Zero History by William Gibson (2010)

Zero History is a 400-page novel about has-been rock stars and pretentious advertising executives in search of a reclusive designer of ‘really cool’ jeans and jackets. It is mind-bogglingly shallow, pretentious and boring. Zero History is the third novel in William Gibson’s so-called ‘Blue Ant trilogy’, itself the third of Gibson’s three trilogies of novels. […]

Spook Country by William Gibson (2007)

When she wrote about things, her sense of them changed, and with it, her sense of herself. (Spook Country page 174) The Sprawl trilogy Neuromancer (1984) Count Zero (1986) Mona Lisa Overdrive (1988) Gibson’s first three novels made up the Sprawl trilogy (1984 to 1988), science fiction stories set 50 or so years in the […]

Pattern Recognition by William Gibson (2003)

This is the first novel in what became known as the ‘Blue Ant’ trilogy. I was wondering what Blue Ant would turn out to be, my mind alive with images of mutating insects, or maybe it was the nickname of some groovy digital weapon, or a piece of cyberspace code. But no, my heart sank […]

All Tomorrow’s Parties by William Gibson (1999)

Nothing dates quicker than the future. All Tomorrow’s Parties is the title of a song by the Velvet Underground recorded in 1967. The choice of a Velvet Underground track as the title of a novel supposedly set in a hi-tech future confirms the sense that Gibson, born in 1948, despite being credited with the invention […]

Idoru by William Gibson (1996)

Arleigh’s van smelled of long-chain monomers and warm electronics. (Idoru page 201) Virtual Light, the first novel in William Gibson’s ‘Bridge trilogy’, made me fall out of love with Gibson. Once I’d realised the tough ex-cop hero of the book, Berry Rydell was, underneath all the sci-fi add-ons, basically an avatar of John McClane from […]

Virtual Light by William Gibson (1993)

Yamazaki crossed to the smooth curve of cable that interrupted the room’s floor. Only an oval segment of it was visible, like some mathematical formula barely breaking a topological surface in a computer representation. He bent to touch it, the visible segment polished by other hands. Each of the thirty-seven cables, containing four hundred and […]

Mona Lisa Overdrive by William Gibson (1988)

I’m discovering that the three novels of Gibson’s ‘Sprawl trilogy’ are more connected than I expected, featuring some of the same characters, themes and locations. Like Count Zero, Mona Lisa Overdrive opens with chapters explaining the set-up and situation of five different and apparently unconnected characters – so we straightaway realise that, as with Zero, part of the […]

Count Zero by William Gibson (1986)

He drank off the black bitter coffee. It seemed to him, just for a second, that he could feel the whole Sprawl breathing, and its breath was old and sick and tired, all up and down the stations from Boston to Atlanta…’ (Count Zero page 286) The setting This is the second novel in what […]

Burning Chrome by William Gibson (1986)

So I went out into the night and the neon and let the crowd pull me along, walking blind, willing myself to be just a segment of that mass organism, just one more drifting chip of consciousness under the geodesics. (Burning Chrome page 218) Burning Chrome is a collection of ten short stories by William […]

Neuromancer by William Gibson (1984)

She hooked thumbs in the belthoops of her leather jeans and rocked backward on the lacquered heels of her cherry red cowboy boots. The narrow toes were sheathed in bright Mexican silver. The lenses were empty quicksilver, regarding him with an insect calm. ‘You’re street samurai,’ he said. ‘How long you work for him?’ ‘Couple […]