Mike Steele, the first person narrator of this adventure yarn, is a man with a past, a past which is only slowly revealed in this 350-page novel, Innes’ longest work.
The novel opens with Mike going about his business on the island of Menorca in the western Mediterranean, where he runs a boat chandlery shop above the harbour of the capital, Port Mahon, has bought a couple of villas to rent out to tourists and manages his moody, pregnant wife Soo (Suzanne).
Mike’s a well-known figure about the harbour and among the ex-pat community on the island and we are plunged immediately into his networks of business and social contacts, checking the builders and decorators at the new villa, touching base with the crew of his two fishing boats, having lunch with local businessmen and attending a big gala hosted by the mayor to celebrate the opening of another urbanización, or building development.
Mike is invited to the event and makes a little speech before introducing the charismatic mayor, Jorge Martinez, who stands and begins to say how valuable building developments like this are for the local economy etc. In mid-sentence, to the surprise and shock of the audience (and this reader), there’s the whip crack of a rifle shot and the back of his head is blown open by a sniper bullet (p.98).
Suddenly a lot of earlier incidents, a lot of scattered events from the first hundred pages, come into sharp focus. There’d been scattered references in the text to a political problem with ‘separatists’. Among other things, villas owned by foreigners are routinely broken into and daubed with graffiti (‘Minorca for the Minorcans’ etc) or squatted in. Is the assassination something to do with them?
One of Mike’s wide circle of acquaintances is a young woman archaeologist, Petra Cassis, who Mike is strongly attracted to (he rarely encounters her without referring to her full shapely breasts – indeed, Innes is something of a boob man: all the female leads in the last four or five novels tend to have heaving bosoms – who can forget the passionate love-making on a mountainside in a storm between Colin Tait and Mary Delden, who rips open her blouse for the purpose?).
The cave paintings
Petra offers to show Mike round the archaeological dig she’s carrying out in caves near the villa he’s doing up for tourists. Soo comes along, heavily pregnant and grumpy with Mike, though flattered to be escorted by Gareth Lloyd Jones, a naval officer who’s visiting the island, has been introduced to the Steeles as local luminaries, and who Soo has taken a shine to.
Instead of the neolithic cave paintings Petra is so excited about, she and Mike discover someone has been digging through the back of the cave and, when they wriggle through a narrow gap in the rubble, find themselves emerging into a well-provisioned secret cave, complete with beds, heater and cooker, chemical lavatory and the cave mouth looking out over a ledge 20 yards below, at sea level. A perfect secret hideaway, but who for?
Soo loses her baby
Mike is at the cave mouth when he hears a cry from back at the rubble hole, two strange men have emerged from nowhere and pushed past Petra. Mike wriggles through the gap in pursuit, up to the landward entrance to the cave, emerging just in time to see figures in the distance jumping into a car. But then he is distracted by moaning nearer at hand. His wife, Soo, had left the safety of the car to come up to the cave entrance and had arrived just as the thugs ran out, pushing her out of the way. She had stumbled and fallen some yards down the steep gully, landing awkwardly on hard rock. Mike rushes her to the hospital where they operate to save her, but discover the baby was crushed to death in her womb. It was a boy.
Captain Lloyd Jones
Now more prominence is given Gareth Lloyd Jones, a Royal Navy officer who is on leave on Minorca before taking up captaincy of a ship, and has become friendly with the Steeles. A number of plotlines converge on this hesitant, troubled figure. 1. Soo, disgruntled with flashy Mike and his obvious attraction to Petra, quite quickly slides into friendship and then something more, with Jones. 2. Jones claims to be on holiday, but in fact is asking around whether anyone has seen the man shown in a photo who, it slowly, emerges, is one Pat Evans, a Brit with a long criminal record.
Pat Evans and his catamaran
Evans does show up, sailing into Port Mahon in a sleek catamaran, Thunderflash, which moors just below Steele’s shop. When Steele inevitably meets him he is amazed that Evans is prepared to sell the catamaran in exchange for one of Mike’s fishing boats, the Santa Maria, and one of his tourist villas. Mike sees it as a business opportunity, a chance to run much higher-class charters and make more money and so he agrees. But the assassination of Martinez takes place the same night as the deal is clinched with Evans and Mike suddenly has a bad feeling. Early the next morning he gets up, goes down to the cat and searches every inch of it. He is appalled to find a recently-fired rifle tied up in a bag and hidden in one of the hulls of the cat (p.110).
Mike breaks out in a sweat as he realises Evans is involved in the assassination and that he, Mike, is the victim of an elaborate frame-up. Flushed with panic, Mike carries the rifle off the boat in a bundle of linen, gets into his car and drives out to the villa he’s just sold to Evans. Finding it deserted, he gets in with the key he’s retained, and carefully conceals the rifle under floorboards in the kitchen.
The police interrogate Mike
Not before time, because when he drives back to the cat he finds the police waiting for him. Obviously they have been tipped off. One of Mike’s talents is as a sharp shooter and he shot for England, training at Bisley, and has a number of competition medals and cups in his living room. The police now suspect a well-known sharp shooter carried out the assassination, one Antonio Barragio (p. 121), and Mike has to admit he knows him, or has met him, at international shooting events. Then the police commence a detailed search of every inch of the cat and it becomes clear they’ve been tipped off where to find the rifle and are angry when it’s not there. The police leave, threatening to return and with the parting shot that they’ve confiscated his passport.
Escape to Malta
Now, the cat had been due to go on a test sail to Malta with his crew and Mike arranges for it to depart Port Mahon in full view of everyone, including the plain clothes cops set to watch him. But that night Mike slips out of his house and drives around the coast to a concealed bay and where he rendezvous with the cat which has doubled back, under the guidance of the entertaining East Anglian crew man, Carp (Carpenter).
If Innes’ plots often don’t really stand up, if the psychology of his main characters is generally flat and uninvolving, he is good at creating a large cast of secondary characters and spending time filling in their backstories. Once he’s aboard the cat (illegally) heading towards Malta a) Innes can indulge his enthusiastic description of sea sailing b) Carp is able to fill in a lot of background about Captain Lloyd Jones.
Turns out Carp comes from the same small town on the Suffolk coast where Jones and Pat Evans grew up. Turns out the boys were both tearaways, brought up in the home of a local woman, Moira, the sons of the same father but by different women. After various tribulations as schoolboys roaming over the mudflats and learning to sail, they both ended up at HMS Ganges, a training camp for young would-be sailors. As so often with Innes, at the core of what is supposedly an adventure or thriller novel, there is an eerie, Gothic tale of twisted family ties, doomed siblings – here a pair of half-brothers, one on the right one very much on the wrong side, of the law, whose lives seem fated to intertwine.
After three blissful days free on the ocean, the cat arrives at Malta where they are surprised to see a British frigate, the Medusa, in the main harbour. Mike has no passport and is now on the run from the Spanish police, so he hesitates to go aboard until he realises the frigate is the one on which Jones has taken up his captaincy, he gets Carp to motor him over in the cat’s dinghy.
Aboard HMS Medusa
Jones welcomes Steele aboard and there now begins a long section set aboard the ship where Steele becomes a kind of spooky shadow to the captain. Surprisingly, improbably, Jones opens up about his eerie half-brotherhood with Evans, then tells Steele several stories: how he was forced on his first day to go up the mast of an old sailing ship kept at HMS Ganges, and it was Pat who came and rescued him, talking him down.
And how, a few years later, staying out late on the mudflats on the Suffolk coast, bird watching, he accidentally saw a catamaran, Pat’s catamaran, come inshore in complete silence and then start unloading crates to the beach. Hearing Irish voices, Jones’ worst suspicions are confirmed – Pat is mixed up with IRA terrorists. At which point, one of the terrorists emerges from the darkness and coshes him.
Jones awakes on the catamaran at sea and Pat hisses at him to keep quiet, the ‘clients’ wanted to kill him, Pat managed to persuade them to keep him alive, and then… Pat lets Jones escape over the side upstream of a famous buoy. Jones floats downstream to it, clambers aboard, and is rescued several hours later by a passing boat. This strange incident has blighted his professional career in the Navy but also dented his confidence. And why, we wonder, is he telling Steele all this. Because, in the few days’ leave he had on Minorca, Jones has developed this rather improbable crush on Soo, which she has responded to. Which means Mike is in the cabin of a Royal Navy ship, listening to the captain reveal some of the most shameful memories of his life, all the time an undercurrent of tension because Mike knows Jones is, or is about to, have an affair with his wife.
It just seems so misleading to market Innes’ books as thrillers, when they’re not very thrilling – the ‘action’ part of the plot often very unconvincing – whereas they all have these strange twisted melodramatic relationships which are actually what often drives events.
The Malta incident
We see Jones’ hesitancy in his new command in action when a crowd of Malta locals assembles at the foot of the Medusa‘s gangplank, shouting and jeering anti-British slogans. A shore party has to return through them so captain Jones despatches a sergeant with a small platoon down to the dockside to protect them on their return. But the crowd surges round them, starts rocking their car and eventually pushes it onto its side. As the shouting and threatening escalate a shot suddenly rings out and a British officer who was clambering out of the car window cries out and slumps bleeding. In a flash the sergeant tells his platoon to shoulder arms and fire over the heads of the crowd, which immediately disperses and runs in every direction. But the damage has been done. Within the hour the incident is being reported on the BBC World Service, and Jones is ordered to weigh anchor and leave port. In fact, he is ordered to steam to Minorca, where there have been some kind of civil disturbances.
At every step of these incidents Mike has asked to be allowed to go ashore or return to the cat but Jones finds a reason not to let him go. It reminds me a little of Conrad’s story, The Secret Sharer, about a doppelganger who is taken onboard a ship at sea and comes to haunt the captain. After supervising their departure to sea, Jones slumps in his cabin and, over a glass of booze, tells Steele more about his Gothic entanglement with his no-good half-brother, a section which creates a compelling fireside yarn atmosphere.
Back on Minorca
Captain Jones finally allows Steele to leave the Medusa as it steams into Minorca harbour. He lays on a windsurfing board and wetsuit, thus allowing a disguised Steele to appear in the harbour looking like any tourist, and not officially disembarking from the frigate. There is a passage of typical Innes, rejoicing in the innocence pleasure of pure physical exercise and is just one of the many passages which rejoice in the physical exuberance of sailing, being at sea, driving a fast car late at night, standing under the Mediterranean stars, putting his arms around a woman.
It was over two years since I had been on a sailboard. The technique doesn’t leave one, but, like skiing, the muscles lose their sharpness. I flipped onto it all right, but instead of getting myself and the sail up in virtually the same movement, it was all a bit of a scramble. The wind was funneling down the harbour, a good breeze that had me away on the starb’d tack and going fast before I was visible to the escort vessel, which was on the far side of Medusa and lying a little ahead of her, one of the old minesweepers by the look of it. There was a moment, of course, when I felt naked and unsure of myself, but as my arms and knees began to respond to the drive of the sail, confidence returned, and after I had snapped the harness on I began to enjoy myself, steering close to the wind, my weight a little further aft and the speed increasing, my exhiliration, too. (p.220)
Steele navigates to Bloody Island, in the middle of Mahon harbour, which just happens to be the location for sexy Petra’s main dig. He beaches the windboard and waits for her arrival not long after. a) She is robustly amused and delighted to see him, as he strips off his wetsuit he finds her getting involved with kisses and tickles and they are soon both naked and about to make love when b) there’s the buzz of an outboard motor approaching and she remembers she’s arranged for Lennie to come over with food and provisions.
Lennie is another one of Innes’ very believable secondary characters – an Aussie beach bum, described as completely indifferent what he wears or looks like or what work he does, forever cadging drinks and lifts BUT fanatically dedicated to his diving equipment, the best that money can buy. He was meant to be working on some of Mike’s villas but has transferred to Petra, picking up some pocket money helping her. Lennie and Petra bring Mike up to speed: while he was sailing to Malta and then caught up on the Medusa, bombs have been going off on Minorca. There is to be an election for a new Alcalde and the bombs are creating an atmosphere of crisis.
Lennie adds that he’s seen Mike’s old fishing boat in the cove beneath one of the clifftop villas he’s been working on for some German millionaire. Evans! More smuggling! So, with the unerring instinct of an Innes hero for getting himself into the wrong place at the wrong time, Steele decides to drive with Lennie and Petra to the suspicious villa. Here they discover that the underground wine cellar has a hole knocked through into a warren of tunnels looping down towards a big cavern open to the sea, in other words yet another handy place for smugglers to bring guns and weapons ashore. At which point a car and lorry come sweeping up and our heroes hold their breath, watching from the dark as the gang load the dodgy cases onto a lorry. They follow the lorries with their car lights off to another cove where they see the fishing boat guiding in two landing craft. From these emerge two armoured cars and several hundred armed men. Mercenaries!
Lennie, Petra and Mike sneak back to their car and drive at breakneck speed back to Port Mahon. Petra advises them to go into the port garrison and report what they’ve seen but Mike thinks they’ll arrest him first and ask questions later, so they all jump into the outboard and putter out to the frigate which has anchored by this time. Mike yells up at the duty officer to be taken onboard to see Captain Jones. Unfortunately, he’s barely begun explaining it all to a woken-up captain when firing starts ashore. The coup has started.
Briefly, the mercenaries are well armed and organised and take over the barracks, airport and radio station. Their president, the communist Ismail Fuxá, announces that the island is now an independent nation and calls on other nations to recognise the new regime. In and out of captain Jones’s cabin, Mike gathers that Soviet ships are on their way to Minorca. It is at this point he realises that Jones’s orders are to stay where he is and use the frigate to block the entrance to the largest harbour in the western Mediterranean. Suddenly the Americans and the Russians are sounding off at each other and Jones finds himself at the epicentre of a major international crisis.
And it is now that the personal relationships which we’ve heard so much about earlier in the book come into prominence. Because his brother, Pat, has kidnapped Soo, Mike’s wife, the woman Jones has come to love and threatens something very unpleasant will happen to her unless Jones orders his frigate to the leave the harbour. But Jones is under explicit orders from HM Government to stay put.
Several deadlines come and go and nothing happens. After Evans has delivered the ultimatum in person, Jones lets him and Mike go by dinghy to Bloody Island where Petra appears and is inadvertently grabbed by Evans, a knife to her throat, before there is a scuffle in which good old Aussie Lennie is badly carved up by Evans who makes his escape.
This final section is very characteristically and oddly Innes, because nothing happens. Once back on the island Mike is completely out of the picture, he just has a horrible foreboding that the Russian ships steaming towards them will arrive soon and then all hell might break loose, but he doesn’t really know what is going on, has no radio, and spends the night worrying about Soo. As the last deadline arrives captain Jones does something very weird and weighs anchor but the ship behaves very oddly as if its engines are broken and to Evans’ anger, the frigate steams backwards until it runs aground on the rocks of Bloody island.
Mike realises captain Jones has squared the circle: his ship can’t move now, there is no point bullying him or blackmailing him. His guns are still trained on the seized barracks, a British ship still has possession of Minorca harbour. It’s a very Innes’ non-event, a fitting climax to a novel which is full of blockages, hesitations, shrugs and mis-communication. None of the characters seems capable of normal, open conversation, nobody gets to the end of a paragraph without shrugging, breaking off, shaking their head and generally avoiding communication.
Innes’ dialogue is the opposite of snappy repartée, it is a kind of anti-dialogue. And, far from being full of action, his novels are full of inaction. The characters travel round and do things, but never seem able to shed light on anything, never tell each other what is going on. The ultimate destination of the inaction is complete stasis, frozen paralysis and at numerous points all dialogue and communication winds down to complete silence. The strange eerie silence which seems to be at the heart of Innes’ imagination.
Soo is found and rescued
Mike is woken in Petra’s tent on Bloody Island by Petra who tells him it’s all over. The Russians were deterred by the presence of the frigate, the Spanish navy has arrived in force to re-establish order, the temporary president and the mercenaries have fled. But no indication as to the whereabouts of the kidnapped Soo.
Mike immediately takes a dinghy to the mainland and spends a day on the phone to everyone he knows asking if they’ve seen Soo. Then it occurs to him – the villa he and Petra and Lennie investigated – the hole down into the caverns by the sea. What if the bad guys dumped Soo there? What if she’s dead? He drives like a madman out to the villa, now dark and deserted, breaks in, goes down to the cellar, then along the tunnel to the hole above the cavern – and here he finds Soo, dishevelled, hysterical, bruised, with a cut hand, but essentially safe. He helps her up out of the cavern, up the slippery tunnels, into the cool fresh air and she is delirious at being released, wants to run and shout and sing and insists on being taken to her favourite restaurant, before arriving back at their ransacked home.
Here she is irritated to find Petra, her husband’s fancy women, but there is another odd Innes scene when they discover captain Jones, the crisis completely over, has left the ship with his first officer, come ashore, and is now completely plastered in their living room. He drunkenly sways to his feet, calling out how relieved he is to see Soo alright, but she turns on her heel and walks out, Petra following.
In the realm of personal relations, like the realm of island politics, and in the overworld of superpower politics, the novel is about stasis, frustration, anti-climax, lack of fulfilment.
Court of enquiry
This long tangled and frustrating story comes to an end with a ten-page epilogue describing the court of enquiry the Navy holds on captain Jones for running his ship aground (reminiscent of the courts of enquiry in Maddon’s Rock, The Wreck of the Mary Deare and Atlantic Fury to name only a few of its predecessors). Mike sticks up for captain Jones at the enquiry, and catagorically denies that he was having an affair with his wife. Next night the officer in command holds an informal party for Mike and Soo, Jones, a few Navy officials and some Spanish officers. Soo behaves perfectly, relaxed and friendly but obviously not intimate with Jones. To the latter’s surprise the Spanish official steps forward and awards him a medal from the King of Spain.
And then the captain of the enquiry announces that captain Lloyd Jones will be completely exonerated and the poor Welshman, who has grafted his way up from the ranks, dragged back on so many occasions by his wayward brother and his own emotional vulnerability, for once lets go, and bursts into tears.
- Medusa on Amazon
- Hammond Innes Wikipedia article
- Independent obituary
- New York Times obituary
- Hammond Innes book covers on the Bear Alley website
Hammond Innes’ novels
All Roads Lead to Friday
1940 The Trojan Horse – Barrister Andrew Kilmartin gets involved with an Austrian Jewish refugee engineer whose discovery of a new lightweight alloy which will make lighter, more powerful aircraft engines leads to him being hunted by an extensive and sinister Nazi network which reaches to the highest places in the land. The book features a nailbiting chase through the sewers of London and a last-minute shootout on the Nazi ship.
1940 Wreckers Must Breathe – Journalist Walter Craig stumbles across a secret Nazi submarine base built into a ruined tin mine on the Cornwall coast and, along with local miners and a tough woman journalist, fights his way out of captivity and defeats the Nazis.
1941 Attack Alarm – Gripping thriller based on Innes’ own experience as a Battle of Britain anti-aircraft gunner. Ex-journalist Barry Hanson uncovers a dastardly plan by Nazi fifth columnists to take over his airfield ahead of the big German invasion.
1946 Dead and Alive – David Cunningham, ex-Navy captain, hooks up with another demobbed naval officer to revamp a ship-wrecked landing craft. But their very first commercial trip to Italy goes disastrously wrong when his colleague, McCrae, offends the local mafia while Cunningham is off tracking down a girl who went missing during the war. A short but atmospheric and compelling thriller.
1947 The Killer Mine Army deserter Jim Pryce discovers dark family secrets at a ruined Cornish mine which is being used as a base by a father-and-son team of smugglers who blackmail him into doing some submarine rock blasting, with catastrophic results.
1947 The Lonely Skier Writer Neil Blair is hired to visit the Dolomite mountains in Italy, supposedly to write a script for film producer Derek Engles, in reality to tip him off when key players in a hunt for Nazi gold arrive at the ski hut in the mountains where – they all think – the missing treasure is buried.
1947 Maddon’s Rock Corporal Jim Vardin, convicted of mutiny at sea and imprisoned in Dartmoor, breaks out to clear his name and seek revenge on the captain and crew who pretended to sink their ship, the Trikkala, but in fact hid it at a remote island in the Arctic circle in order to steal its cargo of silver bullion.
1948 The Blue Ice Mineralogist and industrialist Bill Gansert sails to Norway to discover the truth about the disappearance of George Farnell, a friend of his who knew something about the discovery of a rare metal ore – an investigation which revives complex enmities forged in Norway’s war-time Nazi occupation.
1949 The White South Narrator Duncan Craig becomes mixed up in the disaster of the whaling ship Southern Star, witnessing at first hand the poisonous feuds and disagreements which lead a couple of its small whalecatcher boats to get caught in pack ice, fatally luring the vast factory ship to come to their rescue and also becoming trapped. It then has to evacuate over 400 men, women and children onto the pitiless Antarctic ice where Craig has to lead his strife-torn crew to safety.
1950 The Angry Mountain – Engineering salesman Dick Farrell’s wartime experiences come back to haunt him as he is caught up in a melodramatic yarn about a Czech spy smuggling industrial secrets to the West, with various people from his past pursuing him across Italy towards Naples and Mount Vesuvius, which erupts to form the dramatic climax to the story.
1951 Air Bridge – Bomber pilot fallen on hard times, Neil Fraser, gets mixed up with Bill Saeton and his obsession with building a new type of diesel aero-engine based on a prototype looted from wartime Germany. Saeton is helped by partner Tubby Carter, hindered by Tubby’s sex-mad wife Diana, and spied on by Else, the embittered daughter of the German who originated the designs. The story moves to Germany and the Berlin airlift where Saeton’s obsession crosses the line into betrayal and murder.
1952 Campbell’s Kingdom – Bruce Campbell, given only months to live by his doctors, packs in his boring job in London and emigrates to Canada to fulfil the dream of his eccentric grandfather, to find oil in the barren patch of the Canadian Rockies known as ‘Campbell’s Kingdom’.
1954 The Strange Land – Missionary Philip Latham is forced to conceal the identity of the man who replies to an advert to come and be doctor to a poor community in the south of Morocco. Instead of curing the sick, he finds himself caught up in a quest for an ancient silver mine, a quest which brings disaster to the impoverished community where it is set.
1956 The Wreck of the Mary Deare – Yacht skipper John Sands stumbles across the wreck of the decrepit steamer Mary Deare and into the life of its haggard, obsessive captain, Patch, who is determined to clear his reputation by revealing the owners’ conspiracy to sink his ship and claim the insurance.
1958 The Land God Gave To Cain – Engineer Ian Ferguson responds to a radio plea for help received by his amateur radio enthusiast father, and sets off to the wilds of Labrador, north-east Canada, to see if the survivors of a plane crash in this barren country are still alive – and what lies behind the conspiracy to try and hush the incident up.
1960 The Doomed Oasis – Solicitor George Grant helps young tearaway David Thomas travel to Arabia to find his biological father, the legendary adventurer and oilman Colonel Charles Whitaker, and becomes embroiled in a small Arab war which leads to a siege in an ancient fortress where the rivalry between father and son reaches a tragic conclusion.
1962 Atlantic Fury – Painter Duncan Ross is eyewitness to an appalling naval disaster on an island of the Outer Hebrides. But intertwined with this tragedy is the fraught story of his long-lost brother who has stolen another man’s identity. Both plotlines lead inexorably to the bleak windswept island of Laerg.
1965 The Strode Venturer – Ex-Merchant Navy captain Geoffrey Bailey finds himself drawn into the affairs of the Strode shipping company which aggressively took over his father’s shipping line, thereby ruining his family and driving his father to suicide. Now, 30 years later, he is hired to track down the rogue son of the family, Peter Strode, who has developed an obsession with a new volcanic atoll in the middle of the Indian Ocean, whose mineral wealth might be able to help the Maldive Islanders whose quest for independence he is championing.
1971 Levkas Man – Merchant seaman Paul goes to find his father, eccentric archaeologist Pieter Van der Voort, another typical Innes obsessive, this one convinced he can prove his eccentric and garbled theories about the origin of Man, changing Ice Age sea levels, the destruction of Atlantis and so on. Much sailing around the Aegean, feelingly described by Innes, before the climax in a vast subterranean cavern covered in prehistoric rock paintings, in an atmosphere heavy with timeless evil, where his father admits to being a murderer.
1973 Golden Soak – Alec Falls’ mining business in Cornwall goes bust so he fakes his own death and smuggles himself out to Australia to take up an invitation to visit a rancher’s daughter he’d met in England. He finds himself plunged into the mystery and intrigue which surrounds the struggling Jarra Jarra ranch and its failed mine, Golden Soak, a mystery which leads him on a wild chase out into the desolate hell of the Gibson desert where Alec discovers the truth about the mine and the rumours of a vast hill of copper, and witnesses archetypal tragedies of guilt and expiation, of revenge and parricide.
1974 North Star – One-time political agitator and seaman Michael Randall tries and fails to escape his treacherous past as he finds himself embroiled in a plot to blow up a North Sea oil rig, a plot which is led by the father he thought had died decades earlier.
1977 The Big Footprints – TV director Colin Tait finds himself caught up in the one-man war of grizzled African hunter and legendary bushman Cornelius van Delden against his old friend, Alex Kirby-Smith, who is now leading the Kenyan government’s drive to cull the country’s wildlife, especially its elephants, to feed a starving population and clear the way for farmers and their cattle. It’s all mixed up with Tait’s obsessive quest to find a remote mountain where neolithic man was said to have built the first city in the world.
1980 Solomon’s Seal – Property valuer Roy Slingsby prices the contents of an old farmhouse in the Essex countryside and is intrigued by two albums of stamps from the Solomon Islands. He takes up the offer of a valuing job in Australia and finds himself drawn into the tragic history of the colonial Holland family, whose last surviving son is running machine guns to be used in the coup and bid for independence of Bougainville Island. Though so much of the detail is calm, rational and business-like, the final impression is of an accursed family and a fated ancestral house which burns down at the novel’s climax.
1982 The Black Tide – When his wife dies blowing up an oil tanker which has hit the rocks near their Cornwall home, ex-merchant seaman Trevor Rodin goes searching for the crew he thinks deliberately ran her aground. His search takes him to Lloyds of London, to the Nantes home of the lead suspect and then on to the Persian Gulf, where he discovers several ‘missing’ tankers are in fact being repurposed by terrorists planning to create a devastating environmental disaster somewhere on the coast of Europe. With no money or resources behind him, and nobody believing his far-fetched tale, can Rodin prevent the catastrophe?
1985 The High Stand – When gold millionaire Tom Halliday and his wife Miriam go missing, their staid Sussex solicitor Philip Redfern finds himself drawn to the old gold mine in the Canadian Rockies which is the basis of the Halliday fortune, and discovers that the illegal felling of the timber planted around the mine is being used as a front for a gang of international drug smugglers, with violent consequences.
1988 Medusa – Former smuggler turned respectable ex-pat businessman, Mike Steele, finds his idyllic life on the pretty Mediterranean island of Minorca turning very nasty when he gets mixed up with mercenaries running guns onto the island to support a violent separatist movement and military coup.
1991 Isvik – Wood restorer Peter Kettil gets caught up in a crazy scheme to find an old Victorian frigate allegedly spotted locked in the Antarctic ice by a glaciologist before his death in a flying accident. His partners are the nymphomaniac Latino wife of the dead glaciologist, Iris Sunderby, a bizarre Scottish cripple, Iain Ward, and a mysterious Argentine who may or may not have been involved in atrocities under the military junta.
1993 Target Antarctica Sequel to Isvik. Booted out of the RAF for his maverick behaviour, pilot Michael ‘Ed’ Cruse is hired by Iain Ward, the larger-than-life character at the heart of the previous novel, Isvik, to fly a C-130 Hercules plane off a damaged runway on the Antarctic ice shelf. There are many twists, not least with a beautiful Thai woman who is pursued by the Khmer Rouge (!), before in the last few pages we realise the whole thing is Ward’s scheme to extract diamonds from the shallow seabed, whose existence was discovered by the sole survivor of the frigate found in the previous novel.
1996 Delta Connection An astonishing dog’s dinner of a novel, which starts out reasonably realistically following the adventures of Paul Cartwright, scrap metal consultant, in Romania on the very days that communist ruler Nicolae Ceaușescu is overthrown, before moving on to Pakistan and the Khyber Pass where things develop into a violent thriller, before jettisoning any attempt at realism and turning into a sort of homage to Rider Haggard’s adventure stories for boys as Cruse and his gay, ex-Army mentor, battle their way through blizzards into the idyllic valley of Nirvana, where they meet the secret underground descendants of Vikings who long ago settled this land, before almost immediately participating in the palace coup which overthrows the brutal ruler and puts on the throne the young woman who Paul fell in love with as a boy back in Romania, where the narrative started. A convoluted, compelling and bizarre finale to Innes’ long career.