Kipling’s reputation leapt even higher on the publication in 1892 of the Barrack Room Ballads (known as ‘series 1’, since he ended up publishing a further set or ‘series 2’ in 1896).
It took me just over 40 minutes to read the 21 short poems in this book and, wow, what a punch they still pack! I love music hall songs, and so I love the voice and ballad form of these poems. I love the Cockney spelling, I love the humour which shines out of every line, the cheekiness of the soldier, and the cheekiness of Kipling’s romanticising the soldier. My favourite is Fuzzy Wuzzy, which I’ve read out numerous times to the kids (these poems being designed to recite, boom or chant out loud). There is energy and enthusiasm and verbal felicity, there is something to entertain, in every poem.
‘E rushes at the smoke when we let drive,
An’, before we know, ‘e’s ‘ackin’ at our ‘ead;
‘E’s all ‘ot sand an’ ginger when alive,
An’ ‘e’s generally shammin’ when ‘e’s dead.
‘E’s a daisy, ‘e’s a ducky, ‘e’s a lamb!
‘E’s a injia-rubber idiot on the spree,
‘E’s the on’y thing that doesn’t give a damn
For a Regiment o’ British Infantree!
For their late-Victorian audience, they also made their mark by giving ‘official’, published voice to the little-heard-from Tommy, the ordinary soldier, the backbone of the Army which policed the greatest Empire the world has ever seen. Their boisterous confidence of form and tone, their geographic sweep, their underdogs’ point of view, combined to make a great hit and Kipling into a literary sensation.
These poems from the late 1880s refer to Britain’s ongoing wars in the Sudan, in Afghanistan and in Burma where we were attempting to bring Peace and Civilisation. I open today’s paper (May 2012) and read that civil war is once again threatening in Sudan, the Americans are finally considering ending their 10 year occupation of Afghamistan, and the Burmese military have only just allowed the first fair elections in a generation to their oppressed population. Kipling may seem like a buffoon to us now, but we’re not doing an exactly brilliant job of solving the problems his generation struggled with.
I’ve found musical versions of some of the ballads, sung by the (then) world-famous Australian bass-baritone, Peter Dawson. I defy you not to smile!
Other Kipling reviews
- Strange Tales (2006)
- The Best Short Stories (1997)
- Rudyard Kipling: Selected Poetry edited by Craig Raine (1992)
- War Stories and Poems (1990)
- Rudyard Kipling: Selected Verse edited by James Cochrane (1977)
- Rudyard Kipling: His Life and Art by Charles Carrington (1955)
- Charles Carrington on Kipling’s verse (1955)
- A Choice of Kipling’s Verse by T.S. Eliot (1941)
- Something of Myself (1937)
- Limits and Renewals (1932)
- The Muse Among the Motors (1904-1929)
- Debits and Credits (1926)
- A Diversity of Creatures (1917)
- Rewards and Fairies (1910)
- Actions and Reactions (1909)
- Puck of Pook’s Hill (1906)
- Traffics and Discoveries (1904)
- Just So stories (1902)
- Kim (1901)
- The Absent-Minded Beggar (1899)
- Stalky and Co (1899)
- The Day’s Work (1898)
- Captains Courageous (1897)
- The Seven Seas (1896)
- The Jungle Books (1895, 1895)
- Many Inventions (1893)
- Barrack Room Ballads (1892)
- Life’s Handicap (1891)
- The Light That Failed (1891)
- The Man Who Would Be King and other stories (1888)
- Plain Tales From The Hills (1888)