‘That bloody Werner has been seeing Stinnes,’ said Dicky. He was pacing up and down chewing at the nail of his little finger. It was a sign that he was agitated. He was often agitated lately. Sometimes I wondered that Dicky had any nails left.
‘So I hear,’ I said calmly.
‘Ah,’ said Dicky. ‘I thought so. Have you been going behind my back again?’
I salaamed; a low bow in a gesture of placation, ‘Oh, master. I hear this only from Harrington sahib.’
‘Cut out the clowning,’ said Dicky. (p.173)
Mexico Set is the hugely enjoyable second volume in the Bernard Samson trilogy, following immediately on from Berlin Game, what seems to be a matter of weeks or a month or so later, and with almost all the same characters. In the first novel Samson exposed his wife as the senior ‘mole’ in the Department, a part of Britain’s Secret Intelligence Service (SIS), forcing her to flee to the East (arranging his release from East Berlin Stasi headquarters in the process).
The continuity of plot and the familiarity of almost all the characters makes it seem a little like a soap opera or long-running TV series like Friends or Scrubs. It feels like Deighton himself is confident and at ease enough with the characters to muck about, to play, to experiment with their behaviour, to explore their hinterlands more.
Bernard Samson’s private life
Samson’s private life is a mess. He is now single, in charge of two school age children and living in a sizeable house in West London with a nanny and a Portuguese cook. On his SIS salary he can’t afford to keep this up any more without Fiona’s income and trust fund, as his wealthy father-in-law is quick to brutally remind him (chapter 10), threatening to take him to court for custody of the children. the threat of a court case would bring Samson’s bosses into the picture, leaning on him to reach a settlement (ie cave in to his father-in-law) in order to avoid publicity about Fiona’s defection, which they have so far successfully suppressed.
Worth emphasising again that Samson’s big selling point, his distinctiveness as a character, comes from the fact that his father before him was in British Intelligence, based in Berlin – and that his dad didn’t send him back to England to a pukka public school. Instead Bernard went to school in Berlin a) making friends with a number of Berlin boys, many of whom have turned out to be handy contacts in adult life, b) coming to know Berlin like the back of his hand c) speaking German like a native and with an acute awareness of different accents and dialects.
We are told that he left school at 16 and didn’t go to university, hence the other consequence, d) his ingrained contempt for his public school and Oxbridge-educated colleagues in the Department, an amused contempt which is identical to the attitude of the narrator of Deighton’s early Ipcress novels.
Why Mexico? For the slender reason that Werner Volkmann, Samson’s ‘oldest and closest friend’ (p.16) from his Berlin childhood, is on a second honeymoon there with his gimlet-eyed wife, Zena (the cynical 22-year-old who was briefly the mistress of Frank Harrington, the ageing head of the Department’s Berlin office, in the first novel). While there they spot the Berlin-based KGB officer who interrogated Samson at the climax of the first novel, one Erich Stinnes, in the club frequented by the German emigré community. This is enough, apparently, to prompt Samson and his boss, Dicky Cruyer, to fly to Mexico City where Cruyer – in the usual way of characters in this book – takes some time getting round to explaining to Samson that the Department want Samson to invite Stinnes to defect.
Volkmann has found out that Stinnes is connected to a well-off German businessman, Paul Biedermann. Samson schlepps out to Biedermann’s mansion by the ocean, only to find it deserted, to break in, and then a few hours later hide when Stinnes and a goon arrive. He (conveniently) overhears their conversation which amounts to an explanation that Biedermann is working for the KGB, before they get impatient and leave.
Based on all this, a few days later, Samson arranges via Biedermann to meet Stinnes again, at his seaside mansion, before the two men take drive out to sea in Biedermann’s luxury boat, and it is here that Samson makes his offer to Stinnes – money, a house, a new identity, what does he think? Stinnes says Yes, give him a month to round up the kind of information he knows London will want him to bring, and which will ensure his VIP treatment.
Back in Mexico City Samson’s shallow boss, Dicky, is well pleased with this result and goes sight-seeing and shopping for presents before they both fly back to London. But Samson, as ever, has misgivings. It was – as in the previous novel’s quick identification of the traitor Giles Trent – too easy.
In fact a third of the way into the book (p.132) the characters leave Mexico never to return and the action returns to the familiar office and home locations in London, and the guest house and various bars in Berlin which we are familiar with fro the first book.
- Bernard Samson – 40-something intelligence agent, sardonic, clever, tough.
- Fiona – his wife who also worked in the Service and was revealed, in Berlin Game, to be a KGB agent, fled behind the Curtain.
- Tessa – Fiona’s younger sister, posh, feisty, her marriage to George an art dealer is on the rocks, she fancies Bernard like mad.
- George – Tessa’s husband, a self-made Polish immigrant used car salesman who Tessa has been serially unfaithful to.
- Gloria Kent – luscious young secretary who Samson gets transferred to his office, as a joke takes to a dinner party at Dicky’s, who is initially very cross that she’s been manipulated but when Samson carries on being strictly professional over the following weeks, well, she falls in love with him 🙂
- Richard ‘Dicky’ Cruyer – Controller of German stations, Oxford man, Samson’s immediate boss, fussy, self-interested.
- Frank Harrington – pipe smoking, 60-year-old head of the Berlin Office (the job Bernard’s father had), in this novel we are told he regards himself as a kind of guardian to Samson.
- Bret Rensselaer – mid-fifties, confident American (an American high up in MI6?), head of the Economics Intelligence Committee of SIS, sleek, suspicious. His plans took a knock with the defection of the agent called Brahms Four in the previous novel, upon whose steady flow of economic intelligence about the Russkies Bret had built a little empire within SIS.
- Henry Tiptree – contemporary of Dicky’s at Balliol college, Oxford, and now SIS’s man in Mexico where he lends Dicky and Samson a notably clapped-out car, before mysteriously appearing 150 pages later in the Berlin boarding house Samson routinely stays in. Is he following Samson? Is he investigating him?
- MacKenzie – the probationer in the Department, tasked by Samson with finding out who the nurse was who hijacked him, and who is discovered dead in the safe house in Bosham.
- Sir Henry Clevemore – Director-General of the Department, who Samson thinks is more or less gaga.
His room was dim and smelled of leather chairs and dusty books that were piled upon them. The D-G sat by the window behind a small desk crowded with family photos, files, trays of paperwork and long-forgotten cups of tea. It was like entering some old Egyptian tomb to chat with an affable mummy… I suppose everyone had the same protective feeling when talking with the D-G. That’s no doubt why the department was something of a shambles. (p.323-324)
Sir Henry is made to be such a clapped-out figure of fun it slightly risks derailing the novel altogether into Carry On Spying territory. Odd.
- Werner Volkmann – Samson’s oldest friend from his Berlin childhood, big, bearlike, he runs a successful if unofficial import-export agency into East Berlin but is keen to work for (and be paid by) the Department.
- Zena, Werner’s wife, young tough, ambitious. Show me the money.
- Erich Stinnes – thin professional KGB man who was itching to ‘interrogate’ Samson in Stasi headquarters in Berlin in the first novel, but was restrained by the defecting mole, obviously his superior who, in the big revelation scene, turns out to be Samson’s wife, Fiona.
Like a game of chess the plot revolves around this key move of getting Stinnes to defect and what it would mean. We only actually meet him and hear him speak briefly. The vast majority of the narrative is given over to different permutations of characters discussing at great length whether: Stinnes is genuine KGB; whether he genuinely wants to defect; whether he is genuinely alienated by Fiona taking over as his boss in the East Berlin KGB, or whether Fiona is arranging for him to defect and take with him a load of misleading information.
While the will he/won’t he debate goes on, another layer of meaning opens up as colleagues suggest to him that Stinnes might defect and incriminate him, Samson, as in some way supporting and collaborating with his wife. He might be framed. Assuming he is innocent. Samson is shocked to realise that almost the whole department suspects him. In fact, it is obvious that Fiona’s defection will contaminate him; during 14 years of marriage, surely he suspected something. Samson is shocked when Frank Harrington, the man who keeps telling him he feels like a father to him and has tried to protect him – nakedly offers him encouragement to go now, leave from his Berlin house now, to the other side, before London traps him. Even Frank thinks he is a traitor.
But then the whole tenor of the book, the whole experience of reading it, is to be immersed in this wilderness of mirrors where absolutely everyone suspects everyone else all the time, and Samson is wandering through it, lying and deceiving like the others, simultaneously trying to read his colleagues multiple motives.
There are a handful of colourful events.
1. Samson offers a pretty young nurse struggling with her broken down car a lift to her hospital when she pulls out a hypodermic syringe full of poison and orders him to drive to Heathrow where he is astonished when Fiona gets into the back of the car. She offers him a deal: keep his hands off Stinnes and she will leave the children be, and not try to contact or snatch them (something which has been worrying Samson ever since her departure). When nurse and Fiona exit the car he is so stunned he needs time to work out the implications and so fails to report the incident to his bosses. Big mistake.
2. Samson tasks a keen young colleague to track down the nurse. This he does too well because Werner calls him from a safe house in Bosham, Sussex, where Samson arrives to find various female paraphernalia – definitely connected with the nurse (the syringes) possibly a place where Fiona has hidden and altered her appearance – and the corpse of the young apprentice who has been brutally and repeatedly shot.
3. Just after Frank Harrington makes his sheepish suggestion to Samson that he defect, now, while he still can, Harrington receives an official call that Biedermann has been stopped at Orly airport, Paris, carrying top secret NATO documents. Samson flies there and is allowed to see Biedermann and begins to realise it is a set-up. Bidermann had never seen the documents, the driver of the taxi which took him to the airport for a normal domestic flight to his Italian holiday home, came running after him and said Monsieur you left these in the taxi, thrusting them into Biedermann’s hands and he was going to turn them over to the cops or someone when he was himself arrested ‘on a tip-off’. Samson is pondering all this when a junior cop gives him sandwiches and a coffee to take into Biedermann which he does, then returns to the French inspector’s office who yells, sandwiches? coffee? for a suspect? And when they race down to the cell Biedermann is very dead from cyanide poisoning.
Samson is recalled to London where he is subjected to a prolonged grilling by Bret, with Cruyer and Harrington and others in attendance. Their accusation is that he knew about Fiona. He is a fellow KGB spy. He has deliberately slowed down ‘enrolling’ Stinnes to in fact make it fail because Stinnes would incriminate him. Similarly, Biedermann knew too much about him which is why he murdered him. This long chapter airs all the possible permutations, all the ways of interpreting events up to this point though Samson eventually wriggles free by shouting them all down, shouting his innocence, and asserting the rule that a case officer continues with his case until formally dismissed. He is going to bring Stinnes in, and he gets up and walks out.
On page 345 (of the 380-page novel) we arrive back in Mexico City for the finale ie the planned defection of Stinnes. First Samson rendezvous with Werner and Zena: he is worried by how they both refer to Stinnes by his first name, Erich and Zena in particular seems fond of him. Then he meets up with Henry Tiptree, the upper class desk johnny who infuriates Samson by saying that he, Tiptree, has been given authority to manage the defection. To his horror he’s changed the rendezvous with Stinnes from busy Garibaldi Square to a private bank nearby.
Up rickety backstairs and through a steel door into a setup which is more a money-laundering racket than a bank, go Tiptree and Samson, the latter not at all surprised to find Zena there, assuming she’s come to get her claws on the money. This is counted out by the crooked owners of the bank as per Tiptree’s instructions but things go wrong with the sudden appearance of the big hood who accompanied Stinnes to Biedermann’s oceanside house all those weeks previously and has appeared by his side periodically, the brute Moskvin.
He and a sidekick pull out automatic weapons and tell everyone to put their hands on their heads. He is KGB and he has been ordered to execute Stinnes when he walks in. Is this Fiona’s doing, reaching out to kill her deputy all the way from Berlin? Zena reveals her part in the betrayal by pleading with Moskvin, saying they promised not to harm Stinnes. So it turns out she has been reporting back to the KGB all along. Steps slowly and ominously mount the stairs towards the steel door but Zena flips and attacks the kid with a machine gun like a wild cat. Moskvin steps over to punch her which gives Tiptree the opportunity to pull out a Browning pistol and shoot him in the leg.
The ominous footsteps turn out, comically, to be those of a little boy sent by Stinnes to find Samson and tell him he is waiting at the place they arranged. Samson grabs the money, leaving Tiptree pointing a gun at the others and with some explaining to do as and when the police arrive. He hops over the back wall ducks along an alley and finds Stinnes waiting in a taxi, and off to the airport they go, job done.
As this is the middle instalment of a trilogy, I imagine the full implications of this will become clear in the next book (as many of the implications of the first book only unfolded in this one).
Deighton’s descriptions of the sights and sounds and smells of Mexico City are full and persuasive: the oppressive humidity, the surrounding mountains and melodramatic scenery.
From [the balcony of Werner’s flat] was a view across this immense city, with the mountains a dark backdrop. The dying sun was turning the world pink, now that the stormclouds had passed over. Long ragged strips of orange and gold cloud were torn across the sky, like a poster advertising a smog-reddened sun ripped by a passing vandal. (p.15)
Or his impression of the jungle as he drives through it to Biedermann’s ocean front mansion.
The jungle stinks. Under the shiny greenery, and the brightly coloured tropical flowers that line the roadsides like the endless window displays of expensive florists, there is a squelchy mess of putrefaction that smells like a sewer. (p.30)
But dominating everything is the size and noise of the vast metropolis, the appalling smog, the vast tides of people, the canned music spurting from a hundred cheap radios, the garish street markets and the appalling food: Samson the foodie has an amusing prejudice against hispanic cuisine with its countless ways to recycle the same boring tacos and awful reheated bean sludge (in London Match he says: ‘my dislike of Spanish and Portuguese cooking is exceeded only by my dislike of the fiery stodge of Latin America’ (p.185)) , though even here he is never at a loss when it comes to food facts.
[Dicky] read the sign. ‘What are carnitas?’
‘Stewed pork. He’s serving it on chicharrones: pork crackling. You eat the meat, then you eat the plate.’ (p.61)
He may not have realised his wife was a KGB spy, but about food – as about German accents, the map of Berlin, guns, computers and the minutiae of KGB and wartime Nazi organisations – Samson is never wrong.
Man of the world As pointed out in my review of Berlin Game, the thriller writer or his protagonist, need to show us he is a man of the world, an expert in many forms of knowledge, and so the text is dotted with offhand insights and knowing asides.
She had that chin-up stance that makes so many Mexicans look as if they are ready to balance a water jug on their heads. (p.23)
Paul Biedermann had become unreservedly American in a way that only Germans are able to do. (p.49)
It was, of course, that sort of evasive temporising that armchair psychologists call ‘displacement activity’. (p.51)
He stubbed out his cigarette. He had that American habit of stubbing them out half smoked. (p.294)
They all kept their hands on their heads, and they all had that patient and passive visage that makes the people of Latin America so recognisably different from the Latin people of Europe. (p.375)
Foodie We know Deighton has special knowledge and expertise when it comes to cookery and cuisine because of his successful cook books. No surprise, then, that his narrator is a knowledgable guide to the food of Mexico, and even more so, the tastes and aromas of Europe.
It was an old German custom to offer schnapps with the eel and use the final drain of it to clean the fingers. But like lots of German customs it was now conveniently discontinued. (p.240)
[The coffee] had that bitter smell of the high-roast coffee that the French like so much. (p.295)
War knowledge And as we know from his deeply researched histories of World War Two and the novels based on them, Deighton has an extraordinary knowledge of WWII history, weapons and hardware and, especially, organisational structures.
[The Russians had] gathered together the scattered remnants of SS unit Amt VI F, which from Berlin’s Delbruckstrasse – and using the nearby Spechthausen bei Eberswalde paper factory, and forgers housed in the equally nearby Oranienburg concentration camp – had supervised the manufacture of superb forgeries of everything from Swedish passports to British five-pound notes. (p.260)
Bureaucracy There are countless references to the labyrinthine bureaucracy of Whitehall, to the endless delays of Civil Service bureaucracy, references to characters being worried about their pensions, and so on – the same humorous, long-suffering attitude of the Ipcress narrator.
Then there is the permanent thread of resentment Samson has against public school desk men, and the Oxbridge mafia – ‘those stony-faced Oxbridge men in London Central’ (p.298). There are frequent references to the nepotism and string-pulling which got a lot of their colleagues their jobs (unlike him, of course). It’s not a pose – Samson really doesn’t like these guys.
Morgan was a white-faced Welshman whose only qualification for being in the department were an honours degree in biology and an uncle in the Foreign Office. He looked at me as if I were an insect floating in his drink…. On the day I leave the department I’m going to punch Morgan in the nose. It is a celebration I’ve been promising myself for a long time. (p.309)
And office politics Almost more fatal than anything the KGB can pull is the complex backstabbing, alliance making and breaking, the manoeuvring and manipulation within his own little department, which is going on all the time and which actually makes up a lot of the text. In a sense very little happens in these novels, apart from a few florid scenes – kidnapping by the nurse, the dead body in the safe house, Biedermann poisoned in the cell. Only at the end is there a shootout and positively no car chases.
It is much more psychological than that. The book, both these books, are almost entirely about the rotating ever-shifting relations, the mistrustful probing and evasive conversations between Samson, Cruyer, Rensaeller and Harrington – all the rest is local colour or the minimum amount of events necessary to create a satisfying sense of conspiracy and skulduggery.
And cutting through it all is Samson’s resolute non-Oxford attitude, his contempt for the pipe-smoking, donnish desk jockeys who rule over him, and his sometimes comically crude assessments of what is really going on in the innumerable meetings, conversations and interrogations which the book is full of.
Good old Dicky… He’d realised that this might well turn out to be the opportunity he’d been waiting for; the opportunity to dump a bucket of shit over Bret’s head. (p.311)
Len Deighton’s novels
1962 The IPCRESS File Through the thickets of bureaucracy and confusing misinformation which surround him, an unnamed British intelligence agent discovers that his boss, Dalby, is in cahoots with a racketeer who kidnaps and brainwashes British scientists.
1963 Horse Under Water Perplexing plot which is initially about diving into a wrecked U-boat off the Portuguese coast for Nazi counterfeit money, then changes into the exposure of an illegal heroin manufacturing operation, then touches on a top secret technology which can change ice to water instantly (ie useful for firing missiles from submarines under Arctic ice) and finally turns out to be about a list – the Weiss List – of powerful British people who offered to help run a Nazi government when the Germans invaded, and who are now being blackmailed. After numerous adventures, the Unnamed Narrator retrieves the list and consigns it to the Intelligence archive.
1964 Funeral in Berlin The Unnamed Narrator is in charge of smuggling a Russian scientist through the Berlin Wall, all managed by a Berlin middle-man Johnnie Vulkan who turns out to be a crook only interested in getting fake identity papers to claim the fortune of a long-dead concentration camp victim. The Russians double-cross the British by not smuggling the scientist; Vulkan double-crosses the British by selling the (non-existent) scientist on to Israeli Intelligence; the Narrator double-crosses the Israelis by giving them the corpse of Vulkan (who he has killed) instead of the scientist; and is himself almost double-crossed by a Home Office official who tries to assassinate him in the closing scenes, in order to retrieve the valuable documents. But our Teflon hero survives and laughs it all off with his boss.
1966 Billion-Dollar Brain The Unnamed Narrator is recruited into a potty organisation funded by an American billionaire, General Midwinter, and dedicated to overthrowing the Soviet Union. A character from Funeral In Berlin, Harvey Newbegin, inducts him into the organisation and shows him the Brain, the vast computer which is running everything, before absconding with loot and information, and then meeting a sticky end in Leningrad.
1967 An Expensive Place to Die A new departure, abandoning all the characters and much of the style of the first four novels for a more straightforward account of a secret agent in Paris who gets involved with a Monsieur Datt and his clinic-cum-brothel. After many diversions, including an induced LSD trip, he is ordered to hand over US nuclear secrets to a Chinese scientist, with a view to emphasising to the Chinese just how destructive a nuclear war would be and therefore discouraging them from even contemplating one.
1968 Only When I Larf Another departure, this is a comedy following the adventures of three con artists, Silas, Bob and Liz and their shifting, larky relationships as they manage (or fail) to pull off large-scale stings in New York, London and the Middle East.
1970 Bomber A drastic change of direction for Deighton, dropping spies and comedy to focus on 24 hours in the lives of British and German airmen, soldiers and civilians involved in a massive bombing raid on the Ruhr valley. 550 pages, enormous cast, documentary prose, terrifying death and destruction – a really devastating indictment of the horrors of war.
1971 Declarations of War Thirteen short stories, all about wars, mainly the first and second world wars, with a few detours to Vietnam, the American Civil war and Hannibal crossing the Alps. Three or four genuinely powerful ones.
1972 Close-Up Odd departure into Jackie Collins territory describing the trials and tribulations of fictional movie star Marshall Stone as he betrays his wife and early lovers to ‘make it’ in tinseltown, and the plight he currently finds himself in: embroiled in a loss-making production and under pressure from the scheming studio head to sign a lucrative but career-threatening TV deal.
1974 Spy Story The Unnamed Narrator of the Ipcress spy novels returns, in much tamer prose, to describe how, after escaping from the ‘Service’ to a steady job in a MoD war games unit, he is dragged back into ‘active service’ via a conspiracy of rogue right-wingers to help a Soviet Admiral defect. Our man nearly gets shot by the right-wingers and killed by Russians in the Arctic, before realising the whole thing was an elaborate scam by his old boss, Dawlish, and his new boss, the American marine General Schlegel, to scupper German reunification talks.
1975 Yesterday’s Spy Another first-person spy story wherein a different agent – though also working for the American Colonel Schlegel, introduced in Spy Story – is persuaded to spy on Steve Champion, the man who ran a successful spy ring in Nazi-occupied France, who recruited him to the agency and who saved his life back during the war. Via old contacts the narrator realises Champion is active again, but working for Arabs who are planning some kind of attack on Israel and which the narrator must foil.
1976 Twinkle, Twinkle, Little Spy (aka Catch a Falling Spy) The narrator and his CIA partner manage the defection of a Soviet scientist, only for a string of murder attempts and investigations to reveal that a senior US official they know is in fact a KGB agent, leading to a messy shootout at Washington airport, and then to an unlikely showdown in the Algerian desert.
1977 Fighter: The True Story of the Battle of Britain Abandoning fiction altogether, Deighton published this comprehensive, in-depth and compelling history, lavishly illustrated with photos and technical diagrams of the famous planes involved.
1978 SS-GB A storming return to fiction with a gripping alternative history thriller in which the Germans succeeded in invading and conquering England in 1941. We follow a senior detective at Scotland Yard, Douglas Archer, living in defeated dingy London, coping with his new Nazi superiors, and solving a murder mystery which unravels to reveal not one but several enormous conspiracies.
1979 Blitzkrieg: From the Rise of Hitler to the Fall of Dunkirk Another factual history of WWII: Deighton moves quickly over Hitler’s rise to power and the diplomatic bullying of the 1930s, to arrive at the core of the book: an analysis of the precise meaning of ‘Blitzkrieg’, complete with detailed notes on all the weapons, tanks, artillery and hardware involved, as well as the evolution of German strategic thinking; and then its application in the crucial battle for the river Meuse which determined the May 1940 Battle for France.
1980 Battle of Britain
1981 XPD SIS agent Boyd Stuart is one of about 20 characters caught up in the quest for the ‘Hitler Minutes’, records of a top secret meeting between Hitler and Churchill in May 1940 in which the latter was (shockingly) on the verge of capitulating, and which were ‘liberated’ by US soldiers, along with a load of Nazi gold, at the very end of the war. Convoluted, intermittently fascinating and sometimes moving, but not very gripping.
1982 Goodbye, Mickey Mouse Six months in the life of the 220th Fighter Group, an American Air Force group flying Mustangs in support of heavy bombers, based in East Anglia, from winter 1943 through spring 1944, as we get to know 20 or so officers and men, as well as the two women at the centre of the two ill-fated love affairs which dominate the story.
1983 Berlin Game First of the Bernard Samson spy novels in which this forty-something British Intelligence agent uses his detailed knowledge of Berlin and its spy networks to ascertain who is the high-level mole within his Department. With devastating consequences.
1984 Mexico Set Second of the first Bernard Samson trilogy (there are three trilogies ie 9 Samson books), in which our hero manages the defection of KGB agent Erich Stinnes from Mexico City, despite KGB attempts to frame him for the murder of one of his own operatives and a German businessman. All that is designed to make Bernard defect East and were probably masterminded by his traitor wife, Fiona.
1985 London Match Third of the first Bernard Samson spy trilogy in which a series of clues – not least information from the defector Erich Stinnes who was the central figure of the previous novel – suggest to Samson that there is another KGB mole in the Department – and all the evidence points towards smooth-talking American, Bret Rensselaer.
1987 Winter An epic (ie very long and dense) fictionalised account of German history from 1900 to 1945, focusing on the two Winter brothers, Peter and Paul, along with a large supporting cast of wives, friends, colleagues and enemies, following their fortunes through the Great War, the Weimar years, the rise of Hitler and on into the ruinous Second World War. It provides vital background information about nearly all of the characters who appear in the Bernard Samson novels, so is really part of that series.
1988 Spy Hook First of the second trilogy of Bernard Samson spy novels in which Bernie slowly uncovers what he thinks is a secret slush fund of millions run by his defector wife with Bret Rensaeller (thought to be dead, but who turns up recuperating in a California ranch). The plot involves reacquaintance with familiar characters like Werner Volkmann, Frau Lisl (and her sister), old Frank Harrington, tricky Dicky Cruyer, Bernie’s 23-year-old girlfriend Gloria Kent, and so on.
1989 Spy Line Through a typically tangled web of incidents and conversations Samson’s suspicions are confirmed: his wife is a double agent, she has been working for us all along, she only pretended to defect to the East. After numerous encounters with various old friends of his father and retired agents, Samson finds himself swept up in the brutal, bloody plan to secure Fiona’s escape from the East.
1990 Spy Sinker In the third of the second trilogy of Samson novels, Deighton switches from a first-person narrative by Samson himself, to an objective third-person narrator and systematically retells the entire sequence of events portrayed in the previous five Samson novels from an external point of view, shedding new and sometimes devastating light on almost everything we’ve read. The final impression is of a harrowing world where everyone is deceiving everyone else, on multiple levels.
1991 MAMista A complete departure from the Cold War and even from Europe. Australian doctor and ex-Vietnam War veteran Ralph Lucas finds himself caught up with Marxist guerrillas fighting the ruling government in the (fictional) South American country of Spanish Guiana and, after various violent escapades, inveigled into joining the long, gruelling and futile trek through the nightmareish jungle which dominates the second half of the novel.
1992 City of Gold A complex web of storylines set in wartime Cairo, as the city is threatened by Rommel’s advancing Afrika Korps forces in 1942. We meet crooks, gangsters, spies, émigrés, soldiers, detectives, nurses, deserters and heroes as they get caught up in gun smuggling, black marketeering and much more, in trying to track down the elusive ‘Rommel spy’ and, oh yes, fighting the Germans.
1993 Violent Ward Very entertaining, boisterous first-person narrative by Los Angeles shyster lawyer Mickey Murphy who gets bought out by his biggest client, menacing billionaire Zach Petrovitch, only to find himself caught up in Big Pete’s complex criminal activities and turbulent personal life. The novel comes to a climax against the violent backdrop of the Rodney King riots in Los Angeles in April 1992.
1993 Blood, Tears and Folly: An Objective Look at World War II
1994 Faith Return to Bernard Samson, the 40-something SIS agent, and the world of his friends and family, familiar to us from the previous six Samson novels. Most of the characters (and readers) are still reeling from the bloody shootout when his wife returned from her undercover mission to East Germany at the climax of the previous novel. This book re-acquaints us with all the well-loved characters from the previous stories, in a plot ostensibly about smuggling a KGB colonel out from the East, but is really about who knows the truth – and who is trying to cover up – the real cause of the Fiona-escape debacle.
1995 Hope 40-something SIS agent Bernard Samson continues trying to get to the bottom of the death of his sister-in-law, Tessa Kosinski and is soon on the trail of her husband, George, who has gone missing back in his native Poland.
1996 Charity Ninth and final Bernard Samson novel in which it takes Bernard 300 pages to piece together the mystery which we readers learned all about in the sixth novel of the series, ie that the plot to murder Fiona’s sister, Tessa, was concocted by Silas Gaunt. Silas commissioned Jim Prettyman to be the middle-man and instructed him to murder the actual assassin, Thurkettle. Now that is is openly acknowledged by the Department’s senior staff, the most striking thing about the whole event – its sheer amateurish cack-handedness – is dismissed by one and all as being due to Gaunt’s (conveniently sudden) mental illness. As for family affairs: It is Bret who ends up marrying Bernard’s one-time lover, the glamorous Gloria; Bernard is finally promised the job of running the Berlin Office, which everyone has always said he should have: and the novel ends with a promise of reconciliation with his beautiful, high-flying and loving wife, Fiona.