narrative voice to a third person narrator, and by leaving our heroes’ present dilemma altogether to travel back in time and recap the entire narrative of the previous five novels from other people’s points of view! It is a bold and sometimes bewildering move because the net effect is to undermine and question everything we thought we knew.

So Spy Sinker commences back in September 1977, before the start of the first novel – Berlin Game – with the story of Fiona’s recruitment and the hatching of the plan to make her a double agent, showing the earliest genesis of the plan in conversations between Bret Rensselaer – whose idea it is – and the Director General, Sir Henry Clevemore – who is persuaded to sanction it. Both know she’s married to Samson and both agree to keep Samson completely in the dark whatever happens.

Thus we realise almost everything Samson tells us in the first person narratives of the previous five books has been flawed, half-informed, and often completely wrong. We, the reader, have been ‘had’ just as much as Samson.

Seeing Samson’s world from the outside, and having events we’ve seen through his eyes retold by an omniscient narrator, is a revelation – or a series of revelations. The dominant effect is to show how thoroughly deceived and lied to he’s been by absolutely everyone: by his wife, his colleague Bret Rensselaer, his old friend Silas Gaunt and by the Director General of the Department – they were all in on the deception and kept it from him for five years.

At the end, and particularly bitterly, even his closest and oldest friend Werner Volkmann is let in on the secret and keeps it from him.

Same scenes, drastically different perspectives

Incident after incident from the earlier novels is retold showing us what really happened. To give a small selection:

  • When he was hijacked by a black nurse in Mexico Set in order to pick up Fiona, it turns out it wasn’t Fiona but an agent impersonating her in an operation set up by Moscow thug Moskvar. He wanted to provoke Samson into pursuing the black agent back to the Department safe house in Bosham, where they would capture, torture and then murder him. Samson, as intended (and as he tells us) believes the impersonator is his wife (improbably) but then sends a junior operative to track down the black woman, and it is he who is tortured and murdered. The failure of his plan badly damaging Moskvar’s reputation back in the East.
  • The whole plotline which dominated the end of Spy Hook – the Department’s growing suspicion that Bret Rensselaer is a double agent – created and fostered by the two-timing KGB defector Erich Stinnes — we see this from the East Berlin point of view, how the KGB plan it and plant suspicion of Bret via his handling of the Stinnes defection. Which eventually leads to a commission of enquiry in which Stinnes bluntly incriminates Bret. Their case is helped by the fiasco in the laundrette in Hampstead where Bret had insisted on being in the field with Samson when the KGB men turning up to collect some money turn nasty with shotguns: Bernard is forced to shoot them both. [As so often with outbreaks of violence in Deighton, despite having read two different accounts of it, I still don’t understand why Bret and Samson were waiting with money to pay KGB agents and have no idea why the latter started the violence.] But this and other incidents are all a backdrop to Bret suddenly fleeing in a panic to Berlin which is the point, in Spy Hook, where we saw him – from Bernard’s point of view – abruptly turning up on the latter’s doorstep.
  • At the end of London Match there is a prolonged shootout in the streets of Berlin following the hostage exchange of Samson’s friend Werner Volkmann for the ‘defector’ Stinnes, in which the brutal Moskvin is forced to flee through the streets, exchanging gunfire with the following agents until shot by his own side, not before shooting and badly wounding Bret. (As with the laundrette scene, I still don’t really understand why his own side wanted to kill Moskvin, even after two explanations, in London Match and here. Like the other bursts of violence, it seems illogical, unnecessary and amateurishly done.)
  • Bret, severely wounded in Berlin, is flown to the luxury ranch in California which – we now learn from this book – he uses as a base to continue receiving information from Fiona, cleanse it and pass it onto the CIA.
  • To my astonishment, Fiona recruits Werner Volkmann, just before his exchange  the exchange back to the West, to become a direct conduit between her and the DG Sir Henry. a) It seems immensely risky to hire a non-employee of the Department for such an incriminating role b) so Werner is let in on the secret that Fiona is a double agent and keeps it from his best friend, Bernard, for the next 4 years!
  • At various points we watch old Silas Gaunt and the DG of the Department callously making plans which toy with other peoples’ lives and it is upsetting the way they tinker with telling Samson Fiona still loves him and is loyal to her country and him, before deciding not to, and leaving his life in ruins. Possibly all this is permissible for the importance of the mission they’ve given her. But they cross a line when, towards the end, we watch them orchestrating Fiona’s escape back to the West and deliberately acquiescing in murder.
    • It is Silas who hires an ex-CIA hitman, Thurkettle (who Samson had run across in Spy Line) and makes him the murdering orchestrator of the bloodbath. In a manouevre which I didn’t understand it is arranged for Fiona to be at the rendezvous at the motorway works with Erich Stinnes – now, very implausibly, caught up in drug smuggling.
    • Thurkettle will arrange the meeting for the now-drug-running Stinnes to hand over a consignment of heroin. But I have no idea why Fiona, Stinnes’ boss, would be with him on what sounds like a criminal act. I have no idea why Fiona couldn’t just get in a car and drive down the Autobahn into West Germany then be spirited away. The reason given is that, if the KGB think she is dead, they will leave their security setups as they are, allowing us to exploit Fiona’s inside information for a while longer; if they knew she’d defected back they’d change all their arrangements. But is this intelligence really worth the murder of Fiona’s sister, Tessa – which is what it leads to? For Thurkettle goes to great lengths to arrange for a body like Fiona’s to be found burned to a crisp in a burned out car, and whose body will that be – her sister’s.
    • And I still don’t understand what the KGB are to meant to make of all this: why was the car ever meant to have caught fire? It’s parked stationary off the motorway so it’s not in a crash. Is this the best British Intelligence can come up with?
    • A ghoulish element is introduced because Tessa’s head must be sawn off so that her skull can be replaced with another skull with Fiona’s dental work to persuade the KGB it really is her. But won’t their forensic scientists notice that this corpse has had its head sawed off? Might they wonder why the corpse of their former East Berlin chief is found with its head cut off in a car parked by the side of a motorway which has burst into flames for no good reason?
      • It just seems like a rubbish plan, too random, contrived and unnecessarily complicated
      • I just don’t believe the two old Etonians, Silas and Sir Henry, can calmly sit drinking whisky and smoking cigars in their nice country house and planning the murder of an innocent woman, one they’ve met socially several times. I don’t believe it.

Another big shocker in the first half of the book is the discovery that, for some time before she defected, Fiona was having an affair with a Canadian psychiatrist, a sustained sexual infidelity to her husband. This completely changes the framework of the preceding five novels. Fiona’s betrayal of Samson is even more personal than we’d thought. He’s called Harry Kennedy and, like all Deighton characters who do so, he falls almost immediately into a trance-like and perfect epitome of ‘love’: ‘I love you darling.’ ‘I know, darling.’

[All Deighton characters fall in love the same way and then talk in the same lovey-dovey way: Fiona and Harry’s love talk sounds just like Bernard and Gloria’s and just like Jamie Farebrother and Victoria’s in Goodbye, Mickey Mouse.]

In a further revelation, towards the end of the novel Fiona, the DG and Bret back in London (and we the reader) discover that her Canadian lover in fact comes from a Ukrainian family, was a member of the Communist Party at university and has done bits of small work for the KGB in the past – a discovery which stuns and amazes Fiona, leaving her feeling even more paranoid and lonely in her isolated double role in the terrifying East. Was Harry set to spy on her? Is he a glorified minder? Yes. Is there anyone she can trust? No.

Lowering

The net effect is, I think, depressing. Samson who in the first five books is the virile, confident and amusing narrator – is now revealed as entirely fallible, misled about everything. This applies not only in his immediate life but the book also refers to the events at the end of World War Two in which his father’s career in the SIS was tarnished, and shows how unfair that accusation was (specifically, the killing of the two Winter brothers which concludes Deighton’s epic novel, Winter, which provides historical background to the Samson books). Thus Deighton makes the trail of doubt and deceit goes back indefinitely into the past…

Depressing because Samson is partly a symbol of all of us. Fictions, novels, give us the entirely spurious impression we understand what is going on in the world. Fictional characters’ lives are laid out in generally schematic ways, as they interact with a small and manageable number of people in sequences of events known as ‘plots’ which have a convenient beginning, middle and end.

That’s why the first five Samson novels are so reassuring and warm (despite the occasional outbursts of violence each one contains). The amused tone of the ever-confident Samson is buoyant, reassuring company. But this sixth novel systematically devastates our understanding of what went before, making us realise we’ve understood almost nothing. And along with the events it undermines, go the warmth and security the other books had created. This book destroys those feelings. We are alone on a darkling plain.

Skipping

Deighton speeds up the overview in the last 100 pages. An author who normally takes ten pages to describe two people chatting over a drink or in a bedroom or on a country walk, suddenly skips big sections of time. As when he begins to show us the investigation committee set up to review Bret’s management of Stinnes’ defection in great detail, showing the members arriving at the safe house in the country where Stinnes is being kept, describing each of the men sitting round the table, and beginning with verbatim accounts of what is being said, as if this scene alone will, characteristically, take another ten pages… But then – it is almost as if Deighton is bored with his own thoroughness – the text suddenly reverts to a high-level summary:

When Bret faced the wall of opposition which Moskvin and Stinnes had between them constructed brick by brick, he did something that neither of the Russians had provided for. Rensselaer went to Berlin and pleaded for the aid of Bernard Samson. (p.321)

In the last 100 pages there are several occasions when the narrative tires of its own detail and simply jumps mid-paragraph to a completely new scene. Some sections repeat or introduce characters we already know. Overall the text gives the impression of having been written at different times – maybe the objective scenes were written at the same time that Samson’s point of view was being written for the earlier novels – and not fully integrated into a seamless whole.

It is very bitty, jumping between the key scenes of the earlier novels, relying on our memory of them to give the narrative coherence.


Undermining the East German economy

In the scene early in the novel, set in 1978, when Bret suggests his plan of creating a triple agent to fool the East Germans – a plan they eventually name Operation Sinker, hence the title of the novel and, by extension, of all three novels in the sequence – it is explained how Fiona’s infiltration is designed to undermine the East German state in two ways:

  • to identify key engineers, scientists and intellectuals who can be enticed to the West creating a ‘brain drain’
  • to identify opposition groups, dissidents from left or right, church and human rights organisations and so on, which the West can tacitly support and thus undermine the communist regime

The DG and Bret are seen speculating wildly that if the operation succeeds, they’ll have the Berlin Wall crashing down in ten years time, by, ooh, say, 1990.

Now, as we all know, Soviet domination of Eastern Europe did crumble in the second half of 1989 and the Wall was knocked through in November of that year (even if it didn’t begin to be formally demolished till June 1990). This novel was published in 1990 by which time not only was the Wall down, but we knew how it came about – the final collapse of the Soviet model of the Command Economy under Gorbachev whose efforts at selective loosening of the reins of state control (perestroika) only hastened its decay, along with the rapid growth of civic groups opposing the regime (given more freedom of expression under glasnost) – including dissidents and especially groups based in churches. Then the final straw of Hungary’s decision to open its borders and allow free passage for any East European citizen to the West, which at a stroke made the Wall redundant.

I would dearly love to know whether Deighton had conceived Fiona’s mission in terms which so closely predicted the actual course of events right from the start and before the first novel in the series was published in 1983 when everyone thought Soviet domination, the Wall and all the rest of it would last indefinitely? Or was the alignment to historical fact, and the timescale, only introduced after all this came to pass? Was Len a prophet predicting the future – or a dab hand at cutting and pasting actual events into a long-pondered narrative?


Related links

Granada paperback cover of Spy Sinker

Granada paperback cover of Spy Sinker

Len Deighton’s novels

1962 The IPCRESS File Through the thickets of bureaucracy and confusing misinformation which surround him, an unnamed British intelligence agent discovers that his boss, Dalby, is in cahoots with a racketeer who kidnaps and brainwashes British scientists.
1963 Horse Under Water Perplexing plot which is initially about diving into a wrecked U-boat off the Portuguese coast for Nazi counterfeit money, then changes into the exposure of an illegal heroin manufacturing operation, then touches on a top secret technology which can change ice to water instantly (ie useful for firing missiles from submarines under Arctic ice) and finally turns out to be about a list – the Weiss List – of powerful British people who offered to help run a Nazi government when the Germans invaded, and who are now being blackmailed. After numerous adventures, the Unnamed Narrator retrieves the list and consigns it to the Intelligence archive.
1964 Funeral in Berlin The Unnamed Narrator is in charge of smuggling a Russian scientist through the Berlin Wall, all managed by a Berlin middle-man Johnnie Vulkan who turns out to be a crook only interested in getting fake identity papers to claim the fortune of a long-dead concentration camp victim. The Russians double-cross the British by not smuggling the scientist; Vulkan double-crosses the British by selling the (non-existent) scientist on to Israeli Intelligence; the Narrator double-crosses the Israelis by giving them the corpse of Vulkan (who he has killed) instead of the scientist; and is himself almost double-crossed by a Home Office official who tries to assassinate him in the closing scenes, in order to retrieve the valuable documents. But our Teflon hero survives and laughs it all off with his boss.
1966 Billion-Dollar Brain The Unnamed Narrator is recruited into a potty organisation funded by an American billionaire, General Midwinter, and dedicated to overthrowing the Soviet Union. A character from Funeral In Berlin, Harvey Newbegin, inducts him into the organisation and shows him the Brain, the vast computer which is running everything, before absconding with loot and information, and then meeting a sticky end in Leningrad.
1967 An Expensive Place to Die A new departure, abandoning all the characters and much of the style of the first four novels for a more straightforward account of a secret agent in Paris who gets involved with a Monsieur Datt and his clinic-cum-brothel. After many diversions, including an induced LSD trip, he is ordered to hand over US nuclear secrets to a Chinese scientist, with a view to emphasising to the Chinese just how destructive a nuclear war would be and therefore discouraging them from even contemplating one.
1968 Only When I Larf Another departure, this is a comedy following the adventures of three con artists, Silas, Bob and Liz and their shifting, larky relationships as they manage (or fail) to pull off large-scale stings in New York, London and the Middle East.
1970 Bomber A drastic change of direction for Deighton, dropping spies and comedy to focus on 24 hours in the lives of British and German airmen, soldiers and civilians involved in a massive bombing raid on the Ruhr valley. 550 pages, enormous cast, documentary prose, terrifying death and destruction – a really devastating indictment of the horrors of war.
1971 Declarations of War Thirteen short stories, all about wars, mainly the first and second world wars, with a few detours to Vietnam, the American Civil war and Hannibal crossing the Alps. Three or four genuinely powerful ones.
1972 Close-Up Odd departure into Jackie Collins territory describing the trials and tribulations of fictional movie star Marshall Stone as he betrays his wife and early lovers to ‘make it’ in tinseltown, and the plight he currently finds himself in: embroiled in a loss-making production and under pressure from the scheming studio head to sign a lucrative but career-threatening TV deal.
1974 Spy Story The Unnamed Narrator of the Ipcress spy novels returns, in much tamer prose, to describe how, after escaping from the ‘Service’ to a steady job in a MoD war games unit, he is dragged back into ‘active service’ via a conspiracy of rogue right-wingers to help a Soviet Admiral defect. Our man nearly gets shot by the right-wingers and killed by Russians in the Arctic, before realising the whole thing was an elaborate scam by his old boss, Dawlish, and his new boss, the American marine General Schlegel, to scupper German reunification talks.
1975 Yesterday’s Spy Another first-person spy story wherein a different agent – though also working for the American Colonel Schlegel, introduced in Spy Story – is persuaded to spy on Steve Champion, the man who ran a successful spy ring in Nazi-occupied France, who recruited him to the agency and who saved his life back during the war. Via old contacts the narrator realises Champion is active again, but working for Arabs who are planning some kind of attack on Israel and which the narrator must foil.
1976 Twinkle, Twinkle, Little Spy (aka Catch a Falling Spy) The narrator and his CIA partner manage the defection of a Soviet scientist, only for a string of murder attempts and investigations to reveal that a senior US official they know is in fact a KGB agent, leading to a messy shootout at Washington airport, and then to an unlikely showdown in the Algerian desert.
1977 Fighter: The True Story of the Battle of Britain Abandoning fiction altogether, Deighton published this comprehensive, in-depth and compelling history, lavishly illustrated with photos and technical diagrams of the famous planes involved.
1978 SS-GB A storming return to fiction with a gripping alternative history thriller in which the Germans succeeded in invading and conquering England in 1941. We follow a senior detective at Scotland Yard, Douglas Archer, living in defeated dingy London, coping with his new Nazi superiors, and solving a murder mystery which unravels to reveal not one but several enormous conspiracies.
1979 Blitzkrieg: From the Rise of Hitler to the Fall of Dunkirk Another factual history of WWII: Deighton moves quickly over Hitler’s rise to power and the diplomatic bullying of the 1930s, to arrive at the core of the book: an analysis of the precise meaning of ‘Blitzkrieg’, complete with detailed notes on all the weapons, tanks, artillery and hardware involved, as well as the evolution of German strategic thinking; and then its application in the crucial battle for the river Meuse which determined the May 1940 Battle for France.
1980 Battle of Britain
1981 XPD SIS agent Boyd Stuart is one of about 20 characters caught up in the quest for the ‘Hitler Minutes’, records of a top secret meeting between Hitler and Churchill in May 1940 in which the latter was (shockingly) on the verge of capitulating, and which were ‘liberated’ by US soldiers, along with a load of Nazi gold, at the very end of the war. Convoluted, intermittently fascinating and sometimes moving, but not very gripping.
1982 Goodbye, Mickey Mouse Six months in the life of the 220th Fighter Group, an American Air Force group flying Mustangs in support of heavy bombers, based in East Anglia, from winter 1943 through spring 1944, as we get to know 20 or so officers and men, as well as the two women at the centre of the two ill-fated love affairs which dominate the story.
1983 Berlin Game First of the Bernard Samson spy novels in which this forty-something British Intelligence agent uses his detailed knowledge of Berlin and its spy networks to ascertain who is the high-level mole within his Department. With devastating consequences.
1984 Mexico Set Second of the first Bernard Samson trilogy (there are three trilogies ie 9 Samson books), in which our hero manages the defection of KGB agent Erich Stinnes from Mexico City, despite KGB attempts to frame him for the murder of one of his own operatives and a German businessman. All that is designed to make Bernard defect East and were probably masterminded by his traitor wife, Fiona.
1985 London Match Third of the first Bernard Samson spy trilogy in which a series of clues – not least information from the defector Erich Stinnes who was the central figure of the previous novel – suggest to Samson that there is another KGB mole in the Department – and all the evidence points towards smooth-talking American, Bret Rensselaer.
1987 Winter An epic (ie very long and dense) fictionalised account of German history from 1900 to 1945, focusing on the two Winter brothers, Peter and Paul, along with a large supporting cast of wives, friends, colleagues and enemies, following their fortunes through the Great War, the Weimar years, the rise of Hitler and on into the ruinous Second World War. It provides vital background information about nearly all of the characters who appear in the Bernard Samson novels, so is really part of that series.
1988 Spy Hook First of the second trilogy of Bernard Samson spy novels in which Bernie slowly uncovers what he thinks is a secret slush fund of millions run by his defector wife with Bret Rensaeller (thought to be dead, but who turns up recuperating in a California ranch). The plot involves reacquaintance with familiar characters like Werner Volkmann, Frau Lisl (and her sister), old Frank Harrington, tricky Dicky Cruyer, Bernie’s 23-year-old girlfriend Gloria Kent, and so on.
1989 Spy Line Through a typically tangled web of incidents and conversations Samson’s suspicions are confirmed: his wife is a double agent, she has been working for us all along, she only pretended to defect to the East. After numerous encounters with various old friends of his father and retired agents, Samson finds himself swept up in the brutal, bloody plan to secure Fiona’s escape from the East.
1990 Spy Sinker In the third of the second trilogy of Samson novels, Deighton switches from a first-person narrative by Samson himself, to an objective third-person narrator and systematically retells the entire sequence of events portrayed in the previous five Samson novels from an external point of view, shedding new and sometimes devastating light on almost everything we’ve read. The final impression is of a harrowing world where everyone is deceiving everyone else, on multiple levels.
1991 MAMista A complete departure from the Cold War and even from Europe. Australian doctor and ex-Vietnam War veteran Ralph Lucas finds himself caught up with Marxist guerrillas fighting the ruling government in the (fictional) South American country of Spanish Guiana and, after various violent escapades, inveigled into joining the long, gruelling and futile trek through the nightmareish jungle which dominates the second half of the novel.
1992 City of Gold A complex web of storylines set in wartime Cairo, as the city is threatened by Rommel’s advancing Afrika Korps forces in 1942. We meet crooks, gangsters, spies, émigrés, soldiers, detectives, nurses, deserters and heroes as they get caught up in gun smuggling, black marketeering and much more, in trying to track down the elusive ‘Rommel spy’ and, oh yes, fighting the Germans.
1993 Violent Ward Very entertaining, boisterous first-person narrative by Los Angeles shyster lawyer Mickey Murphy who gets bought out by his biggest client, menacing billionaire Zach Petrovitch, only to find himself caught up in Big Pete’s complex criminal activities and turbulent personal life. The novel comes to a climax against the violent backdrop of the Rodney King riots in Los Angeles in April 1992.
1993 Blood, Tears and Folly: An Objective Look at World War II
1994 Faith Return to Bernard Samson, the 40-something SIS agent, and the world of his friends and family, familiar to us from the previous six Samson novels. Most of the characters (and readers) are still reeling from the bloody shootout when his wife returned from her undercover mission to East Germany at the climax of the previous novel. This book re-acquaints us with all the well-loved characters from the previous stories, in a plot ostensibly about smuggling a KGB colonel out from the East, but is really about who knows the truth – and who is trying to cover up – the real cause of the Fiona-escape debacle.
1995 Hope 40-something SIS agent Bernard Samson continues trying to get to the bottom of the death of his sister-in-law, Tessa Kosinski and is soon on the trail of her husband, George, who has gone missing back in his native Poland.
1996 Charity Ninth and final Bernard Samson novel in which it takes Bernard 300 pages to piece together the mystery which we readers learned all about in the sixth novel of the series, ie that the plot to murder Fiona’s sister, Tessa, was concocted by Silas Gaunt. Silas commissioned Jim Prettyman to be the middle-man and instructed him to murder the actual assassin, Thurkettle. Now that is is openly acknowledged by the Department’s senior staff, the most striking thing about the whole event – its sheer amateurish cack-handedness – is dismissed by one and all as being due to Gaunt’s (conveniently sudden) mental illness. As for family affairs: It is Bret who ends up marrying Bernard’s one-time lover, the glamorous Gloria; Bernard is finally promised the job of running the Berlin Office, which everyone has always said he should have: and the novel ends with a promise of reconciliation with his beautiful, high-flying and loving wife, Fiona.

Spy Line by Len Deighton (1990)

This is the second novel in the second trilogy about 40-something British intelligence agent, Bernard Samson. At the end of its predecessor he was on the run in Berlin, an arrest warrant issued by his own side for treason, presumably because he had been investigating (and publicising) a top secret slush fund which his wife – Fiona, who we saw defecting to the Russians in the first trilogy – helped set up and administer.

Summary

To cut a long story short, in this novel we find out that his wife is what he had come to suspect, a triple agent – working for British Intelligence for ten years, while all along pretending to be a KGB spy and sending the Russkies important information, then (at the climax of the first novel) pretending to be forced to flee after her own husband ‘outed’ her as the senior ‘mole’ in the Department – but secretly continuing to work for us from the senior position she is given in the KGB’s East Berlin office.

The Plot

Deighton is much more attracted to cosy domesticity than life on the edge. It’s a little disappointing that his ‘life on the run’ amounts to simply holing up in a dirty squat in a rundown part of Berlin for a week or two. There’s a colourfully seedy scene of Samson sitting drinking with Rudolf Kleindorf, ageing owner of a dance and strip club where old lags come to exchange gossip and information. And we accompany him back to his dirty, noisy squat. But we and Bernie have barely experienced the lowlife for more than a few pages before the head of Berlin Office, Frank Harrington, sends a man to fetch him to witness an interrogation. Oh. They knew where he is all along.

Rather puzzlingly, Samson goes along to watch this interrogation, the questioning of an East German operative. The only bit of interest being when he indicates a photo of Erich Stinnes (a KGB agent who featured largely in the first trilogy) and makes a throwaway reference to seeing him using a ‘white powder’. Drugs? More to the point, security is so lax that Samson overhears a remark which makes it clear this isn’t a defector but an ongoing agent who is about to be sent back to the East. Why did Frank invite him to watch this? Were a few snippets of information mentioned in the session somehow important? Who to?

Teacher

The Department employee who took him there – Teacher – drives him back to his own apartment to meet his wife and have lunch. Much more energy goes into describing the Teachers’ apartment and his wife, Clemmie’s, unhappiness at the coldness of Berlin and the rudeness of Berliners, than did painting Samson’s life in hiding. Domesticity and marital relations, soft furnishings and food are more persuasively described than jeopardy. (Later, we learn from one of the countless gossipy conversations Samson spends the book having, that Clemmie has run off with an American record producer who was passing through Berlin.)

His old mate Werner says, ‘This is silly, why don’t you come back and stay at Tante Lisl’s boarding house?’ and so Bernie moves back into his old room at the top of the building and sees for himself the ‘improvements’ Werner is making to the old place. And realises that Werner has fallen in love with Lisl’s rather stern niece, Ingrid, daughter of her sister Inge. (We learned a lot about the backstories of these two ladies in Deighton’s epic novel about Germany 1900 to 1945, Winter). Zena, Werner’s tough, young, self-centred wife, appears to have flown the coop.

Rehabilitation

Soon enough Head of Berlin Office Frank Harrington drops by and says London Central have made Samson an offer: sign all the official secrets stuff and resign: he can work out his notice in a menial job but retire on a full pension. They’ve never trusted you, Frank explains, since your wife was exposed as a KGB spy.

But Bernard refuses; resigning would admit some degree of guilt and collusion. ‘Well, go back anyway, the charges have been dropped,’ Frank says. Just like that. On the run, hiding out — oh you can go back now. It’s all very anti-climactic. No chases, no shootouts, no tension. Samson flies back to London, is reunited with his girlfriend, Gloria, and his kids, Sally and Billy, then goes back to the office where everyone treats him as if nothing had happened at all. Bit puzzling.

He’s called into the office of a previously unmentioned character, the Deputy Controller of Europe who turns out to be a tough, balding Australian, Gus Stowe. In the usual roundabout, tortuous way these conversations take place, Bernard realises he’s being sent on a hush-hush mission to Vienna, code name Fledermaus.

Stamps in Salzberg

He flies to Vienna and then on to Salzburg where, amid all the Mozart kitsch, he meets his contact, Otto Hoffmann, who turns out to be a stamp collector attending a big five-day philatelic auction. There is a lot – an awful lot – of detail about stamp collecting. (There is a lot of detail about stamps sent from Zeppelins before the war, which may or may not be a reference to the involvement of the Winter family with zeppelins, as described in Winter.) Bernard is given money and told to bid for one particular lot, an envelope with rare stamps on it.

In the actual auction, Samson is surprised when someone else bids getting on for double the price he was instructed to offer and wins the envelope. Samson tracks down the American collector who made the successful bid, Bart Johnson, and they both go to the cashier where you pay and collect your item, only to find someone else claims to have paid more and made off with it. Johnson is furious. Samson tags along with him out of curiosity (what’s going on?) and they go back to the hotel where they’re both staying and make a date to meet for drinks and dinner. Bernard is back in his room freshening up when he hears a (small) explosion, runs along the hall and finds Johnson has been the victim of a particularly nasty type of bomb, planted in the hotel electric shaver. It has blown his hand and face off. As other guests come pouring in, Samson makes good his escape wondering (like the reader) what the hell is going on.

The man who had given him the instructions about bidding for the envelope had also given him instructions about who to take it to in Vienna, one Baron Staiger. Bernard flies to Vienna, takes a cab the scheduled apartment and walks up to meet Baron Staiger who turns out to be – no other than Otto Hoffmann.

In another of the surreal scenes which litter these novels, Staiger is holding a super-refined party for Vienna’s upper crust in which Bernard feels very out of place, and which climaxes with the arrival of the triumphant soprano from the nearby opera house. Only when the party is quite over does Staiger talk to Bernard and declares himself pretty relaxed about the loss of the envelope – because he has it right here in his pocket! He had heard the Americans were going to bid for it so he was the other, mystery, bidder on the phone who drove the price way beyond Bernard’s limit, and ducked in to claim it before Johnson made it to the claims desk.

Staiger opens the envelope and it contains Czech security passes for himself and Bernard. Why, the reader asks, was this ridiculous charade necessary, except to pad the novel out with colourful scenes in Salzburg, a surreal stamp collecting convention, and the utterly unnecessary murder of an American?

Into Czechoslovakia

Next day Staiger drives Bernard across the border into Czecholsovakia (lots of local description, lots of Deighton-esque history of the Sudetenland under the Nazis and then under Stalin) accompanied by a Czech security car and then up to a mountain cabin which is crawling with security men, guns and ferocious guard dogs, before depositing Bernard outside a farmhouse.

Bernard goes in to find his wife Fiona who proceeds to confirm all his suspicions: she is a triple agent, she is so sorry for all the deceit and worry but they couldn’t tell him, her life depended on him acting genuinely outraged (the KGB have been tailing and watching his reactions to her desertion), and now she is coming back, in just a few weeks she’ll be back in the UK: ‘Oh I do love you darling,’ ‘and I love you, darling’.

This is even more surreal than the stamp collecting convention. If she’s such a professional, if this is the climax of 10 years of planning, why oh why is she risking it all for a rushed sentimental meeting with her husband? In full sight of about twenty Czech security police who will report every centimetre to their KGB bosses? Isn’t the room bugged? Won’t they guess what she’s doing? Did this clandestine meeting really require all the rigmarole of the stamp collecting convention and bidding? Why doesn’t she simply complete her mission and arrive back in London safe and sound, without the exploding stamp collectors and high risk tryst?

Gratifying though it is to have Bernard’s (and our) suspicions confirmed, this whole scene blows an enormous hole in the novel’s credibility. The one thing she asks him to do is get back from her sister, Tessa, the expensive fur coat her father bought her. The reader immediately thinks it must contain some microfilm or equally precious artifact.

Part two

Staiger drives Bernie safely back to Vienna and he flies back to London, to the embrace off his girlfriend Gloria, and the children, but inside is in complete turmoil. He tells no one about seeing his wife.

Instead the next 30 pages or so describe Bernard and Gloria attending a carefully choreographed dinner party at his boss, Dicky Cruyer’s house, complete with detailed description of every course of the meal and Dicky’s difficulties ‘carving’ the enormous poached salmon which is the opening course. It’s in this chatty, gossipy, homely surrounding that, as so often, a number of the guests (who are all ‘in the business’) discuss recent events and broach new ventures. Thus Samson finds himself asked to help the CIA in the form of Posh Harry, the Hawaiian fixer we met in the first trilogy and who played a central role in the odd Californian excursion in Spy Hook.

Parties

No sooner is this dinner, complete with cigars and port for the men, more or less over than Gloria begs Samson to be allowed to go on to a party his brother-in-law George Kosinski (the used car salesman) and wife Tessa, are going to. Very swanky place in Pimlico and a swanky party hosted by a German prince, known to all and sundry as Joppi.

Later, driving Bernard home, his brother-in-law confides that he thinks Tessa is on drugs: did he notice the slightly hysterical atmosphere at the party? People were taking drugs upstairs. And did he notice the sinister guy with a beard fringing his chin? Tessa’s been getting friendly with him; George thinks he’s a dealer and is selling her the stuff.

Rolf Mauser

The next day Samson meets Rolf Mauser, yet another ageing survivor of the war, who tells him Kleindorf, the nightclub owner we met in the first chapter, is dead. He was smuggling drugs. The official cause of death is suicide by overdose but Mauser has information one of his dancers injected him with raw heroin. Mauser explains the raw heroin arrives in East Berlin, then is smuggled West to be refined, before being smuggled back again for sale.

So is the novel about drug smuggling between East and West Berlin?

Thurkettle

Samson goes for the boozy lunch with Posh Harry that was arranged at Dicky Cruyer’s party but, on returning, begins to be questioned and then interrogated by Harry’s boss, John Brody. Turns out Johnson, the American stamp enthusiast in Salzberg, was a CIA man tasked with bringing in another ex-Company man, one Thurkettle, a hardened murderer and hit man who has gone rogue. Almost certainly it was Thurkettle who murdered Johnson. The Americans are suspicious of Samson’s involvement. He realises the description of Thurkettle fits the man George thinks is peddling drugs to Tessa.

Silas Gaunt

Next Samson motors out to the Cotswolds, to the country house of long-retired old Silas Gaunt, who, like so many of the characters, knew his father. In a refreshing bit of plain speaking the ailing Gaunt – warned by his doctor he is at death’s door – confirms all Samson’s suspicions: Fiona is a triple agent; she was recruited at Oxford; only old Gaunt, the doddery DG and Samson know the truth. If they all died, Fiona would be trapped. Gaunt makes Samson witness him signing a long document which he says is a detailed account of Fiona’s case which will exonerate her.

Over the next few days Samson has to process this devastating information. So his wife is a heroic agent, good. But she hid it all from him for ten years, and deserted him and his children without a qualm. Did he ever really know her? Could he ever trust her again? What are his feelings for her and how does effect his feelings for young Gloria, who is making such an effort to be a good lover and surrogate mother to his two children?

A few days later his boss, Dicky Cruyer, orders Samson to accompany him on a trip to Berlin. Dicky is actually hoping to make it a dirty weekend with Tessa, and Samson is cross at being pulled in as some kind of accomplice, but the jaunt is justified by meetings with Frank. After the usual lengthy chat, reminiscence, drinks and cigars, Frank eventually comes out and tells Samson he is being instructed to drive a van which is going to pick up an agent from the other side, accompanied by the young desk officer Teacher who we met early in the novel. If there is a problem, Teacher has instructions to kill the agent rather than let him fall into the hands of the opposition.

The reader begins to have a bad feeling the agent will be Fiona and that something will go wrong and he will have to shoot her…

Finale

The novel does climax in a bloody mess. Werner, his old friend, organises a big fancy dress party for the opening of the new, repainted Tante Lisl guesthouse. 150 guests are fired up and dancing as a fierce thunderstorm breaks outside. In the middle of the noise, Teacher comes looking for Samson: he’s received the signal – they must go to the rendezvous. The only catch is Teacher has come to the party in a joke gorilla costume and no-one has a suit for him to change into; in fact, he almost comes to blows with Werner trying to nick one of the latter’s suits, and is eventually forced, very unhappily, to drive on this important mission wearing his gorilla costume. And, at the last minute, Tessa, in a flighty yellow dress and stoned out of her mind, insists on climbing into the back of the van and no-one can persuade her out.

Shootout

Teacher, Samson and Tessa drive slowly in the transit van in the thundering rain along the West-heading Autobahn looking out for a parked car. Eventually they see lights and a darkened car parked by a load of giant earth-moving machines in an area roped off for repairs. It is pitch black and pouring down with rain. Teacher gets out and is moving towards the car when lights go on, there are shots, Teacher hits the car a few times before being himself shot down. Tessa comes floating out the back of the van and waltzes towards the German car when she is shot twice with a shotgun which tears her apart, blood pouring over her dress. Another woman’s voice shrieks, it is Fiona. In the drenching rain and darkness and confusion Samson has made it up onto the tracks of a giant digger and uses its raised shovel to steady his aim as he shoots and kills the two East German men. One of them is Erich Stinnes; Samson shoots him in the neck and watches a great spurt of blood shoot up against the motorway lights.

But there was a third man, now hidden, who had used a silencer. Samson stands stock still in the pouring rain waiting for something to happen. The man shouts over to Samson in an American voice. It is Thurkettle the assassin. Samson shouts to Fiona to move from the East German car to the van and start the engine. When she’s done so, he makes a run for the other van door. There are no shots. They’re being allowed to escape. They pull away from the scene of the shootout and Fiona drives through the rain and into West Germany in silence, her knuckles white against the wheel. In the rear view mirror they see a great gout of flame and hear an explosion: the East German car has been blown up along with all the evidence. Thurkettle has stage managed the whole thing…

Soldiers greet them at the checkpoint. Fiona is sedated, and they are loaded aboard a plane headed for America.

Aftermath

The novel ends with Samson and Fiona holed up in the luxury safe house-cum-prison on the California coast which we first saw in the previous novel. It is owned by millionairess Mrs O’Raffety, and the base where Bret Rensselaer is undergoing his long, painful rehabilitation after being shot at the climax of London Match. Turns out the whole thing – the Fiona defection – was his scheme and now it falls to him, as her case officer, to debriefing her. Days, weeks, and months go by. They are both trapped. Samson gloomily realises they might be there for years.

Samson learns the story being put about is that he has run off with Tessa. This explains their joint disappearance. Fiona slowly thaws out and talks to him. He tells her he thinks Tessa’s drug addiction was fostered as part of the plan. Tessa was lured to Berlin by a combination of Dicky and Thurkettle (who Samson is now certain he saw at Joppi’s party and who George warned him about), and encouraged to get into the van. Then she was deliberately murdered, so that her body would be found in the burnt-out car, and the enemy think it was Fiona.

Can the Department have done that? Murdered one sister to save the other? Bernard and Fiona huddle under blankets one cold Californian night looking out past the security fence into the darkness of the ocean with no hope.

This is a decisive shift in the tone of these novels. Whatever happens now, the murder of her sister will cast a long shadow over Fiona’s mental health, their marriage and numerous other characters. Will they ever be able to get back to England, their children and a normal married life? It seems impossible.


Atmosphere of old

I was too old for rough stuff: too old, too involved, too married, too soft. (p.37)
I was too old to get angry twice in one day. (p.219)

So many of the characters are old old old:

  • Tante Lisl and her sister Inge, into their 80s
  • Frank Harrington past retirement age in his middle 60s. ‘Frank was too old to be involved with Operations. Too old, too squeamish, too weary, too good-hearted.’ (p.271) ‘Frank was past retirement, soon he would be gone.’ (p.272)
  • John ‘Lange’ Koby in his seventies (p.44)
  • local fixer Kleindorf in his 70s
  • harsh old Wehrmacht officer Rolf Mauser in his 70s
  • Bart Johnson looks in his 60s
  • London CIA man John Brody, ‘He was old, a bald man with circular gold-rimmed glasses…’ (p.209)
  • Silas Gaunt, long since retired colleague of his father’s, ‘… was old and becoming more exasperating every time I saw him…’ (p.221) ‘… now he was old and he’d withdrawn into his own concerns with ageing, sickness and death.’ (p.224)
  • ‘Some people – including me – had said that Bret Rensselaer was too old ever to become a full-time Departmental employee again.’ (p.301)
  • ‘Mrs O’Raffety, the artistic old lady who owned the place…’ (p.303)

It is the central aspect of Samson’s character, indeed the main premise of the whole series, that Samson is the son of a man who was at the heart of British Intelligence in Berlin immediately after the war, and grew up among his father’s friends and colleagues, who provide the novel with its sense of breadth and historical depth.

But it inevitably means that, by the later 1980s, a lot of these characters are due to die off and with them will go the emotional background, the memories of his Berlin childhood and everything which makes Bernard Samson such a unique character.

Soon – very soon – Silas and Whitelands and all they meant would have vanished from my life. My mother was old and sick. Soon Lisl would be gone, and the hotel would be unrecognisable. When that happened I would no longer have any connections with the times that meant so much to me. (p.239)

Insofar as he is the nexus of all these relationships, a product of this history, Samson’s character – and the worldview of the novels which relies so heavily on the long shadow of world war two – has a limited shelf-life.


Related links

Grafton paperback cover of Spy Line

Grafton paperback cover of Spy Line

Len Deighton’s novels

1962 The IPCRESS File Through the thickets of bureaucracy and confusing misinformation which surround him, an unnamed British intelligence agent discovers that his boss, Dalby, is in cahoots with a racketeer who kidnaps and brainwashes British scientists.
1963 Horse Under Water Perplexing plot which is initially about diving into a wrecked U-boat off the Portuguese coast for Nazi counterfeit money, then changes into the exposure of an illegal heroin manufacturing operation, then touches on a top secret technology which can change ice to water instantly (ie useful for firing missiles from submarines under Arctic ice) and finally turns out to be about a list – the Weiss List – of powerful British people who offered to help run a Nazi government when the Germans invaded, and who are now being blackmailed. After numerous adventures, the Unnamed Narrator retrieves the list and consigns it to the Intelligence archive.
1964 Funeral in Berlin The Unnamed Narrator is in charge of smuggling a Russian scientist through the Berlin Wall, all managed by a Berlin middle-man Johnnie Vulkan who turns out to be a crook only interested in getting fake identity papers to claim the fortune of a long-dead concentration camp victim. The Russians double-cross the British by not smuggling the scientist; Vulkan double-crosses the British by selling the (non-existent) scientist on to Israeli Intelligence; the Narrator double-crosses the Israelis by giving them the corpse of Vulkan (who he has killed) instead of the scientist; and is himself almost double-crossed by a Home Office official who tries to assassinate him in the closing scenes, in order to retrieve the valuable documents. But our Teflon hero survives and laughs it all off with his boss.
1966 Billion-Dollar Brain The Unnamed Narrator is recruited into a potty organisation funded by an American billionaire, General Midwinter, and dedicated to overthrowing the Soviet Union. A character from Funeral In Berlin, Harvey Newbegin, inducts him into the organisation and shows him the Brain, the vast computer which is running everything, before absconding with loot and information, and then meeting a sticky end in Leningrad.
1967 An Expensive Place to Die A new departure, abandoning all the characters and much of the style of the first four novels for a more straightforward account of a secret agent in Paris who gets involved with a Monsieur Datt and his clinic-cum-brothel. After many diversions, including an induced LSD trip, he is ordered to hand over US nuclear secrets to a Chinese scientist, with a view to emphasising to the Chinese just how destructive a nuclear war would be and therefore discouraging them from even contemplating one.
1968 Only When I Larf Another departure, this is a comedy following the adventures of three con artists, Silas, Bob and Liz and their shifting, larky relationships as they manage (or fail) to pull off large-scale stings in New York, London and the Middle East.
1970 Bomber A drastic change of direction for Deighton, dropping spies and comedy to focus on 24 hours in the lives of British and German airmen, soldiers and civilians involved in a massive bombing raid on the Ruhr valley. 550 pages, enormous cast, documentary prose, terrifying death and destruction – a really devastating indictment of the horrors of war.
1971 Declarations of War Thirteen short stories, all about wars, mainly the first and second world wars, with a few detours to Vietnam, the American Civil war and Hannibal crossing the Alps. Three or four genuinely powerful ones.
1972 Close-Up Odd departure into Jackie Collins territory describing the trials and tribulations of fictional movie star Marshall Stone as he betrays his wife and early lovers to ‘make it’ in tinseltown, and the plight he currently finds himself in: embroiled in a loss-making production and under pressure from the scheming studio head to sign a lucrative but career-threatening TV deal.
1974 Spy Story The Unnamed Narrator of the Ipcress spy novels returns, in much tamer prose, to describe how, after escaping from the ‘Service’ to a steady job in a MoD war games unit, he is dragged back into ‘active service’ via a conspiracy of rogue right-wingers to help a Soviet Admiral defect. Our man nearly gets shot by the right-wingers and killed by Russians in the Arctic, before realising the whole thing was an elaborate scam by his old boss, Dawlish, and his new boss, the American marine General Schlegel, to scupper German reunification talks.
1975 Yesterday’s Spy Another first-person spy story wherein a different agent – though also working for the American Colonel Schlegel, introduced in Spy Story – is persuaded to spy on Steve Champion, the man who ran a successful spy ring in Nazi-occupied France, who recruited him to the agency and who saved his life back during the war. Via old contacts the narrator realises Champion is active again, but working for Arabs who are planning some kind of attack on Israel and which the narrator must foil.
1976 Twinkle, Twinkle, Little Spy (aka Catch a Falling Spy) The narrator and his CIA partner manage the defection of a Soviet scientist, only for a string of murder attempts and investigations to reveal that a senior US official they know is in fact a KGB agent, leading to a messy shootout at Washington airport, and then to an unlikely showdown in the Algerian desert.
1977 Fighter: The True Story of the Battle of Britain Abandoning fiction altogether, Deighton published this comprehensive, in-depth and compelling history, lavishly illustrated with photos and technical diagrams of the famous planes involved.
1978 SS-GB A storming return to fiction with a gripping alternative history thriller in which the Germans succeeded in invading and conquering England in 1941. We follow a senior detective at Scotland Yard, Douglas Archer, living in defeated dingy London, coping with his new Nazi superiors, and solving a murder mystery which unravels to reveal not one but several enormous conspiracies.
1979 Blitzkrieg: From the Rise of Hitler to the Fall of Dunkirk Another factual history of WWII: Deighton moves quickly over Hitler’s rise to power and the diplomatic bullying of the 1930s, to arrive at the core of the book: an analysis of the precise meaning of ‘Blitzkrieg’, complete with detailed notes on all the weapons, tanks, artillery and hardware involved, as well as the evolution of German strategic thinking; and then its application in the crucial battle for the river Meuse which determined the May 1940 Battle for France.
1980 Battle of Britain
1981 XPD SIS agent Boyd Stuart is one of about 20 characters caught up in the quest for the ‘Hitler Minutes’, records of a top secret meeting between Hitler and Churchill in May 1940 in which the latter was (shockingly) on the verge of capitulating, and which were ‘liberated’ by US soldiers, along with a load of Nazi gold, at the very end of the war. Convoluted, intermittently fascinating and sometimes moving, but not very gripping.
1982 Goodbye, Mickey Mouse Six months in the life of the 220th Fighter Group, an American Air Force group flying Mustangs in support of heavy bombers, based in East Anglia, from winter 1943 through spring 1944, as we get to know 20 or so officers and men, as well as the two women at the centre of the two ill-fated love affairs which dominate the story.
1983 Berlin Game First of the Bernard Samson spy novels in which this forty-something British Intelligence agent uses his detailed knowledge of Berlin and its spy networks to ascertain who is the high-level mole within his Department. With devastating consequences.
1984 Mexico Set Second of the first Bernard Samson trilogy (there are three trilogies ie 9 Samson books), in which our hero manages the defection of KGB agent Erich Stinnes from Mexico City, despite KGB attempts to frame him for the murder of one of his own operatives and a German businessman. All that is designed to make Bernard defect East and were probably masterminded by his traitor wife, Fiona.
1985 London Match Third of the first Bernard Samson spy trilogy in which a series of clues – not least information from the defector Erich Stinnes who was the central figure of the previous novel – suggest to Samson that there is another KGB mole in the Department – and all the evidence points towards smooth-talking American, Bret Rensselaer.
1987 Winter An epic (ie very long and dense) fictionalised account of German history from 1900 to 1945, focusing on the two Winter brothers, Peter and Paul, along with a large supporting cast of wives, friends, colleagues and enemies, following their fortunes through the Great War, the Weimar years, the rise of Hitler and on into the ruinous Second World War. It provides vital background information about nearly all of the characters who appear in the Bernard Samson novels, so is really part of that series.
1988 Spy Hook First of the second trilogy of Bernard Samson spy novels in which Bernie slowly uncovers what he thinks is a secret slush fund of millions run by his defector wife with Bret Rensaeller (thought to be dead, but who turns up recuperating in a California ranch). The plot involves reacquaintance with familiar characters like Werner Volkmann, Frau Lisl (and her sister), old Frank Harrington, tricky Dicky Cruyer, Bernie’s 23-year-old girlfriend Gloria Kent, and so on.
1989 Spy Line Through a typically tangled web of incidents and conversations Samson’s suspicions are confirmed: his wife is a double agent, she has been working for us all along, she only pretended to defect to the East. After numerous encounters with various old friends of his father and retired agents, Samson finds himself swept up in the brutal, bloody plan to secure Fiona’s escape from the East.
1990 Spy Sinker In the third of the second trilogy of Samson novels, Deighton switches from a first-person narrative by Samson himself, to an objective third-person narrator and systematically retells the entire sequence of events portrayed in the previous five Samson novels from an external point of view, shedding new and sometimes devastating light on almost everything we’ve read. The final impression is of a harrowing world where everyone is deceiving everyone else, on multiple levels.
1991 MAMista A complete departure from the Cold War and even from Europe. Australian doctor and ex-Vietnam War veteran Ralph Lucas finds himself caught up with Marxist guerrillas fighting the ruling government in the (fictional) South American country of Spanish Guiana and, after various violent escapades, inveigled into joining the long, gruelling and futile trek through the nightmareish jungle which dominates the second half of the novel.
1992 City of Gold A complex web of storylines set in wartime Cairo, as the city is threatened by Rommel’s advancing Afrika Korps forces in 1942. We meet crooks, gangsters, spies, émigrés, soldiers, detectives, nurses, deserters and heroes as they get caught up in gun smuggling, black marketeering and much more, in trying to track down the elusive ‘Rommel spy’ and, oh yes, fighting the Germans.
1993 Violent Ward Very entertaining, boisterous first-person narrative by Los Angeles shyster lawyer Mickey Murphy who gets bought out by his biggest client, menacing billionaire Zach Petrovitch, only to find himself caught up in Big Pete’s complex criminal activities and turbulent personal life. The novel comes to a climax against the violent backdrop of the Rodney King riots in Los Angeles in April 1992.
1993 Blood, Tears and Folly: An Objective Look at World War II
1994 Faith Return to Bernard Samson, the 40-something SIS agent, and the world of his friends and family, familiar to us from the previous six Samson novels. Most of the characters (and readers) are still reeling from the bloody shootout when his wife returned from her undercover mission to East Germany at the climax of the previous novel. This book re-acquaints us with all the well-loved characters from the previous stories, in a plot ostensibly about smuggling a KGB colonel out from the East, but is really about who knows the truth – and who is trying to cover up – the real cause of the Fiona-escape debacle.
1995 Hope 40-something SIS agent Bernard Samson continues trying to get to the bottom of the death of his sister-in-law, Tessa Kosinski and is soon on the trail of her husband, George, who has gone missing back in his native Poland.
1996 Charity Ninth and final Bernard Samson novel in which it takes Bernard 300 pages to piece together the mystery which we readers learned all about in the sixth novel of the series, ie that the plot to murder Fiona’s sister, Tessa, was concocted by Silas Gaunt. Silas commissioned Jim Prettyman to be the middle-man and instructed him to murder the actual assassin, Thurkettle. Now that is is openly acknowledged by the Department’s senior staff, the most striking thing about the whole event – its sheer amateurish cack-handedness – is dismissed by one and all as being due to Gaunt’s (conveniently sudden) mental illness. As for family affairs: It is Bret who ends up marrying Bernard’s one-time lover, the glamorous Gloria; Bernard is finally promised the job of running the Berlin Office, which everyone has always said he should have: and the novel ends with a promise of reconciliation with his beautiful, high-flying and loving wife, Fiona.

Spy Hook by Len Deighton (1988)

No matter where I went or what I did, Berlin would always be home for me. My father had been Resident long ago… and Berlin held all my happy childhood recollections. (p.43)

The previous trilogy (Berlin Game, Mexico Set, London Match) featuring just-turning-forty British spy Bernard Samson all took place in the space of a few months, interlinked as all three novels were by the sensational defection of Samson’s wife, Fiona – who turned out to have been a KGB spy – and its repercussions.

Spy Hook is the first in a new trilogy featuring the same characters, also told in the first person by Bernard, but represents a break with the first set in a number of ways.

  • It is set three years since the action of the previous set (p.47), Samson is now 43 (and it is, of course, three years since publication of its predecessor, 1988 to 1985). [In a note to the sequel, Spy Line, Deighton explains that this novel takes place ‘at the beginning of 1987’.]
  • On the personal front, Fiona is long gone; his girlfriend Gloria has supervised his move from his convenient Notting Hill house to a bigger, but drabber, semi in the boring, commuter-belt surroundings of Raynes Park; the children – Billy and Sally – are older and unhappier (14 and 11).
  • And in the ‘Department’ of British Intelligence where he works, there have been notable changes:

Dramatis personae

  • Bret Rensselaer – after years of treatment, has – according to Frank and others – died of the wounds received when he was shot in Berlin at the end of London Match.
  • Dicky Cruyer – still Samson’s boss, careful to avoid making any decisions which might compromise himself, but the Deputy DG has told him to stop wearing Medallion Man faded jeans and cheesecloth shirts; now he wears a suit like everyone else.
  • Frank Harrington – head of the Berlin Field Unit, knew Bernard Samson’s dad during the war, has been persuaded to stay on in Berlin after his official retirement age.
  • Director General Sir Henry Clevemore, depicted as senile in the first trilogy, he is still DG but has been sidelined by the new Deputy DG.
  • With his sidelining goes the power base of the vile creep Morgan, who was his toady.
  • The newly prominent Deputy DG, Sir Percy Babcock, is a successful barrister, brought in to run things better (description on page 19).

The ambience

Like the first trio there is less a plot than a likeably chatty depiction of the daily round of Samson’s life: his reaction to the new house, the pain of the commute into central London, the boredom of trying to make sense of Dicky’s meetings or wade through wordy, pointless research files. His sexy young girlfriend Gloria is good with the children but rubbish at cooking, which prompts a tearful shouting match after she makes burned sausages, lumpy mash and dripping wet spinach for dinner. Being still in her early 20s she is determined to take up a place at Cambridge where she’ll stay during the week and Bernard suspects she will fall in with the young students and, eventually, leave him.

We see Bernard chatting to other characters over pub lunches, at dinner parties, in pool halls, in hotel rooms; he pokes at hotel food, airplane food, dinner party food, pub food. He mooches.

These domestic, humdrum scenes a) distinguish Deighton’s writing from the hi-tech, glamour Bond tradition, continuing the low-key tone established in his early Ipcress novels b) are very likeable. Feels like we’re getting to know Bernie, his kids, their nanny, his girlfriend, his bosses and colleagues at work, his moans and worries. All designed, of course, to root the ‘spying’ – and the occasional outbreaks of violence – in a ‘real’ world.

The plot

In among all these homely descriptions are laced scenes relating to his work as an employee of British Intelligence, threads which come together to force Samson to a grim conclusion:

  • He is sent to Washington to interview one Jim Prettyman (who once worked for the Department and is now retired) about some fund which the accountants say has gone missing, probably a cock-up. Jim denies knowledge.
  • Back in London he hears that Bizet, a network of agents in Poland, has been uncovered by the KGB, and there is speculation at various meetings about what can or should be done about it: undertake a rescue mission; do nothing?
  • His old friend Werner Volkmann flies in from Berlin to confide that his wife Zena smuggles between East and West and he’s worried Frank Harrington is going to betray Zena to the Stasi in exchange for the Bizet agents.
  • Jim’s divorced wife, Lucinda ‘Cindy’ Mathews, contacts Bernard, invites him to a seedy south London pool hall to tell him Jim has been shot dead, 6 times, and the body cremated. Jim was on to something: he was a signatory to some secret fund: the Department had him murdered Bernard! Samson goes away confused and concerned.
  • In Berlin Werner tells him that he is going to step in to run Frau Lisl’s guesthouse, the ramshackle old place where Bernard always stays when he’s in Berlin. Lisl, in fact, has said she’d like to leave it to Werner after her death: but Lisl has a sister in France, could Bernie go speak to her about the inheritance?
  • Bernard takes Gloria and they visit Frau Inge in her mansion in the south of France – she is old and her house decorated with photos of Hitler and all the other leading Nazis. Bernard is monitored by her strict, spinsterish daughter, Ingrid.
  • While they’re there Gloria – who is in fact of Hungarian parentage – takes him to see her ‘Uncle Dodo’, an extraordinary old man who lives in ramshackle squalor, gets so drunk over dinner he passes out and, apparently, produces top class art forgeries. Bernard notices some photos of Dodo among faces he recognises, not least John Koby aka Lange, who ran a network of ex-Nazis after the war.
  • In a bizarre sequence a motor cycle courier delivers tickets and instructions for Samson to fly to Los Angeles. Here he’s met by a cowboy who drives him far up into the hills, to a heavily guarded luxury mansion with heated swimming pool and all the trimmings. He is introduced to the owner, 60-year-old Mrs O’Rafferty who is an offshoot of the Rensselaer family and then, to his amazement, his former colleague Bret Rensselaer, the one everyone told him is dead who is, admittedly, not looking very well. Bernard asks him about the money and the secret account and Bret hisses at him to shut up and cease poking into matters which don’t concern him. But Bernard is motivated by the prompts of Jim Prettyman’s widow to get to the bottom of Jim’s murder.
  • After an uncomfortable night in the luxury ranch Bernard is driven back towards LA airport by one of the Mexican ranch hands, when fog and rain close in and they find the way blocked by a jack-knifed lorry and traffic cops. One of them points out a black limo also heading off to LAX, why doesn’t Bernard  hitch a ride? To his surprise – and the reader’s frank disbelief – the limo contains Posh Harry, a spiv and fixer and – now, apparently – CIA employee. He takes Samson to the airport, along the way heavily hinting that the CIA are behind Bret: when he says back off, back off: drop your investigation.
  • Back in England Bernard motors all the way to the Cotswolds house of ancient Silas Gaunt, a retired eminence of the Department who knows everyone and everything. Here again Samson meets a brick wall as Silas refuses to clarify his suspicions about a vast slush fund. In addition he warns him not to go speaking to ‘Uncle Dodo’ who has now relocated to London.
  • Which prompts the obstinate (and foolish) Bernard to drive straight to the house Uncle Dodo is renting, near Hampton Court. Dodo reluctantly lets him in and then, with no warning, punches him, karate chops him, and slips out a flick knife with the obvious intention of eviscerating him. There follows an intense fraught fight around the rooms packed high with precious antiques as Barnard just about fights Dodo off, but is visibly losing strength when – someone creeps up behind Dodo and coshes him; the lights go on; there are men everywhere collecting evidence, carrying off Dodo’s body and – leading them all is Jim Prettyman! Hang on, you’re supposed to be dead… Jim says he’s under deep cover, tell no-one, and keep your nose out of what doesn’t concern you.

‘Bernie, it’s time you realised that the Department isn’t run for your benefit. There’s nothing in Command Rules that says we have to clear everything with Bernard Samson before an Operation is okayed.’ (p.238)

Safely back home, over the next few days Bernard’s suspicions grow. He becomes convinced his defector wife Fiona and Bret were running some kind of big secret slush fund, Jim has something to do with it – now his girlfriend Gloria cheerfully tells him the bank in Berlin which appears to be the site of the fund – is owned by the Rensselaer family, bought before the war.

Finally, Bernard blags his way into the gentleman’s club where the ancient decrepit DG has a room-cum-office. Worryingly the DG gets him confused with his father, Brian, but eventually Bernard gets to present before him the complete list of evidence he has that a vast slush fund exists, deeply covered up but he’s tracked it down to this bank in Berlin and wants to expose his wife’s involvement with it.

Then Bernie catches a flight to Berlin with his pal Werner, incongruously carrying some china houseware that Werner’s bought in his capacity of renovating Frau Lisl’s old boarding house. At the airport military police step forward to arrest Samson and his old friend saves him by saying he‘s Samson; the police lead Werner away and Bernie undertakes a complicated journey across Berlin and through the Wall – then doubles back into the West by another route – all to decoy and pursuers and buy him time.

Time to make it out to Frank Harrington’s big country pile outside Berlin. Disconcertingly, Frank is expecting him, and delivers the knockout blow: ‘Yes, Bernie, maybe there is a top secret slush fund containing millions, and maybe Fiona and Bret did manage it; because maybe Fiona is a triple agent, pretending to work all these years for the KGB while actually working for us; and maybe all this investigating and shouting your mouth off to all and sundry – has put your wife’s life and her top secret mission at risk. And that is why London have issued an Orange File on you. That’s right, Bernie: you are wanted for treason!

And it is on this bombshell, this cliffhanger, that the novel ends.


Winter

Between the first trilogy and this first of the next trilogy, Deighton published Winter, the enormous novel following a Berlin family from 1900 to 1945, covering the major historical, political and military events of the era from the German point of view, and extending out to portray a cast of as many as 50 characters.

Part of his motivation in writing it was to show the enjoyably convoluted back stories of many of the characters who appear in the Samson books, not least Bernard’s dad, Brian Samson as a young man parachuted into Berlin just before the war ended.

Spy Hook contains knowing references to characters and incidents in Winter, which are explained and could stand alone, but gain significance, resonance, if you’ve read the longer work:

  • Frank repeats Bernard’s dad’s story about being stuck in a Berlin flat with a sympathetic German waiting for news of Hitler’s assassination which doesn’t come, instead a Nazi official arrives. This is a reference to Peter and Paul Winter, the brothers and central characters in Winter and to scenes described in that novel.
  • As usual, when in Berlin Samson stays with old Frau Lisl in the grand home she turned into what is now a run-down boarding house. Lisl is so crippled with arthritis that Werner Volkmann, Bernard’s best friend, plans and then begins to take over running it. We are taken to meet Lisl’s sister, Inge, and reminded of the history of the three sisters who we meet, in Winter, and see as girls before the Great War and growing up to marry Erich Hennig, the concert pianist (Lisl), and Paul Winter, the Nazi bureaucrat (Inge).
  • In a thread which doesn’t, on the face of it, have anything to do with the main plot about Fiona and the missing bank account, Ingrid tells Bernard that her mother is insistent that Bernard’s father, Brian, was responsible for killing the Winter brothers. In Winter we had been told that the brothers escaped from custody and headed south to the family home in Bavaria. Brian Samson was with the American troops tracking them down, but it was those soldiers who shot the escaping brothers. Could it be that the account in Winter is a lie? Could it be that a number of events in Winter are not as reported? Could it be that the novels contain multiple levels of deception?

Grumpy old man

Bernard Samson is 43 but he moans a lot. Having recently read novels by Kingsley Amis, Alistair MacLean, Desmond Bagley, David Lodge and the Reggie Perrin novels, I have come to the conclusion that  one of the thing the male novelists of the 1970s and 80s have in common is their moany dislike of the modern world: women’s lib, scruffy teenagers who speak no known language, punks and rockers and hookers on the streets, developers who rip out characterful buildings and put up glass and steel horrors from which landlords screw high rents and government high taxes, package tour operators, horrible plastic food in airports and airplanes and hotels, the frequent moans about England’s weather and culture make it sound like the world is coming to an end.

On page 219 there is a reference to AIDS, and I googled the fact that the famous (to those alive at the time) government advertising campaign featuring an enormous tombstone made a big impression in 1987 when this novel was, presumably, being written.

The heady, optimistic, carefree days of the 1960s feel long gone in these novels.


Atmosphere of age

Why did he have to be such an old woman? (p.261)

And cheek by jowl with the moaning is an almost oppressive atmosphere of age. Lisl is old, crippled with arthritis. Bernard visits her sister Inge who is even older, surrounded by photos of Hitler and Nazi luminaries, a bedroom made for her on the ground floor because she can no longer manage stairs. Uncle Dodo, though he turns out to be a savage killer, lives in a rundown ramshackle dirty house, wearing tatty threadbare clothes. Frank Harrington in Berlin is well off but chooses to wear knackered cords and smoke rancid old man tobacco. Back in London the Director General is so old he rarely comes into the office any more, can’t remember anyone’s names, survives in a room absolutely crammed with souvenirs, relics, books and manuscripts. Even in youth-worshipping America, Mrs O’Rafferty, owner of the luxury West Coast ranch, is well-reserved but can’t conceal she is 60 and sometimes looks haggard; and Bret Rensselaer has been reduced to a shadow of his former self by illness.

We’re old fossils. We’re part of another world. A world of dinosaurs. (p.91)

Old characters His lover Gloria and Werner’s hard-edged wife Zena, are the only people in the novel under the age of 40 (apart from Bernard’s kids) and neither of them are quite believable.

World War Two It’s something to do with the war and the Cold War. The war because Winter made it abundantly clear that a lot of the contemporary events and people have their roots in the activities of the previous generation during and after the war. But by 1988 these people are ageing. Deighton’s imagination, his writings – both factual histories and the spy stories – were all heavily dominated by the second world war and its legacy. As the world moved into the 1990s this legacy must have seemed more remote.

The Cold War And the clearest legacy of world war two – the domination of half of Europe by Russian-imposed communist dictatorships – evaporated half way through this second trilogy – 1988-90. How will Deighton cope when his main subject matter – the antagonism between the communist world and the free world – and its crux, its anvil, its focus – the bizarre never-never land of West Berlin – evaporate like morning dew with the collapse of the communist regimes, the fall of the Soviet Union, and the joyful reunification of Germany?

Related links

Grafton paperback cover of Spy Hook

Grafton paperback cover of Spy Hook

Len Deighton’s novels

1962 The IPCRESS File Through the thickets of bureaucracy and confusing misinformation which surround him, an unnamed British intelligence agent discovers that his boss, Dalby, is in cahoots with a racketeer who kidnaps and brainwashes British scientists.
1963 Horse Under Water Perplexing plot which is initially about diving into a wrecked U-boat off the Portuguese coast for Nazi counterfeit money, then changes into the exposure of an illegal heroin manufacturing operation, then touches on a top secret technology which can change ice to water instantly (ie useful for firing missiles from submarines under Arctic ice) and finally turns out to be about a list – the Weiss List – of powerful British people who offered to help run a Nazi government when the Germans invaded, and who are now being blackmailed. After numerous adventures, the Unnamed Narrator retrieves the list and consigns it to the Intelligence archive.
1964 Funeral in Berlin The Unnamed Narrator is in charge of smuggling a Russian scientist through the Berlin Wall, all managed by a Berlin middle-man Johnnie Vulkan who turns out to be a crook only interested in getting fake identity papers to claim the fortune of a long-dead concentration camp victim. The Russians double-cross the British by not smuggling the scientist; Vulkan double-crosses the British by selling the (non-existent) scientist on to Israeli Intelligence; the Narrator double-crosses the Israelis by giving them the corpse of Vulkan (who he has killed) instead of the scientist; and is himself almost double-crossed by a Home Office official who tries to assassinate him in the closing scenes, in order to retrieve the valuable documents. But our Teflon hero survives and laughs it all off with his boss.
1966 Billion-Dollar Brain The Unnamed Narrator is recruited into a potty organisation funded by an American billionaire, General Midwinter, and dedicated to overthrowing the Soviet Union. A character from Funeral In Berlin, Harvey Newbegin, inducts him into the organisation and shows him the Brain, the vast computer which is running everything, before absconding with loot and information, and then meeting a sticky end in Leningrad.
1967 An Expensive Place to Die A new departure, abandoning all the characters and much of the style of the first four novels for a more straightforward account of a secret agent in Paris who gets involved with a Monsieur Datt and his clinic-cum-brothel. After many diversions, including an induced LSD trip, he is ordered to hand over US nuclear secrets to a Chinese scientist, with a view to emphasising to the Chinese just how destructive a nuclear war would be and therefore discouraging them from even contemplating one.
1968 Only When I Larf Another departure, this is a comedy following the adventures of three con artists, Silas, Bob and Liz and their shifting, larky relationships as they manage (or fail) to pull off large-scale stings in New York, London and the Middle East.
1970 Bomber A drastic change of direction for Deighton, dropping spies and comedy to focus on 24 hours in the lives of British and German airmen, soldiers and civilians involved in a massive bombing raid on the Ruhr valley. 550 pages, enormous cast, documentary prose, terrifying death and destruction – a really devastating indictment of the horrors of war.
1971 Declarations of War Thirteen short stories, all about wars, mainly the first and second world wars, with a few detours to Vietnam, the American Civil war and Hannibal crossing the Alps. Three or four genuinely powerful ones.
1972 Close-Up Odd departure into Jackie Collins territory describing the trials and tribulations of fictional movie star Marshall Stone as he betrays his wife and early lovers to ‘make it’ in tinseltown, and the plight he currently finds himself in: embroiled in a loss-making production and under pressure from the scheming studio head to sign a lucrative but career-threatening TV deal.
1974 Spy Story The Unnamed Narrator of the Ipcress spy novels returns, in much tamer prose, to describe how, after escaping from the ‘Service’ to a steady job in a MoD war games unit, he is dragged back into ‘active service’ via a conspiracy of rogue right-wingers to help a Soviet Admiral defect. Our man nearly gets shot by the right-wingers and killed by Russians in the Arctic, before realising the whole thing was an elaborate scam by his old boss, Dawlish, and his new boss, the American marine General Schlegel, to scupper German reunification talks.
1975 Yesterday’s Spy Another first-person spy story wherein a different agent – though also working for the American Colonel Schlegel, introduced in Spy Story – is persuaded to spy on Steve Champion, the man who ran a successful spy ring in Nazi-occupied France, who recruited him to the agency and who saved his life back during the war. Via old contacts the narrator realises Champion is active again, but working for Arabs who are planning some kind of attack on Israel and which the narrator must foil.
1976 Twinkle, Twinkle, Little Spy (aka Catch a Falling Spy) The narrator and his CIA partner manage the defection of a Soviet scientist, only for a string of murder attempts and investigations to reveal that a senior US official they know is in fact a KGB agent, leading to a messy shootout at Washington airport, and then to an unlikely showdown in the Algerian desert.
1977 Fighter: The True Story of the Battle of Britain Abandoning fiction altogether, Deighton published this comprehensive, in-depth and compelling history, lavishly illustrated with photos and technical diagrams of the famous planes involved.
1978 SS-GB A storming return to fiction with a gripping alternative history thriller in which the Germans succeeded in invading and conquering England in 1941. We follow a senior detective at Scotland Yard, Douglas Archer, living in defeated dingy London, coping with his new Nazi superiors, and solving a murder mystery which unravels to reveal not one but several enormous conspiracies.
1979 Blitzkrieg: From the Rise of Hitler to the Fall of Dunkirk Another factual history of WWII: Deighton moves quickly over Hitler’s rise to power and the diplomatic bullying of the 1930s, to arrive at the core of the book: an analysis of the precise meaning of ‘Blitzkrieg’, complete with detailed notes on all the weapons, tanks, artillery and hardware involved, as well as the evolution of German strategic thinking; and then its application in the crucial battle for the river Meuse which determined the May 1940 Battle for France.
1980 Battle of Britain
1981 XPD SIS agent Boyd Stuart is one of about 20 characters caught up in the quest for the ‘Hitler Minutes’, records of a top secret meeting between Hitler and Churchill in May 1940 in which the latter was (shockingly) on the verge of capitulating, and which were ‘liberated’ by US soldiers, along with a load of Nazi gold, at the very end of the war. Convoluted, intermittently fascinating and sometimes moving, but not very gripping.
1982 Goodbye, Mickey Mouse Six months in the life of the 220th Fighter Group, an American Air Force group flying Mustangs in support of heavy bombers, based in East Anglia, from winter 1943 through spring 1944, as we get to know 20 or so officers and men, as well as the two women at the centre of the two ill-fated love affairs which dominate the story.
1983 Berlin Game First of the Bernard Samson spy novels in which this forty-something British Intelligence agent uses his detailed knowledge of Berlin and its spy networks to ascertain who is the high-level mole within his Department. With devastating consequences.
1984 Mexico Set Second of the first Bernard Samson trilogy (there are three trilogies ie 9 Samson books), in which our hero manages the defection of KGB agent Erich Stinnes from Mexico City, despite KGB attempts to frame him for the murder of one of his own operatives and a German businessman. All that is designed to make Bernard defect East and were probably masterminded by his traitor wife, Fiona.
1985 London Match Third of the first Bernard Samson spy trilogy in which a series of clues – not least information from the defector Erich Stinnes who was the central figure of the previous novel – suggest to Samson that there is another KGB mole in the Department – and all the evidence points towards smooth-talking American, Bret Rensselaer.
1987 Winter An epic (ie very long and dense) fictionalised account of German history from 1900 to 1945, focusing on the two Winter brothers, Peter and Paul, along with a large supporting cast of wives, friends, colleagues and enemies, following their fortunes through the Great War, the Weimar years, the rise of Hitler and on into the ruinous Second World War. It provides vital background information about nearly all of the characters who appear in the Bernard Samson novels, so is really part of that series.
1988 Spy Hook First of the second trilogy of Bernard Samson spy novels in which Bernie slowly uncovers what he thinks is a secret slush fund of millions run by his defector wife with Bret Rensaeller (thought to be dead, but who turns up recuperating in a California ranch). The plot involves reacquaintance with familiar characters like Werner Volkmann, Frau Lisl (and her sister), old Frank Harrington, tricky Dicky Cruyer, Bernie’s 23-year-old girlfriend Gloria Kent, and so on.
1989 Spy Line Through a typically tangled web of incidents and conversations Samson’s suspicions are confirmed: his wife is a double agent, she has been working for us all along, she only pretended to defect to the East. After numerous encounters with various old friends of his father and retired agents, Samson finds himself swept up in the brutal, bloody plan to secure Fiona’s escape from the East.
1990 Spy Sinker In the third of the second trilogy of Samson novels, Deighton switches from a first-person narrative by Samson himself, to an objective third-person narrator and systematically retells the entire sequence of events portrayed in the previous five Samson novels from an external point of view, shedding new and sometimes devastating light on almost everything we’ve read. The final impression is of a harrowing world where everyone is deceiving everyone else, on multiple levels.
1991 MAMista A complete departure from the Cold War and even from Europe. Australian doctor and ex-Vietnam War veteran Ralph Lucas finds himself caught up with Marxist guerrillas fighting the ruling government in the (fictional) South American country of Spanish Guiana and, after various violent escapades, inveigled into joining the long, gruelling and futile trek through the nightmareish jungle which dominates the second half of the novel.
1992 City of Gold A complex web of storylines set in wartime Cairo, as the city is threatened by Rommel’s advancing Afrika Korps forces in 1942. We meet crooks, gangsters, spies, émigrés, soldiers, detectives, nurses, deserters and heroes as they get caught up in gun smuggling, black marketeering and much more, in trying to track down the elusive ‘Rommel spy’ and, oh yes, fighting the Germans.
1993 Violent Ward Very entertaining, boisterous first-person narrative by Los Angeles shyster lawyer Mickey Murphy who gets bought out by his biggest client, menacing billionaire Zach Petrovitch, only to find himself caught up in Big Pete’s complex criminal activities and turbulent personal life. The novel comes to a climax against the violent backdrop of the Rodney King riots in Los Angeles in April 1992.
1993 Blood, Tears and Folly: An Objective Look at World War II
1994 Faith Return to Bernard Samson, the 40-something SIS agent, and the world of his friends and family, familiar to us from the previous six Samson novels. Most of the characters (and readers) are still reeling from the bloody shootout when his wife returned from her undercover mission to East Germany at the climax of the previous novel. This book re-acquaints us with all the well-loved characters from the previous stories, in a plot ostensibly about smuggling a KGB colonel out from the East, but is really about who knows the truth – and who is trying to cover up – the real cause of the Fiona-escape debacle.
1995 Hope 40-something SIS agent Bernard Samson continues trying to get to the bottom of the death of his sister-in-law, Tessa Kosinski and is soon on the trail of her husband, George, who has gone missing back in his native Poland.
1996 Charity Ninth and final Bernard Samson novel in which it takes Bernard 300 pages to piece together the mystery which we readers learned all about in the sixth novel of the series, ie that the plot to murder Fiona’s sister, Tessa, was concocted by Silas Gaunt. Silas commissioned Jim Prettyman to be the middle-man and instructed him to murder the actual assassin, Thurkettle. Now that is is openly acknowledged by the Department’s senior staff, the most striking thing about the whole event – its sheer amateurish cack-handedness – is dismissed by one and all as being due to Gaunt’s (conveniently sudden) mental illness. As for family affairs: It is Bret who ends up marrying Bernard’s one-time lover, the glamorous Gloria; Bernard is finally promised the job of running the Berlin Office, which everyone has always said he should have: and the novel ends with a promise of reconciliation with his beautiful, high-flying and loving wife, Fiona.

London Match by Len Deighton (1985)

I nodded and wondered where Posh Harry had got the idea that Bret was suspected of leaking to the Americans. Was that Lange’s misinterpretation or Harry’s? Or was it simply that no one could start to envisage him doing anything as dishonourable as spying for the Russians? And if that was it, was I wrong? And, if he was guilty of such ungentlemanly activities, who was going to believe it? (p.122)

The whole book – the entire trilogy – is like this. When he said X, did he really mean Y, or is he getting at Z, or am I misunderstanding and it’s all a plot to undermine A?

What [Bret] said about the radio made sense and I felt a bit better about it. But I noted the way he was going into bat for Stinnes. Was that because Bret was a KGB agent? Or simply because he saw in Stinnes a way of regaining a powerful position in London Central? Or both? (p.220)

A miasma of bluff and double bluff, of myriad interpretations of events and intentions, all rotating round the ideas of loyalty and betrayal. There is no particular military secret or big event going on (as, say, in a Frederick Forsyth thriller), there is just endless puzzling over whether this agent is telling the truth or is conspiring with that agent to create a deception in order to implicate a third agent and set the Department on a false trail. Unless the trail isn’t false and one or more of the agents is telling the truth… but then why did they say this? Or did he say that? Or she say the other? For 405 pages.

‘I’ve changed my mind about the whole business.’
‘The whole business? Her collecting that material from the car at the big party in Wannsee? Did she want to get arrested that night when we set it up so carefully and were so pleased with ourselves? Was that confession she gave you at some length – was it all set up?’
‘To implicate Bret? Yes, the Miller woman made a fool of me, Werner.’ (p.334)

Right up to the last few pages there are, as Samson understates it, ‘a lot of unanswered questions’ (p.389). It is not an action adventure novel, it is a puzzle. Or a series of puzzles which shift like a kaleidoscope as new events, and new snippets of information, continually realign the picture.

I poured myself a drink while I pulled my thoughts together. Was Bret admitting to me that he was a KGB mole? Had he come to me convinced that I was a KGB agent too? And how the hell was I going to find out? (p.346)

Sitcom

London Match is the third in Deighton’s trilogy of novels featuring sardonic, downbeat ‘spy’, Bernard Samson. Although the main theme is the bluff and double bluff which is the meat and drink of a counter-intelligence agency, in fact so much time is spent describing his personal life (children, nanny, sister-in-law, father-in-law, visits to the kids’ godfather out in the Cotswolds, and so on), and on office politicking among the small number of his colleagues in ‘the Department’ (Dicky, Bret, Frank), all of them having affairs or difficulties in their marriages, that the novels are settling down to feel like a soap opera or sitcom, with a small cast of characters we see over and over again, getting to know and enjoy their habits and tics and catchphrases – more The Archers than James Bond.

It was like that with all of us. We all knew each other very well; too damned well at times. (p.404)

Completely contrary to the blurbs on the back, I didn’t find this novel at all ‘bleak’ or ‘harsh’, I found it light and gossipy, immensely enjoyable and very more-ish. I can’t wait to read the next trilogy…

Timeframe

I was surprised to read that the escape of ‘Brahms Four’ – one of our top spies in East Germany, whose identification and flight is the subject of the first novel, Berlin Game – is here described as happening ‘a few short weeks ago’ (p.48). Does that mean the entire action of the middle novel, Mexico Set took place in a matter of weeks? On page 197 Samson says he’s been thinking about Bret and the possibility he had an affair with his wife ‘for the past few months’. So have all three novels taken place over the space of a few months at most? Months or weeks, the timeframe of all three novels is extremely compressed.

In a nutshell

Like the others in the trilogy, it can be summarised easily: having exposed his wife, Fiona, as a high ranking KGB mole in the Department (book 1), and organised the defection to our side of a KGB agent (book 2), Samson begins to suspect there is another mole at work, and the novel stacks up a lot of evidence to suggest it is his American superior, Bret Rensaeller.

The plot

The book opens with Samson and his old Berlin friend Werner Volkmann staking out a high-class party in Berlin where they proceed to arrest a senior aide in the Bundestag, on the basis of information supplied by the KGB defector Samson helped defect in Mexico Set, Erich Stinnes.

Mrs Miller

As a bonus, they catch a middle-aged Englishwoman, Mrs Miller, taking a security file from the aide’s car; Samson interrogates her and she breaks down to confess she is a long-time member of the British Communist Party and has been silly and naive and got caught up in regularly passing messages from London to the East. Samson is riveted to learn that she handled messages from London which came under two codenames. Two. One must have been his wife, Fiona: could she have been using two separate codenames? Unlikely. Could it be, then, that there were two moles in London Central?

He’s barely arrived back in London when Samson hears that Miller has tried to commit suicide (pills), and then that the ambulance she was being taken to hospital in has crashed into a Berlin canal. Damn. And double damn, because his boss orders him back to Berlin at Christmas to supervise the recovery of the ambulance… In a scene straight from a movie, Samson stands in the snow with a police inspector watching the big cranes winch the wreck up out of the oily black water: it is empty. Was she spirited away by the KGB, who always look after their own? That’s the last we hear of her for 300 pages…

Kidnap

While in Berlin there is an unusually violent and jarring scene where Samson realises he is being followed and then is suddenly seized, bound, blindfolded and smuggled through the Wall into the East. He wakens handcuffed in a cell, and can see into a neighbouring room, where he is horrified to witness a boy wrapped up and in what appear to be his son’s clothes, being injected by a nurse supervised by a KGB doctor.

Rarely for Samson he loses self-control, starting to shout his son’s name, ‘Billy, Billy’, in blind panic before the door opens and the big strong goon who we met at the end of Mexico Set, Moskvin, beats Samson up a little. Once our man is sat, panting recovering from his injuries, Moskvin tells him the KGB know London Central are planning to fill two vacancies which have come up at the Washington Embassy. ‘Apply for one’, he says. ‘No,’ says Samson.

‘We can pick you up any time we want’, says Moskvin grinning. ‘You, your girlfriend, your children, Any time. Think about it.’ And leaves the cell laughing, calling for the driver who will take Samson back through a checkpoint to the West… Scarey, but quickly forgotten in the giddy round of social life and office politics which continues as usual. The Washington gambit is never mentioned again. In fact the entire scene leaves no trace on the plot, like a hallucination.

Samson’s personal life

There is a lot of personal stuff around his flirty friendship with his wife’s sister, Tessa, and her husband George, the used car salesman, who we see in a number of sympathetic scenes and who Samson spends some effort trying to reconcile. But the main thread in his personal life is that Gloria Kent, the stunning 20-year-old secretary he was flirting with in the last book, has definitely fallen in love with him and they are an item. Improbably. As is the way, she is soon nagging that he’s putting on weight (the same accusation was made against the Ipcress File narrator all those years ago) and nagging that she wants to move in completely and nagging that she wants to get married, which he refuses. There are tears before bedtime.

The defector Erich Stinnes

Samson and others in the Department are frustrated that Stinnes is being held out at the prison-like Berwick House where the clumsy Debriefing Team are getting little out of him. Eventually Samson overcomes various objectors to get Stinnes released to a cosy safe apartment in Notting Hill Gate (with a Special Branch minder), takes him out for a stylish dinner (well, a curry) and Stinnes responds by starting to talk.

The case against Bret

Meanwhile, there’s a continuous drip-drip throughout the book, in various scenes and conversations, interrogations and implications, which appear to throw up evidence incriminating Bret, reinforcing the suspicion planted in Samson’s mind by the Miller woman.

  • Samson visits Lange, a disgruntled American who was recruited by Samson’s father and was successfully running a number of networks after the war, when along came Rensaeller from London with instructions to ‘de-Nazify’ and break them all up: or was it at the behest of Moscow? Bret later gives his version – that Lange was a black market mobster, and he was specifically tasked with decriminalising or dismantling his criminal networks… or so he says…
  • Then, another American, Posh Harry, CIA, shows Samson a photocopy of a Cabinet Office briefing about a security exercise carried out on West German military bases, which has ended up in Moscow. ‘You have a mole’, says Posh Harry. And Samson engineers an interview with a redoubtable senior secretary at Number Ten who confirms that this particular copy must have come from Rensaeller’s office…
  • Later on, tricky Dicky Cruyer adds his two-pennyworth by recalling to Samson an occasion decades earlier, in Kiel, when a defector they were swapping for a captured agent of ours, appeared to recognise Bret but, at a signal, switched to blank non-recognition. Aha. It all makes sense to Dicky now…
  • Two-thirds through the novel a new front opens up, when Stinnes gives his interrogators detailed information about a spy network working around a Cambridge research institution. Uncharacteristically, Bret, the smooth-talking desk jockey, says he will handle the field operation this entails, personally. He chooses Ted Riley, an aged security man who (like so many of the characters) knew and worked for Samson’s father, to go with Samson.
    • The first step is to break into the safe in a solicitor’s office in Cambridge in order to take a load of papers relating to the institution. This goes disastrously (and rather puzzlingly) wrong when the safe turns out to be booby-trapped and Riley and the safe-cracker Bret had imported to carry out this ‘routine job’ are blown to smithereens. The small group we always see meeting and conspiring – Bret, Dicky, Frank and Samson – are shaken.
    • But Bret insists on taking part in a further operation (which, again, wasn’t quite explained, or I didn’t quite follow). They arrange to meet some of Stinnes’ contacts in a laundrette in Hampstead – Bret and Samson waiting in the dingy interior with a laundry bag at the bottom of which is a bundle of cash, Stinnes hidden outside in a car with a minder. This, also, goes disastrously wrong, when the ‘contacts’ turn out to be two thugs in balaclava masks carrying sawn-off shotguns: they’re in the middle of demanding the money and Bret has frozen with fear, when there is a loud explosion – the car Stinnes and his minder were in has exploded, giving Samson the chance to pull his gun, shooting one goon, then chasing the other up a darkened stairwell and shooting him as well. Samson drags the stunned Bret outside where they are amazed and relieved to find Stinnes still alive – the minder pulled him out of the car at the first sign of trouble. Into the spare car they bundle and race off.

What the hell is going on? Is there a Cambridge circle of spies? Is Stinnes’ information genuine? Or are these deliberate traps he’s inventing? Did he somehow tip off Moscow about the break-in to the solicitors’ office so they could booby-trap it? But how, Stinnes is under 24 hour surveillance, surely he couldn’t communicate with anyone? And who were the goons who turned up in the laundrette? More KGB thugs? Or is Bret the mole? Did Bret take personal charge of these (disastrous) operations in order to scupper them? But why risk himself, and put himself in the firing line to take the blame?

These and other questions, and all possible permutations of them, are what Samson discusses at length with his boss Dicky, with Werner, with his lover Gloria, with Frank, with Silas Gaunt at his country mansion, each of them confusing the picture with additional information or conflicting interpretations.

Superficial incidents aside, it is the same basic plot as the first novel: not a ‘whodunnit’, a ‘whoisit‘.


Dramatis personae

Personal life

  • Bernard Samson – 40-something intelligence agent, sardonic, clever, tough and, I’m beginning to realise, immensely talkative. In this book’s 400 pages there’s no-one he doesn’t discuss his theories with – Tessa, Gloria, Silas, von Munte, Werner, Zena – about the only person who doesn’t get dragged into his constant theorising about what’s ‘going on’ is the plump nanny from Devon.
  • Fiona – his wife who also worked in the Service and was revealed, in Berlin Game, to be a KGB agent, and so fled behind the Curtain.
  • Billy and Sally (8) – Bernard and Fiona’s children, living with Samson in his central London house, looked after by the plump nanny from Devon, Doris.
  • Tessa – Fiona’s younger sister, posh, feisty, her marriage to George is on the rocks, she fancies Bernard like mad, but is having an ill-judged affair with Dicky Cruyer.
  • David Kimber-Hutchinson – very well-off father of Fiona and Tessa, determined to take custody of his grand-children.
  • George Kosinski – Tessa’s husband, a Polish immigrant and very successful used car salesman who Tessa is serially unfaithful to.
  • Gloria Kent – luscious young secretary who falls in love with Samson at the end of the previous novel and is now seriously infatuated with him, wanting to move in and completely redesign his life.

The Department

  • Richard ‘Dicky’ Cruyer – Oxford man, Controller of German Stations, Samson’s immediate boss, fussy, self-interested. Samson hates these smug, self-satisfied, patronising Oxbridge-educated desk men.

‘Let me tell you something, Bernard,’ said Dicky, leaning well back in the soft leather seat and adopting the manner of an Oxford don explaining the law of gravity to a delivery boy… (p.28)

  • Frank Harrington – pipe smoking, 60-year-old head of the Berlin Field Unit (the job Bernard’s father had way back), fanatical Duke Ellington fan. Proves loyal in the book’s closing section.
  • Tarrant – Frank’s inscrutable valet at his big country house out at Grunewald.
  • Bret Rensselaer – mid-fifties, confident American (an American high up in MI6?), head of the Economics Intelligence Committee of SIS, sleek, suspicious. His plans took a knock with the defection of the agent called Brahms Four in Berlin Game, upon whose steady flow of economic intelligence about the Russkies Bret had built a little empire within SIS. In this book evidence mounts up which appears to incriminate him of also being a mole…
  • Morgan – creepy assistant to the ailing Director-General and therefore powerful.
  • Silas Gaunt – retired legend in the Department, living in a massive ramshackle house – Whitelands – in the Cotswolds, who Samson visits in each novel for a symbolic Communing with the Elders, in this novel bumping into the agent, Brahms Four, who Samson smuggled out of East Berlin in Berlin Game.
  • Henry Tiptree – contemporary of Dicky’s at Balliol college, Oxford, and now SIS’s man in Mexico, crops up here in some meetings and committees.
  • Ted Riley – old-timer who (like so many) worked for Samson’s father, but after getting caught doing a bit of black marketeering, was pushed sideways to become security at the safe house at Berwick House. As such he accompanies Stinnes to the London apartment to guard him and then is tasked with helping Samson in the raid on a Cambridge office, in which he is blown to smithereens.
  • Sir Henry Clevemore – Director-General of the Department, who Samson thinks is more or less gaga. It is a little bizarre to portray the head of Britain’s intelligence service as a senile fool.

Other characters

  • Werner Volkmann – Samson’s oldest friend from his Berlin childhood, big, bearlike, Jewish, he runs a successful if unofficial import-export agency into East Berlin but is keen to work for (and be paid by) the Department. In the later parts of the novel he and Samson have several really long sessions drinking and reminiscing about their childhood escapades in post-war Berlin, interspersed with the usual thorough review of what’s ‘going on’.
  • Zena, Werner’s wife, young tough, ambitious. Show me the money. Improbably, in the first novel she had a brief affair with ageing Frank Harrington. In the second novel she fell passionately in love with the defector Stinnes (well, the money he stood to gain).
  • Lisl Hennig – old lady in Berlin whose house Samson remembers growing up in when his dad moved the family there after the war but which has become a rather run-down boarding house and is where Samson always stays in Berlin, rather than the ritzy hotels he has the expenses for.
  • Lothar Koch – 80-year-old friend of Frau Hennig.
  • John Koby aka Lange or ‘Lofty’ – 70 year old Yank, recruited by Samson’s dad but then dropped for alienating American intelligence. Still bitter, but as the novel progresses we learn he was in fact using his position to become a big player in the Berlin underworld.
  • Posh Harry – flash American ‘businessman’, knows everyone, can fix anything.
  • Erich Stinnes – thin professional KGB man who Samson first met when he was being held by him in Stasi headquarters at the end of Berlin Game, and who Samson persuades to defect in Mexico Set, and who is now the centre of London Match, as he leaks information to his interrogators. But is it the real thing – or is he supplying deliberate disinformation to help discredit the totally innocent Bret Rensselaer?

Finale

Things move swiftly to a climax. The interrogation of Stinnes is handed over to a joint committee from the Department and MI5 and Stinnes makes more admissions implicating Bret, who is promptly placed under house arrest. He manages to escape, cadging a flight with a friend with his own plane, out of England and turns up looking worse for wear in Berlin, at Frau Lisl’s where Samson is staying.

Samson had just reluctantly seen Werner off on a trip to the East, because Werner had spotted the Mrs Miller from the start of the novel not at all drowned and dead but happily working in the east Berlin Town Hall. He is going back over to find out more.

Next day we discover Werner has been seized by the Stasi. Bret’s panic fear about being arrested has made Samson decide which one of the two possible theories about Stinnes he believes: Bret is not a mole, the evidence from Mrs Miller (staged), from Lange (personally biased) and Posh Harry’s document (a set up) is all a put-up job, and Stinnes is no defector but sent to discredit Bret and undermine the Department.

But now his old friend Werner is being held, and so Samson, in Berlin, contacts Frank and recruits him for a desperate gamble. He persuades Frank to pull rank and get Stinnes transferred out to Berlin, while he sends messages to the other side that he’s ready to do a swap.

At a ritzy West Berlin hotel Fiona and an entourage of KGB heavies meet him. During the negotiations for the exchange of Werner and Stinnes, Samson gets Fiona alone in a hotel room for an intense couple of pages in which the entire freight of personal and professional betrayal intensify into a multi-leveled moment of tension, stress, anguish, old love and determined hard-headedness.

Her readiness to make the exchange confirms that Stinnes is a stooge and effectively exonerates Bret, thus making all his colleagues back in London look like fools for believing the defector. But then, driving on the way to the exchange point, there is an accident which the KGB heavy, Moskvin, who’d accompanied Fiona on the trip, takes to be an attempt on his life. He leaps out of the car, runs off into the busy Berlin streets, shooting at his pursuers – Samson, Bret, Frank and numerous Berlin Office staff. In fact from nowhere it turns into a cinematic chase through crowded streets with shots going off in all directions. Some innocent bystanders as well as some of our boys are shot – including Bret, who is seriously injured – before Moskvin is himself shot dead.

The exchange goes ahead anyway, Werner for Stinnes, Werner confirming that Stinnes is greeted like a conquering hero on the East side. In the hotel room Fiona had said her condition for exchanging Werner wasn’t Stinnes – it was that Moskvin be bumped off. Now, whether by intention or lucky accident, that has happened. Could it possibly be that the entire sequence of events starting with Stinnes’ defection was designed solely to get Moskvin off Fiona’s back and give her unrestrained control of the East German setup? What an elaborate plan?

On the last few pages Samson and his cynical old mate Werner sum up what has happened. Was it, as Werner claims, game, set and match to the KGB? Did they get their high-ranking spy – Fiona – back to them with no loss, while using Stinnes to sow confusion and distrust (not least between the Department and MI5 who have seen our chaps’ incompetence at close quarters)? Or is it, as Samson insists, game, set and match to us, because we exposed Fiona – forcing her to leave in a rush without taking incriminating documents – OK, we were taken in by Stinnes but in the end exposed him, and have emerged stronger?

Even at the end it hasn’t ended: even when it’s all over the questions, and the maze of multiple interpretations, continues. As it does in life…


Expertise

Man of the world As pointed out in my review of the previous Samson novels, the thriller writer (or his protagonist) need to show us he is a man of the world, an expert in many forms of knowledge, and Deighton is a very knowledgeable writer. Thus the text is dotted with offhand insights and knowing asides, especially about his specialist subject, Germany, German history, culture and language.

[von Munte] nodded sadly. ‘Yes, Saupreiss,’ he said, using the Bavarian dialect word for Prussian swine. (p.54)

[Frau Koby] was a small thin woman, her face pale like the faces of most Berliners when winter comes. (p.83)

The Handschlag, the hands slapped together in that noisy handshake with which German farmers conclude a sale of pigs. (p.84)

She had the flat features, narrowed eyes, and pale colouring that are typical of people from Russia’s eastern Arctic. (p.101)

Berliners give themselves wholeheartedly to everything they do: Berlin opera and concert audiences cheer, boo, jeer or applaud with a mad tenacity unknown elsewhere. (p.109)

I’ve never been to Berlin so I’ve no idea whether any of this is true, but it sounds good and makes our man sound like a native and an expert.

Foodie We know Deighton has special knowledge and expertise when it comes to cookery and cuisine because of his successful cook books. No surprise, then, that his narrator has needle-sharp, accurate knowledge of all things gastronomic.

Brötchen,‘ she said. Zena was born and brought up in Berlin, but she didn’t call the bread rolls Schrippe the way the rest of the population did. (p.19)

Some Kipfel on a silver platter. Klara knew that the little crescent shaped shortcakes were Werner’s favourites. (p.340)

Old and tired Probably the cliché of the thriller/spy genre is the way the hero always feels old, old and tired – indicating to us safe, boring readers what an action-packed life he’s led, what terrible things he’s seen, what a battering his body and soul have taken.

When he thought I wasn’t observing him, I could see the signs of that energy flagging. Stinnes was growing tired. Or old. Or frightened. Or maybe all three. I knew the feeling. (p.186)

I looked at the dangers now and shuddered. I looked at many such previously encountered dangers now and shuddered; that’s why I was no longer suitable for employment as a field agent… I should have noticed the car at the start. I was becoming too old and too careless… (p.97) [The KGB man said] ‘No gun, Samson? This is not the expert we’ve heard so much about. You’re getting old and careless.’ (p.99)

We get the picture. He has lived more than we ever will. (As an aside, is the repetition of ‘old and careless’ within two pages deliberate or an indication that these long (402 pages) novels were written and published at speed?)

Men and woman Part of this old-hand-ish, seen-it-all-before, jaded attitude is the easy generalisations about men and women which stud the text. In fact, in line with the way at least half the text is about the private life of Samson, Gloria, his kids and nanny, his father-in-law, his sister-in-law Tessa and her lover Dicky and her husband George the car salesman, etc etc, there are as many or more sentences and paragraphs about relationships, about men and women, as there are about spies, the CIA, SIS or KGB.

Women are always attracted by purposeful masculine strength, organising ability, and the sort of self-confidence that leaves everything unsaid. (p.132)

It was only a matter of time. The urge to reform the male is something no woman can resist. (p.163)

‘[Posh Harry] is a slippery bastard,’ I said. But I wouldn’t deliver him to Morgan.
‘It might be him or you,’ she said with that ruthless simplicity that women call feminine logic. (p.181)

Why did women always feel the need to write letters when ending an affair? (p.283)

Did all wives fear and resent the friendships that came before marriage? (p.384)

Like all women she was tyrannised by her biology. (p.385)

These doubtful generalisations, generally about women, are just the most prominent parts, the tips of the great icebergs of text dealing with personal relationships, with love and fidelity and betrayal etc, especially now Samson is sleeping with a 20-year-old secretary and feeling guilty about it.

If you’d told me that these aspects of my love affair with her were only what could be expected when a man of forty falls in love with a woman young enough to be his daughter, I’d have agreed with you. I worried about it constantly and yet I always ended up asking myself whether such elements of paternalism weren’t to be found everywhere. Maybe not in every happy marriage, but certainly in every blissful affair. (p.165)

If you blank out all the spying content (OK, quite a task), there’s the makings of a cracking Jackie Collins novel about a small circle of middle-aged couples having dinner parties and affairs, bonking, splitting up, getting back together, and worrying about children and nannies, trying to get out of this book.

Bureaucracy There are countless references to the labyrinthine bureaucracy of Whitehall, to the endless delays of Civil Service administration – there is a complex passage about the various colours of chit you need to get access to Cabinet Office documents – references to characters being worried about their pensions, and so on – the same humorous, long-suffering, institutional attitude of the Ipcress narrator – only maybe a bit less jolly, more real.

Public school Then there is the permanent thread of resentment Samson has against the way most jobs in his Department – and indeed Whitehall – are taken by public school men and the Oxbridge mafia, with their all-important codes of dress and speech designed to put everyone else in their place.

Unlike Bret, who was wearing the same sort of Savile Row suit he wore to the office, Frank had come correctly attired for the upper-class weekend: old Bedford cord trousers and a khaki sweater with a silk scarf in the open neck of his faded shirt. (p.50)

The public-school senior staff at London Central spent just as much money on their Savile Row suits and handmade shirts and Jermyn Street shoes, but they wore them with a careless scruffiness that was a vital part of their snobbery. A real English gentleman never tries; that was the article of faith. (p.134)

Winning one little argument with the public-school mafia at London Central was like landing a blow on a heavy leather punching sack – the visible effect was slight, and two minutes later the pendulum swung the whole contraption back again and knocked you for six. (p.144)

The choice of casual words, and the softness of his voice, did nothing to hide the authority behind what he said; on the contrary, it was the manner in which certain classes of Englishmen give orders to their subordinates. (p.59)


Communism

In this, as in so many spy novels, there are few if any references to actual politics – no mention of Mrs Thatcher and President Reagan who dominated the 1980s with their abrasive anti-communist rhetoric, no mention of the high profile nuclear disarmament talks which dominated the headlines, no mention of the protests at Greenham Common about the siting of US missiles there, which began in 1981.

Characters routinely explain their fear of the KGB, describe its all-powerful rule of terror, explain why they hate ‘traitors’ – but in words which could have been spoken at any time between 1962 (when Deighton and Le Carré published their first novels) and 1985 when this novel was published. It is as if the backdrop of the Cold War is fixed, inflexible, unchanging, like the static ahistorical setting of Hollywood Westerns, where there is never any change or development, never any external events to upset the mythical backdrop, where there are just good guys, bad guys, Injuns and countless shootouts; or, in the spy world, our agents, their agents, double agents and endless plotting.

In the whole book there is only really one passage about contemporary politics, about the actual economic and political issues which divide the West from the East, have pitted them against each other for forty years since the end of World War Two, and which were moving, changing, evolving in the 1980s.

It is a page-long disquisition where Samson deliberately bates Stinnes by describing in detail why the Russian communist economy is collapsing (mentioning, in passing, the rise of the Solidarity trades union in Poland – founded 1980). Samson explains how the populations of the USSR made a sullen pact with the communist party to be quiescent and not cause trouble in return for steady jobs, accommodation, pensions. But as the economy fails, jobs, goods, food, accommodation are no longer guaranteed, the people are restless, the party doesn’t know what to do next.

This is all very prescient: London Match was published in 1985 and it was in May 1985 that new Communist Party General Secretary Mikhail Gorbachev made the speech in which he admitted ‘the slowing down of the economic development and inadequate living standards’ and introduced the new ideas of ‘restructuring’ and ‘openness’, perestroika and glasnost, which he said were required to get the USSR back on track. (Wikipedia article – Perestroika)

These are the first stirrings of the political and social revolution which led to the dissolution of the USSR in 1991, the end of the Cold War, and the evaporation of the worldview which had underpinned spy thrillers for two generations.


Related links

Granada paperback cover of London Match

Granada paperback cover of London Match

Len Deighton’s novels

1962 The IPCRESS File Through the thickets of bureaucracy and confusing misinformation which surround him, an unnamed British intelligence agent discovers that his boss, Dalby, is in cahoots with a racketeer who kidnaps and brainwashes British scientists.
1963 Horse Under Water Perplexing plot which is initially about diving into a wrecked U-boat off the Portuguese coast for Nazi counterfeit money, then changes into the exposure of an illegal heroin manufacturing operation, then touches on a top secret technology which can change ice to water instantly (ie useful for firing missiles from submarines under Arctic ice) and finally turns out to be about a list – the Weiss List – of powerful British people who offered to help run a Nazi government when the Germans invaded, and who are now being blackmailed. After numerous adventures, the Unnamed Narrator retrieves the list and consigns it to the Intelligence archive.
1964 Funeral in Berlin The Unnamed Narrator is in charge of smuggling a Russian scientist through the Berlin Wall, all managed by a Berlin middle-man Johnnie Vulkan who turns out to be a crook only interested in getting fake identity papers to claim the fortune of a long-dead concentration camp victim. The Russians double-cross the British by not smuggling the scientist; Vulkan double-crosses the British by selling the (non-existent) scientist on to Israeli Intelligence; the Narrator double-crosses the Israelis by giving them the corpse of Vulkan (who he has killed) instead of the scientist; and is himself almost double-crossed by a Home Office official who tries to assassinate him in the closing scenes, in order to retrieve the valuable documents. But our Teflon hero survives and laughs it all off with his boss.
1966 Billion-Dollar Brain The Unnamed Narrator is recruited into a potty organisation funded by an American billionaire, General Midwinter, and dedicated to overthrowing the Soviet Union. A character from Funeral In Berlin, Harvey Newbegin, inducts him into the organisation and shows him the Brain, the vast computer which is running everything, before absconding with loot and information, and then meeting a sticky end in Leningrad.
1967 An Expensive Place to Die A new departure, abandoning all the characters and much of the style of the first four novels for a more straightforward account of a secret agent in Paris who gets involved with a Monsieur Datt and his clinic-cum-brothel. After many diversions, including an induced LSD trip, he is ordered to hand over US nuclear secrets to a Chinese scientist, with a view to emphasising to the Chinese just how destructive a nuclear war would be and therefore discouraging them from even contemplating one.
1968 Only When I Larf Another departure, this is a comedy following the adventures of three con artists, Silas, Bob and Liz and their shifting, larky relationships as they manage (or fail) to pull off large-scale stings in New York, London and the Middle East.
1970 Bomber A drastic change of direction for Deighton, dropping spies and comedy to focus on 24 hours in the lives of British and German airmen, soldiers and civilians involved in a massive bombing raid on the Ruhr valley. 550 pages, enormous cast, documentary prose, terrifying death and destruction – a really devastating indictment of the horrors of war.
1971 Declarations of War Thirteen short stories, all about wars, mainly the first and second world wars, with a few detours to Vietnam, the American Civil war and Hannibal crossing the Alps. Three or four genuinely powerful ones.
1972 Close-Up Odd departure into Jackie Collins territory describing the trials and tribulations of fictional movie star Marshall Stone as he betrays his wife and early lovers to ‘make it’ in tinseltown, and the plight he currently finds himself in: embroiled in a loss-making production and under pressure from the scheming studio head to sign a lucrative but career-threatening TV deal.
1974 Spy Story The Unnamed Narrator of the Ipcress spy novels returns, in much tamer prose, to describe how, after escaping from the ‘Service’ to a steady job in a MoD war games unit, he is dragged back into ‘active service’ via a conspiracy of rogue right-wingers to help a Soviet Admiral defect. Our man nearly gets shot by the right-wingers and killed by Russians in the Arctic, before realising the whole thing was an elaborate scam by his old boss, Dawlish, and his new boss, the American marine General Schlegel, to scupper German reunification talks.
1975 Yesterday’s Spy Another first-person spy story wherein a different agent – though also working for the American Colonel Schlegel, introduced in Spy Story – is persuaded to spy on Steve Champion, the man who ran a successful spy ring in Nazi-occupied France, who recruited him to the agency and who saved his life back during the war. Via old contacts the narrator realises Champion is active again, but working for Arabs who are planning some kind of attack on Israel and which the narrator must foil.
1976 Twinkle, Twinkle, Little Spy (aka Catch a Falling Spy) The narrator and his CIA partner manage the defection of a Soviet scientist, only for a string of murder attempts and investigations to reveal that a senior US official they know is in fact a KGB agent, leading to a messy shootout at Washington airport, and then to an unlikely showdown in the Algerian desert.
1977 Fighter: The True Story of the Battle of Britain Abandoning fiction altogether, Deighton published this comprehensive, in-depth and compelling history, lavishly illustrated with photos and technical diagrams of the famous planes involved.
1978 SS-GB A storming return to fiction with a gripping alternative history thriller in which the Germans succeeded in invading and conquering England in 1941. We follow a senior detective at Scotland Yard, Douglas Archer, living in defeated dingy London, coping with his new Nazi superiors, and solving a murder mystery which unravels to reveal not one but several enormous conspiracies.
1979 Blitzkrieg: From the Rise of Hitler to the Fall of Dunkirk Another factual history of WWII: Deighton moves quickly over Hitler’s rise to power and the diplomatic bullying of the 1930s, to arrive at the core of the book: an analysis of the precise meaning of ‘Blitzkrieg’, complete with detailed notes on all the weapons, tanks, artillery and hardware involved, as well as the evolution of German strategic thinking; and then its application in the crucial battle for the river Meuse which determined the May 1940 Battle for France.
1980 Battle of Britain
1981 XPD SIS agent Boyd Stuart is one of about 20 characters caught up in the quest for the ‘Hitler Minutes’, records of a top secret meeting between Hitler and Churchill in May 1940 in which the latter was (shockingly) on the verge of capitulating, and which were ‘liberated’ by US soldiers, along with a load of Nazi gold, at the very end of the war. Convoluted, intermittently fascinating and sometimes moving, but not very gripping.
1982 Goodbye, Mickey Mouse Six months in the life of the 220th Fighter Group, an American Air Force group flying Mustangs in support of heavy bombers, based in East Anglia, from winter 1943 through spring 1944, as we get to know 20 or so officers and men, as well as the two women at the centre of the two ill-fated love affairs which dominate the story.
1983 Berlin Game First of the Bernard Samson spy novels in which this forty-something British Intelligence agent uses his detailed knowledge of Berlin and its spy networks to ascertain who is the high-level mole within his Department. With devastating consequences.
1984 Mexico Set Second of the first Bernard Samson trilogy (there are three trilogies ie 9 Samson books), in which our hero manages the defection of KGB agent Erich Stinnes from Mexico City, despite KGB attempts to frame him for the murder of one of his own operatives and a German businessman. All that is designed to make Bernard defect East and were probably masterminded by his traitor wife, Fiona.
1985 London Match Third of the first Bernard Samson spy trilogy in which a series of clues – not least information from the defector Erich Stinnes who was the central figure of the previous novel – suggest to Samson that there is another KGB mole in the Department – and all the evidence points towards smooth-talking American, Bret Rensselaer.
1987 Winter An epic (ie very long and dense) fictionalised account of German history from 1900 to 1945, focusing on the two Winter brothers, Peter and Paul, along with a large supporting cast of wives, friends, colleagues and enemies, following their fortunes through the Great War, the Weimar years, the rise of Hitler and on into the ruinous Second World War. It provides vital background information about nearly all of the characters who appear in the Bernard Samson novels, so is really part of that series.
1988 Spy Hook First of the second trilogy of Bernard Samson spy novels in which Bernie slowly uncovers what he thinks is a secret slush fund of millions run by his defector wife with Bret Rensaeller (thought to be dead, but who turns up recuperating in a California ranch). The plot involves reacquaintance with familiar characters like Werner Volkmann, Frau Lisl (and her sister), old Frank Harrington, tricky Dicky Cruyer, Bernie’s 23-year-old girlfriend Gloria Kent, and so on.
1989 Spy Line Through a typically tangled web of incidents and conversations Samson’s suspicions are confirmed: his wife is a double agent, she has been working for us all along, she only pretended to defect to the East. After numerous encounters with various old friends of his father and retired agents, Samson finds himself swept up in the brutal, bloody plan to secure Fiona’s escape from the East.
1990 Spy Sinker In the third of the second trilogy of Samson novels, Deighton switches from a first-person narrative by Samson himself, to an objective third-person narrator and systematically retells the entire sequence of events portrayed in the previous five Samson novels from an external point of view, shedding new and sometimes devastating light on almost everything we’ve read. The final impression is of a harrowing world where everyone is deceiving everyone else, on multiple levels.
1991 MAMista A complete departure from the Cold War and even from Europe. Australian doctor and ex-Vietnam War veteran Ralph Lucas finds himself caught up with Marxist guerrillas fighting the ruling government in the (fictional) South American country of Spanish Guiana and, after various violent escapades, inveigled into joining the long, gruelling and futile trek through the nightmareish jungle which dominates the second half of the novel.
1992 City of Gold A complex web of storylines set in wartime Cairo, as the city is threatened by Rommel’s advancing Afrika Korps forces in 1942. We meet crooks, gangsters, spies, émigrés, soldiers, detectives, nurses, deserters and heroes as they get caught up in gun smuggling, black marketeering and much more, in trying to track down the elusive ‘Rommel spy’ and, oh yes, fighting the Germans.
1993 Violent Ward Very entertaining, boisterous first-person narrative by Los Angeles shyster lawyer Mickey Murphy who gets bought out by his biggest client, menacing billionaire Zach Petrovitch, only to find himself caught up in Big Pete’s complex criminal activities and turbulent personal life. The novel comes to a climax against the violent backdrop of the Rodney King riots in Los Angeles in April 1992.
1993 Blood, Tears and Folly: An Objective Look at World War II
1994 Faith Return to Bernard Samson, the 40-something SIS agent, and the world of his friends and family, familiar to us from the previous six Samson novels. Most of the characters (and readers) are still reeling from the bloody shootout when his wife returned from her undercover mission to East Germany at the climax of the previous novel. This book re-acquaints us with all the well-loved characters from the previous stories, in a plot ostensibly about smuggling a KGB colonel out from the East, but is really about who knows the truth – and who is trying to cover up – the real cause of the Fiona-escape debacle.
1995 Hope 40-something SIS agent Bernard Samson continues trying to get to the bottom of the death of his sister-in-law, Tessa Kosinski and is soon on the trail of her husband, George, who has gone missing back in his native Poland.
1996 Charity Ninth and final Bernard Samson novel in which it takes Bernard 300 pages to piece together the mystery which we readers learned all about in the sixth novel of the series, ie that the plot to murder Fiona’s sister, Tessa, was concocted by Silas Gaunt. Silas commissioned Jim Prettyman to be the middle-man and instructed him to murder the actual assassin, Thurkettle. Now that is is openly acknowledged by the Department’s senior staff, the most striking thing about the whole event – its sheer amateurish cack-handedness – is dismissed by one and all as being due to Gaunt’s (conveniently sudden) mental illness. As for family affairs: It is Bret who ends up marrying Bernard’s one-time lover, the glamorous Gloria; Bernard is finally promised the job of running the Berlin Office, which everyone has always said he should have: and the novel ends with a promise of reconciliation with his beautiful, high-flying and loving wife, Fiona.

Mexico Set by Len Deighton (1984)

‘That bloody Werner has been seeing Stinnes,’ said Dicky. He was pacing up and down chewing at the nail of his little finger. It was a sign that he was agitated. He was often agitated lately. Sometimes I wondered that Dicky had any nails left.
‘So I hear,’ I said calmly.
‘Ah,’ said Dicky. ‘I thought so. Have you been going behind my back again?’
I salaamed; a low bow in a gesture of placation, ‘Oh, master. I hear this only from Harrington sahib.’
‘Cut out the clowning,’ said Dicky. (p.173)

Mexico Set is the hugely enjoyable second volume in the Bernard Samson trilogy, following immediately on from Berlin Game, what seems to be a matter of weeks or a month or so later, and with almost all the same characters. In the first novel Samson exposed his wife as the senior ‘mole’ in the Department, a part of Britain’s Secret Intelligence Service (SIS), forcing her to flee to the East (arranging his release from East Berlin Stasi headquarters in the process).

The continuity of plot and the familiarity of almost all the characters makes it seem a little like a soap opera or long-running TV series like Friends or Scrubs. It feels like Deighton himself is confident and at ease enough with the characters to muck about, to play, to experiment with their behaviour, to explore their hinterlands more.

Bernard Samson’s private life

Samson’s private life is a mess. He is now single, in charge of two school age children and living in a sizeable house in West London with a nanny and a Portuguese cook. On his SIS salary he can’t afford to keep this up any more without Fiona’s income and trust fund, as his wealthy father-in-law is quick to brutally remind him (chapter 10), threatening to take him to court for custody of the children. the threat of a court case would bring Samson’s bosses into the picture, leaning on him to reach a settlement (ie cave in to his father-in-law) in order to avoid publicity about Fiona’s defection, which they have so far successfully suppressed.

Berlin childhood

Worth emphasising again that Samson’s big selling point, his distinctiveness as a character, comes from the fact that his father before him was in British Intelligence, based in Berlin – and that his dad didn’t send him back to England to a pukka public school. Instead Bernard went to school in Berlin a) making friends with a number of Berlin boys, many of whom have turned out to be handy contacts in adult life, b) coming to know Berlin like the back of his hand c) speaking German like a native and with an acute awareness of different accents and dialects.

We are told that he left school at 16 and didn’t go to university, hence the other consequence, d) his ingrained contempt for his public school and Oxbridge-educated colleagues in the Department, an amused contempt which is identical to the attitude of the narrator of Deighton’s early Ipcress novels.

Mexico

Why Mexico? For the slender reason that Werner Volkmann, Samson’s ‘oldest and closest friend’ (p.16) from his Berlin childhood, is on a second honeymoon there with his gimlet-eyed wife, Zena (the cynical 22-year-old who was briefly the mistress of Frank Harrington, the ageing head of the Department’s Berlin office, in the first novel). While there they spot the Berlin-based KGB officer who interrogated Samson at the climax of the first novel, one Erich Stinnes, in the club frequented by the German emigré community. This is enough, apparently, to prompt Samson and his boss, Dicky Cruyer, to fly to Mexico City where Cruyer – in the usual way of characters in this book – takes some time getting round to explaining to Samson that the Department want Samson to invite Stinnes to defect.

Volkmann has found out that Stinnes is connected to a well-off German businessman, Paul Biedermann. Samson schlepps out to Biedermann’s mansion by the ocean, only to find it deserted, to break in, and then a few hours later hide when Stinnes and a goon arrive. He (conveniently) overhears their conversation which amounts to an explanation that Biedermann is working for the KGB, before they get impatient and leave.

Based on all this, a few days later, Samson arranges via Biedermann to meet Stinnes again, at his seaside mansion, before the two men take drive out to sea in Biedermann’s luxury boat, and it is here that Samson makes his offer to Stinnes – money, a house, a new identity, what does he think? Stinnes says Yes, give him a month to round up the kind of information he knows London will want him to bring, and which will ensure his VIP treatment.

Back in Mexico City Samson’s shallow boss, Dicky, is well pleased with this result and goes sight-seeing and shopping for presents before they both fly back to London. But Samson, as ever, has misgivings. It was – as in the previous novel’s quick identification of the traitor Giles Trent – too easy.

In fact a third of the way into the book (p.132) the characters leave Mexico never to return and the action returns to the familiar office and home locations in London, and the guest house and various bars in Berlin which we are familiar with fro the first book.

Dramatis personae

Personal life

  • Bernard Samson – 40-something intelligence agent, sardonic, clever, tough.
  • Fiona – his wife who also worked in the Service and was revealed, in Berlin Game, to be a KGB agent, fled behind the Curtain.
  • Tessa – Fiona’s younger sister, posh, feisty, her marriage to George an art dealer is on the rocks, she fancies Bernard like mad.
  • George – Tessa’s husband, a self-made Polish immigrant used car salesman who Tessa has been serially unfaithful to.
  • Gloria Kent – luscious young secretary who Samson gets transferred to his office, as a joke takes to a dinner party at Dicky’s, who is initially very cross that she’s been manipulated but when Samson carries on being strictly professional over the following weeks, well, she falls in love with him 🙂

The Department

  • Richard ‘Dicky’ Cruyer – Controller of German stations, Oxford man, Samson’s immediate boss, fussy, self-interested.
  • Frank Harrington – pipe smoking, 60-year-old head of the Berlin Office (the job Bernard’s father had), in this novel we are told he regards himself as a kind of guardian to Samson.
  • Bret Rensselaer – mid-fifties, confident American (an American high up in MI6?), head of the Economics Intelligence Committee of SIS, sleek, suspicious. His plans took a knock with the defection of the agent called Brahms Four in the previous novel, upon whose steady flow of economic intelligence about the Russkies Bret had built a little empire within SIS.
  • Henry Tiptree – contemporary of Dicky’s at Balliol college, Oxford, and now SIS’s man in Mexico where he lends Dicky and Samson a notably clapped-out car, before mysteriously appearing 150 pages later in the Berlin boarding house Samson routinely stays in. Is he following Samson? Is he investigating him?
  • MacKenzie – the probationer in the Department, tasked by Samson with finding out who the nurse was who hijacked him, and who is discovered dead in the safe house in Bosham.
  • Sir Henry Clevemore – Director-General of the Department, who Samson thinks is more or less gaga.

His room was dim and smelled of leather chairs and dusty books that were piled upon them. The D-G sat by the window behind a small desk crowded with family photos, files, trays of paperwork and long-forgotten cups of tea. It was like entering some old Egyptian tomb to chat with an affable mummy… I suppose everyone had the same protective feeling when talking with the D-G. That’s no doubt why the department was something of a shambles. (p.323-324)

Sir Henry is made to be such a clapped-out figure of fun it slightly risks derailing the novel altogether into Carry On Spying territory. Odd.

Other characters

  • Werner Volkmann – Samson’s oldest friend from his Berlin childhood, big, bearlike, he runs a successful if unofficial import-export agency into East Berlin but is keen to work for (and be paid by) the Department.
  • Zena, Werner’s wife, young tough, ambitious. Show me the money.
  • Erich Stinnes – thin professional KGB man who was itching to ‘interrogate’ Samson in Stasi headquarters in Berlin in the first novel, but was restrained by the defecting mole, obviously his superior who, in the big revelation scene, turns out to be Samson’s wife, Fiona.

The plot

Like a game of chess the plot revolves around this key move of getting Stinnes to defect and what it would mean. We only actually meet him and hear him speak briefly. The vast majority of the narrative is given over to different permutations of characters discussing at great length whether: Stinnes is genuine KGB; whether he genuinely wants to defect; whether he is genuinely alienated by Fiona taking over as his boss in the East Berlin KGB, or whether Fiona is arranging for him to defect and take with him a load of misleading information.

While the will he/won’t he debate goes on, another layer of meaning opens up as colleagues suggest to him that Stinnes might defect and incriminate him, Samson, as in some way supporting and collaborating with his wife. He might be framed. Assuming he is innocent. Samson is shocked to realise that almost the whole department suspects him. In fact, it is obvious that Fiona’s defection will contaminate him; during 14 years of marriage, surely he suspected something. Samson is shocked when Frank Harrington, the man who keeps telling him he feels like a father to him and has tried to protect him – nakedly offers him encouragement to go now, leave from his Berlin house now, to the other side, before London traps him. Even Frank thinks he is a traitor.

But then the whole tenor of the book, the whole experience of reading it, is to be immersed in this wilderness of mirrors where absolutely everyone suspects everyone else all the time, and Samson is wandering through it, lying and deceiving like the others, simultaneously trying to read his colleagues multiple motives.

There are a handful of colourful events.

1. Samson offers a pretty young nurse struggling with her broken down car a lift to her hospital when she pulls out a hypodermic syringe full of poison and orders him to drive to Heathrow where he is astonished when Fiona gets into the back of the car. She offers him a deal: keep his hands off Stinnes and she will leave the children be, and not try to contact or snatch them (something which has been worrying Samson ever since her departure). When nurse and Fiona exit the car he is so stunned he needs time to work out the implications and so fails to report the incident to his bosses. Big mistake.

2. Samson tasks a keen young colleague to track down the nurse. This he does too well because Werner calls him from a safe house in Bosham, Sussex, where Samson arrives to find various female paraphernalia – definitely connected with the nurse (the syringes) possibly a place where Fiona has hidden and altered her appearance – and the corpse of the young apprentice who has been brutally and repeatedly shot.

3. Just after Frank Harrington makes his sheepish suggestion to Samson that he defect, now, while he still can, Harrington receives an official call that Biedermann has been stopped at Orly airport, Paris, carrying top secret NATO documents. Samson flies there and is allowed to see Biedermann and begins to realise it is a set-up. Bidermann had never seen the documents, the driver of the taxi which took him to the airport for a normal domestic flight to his Italian holiday home, came running after him and said Monsieur you left these in the taxi, thrusting them into Biedermann’s hands and he was going to turn them over to the cops or someone when he was himself arrested ‘on a tip-off’. Samson is pondering all this when a junior cop gives him sandwiches and a coffee to take into Biedermann which he does, then returns to the French inspector’s office who yells, sandwiches? coffee? for a suspect? And when they race down to the cell Biedermann is very dead from cyanide poisoning.

Prime suspect

Samson is recalled to London where he is subjected to a prolonged grilling by Bret, with Cruyer and Harrington and others in attendance. Their accusation is that he knew about Fiona. He is a fellow KGB spy. He has deliberately slowed down ‘enrolling’ Stinnes to in fact make it fail because Stinnes would incriminate him. Similarly, Biedermann knew too much about him which is why he murdered him. This long chapter airs all the possible permutations, all the ways of interpreting events up to this point though Samson eventually wriggles free by shouting them all down, shouting his innocence, and asserting the rule that a case officer continues with his case until formally dismissed. He is going to bring Stinnes in, and he gets up and walks out.

Mexico two

On page 345 (of the 380-page novel) we arrive back in Mexico City for the finale ie the planned defection of Stinnes. First Samson rendezvous with Werner and Zena: he is worried by how they both refer to Stinnes by his first name, Erich and Zena in particular seems fond of him. Then he meets up with Henry Tiptree, the upper class desk johnny who infuriates Samson by saying that he, Tiptree, has been given authority to manage the defection. To his horror he’s changed the rendezvous with Stinnes from busy Garibaldi Square to a private bank nearby.

Up rickety backstairs and through a steel door into a setup which is more a money-laundering racket than a bank, go Tiptree and Samson, the latter not at all surprised to find Zena there, assuming she’s come to get her claws on the money. This is counted out by the crooked owners of the bank as per Tiptree’s instructions but things go wrong with the sudden appearance of the big hood who accompanied Stinnes to Biedermann’s oceanside house all those weeks previously and has appeared by his side periodically, the brute Moskvin.

He and a sidekick pull out automatic weapons and tell everyone to put their hands on their heads. He is KGB and he has been ordered to execute Stinnes when he walks in. Is this Fiona’s doing, reaching out to kill her deputy all the way from Berlin? Zena reveals her part in the betrayal by pleading with Moskvin, saying they promised not to harm Stinnes. So it turns out she has been reporting back to the KGB all along. Steps slowly and ominously mount the stairs towards the steel door but Zena flips and attacks the kid with a machine gun like a wild cat. Moskvin steps over to punch her which gives Tiptree the opportunity to pull out a Browning pistol and shoot him in the leg.

The ominous footsteps turn out, comically, to be those of a little boy sent by Stinnes to find Samson and tell him he is waiting at the place they arranged. Samson grabs the money, leaving Tiptree pointing a gun at the others and with some explaining to do as and when the police arrive. He hops over the back wall ducks along an alley and finds Stinnes waiting in a taxi, and off to the airport they go, job done.

As this is the middle instalment of a trilogy, I imagine the full implications of this will become clear in the next book (as many of the implications of the first book only unfolded in this one).


Describing Mexico

Deighton’s descriptions of the sights and sounds and smells of Mexico City are full and persuasive: the oppressive humidity, the surrounding mountains and melodramatic scenery.

From [the balcony of Werner’s flat] was a view across this immense city, with the mountains a dark backdrop. The dying sun was turning the world pink, now that the stormclouds had passed over. Long ragged strips of orange and gold cloud were torn across the sky, like a poster advertising a smog-reddened sun ripped by a passing vandal. (p.15)

Or his impression of the jungle as he drives through it to Biedermann’s ocean front mansion.

The jungle stinks. Under the shiny greenery, and the brightly coloured tropical flowers that line the roadsides like the endless window displays of expensive florists, there is a squelchy mess of putrefaction that smells like a sewer. (p.30)

But dominating everything is the size and noise of the vast metropolis, the appalling smog, the vast tides of people, the canned music spurting from a hundred cheap radios, the garish street markets and the appalling food: Samson the foodie has an amusing prejudice against hispanic cuisine with its countless ways to recycle the same boring tacos and awful reheated bean sludge (in London Match he says: ‘my dislike of Spanish and Portuguese cooking is exceeded only by my dislike of the fiery stodge of Latin America’ (p.185)) , though even here he is never at a loss when it comes to food facts.

[Dicky] read the sign. ‘What are carnitas?’
‘Stewed pork. He’s serving it on chicharrones: pork crackling. You eat the meat, then you eat the plate.’ (p.61)

He may not have realised his wife was a KGB spy, but about food – as about German accents, the map of Berlin, guns, computers and the minutiae of KGB and wartime Nazi organisations – Samson is never wrong.

Expertise

Man of the world As pointed out in my review of Berlin Game, the thriller writer or his protagonist, need to show us he is a man of the world, an expert in many forms of knowledge, and so the text is dotted with offhand insights and knowing asides.

She had that chin-up stance that makes so many Mexicans look as if they are ready to balance a water jug on their heads. (p.23)

Paul Biedermann had become unreservedly American in a way that only Germans are able to do. (p.49)

It was, of course, that sort of evasive temporising that armchair psychologists call ‘displacement activity’. (p.51)

He stubbed out his cigarette. He had that American habit of stubbing them out half smoked. (p.294)

They all kept their hands on their heads, and they all had that patient and passive visage that makes the people of Latin America so recognisably different from the Latin people of Europe. (p.375)

Foodie We know Deighton has special knowledge and expertise when it comes to cookery and cuisine because of his successful cook books. No surprise, then, that his narrator is a knowledgable guide to the food of Mexico, and even more so, the tastes and aromas of Europe.

It was an old German custom to offer schnapps with the eel and use the final drain of it to clean the fingers. But like lots of German customs it was now conveniently discontinued. (p.240)

[The coffee] had that bitter smell of the high-roast coffee that the French like so much. (p.295)

War knowledge And as we know from his deeply researched histories of World War Two and the novels based on them, Deighton has an extraordinary knowledge of WWII history, weapons and hardware and, especially, organisational structures.

[The Russians had] gathered together the scattered remnants of SS unit Amt VI F, which from Berlin’s Delbruckstrasse – and using the nearby Spechthausen bei Eberswalde paper factory, and forgers housed in the equally nearby Oranienburg concentration camp – had supervised the manufacture of superb forgeries of everything from Swedish passports to British five-pound notes. (p.260)

Bureaucracy There are countless references to the labyrinthine bureaucracy of Whitehall, to the endless delays of Civil Service bureaucracy, references to characters being worried about their pensions, and so on – the same humorous, long-suffering attitude of the Ipcress narrator.

Then there is the permanent thread of resentment Samson has against public school desk men, and the Oxbridge mafia – ‘those stony-faced Oxbridge men in London Central’ (p.298). There are frequent references to the nepotism and string-pulling which got a lot of their colleagues their jobs (unlike him, of course). It’s not a pose – Samson really doesn’t like these guys.

Morgan was a white-faced Welshman whose only qualification for being in the department were an honours degree in biology and an uncle in the Foreign Office. He looked at me as if I were an insect floating in his drink…. On the day I leave the department I’m going to punch Morgan in the nose. It is a celebration I’ve been promising myself for a long time. (p.309)

And office politics Almost more fatal than anything the KGB can pull is the complex backstabbing, alliance making and breaking, the manoeuvring and manipulation within his own little department, which is going on all the time and which actually makes up a lot of the text. In a sense very little happens in these novels, apart from a few florid scenes – kidnapping by the nurse, the dead body in the safe house, Biedermann poisoned in the cell. Only at the end is there a shootout and positively no car chases.

It is much more psychological than that. The book, both these books, are almost entirely about the rotating ever-shifting relations, the mistrustful probing and evasive conversations between Samson, Cruyer, Rensaeller and Harrington – all the rest is local colour or the minimum amount of events necessary to create a satisfying sense of conspiracy and skulduggery.

And cutting through it all is Samson’s resolute non-Oxford attitude, his contempt for the pipe-smoking, donnish desk jockeys who rule over him, and his sometimes comically crude assessments of what is really going on in the innumerable meetings, conversations and interrogations which the book is full of.

Good old Dicky… He’d realised that this might well turn out to be the opportunity he’d been waiting for; the opportunity to dump a bucket of shit over Bret’s head. (p.311)


Related links

Granada paperback edition of Mexico Match

Granada paperback edition of Mexico Match

Len Deighton’s novels

1962 The IPCRESS File Through the thickets of bureaucracy and confusing misinformation which surround him, an unnamed British intelligence agent discovers that his boss, Dalby, is in cahoots with a racketeer who kidnaps and brainwashes British scientists.
1963 Horse Under Water Perplexing plot which is initially about diving into a wrecked U-boat off the Portuguese coast for Nazi counterfeit money, then changes into the exposure of an illegal heroin manufacturing operation, then touches on a top secret technology which can change ice to water instantly (ie useful for firing missiles from submarines under Arctic ice) and finally turns out to be about a list – the Weiss List – of powerful British people who offered to help run a Nazi government when the Germans invaded, and who are now being blackmailed. After numerous adventures, the Unnamed Narrator retrieves the list and consigns it to the Intelligence archive.
1964 Funeral in Berlin The Unnamed Narrator is in charge of smuggling a Russian scientist through the Berlin Wall, all managed by a Berlin middle-man Johnnie Vulkan who turns out to be a crook only interested in getting fake identity papers to claim the fortune of a long-dead concentration camp victim. The Russians double-cross the British by not smuggling the scientist; Vulkan double-crosses the British by selling the (non-existent) scientist on to Israeli Intelligence; the Narrator double-crosses the Israelis by giving them the corpse of Vulkan (who he has killed) instead of the scientist; and is himself almost double-crossed by a Home Office official who tries to assassinate him in the closing scenes, in order to retrieve the valuable documents. But our Teflon hero survives and laughs it all off with his boss.
1966 Billion-Dollar Brain The Unnamed Narrator is recruited into a potty organisation funded by an American billionaire, General Midwinter, and dedicated to overthrowing the Soviet Union. A character from Funeral In Berlin, Harvey Newbegin, inducts him into the organisation and shows him the Brain, the vast computer which is running everything, before absconding with loot and information, and then meeting a sticky end in Leningrad.
1967 An Expensive Place to Die A new departure, abandoning all the characters and much of the style of the first four novels for a more straightforward account of a secret agent in Paris who gets involved with a Monsieur Datt and his clinic-cum-brothel. After many diversions, including an induced LSD trip, he is ordered to hand over US nuclear secrets to a Chinese scientist, with a view to emphasising to the Chinese just how destructive a nuclear war would be and therefore discouraging them from even contemplating one.
1968 Only When I Larf Another departure, this is a comedy following the adventures of three con artists, Silas, Bob and Liz and their shifting, larky relationships as they manage (or fail) to pull off large-scale stings in New York, London and the Middle East.
1970 Bomber A drastic change of direction for Deighton, dropping spies and comedy to focus on 24 hours in the lives of British and German airmen, soldiers and civilians involved in a massive bombing raid on the Ruhr valley. 550 pages, enormous cast, documentary prose, terrifying death and destruction – a really devastating indictment of the horrors of war.
1971 Declarations of War Thirteen short stories, all about wars, mainly the first and second world wars, with a few detours to Vietnam, the American Civil war and Hannibal crossing the Alps. Three or four genuinely powerful ones.
1972 Close-Up Odd departure into Jackie Collins territory describing the trials and tribulations of fictional movie star Marshall Stone as he betrays his wife and early lovers to ‘make it’ in tinseltown, and the plight he currently finds himself in: embroiled in a loss-making production and under pressure from the scheming studio head to sign a lucrative but career-threatening TV deal.
1974 Spy Story The Unnamed Narrator of the Ipcress spy novels returns, in much tamer prose, to describe how, after escaping from the ‘Service’ to a steady job in a MoD war games unit, he is dragged back into ‘active service’ via a conspiracy of rogue right-wingers to help a Soviet Admiral defect. Our man nearly gets shot by the right-wingers and killed by Russians in the Arctic, before realising the whole thing was an elaborate scam by his old boss, Dawlish, and his new boss, the American marine General Schlegel, to scupper German reunification talks.
1975 Yesterday’s Spy Another first-person spy story wherein a different agent – though also working for the American Colonel Schlegel, introduced in Spy Story – is persuaded to spy on Steve Champion, the man who ran a successful spy ring in Nazi-occupied France, who recruited him to the agency and who saved his life back during the war. Via old contacts the narrator realises Champion is active again, but working for Arabs who are planning some kind of attack on Israel and which the narrator must foil.
1976 Twinkle, Twinkle, Little Spy (aka Catch a Falling Spy) The narrator and his CIA partner manage the defection of a Soviet scientist, only for a string of murder attempts and investigations to reveal that a senior US official they know is in fact a KGB agent, leading to a messy shootout at Washington airport, and then to an unlikely showdown in the Algerian desert.
1977 Fighter: The True Story of the Battle of Britain Abandoning fiction altogether, Deighton published this comprehensive, in-depth and compelling history, lavishly illustrated with photos and technical diagrams of the famous planes involved.
1978 SS-GB A storming return to fiction with a gripping alternative history thriller in which the Germans succeeded in invading and conquering England in 1941. We follow a senior detective at Scotland Yard, Douglas Archer, living in defeated dingy London, coping with his new Nazi superiors, and solving a murder mystery which unravels to reveal not one but several enormous conspiracies.
1979 Blitzkrieg: From the Rise of Hitler to the Fall of Dunkirk Another factual history of WWII: Deighton moves quickly over Hitler’s rise to power and the diplomatic bullying of the 1930s, to arrive at the core of the book: an analysis of the precise meaning of ‘Blitzkrieg’, complete with detailed notes on all the weapons, tanks, artillery and hardware involved, as well as the evolution of German strategic thinking; and then its application in the crucial battle for the river Meuse which determined the May 1940 Battle for France.
1980 Battle of Britain
1981 XPD SIS agent Boyd Stuart is one of about 20 characters caught up in the quest for the ‘Hitler Minutes’, records of a top secret meeting between Hitler and Churchill in May 1940 in which the latter was (shockingly) on the verge of capitulating, and which were ‘liberated’ by US soldiers, along with a load of Nazi gold, at the very end of the war. Convoluted, intermittently fascinating and sometimes moving, but not very gripping.
1982 Goodbye, Mickey Mouse Six months in the life of the 220th Fighter Group, an American Air Force group flying Mustangs in support of heavy bombers, based in East Anglia, from winter 1943 through spring 1944, as we get to know 20 or so officers and men, as well as the two women at the centre of the two ill-fated love affairs which dominate the story.
1983 Berlin Game First of the Bernard Samson spy novels in which this forty-something British Intelligence agent uses his detailed knowledge of Berlin and its spy networks to ascertain who is the high-level mole within his Department. With devastating consequences.
1984 Mexico Set Second of the first Bernard Samson trilogy (there are three trilogies ie 9 Samson books), in which our hero manages the defection of KGB agent Erich Stinnes from Mexico City, despite KGB attempts to frame him for the murder of one of his own operatives and a German businessman. All that is designed to make Bernard defect East and were probably masterminded by his traitor wife, Fiona.
1985 London Match Third of the first Bernard Samson spy trilogy in which a series of clues – not least information from the defector Erich Stinnes who was the central figure of the previous novel – suggest to Samson that there is another KGB mole in the Department – and all the evidence points towards smooth-talking American, Bret Rensselaer.
1987 Winter An epic (ie very long and dense) fictionalised account of German history from 1900 to 1945, focusing on the two Winter brothers, Peter and Paul, along with a large supporting cast of wives, friends, colleagues and enemies, following their fortunes through the Great War, the Weimar years, the rise of Hitler and on into the ruinous Second World War. It provides vital background information about nearly all of the characters who appear in the Bernard Samson novels, so is really part of that series.
1988 Spy Hook First of the second trilogy of Bernard Samson spy novels in which Bernie slowly uncovers what he thinks is a secret slush fund of millions run by his defector wife with Bret Rensaeller (thought to be dead, but who turns up recuperating in a California ranch). The plot involves reacquaintance with familiar characters like Werner Volkmann, Frau Lisl (and her sister), old Frank Harrington, tricky Dicky Cruyer, Bernie’s 23-year-old girlfriend Gloria Kent, and so on.
1989 Spy Line Through a typically tangled web of incidents and conversations Samson’s suspicions are confirmed: his wife is a double agent, she has been working for us all along, she only pretended to defect to the East. After numerous encounters with various old friends of his father and retired agents, Samson finds himself swept up in the brutal, bloody plan to secure Fiona’s escape from the East.
1990 Spy Sinker In the third of the second trilogy of Samson novels, Deighton switches from a first-person narrative by Samson himself, to an objective third-person narrator and systematically retells the entire sequence of events portrayed in the previous five Samson novels from an external point of view, shedding new and sometimes devastating light on almost everything we’ve read. The final impression is of a harrowing world where everyone is deceiving everyone else, on multiple levels.
1991 MAMista A complete departure from the Cold War and even from Europe. Australian doctor and ex-Vietnam War veteran Ralph Lucas finds himself caught up with Marxist guerrillas fighting the ruling government in the (fictional) South American country of Spanish Guiana and, after various violent escapades, inveigled into joining the long, gruelling and futile trek through the nightmareish jungle which dominates the second half of the novel.
1992 City of Gold A complex web of storylines set in wartime Cairo, as the city is threatened by Rommel’s advancing Afrika Korps forces in 1942. We meet crooks, gangsters, spies, émigrés, soldiers, detectives, nurses, deserters and heroes as they get caught up in gun smuggling, black marketeering and much more, in trying to track down the elusive ‘Rommel spy’ and, oh yes, fighting the Germans.
1993 Violent Ward Very entertaining, boisterous first-person narrative by Los Angeles shyster lawyer Mickey Murphy who gets bought out by his biggest client, menacing billionaire Zach Petrovitch, only to find himself caught up in Big Pete’s complex criminal activities and turbulent personal life. The novel comes to a climax against the violent backdrop of the Rodney King riots in Los Angeles in April 1992.
1993 Blood, Tears and Folly: An Objective Look at World War II
1994 Faith Return to Bernard Samson, the 40-something SIS agent, and the world of his friends and family, familiar to us from the previous six Samson novels. Most of the characters (and readers) are still reeling from the bloody shootout when his wife returned from her undercover mission to East Germany at the climax of the previous novel. This book re-acquaints us with all the well-loved characters from the previous stories, in a plot ostensibly about smuggling a KGB colonel out from the East, but is really about who knows the truth – and who is trying to cover up – the real cause of the Fiona-escape debacle.
1995 Hope 40-something SIS agent Bernard Samson continues trying to get to the bottom of the death of his sister-in-law, Tessa Kosinski and is soon on the trail of her husband, George, who has gone missing back in his native Poland.
1996 Charity Ninth and final Bernard Samson novel in which it takes Bernard 300 pages to piece together the mystery which we readers learned all about in the sixth novel of the series, ie that the plot to murder Fiona’s sister, Tessa, was concocted by Silas Gaunt. Silas commissioned Jim Prettyman to be the middle-man and instructed him to murder the actual assassin, Thurkettle. Now that is is openly acknowledged by the Department’s senior staff, the most striking thing about the whole event – its sheer amateurish cack-handedness – is dismissed by one and all as being due to Gaunt’s (conveniently sudden) mental illness. As for family affairs: It is Bret who ends up marrying Bernard’s one-time lover, the glamorous Gloria; Bernard is finally promised the job of running the Berlin Office, which everyone has always said he should have: and the novel ends with a promise of reconciliation with his beautiful, high-flying and loving wife, Fiona.

Berlin Game by Len Deighton (1983)

I’d been trying to read other people’s minds for most of my life. It could be a dangerous task. Just as a physician might succumb to hypochondria, a policeman to graft, or a priest to materialism, so I knew that I studied too closely the behaviour of those close to me. Suspicion went with the job, the endemic disease of the spy. For friendships and for marriages it sometimes proved fatal. (p.82)

Samson trilogy

After six books about the Second World War, Deighton returned to the world of espionage with Berlin Game, introducing the 40-something spy Bernard Samson. I imagine he planned it as a trilogy with its sequels, Mexico SetLondon Match but I wonder whether he realised he’d go on to write another six novels about Samson, making a trilogy of trilogies, nine novels in all.

Overview

This is a very enjoyable spy novel. As you’d expect from Deighton, the depth of research and knowledge shine through on every page, in two ways in particular: his description of working for British Intelligence, its central London offices and security procedures, the organisational structure, the paperwork, the office rivalries and politicking, are all convincingly portrayed (who knows whether they bear any resemblance to ‘the truth’). But the main arena for Deighton to display his knowledge is Berlin, the city, its geography, the U-Bahn and seedy back streets, the river and lakes, the people, their customs and their characteristic German accent. Though over half the novel is set in diesel London, Berlin is the imaginative heart of the book.

Bernard Samson

When the novel opens Bernard Samson is just short of his fortieth birthday. He works for Britain’s Intelligence Service – like his father before him, who brought him up in Berlin after the War. Samson is past active field duty and has been safely driving a desk in London for the past five years. He is married to Fiona, herself quite senior in the Service – which struck me as unusual: a husband-and-wife MI6 team! She is from a well-off family and brought a lot of money to the marriage so they live in style – they have a Portuguese cook and two children, Billy and Sally, 10 and 8 years old. In what is presumably the author’s in-joke, Samson is described as wearing horn-rimmed glasses (p.13), as virtually all Deighton’s spies do, and as Deighton himself did in those stylish photos of him from the 1960s.

First person narrator

The novel is told in the first person, from Samson’s point of view (reminding this reader of the first person narratives of the Ipcress novels). The choice of a first person point of view is important because it gives the author all kinds of means of control. In a book told by a third person narrator, like Deighton’s previous novel, Goodbye, Mickey Mouse, there is an expectation that the narrator is being straight with you, telling you the facts, and that they know the facts, as confidently and completely as a historian or a policeman giving evidence. Part of the pathos of GMM comes from the plain, factual style of presentation of what, in the end, become horribly upsetting events.

Samson’s first-person point of view creates a completely different effect. Now we don’t know what the facts are, we don’t really know what’s going on, for two reasons: a) because Samson doesn’t know what’s going on and has to piece it together b) because (just like the Ipcress narrator) at essential moments he skips over key bits of knowledge. The glaring example is towards the end of the book, where he tells the escaping spy von Munte that he knows who the mole in the Department is without even looking at the evidence von Munte has just risked his life to extract from his office (in East Berlin). In fact, he tells von Munte, but he doesn’t tell us – like a crossword, we are meant to have solved the mystery by ourselves with a limited number of clues.

The plot

The plot is complicated but can be summarised quite simply: there’s a communist spy in Samson’s Department of British Intelligence.

It all starts when a high-profile agent working for us in East Germany for decades – codename Brahms Four (who, we eventually learn, is one Dr Walter von Munte, p.266) – announces that he wants to quit and come West. There is debate in the Department about who should be sent to a) check what’s happening b) if necessary, facilitate his escape. From early in the novel it’s clear that Samson, with his background growing up as a child in Berlin and his wide web of local contacts, is the man for the job. But as he makes a few preliminary trips to Berlin, and meets various of his contacts – prompting numerous reminiscences about his childhood there, as the son of a father working for British Intelligence immediately after the war – he (and we) get a sense of far more complex wheels-within-wheels, of a bewildering matrix of relationships which bind together various players. Through this miasma of conversations, hints and tips Samson begins to suspect there is some kind of leak our end.

Rather like John le Carré’s Tinker, Tailor, Soldier, Spy, most of the emphasis is on a small number of personnel within the Service who we see in a variety of meetings, conversations, dinner parties, in their clubs, at the office, and so on, as they all probe and suspect each other. It’s more like a detective story than a thriller. There are no car chases or shootouts – though there are a few tense moments with guns in pockets – there is one murder (a mistake, as it turns out).

A lot of time is spent by Samson meeting his old contacts in Berlin and piecing together events from five years or so back, when there was a particularly flagrant security leak from the Berlin office. Who was in the office at the time? Who could it have been? The head of the Berlin Office, ageing Frank Harrington, who Samson discovers has squirreled away a foxy young mistress in a house in the Berlin suburbs? But this young woman turns out to be the wife of Werner Volkmann, one of Samson’s schoolboy friends who’s gone on to set up a network in East Germany, ostensibly supporting the work of Brahms Four and a wider network of agents but who, Samson comes to realise, has been using British funds to build up a profitable black market import-export business.

Is it Samson’s immediate boss, Dicky Cruyer – no, too easily confused and panicked, with no German language skills. Or the only American working for the Department, smooth-talking Bret Rensselaer? He had access to the secret information on the night of the leak, and he has certainly built up a nice little empire in Economic Information: maybe he was placed there by the Soviets?

Then again, what about Giles Trent, the nervous bachelor who Samson catches meeting a KGB agent in a Soho chess club, and is making further enquiries about when he makes the surprise move of trying to kill himself (pills). Dicky is on the scene quickly, followed by Samson who is authorised to take Trent to a safe house. Here Samson establishes that Trent has been passing information to Russian contacts, in a complex blackmail set-up which started with his spinster sister being enticed into a love affair with a Russian man, who then started strong-arming Trent into working for them.

Samson has his doubts. It’s all too pat. Letting himself be overheard in the Soho club was amateurish, as were the incriminating bits of equipment (secret radio etc) found in Trent’s flat when it was searched. Almost as if he is a patsy, a deliberate decoy, to distract attention away from the real, much higher-placed, mole. At the safe house Samson bullies and threatens Trent with gaol, not for him but for his sister, unless he co-operates in a plan Samson cooks up to get Trent to continue passing intelligence to his Russian contacts, and offer them a comprehensive breakdown of the whole East German network. The idea being this will flush the high level spy from cover…

Unfortunately, word gets back to the Brahms Four network (ie Trent tells his Russian controller he is about to pass on a goldmine which will blow apart the East German networks, which the East German networks find out about and take seriously) and one of them comes over to London, ostensibly to meet Samson, but in fact to assassinate Trent. With Samson’s gun, borrowed for the purpose. It is an embarrassing moment when Samson has to tell one of this old Berlin friend, when he returns a day or two later with a now-used gun, that he has murdered Trent on a misunderstanding, in fact contrary to Samson’s own cunningly contrived plan, in fact… partly because of him.

Last, and hardest to contemplate, there is Samson’s own wife. In the first half of the novel Deighton plants seeds of doubt about whether she is having an affair. Rich, attractive, younger than him, she has worked her way up in the Department on her own merit. Having done modern languages at Oxford she speaks good German and Russian. She has access to high level information and, on several occasions when he calls late at night, doesn’t answer the phone. Does she get lonely during his frequent trips to Berlin? Has she started to have an affair? A colleague at the Department reports that he saw her being taken out to dinner by smooth-talking Bret Rensselaer: is she sleeping with him?

Deighton shows us plenty of domestic scenes, as they drive with the kids out to Silas Gaunt’s big Cotswold house for a posh weekend party or go to their son’s sports day, or make dinner, eat, drink, watch the telly or go to bed together, during which there is the usual to-and-fro of married banter, but slowly more interspersed with tougher questions, until Samson eventually accuses her flat-out of having an affair…

they negotiate that difficulty (she flatly denies it) but behind the (possible) personal betrayal, a far worse doubt is growing in Samson’s mind: the possibility that she, his wife, may be the high-level mole. Now he thinks about it, she was introduced to him at a party all those years ago when he was already a junior officer in the Department and he helped his new love to get a job within the Department (he seconded her application): was it all a set=up? Fro the very beginning was the entire affair, and then marriage, planned by a cold-hearted, scheming KGB agent and her controllers? Has he spent the past 14 or so years providing the perfect cover for her treacherous spying?

Could it be Fiona? It’s got to be one of them…. hasn’t it?

(If crime thrillers seeking to identify the murderer are ‘whodunnits’, then spy thrillers which are about tracking down ‘moles’ and double agents, are ‘whoisits’.)

Dramatis personae

In the service

  • Bernard Samson – 40-something intelligence agent, sardonic, clever, tough.
  • Fiona – his wife who, quite early on, he starts to suspect is having an affair with…
  • Bret Rensselaer – mid-fifties, confident American (an American high up in MI6?), head of the Economics Intelligence Committee, is he having an affair with Fiona? They were see together in a restaurant; when confronted she replies that he was vetting her, all senior personnel are having private interviews… maybe…
  • Tessa – Fiona’s younger sister, posh, feisty, married to George an art dealer who’s always away so she’s having an affair with Samson’s boss, Dicky Cruyer, in between teasing Bernard.
  • Sir Henry Clevemore – very pukka old fogey, Director-General of the Department who Samson thinks is almost gaga (p.52).
  • Richard ‘Dicky’ Cruyer – Controller of German Stations, Samson’s immediate boss, who he thinks is permanently confused and too dim to be the mole. He agrees with Dicky to keep the Trent suicide attempt secret for the time being…
  • Giles Trent – nervous, older operative in the Department who Samson tails to confirm he is meeting a KGB agent at a Soho chess club but before he can be hauled in for interrogation, Trent tries to kill himself. Revived he is kept in a ‘safe house’ where Samson bullies him into continuing to feed information to the Russians, including a bogus plan to blow the entire East German network, a plan which results in Trent being assassinated by one of that network, a man Samson knows well.
  • Frank Harrington – fussy, worried head of the Berlin office, 60, about to retire, is he a double agent?
  • Silas Gaunt – retired, fat bon viveur with an enormous house in the Cotswolds where he holds ‘weekends’, himself a former member of the Department, so the weekend described in the novel turns into an unofficial meeting with Cruyer and Rensselaer on how to handle the Brahms Four situation.

Other characters

  • Werner Volkmann – old friend in Berlin who Samson grew up with, allegedly doing badly in business after being boycotted by the Department, but who Samson finds flourishing, and who turns out to be a vital help in the book’s final tense scenes in East Berlin.
  • Zena, Werner’s wife, supposedly run off with a Coca Cola salesman, Samson finds her shacked up in a love nest paid for by none other than Frank Hutchinson, head of Berlin office! But when Samson spooks her, then watches the house to see what she’ll do, he is surprised to see her leaving in a car driven by her supposedly cuckolded husband, Werner. What are they up to?
  • Rolf Mauser – an ageing member of the East Berlin network, who visits Samson in London very mysteriously, not telling him he’s about to carry out the ill-judged execution of Trent – and who puts Samson up on his last, tense mission to East Berlin.
  • Dr Walter von Munte – the agent codenamed Brahms Four who, although he has been supplying information from the Deutsche Notebank, through which came banking clearances for the whole of East Germany, to Bret Rensselaer’s section for twenty years – helping Bret’s empire-building and rise to power – is actually only known by name and sight to Samson. Twenty years earlier Munte came back to save Samson when he was about to be caught by the Stasi in Weimar, which is why Samson is honour-bound to go back to Berlin and save him, now. (There is a good overview of von Munte’s role in London Match, page 48.)

Finale

All these complicated strands – and Deighton’s encyclopedic knowledge of Berlin – are pulled together when Samson takes it upon himself to get Frank Harrington (who he now knows is not the spy) to smuggle him into the East (through Berlin’s underground tunnels at midnight). The plan is to co-ordinate the Brahms network (with help from Rolf and Werner) to smuggle out von Munte and his wife.

These final thirty or so pages are tense to start with, but Deighton piles on the pressure when it becomes clear the Stasi have been tipped off about his mission and are one small step behind him, arriving to arrest Rolf Mause while Samson himself is in the (long, unlit) hallway of the same building, before he is whisked away by the dependable Volkmann, but then nearly caught by the Stasi when he rendezvous with von Munte’s wife at their East Berlin allotment hut, before the climax – a chase through the woods next to the Müggelsee, a lake to the east of Berlin, on a public holiday when the area is crowded with singing, jostling drunks, Samson weaving through the crowd trying to draw the pursuers away from old von Munte as he runs to the safety of Volkmann’s waiting car.

In decoying the Stasi agents away from von Munte, Samson lets himself be captured and taken to Stasi HQ in Normannenstraße. And this is the final scene of the novel, as his captors – and Samson – wait for the high-level KGB colonel who is the mole, the spy in the Department, to arrive. We know now that the mole knows that Samson has got hold of the evidence which clinches their identity, a hand-written document, part of the security leak back in 1978 which found its way to the KGB files and which von Munte risked his neck to go to his office to secure. Thus alerted that their identity is known, they have had to flee from London and, Samson is confident, will be forced to make a deal to release him.

Who will it be? Will the betrayal turn out to be bitterly personal as well as professional?

Prose

To say that Deighton has a number of prose styles might be overstating it; but he has a number of prose strategies which he deploys on different occasions and with varying degrees of success:

Plain Most of the text is in flat, plain, unadorned prose. Functional. I speculated in my reviews of his histories Blitzkrieg and Fighter that the enormous amount of research he put into them, presumably reading thousands of pages of bureaucratic documents, administrative papers, official histories and so on, all written in dead, flat, factual style, had had a flattening, deadening impact on Deighton’s fictional prose.

I sipped a little beer and looked round the room. It was a barren place; no books, no pictures, no music, no carpet. Just a TV, a sofa, two armchairs and a coffee table with a vase of plastic flowers. In the corner, a newspaper was laid out to protect the floor against oil. On it were the pieces of a dismantled racing bicycle that was being repaired to make a birthday present for his teenage son. (p.137)

No colour, no metaphors or similes, no interpretation, no overview or opinion about the scene. Just the facts. The bare facts.

After I rang off, I returned to my desk. When I unwrapped the pistol, I found a series of holes in the woollen scarf. Rolf Mauser had wrapped the gun in it before shooting Trent. A revolver can’t be silenced any other way. I had to use a magnifying glass for a clear sight of the marks left on the bullet cases by the process of hand-loading. There was no doubt that the bullets had been specially prepared by someone with gunsmith’s tools and powder measure. (p.249)

Facts. Technical knowledge. Spycraft. Delivered in plain, colourless prose.

Dry humour The welcome return to the first person narrator allows humour to re-enter Deighton’s world. Samson’s voice is a repeat or an echo of the cocky, sardonic narrator of the Ipcress novels, and there are some very funny moments when he deflates his bosses’ pretentions.

His visit to the estranged Mrs Volkmann in the house where Frank keeps her and where, it turns out, she is in charge of a kennel full of aggressive Alsatian dogs, combines vivid description of the setting with the main purpose – to try and establish what, if anything, Frank has been betraying to her, and whether she is working for the Russians or for the Brahms network – gilded with sly jokes.

I could see a wired compound and a brick outbuilding where some dogs were crowding at the gate trying to get out. ‘Good dog,’ I said, but I don’t think they heard me… She looked at my face. Whatever she saw there amused her, for she smiled to show perfect white teeth. So did the dog. (p.144)

Class consciousness One comedic, or sardonic, running thread is Samson’s permanent awareness/grudge that his superiors in the Department all went to public school and Oxford (notably Balliol college, famous to this day for its course in Politics, Philosophy and Economics). He has the same chippy, contemptuous attitude to this upper class mafia as the Ipcress narrator had. Right at the end his East German Stasi interrogator says:

‘How lucky you are not having the Party system working against you all the time.’
‘We have got it,’ I said. ‘It’s called Eton and Oxbridge.’ (p.318)

Relationships In my review of Goodbye, Mickey Mouse I argued that a new type of discourse had entered Deighton’s fiction, surprisingly obvious and banal truisms about relationships, about human psychology, and dodgy generalisations about gender. They crop up here, too.

I turned to go, but women won’t let anything end like that. They always have to sit you down at the table for a lecture, or write you a long letter, or make sure they have not just the last word but the last thought too. (p.324)

The Ipcress narrator had girlfriends but the nuts and bolts of the relationships – in fact sometimes almost everything about them – was only slyly hinted at. I liked that. These last few novels have become more middle-aged, with frequent generalisations about men and women and married life and parents and children which I found not only otiose, but worked against the illusion that the protagonist is sharp and clever. They make the characters look dull and predictable.

Knowledge Not only must the thriller writer display his (vastly) superior knowledge about spy organisations, the police, hardware and so on, but about the more devious aspects of human nature. He must display his knowledge of men, of the ways of the world.

He had the compulsive desire to drink and nibble that is often a sign of nervousness. (p.114)

His face was tanned in that very even way that comes from sun reflected off the Pulverschnee that only falls on very expensive ski resorts. (p.84)

We want to trust the thriller writer, to put ourselves in the hands of a vastly more worldly-wise, far-travelled, and sophisticated mentor. And so…

Old It is obligatory for all thrillers to refer to the protagonist suddenly feeling old, the implication being that living such a rough, tough life ages you, weighs you down with experiences, feelings, knowledge we ordinary mortals (the readers) just can’t understand. Samson is at his son’s sports day.

I watched the race. Good grief, the energy those kids had; it made me feel very old. (p.211)

I’d forgotten what it was like to be a newly ‘deposited’ field agent with false papers and a not very convincing cover story. I was too old for it. (p.257)

TV adaptation

The entire trilogy was adapted for TV by Granada, starring Ian Holm as Samson. Full details on Wikipedia. I’d love to see it. What a drag it’s not available in any format. All I can find is this trailer copied from what looks like a VHS recording of the Australian broadcast.

Related links

Len Deighton’s novels

1962 The IPCRESS File Through the thickets of bureaucracy and confusing misinformation which surround him, an unnamed British intelligence agent discovers that his boss, Dalby, is in cahoots with a racketeer who kidnaps and brainwashes British scientists.
1963 Horse Under Water Perplexing plot which is initially about diving into a wrecked U-boat off the Portuguese coast for Nazi counterfeit money, then changes into the exposure of an illegal heroin manufacturing operation, then touches on a top secret technology which can change ice to water instantly (ie useful for firing missiles from submarines under Arctic ice) and finally turns out to be about a list – the Weiss List – of powerful British people who offered to help run a Nazi government when the Germans invaded, and who are now being blackmailed. After numerous adventures, the Unnamed Narrator retrieves the list and consigns it to the Intelligence archive.
1964 Funeral in Berlin The Unnamed Narrator is in charge of smuggling a Russian scientist through the Berlin Wall, all managed by a Berlin middle-man Johnnie Vulkan who turns out to be a crook only interested in getting fake identity papers to claim the fortune of a long-dead concentration camp victim. The Russians double-cross the British by not smuggling the scientist; Vulkan double-crosses the British by selling the (non-existent) scientist on to Israeli Intelligence; the Narrator double-crosses the Israelis by giving them the corpse of Vulkan (who he has killed) instead of the scientist; and is himself almost double-crossed by a Home Office official who tries to assassinate him in the closing scenes, in order to retrieve the valuable documents. But our Teflon hero survives and laughs it all off with his boss.
1966 Billion-Dollar Brain The Unnamed Narrator is recruited into a potty organisation funded by an American billionaire, General Midwinter, and dedicated to overthrowing the Soviet Union. A character from Funeral In Berlin, Harvey Newbegin, inducts him into the organisation and shows him the Brain, the vast computer which is running everything, before absconding with loot and information, and then meeting a sticky end in Leningrad.
1967 An Expensive Place to Die A new departure, abandoning all the characters and much of the style of the first four novels for a more straightforward account of a secret agent in Paris who gets involved with a Monsieur Datt and his clinic-cum-brothel. After many diversions, including an induced LSD trip, he is ordered to hand over US nuclear secrets to a Chinese scientist, with a view to emphasising to the Chinese just how destructive a nuclear war would be and therefore discouraging them from even contemplating one.
1968 Only When I Larf Another departure, this is a comedy following the adventures of three con artists, Silas, Bob and Liz and their shifting, larky relationships as they manage (or fail) to pull off large-scale stings in New York, London and the Middle East.
1970 Bomber A drastic change of direction for Deighton, dropping spies and comedy to focus on 24 hours in the lives of British and German airmen, soldiers and civilians involved in a massive bombing raid on the Ruhr valley. 550 pages, enormous cast, documentary prose, terrifying death and destruction – a really devastating indictment of the horrors of war.
1971 Declarations of War Thirteen short stories, all about wars, mainly the first and second world wars, with a few detours to Vietnam, the American Civil war and Hannibal crossing the Alps. Three or four genuinely powerful ones.
1972 Close-Up Odd departure into Jackie Collins territory describing the trials and tribulations of fictional movie star Marshall Stone as he betrays his wife and early lovers to ‘make it’ in tinseltown, and the plight he currently finds himself in: embroiled in a loss-making production and under pressure from the scheming studio head to sign a lucrative but career-threatening TV deal.
1974 Spy Story The Unnamed Narrator of the Ipcress spy novels returns, in much tamer prose, to describe how, after escaping from the ‘Service’ to a steady job in a MoD war games unit, he is dragged back into ‘active service’ via a conspiracy of rogue right-wingers to help a Soviet Admiral defect. Our man nearly gets shot by the right-wingers and killed by Russians in the Arctic, before realising the whole thing was an elaborate scam by his old boss, Dawlish, and his new boss, the American marine General Schlegel, to scupper German reunification talks.
1975 Yesterday’s Spy Another first-person spy story wherein a different agent – though also working for the American Colonel Schlegel, introduced in Spy Story – is persuaded to spy on Steve Champion, the man who ran a successful spy ring in Nazi-occupied France, who recruited him to the agency and who saved his life back during the war. Via old contacts the narrator realises Champion is active again, but working for Arabs who are planning some kind of attack on Israel and which the narrator must foil.
1976 Twinkle, Twinkle, Little Spy (aka Catch a Falling Spy) The narrator and his CIA partner manage the defection of a Soviet scientist, only for a string of murder attempts and investigations to reveal that a senior US official they know is in fact a KGB agent, leading to a messy shootout at Washington airport, and then to an unlikely showdown in the Algerian desert.
1977 Fighter: The True Story of the Battle of Britain Abandoning fiction altogether, Deighton published this comprehensive, in-depth and compelling history, lavishly illustrated with photos and technical diagrams of the famous planes involved.
1978 SS-GB A storming return to fiction with a gripping alternative history thriller in which the Germans succeeded in invading and conquering England in 1941. We follow a senior detective at Scotland Yard, Douglas Archer, living in defeated dingy London, coping with his new Nazi superiors, and solving a murder mystery which unravels to reveal not one but several enormous conspiracies.
1979 Blitzkrieg: From the Rise of Hitler to the Fall of Dunkirk Another factual history of WWII: Deighton moves quickly over Hitler’s rise to power and the diplomatic bullying of the 1930s, to arrive at the core of the book: an analysis of the precise meaning of ‘Blitzkrieg’, complete with detailed notes on all the weapons, tanks, artillery and hardware involved, as well as the evolution of German strategic thinking; and then its application in the crucial battle for the river Meuse which determined the May 1940 Battle for France.
1980 Battle of Britain
1981 XPD SIS agent Boyd Stuart is one of about 20 characters caught up in the quest for the ‘Hitler Minutes’, records of a top secret meeting between Hitler and Churchill in May 1940 in which the latter was (shockingly) on the verge of capitulating, and which were ‘liberated’ by US soldiers, along with a load of Nazi gold, at the very end of the war. Convoluted, intermittently fascinating and sometimes moving, but not very gripping.
1982 Goodbye, Mickey Mouse Six months in the life of the 220th Fighter Group, an American Air Force group flying Mustangs in support of heavy bombers, based in East Anglia, from winter 1943 through spring 1944, as we get to know 20 or so officers and men, as well as the two women at the centre of the two ill-fated love affairs which dominate the story.
1983 Berlin Game First of the Bernard Samson spy novels in which this forty-something British Intelligence agent uses his detailed knowledge of Berlin and its spy networks to ascertain who is the high-level mole within his Department. With devastating consequences.
1984 Mexico Set Second of the first Bernard Samson trilogy (there are three trilogies ie 9 Samson books), in which our hero manages the defection of KGB agent Erich Stinnes from Mexico City, despite KGB attempts to frame him for the murder of one of his own operatives and a German businessman. All that is designed to make Bernard defect East and were probably masterminded by his traitor wife, Fiona.
1985 London Match Third of the first Bernard Samson spy trilogy in which a series of clues – not least information from the defector Erich Stinnes who was the central figure of the previous novel – suggest to Samson that there is another KGB mole in the Department – and all the evidence points towards smooth-talking American, Bret Rensselaer.
1987 Winter An epic (ie very long and dense) fictionalised account of German history from 1900 to 1945, focusing on the two Winter brothers, Peter and Paul, along with a large supporting cast of wives, friends, colleagues and enemies, following their fortunes through the Great War, the Weimar years, the rise of Hitler and on into the ruinous Second World War. It provides vital background information about nearly all of the characters who appear in the Bernard Samson novels, so is really part of that series.
1988 Spy Hook First of the second trilogy of Bernard Samson spy novels in which Bernie slowly uncovers what he thinks is a secret slush fund of millions run by his defector wife with Bret Rensaeller (thought to be dead, but who turns up recuperating in a California ranch). The plot involves reacquaintance with familiar characters like Werner Volkmann, Frau Lisl (and her sister), old Frank Harrington, tricky Dicky Cruyer, Bernie’s 23-year-old girlfriend Gloria Kent, and so on.
1989 Spy Line Through a typically tangled web of incidents and conversations Samson’s suspicions are confirmed: his wife is a double agent, she has been working for us all along, she only pretended to defect to the East. After numerous encounters with various old friends of his father and retired agents, Samson finds himself swept up in the brutal, bloody plan to secure Fiona’s escape from the East.
1990 Spy Sinker In the third of the second trilogy of Samson novels, Deighton switches from a first-person narrative by Samson himself, to an objective third-person narrator and systematically retells the entire sequence of events portrayed in the previous five Samson novels from an external point of view, shedding new and sometimes devastating light on almost everything we’ve read. The final impression is of a harrowing world where everyone is deceiving everyone else, on multiple levels.
1991 MAMista A complete departure from the Cold War and even from Europe. Australian doctor and ex-Vietnam War veteran Ralph Lucas finds himself caught up with Marxist guerrillas fighting the ruling government in the (fictional) South American country of Spanish Guiana and, after various violent escapades, inveigled into joining the long, gruelling and futile trek through the nightmareish jungle which dominates the second half of the novel.
1992 City of Gold A complex web of storylines set in wartime Cairo, as the city is threatened by Rommel’s advancing Afrika Korps forces in 1942. We meet crooks, gangsters, spies, émigrés, soldiers, detectives, nurses, deserters and heroes as they get caught up in gun smuggling, black marketeering and much more, in trying to track down the elusive ‘Rommel spy’ and, oh yes, fighting the Germans.
1993 Violent Ward Very entertaining, boisterous first-person narrative by Los Angeles shyster lawyer Mickey Murphy who gets bought out by his biggest client, menacing billionaire Zach Petrovitch, only to find himself caught up in Big Pete’s complex criminal activities and turbulent personal life. The novel comes to a climax against the violent backdrop of the Rodney King riots in Los Angeles in April 1992.
1993 Blood, Tears and Folly: An Objective Look at World War II
1994 Faith Return to Bernard Samson, the 40-something SIS agent, and the world of his friends and family, familiar to us from the previous six Samson novels. Most of the characters (and readers) are still reeling from the bloody shootout when his wife returned from her undercover mission to East Germany at the climax of the previous novel. This book re-acquaints us with all the well-loved characters from the previous stories, in a plot ostensibly about smuggling a KGB colonel out from the East, but is really about who knows the truth – and who is trying to cover up – the real cause of the Fiona-escape debacle.
1995 Hope 40-something SIS agent Bernard Samson continues trying to get to the bottom of the death of his sister-in-law, Tessa Kosinski and is soon on the trail of her husband, George, who has gone missing back in his native Poland.
1996 Charity Ninth and final Bernard Samson novel in which it takes Bernard 300 pages to piece together the mystery which we readers learned all about in the sixth novel of the series, ie that the plot to murder Fiona’s sister, Tessa, was concocted by Silas Gaunt. Silas commissioned Jim Prettyman to be the middle-man and instructed him to murder the actual assassin, Thurkettle. Now that is is openly acknowledged by the Department’s senior staff, the most striking thing about the whole event – its sheer amateurish cack-handedness – is dismissed by one and all as being due to Gaunt’s (conveniently sudden) mental illness. As for family affairs: It is Bret who ends up marrying Bernard’s one-time lover, the glamorous Gloria; Bernard is finally promised the job of running the Berlin Office, which everyone has always said he should have: and the novel ends with a promise of reconciliation with his beautiful, high-flying and loving wife, Fiona.

%d bloggers like this: