‘This sounds like a cross between a jigsaw puzzle and a detective story,’ I said.
Quiet accountant Jeremy Wheale’s life is turned upside down when his brother is shot dead on the family farm in Devon, and a lot of people are suddenly showing interest in a family heirloom, a brass tray which turns out to be the clue to a fabulous Mayan treasure.
Manuel de Vivero was taken prisoner by the Mayans during the Spanish invasion of Central America early in the 1500s but wrote a letter from captivity in the Mayan city of Uaxuanoc to his two sons, accompanied by two presents. The set-up is that a) the city was overflowing with gold – buildings and temples and treasure and everyday utensils made from gold b) the two trays, when combined, give the clue to the location of this lost city.
The idea of a set of physical artefacts which need to be combined to give the location of lost treasure is slightly reminiscent of the founding adventure story, Treasure Island (1883) but reminds me more of the Tintin adventure, The Secret of the Unicorn (1943) where the maps found in three model boats must be combined to give the location of the treasure.
Thriller or adventure?
Like The Golden Keel maybe this isn’t a thriller at all, it’s more straight adventure story with some thrilling scenes at the end. According to Wikipedia, ‘Thrillers may be defined by the primary mood that they elicit: fearful excitement. In short, if it “thrills”, it is a thriller.’ For two thirds of the text this book, like Keel, does not thrill. It moves slowly and leisurely as the protagonist, in perfect safety, finds out about the Vivero Letter, the importance of his ‘tray’, persuades the rival archaeologists to collaborate and accompanies them to their luxury house in Mexico City, then to base camp on the Yucatan peninsula, then helps with the prolonged and rather boring excavations to find the ruined city.
Only in the last fifth or so of the text does the gear shift as baddies try to muscle in on the dig to steal the excavated treasure. Only at this point do we enter ‘thriller’ territory ie enter the atmosphere of tension and jeopardy and reach full throttle in the last thirty pages which combine an armed attack on the base, the arrival of a tropical hurricane, a tense escape to an underwater cavern, and then a nail-biting duel with machetes!
The tale is told by Wheale as first person narrative, and his ignorance of archaeology, history and so on help to smooth over a series of improbable coincidences and unlikely events – that the tray/treasure clue ever came into his family’s possession, that a couple of American archaeologists both just happened to read an article in the local Devon papers about it (!) and that brings them both to his door, that Wheale can persuade the rivals (who both know about the letter and its secret) to work together on a joint treasure hunting expedition in Mexico, and so on.
Ordinary man protagonist
But the main oddity of the story is that Bagley goes out of his way to make Wheale a boring non-entity, a timid accountant. This is established in the opening scene at a ‘swinging 60s’ party where he overhears his with-it girlfriend describe him as deadly dull, ‘a grey little man in a grey little job’. His on-impulse decision to force the two collectors to take him on the treasure hunt is supposed to be his response to this hurtful jibe. This ‘I am not a hero’ theme runs very self-consciously throughout the text:
Jemmy Wheale, New Elizabethan, adventurer at large – have gun, will travel. The thought made me smile, and the man in the mirror smiled back at me derisively. I didn’t have a gun and I doubted whether I could use one effectively, anyway. I suppose a James bond type would have unpacked his portable helicopter and taken off after Jack Gatt long ago, bringing back his scalp and couple of his choicest blondes. Hell, I didn’t even look like Sean Connery. (Ch 5, I)
And yet he is the hero. He is foolhardy enough to go to Mexico with the archaeologists, he is man enough to stand up to the bullying one, Halstead, and to provoke him by flirting with his wife. He turns out to be an advanced scuba diver, capable of organising and running a sustained joint dive to the bottom of the giant well in the abandoned city where most of the treasure is found. And then, when the baddies move in, he is tough enough to survive a helicopter crash and several days in the jungle before coming to the rescue of the other goodies, shooting dead about four of the attackers, he organises the armed resistance, getting rid of the treasure, saves the girl in the underwater cave and turns out to be an expert fencer (that’s fighter with a sword). I know a few boring English accountants. They couldn’t do all this.
This primitive world of kill or be killed was a long way from Cannon Street and the bowler-hatted boys. What the hell was a grey little man like me doing here? (Ch 10, I)
In fact the ‘ordinary joe’ schtick is a routine, part of Bagley’s brand, making him stand out distinctly from Le Carré’s spies, from the special agents who feature in MacLean’s 1960s thrillers and, of course, from the great dominating figure in this field, Commander Bond.
Maybe Sheila had been correct when she had described me as a grey man but only in a circumscribed way. She expected Sean Connery disguised as James Bond and what she got was me – just a good, old-fashioned, grey, average type. (Ch 1)
But asserting something in a fiction is not the same as dramatising it. Wheale doesn’t actually think or behave anything like the boring accountant the author keeps telling us he is. In Landslide Bagley keeps repeating that Bob Boyd is a man who (due to the car crash he was in) does not know his true identity and that this plunges him into some kind of existentialist crisis – but it doesn’t; it doesn’t make any difference to the way the character actually thinks or behaves. Same here with Mr grey accountant Wheale. Despite the author’s assertions to the contrary, both these characters behave like the standard Bagley hero, tough, resourceful, unafraid, physically fit and strangely attractive to the only nubile woman in the vicinity who he ends up carrying off into the sunset.
As usual, half the pleasure of reading Bagley is for the encyclopedia-style information which not only decorates the text but which the story is in fact premised on. A reader of this book learns a lot about the (two) Mayan empire(s), about the geography of the Yucatan Peninsula, a lot about scuba diving to depths of 120 feet or so, there is a neat exposition of how a helicopter works (to explain how one is sabotaged), as well as some introductory facts about the Mafia in case you hadn’t heard of them before.
As in The Golden Keel (which is stuffed from start to finish with detailed information about yacht design, building and sailing) the dense factuality of Mayan history and archaeology takes the place of the ‘thrill’. As in Keel we are introduced to the possible baddy Metcalfe fairly early on, but it is only in the last 50 pages that he becomes an explicit enemy in the exciting sea race across the Med – so in this book we are introduced to the Mafia boss John Gatt fairly early on as a possible instigator of the murder of Wheale’s brother, only for him to be forgotten in the detail of diving and digging which takes up the next 150 pages, and only for him to reappear in the last 50 pages leading the attack on the archaeologists (and their treasure).
Thus the majority of the text of these books is not thrilling. It is taken up with lengthy descriptions of the interplay between fairly mundane characters, in Vivero between the accountant-turned-adventurer Wheale, the multi-millionaire archaeologist Fallon, his embittered rival Halstead, Halstead’s dishy and deluded wife Katherine, Fallon’s savvy investigator Harris (who provides the factual info about John Gatt and the mafia), as well as the factual background listed above as well as plenty of detail about how to set up a camp in a tropical rainforest, and so on.
All of this stuff is interesting, and the low-level drama between the characters is amusing in a kitschy Dallas kind of way, but thrilling it is not. A sober, factually-based adventure story with a thrilling finale is what it is.
- The Vivero Letter (and The Golden Keel) on Amazon
- The Vivero Letter on Wikipedia
- Desmond Bagley Wikipedia article
- Wikipedia article about Thrillers
1963 The Golden Keel – South African boatbuilder Peter ‘Hal’ Halloran leads a motley crew to retrieve treasure hidden in the Italian mountains by partisans during WWII, planning to smuggle it out of Italy and back to SA as the golden keel of a boat he’s built for the purpose.
1965 High Citadel – Pilot Tim O’Hara leads the passengers of a charter flight crash-landed in the Andes in holding off attacking communists.
1966 Wyatt’s Hurricane – A motley crew of civilians led by meteorologist David Wyatt are caught up in a civil war on the fictional island of San Fernandes just as a hurricane strikes.
1967 Landslide – Tough Canadian geologist Bob Boyd nearly died in a car wreck ten years ago. Now he returns to the small town in British Columbia where it happened to uncover long-buried crimes and contemporary skulduggery.
1968 The Vivero Letter – ‘Grey’ accountant Jeremy Wheale leads an archaeology expedition to recover lost Mayan gold and ends up with more adventure than he bargained for as the Mafia try to muscle in.
1969 The Spoilers – Heroin specialist Nick Warren assembles a motley crew of specialists to help him break up a big drug-smuggling gang in Iraq.
1970 Running Blind – British secret agent Alan Stewart and girlfriend fend off KGB killers, CIA assassins and traitors on their own side while on the run across the bleak landscape of Iceland.
1971 The Freedom Trap – British agent Owen Stannard poses as a crook to get sent to prison and infiltrate The Scarperers, a gang which frees convicts from gaol but who turn out to be part of a spy network.
1973 The Tightrope Men – Advertising director Giles Denison goes to bed in London and wakes up in someone else’s body in Norway, having become a pawn in the complex plans of various espionage agencies to get their hands on vital secret weapon technology.
1975 The Snow Tiger – Ian Ballard is a key witness in the long formal Inquiry set up to investigate the massive avalanche which devastated the small New Zealand mining town of Hukahoronui.
1977 The Enemy – British Intelligence agent Malcolm Jaggard gets drawn personally and professionally into the secret past of industrialist George Ashton, amid Whitehall power games which climax in disaster at an experimental germ warfare station on an isolated Scottish island.
1978 Flyaway – Security consultant Max Stafford becomes mixed up in Paul Billson’s quixotic quest to find his father’s plane which crashed in the Sahara 40 years earlier, a quest involving extensive travel around North Africa with the charismatic American desert expert, Luke Byrne, before the secret is revealed.
1980 Bahama Crisis – Bahamas hotelier Tom Mangan copes with a series of disastrous misfortunes until he begins to realise they’re all part of a political plot to undermine the entire Bahamas tourist industry and ends up playing a key role in bringing the conspirators to justice.
1982 Windfall – Max Stafford, the protagonist of Bagley’s 1978 novel Flyaway, gets involved in a complex plot to redirect the fortune of a dead South African smuggler into a secret operation to arm groups planning to subvert Kenya, a plot complicated by the fact that an American security firm boss is simultaneously running his own scam to steal some of the fortune, and that one of the key conspirators is married to one of Stafford’s old flames.
1984 Night Of Error – Oceanographer Mike Trevelyan joins a boatload of old soldiers, a millionaire and his daughter to go looking for a treasure in rare minerals on the Pacific Ocean floor, a treasure two men have already died for – including Mike’s no-good brother – and which a rival group of baddies will stop at nothing to claim for themselves, all leading to a hair-raising climax as goodies and baddies are caught up in a huge underwater volcanic eruption.
1985 Juggernaut – Neil Mannix is the trouble shooter employed by British Electric to safeguard a vast transformer being carried on a huge flat-bed truck – the juggernaut of the title – across the (fictional) African country of Nyala towards the location of a flagship new power station, when a civil war breaks out and all hell breaks loose.