Adelphoe (The Brothers) by Terence (160 BC)

According to the production notes, which were preserved along with the text, this was Terence’s sixth and final play, performed in 160 BC. It certainly feels like a summation of the mature side of his style, what with the interest in character and situations for their own sake and hardly any comedy at all. It’s […]

Eunuchus (The Eunuch) by Terence (161 BC)

‘Whatever’s happened here, it wasn’t my fault.’ (The cowardly servant Parmeno to his master Demea, page 212) In her introduction, the editor and translator of the Penguin edition, Betty Radice, observes that The Eunuch was Terence’s most popular play and is also the most Plautine of his plays, as if these are coincidental facts. When […]

Phormio by Terence (161 BC)

Editor and translator Betty Radice says there is no other character in surviving Roman plays quite like Phormio, the central protagonist of this play. He is an entrepreneurial trickster supreme. He offers his services to the two young ‘heroes’ for the sheer pleasure of exercising his expertise. Phormio is a comedy of intrigue as light and fast-moving […]

Heauton Timorumenos (The Self-Tormentor) by Terence (163 BC)

‘I can’t understand it all’ (Menedemus at the climax of the plot, page 148, and he isn’t the only one) The Self-Tormentor is based on an unnamed original by the Greek playwright Menander. As usual the stage is a bare minimum, showing the front doors of two houses. In this play, however, they are not […]

Hecyra (The Mother-in-Law) by Terence (165 BC)

As usual the set consists of a street in Athens showing the front doors of two houses belonging to the two old geezers of the story, Laches and Phidippus. Rather than a tale of two young men, this story concerns only one, Pamphilus, son of Laches. He has married Philumena, the daughter of his neighbour […]

Andria (The Girl from Andros) by Terence (166 BC)

‘There’s scarcely a man to be found who’ll stay faithful to a woman.’ (Mysis the servant) ‘A father shouldn’t be too hard on his children whatever their faults.’ (Chremes) The astonishingly detailed production notes, attached to the play in antiquity, tell us that Andria was first performed at the Megalensian Games in 166 BC. It […]

Terence

Homo sum, humani nihil a me alienum puto* Terence’s texts Publius Terentius Afer, generally known as Terence (185 to 160 BC), died at the very young age of 25, having written just 6 plays which, however, are preserved in numerous manuscripts. So, unlike Plautus (who wrote 120 plays of which only 20 survive) a) his […]

Fasti by Ovid

I’ll speak of divisions of time throughout the Roman year, Their origins, and the stars that set beneath the earth and rise. (Book 1, opening lines in the A.S. Kline verse translation) Times and their reasons, arranged in order through the Latin year, and constellations sunk beneath the earth and risen, I shall sing. (Anne […]

Metamorphoses by Ovid – 2

‘The heavens and everything which lies below them change their shape, as does the earth and all that it contains.’ (Pythagoras in his great discourse about mutability in book 15 of the Metamorphoses) (This is the second of two notes-and-summaries of Ovid’s Metamorphoses, specifically of books 8 to 15. Read my previous blog post for […]

Metamorphoses by Ovid – 1

My design leads me to speak of forms changed into new bodies. Ye Gods (for you it was who changed them) favour my attempts, And bring my narrative from the very beginning of the world, even to my own times. (Opening lines of the Metamorphoses in 1851 translation) My purpose is to tell of bodies which […]